Kurvitz stresses that Kim doesn't actually have a character sheet hidden in Disco Elysium's code. Imagining that Lieutenant Kitsuragi has only one natural attribute point in Motorics helps the ZA/UM team to understand the depth of his character beyond what's referenced in the game's dialogue. "We just came up with this stuff for coherency," says Kurvitz. "And because we're nerds."
"I like to think Kim has a Thought Cabinet project called Revolutionary Aerostatic Brigades that he's worked on since he was a teenager," Kurvitz says. "This raises the learning caps for his Reaction Speed and Interfacing."
Kim's high Volition skill makes him impervious to prying, Kurvitz says, as the detective can find out on occasions being met with Kim's brick-wall resolve. Kim often chastises these whims of the detective's, but will occasionally play along. The Lieutenant finds his new partner funny, says Kurvitz.
Kim is naturally shit at Motorics and thinks Harry is funny source
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Have you taken any pottery classes or were you entirely self taught? I REALLY want to get into it but classes are quite expensive
I took some sculpting in undergrad, but it was in the context of casting and mold-making, not ceramics. So I'm fairly comfortable with clay as a medium but not so much with clay as an end product--not being able to do armatures and having to think about firing is weird. (If I had the opportunity to do bronze casting again, though, I would, no hesitation.) That puts me in the minority of my current pottery peers, who are largely self-taught or only learned in our studio.
I do pottery now at a co-op studio space, and technically that means that I'm taking classes there--but the classes are more like guided lab time? There's not really assignments or anything, and there's only a couple other people who sculpt, none of whom are in my class. Mostly the class just means that the person in charge demonstrates a technique or two once a week and then lets us do our thing.
Personally I think that shared studio space is the absolute best way to go. You spend less in startup costs (kilns are EXPENSIVE, running kilns is expensive, glaze is expensive) and it plugs you directly in to a group of fellow artists who can help and support you at whatever skill level you're at. Yes, classes are expensive--my class is $250 per season. But for me that includes lab space, 50 lbs of clay per season, almost all of the glaze I use, kiln time, and other people doing all the maintenance and kiln loading/unloading etc. Very much money well spent.
Artist-run shared spaces are often not turning a profit on anything with studio fees, just covering operations costs, so while it's pricey, it generally is just...what it costs to do that hobby. And it is sooooo much easier to be motivated when you're going to what is, basically, Grown-Up Art Club.
But if costs are prohibitive for you to do pottery via classes, and you want to learn to sculpt, then get some polymer clay and see what you can do. It's a different game than actual clay, but form is form, and the medium is secondary to figuring out how to translate an idea into reality.
Polymer clay is relatively affordable and doesn't require nearly the infrastructure of ceramics. If you can't spend the money on classes or a shared studio, then polymer clay is a great way to develop technique and an eye so that when you're in a position to spend the money, you already have the skills to make it worth what you're spending.
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katara will see an elder, any elder, and be like “is anyone gonna respect them” and not wait for an answer. sokka could be like “katara they are literally stealing candy from babies right now,” but if they are above a certain age she does not care, in fact she is like “sokka how could you even say that!! the audacity!! that is a respected member of the community!!!!” like the closest she comes to realizing someone old sucks actually is with pakku, and even then she is inexplicably happy to find out that he’s gonna be her step-grandpa. meanwhile zuko sees literally any old person and is immediately like “ew i didn’t know raisins could talk”
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Menelaus rambles a lot about not only Helen, but also Hermione. About how she used to say Olive like "Olifs". How she lost her first tooth running too fast and running into a low branch while out with Helen. How he'd sometimes wake up to Hermione leaning over him and poking his face to say, "Dad, can we go see the horses?" even though it was barely daylight. How she was much nicer waking Helen and how he thinks Hermione did that on purpose because she found "dad's face funny". How her favorite color was every color.
And Odysseus listens.
And he thinks about how his son only had a few teeth coming in when he left, teething on everything. How he could only say one syllable with his babbles. How his son needed balance to stand but Odysseus was so proud that Telemachus was very good at rolling over. How his son loved pulling at his and Penelope's hair.
How his son would be talking, walking, maybe even lost his first tooth by now. And he doesn't even know if he'll ever know his son's favorite color.
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Thinking abt how the kits would have absolutely zero grasp on the concept of mortality and death and how they'd be really confused on why their parents are upset and where Mothtree wen't :^)
Hi friend, I don’t want to be like a major downer but… Rosehipkit is VERY sick. She and Dogwood, more than any other kits, absolutely understand the concept of mortality and death in a way that they should not have to.
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Kaeya when he has to function around the existence of the brother he mourns his relationship with due to a volatile hurtful falling out born out of the crushing guilt he has about his own existence: 😎
Kaeya when he gets told he’s descended from the founder of the abyss order & deflects feeling any attachment or emotional conflict over his past: 😎
Kaeya when ppl arguing make the child he cares about sad for .2 seconds (he cannot bear the sight of Klee being subject to the confusing & seemingly pointless pain of familial conflict that he is so familiar with when (unlike himself) she does not deserve to have to accept it & learn to endure it all on her own):
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