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#the third thing I did
a2zillustration · 8 months
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And then Gale showed me a magic trick and I went to bed.
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captainjonnitkessler · 3 months
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You know I used to think "tumblr's absolute refusal to actually engage with the Trolley Problem in favor of insisting that there must be a third, morally pure option that doesn't require them to make a hard decision and anyone who asks them to make a binary choice is just a short-sighted idiot is really fucking annoying, but I guess it's not actually doing any harm".
Anyway that was before we asked tumblr at large to decide between "guy aiding a genocide but making progress elsewhere" and "guy who would actively and enthusiastically participate in a genocide and would also make everything else much, much worse for everyone elsewhere" and the response was that there must be a third, morally pure option that doesn't require them to make a hard decision and that anyone who asks them to make a binary choice is a short-sighted idiot.
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welcometogrouchland · 1 month
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[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post
#dc comics#dc#damian wayne#dick grayson#talia al ghul#batfamily#dc robin#nightwing#anyway. yes im a self-indulgent ''dick as damians secret third parent'' truther#like i DO think it's way more complex and nuanced than the schmoopy affectionate fan portrayal of it#they're brothers they're father and son they're partners they're the dynamic duo except only in past tense etc etc#but consider! I'm not immune to schmoopy affection in fanworks. it compells me despite itself#anyway it's technically not that crazy when it comes to dick and damian. they hug! often! at least they did#it's not as big a leap to these types of scenarios#also talia ''somewhat absent for complex reasons on both her and damians part but very loving and loved by her son'' al ghul#you will always be famous to me#son of the demon origin...bwahhh#anyway. someone made a comic kind of like this/like a post i made abt this topic#but way funnier bc dick and talia starting trying to beat each other up#so go look at that as well#anyway. it's been a somewhat difficult few weeks so I'm. desperately trying to take it easy#i got some reading with me (first vol of kevin smiths GA run that i found second hand and jaimes BB run vol 2!)#so we'll see how far i get through those. considering there's demons in my head telling me to re-read things (LET ME OUT!!!)#when i finish GA and BB i do plan on rereading robin 2021. as a treat to myself#it's a run I've really warmed up to as time went on#I'm keeping up w/ the current b&r run even though it is. admittedly very slow w/ some weird dialogue#i read it for the damian content more than anything. also nikas back so that's neat :]#idk I have a feeling that after absolute power shakes out we might get some more creative team switch ups#so if anyone at dc is interested in taking over the reigns on b&r...that could be very neat#(it's me they should hire me. please DC i have ideas listen to my red hood pitch PLEASE-)
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theygender · 2 years
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The more I learn about judaism the more I wonder where tf christianity got all its bad shit. Why is divorce a sin in christianity when judaism has recognized the right to divorce for nearly a millennia and has codified religious laws for it. Why does christianity consider sex to be dirty (to the point where puritans considered it a sin to enjoy having sex with your own spouse) when in judaism it's considered holy and it's a literal mitzvah to have sex with your spouse on the sabbath. Why does christianity consider it a sign that you're faithless if you question your religion when in judaism that's considered an essential part to developing your faith. I'm probably stating the obvious here but I still can't get over the fact that there's no historical basis to any of this shit before christianity started, it's like christians just said "hey guys what if we took the torah and built a new religion around it but this time it was actively hostile to human life"
#rambling#disclaimer this isnt about individual christians im speaking about the religious trauma i experienced in my own life etc etc#these are just a few examples that I've noticed but they're definitely something#the part about sex in particular shocked me bc sex is pretty much viewed as actively evil in a lot of christian denominations#like you should only do it to create children and if you take pleasure in it (even if its with your own spouse) youre a dirty sinner#there arent as many examples like this nowadays but if you read puritan laws about sex it's like#you're allowed to have sex with your wife basically 10 times a year but you have to be fully clothed with the lights off#and you cant have sex on a holiday or a sunday and you cant touch each other and you have to try as hard as possible to hate it#literally WHERE did that mindset come from?? like for real#in judaism having sex with your spouse is basically considered a celebration of everything holy#and if you have sex on the sabbath (the holiest day in the jewish calendar—above every holiday)#its considered TWICE as holy#make it make sense#this is one of the things people mean when they say that lumping judaism in with christianity as 'abrahamic' religions is meaningless#theyre literally nothing alike#the only similarity is the torah but thats only half of the christian bible and one third of the jewish one#AND christianity interprets most of it completely differently from how judaism does#im tired#greatest hits#hall of fame
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artianwen · 5 months
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You're in "the good place".
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For those who are unfamiliar with Deltarune
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This is Kris, they're the main character of nutdealer 2
(their skin's not usually blue. it just does that sometimes)
we know almost nothing about them. However, we do know this:
They are nonbinary
They like (most of) their friends
They do NOT like us
They enjoy eating moss
They are going to touch the cheese
that's it that's all we know
Other additions:
They play piano (probably) courteousy or @/mystykmarigold
They are "normal" courteousy of many people
They like to flush bath bombs down the toilet. Their mom doesn't like that courteousy of @/sacrificialcat
They are a knife enjoyer, as well as a chocolate enjoyer
They like(d) to mess with their childhood friend both courteousy of @/the-beasts-have-arrived
They use apple shampoo, and apparently smell enough like apples that a friend associates it with them courteousy of @/spyret-the-shitposter
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jerswayman · 3 days
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LOVE THY GOALIE. GIVE THY GOOD BOY HEAD PATS.
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stromblessed · 5 months
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Mizu was wrong to let Akemi be taken because they both deserve better
First, a confession. When I saw this for the first time:
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I was relieved. I knew that was what Mizu was going to say and I felt like it's what I would have said in that situation too.
When Akemi does this:
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I cringed, because if we know anything about Mizu, it's that she (1) isn't quick to make friends (though to be fair, even though Akemi did try to kill Mizu, so did Taigen - multiple times! - and look how that turned out lol), and (2) doesn't take orders.
So when Akemi and Ringo and later Taigen get angry at Mizu, are they being unfair?
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Sure, Mizu isn't obligated to treat Akemi - or Taigen or Ringo or anybody else - nicely, or to serve them, or to be honorable, or be a hero to them, or whatever. No human being is obligated to any other human being. We all have the choice to do whatever we want to anybody else. But the point of flawed characters in storytelling is the tension between those characters and their potential. Their growth into someone who can choose the higher, harder path, who chooses to be obligated to others, who chooses kindness and compassion.
Because Mizu's problem isn't revenge. Nobody is preaching at Mizu that revenge isn't the answer. Her circumstances do suck, her life has been incredibly unfair, she is marginalized, and as far as we and Mizu know for most of the season, she is a child born of violence and no one is saying that that violence doesn't deserve to be repaid in kind.
Mizu's problem is isolation. And the fact that she thinks she has no responsibility toward her fellow human beings, because her hatred of her own circumstances and her having no life outside of her quest devours everything else. This is a problem because it turns Mizu into the worst version of herself. A version that hurts the people who like Mizu, the people who care about her.
Practically, Mizu has just taken on an entire army almost by herself. She's hurt. She's exhausted. If she were to defend Akemi now, it'd be yet ANOTHER fight, this time against horsed and armored samurai.
But that's not the reason Mizu gives Ringo. Mizu's ability or willingness to fight isn't even on her mind. All she says is, "She's better off."
"She's better off" is Mizu deciding what's best for Akemi. Akemi's entire story is about her being a caged bird longing to fly free.
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One after the other, every man and woman in Akemi's life makes her decisions for her. She has to grovel and smile prettily and lie through her teeth just for the chance to be heard. Mizu judges Akemi for being a rich princess who isn't being more grateful for what she has, all without understanding Akemi's situation, and without any curiosity for why Akemi feels the way she does. From Akemi's perspective, Mizu is just one more person (one more man!) in a long lineup who ignores Akemi's wishes and (casually!) makes a decision for her that impacts Akemi's life greatly.
In the end, even Seki concludes that Akemi should get to decide what's best for Akemi. What others think that Akemi SHOULD want does not matter compared to what Akemi wants for her own life. As Madame Kaji said - Madame Kaji, who despite calling out the weirdness of Akemi's situation as well as the childishness of her decision to run away - is the only person Akemi meets who doesn't try to make decisions for Akemi, but instead only challenges Akemi to work for and be worthy of what she wants - she needs to decide what she wants for her own fucking self, and then take it.
Mizu being born female does not make her automatically wiser for letting Akemi be taken, and it does not preclude her from having a hand in giving Akemi back to her jailers. A patriarchy that Mizu knows full well would stop Mizu from achieving her own goals if she didn't present as male.
Mizu is still understandable here. She just had to kill Kinuyo, a disabled girl sold by her father into prostitution, a girl in a situation so far beyond Akemi's worst imaginings that I can practically feel Mizu's world being rocked just by comparing them in her mind the way she most likely is. That still doesn't make it right for Mizu to let Akemi be carried off to be sold into marriage by her father against her wishes. Those "good options" Mizu thinks Akemi has don't exist, no more than they ever existed for Mizu. Akemi and Mizu both have to get creative, make the best of their circumstances, take dangerous risks, and break rules in order to have any control over their own lives.
Even on my first watch, when at first I thought that Mizu had made the right decision and that Akemi was being unreasonable, Akemi screaming Mizu's name while being dragged, LITERALLY DRAGGED, back to her father was haunting as hell.
Mizu had the power to help Akemi, and simply chose not to.
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Mizu lets Akemi be taken, Akemi who has just begun to trust Mizu. Mizu calls Ringo weak and quickly - seemingly easily - turns her back on him. Mizu values her quest over Taigen's life, after Taigen has endured days of torture to protect her, and she not only risks his life in the process, but doesn't tell him that Akemi is engaged to someone else, or that she came looking for Taigen, or that she is in danger.
Mizu's sword breaks because it is too brittle. Too pure. Too singleminded. Mizu only melts down the meteorite metal when she mixes the metal with objects from parts of her life that have nothing to do with her quest. Objects from the people she cares about, and who care about her.
All I'm saying is - Mizu doesn't have to be a hero. But she is the better version of herself when she reaches out to help and connect with others. When she's just a decent, kinder human being. And I think that's what this story is telling us that we should want for Mizu.
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ra-archives · 6 months
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Father Time? More like Fierce DADity
...What am I even doing anymore?
Lu-tober
Day 29 and a few other idk I cant be bothered to count
ANyways I keep finding audios I think would be funny with the chain so expect some more content like this even after Octobers over. We're just gonna see how long I can go drawing the Chain till I get tired of em ¯\_(ツ)_/¯
Also this took wAY LONGER THAN IT WAS SUPPOSED TO
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fear-no-mort · 6 months
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favourite thing: his new habit of saying uhuh/mhm and also this
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#the first time he did it in unmortricken i was like Fuck Yes and little did i know he would just keep doing it the whole time#DESPERATELY hoping they keep both of these things. i Love when characters have tiny little habits sprinkled in their actions#to me these things kinda sorta symbolise him no longer being afraid to really be himself#like he no longer has to hide certain things about himself that inside of the cfc wouldve made him appear ‘suspicious’#since he IS like so much different than any other morty ever#also barely related but like. em is fundamentally such a good character bc everytime we see him he’s feeling something different#in his first appearance he was cold and distant because at the time he was new to being free and was strictly focused on his goal and wasn’#even sure if it would work#in his second appearance he seemed hopeful and honest both of these things just being a trap to get the people of the citadel to trust him#and his old colder self unfurling near the end after he successfully becomes president#in his third appearance he seems giddy almost. he’s constantly giggling before and after sentences and he’s super eager to just Get The Hel#Out. and also to reveal the truth to morty prime. make it so that he doesn’t have to be the one to shoulder everything anymore.#and this fourth appearance. apart from a few little details he really just seems happy and comfortable. the entire episode he was just doin#whatever he wanted and nobody got in his way at all. and i could not be happier#normal about this character!#rick and morty#evil morty#rick and morty spoilers#odiespeak
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vinceaddams · 8 months
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(watching Hamlet for the first time) Oh, so that's where that quote is from. Oh, so that's where that quote is from. Oh, so that's where that quote is from. Oh, so tha
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bajablastable · 2 months
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twitter liked this one
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front-facing-pokemon · 10 months
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#spinda#AAAHHHH YES!!! our belovèd spinda. from their café!!! probably one of my favorite minor characters from pmd sky#whom i don't even think was in the original explorers games. i think spinda's café was exclusive to sky. if i'm remembering correct#ly. or maybe that was shaymin village. i know shaymin village was for sure but maybe it was just that and not both of them. either way#have a delicious drink and allow the flower of conversation to bloom! i could quote spinda all day. he had “hopes and dreams” before toby#ever did. THAT'S ALSO like i had no idea what spinda's pronouns were. i kept trying to figure it out because i talked about him quite a lot‚#but no one in game ever talked about him. to mention his pronouns? turns out. there's ONE line of dialogue where the post office fucker in#shaymin village mentions him and calls him a he. i think that's the only time spinda is referred to in the third person with a pronoun#i believe it's when they're talking about like. how you can send gifts or whatever and pick up the characters' responses at spinda's café#which is still a really fucking good feature. of any video game. SEE WHAT I MEAN spinda and their café is just an incredibly good      Thing#it's to the point where my home wifi network is named “Spinda's Café Wi-Fi” because i love it so much. so if you're ever runnin around#and you see a wifi network by that name… it might be me! you never know! or… it could be the real deal. the real spinda's café is somewhere#nearby…! ugh. i wish. i would go there immediately#not even to mention all the other shit about this pokémon that's really good. like that they never walk in straight lines or whatever#their little dance. it's just.  huUGHKLJKAHJVDHJHDAJSVGD i love spinda. a nice pick-me-up after the underwhelmingness that was grumpig#shake it this way… shake it that way… and stir it all around… and it's done!
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egophiliac · 6 months
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
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and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
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(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
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and frame and control the focus:
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honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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wasyago · 9 months
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uhh umm uhm random stuff
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vashtijoy · 9 months
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"why not join me instead?" akechi's "invitation" in conf 7
People come and go on whether this question of Akechi's is genuine or not. Opinions run the gamut from "I hate him for trying to take you away from your friends" to "Akechi wants Joker to be his accomplice".
Myself, I don't think Akechi means this as a serious question, for a number of reasons. I think this question is rhetorical.
Quick summary:
Conf 7 illustrates the similarity between Joker and Akechi, and that they're both committed to the showdown between them;
Rather than being an invitation, Akechi's question again illustrates that parallel—that neither of them will give up the things that matter to them to join the other, as Joker has asked him to do;
"I'll think about it" does not count towards the third awakening—and I can prove it. Rather, Akechi can't conceive that Joker would ever abandon his friends, and uses it as an outrageous example of something Joker would never do;
Joker's loyalty not only to his principles but to his friends is something Akechi values so much that he won't let Joker sacrifice it;
Akechi is not so much offering Joker a way out in conf 7 (there is no way out) as he's confirming for his own sake that Joker is still in the game. Is this still a battle between rivals, or is it an execution?
Let's take a look.
what is akechi really asking?
[long post is long]
Look at this line. Look at the question he's posing:
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Akechi いっそ君がこっちに来るってのは?⋯今の仲間を捨ててさ。 isso kimi ga kocchi ni kuru tte no wa?... ima no nakama o sutete sa Why not join me instead...? All you'd have to do is abandon the teammates you have now.
It's very easy to focus on the first half of this question and miss the second. But that second half is the important part, the sting in the tail. The Japanese is a great example of wa building suspense: "Instead, what if you come over to my side, (AND THEN WHAT, AKECHI???????)"
The sentence is left hanging, with the weight of it unspoken (since wa emphasises what comes after it); Akechi is obviously not done speaking. And indeed, when he continues, it's a doozy:
"though, of course, you'd have to dump the friends you have now." (Yes, I think "friends" is often a much better translation of nakama than "teammates", fight me; it's even often translated as "friend" in P5 itself, or indeed, awkwardly, as "teammates and friends".)
Akechi is using the same verb, suteru, that you use for tossing something in the trash; the parallel meaning, "ending a relationship", exists in Japanese too.
Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba, Haru, everything you've all gone through together and everything you've been—Akechi is suggesting you toss them aside like garbage. For him.
Now, I think part of Akechi would very much like Joker to do that. But he also knows better than to expect it. Because he knows Joker so much better than that.
Akechi has seen firsthand how loyal Joker is to his friends—remember on 1/2 how he says he investigated them all? He's seen some of the things Joker will do for them. He expects that blind faith to lead Joker to his death, much as Yaldabaoth does. But he also respects it.
This boy who's never had a friend, who's convinced himself the whole idea is stupid, is still drawn to the loyalty he sees in Joker. Even as he's preparing his own ultimate betrayal, Akechi recognises Joker's commitment to others. He understands treachery is bad, even though he himself is a traitor—just as he understands that murder is bad, and that doesn't stop him, either.
This question of whether or not Joker will betray his friends (and Akechi specifically) comes back on 2/2, of course—and in force.
so why does he ask
Akechi is not proposing that the two of them run off together. He's not asking to see what Joker will say. He doesn't impulsively make the invitation, and then run away when Joker says yes. He is, in fact, not even asking. He poses the idea of Joker abandoning all his friends as a counterexample. It's supposed to be something Joker would never consider, something he will find morally repugnant.
Which is why, if Joker says yes, Akechi is shocked, and essentially tells Joker not to make such stupid spur-of-the-moment decisions. Akechi is making a rhetorical point about what Joker is asking of him.
Remember Joker's statement that leads into Akechi's question:
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Yeah. Joker either suggests that Akechi should give up everything he's doing and everything he believes in (even as Akechi confabulates about what those things really are), or he suggests, with the top option, that he's already done it.
And in return, Akechi says that Joker should join him... and throw away his friends and everything he's working for and everything he believes in, of course.
It's the second response to his question, where Joker turns him down flat, that makes it most obvious that this was what Akechi meant:
Joker それは無理だ sore wa muri da I'm not doing that. No way in hell. Akechi だろうね。 darou ne I thought as much. Akechi 分かるだろ、誰だって今の立場を簡単に捨てられやしないんだよ wakaru daro, dare datte ima no tachiba o kantan ni suterare yashinai n da yo I'm sure you understand. We all have our parts to play, and we can't simply leave those behind.
See what he's saying? ima no tachiba o kantan ni suterare yashinai—"we absolutely must not lightly set aside the positions we hold now".
Incidentally, yes, that's that same verb suteru that he used before, for casting aside or throwing away. Akechi is drawing a parallel between Joker's friends and his own goals—between the things each of them holds most dear, which neither of them will sacrifice, even to save the other. (Assuming you think Akechi would even be down to save Joker—but I do think conf 7 suggests that at this point, he might not be opposed to the possibility. It's just that it doesn't exist.)
the phone call
This parallel returns in the phone call afterwards, if you again tell him that you're rivals:
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It's a little hard to tell from the localisation what Akechi is getting at, so let's take a close look:
Akechi 僕らにはお互い譲れないものがあって、そのためにも負けられない。 bokura ni wa otagai yuzurenai mono ga atte, sono tame ni mo makerarenai [lit. for both of us, these are things we cannot compromise on, and because of those things we cannot suffer losing.] Neither of us can afford to lose, because we fight in service of our principles. It's the same for both of us. Neither of us can afford to lose, because of these principles we won't concede. Akechi ⋯だからこそ、もしも君が自分を曲げたりしたら絶対に赦さないよ。 ... dakara koso, moshi mo kimi ga jibun o megetari shitara zettai ni yurusanai yo [lit. that's exactly why, if you were to warp yourself [that way], I would absolutely never let such a sin (t/n: note the kanji) pass.] And that is precisely why... I cannot allow you to change. ... And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi だって、僕が負けたくないのは『君』なんだから。 datte, boku ga maketakunai no wa "kimi" nan da kara [lit. it's you as you are now who I do not want to lose to.] As you are now, as you think now... I cannot allow you to win over me. The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.
Here's my attempt at a translation again, so you can see it all together:
Akechi: It's the same for both of us. Neither of us can afford to lose, because of these things we won't concede. Akechi: ...And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi: The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.
It turns out that this phone conversation, that was originally quite mystical-sounding and hard to follow (what were you trying to say, Akechi?) is quite straightforward. It ties into to his original question. "Will I join you, Joker? Well, what if you join me instead? Just throw away all your little friends for my sake? Of course you won't—because we're the same. Both of us have things we can't give up, no matter what—and if you tried to do that, I wouldn't let you, because I value you as you are...."
This parallel between the two of them is what conf 7 is about, from the text message that opens it to the phone call that concludes it:
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It's the same thing again: neither of you can afford to lose, because you're fighting for your principles. The billiard table is the stage for this wider discussion.
The billiard scene, of course, is interesting for another reason—Akechi is giving Joker a chance to back out; he's testing his commitment, and perhaps hinting that he never intended to be quite where he is, either. He states at the outset that he's being indirect, that what he's saying is a metaphor—and then closes that metaphor with a very direct question: "Do you still intend to play this game?"
Akechi それでも君は、このゲームを降りる気はないの? sore demo kimi wa, kono geemu o oriru ki wa nai no? Even then... do you still intend to play this game? But despite all of that, you still won't fold, will you?
The Japanese is even more specific: Akechi asks Joker if he intends to fold—not whether he still wants to play, but whether he means to give up entirely! "This can't be what you expected, so how about it? Will you just give up? Does this mean as much to you as it does to me? Is this a game we both choose to play, or are you just a victim?"
How much of this is Akechi blowing smoke up his own ass?—casting the fact that he's about to murder the boy in front of him in a glowing, romantic light? Pretty much all of it, I'd say. He's dreamed of having a rival, someone to compete with who challenges him, but what he's got is quite a bit more than that.
Again, the rival imagery is what allows Akechi not only to accept this close relationship, but to frame it as a life-or-death contest that only one of them can win. It confirms to him that what Lavenza describes as "a truly unfair game" is actually fair. It's about making Joker's murder seem as much Joker's fault as his own.
but what happens if you say yes?
Despite all of this, you can choose to have Joker consider Akechi's "offer"—to discard Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba and Haru like trash, and assist Akechi instead. It's tempting, I know.
I don't personally get the impression that Akechi likes this response, for a number of reasons. None of the three responses to his offer score confidant points, but there's something else in play: only one of these responses unlocks his third awakening.
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See the F code highlighted in yellow? Only one of these three responses has it. "You're my rival" counts towards the third awakening. Rejecting him, with "I'm not doing that", does not—but more to the point, offering to be with him, with "I'll think about it", also does not!
The issue is confused because a number of us have taken option 1 (or indeed option 2, like me) and still got the third awakening on 2/2. It seems like you need some of the flagged responses, not all of them. But it remains the case that "I'll think about it" does not make Akechi more likely to have his third awakening.
What happens if you take this option?
Joker 考えておく kangaete oku I'll think about it. Akechi へえ、考えてはくれるんだ? hee, kangaete wa kureru n da? Oh? So you'll think about it, at least? What? You mean you'll consider it? Akechi ⋯でも、そういうその場限りの情はやめた方がいい。 ...demo, sou iu sono ba kagiri no jou wa yameta hou ga ii ...But I'd advise you don't say these things without their due consideration. ... Still, it would be better if you didn't trust such fleeting sentiments. Akechi 出来もしない約束はするものじゃないよ。 deki mo shinai yakusoku wa suru mono ja nai yo You shouldn't make promises that you can't keep, anyway. Don't be the sort who promises the earth and walks away.
A few grammar points:
んだ n da on a question demands an explanation; Akechi's question could almost be rendered "Why on earth would you need/want to think about it?"
そういうその場限りの情 sou iu sono ba kagiri no jou—"sentiments that only matter here and now". Essentially, "sentiments that won't last"—or that are makeshift or ad hoc; Joker is making a stupid spur-of-the-moment decision.
yes, 出来もしない約束 deki mo shinai yakusoku translates idiomatically as "promising the earth". The point is not that Joker should not promise; the point is that he shouldn't be the sort of person who promises so much—and then doesn't follow through.
Again, this confidant is all about Akechi's expectations for Joker. It's about the weird belief he has in him, like the belief he has in Shido—that Joker has principles and friends and will stand by them, that those things are important and matter, even if they're diametrically opposed to Akechi's principles and the things he wants.
The fact that they foil each other in this way is a large part of what makes Joker such a worthy opponent for Akechi. So if Joker turns around and says, sure, Akechi, I'll dump all my friends so we can make out?
Akechi does not like that. He thinks better of him!—he loses respect if Joker offers this. Even if that little line about "promising the earth" suggests that, actually, yeah, he would quite like for the two of them to run away together—if only they lived in a world where it was possible.
what about "you're my rival"?
I've discussed this line before, but let's go into it for completeness.
Joker 明智は好敵手だ akechi wa koutekishu da You're my rival. Nah, you're my worthy opponent.
Do you see that Joker names Akechi there? He doesn't just say, "we're worthy opponents", or even "you're my worthy opponent", koutekishu da yo.
No, he picks Akechi out by name, and then tells him exactly what they are to each other. Because wa builds suspense. Akechi wa... (what?! what is he?!) koutekishu da. "I can't run away with you, because I need you to be this to me instead".
And this is the line with the F-code. This is the line that, if you choose it, will build towards Akechi's third awakening—which is centred on his trust in Joker, on the fact that Joker is worthy of that trust.
And how does Akechi respond?
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He's astonished. He did not expect this at all, look:
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On the left, the top screenshot where he's waiting for your answer; in the centre, the moment of shock, where he's pulled away and dropped his hand and his eyes are wide; on the right, a comparative overlay just to demonstrate that he pulled back.
smiles that aren't smiles
I have a half-assed theory that you can tell when Akechi is really smiling—because the model will smile with him. If you watch, for instance, Ryuji, the model's expressions match the sprite's almost exactly. But if you watch Akechi? Nah, not so much.
Here's an example. Akechi appears to smile quite often through conf 7—but if you glance away from the sprite and textbox to the model, the model is pokerfaced. Five smile sprites on the optimal route through conf 7, and not one of them—not even "you truly are fascinating"—matches the model:
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But when you pick "You're my rival"? Suddenly the model's face springs to life:
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It's obvious from everything else that this moment is of deep significance to Akechi. But this little detail with the smiles suggests we can confirm it.
and what does he say?
It doesn't take long for him to pull himself together:
Akechi 同意だね、僕らにはなれ合いより対等な関係こそふさわしい。 doui da ne, bokura ni wa nareai yori taitouna kankei koso fusawashii I agree. I think a relationship of equals suits us better than being co-conspirators, anyway...
This is another one that I find unclear in the localisation, so let's have at it.
nareai suggests an illicit or unduly-close union. It suggests "being in bed together" in the business sense—cosying up, colluding, conspiring. It suggests they're working together when they shouldn't be. Jisho uses the screamingly-outdated term "common-law marriage" (what we call "living together") as an example. Essentially, it suggests they're too close—or even co-dependent, in a way that corrupts them both.
In short? Akechi's "co-conspirators", nareai, means "accomplices"—what we might call "murder boyfriends".
taitouna kankei—literally, "an equal relationship"—is a set phrase, and we know what it means. It suggests a relationship where nobody is being cheated; where everyone gets out what they put in. Where the two of them compete on equal terms.
That's a very Akechi way to look at relationships. But it's also a relationship where nobody is in charge; nobody is dominant, and everyone has self-respect. Nobody is chasing after anyone or sacrificing unduly, as either would be if they joined the other. Everyone can be who they are and say what they want. Everyone can say no.
It's the sort of relationship Akechi very notably does not have with Shido. Is it the sort of relationship he has with Joker, when the two of them are hiding so much from each other and lying so much, and there's so much, like, murder going on? Nah. But as an aspiration, as a suggestion of the sort of relationship Akechi would like them to have, alongside everything else he's told us about how he sees the two of them—as similar, as equals and opposites, as bound by their principles, as destined to fight—it's almost touching.
and what does joker think?
Akechi ⋯たとえこの先、何があろうともだ。 ...tatoe kono saki, nani ga arou tomo da ...No matter what else may change. ...No matter what might come next. Akechi それだけの事を言ったんだから、逃げないでよ? sore dake no koto o itta n da kara, nigenaide yo? In any case, what you just said carries great weight. Remember what you decided, and don't run from it. All right? [lit. don't run away just because of what [I/you] said, all right?]
I'm not sure about this. It feels like it should be referring back to Akechi's last line—"don't get cold feet and run away just because I alluded ominously to whatever's coming next, okay?". I guess it could be referring to Joker's commitment, with "You're my rival"? IDK, I'm out on this one, so I'm inclined to give the localisation the benefit of the doubt.
But it doesn't matter. Because the significance of what Joker does next doesn't change:
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He nods. Akechi spends the whole confidant hinting that something ominous is coming, and that the two of them are heading to an inevitable confrontation, and Joker nods.
I don't think this is really consistent with interpretations where Joker is a meek little sheep in the interrogation room. Joker might not have chosen this, he might not have wanted it, he might have by far preferred to avoid it. He'd happily back out if Akechi would just drop the whole thing and agree to act sane. But he's committed to it. He agrees to fight.
Remember, conf 7 takes place after Joker hears the murder phone call. He knows what Akechi is. He knows what he's planning. He knows the stakes—and he agrees to play, to face Akechi down.
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To quote @nardaviel, that's no sheep. That's a full-on "Phantom Thieves win again, motherfucker" smirk. Joker played Akechi's game, with everything he had—and he played to win.
#persona 5#p5 meta#japanese language#shuake#goro akechi#ren amamiya#almost the worst part of this is that akechi respecting joker for his loyalty tells you how little he respects himself#also! 'i'll think about it' CANNOT POSSIBLY unlock the third awakening#because the third awakening is *all about trust* and saying yes to akechi proves that you're a traitor#and that 'i won't forgive you if you betray your principles' on the phone? also 2/2. this is exactly what he does if you take the deal#also!! joker makes a third option to akechi's question with 'you're my rival' and this is what astonishes him besides the thing itself#also! (per leonawriter) the maruki deal ending is essentially the nareai relationship#where akira has all the power and akechi..? well#nobody is themself or choosing for themself#also as regards whether akechi is lying he proves himself through action#'i won't let you betray yourself' - he did that already if you tried to take the deal#ALSO? that 'megeru' for 'i won't let you depart from your principles comes back on 2/2#as joker's 'i won't fold'#and ofc it's ALSO akechi's 'you'd fold over...' that precedes that. it was set up in conf 7 if you took the rival route#so tldr it's plausible that 2/2 is as much akechi fighting for his vision of joker as for his right to die. help???#ALSO. did you wonder why it's *awakening* akechi who comes to leblanc? the one closer to you who believes in you more?#this is exactly why. awakening akechi has faith left in you to lose. non-awakening akechi already lost that faith. BYE
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