i will never forgive popular UT fanon for using chara as a scapegoat in the genocide run and making "sans recognizes them and attacks them on sight regardless of what run they're in" headcanons so pervasive.
mostly because "restless spirit of a long dead child who's obsessed with the concept of cosmic retribution and facing consequences for your actions" + "guy whose job is just that but he treats it on par with his hot dog sidegig" is potentially one of the most hysterical dynamics you could come up with
UPDATE: you should REALLY check out the notes on this one
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what’s the opposite of “i ship it”? i don’t mean anti-shipping i mean more along the lines of “this couple got together in canon and i want front rows seats to their future bloody bloody divorce“
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music vibe today is Buckingham Nicks and i am once again begging the music gods to give this album a proper re-release!!!!!!!!!!!
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have we ever thought abt the fact that zuko is literally azula's older brother. like she's his little sister. that's his little sister. throughout a big, big part of atla plot, he was actively running away, scared of his little sister killing him because he KNEW she would/could. can you imagine that? your little sibling, wanting more your father's approval than your companionship to the point of death? every time they fought, zuko was fighting his baby sister. azula was fighting her big brother. this is making me so sick. they were 16 and 14 years old.
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dorian gray was so dedicated to intense emotion that he became a remorseless killer and rodion romanovitch raskolnikov was so dedicated to being a remorseless killer that he became intensely emotional
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at this point i think the only way of salvaging slime's and mariana's relationship in canon is exiling them together in the desert. either they fight each other to perma dead or they cooperate and somehow fix their marital problems, then proceed to have more minecraft sex with coldplay playing on the background.
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tfw when you write an entire novel with two protagonists that spent the entire plot getting closer to each other, becoming best friends and eventually both of them deciding they would rather die than allow the other to not live a long, fulfilling life, their friendship carrying most of the emotional weight of the entire plot and the emotional climax being one of them sacrificing his life so the other can live and then the other crossing literal universes to find him, a tearful smile in his face as he confesses how much he missed him. which is the scene you wanted to write and show the most because, again, this is the pay off to the slowburn you've been writing in the entire novel and what everything has been building up to since the very first chapter. and then you end the novel by having them share a smile, finally confident they'll be able to have a happy future.
but you also just gotta have one of them marry offscreen because everyone knows you can't be happy if you're not in a het marriage with kids lmao it's whatever it's okay i'm fiNE-
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