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#the quotes from this show are everything
silver-cyn · 24 days
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X men ‘97
Ya’ll, I was on episode 3 and tonight I blew through the rest of the episodes. I am all caught up.
All I can say is wow. Damn.
Gambit 💔💔💔
Genosha 💔💔💔💔💔💔💔
Rogue went Rogue. Was she right or wrong? I don’t care. Seeing her take the kid gloves off and let loose was cathartic.
Episode 8 Magneto did a thing. And he did it very well! The music and Val’s voiceover went perfectly over what he did.
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I really appreciate all the things xmen 97 is saying. Because my ideal way is Charles’s way, but keeping it real, I would most likely be lining up behind Magneto.
Is there a middle ground? Where does it end? When you try over and over to do the right thing, the right way but the people are not having it. When is enough enough? How far can you go before you cross the line? So easy to talk about the ideal way of doing things but when you’re being beat down over and over for just being yourself? It wears you down. It can grind you down into the dust. It’s natural to fight back for your right to live. And then you have others trying to do things peacefully. That is not an easy walk AT ALL. How do they do it? Because they are going through it too .This show omg…
Ok - I’m going to step back and soak in the feels from all this.
I love this show. ❤️❤️❤️
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floriianthefool · 5 months
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on longing, romance, and every in-between.
References:
1: painting by Filippo Lippi
2: John Koenig 'The Dictionary of Obscure Sorrows'
3: painting by Anthony van Dyck, 'Portrait of Mary and William of Orange'
4: uncertain, will be added once found
5: painting by Luis Caballero
6: 'Elegy for My Sadness' by Chen Chen
7: a fragment of ourselves returning v, 2018 by Beatrice Wanjiku
8: Richard Siken
9: uncertain, will be added once found
10: Tumblr post by @mothicalspoken
11: uncertain, will be added once found
12: Joan Tierney
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beaulesbian · 10 months
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I'ts like there's a rope attached to my chest and it keeps pulling me towards you. And it feels so right. - Red, White and Royal Blue (2023)
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"On purpose. I love him on purpose." - Red, White and Royal Blue, chapter 13, by Casey McQuiston
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skipblebee · 7 months
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HELLO PETRIGROF NATION 🤩🤩 Fionna and Cake finale destroyed me and made me very sad so I couldn't draw anything except silly doodles to cope pls enjoy
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nebulouscoffee · 10 months
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"My name is Nyota. I'm the communications officer, I- I was born in Kenya- I used to have a cat, named Kamili. My first memory is watching my dad play the piano. I'm real."
Okay but I was wholly unprepared for how much it would mean to me to see more of Uhura's African identity actually being canonised by this show. The "I'm real" especially got to me; just a throwaway line but it really made me think of the Ben Sisko/Benny Russell parallels! Nyota, born in the 23rd century, is exactly the sort of person Benny Russell dreamed could exist in the future. She is real! She exists!
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ladystoneboobs · 2 months
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no of fence to jon snow fans who for some reason care about his exact age, but these discussions just annoy me no end. not only bc there's no way any weirwood flashbacks bran has to rhaegar/lyanna will come with time/datestamps, but also bc there's always comments like this:
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SEVERAL turns of the moon (ie, months)?! have these people never seen a human baby before or just have no concept of their ages? even if we take into account travel time from the toj to wf, meaning jon was not a newborn too fresh out the oven when catelyn and robb arrived, there's still a difference between a newborn and a 3mo and an even bigger difference between those infants and an older baby 5-7mo. there's very good reasons these lines were cut. whatever birthdates can be worked out internally for jon and robb from when they're first mentioned as 15 and 16 don't matter in the end, bc grrm doesn't care about a consistent timeline and the actual text of catelyn's pov and ned's convo with robert about cheating on her should outweigh any guesstimates about jon's official nameday wrt robb's. catelyn may not have cared for jon, but she would sure as hell have noticed his nameday if it came before robb's and made him ned's firstborn. if jon's birthday canonically came before robb's then either ned's cover story would not involve adultery (not impossible for him to sire a bastard before his wedding), or he'd just give jon a new nameday along with his new name to fit the adultery lie. it makes no sense for him to lie about one and not the other, undermining the big lie with a little public clue of his story not adding up. whatever else she was as a stepmother, cat wasn't stupid and a bastard who was actually the eldest son being raised alongside her trueborn heir could be an even bigger insult than whether he was born of adultery or not.
BUT, the unknowability of jon's true birthday is not the only reason this annoys me, it's bc this is all based on the assumption that jon must be older since rhaegar/lyanna ran off together before ned married cat, as if both boys must have been conceived asap as robb canonically was when his parents consummated their marriage. and that's not how human reproduction works! even if you don't understand how fast babies grow in the first year, you should know that people who get pregnant do so through ovulation cycles and a lucky sperm finding an egg and all that, not just immediately getting knocked up as soon as one has p-in-v sex for the first time. not unless you only know mean girls sex ed where if you have sex you will get pregnant and die. (even tho lyanna did die, there's plenty of canon examples where pregnancy did not lead straight to death. also examples of people who did not get pregnant right away and even some who are/were sexually active and childless without always having moon tea on hand.) we can't know how long lyanna was having sex before that sperm+egg match happened or even how long she was with rhaegar before losing her technical virginity. if they were married, doesn't it make sense to think they didn't consummate their relationship until the wedding night either? that's the only leverage there is to ensure a status as wife rather than just mistress.
and while i just said grrm doesn't care about exact timelines and a lot is still foggy surrounding the rebellion and esp rhaegar, there is one timemarker wrt robert's rebellion he voluntarily threw in, time and time again: that stannis was besieged at storm's end for almost a whole year. that siege, which mind you, did not match the duration of the entire war. it only started after robert won his battles at gulltown and summerhall, returned to storm's end, and then went out and lost the battle of ashford, leaving his homeland open to the reachermen. the same siege which only ended when ned made a detour there after the sack of king's landing, before going to the toj. even if lyanna may not have given birth that exact day ned found her, she could only be waiting in that bloody bed for weeks at the most, not months. so if rhaegar knocked her up the very same night he carried her off and jon was still a newborn when ned found her after the siege of storm's end had ended, wouldn't that mean lyanna was pregnant for well over a year? that's not how human pregnancy works either! so, maybe that's proof that jon and robb, whichever order they were actually born in, were actually very close in age as babies, much closer than if they were both conceived asap.
and really, jon's actual birthdate does not matter imho, when he was raised not just as the bastard to robb's trueborn heir, but with robb also known by catelyn and the world as ned's firstborn (which he was, in any case, as jon was ned's nephew by birth). what difference could a birthdate before robb's make (even were there some means of discovery) after ned, cat, and robb are all dead? if one is looking only at his birth parents then he's only a firstborn child on lyanna's side, but definitely a second son on rhaegar's side. maybe he was always meant to be a second son with a not much older half-brother! even if the aegon fka young griff is not in fact rhaegar's son, he'll still be known as aegon vi targaryen, meaning jon will never be known as any father's elder son. if i may reference mean girls again, it's not going to happen.
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ryllen · 1 year
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it’s okay for things to be messy sometimes
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bacchuschucklefuck · 25 days
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this whole thing being abt rage is also really interesting. I feel like it comes up so much in fiction as a motive because it's the one emotion that's unifyingly restless while everything else can be petrifying, and just personally nothing hits like impotent rage for me, esp. with teen characters, esp. with characters whose rage is stoked by Someone Else to further that Someone Else's cause. like you'll have done all that in a bout of passion and when you're done you look around you and nothing has changed. those sentiments don't get quelled by being satisfied. righteousness withdrawal is a horrible thing to intentionally drag someone into, least of all just some kids.
#I think Ive brought my personal experience into this whole thing lol but yeah just.#the ratgrinders read so much like radicalization to me. or you know just. high control group recruitment#and I've seen that one time brennan brought up uhhh conservatism? and where people come from with that#that quote of his thats like. before youre a fascist youre a bully. like extreme sentiments take root on specific soils#and that's like a higher level than what we're talking abt here lmao it's fake fantasy high school role playing#but yeah just like. the simultaneous understanding of the grift working on these kids bc they already think a certain way#and also the other part that is no matter what the way that they think is not. conducive to them being happy#like yeah a nasty person is nasty to be around! but that also means they're often isolated#which makes them even easier prey for people who want to use them#fhjy coming out in The Current Climate makes that connection so apparent too lol like#me hearing abt the rage god: oh so like twitter#for the record of course I Dont Know if this is a read that's intended by the show#but it maps well onto my experience with radicalization/decentralized cult#Ive just. been thinking abt the rat grinders in those terms ever since I made the connection#like. you're accomplished and high level and such. is this sustainable? have you done anything For Yourself#or has everything you've done so far been coerced out of you by someone else's sweettalking#anyways if I can run porter cliffbreaker over with a car I would. and I'd reverse on him too#truly thats the highschool trauma as well as the grown man with niblings talking lmao#nothing gets me more mad than a shitty teacher#not art
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luck-of-the-drawings · 8 months
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VIOLATOR!! DESECRATOR!! TURN AROUND AND MEET THE HATER!!
VEEERRRY HAPPY WITH WILLIAMS LIL SCARY ARC. HORROR MOVIE BOY. LIL ZOMBIE GUY. UNDEAD AND PIIIISSED OFF LIKE CMAAAHHHNNN I HOPE HE KEEPS THAT CHAINSAW FOREVER. IF YOURE UNDEAD CAN YOU STILL GET A NICOTINE ADDICTION? I SURE HOPE SO!
#jrwi fanart#jrwi show#jrwi prime defenders#jrwi pd spoilers#william wisp#FIRST: IF YOU DONT PUT ROB ZOMBIE IN YOUR WILLIAM WISP PLAY LIST I KILL YOU. SECOND: BEHOLD MY EASTER EGGS. FIRST EASTER EGG IS THE CHAINSA#I WROTE CHAINSAW ON IT A BUNCH BC I DIDNT WANNA DRAW DETAILS. ALSO ITS FUNNY. SECOND EASTEREGG IS THE LOBOTOMY CORP HOODIE.#THIRD : HEY KIDS YOU WANNA SEE A DEAD BODY? QUOTE FROM HELLSING ABRIDGED. REMEMBER HELLSING ABRIDGED? YEAAAH YOU DO#OKay those are the easter eggs. also i hope william actually gets into smoking i think thats SO funny. also its cool as hell#like with the blue wisp fire n everything? COOOl as hell i hope he gets his leather jacket back too. REMEMBER KIDS!#smoking is COOL AS FUCK but also itll kill you so dont. if ur undead its fine though.#IN OTHER NEWS! williams 'need a hand?' bit was SO fuckin funny. like it didnt need to be that funny. I WISH I COULD ANIMATE THIS WHOLE SHOW#ITS SUCH A CLEAR CARTOON IN MY FOUL BRRRAAAAIIINNN!!!!!! SPEAKin o my foul brain i LOVE SWIRLS!! CAN U TELL???#I LOVE DRAWIN WILLIAM WITH THE SQUARE/ROUND SPIRALS DEPENDING ON HIS MOOD. ESPECially in the black/white/grey arc#i draw him with only sharp spirals in that arc. the spirals soften once he chills out tho. YOULL SEE IN THE NEXT DRAWING I POST#guyyysss i love william so mmuuuuch i project all my middleschool gothness onto him and it makes me so happy#im sO GLAD I FIUCKIN FIGURED OUT HIS HAIR BTW. IT LOOKS SO GOOD NOW. LOOK AT ME IMPROOOVOEEE AAAAAIUURURUGHHRAAAUUGHHHHHHH
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terrytheboxwithlimbs · 8 months
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"i think we all do shit because we think it's the right thing to do. and sometimes it's not, and we can't change what we've already done, but we can, like, try and be better next time. like make better mistakes for better reasons."
- Alex (Everything Now)
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bandzboy · 2 months
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it’s boggling my mind that instead of putting this drama on a streaming platform or distributing it somewhere they put on app that is powered by nfts and that has a mlm/pyramid scheme type system in it like this company never seizes to amaze me in the worst ways
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Everyone thinks it was Jack who asked Davey, but it was the other way around
Jack is a flirt but anything serious and he goes into full-on-crisis mode
Davey is like ok then let’s fUckin go. Do you like me? Amazing we’re dating now.
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fma03envy · 2 years
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The idea that Mettaton knows about the amalgamates and that's why he and Alphys aren't friends anymore drives me insane and it's an interpretation no one can change my mind about
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ikemenomegas · 1 year
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Omega!Gojo Satoru x Alpha!Reader
I believe we are fated to do the things we choose anyway*
gege akutami is the kind of mangaka who makes fun of almost all their characters. with utmost affection, gojo deserves to be bullied a bit. we love that he's a little heartless, a little frivolous, that he's powerful as a fact, that he cares a little bit strangely, so doing him a bit of justice, here's the mirror to Getou's youth story
tw: canon character death, spoilers for the manga, gojo's emotional constipation and egotism
Toji Zenin cut so many threads the day he arrived on the Tokyo school grounds, but the one between you and Satoru survived. It's already a miracle that Riko was the only one who died that day. The miracle of surviving should have been enough, but now you've lived long enough to find out how much you could love someone too. You get to see how afraid someone is of loving you. Gojo Satoru had one friend. Gojo Satoru had one mate. That was it, that was all he could let himself have.
Springtime Tokyo is still cold. Not as cold as up north in the mountains, but the winter uniforms are blessedly warm. An assistant manager drops you off at Tokyo Jujutsu Technical School on a milky March morning where you are met by Yaga-sensei, the first year teacher.
This teacher has some kind of idea about building community, which is why he's clustered the four of you first-years in the same building, around a loud blue-eyed boy who barely takes one look at you, squinting around a pair of blackout sunglasses, at your purposeful non-expression, before he is grinning, far too wide and it feels like he gets even louder, movements expansive to pull you into the range of an argument he's having with a tall slim boy with long hair tied at the back of his head.
Yaga-sensei just shakes his head and introduces you to Ieri Shoko, who is physically leaning away from the noise as if to escape some blast radius and has the most distant smile you've ever seen in your life on her face.
It's unsettling is what it is. The dark haired boy is just rolling his eyes at the one who had somehow both dismissed you and pulled you into his orbit. The automatic response is to try and get that attention back, but you have at least a little more self respect than that. You climb the stairs to take a room on the same floor to Shoko-san's and leave them to their snipping. You don't see Gojo fall silent for half a second before carrying on bickering, Yaga now stepping in to separate them.
School hasn't quite started yet. It's a boarding school so everyone is just around, getting the lay of the school, setting up their rooms, exploring Tokyo, running into one another and trying to figure out how their pieces fit together.
Satoru has already sorted you all into neat little piles of adjectives
Polite: the boy with the long dark hair, Getou Suguru, although this doesn't necessarily mean nice he notes gleefully. Self righteous and reactive, as in he can be baited into a no holds barred fight, which is new for him. He hasn't been able to fight someone who could hold their ground for more than a minute since he was thirteen. Subversively irreverent.
Morbid: the shortie with the short hair, Shoko Ieri. She discovered her abilities somewhere and even Satoru has to admit some of the diagrams she pulls up are admirably disgusting. Neutral. Satoru has never met someone else who sticks so close to their own whims before but she isn't like anything he expected, dismissive, meandering, goading. And she can't explain how she does what she does, which is aggravating because he can't do it.
And you, the new one. The last to arrive. Fresh meat. Quiet, wary.
You catch him not following you, but showing up near where you are a little too frequently to feel coincidental while you're making a point to meet the upperclassmen. He adds opportunistic and watchful to the list when he notices you do this, but some of the older students seem to find it vaguely endearing - the clan ones like a small animal they can toss treats, the recruited students who aren't trying to suck up to the clan kids with the cautious familiarity of greeting another outsider.
He tries tossing you a treat, granting you some offhanded attention in the common space of what is now the first years' block. Suguru laughs at him when you mostly look confused and apologetically tell him you've never seen either of the movies he wants to debate before refilling your water bottle and wandering back out onto the school grounds with your umbrella.
School starts regardless with some tentative unspoken agreement between the four of you to try and be friends, or at least classmates. There is after all, no one else to be friends with.
Class is boring, so Satoru watches his classmates. Where Shoko is passive and watchful and Satoru is staring into the air, you're openly attentive and Suguru more casually mirrors your attention. Which makes him want to call you another boring small-town bumpkin
Except you are in the same the advanced mechanics elective he is, and you and Shoko become animated discussing the curse anatomy lectures. Yaga takes you away to practice hand-to-hand with his dolls while he lets Satoru and Suguru pummel each other, which makes him think you must be too fragile to handle the two of them. Most people are, so he doesn't think much on it.
Satoru sometimes goes out alone to train when he can't sleep. He lashes out at the wooden dummies on the practice field, ducking under wooden arms and lashing out to see sections of it spin faster. On one of these nights, a week or two into the first year, he sees you standing outside the track, leaning on a railing, face buried in a thick scarf. He's aware of your vague attention, watching him without any particular interest, like how one might watch water sliding under a bridge, but when he sneaks a glance around the practice dummy, you're just as often more fixated on the sky. The moon is full and you're watching the clouds chase across the deep blue expanse, listening to Gojo Satoru's knuckles impacting on wood. And then at some point, he looks over and you're gone, your weird cursed energy signature fading in the dark.
Satoru only sees your technique the first time a substitute makes you spar with everyone else during training while Yaga is away. Apparently the teacher is someone you know because you get into the first argument he's ever seen before you send a spear flying so fast it hits the center of a target and topples it over.
The same teacher makes you fight Satoru, to already defeated attempts at appalled refusal. He'd usually help you push back just on principle, but he hasn't gotten to go on a mission with you yet and his sometimes oppressive curiosity has settled on whether you actually can keep up with him after all.
You can't, but this is Gojo Satoru at fifteen, not fully realized, and the first time he fights you he amends how he feels about "opportunistic". He flies right at your face and swears he makes contact, but you step back at the last minute and he feels an impending impact from his left that is almost the same strength as his own attack. He tries again and you twist out of the way much faster than he had expected. He tries to throw you and you end up descending slowly to the ground, trying to get the teacher to end the bout. Eventually Satoru overwhelms you and breaks your arm when you try to block too many hits in rapid succession. Shoko fixes it, and you wince with gritted teeth and tears in your eyes but don't cry or sob or glare at him with the kind of face that is calling him names you can't say out loud. The demonstration has him, fortunately or unfortunately, folding you into the energy of your little first year group like you'd been there all along.
He's a shaman clan kid, so it's interesting to see you now as not necessarily opportunistic but curious about the other sorcerers, about other people. What a novelty, to be inconsequentially curious. If he'd been too curious as a child he would be either lectured on responsibility or nearly drowned in related gifts meant to appease his moods
You don't appease his moods and the attention of him, one of the strongest sorcerer of the generation, doesn't appease you.
Satoru tries to bait you and things go right over your head. He tries to disrupt your silent, invisible schedule and you let him drag you away with minimal fussing, especially when Shoko or Suguru is involved, but will wander to the side on outings and either find some accidental trouble or something that makes him a little surprised at the intensity of your focus.
He forces you into a combat-determined wager that demands you stop using honorifics with his name and Suguru's name and Shoko's name (without asking the other two) and there's no way for you to get out of it or win so that forces some artificial closeness that becomes real. Language is very important for creating distance, for creating hierarchy and Satoru somehow isn't interested in a hierarchy between you.
He is however far more self conscious of his omega status than Suguru is. He won't say it, but it's a relief when none of you make a big deal out of it when you find out and also a surprising comfort when you and Shoko who don't have to suffer through the literal additional headache of heats try and make them comfortable
For Satoru this involves distracting him by playing video games with him, watching movies, or tossing balls of paper at him while he tries to stop it with his technique. Mostly he's with Suguru, especially if they sync up, but Satoru doesn't have the same heat symptoms as him. During first year even though he sleeps more than he does as an adult, it's typically less than the rest of you might want. Where Suguru gets tired, Satoru will get cranky and mean because he's bored and feverish and Suguru is too tired to entertain him. His family also was never very comforting during his heats so he knows what to do as far as nesting, but having people around is new for him.
He likes to call and text you if you're on missions during these times, which is typical given his clan's sensitivity to him being around alphas at these times.
So even when you're on campus, you and Shoko only spend a few hours with him at a time. Sometimes you play games and the heat makes him almost slow enough to beat on a DS link game. Sometimes he makes you do his homework. Sometimes he likes to throw throwing things at you to see how you use your technique to deal with it.
He adds "sentimental" to the list of adjectives when he realizes he can so easily pressure you in these times into revealing more of yourself to him than you usually do. He's bored and there's only so many things to talk about before you start telling him about an encounter with one of the rare cats that will tolerate living around the cursed energy of the campus, when you grimace and tell him about a terrible noodle stand in Yamanashi province that you still crave somehow, when you tell him about saving fallen leaves in a heavy dictionary you use for that purpose, or the one time you reveal that you've kept every pair of shoes your parents bought you to wear on the first day of school. You tell him these things and it makes him feel like maybe, someday, he might want to tell you things too.
It's not soft but there's a softness to it. A genuineness in the four of you together, in Satoru's and Suguru's growing strength and self surety. Satoru tries to make himself the center of the world, because it's fact that is where he has been all along. But he's not so easily the center of your world. You didn't come from his world.
Satoru doesn't fall. He doesn't think hard about why it becomes so. He barely thinks about it all. He just knows at some point that you're one of his. You're one of his and he wants you to pay him the attention he' accustomed to as center of the world (except he doesn't maybe. He'll be able to say it one day that what he loved was you treating him like he was as human as he could be)
He's terrible at acknowledging whether this possessiveness is anything in particular. After a sparring session, you watch Shoko patch a cut on Suguru's arm with so much longing and a pang of something worms its way in Satoru's chest. He crowds in next to Suguru before Shoko's done, draping over Suguru's shoulders. You don't see the way Satoru's eyes flicker from Shoko's steady hands to your wide-eyed gaze.
He's jealous the way a child is jealous of a favorite toy, hooking his arm around your neck if any omegas outside of school talk to you in the street. If you brush him off when he's trying to use you as a tool for self-affirmation, he sulks around until you acknowledge him in some other way and he will not admit to a single soul why it matters. When he's forced to go home for holidays like oban and returns in a terrible pique, you may fight with him if he lashes out in the worst, most personal ways. You push back and talk to instead of around him or through him and you also don't realize that is why he backs off.
He realizes slowly that he has to be careful with you. He forgets sometimes that you're more fragile that Suguru, that you need help Shoko doesn't need. On what you call the "worst school trip in existence" and Shoko calls "lucky we didn't all die" and Suguru smiles and calls "well we all made it out in the end", even Satoru got injured, yet he feels invincible, like he caught a bullet and threw it back.
When Toji nearly kills him and everyone he ever cared about, he awakens with the power to keep it from happening ever again. He thinks he can carry the world for all of you, for everyone, reveling in his power. He doesn't realize that his presence, the gravity well he made in the monster class's lives, doesn't exist the same way while he's not there because he has a tendency to think everything will be easy for him to fit back into when he returns, or not to think on the fact things could change at all.
Then Suguru leaves and the center of Satoru's world, his reference point, collapses
You're there in Shinjuku the day it happens. It's getting cold again. You're there to meet Shoko. Suguru has gone missing, Satoru is... away. Again. Still. He's been absent whenever he is around anyway. The jujutsu world doesn't have the resources to devote to hunting curse users in particular so the effort to find Suguru has been halfhearted at best and even if he's on your minds, you have jobs to do still.
You're there in Shinjuku and when you don't find the person you're looking for, you find someone else, It shouldn't happen, but it does. You run into Satoru, mind reeling at Suguru's betrayal. You nearly don't see him and he nearly doesn't see you except he sees everything and he's been walking around the district like a ghost.
He appears like a ghost too, tall and pale and ridiculous eyes. You'd tried to see if the world reflected in them once, but now it's more obvious to you than ever that it's just him, nothing more and nothing less.
"Let's go back," he says, and for the first time in months, you return to the college, side by side on the train, feeling like there should be more people in the near-empty car. You get as far as you can before you get to a station that's closed where you can no longer transfer and then you get out and walk in silence.
You walk like there's another person jostling for space between you. When you get to the school, Shoko meets you at the red tori gates. When you get to the mostly empty dormitory building, now a little emptier, Satoru looks at you. And looks and looks and looks. This time, he feels like you might disappear in the pre-dawn light casting your faces in blue.
Maybe it's because he's already lost one precious thing long before he noticed it was gone that he grips your shoulders tight, so tight you almost wince, but turn into it instead, tilting your head as though, were you less careful people, you might brush your cheek against his hand. Just for a little bit of comfort, for a little familiarity.
Then Shoko makes a noise at the top of the stairs, the scuff of her foot, the tap of her palm on the banister. What a terrible day it must be if Shoko is interfering. And you step away.
Satoru doesn't go to bed. For the first time in his life he feels like he doesn't know who he is. He watches your light come on and then go off. He doesn't see you stand at the mouth of the hall leading to Suguru's room with a blanket around your shoulders until eventually you turn away and fall asleep on one of the common room couches, near to where a year of his body in the same spot had left an indent. He doesn't think about the world where you aren't here, where he never sees you again, because he can't quite fathom it.
Because even when he was gone, he never felt like he had let any of you go
It makes him feel sick to his stomach, the closeness of someone else, but it feels worse to push you away so you sit shoulder to shoulder with him some time in the morning. He pretends not to see the new dark shadows in your eyes. You sit and watch the mist burn off and pretend his warmth can hide how the world is a little colder.
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*I didn't fall in love with you. I walked into love with you, with my eyes wide open, choosing to take every step along the way. I do believe in fate and destiny, but I also believe we are only fated to do the things that we'd choose anyway. And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you ― Kiersten White, The Chaos of Stars
#gojo satoru x reader#gojo satoru#a/b/o#a/b/o dynamics#omegaverse#alpha!reader#omega!gojo#reader insert#gn#i'm sorry this is so much longer than the getou one#I changed styles to write something else and couldn't get back to the broad strokes style of the getou bit#i want to expand on both#this show is really good and the potential here is too much to resist#the quote came to mind because the six eyes user has a specific kind of fate#but the idea of fate has a lot of interesting discussion around it in between religions#jjk plays a lot with buddhist/shinto/christian imagery including the idea of a fate thread tangled between certain power centers#i was raised in a christian centered culture which has certain beliefs about predetermination that can get incredibly depressing.#fate is generally defined as a predetermined and inescapable path of action or consequences#you can't escape it no matter what choices you make#which seems glum#karma on the other hand has something more to do with tendencies - the things you do to yourself/by yourself that lead to consequence#karma is separate from fate. even if you escape the cycle of karma or samsara you cannot escape fate#little interaction with fate are common - seeking explanations of future fortune or charms to pull you in the direction you want to go#ultimately there is a tension between the human ability to act at will (karma/free will) and fate#How do you justify acting if everything is predetermined? one can trap themselves in ontologic questions about purpose and actions#there is an inevitably and circular in accepting that maybe we can't escape fate but that fate also can't escape us#our actions were always going to matter#io.omegas
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accepting the best presenter nta 2023
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dykeinthedark · 1 month
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venting in tags about gender n shit (long as hell) (u can comment and talk 2 me as always :3)
#okay so i got a really masc haircut about a month ago and i know it's just a haircut but holy shit has it changed EVERYTHING for me#like.... i've always leaned masc except 1) before i came out 2) when i was actively in love with someone who i knew liked femmes#and they always described me as a fem. because that's what i showed her. because i wanted to be with her.#but lowkey whenever i'm in a not-impressing-anyone raw-dogging-life-no-crush era i always resort to a very masc style#like masc being my default and i'd only lean fem to impress people whether it's for love or peer pressure in a specific setting#like ''dressing up'' has always been a form of drag to me. like something i HAD to do to fit in or impress my parents (scott favor core)#but ever since this haircut i've realized... i could just BE masc innately like i really don't have to be womanly if i don't want to#which i usually don't. again i have only ever dressed fem for other people. but it's not even being masc that attracts me on its own#it's like. being masc in a distinctly lesbian way. as in whenever i look in the mirror i don't wanna be like a Guy i wanna be a dyke.#like lesbian as a gender identity too sort of thing honestly. okay i've been waffling but basically i sort of want to call myself butch#but i don't know if i like... can?? if i'm allowed to???#everyone always says it's MORE than just wearing boy clothes and not wearing makeup and having short hair (which i already do all those)#i mean i've always id'd as genderqueer because it literally just means gender weird and i experience gender in a queer way#what's probably the most telling is that my friends (all queer) CALL me a butch lesbian#like every time they do i feel really internally validated. it's not just my clothes but my personality too ig is what people tell me#i have a higher pitched voice relatively speaking but apparently the way i talk is quote ''very clockably into women''#which?? gender euphoria asf. my best friend specifically he (gay trans guy) always uses butch to describe me very intuitively#people have also noticed that i ''transitioned'' in all aspects except hormonally. like ppl have commented and noticed my masculinzation#but at the same time i always feel rly haunted by my ex relationships because one wanted me to be more masc#(she's the one who came out as straight and would treat me like a man) which i didn't like and i didn't like playing up being fem either#bc now it feels like she (butch) won't believe me if i called myself butch too bc she remembers me being femme#idk i feel like there's her voice in my head all the time that sees everything i do through her eyes (i'm lowkey still in love)#i feel like even though this comes so naturally to me i must be putting on a performance#even though i've actually read stone butch blues and done research into the history and i truly love and id with the culture like i rly do#that im still just a sad imitation of a butch lesbian and can never really be a part of it because i used to enjoy dressing up sometimes#like it's so stupid but can i still be butch if i wore a dress to prom and i think i looked good in it??#even though i was envious of my friends who wore suits?? that i used to try goth makeup?? that i liked long dresses??#that i enjoyed stacked necklaces and rings on every finger???#and tbh ALL OF THAT CAME FROM A CONCIOUS EFFORT TO FEMINIZE MYSELF IN JUNIOR YEAR OF HIGHSCHOOL WHEN I WAS 16#because omfg it was 2 months before junior prom and i was worried that i was too masc and wanted to get comfortable with being fem
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