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#the shocker of a fucking century
murdererofthumbs · 1 year
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Seeing reactions after this episode is actually slightly hysterical? It proves that this fandom can be so blind-sighted by characters relations, that they forget what show they are watching. Like, I have always been a self-proclaimed Roman-girl, because I find him compelling and extremely psychologically interesting, and like all of these characters, to a certain extent, I do empathise with him on the level of trauma that he went through. But why the fuck are people surprised that THIS is how he behaved in this episode is beyond me. Oh, suddenly Roman is dead to you because he behaved in the way that was very much consistent with who he is? That’s who all of these people are, like come on, what do we think we are watching here? You didn’t really think he will suddenly become a defender of democracy because it serves a greater good of the country? He was the one to fucking choose Mencken as a president, he cherry-picked him for Logan, because he knew that their views align, that Mencken will be a smart business decision. This whole thing is a transactional procedure - they needed to get someone who will be willing to serve their corrupt interests. Roman doesn’t see a problem in having fascist as a president, because he will never be touched by the consequences of having that kind of man in power. He is very much safe at the top of the mountain, and who the fuck cares what will happen to the peasants at the bottom of the chain? In this way, he imitates Logan the most, because in the end of the day, people are units to him, to all of them really, some of them are just more willing to admit this than others.
Also, like, “uuu, Roman was such a misogynist to Shiv this episode, he just didn’t listen to her at all”. Look, can we stop being delusional here for a second or is it some sort of selective memory situation? Roman is a misogynist. Kendall is a misogynist. Shiv, in fact, has a lot of internalised misogyny going on, and her being a woman never stopped her from pushing other women under the fucking bus, so let’s be real here for a second. And that is not to be said in defence of Roman, frankly nothing what I’m saying here is supposed to justify his behaviour in this or any other episode, but it’s more of like… reality check? I know that Roman’s self-destructive spiral and semi-decent behaviour at the beginning of this season might have clouded certain aspects of who he is, but please, go back to season 3 and count all the instances of him throwing misogynistic and, frequently incestuous jokes and innuendo, at Shiv? How many times he undermines her position on the basis of her being a woman? Or how Kendall, for that matter, uses similar arguments in 03x02? All the siblings use aspects of each other as weapons. Kendall is undermined because he is unstable, because he is a drug-addict, because he has a tendency of flying off on the cloud of mania, and crashing in the heap of depression. Shiv is crossed out because she is a woman, because she frankly has no real experience in the firm (which, although people might be super angry about that, because she is such a “girlboss” apparently, but this is a factual argument), because of her relationship to Tom and tendency to take several sides at the same time (with not much thought put into it). And Roman is frequently undermined because he is a freak and a pervert, because “there is something wrong with him”, because he is the weakest dog that is most easily manipulated, who crumples like a wet tissue if only to receive a bit of affection. They all weaponise their “weak” points against each other, because this dog-eats-dog mindset is focal to who they are as a family, to how they were brought up, to how Logan wanted them to be. So please, let’s not be surprised, when Roman suddenly uses misogyny as an argument against Shiv, because it’s not sudden at all, and it’s always been there.
I think what we have on our hands, is the same situation we had in 03x07 during Kendall’s birthday (and previous episode with Mencken), where some people are so outraged by Roman, and by his ability to shove the knife where it hurts, that they suddenly cross him out completely. Again, all these characters are bad people, there was never any doubt about that. They are compelling because of the complexities of their familial relationships, because of their childhood trauma and the consequences that this trauma has on them as adults. But they are still completely reprehensible as human beings, and I think some viewers forget about that and then get outraged when show about awful people features awful people. And I’m sure, either in next or final episode, something will happen and Roman will become sympathetic again, and he will regain his position as a “poor meow meow”, just as he did in the finale of season 3. Its always a fucking carousel with this character and people get sucked in and have their eye’s covered just to realise that nothing really changed, and nothing will change, because in this show people, at their core, remain the same.
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simpinformonkies · 10 months
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hiiii niiiilllooooooo
howzabout a wukong or macaque x celestial monkey reader? :3
I FUCKING GOT YOU FAM! I'll do Wukong for this one.
WUKONG
-He came to a random island when he was younger to steal some fruits for his master during the journey (Tripitaka had complained about being hungry) and had been about to swipe a crisp, red apple when you came barreling towards him with sharp claws, fluffed fur and bared teeth.
-You were a Celestial Primate- one of the only four in the world- and were pissed to find Sun motherfucking Wukong on your island- worse, he was attempting to steal YOUR FOOD!
-You wanted nothing to do with the monkey, not after his 'havoc in heaven', and practically told him as such, words spitting pure, undultured poison at the other monkey.
-But, you were not heartless, and allowed Wukong to leave your island unharmed... only to realize, hours later, that the bastard monkey stole your damn apples! you were furious, but let it go- it wasn't like you'd be seeing him ever again.
-Too bad you were wrong- that annoying simian came back every few years just to mess with you, and it pissed you off every time he did it. One moment you'd be lounging around on your beloved island's beaches, and the next, Sun Wukong would be causing mayhem somewhere closeby.
-In general, Wukong was being a annoyance and menace.
-What a shocker! Not like he's like that all the fucking time or anything...
-Can you hear the sarcasm?
-Anyway, you dealt with him for centuries, and while you found he was still very annoying, you... stopped having your words and insults hold so much bitterness and bite- you were tired of being an asshole to this simian, it just wasn't worth it. Nowadays, if he annoyed you, you'd just smack him with your tail and go on about your day.
-Some days, you'd even find yourself wishing that he was on the island- especially when the boredom kicked in- but you'd just shake your head and swat the thought away as it was a fly.
-But damned if that thought wasn't as annoying and unkillable as a fly- somehow, your brain would always come back to thinking of Wukong, it was driving you crazy.
-Nevertheless, you just dealt with his antics with a fond roll of the eyes and a swat of the tail, and it stayed like that for decades (centuries? You don't remember, time is an illusion).
-Then came the time- just a few years before Wukong would find his 'successor'- that Wukong started leaving things on your island. From shiny necklaces, bracelets and rings, to following you around on your island, to even laying down on the beach with you when you go to soak in the warm sun, running his fingers through your hair and untangling any knots you find.
-This went on for a few weeks before the whole thing hit you like a freight-train.
-'This is courtship,' you'd think, blinking confusedly as the situation settles itself in your mind, 'Sun Wukong, the Great Sage Equal to Heaven, is courting me.'
-'...And ya know what?' you lean into his hands, smiling as they gently cascade through your fur, 'I'm okay with that.'
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cult-of-a-buttercup · 10 months
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Hey. Have you ever wondered what each boss fight OST could mean for each bishop? No? Well too bad!!! This is all about that!!!!! (Links to the songs are on the names :] )
Leshy’s theme
Leshy’s boss fight is usually the first one you go through- though you can defeat whatever boss you want first, he would be the most common option since Darkwood is the first zone you unlock.
His theme is very simple when compared to the others? The whole song feels very magical, in a similar way like a fantasy world- it reminds me of medieval bards probably because of the string instruments. And the whole magic thing is blame of the chorus that shit goes hard
The lack of complexity of Leshy’s song could show that this is a bit of a first- he hasn’t fought much in his eldritch form before, so he does as best he knows with little thought. Him being the “first” boss also makes him a somewhat easier opponent, so it only adds on to this. Also the ending of the song really makes it seem like something surprising has happened- again because of the chorus. Very probably because. You know. First bishop who EVER got killed. Bit of a shocker. Things are going to change from now on you feel me.
Heket’s theme
Heket’s theme goes HARD. It’s probably my favorite one
The the first few seconds of the intro SCREAM destruction. This girl is there to demolish you and to make sure the One who Waits stays chained FOREVER. It’s very fast paced and it keeps going fast for a while before a chorus kicks in and holy SHIT I don’t know why but the melody it follows just. Makes me think of sorrow. Of how sad all of this prophecy really is and how this has affected Heket for CENTURIES now.
AAAND this is BACKED UP by dialog!!! If you go to Anura without killing Leshy she says this:
“The Bishops… my family. Have they not suffered enough? Have I not suffered enough?”
“We fought, pathetic vessel. We bled. We grieved. And yet the Red Crown wants more. No more.”
HELLO??? LIKE SHE’S SO SAD AND IT SHOOOWSSS IN HER FUCKING OST i love this game:;;:; the fact that she remarks that they GRIEVED the loss of her brother too- this poor girl has to every reason to never miss or think about her brother but how can she?? He was one of her older brothers, one of her mentors. Of course she misses him and probably still hurts because of his betrayal- both emotionally and literally because of her injuries. But you think she’s going to let her “feelings” get in the way???? NO. She’s going to kill you. That’ll make her feel better (eternal denial)
Kallamar’s theme
The build up of Kallamar’s theme genuinely just reminds me of royalty and. Mermaids. This squid is out here to show just how GOOD he is at killing lambs. KING of lamb slaughter you could say. LORD of murder. The chorus it has and the instruments really make it look like he’s a force to be reckoned with and that his fight will be filled with power!! With the grace only a king and a god could have!!! But even so it still has a few parts near the middle where it like slows down and shows maaybe a bit of insecurity. Knowing Kallamar wanted to avoid this fight at all costs it wouldn’t surprise me that his confidence in fight comes and goes in flashes, much like the parts with flutes and singing after the “greatness” introduction. My poor man is having a crisis out here someone help him
Shamura’s theme
Something that really catches my attention is that unlike the rest of the boss themes, this song has no initial build up or intro. It’s pretty straightforward. And honestly??? (WARNING: SHAMURA PROPAGANDA) it just shows how important they are. They need no introduction, they’re the bishop of war and knowledge! The one and only, Shamura!!! You already know who it is, they don’t have to make it clear with an introduction. It’s either that or a reflection of how used they are to war and combat, so they don’t make it as much of a big deal as their siblings. OR since they already knew it was going to happen, it simply isn’t big news and they’ve been waiting for this to happen for too long to care.
It’s also really quick paced and goes very well with their boss fight, considering how aggressive it is compared to Leshy’s or Heket’s. Even so, like the others it has a part in the middle where it slows down a little and has a smaaaall little chorus in the back before building back up to a quicker pace. Could be that they’re analyzing what’s going on or that their injuries are acting up again so they need a breather- it also gives it this slightly sorrowful feeling to it AUGH.
The ending of the song is also different, like Leshy’s. Though the ending of Shamura’s theme really make it sound like something big happened- not because it has never been seen before but because its over. There’s no more bishops, the Old Faith is fucking gone. If you beat them last, that is JWRBIFDNB
Narinder’s theme + The One who Waits’ theme
Hooooly shit these two songs go hard. Also two of my favorites.
The introduction makes it SO clear that something has unleashed like you don’t have to be playing to know something BIG is happening. This one has only a voice and the bass- it makes it feel very majestic and divine in a way I can’t really explain, if you get it you get it. Honestly I have no comments. It’s mystical, it shows that you are fighting a GOD and that is IT.
The fact that it’s two separate songs also makes me think a lot about how Narinder was part of the Old Faith, but The One who Waits is NOT. Basically when comparing osts Narinder’s theme sounds a lot more like what we’ve seen with the other bishops while toww is a LOT more aggressive and just overall heavy handed?? It makes me think that like he’s DONE playing around.
Other things I noticed:
All mini-boss themes are similar to a small sample of their respective bishop
Other locations like Sozo’s cult or Midas’ cave also have similarities to the bishop’s themes or rather their areas
Baal’s theme is longer than Aym’s. Could mean many things, like Baal is older or that his fight takes a bit longer. Most people know Aym is the weakest link since he falls coughing after some attacks he makes, so it only makes sense
Narinder’s theme is more similar to Aym’s and The One who Waits’ is more similar to Baal’s
Shamura’s theme is the longest between all bishops with 2:35 minutes
WOW this took a minute but yeah. I hope everyone likes it!
I’d love to see what all of you think!! Maybe you think I’m absolutely wrong or want to add on- either way I will read everything with them big old eyes ❤️
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hollowboobtheory · 6 months
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Vampire who's recorded voice comes back to them like a foreign language. Vampire who tries to read their own writing and finds that while they know they wrote it in the same English they read in they can't understand a single word. Vampire who tries to write a diary of the centuries so they won't fall into old mistakes and finds when they read it years later that it's readable to everyone but them.
Fuck aluminum-backed mirrors, give me the horror of being a history book readable to everyone but yourself. Doomed to repeat past mistakes because you cannot learn from your own history
YESSSSSS YOU GET IT
fuck "digital photography works for vampires" their image cannot be preserved because there is no need to they will always exist as they are right now for better or worse and usually worse.
the interview with the vampire was useless because you tried to go back to your recorder and shocker it didn't pick up their answers.
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theorderofthetriad · 4 months
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you're SO right, my apologies to the women of... *checks notes* 17th century Japan for ignoring their real struggles. the things i said on tumblr in the year 2023 must have been really hurtful for them to read.
look at yourself in the mirror, make eye contact through it, and answer these questions: do you think that sexism doesn't exist outside of Japan? do you think sexism doesn't exist in places where white people are from? do you think that only white people can be trans, or that Japanese people can't be?
i've seen this shit-tier argument quite a few times with minor variations and my takeaway from it is "wow, it is really fucking racist to act like sexism is solely unique to Asia." like, do you people ever read back what you wrote and actually think about what you've said?
sexism exists all around the world, trans people exist all around the world. historical cases of "women" who lived their lives as men exist all around the world. sexism existing and trans men existing are not mutually exclusive.
Remind me, how many other women in the show are dressing up and living as men? None? But aren't they all facing oppressive sexism? So why is only Mizu living as a man? Here is a little secret I'll let you in on as a trans person: we will take any excuse to be ourselves. "I'm going to dress and live as a man because of sexism!" is a great example of that.
The way you guys talk about it you'd think near damn every woman in the world would be living as a man, but actually, shockingly, women don't want to live as men. You know who does want to live as men? Trans men, shocker I know!
Anyways, I'm always gonna say Mizu Blue Eye Samurai is a trans man no matter how many straws you transphobes grasp for.
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fuck-customers · 1 year
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Garden center anon here
There's this woman, probably mid sixties, and to say there is something deeply wrong with her is the understatement of this century. We have had problems with her in the past because she loves to buy trees that will be absolute behemoths for her tiny condo. The condo association has literally told her she is not allowed to have them (for good reason!) but nope here she is with a fucking Colorado blue spruce (mature height is like 50 ft to give you an idea of how much this baby needs its space) and an arborvitae (about 25 ft tall on average but can go waaaay bigger). And not ONLY has she gotten the most condo-inappropriate plants you could possibly think of, but she was calling us daily because this fucker had decided to keep them in their nursery pots, which they had already outgrown, for a year, and she was surprised that the plants ended up with pest insects. No matter how many times myself and the manager, both horticulurists by trade with a half a century of experience between us, told her they need to be planted and then here is this spray, make sure to water regularly. Every day she would call and be concerned over the same thing (but would recall exactly what we told her yesterday) and this went on for MONTHS, nearly our entire season. She would even bring in bits of branches that looked like they'd been ripped off (cuz yeah, everything likes pieces of themselves yanked off their bodies right) to show us what we had already diagnosed. It's like she was fishing for a new answer so she was trying the same question, just phrased differently, over and over and was stunned that we kept our stories straight! Shocker!
Fast forward to now, it was a really rainy day and we see her brightly colored little car pull up and my coworker and I nearly start sobbing. She walks in in her floor length puffy winter coat, with a tank top, a skirt, flip flops and leg warmers??? and begins asking us if we can inspect these sugar pumpkins for bruises (pumpkin...doesnt....bruise???!!!) and I pretend I've inspected them thoroughly and yup, no bruises here. She asks where our bathroom is. We point to it. She is in their for about 12 minutes and I'm dreading what is going on in there. Comes back out, is asking about how to keep pumpkins from bruising 😭😭😭 asks all sorts of weird questions about just the stuff we are doing (which was like, spot-watering plants or dusting the shelves cuz we are bored) and just isn't leaving! Asks where our bathroom is AGAIN! And is in there for a couple minutes. Finally she takes her fuckin pumpkins and leaves. I've finished everything for today so I sit down and pull some crochet work out of my backpack.
I heard my coworker go "mother...fucker" and look up to see that damn car pull back in. It is 5:49 and we close at 6. She asks for our bathroom AGAIN!!! IT'S BEEN TWENTY MINUTES!!! Ends up getting another sugar pumpkin. And then she just...wouldnt leave. She kept hanging around and asking weird questions about things we are doing. We are visibly uncomfortable. And then she goes "is it 6?" And I lie and say yup, just turned 6, we're closed (it was like 5:58). And she just is like, okay, bye. And walks out.
Did this fucker just PURPOSELY come back with the intention of holding us hostage til close???? Why do older, lonely people think they get to force themselves on retail workers?
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heir-less · 1 year
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"The granddaughter of Nelson Mandela has criticised the Duke and Duchess of Sussex for using the former South African president’s name to pull in Netflix audiences in their latest documentary, saying: “It’s deeply upsetting and tedious.”" Thoughts?
OH MY GOD, I GOT THIS ANON YESTERDAY, SAW THE STORY FROM TOMINEY, ANSWERED/QUEUED IT THIS DAMN MORNING AND I WAS RIGHT ABOUT THESE QUOTES BEING OFF
Fox News Digital can confirm that Ndileka hasn't criticized Markle or Harry for the use of her grandfather in the opening to the show. [. . . ]
"I’ve watched the first two episodes of this ‘Live to Lead,’" Ndileka told Fox News Digital. "I honestly don’t find anything wrong with them using that opening thing inspirational with a quote of granddad.
"I just think that people are making a … mountain out of a mole hill, and they’re wanting to persecute Meghan and Harry for no reason, honestly," she added. "I mean, Meghan has always been an activist, and this is in her activism work which my grandfather was, he was, a social justice activist through and through." [x]
When FUCKING FOX NEWS has more credibility than the lying scumbag Camilla Tominey, there is something wrong. When Fox News, home to Laura Ingram and Tucker Carlson has more journalistic integrity than The Telegraph, The Times, Forbes, The Independent, etc. something is very, very wrong. I should have known something was up when I couldn't find the original alleged interview from The Australian. Tominey has always been terrible, but straight-up faking quotes is a new low.
My original answer under the cut:
She can feel how she wants, she doesn't hate Harry or Meghan and said she admired them, but I think her criticism is actually very cynical and it feels as if she was misled.
It read as if she's under the impression that they're using Mandela to talk about themselves for money, when it's literally just a documentary talking about leaders they find inspiring. I don't see how it's exploitative to talk about how Mandela inspires you or highlights his work. Comparing Live to Lead to people stealing Mandela's voice for money when she knows the Nelson Mandela Foundation supports the documentary is so strange. Dismissing someone highlighting Mandela's work by saying "it's not relevant" to them is also bonkers because one of the greatest civil rights struggles of the 20th century will always be relevant to everyone, regardless of whether you met Mandela or not. It doesn't sound like something the granddaughter of Mandela would say.
I wouldn't be surprised if she was misled about the context of Live to Lead by The Australian which is, shocker, a right-wing tabloid. Because her statements don't reflect reality. It seemed as if Ndileka Mandela thought the documentary in question was similar to Harry & Meghan where quotes from Nelson Mandela were used to compare the couple to his likeness or something.
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averagedualies · 3 months
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shocker of the fucking century: trusting the creepy doxxing scientist with ties to kamabo was a bad idea
signed, a very disappointed roller main
m sory. Iwanted to giv him a chanve
We wer so mean to hm wen he came herre :[
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ravnloft · 4 months
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about to fight ketheric and i gotta say i am connecting the dots (making up my own hcs and blatantly ignoring canon) re: him and shar and i am now submitting these for peer review
words spreads of an aasimar in moonhaven, born to the hallowleafs, who are devoted selûnites. after the girl comes of age, dame aylin is to find her and escort her as she transitions into the more divine practices of her station.
dame aylin comes to reithwen en route to moonhaven. she is welcomed by the thorms.
melodia, bless her heart, is already in the ground. ketheric has already begun to hear shar's whispers. shar promises him oblivion, relief from the pain, if he does the impossible: turn the hallowleaf girl away from her celestial mother, and into shar's embrace.
"how the fuck am i supposed to do that with another aasimar making eyes at my kid" ketheric says. "kill her. obvi" shar says
aylin falls to a knife in her back. ketheric begins to build his army. a new breed of sharran fanatic is born: the dark justiciar. shar uses the power of aylin's soul being rent from her over and over again as a conduit to imbue her justiciars with dread power.
ketheric, however, has a rival: viconia devir
"hey viconia bet you can't turn this aasimar child away from selûne" shar says
(is this so very self indulgent because it ties into amma's backstory with viconia, and my own hc as to why viconia went from a lolthite priestess to a sharran mother superior? yes. yes it is)
"BET" viconia says
so she tips off the hallowleafs. they flee moonhaven just as ketheric and his justiciars arrive. but, shocker, it was a trap all along, and viconia's sharrans intercept them in the forest
(is there any in-game evidence of shadowheart being an aasimar? no. but like? why else would she be in the world's messiest custody battle. if she's god's favorite princess and the most specialest girl in the world, like, let her be the most specialest girl in the world, you know??)
viconia then raises the girl as her own, with all the trauma that entails
(amma 🤝 shadowheart 🤝 unnamed devir infant: being viconia's biggest failures in the eyes of her goddess)
shadowheart does not know she is an aasimar until she frees aylin from the shadowfell and aylin and isobel reveal the plot to her. maybe she gets special powers as soon as selûne can connect with her again, maybe she doesn't yet, idk
circling back to ketheric. shar spurns him for failing to get the hallowleaf girl. ketheric retreats to reithwen, planning to regroup and scour the countryside for her, except now the harpers and the druids are getting ready to attack him. both isobel and the dark justiciars turn against ketheric in the battle. isobel is killed, and ketheric falls, but because of [gestures] All That With Aylin, his soul is stuck in purgatory. he spends decades (centuries?? idk how old shadowheart is) there until pledging himself to myrkul.
moonhaven is bent but unbroken after the dark justiciar attack. a kindly midwife takes up residence just outside of town and helps the village rebuild. her name is ethel.
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space-blue · 6 months
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Wait what's this about neo nazis in memorabilia??
I mean, there simply are neo nazis in NZ.
The main shocker for me was how open they were. It wasn't so much of a problem in Wellington apparently, but I was told they were way more prevalent in... Napier, iirc.
Anyway, I was walking down Cuba st, *the* Wellington downtown hangout, middle of the day on a sunny Sunday... And I see this guy with his goth GF... He had that bavarian dungaree thing on, big work boot and knee high socks for the full look, and his tee shirt had a portrait of Hitler on a backdrop of Nazi flag.
On his chest.
And I just gaped and looked at him, waiting for someone to curb stomp him. But nobody did! Like, get out of your house like this in Paris where I'm from, and you're a fucking smear on the pavement before the hour is gone. You'll be made into a statistic.
But nobody did or said anything, and my friend explained, you know, things are different here, people were so far removed from the war... And other hogwash to try and excuse 21st century people tolerating fan clothing of the biggest, most famous genocidal maniac ever.
Kiwis are lovely, but in that regard, definitely too chill. I never encountered much racism, certainly *nothing* like the shite I saw in OZ, but that nazi bloke on a midday stroll downtown really made me queezy.
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cto10121 · 9 months
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Waking Romeo (2022)—Review Part 2
[Part 1] In which Jules and Ellis bond over mutual trauma while getting followed by a mysterious threat, Jules comes to the most basic of revelations, Shakespeare gets mangled, soap opera-level twists, and the Romeo Hate Dumb train trudges serenely on. Spoilers, of course.
“Why?” he asks again.
“It was love,” I say automatically.
Ellis steps away, running his hands through his hair.
“You wish to be reunited with a boy who would let you do that to yourself?" he says, getting worked up.
“Starting was such sweet sorrow. I mean parting. I mean—”
“That is not what love is,” says Ellis, surprisingly forceful. “That is the opposite of that. It is about protecting this.” He puts his hand firmly over my scar, over my heart. (159)
Romeo let Juliet commit suicide.
Romeo let her.
ROMEO LET—
Okay, put aside the obvious fact that this astounding bit of clownery is not true, not even in this twisted AU. Barker’s Romeo overdosed while getting high and Jules thought he had died. So not even Romeo the Death Eater compelled/persuaded Jules to give her life for him. Let’s put all that aside.
Have not women their own fucking agency??!!! Jules made her own decision to shuffle off this mortal coil. She was acting out of unresolved grief for her dead cousin, which she later realized, and Romeo’s seeming death only just compounded it. So Barker’s warning against girls giving up everything for their boyfriends not only falls flat but is contradicted by the narrative itself.
My eyes are hot, verging on tears. I've cried plenty since what happened. I’ve shed rivers of tears over my husband though they were mostly the civilized kind, like Rosaline musters. Romeo got my pretty tears. But the ugly ones, the ones what make me keen and shake and let out strange noises? They belong in the dark, to my secret, and they can't come out now.
Something has to come out now, though—I can't keep it all down. So in the reflection with me, I imagine Romeo. Only this time I see him as he really was. A world away from the fourteenth-century honor and frills of my story.
“Did my heart love till now? Forswear it, sight, for I ne'er saw true beauty…” he whispers in my ear as he kisses my neck, as his hands run the length of my body. But, of course, that’s not quite the line he delivered that night in my bedroom. His language was mostly grunts and moans. The precious few words he used were…less poetic.
“Juliet Capulet tried to kill herself over a boy that she barely even knew,” I say to my reflection. (161)
Shocker.
So. A lot of bullshit to sort out here. 1) I don’t believe for one single second that Jules never ugly cried over Romeo. Not when she saw his dead body? Not when she saw him in a coma? Homegirl was really just 🥺 all along over a traumatic overdose and death attempt?
And 2) Barker’s penchant for recontextualizing lines from OG Romeo’s soliloquies/monologues as pick-up lines said directly to Juliet is truly pissing me off, especially since elsewhere Barker has shown extensive knowledge of Shakespeare, even the more obscure lines.
[Ellis POV] “I am in every word of it. I am in the people and the places and even in the weather. It is full of little jokes and references that only I would understand," I add, without humor. “She even used my Christian name for her character, and my surname as the pseudonym that she published the book under it is all in reference to me. Everything comes back to me. She was—”
I break off, unsure how to finish. I have never spoken of Emily to anyone. Frogs knew. In the first year when I pined for her so keenly, Frogs matter-of-factly announced that she had written a book. Afterward, he found me a copy and taught me to read it. Though we never discussed her. (166)
And then there’s the Wuthering Heights hate dumb. Emily Brontë was apparently such a bigot meanie that after Ellis disappeared from her life she wrote a whole-ass book about him as a sexy if monstrous Byronic anti-hero/antagonist and one-half of a dark star-crossed lover pair as a coping mechanism. And because of this Ellis is perfect for the similarly-wronged Jules.
“What I'm saying is…I don't actually believe that what I wrote is true.” Jules sounds surprised as she speaks, as though she has just worked that part out for herself. “I don’t think that the version of Romeo in these pages is the real boy or that it's what his character is actually like, deep down. The story is simply...an alternative version of events to help me move past the real ones. Maybe it was the same for her. Maybe your girl wrote that story, not because it was true, but because it wasn’t.” (167)
You seemed to be convinced yourself of it before, Jules. Hell, she barely even thought of Tybalt, the supposedly real catalyst for events, just Romeo and her love affair and then Ellis. I’m beginning to think the whole Tybalt’s-death-as-the-real-catalyst-for-Jules is a late retcon on Barker’s part when she realized it didn’t make a lick of sense.
“May I read it?” I nod at the notebook.
“No, it's silly,” says Jules, without missing a beat. “I wrote it in the style of Shakespeare, so the language is tricky. Besides—it’s not finished. I’m having trouble with the ending.” (167)
Again, I have to question the fact that Emily is framed critically for writing a whole-ass book about Ellis while our protagonist is framed favorably for writing a whole-ass book about Romeo. Maybe Romeo should go on a similar time travel adventure after he discovers Jules’ false portrayal of him in Waking Romeo and meets a secondary love interest who actually appreciates him and calls out her weird sexist double standard.
[Ellis POV] And then I think of her words from before: “What if he had gotten my note?” And I cannot help but speculate...what are the chances that the note in question was not the one that Frogs sent me to retrieve from her family crypt all those years go? The one with the two entwined hearts on the front, which smelled of perfume? The odds are not good, I would wager. (168)
So Jules sent a message to Romeo which did not get to him because Ellis had taken it first as part of his time travel missions. This leaves Ellis as directly responsible for R&J’s tragic ending…or at least he would be had not the author retconned this later and had her douchebag Romeo say he did read it and laughed at it. Yeah, that happened.
[Jules POV] “I thought you knew,” she says softly, “that I visit him after you leave.”
I feel sick. “How long? How long have you been coming?”
She smiles sadly.
“Always.”
Rosaline has always come? I think back to all those cheesy tribute assemblies and the rivers of fake tears. Were they real after all? Was it all real? Does she genuinely love him?
“We were together for years before you entered the picture,” Rosaline reminds me. “I care about him too.” (215)
Oh, no, no, you’re not getting away with this, Barker!!!
So Rosaline’s “pretty tears” and clichéd speeches for Romeo turn out actually genuine, one of the most blatant retcons of this piece. I have a feeling halfway through Barker read her editors’ notes, realized the backlash against the Not Like Other Girls trope, and did some hasty backtracking.
And of course, there’s the 483727733th iteration of ‘Rosaline and Romeo were actually a thing after all.’ Kill this with fire.
“I am glad you got your…what was it that you called him? Your pretty piece?” I say, repeating her words from before, perhaps somewhat unkindly.
“Pretty…to imply not manly.” Jules shakes her head. “Yes, I used to do that all the time, even in my head—describe ‘feminine’ traits in men as somehow a weakness. I didn’t do it consciously: But even in my writing, the bias was there.”
Is this a rebuke of herself and of Emily? Wuthering Heights is known for subverting gender stereotypes, yet also for portraying femininity…less favorably. (221)
The author accidentally included her notes in the book, I see. These editors are getting more incompetent by the day.
So as part of the whole “whoops, I just realized my earlier Not Like Other Girls shit is now unpopular” thing (a working theory), our author is now bravely trying to convince us she was making a point about internalized misogyny. Except that OG Juliet does not describe Romeo with femininized imagery. Probably the closest is the little bird metaphor…but even then that just reads as kinky.
[Jules POV] And I was wrong—love isn't everything.
I decide that, if I ever write another play, it won't be a love story. It will be about action—taking action versus not taking action. Because standing on my balcony, looking out at the in-tatters world? It's becoming clear that we have to act. That we have to do it today, or tomorrow won't happen.
With that, my thoughts return to Shakespeare. His plays used to be performed at a theater called “the Globe.” I figured it was just a cool name—I never really thought about the metaphor of it. The idea that all the drama was literally playing out on the world's stage. That each story, however small, was part of a bigger picture. (225)
*sings in Aspects of Love* Love / Love isn’t everything
Yes, because that was what was wrong with the OG Juliet—her just standing in her balcony babbling about love when she should have been out there girlbossing an end to the feud!!! What do you mean, she’s a 13-year-old in a patriarchal society that raised her to be meek and obedient and subservient to men? That’s no excuse for being such a basic bitch!!!!
Also. OG R&J are many things. But passive ain’t one of them. Romeo approaches Juliet, Juliet flirts back, he climbs high-ass garden walls, she tells him to arrange for their marriage and sends her Nurse to him, Juliet comes to the church to get married, they marry, Romeo tries to intervene in the fight, he fights and kills Tybalt, Juliet meets with the Friar and drinks the coma potion, Romeo flies to Mantua, buys poison, and returns when he hears Juliet is dead, kills Paris and then himself, and Juliet wakes up and kills herself. What part of all of that reads passive to you?????
[Jules POV] And then I'm thinking about how it all played out. How everything happened because my cousin had died the week before. Tybalt was dead, so I went to that goddamn party. My heart was all bleeding and raw. I needed something to numb the pain, and there he was—Romeo. I used the attention of a boy as my drug and distraction.
Tybalt's death was the tragedy that sparked all disaster to follow. Without him dying, I would never have been at that party, would never have fallen for Romeo. My story would have been different. Everyone's story would have been different. So why the hell did Tybalt have to die? (243)
Before this moment, Jules has only spoken about Tybalt like maybe TWICE in the whole goddamn book. I read this book from cover to cover and I cannot tell you anything about who Tybalt was, his personality, nor his relationship to Juliet—only that he died. We get absolutely no insight or even inkling into Jules’ past relationship with him beyond one or two vague anecdotes. So yes, I count this whole psychological explanation as a retcon, and a badly done one too.
Anyway, with Ellis’ help Jules finally manages to wake Romeo with the drug, but as a cop-out she leaves before he fully awakens. When she does meet him at his parents’ house, Jules drops this bombshell on him:
“That night when we were together in my room…” I say, my voice trailing off. How pathetic am I that I can't even say it? I didn't even put it in my story—I merely alluded to it as “the love-performing night,” of all the childish cop-outs.
There’s a long, drawn-out silence.
“I got pregnant,” I finally say. “I didn’t know it when I went to the crypt that night. When…” I leave that part unsaid. “The nurses didn’t realize until after the third operation. By that point, they'd already pumped me full of every kind of drug to keep me breathing.” I try to keep my voice clinical. “They said it was a miracle the baby wasn't gone already, but that if it survived, it would be ... different.” At the mention of “different,” Romeo's eyes automatically travel to my arm—the numb one. I try to ignore it.
“Mum, Dad, and Aunt Miranda kept it a secret. I basically stayed in my room for a whole year. People thought I was grieving,” I continue. “Or they thought my parents had locked me up because I was out of control.” (260)
Jules had a secret baby even though by all accounts she should have miscarried it from both her suicide attempt and the drugs they used to save her. We are officially in soap opera territory.
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befehlvonganzunten · 1 year
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All Quiet on the Western Front is NOT a war film … or is it?
DISCLAIMER: I’m German and I’m beyond happy with the Everything Everywhere All at Once sweep (except that Stephanie Hsu should’ve won Best Supporting Actress), so this isn't me being bitter about All Quiet on the Western Front not winning Best Picture. What I am bitter about is people throwing around the term "war film" without knowing what a "war film" is or what the term actually means.
Also: I am very aware that I’m probably arguing with a wall here because this is the internet but this bothers me for some reason, so here we go. 
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If you want to argue that a war film is a film that depicts war, then yes, All Quiet is indeed a war film. After all, it is set during World War I and abundant with battle sequences. Soldiers are dying left and right by the sheer brutality of early 20th-century war technology and trench warfare, and we follow a rather young recruit who has no considerable military experience by the time he joins the fighting.
However, not all war films are the same - shocker, I know. They can be pro-war, anti-war or even something in-between (see Apocalypse Now for example). The war film genre also has tons of subgenres like the retaliation film, the military (black) comedy, or the recruitment film. Arguing that All Quiet is a war film as in it’s a pro-war film because I don't know how genres work or, you know, because I don't care about the book this film is based on would be kinda stupid, if not outrageously ignorant. Its source material, the novel of the same name, is considered one of the most important pieces of anti-war literature of all time, written by a man who actually fought in World War I and therefore knew what he was talking about. (The novel was also banned and later burned during the Nazi book burnings in 1933, and Erich Maria Remarque, the author, fled the country to avoid further persecution while his sister stayed behind and was eventually executed for opposing the Nazi government in the early 1940s.)
Pro-war means that a war film depicts war as a black and white adventure where there are inherently good guys on one side and inherently bad guys on the other. The good guys have to win and the bad guys have to lose, and people who think that war is bad either don’t exist or have barely any screen time because God forbid the voice of reason is actually given - well - a voice. Bootcamp turns boys into "manly men" who can fight an entire army on their own. From a technical standpoint, the battle scenes are designed as an audiovisual spectacle that is supposed to make you feel excited, not horrified by the way in which the military machine can destroy bodies and nature alike. It is a very simple form of propaganda escapism that can easily bleed into other genres such as fantasy, science-fiction or superhero films, and you should rightfully hate it with a passion.
Anti-war, on the other hand, means that a war film depicts war as hell on earth, which it is. Nobody wins here. Soldiers are used as canon fodder and nine times out of ten neither the government nor the military elite of either war party really give a fuck. Bootcamp is a complete joke and, in its essence, torture. Young recruits are sucked into the slaughter thanks to lies and propaganda, and they are quickly disillusioned by the horrors they experience on the battlefield. The spectacle of war - the battle sequence - is meant to leave you horrified, disturbed and disgusted by what war forces people to do to each other. It’s the very core element of films/novels like All Quiet and the very opposite of  propaganda escapism.
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CONCLUSION: All Quiet on the Western Front is a war film that depicts war from an anti-war perspective, which makes it an anti-war film. It is based on a novel written by a man who was persecuted by the fucking Nazis. With this in mind (and I promise you that you can research all of this within minutes), it is absolute bonkers to me how some people can look at such a complex genre and reduce it to "bang boom bang explosion war films" without batting an eye.
In my personal opinion, All Quiet is by no means perfect. It’s a decent adaptation of its source material, and while I prefer the 1930 adaptation, I can see why this one was nominated for 9 categories. I’m a little disappointed that An Cailín Ciúin didn’t win Best International Feature Film, but it is what it is. Hopefully, now that I have managed to get this off my chest, I can go back to rewatching Best Picture Winner Everything Everywhere All at Once in peace.
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beetrootbug · 1 year
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White people concern me
I saw i really concerning quora thread (is that what they are called?) and it was essentially about people debating the ethics of a white person wearing box braids. A concerning amount of people said it was "white bigotry" to tell someone off for wearing box braids and that "it's just hair". One white girl was sent home from school for wearing box braids, and someone replied to the mother stating "you should sue the school for discrimination". The amount of privilege dripping from that statement is gross, imagine being able to sue someone over any minor inconvenience. Now i must state: i'm am not black, nor am I white, which puts me a really interesting position as an outsider to this sort of stuff. Personally, i am more than willing to respect black people's culture, i really don't think it's that difficult. So it baffles me that white people get so upset about it. One person said "is it cultural appropriation of the chinese if we use gunpowder? No." Which yes, it is not cultural appropriation to use gunpowder, to MY knowledge, chinese people have never been discriminated against for using it or inventing it, you know what they have been discriminated against for? Their eyes. Everywhere you look you see people making fun of chinese people's eyes (not just the chinese of course, but japanese ect) many children make the whole "chinese, japanese, zombies" joke. And yet you know what was trending a bit back? Fox eyes. SUDDENLY when a white person pulls their eyes back, the monolid is pretty. It always was pretty, but it took a white person doing it for people to like it. And you know what? IT STILL BACKFIRED FOR THE POC COMMUNITY! Chinese and japanese people were being sexualised by white men whilst black people were being harassed about asianfishing, because a lot of black people naturally have monolids. Somehow an issue that wasn't even relevent to black people became another thing to attack them over. Someone else pointed out that a white girl was beat up for wearing box braids by a black person, which isn't right of course. HOWEVER, I have heard a few stories of white girls being bullied by OTHER white kids for having box braids. You know what else i've heard? Countless stories of black kids being harassed for their hair. Countless stories of chinese kids being bullied for their eyes. Countless stories of trans people being attack for their top scars. The list goes on for us minorities, but the minute a white cis person is hurt? tragedy! Hurt by one of us? WHITE BIGOTRY! For those of you who aren't aware: reverse racism doesn't exist. It doesn't. Most of the accounts of "reverse racism" are white people not liking the fact that they have to think before speaking. Not liking the fact that they might be wrong about something. Not liking that they need to be better and learn. and you know what the craziest thing is? I TOO NEED TO MIND MY LANGUAGE! ME, A BROWN PERSON CAN'T SAY OFFENSIVE RANDOM SHIT ABOUT JEWISH OR BLACK PEOPLE OR ANY OTHER RACE THAT I'M NOT APART OF??? SHOCKER!!! WHITE PEOPLE AREN'T THE ONLY ONES WHO HAVE TO "be careful" OF WHAT THEY SAY, WE ALL FUCKING DO, AND WE FUCKING DO IT WITHOUT COMPLAINING, SO STFU, YOU AREN'T SPECIAL AND YOU AREN'T DISCRIMINATED AGAINST.
There was one reply in that quota thread that gave me hope, the person stated that "short story, if you want to use box braids, end racism". It's so easy for people to say "i don't see colour" Well you should. Because for centuries, POCs have been discriminated against for our features and skin tone, you don't just get to say that its "not a problem anymore". Acknowledge colour, have discussions about colour, have discussions about culture, preferably from people of said culture (though it isn't their responsibility to educate you, they can do so if they are comfortable)
Another comment i saw somewhere feels relevent here:
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"when you're accustomed to privilege, equality feels like oppression"
Also, equality isn't just "treat everyone the same", it's "give everyone the ability to achieve the same thing and be treated with respect" If that means you need to mind what kind of braids you wear, then you do it, because in order to be equal we need respect.
ALSO also, to the people saying "most black people don't care, only a small amount do" thousands (if not millions) are upset about it, they may be smaller in comparision, but it's still a lot. And about the "poorer black people" who "don't give a shit", of course they dont care, they're too busy trying to deal with all the other shit white people have done to them.
Final statement: anyone using the excuse "vikings did it first" you're wrong. Vikings most likely didn't braid their hair, if they did, it was to quick get hair out of their eyes, not a fashion statement. Some most likely had dreads that they allowed to grow out to make them stand out from the slaves who were bald (oh yeah btw THEY HAD SLAVES), but even then we don't have much evidence for them having dread apart from a throwaway line from a roman saying they had "rope hair". Overall, egyptians were doing braids way longer than the vikings and they certainly didn't invent braids anywhere similar to cornrows. If you want a "viking hairstyle" get dutch braids.
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yjhgvf · 2 years
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I love how you guys are promoting balance and peace and etc in the fandom, but you guys start the drama too with your ridiculous "oh but this is racist" thing. Like, racism is normal nowadays, grow up.
Also, this is penguinbread's sister. Hope my brother's crush gets r*ped
Hello, owo. Do you mind if I call you that? No? Yes? I don't care about your response, I'm calling you that anyway.
I'm not going to address what your pedophile of a supposed brother did, especially not on a public site like this, but I would like to tell you that hoping someone gets raped and potentially helping get that outcome is not only disgusting, but is considered a crime.
But that's not what your ask is about, now is it? Your ask is about why we in the fandom care so much about racism? What a... wonderful question you have. Let's start with a more simple question first. Why is racism bad? Well, racism is defined as "prejudice, discrimination, or antagonism directed against a person or people on the basis of their membership in a particular racial or ethnic group, typically one that is a minority or marginalized." Race has been used as a way to put others down and take away rights for centuries. The most famous example of this is the enslavement of African Americans in America, but some other examples include calling COVID-19 the "china/chinese virus" due to its origin in China, the mistreatment and abuse of Asian Americans due to people seeing them only for their beauty and therefore seeing them as objects instead of people, Hispanic people being told to go back to their own country, the erasure of Native American history and culture through stealing their land, and whitewashing canonically dark-skinned characters, also known as making canonically black or dark-skinned characters white.
From the definition of racism alone, we can see why it is considered bad. Racism takes away the rights of an entire group of people based on their race, as well as hurting that group of people in other ways. Now, my dear owo, we know why racism is considered bad. However, some people, such as yourself, consider racism normalized. Now why is that? Well, the answer is simple, and comes in two parts, conditioning and whiteness.
Let's cover the simpler one first. Have you ever heard the phrase "you can't be racist to a white person"? This is because white people have always historically had the so-called high ground when it comes to race. White people have always been held in superiority to every other race. White people have never been enslaved, or called slurs (and no, cracker is not a fucking slur), or barred from going into certain places and doing certain activities due to their skin color, or other such practices. This can cause something called a sort of complex where someone is so used to something being a certain way, that they view it as normal, even when it isn't. Most of the time, this happens with trauma, however this can happen with things like racism too. In fact, trauma plays into the second reason of conditioning as well. If someone has experienced racism their entire life, they might become conditioned by the trauma of their experience to believe that being treated that way, and by extension racism, is normal, and thus potentially gain an inferiority complex. They might not understand why its bad, or may feel like it's unchangeable, when racism is indeed bad and can be changed.
I would like to inform you, owo, that pointing out racism isn't starting drama and is simply, surprise, pointing out racism. Wow, isn't that a shocker! If you think that someone pointing out that something you did or said is racist is the same as starting drama, I'm sorry that I have to be the first to tell you that you are the problem, and not them. A lot of the people in this fandom are of different minorities. For example, Gato and Hottakes are black and Gia, Briar, and Jazeal are asian, and I'm part hispanic. Let me tell you, from part white person (me) to possibly white person (you), we should be thankful when someone points out that we are being racist, especially if it is by accident. There are times where I don't understand why something is racist when one of my friends tells me it is, and you know what I do? I ask them why, so I can better understand and learn to not do it. I'll be honest with you, there is not going to be a racism free world in the near future, but racism is certainly not normal in any way, shape, or form. We need to slowly make our way to that racism free world by understanding our friends of different minorities, both through their history and their culture.
Hope this helped! Now get the fuck out of my blog.
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kabutoraiger · 2 years
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despite my best efforts i am still thinking about stupid fuckign beyond generations
first of all how in the hell are we still doing “i hate you dad bc of work you weren’t there for The Big Event” in 2022. please! i’m begging you to get new material! i guess you could call it a showa throwback in this instance. and whatever, either way it’s for babies, right? that’s a relatable enough experience for the 7 yr olds in the audience.
...except in this case dad’s “work” was (willingly!) performing human experimentation at the behest of a fascist organization! so MAYBE. just maybe. a defter and more nuanced hand could’ve been used with the writing of the story!
like how on earth does the shocker scientist part end up as a footnote in the parent/child drama compared to “you weren’t there to ride the train with me”!?? the kid in question is now a 60 year old man so personally i’d say he’s old enough to be able to forget the fucking train for a second!
it’s so insane like. why write the dad to have been a morally bankrupt willing shocker recruit if you just wanted to do this twee fake-ass “parents always love their kids” shit??
and if you were really set on him being Like That then like... there were options, here. really obvious options. write the son to not be hostile but rather to have constructed an elaborate fantasy over the yrs about what actually happened to his dad. envisioning him as an amazing person: maybe he was a spy who went into hiding. maybe he knew too much about a crime and fled the country to protect his family. maybe he died saving someone else from drowning and his body was never recovered. a hero.
and then that’s all shattered when he shows up in front of him 50 years later and tells him the truth. and he has to process that his father wasn’t a purely good person. and the moral becomes not some clownish tired shit but instead that if we were all heroes all the time then no one would be. that the people closest to us are capable of being villains, too. but they are also capable of changing if they try.
and rather than takeshi thanking the dad for kaizo ningenifying him which was imo a bridge too far it’s rather. just an acknowledgement. that even evil actions can have a butterfly effect and create something good. that everything we do is part of the sum of human experience and could influence incredible outcomes. “a century of human history is made up of both wonderful and terrible things.“
but instead we got. the actual film. who wrote this dumb shit
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oh come on! this one, too!? well i guess my brain would be running on fumes as well if i was toei’s new generation pinch-hitter
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multigenderswag · 1 year
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I've had a transmultiphobic interaction not too long ago as a gay multigender person, just me arguing that yes I am gay and them being like "but woman, you're twisting definitions, non-women loving non-women etc." the usual talking points. But despite me being a gay multigender person and that being an issue apparently, the conversation seemed to shift slightly to the topic of multigender lesbians, and even trans men lesbians not being valid. They weren't even a lesbian, not that that changes much.
Idk like the mulitphobia + homophobia is bad enough but it's extra wild when it gets amped up in regards to lesbians. Like, I can't even describe how strange that is. Lesbophobia and transmultiphobia is so normalized by people that are otherwise very accepting and that just messes with my brain. This person was highly accepting in all other aspects, but I guess they felt the need to draw some arbitrary line in the sand and say "not you guys though" lmao. idk
tldr: transmultiphobia + lesbophobia is very normalized (shocker of the century ik /s)
And yes in case you're wondering they were okay with us gay/lesbian multigender folks identifying as straight lmao. Not hypocrtical at all. /s
People looooove policing lesbians and lesbianism. But in a very progressive way I'm sure.
Also, in my experience, people who are assholes about gay/lesbian multigender folks are never normal about transhets. They'll be okay with us identifying as straight in the sense that they won't argue about whether we're "allowed to" be straight, they'll agree that we are straight, and then decide that being straight makes us terrible people or whatever. Transhets get very fucked over by the queer community.
Idk. As someone who's been both, being a multigender lesbian and a being multigender straight man both suck in different ways! I think it's kind of interesting how multigender people get treated badly regardless of sexuality, but there's a lot of variety in what sort of bad treatment we receive.
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