How to Donate to the Domari Society of Gypsies in Jerusalem
As many of you may know, the Domari community in Palestine is suffering alongside native Palestinians in the genocidal campaign headed by Israel.
Though we do not know much of the Domari's struggles in detail, I can only imagine it is the same extent as the Palestinians' struggles.
The Domari Society was founded by director Amoun Sleem in 2000 and since then she and her staff have done incredible things for the Domari, including providing resources and education to women and children.
On the Domari Society website, there is information on how to send donations via bank transfer, but considering that their main avenue may not be the most accessible to share and donate, I am making this post providing a step-by-step guide on how to donate to the Domari Society of Gypsies in Jerusalem.
This method works only if you have a PayPal and/or Xoom account (Xoom is owned by PayPal so if you only have PP, you can still donate.)
Step-by-Step:
Click this [link] here. It will take you to Xoom's page for sending money to Israel (Jerusalem is occupied by Israel, so it must be through them). Make sure you are signed in to either Xoom or PayPal.
Enter a minimum amount of 35.66 shekels (minimum 10.01 USD) to send. Click (Send Now) to progress to the next page.
3. Confirm information on screen and click (Next).
4. Select (Bank Deposit) and click (Next).
5. When selecting a bank, click (Other) and it will bring you to a page where you must enter the IBAN number of the bank you want to send money to.
The IBAN for the Domari Society's bank is IL040176380000002503877 (copy and paste this exactly).
Confirm that the bank is Mercantile Discount Bank Ltd and click (Next).
6. Enter in contact information. It is as follows:
First Name: Domari
Last Name: Society
Address 1: Shua'fat, Derech Shua'fat 10
City: Jerusalem
Phone Number: +97225324510
Email:
[email protected]
7. Enter any information required and choose your payment option. On the last page, confirm the information listed and if everything is correct, click (Send).
Bank transfer may take a few days, but congratulations! You just donated to the Domari Society of Gypsies in Jerusalem. Know that your contribution will go towards the betterment of the Domari in Palestine.
Also, most information is found on the Domari Society's website, so if you wish to confirm that the donation is legitimate you can check the bank details here: [link]
Please share this whether you donate or not, it could mean life or death for Dom under occupation. May we all see a day where our people are safe. Te aven baxtalo 💙❤️💚
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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I really like your theory about Spamton basically haunting a mannequin after death. Have you ever touched upon the reaction from Jevil (or anyone, really) upon seeing the new Spamton? Especially considering Spamton isn't even aware he 'died'.
^ how i think jevil's first sight of Spamton would go. i love this ask. this is referring to some headcanons I made a while back, I'll link it here for the one post and the general ghost spamton theory is linked in that one as well. Going to elaborate on it more under the cut for those interested + more art.
In general I think that people from Spamton's past wouldn't really care if they notice at all, since he wasn't in the business of making close friends with anyone. With the Addisons, in my interpretation he had a "weird co-worker" relationship with them, and while Addisons in general treated each other like potential business competitors that they had to make-nice with, Spamton is especially easy to single out for being visibly and temperamentally different. His altered, current state is something they'd feel at least uncomfortable by, but many wouldn't have been too close with him to begin with for them to talk about it with him directly. Would get whispered about between each other for sure, like we saw with them talking about Spamton after the NEO fight. It moves him from the "disgraced guy I used to know" category to the "actually unpleasant to look at or think about" territory. This goes for Swatch, Queen, and Seam (less so), who seem to buy heavily into the Lightner and Darkner dynamic, with Spamton corrupting the Lightner's dream being a strong taboo against what it means to be a Darkner.
As for what Jevil thinks, Spamton during the NEO fight is both a beautiful and horrifying display. Jevil at this point hasn't seen him in years since his imprisonment, and in their time apart Jevil has grown to find novelty in the cage that everyone else besides him is in since he's created huge emotional distance between him and the reality he lives in. Seeing the fact that Spamton had corrupted an abandoned dream of a Lightner and was causing so much chaos to the established order of the world would be exhilarating, but at the same time seeing that Spamton had accomplished this and still had his strings visible (and changed to a marionette puppet with no symbolic agency), it'd be a painful confirmation of his worldview that even Spamton, who deep down he still cares for, could never have been free.
Jevil would think at first he'd just gone through some nebulous situation to change what he looks like, since ofc he himself has toy-like traits (arguable if that happened with Gasterfication or not), Seam is a plushie cat, and other Card Castle Darkners are based on toys, but feeling the lack of life combined with the symbolic body of Spamton would mean to him something bigger had went wrong. He wouldn't dare to bring it up in an empathetic way, stuck in his mindset that it doesn't matter, but it'd still hit a part of him he doesn't like to think still exists. It's something he gets over quickly, almost performatively going back to fucking with him and taking advantage of his fear for entertainment, but it didn't sit well at first.
To me, the fact Spamton "died" isn't really a huge deal, kind of like with the ghosts in Undertale where no one really cares they're just ghosts. They're just doing their thing. To me it'd be fine if neither of them find out what happened for certain, but it's something that adds Flavor to his character.
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so, inspired by the warm welcome the captain received with that rough doodle i posted, i made an updated design for Ki'ita as well (basic and with clothes)
i removed the piercings she had bc considering that they spend the majority of their time in arctic waters i think having metal directly in your skin is a bad idea, no matter how thick your blubber is; i also gave her typical white markings a green hue bc ... i liked how it looked and makes them stand out a little more
(i will not repeat what i wrote on the post about the captain but wanted to add a bit of more info about Ki'ita herself)
(i dont have ALL of their backstory done yet but) the captain and Ki'ita worked together in another organization, one in which the father of the captains child also worked at, before being betrayed and barely managing to escape, after which the both of them founded their pirate crew (possible name is the Solar Pirates bc of their solar powered boat stuff); since the captain had her daughter shortly afterwards Ki'ita managed most of the organisational matters at first, including the construction of their base on an abandoned island they had initially fled to
over the years they invented the solar powered ships that allowed them to gain control over a large part of an important trade route, leaving normal ships (mostly) alone but attacking those of hunters and similar, rescuing demons and mutants, even some humans from them, most of which also join the crew and it quickly lead to them becoming their own little community
Ki'ita does not like to spend alot of time among large groups of people, no matter how much she cares about them, and her originally being from norther lands gave her the idea to explore, and if viable, do underground missions in those norther areas to disrupt the infrastructure the hunters had built in recent years and overall keep the crew informed about things that may otherwise stay hidden; with each of their travels her time absent from the base increased but the patience of the captain is wearing thin so its likely a serious talk is underway
on Ki'itas third solo mission she nearly died due to entanglement in abandoned nets made by hunters from an unknown material that she could not break, the massive scars on her tail especially come from that, only surviving bc the date they were supposed to return to the crew had passed and the captain grew to worried about her and made the entire crew rush into an emergency search, including the captain herself and her toddler, who were not suited for the cold climate just like the rest of crew, taking a huge risk that Ki'ita still feels ashamed of for causing; they stayed within the base for a whole year afterwards, not just to recover but also as a silent apology, taking time preparing herself to ensure theyd not get into a situation like that again
(before departing on their next mission the captain gifted her a sword with the blade made from the material of the net, a wooden handle, bc of the cold, and a blue wrap around it reminiscent of the captains striking blue teeth; a reminder of what had happened, a means to defend herself when their strength and teeth are not enough, and also a promise to always return again)
the oldest members of the crew know Ki'ita well and treat her like an old friend, among the newer members she has more of a .. cryptic status, the mysteriously absent vice-captain who only appears every few months or so out of thin air, throws a big party, sleeps for a few days and then vanishes again, the only hint to when they will return soon again being the captain getting noticably grumpier
(OC art, Ki'ita, she/they)
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