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#there were no spoilers for tonight!
bettsc · 8 months
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Just read through a lovely and fun Reddit AMA with Amanda Row who directed the Nancy Drew series finale and was a Producer/Director for quite a few episodes in season 2.
Including 2x10 or my favorite episode:
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fashion4standusers · 8 months
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Anyway, if I had a nickel for every time a series had six installments that gradually escalated in ridiculousness, only for the sixth installment to end with a universe reboot and the seventh installment to pick up in a new universe where alternate versions of the original characters now exist in the distant past, I'd have two nickels.
One of those series is JoJo's Bizarre Adventure. The other is Riverdale
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hazoret · 1 year
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this is how that one part went right
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[CN] Li Zeyan’s new sunshine ER!
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“Every beautiful moment is worth acknowledging, even more so when it involves you.”
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lakesbian · 10 months
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alright this one is getting its own post instead of a reblog on a post that is Entirely Not About That. presenting the 'what if we put amy and alec in a room together' manifesto because the thing is that it is interesting but not in the way amy/alec shippers think
Amy shook her head, talking over her, “She’s always been emotional, passionate, unrestrained, and she’s channeling all this new emotion into hate, because it’s the closest equivalent.” “New emotion?” Regent asked.  “You mean you mindraped her.” Amy looked like she’d been slapped across the face.  I wasn’t surprised, but hearing it said out loud was unsettling.
“Nice,” Regent said.  “She could be a human-spider hybrid.  Add some insult to injury with the mindrape thing.” I could see Amy tense.
it is relevant to his character that he's the first person to cut through amy's euphemisms (and everyone else's avoidance of saying the unsettling part out loud) and outright say "you mindraped her." he calls the euphemistic language out and then intentionally repeats it a second time for no other reason than to bug her about it. it's vaguely reminiscent of something he says to sophia during his interlude:
“You and I are more alike than you’d suspect, I think,” he said. “We’re both arrogant assholes, yeah?  Difference is, I admit it, I don’t dress it up and tell myself that I’m a bitch and that that’s a good thing.”  He burned Emma’s face out of another photo.
he has a repeated habit of making people uncomfortable by calling something out for exactly what it is, whether it be "yeah sure cape groupies, my dad's girls, people i used my power on towards the end" or "you mean you mindraped her." he's desensitized enough to really all forms of violence to be unbothered by committing or witnessing them, but he seems to harbor a genuine pet peeve for people who obscure or unreasonably justify what they're actually doing. as uncomfortable as he can make taylor, it's often not that he's doing things worse than the other undersiders, but that he's the person most willing to openly admit what he's doing--or to pettily call out what someone else is doing.
i think it more or less boils down to the fact that he's never gotten to be the person on the peripherals of violence making up neat and tidy ways to talk about it: he spent his entire childhood being hurt in every way imaginable & being coerced into doing the same to others. i think it left him with a sort of genuine distaste for being expected to talk in circles around the viscerally awful things he had done to him or did to others, and subsequently, for people who have done similar things but can't fucking fess up to the reality of it. it's like he's been walking around his entire life just absolutely drenched in blood, witnessing so much else get covered in it, and he's starting to get legitimately bothered over people standing around twiddling their thumbs and pretending it's red paint. he knows it's blood. he's been tasting it since he was 6. he would really like if everyone else could also grow up and admit it's fucking blood.
it's always funny to me that amy/alec shipping is, like, a Thing--a niche thing, but a Thing, because i could not think of a rapist more hand-crafted to piss amy dallon off than alec vasil. he cannot go Three seconds in her presence without going "oh you raped her? you mean you raped her? with your mind? like she doesn't just have new feelings you specifically mean you mindraped her?"
she, on some level, views herself as someone who did harm because she's irrevocably, ontologically evil, and is sort of desperately obsessed with minimalizing or half-justifying her actions to herself so that she can avoid recognizing that she feels like she can't be better. she's clinging to the idea that she can be "redeemed" if she does something of equal measure in the opposite direction (e.g 'spending the rest of her life healing people' as she mentions), but because she can't even directly acknowledge how bad her actions actually were without crumbling under the weight of the idea that she's doomed to be that bad, she's fundamentally incapable of looking directly at what she did at this point in the story.
alec, on the other hand, is really fucking upfront and fairly objective about his actions--he never ties them into some Inarguable Truth About His Soul, and he's pretty honest about whether or not he thinks they're justifiable. in 14.1, he has this dialogue with cherie:
“When daddy had you practicing your powers, you ‘hijacked’ a few people at a time, used their bodies to get high with no consequences for you, you threw orgies for yourself…” “Again.  I was a kid.”
but despite the fact that sophia is, on some level, justified in his mind by his "eye for an eye, this is a favor for taylor" rhetoric--he's fine with admitting that he's also just doing it because, yeah, he's an arrogant asshole and he feels like it. some of it was because he was a kid being groomed, and some of it was because He Felt Like It.*
*sure, he only Felt Like It because he has a comically large cocktail of unpacked psychological issues--but he doesn't know that, he just knows he felt like it.
in other words, he doesn't subscribe to the idea that any of his actions are, like, Ontologically Predetermined By His Inner Being or even necessarily all related. he's like the fuckin' "might do it again, prolly not" dude from the sex offender shuffle. okay, sorry for saying that in my seriouspost. but his philosophies would clash hilariously badly with amy--he insists on accepting his own & others actions for exactly what they are, he's generally very invested in not being his father (being asked if he intends to turn out like his dad is one of the only times something briefly upsets him), and he's actually doing pretty okay at that. he's like...shockingly well-adjusted given the circumstances. his entire arc is more or less a slow upward climb.
i think having to be around someone who both believes and would outright admit "yeah i raped people, no i dunno if i feel that bad, no i'm not raking myself over the coals for it, yeah some of it was because i was a kid, yeah some of the other stuff wasn't, no i'm not Predestined To Suck," would like. clash with her beliefs abt 'ontologically evil' being a real thing, abt punishment as justice, etc. in a way that would really bother her. she spends a lot of her time in her head trying to twist things around until they feel salvageable to her, but alec is 0 amount concerned with rationalizing to make him feel alright--he just does things, some bad, most shitty attempts to be better.
it's, funnily enough, far more functional for improving than what amy has going on--he operates on material actions as opposed to her Self-Flagellating Thought Labyrinths, and the fact that he's busier moving on from things he can't materially change than he is kicking himself in the face means he can actually achieve some form of progress towards more functional approaches wrt human interaction. i think if amy had an extended conversation w/ him about the subject, she'd both be disgusted with him for not thinking thoughtcrime is real and deeply resentful that this fellow ontologically evil villain is doing better at moving forwards as a person than her despite not 24/7 flagellating himself + yearning for "redemption" like she is. it'd throw a disturbingly large wrench in her worldview, and she would not be happy about it.
oh, and alec would think she's weird and mopey and dumb and annoying and "why do it if you can't even admit it." and he would probably tell her as much. which is the point where i unlock the door to the room so alec can sprint out to escape amy's attempt to put tastebuds on his asshole.
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sparring-spirals · 2 years
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no i lied one more thing before i hop off because I Cannot Stop Thinking About it, and its everything about Fearne asking her parents, quietly, thoughtfully: "Was I something that you gave?"
Its about- up until now Fearne has earnestly been trying to think the best of her parents, forgiving these things or that and- generally giving benefit of the doubt.
It's about- Fearne, thinking, clarifying: "In order for Morri to do favors, you have to give her something."
Its about- Fearne, thoughtless and carefree and easygoing. Fearne, thinking this through and asking so, so carefully: "Was I something that you gave?"
its about the phrasing, its about the use of the word something. Its about Ollie and Birdie both describing Morri as a collector, and they mean objects, maybe, but they used it to explain Morri keeping Fearne, too. "Took a shine to you." Its about Fearne, saying she likes to collect things, introducing herself with these terms, its about how the way she loves people also has that edge of possessiveness. Its about how- something fey when it comes to loving people like they're treasures, about collecting them and keeping them close when you like them too much to let go. because you love them too much to give them up, to give them away. (a virtue and a vice).
Its about- a double heartbreak, of loving people like loving things, (something you gave), and even then- taking the thing you love (the one you love) and being willing to let go of it. (something you gave).
i just cannot stop watching that scene and the way Fearne reasons it out and asks, and the heartbreaks behind that question in the first place,
and then. the way she watches Ollie, and Birdie, when they cant answer, the way she keeps her gaze trained on them as they stutter. and.
the way they don't say no. they can't.
Quiet. So, so quiet. "This adds a bit of a wrinkle to the story."
Fearne. Fearne :(
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sacha-da-1 · 10 months
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Awful, sad Hannibal AU where Hannibal actually does find a way to travel back in time and not just speak poetically about the concept and possibility, and he keeps trying to change what happened to Abigail for Will’s sake (and his own too) so they can be a family, but no matter how many different ways he tries to change what happened, she still ends up dead, and perhaps the outcome only becomes increasingly worse than the last time and it’s ALWAYS his fault without dispute and Will ALWAYS knows it. Each time he travels back, he only ends up cutting his hands more deeply on the “tea cup” he wished to put back together, and the pieces only break up further and scatter further out of his reach.
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boggiethefroggie · 2 months
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I love these dorks so much it's embarrassing
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eugeniedanglars · 9 months
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neil gaiman: it’s a love story
michael sheen: it’s a love story
david tennant: it’s a love story
good omens 2 reviews: it’s a love story
edgelords on tumblr when good omens 2 comes out and it’s a love story:
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booasaur · 1 year
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The Simpsons - 36x04 - The Treehouse of Horror XXXIII
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eddiediaaz · 1 year
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what tonight tells me is to never trust buddie uwu stans to review an episode
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redgoldblue · 24 days
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i'm. sobbing [x]
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arielluva · 7 months
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theres a thing that you always said and it is no words
redraw of a thing i drew when i was 14 except this redraw took 5000 years to finish (i started this in february)
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IM SORRY BUT WAS THAT A FUCKING HAMILTON REFERENCE ISTFG
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alolannraichuu · 3 months
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hereissomething · 6 months
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saw the first saw with orgy and my fave part is when u see dr gordon dragging his dad tummy across the floor on his way out of the bathroom
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