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#this is the only commentary I've listened to
hopeinthebox · 2 months
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tagged by the gorgeous and fabulous @cordiallyfuturedwight and @aprylynn for february's roundup:
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tagging the usual music favs: @jiminsproof @thvinyl @jimin-gaon @visionsofgideontheninth @spicyclematis @kimchokejin @jihopesjoint @monismochi plus @kimtaegis for the amy macdonald of it all 💜 and also you, dear reader. MWAH
#heads up! here comes the director's commentary:#16 Carriages - now listen. i love texas hold 'em as much as the next daddy lessons supremacist#but holy shit. it doesn't hold so much as a candle to this track.#just unbelievably stunning. i'm begging you to give it another chance if you skipped over it the first time#Don't Forget Me - me and kayla and apryl all having ms rogers in this month's list... i think we might be better than everyone else actuall#End Of Beginning - good GOD we couldn't gatekeep djo any longer but it's worth it if only for all the bear tiktok edits.#and thus i have fallen for this track all over again. yes CHEF#Showtime - now if you've known me long enough you'll know i'm an absolute sucker for british indie rock bands#especially if their frontman looks like they might not make it through another winter#so you can imagine catfish has had an inexplicable hold on me. anyway their comeback single is actually pretty good#This Is The Life - fantastic tune. 2007 if you can believe it?#what a time to be alive and at the school disco and you're singing the songs and thinking this is the life and so on and so forth#Loving You Will Be The Death Of Me - tom odell can do no wrong in my eyes (ears?) anyway. lovely lovely new album#Never Need Me - been loving rachel for a while now and this single is brilliant. highly recommended.#plus the video features florence pugh and if that doesn't sweeten the deal then christ i don't know what will#Baby Now That I've Found You - i didn't even realise this was a cover of the foundations until hearing it again recently#because alison krauss just has an incredible way of making them her own and thus it's been on repeat.#Deeper Well - okay so now i'm seeing the country thread through this month's picks.#this is another lovely new one. hearing it on the radio and the fact that they have to censor “i used to wake and bake” is hilarious to me#shoutout kayla again because great minds..#Stay For Something - CMAT is phenomenal and if you haven't listened to her yet i can't recommend her entire discography enough.#she had her arsecrack out at the brits last night and well. i would die for her#(speaking of the brits. raye... i literally cried for her. go find the recording of her live at the royal albert hall.#-watch it twice and then come back and thank me)#artists-wise - most of these guys are consistently up there.#katie melua is a new feature this time because all my amy macdonald-ing put me back onto nine million bicycles.#used to get that one mixed up with 99 luftballoons but they're really very different. i'm a fool#so tl;dr: fantastic tunes. do listen#tag#receiptify
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pyjamacryptid · 2 months
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Just scheduled the BBC Merlin live commentary to the season 5 finale 👀
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sonicprim3d · 6 months
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" We signing tonight? "
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constellationcrowned · 9 months
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((It makes me sad that (especially coming from Roui) the severity of Kariom's duty is greatly diminished in both severity and importance. He's not just a star-reader he was chosen by the King to decipher them for all Tsourai. When he calls himself a savior it isn't entirely out of pride or hubris; he's telling the truth. It's a duty that can (and will, and has) potentially destroy him, even kill him, but one that he can't back down from or falter in because if Kariom makes a mistake?? Even one??? It's, to his understanding, completely over and he wouldn't be able to handle it. He cannot disappoint them, nor can he abandon them, and to fail in the slightest would be doing just that. It would be detrimental to the people that he loves and that, to say nothing of wider consequences, is unfathomable.))
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theauthorlives · 2 years
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“Ohhh, Y.ancy would be great in G.rease! He’d be perfect for W.est Side S.tory!”
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“What if I wants to be in Les M.is, huh? You don’t think I could make a good B.aker in Into the W.oods, huh?”
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pottersfia · 2 months
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For your Theo fluff - He hates touch, like absolutely does not get touched by anyone ever. His friends know it. Everyone knows - but then you come along and it’s all you do. Hugs, hand holding, legs in lap, all the touchy things. And you have no idea that Theo was ever NOT a touchy person because he never said anything. And then Pansy or Draco tell you how he used to hate being touched, and you’re like ???? Because he never said anything. And then you stop. Like no more hugs, no fiddling with his hands during class, nothing. And then he’s like ???? And then you tell him why and he’s like … I only wanna be touched by you. And it’s just so fluffy and a little hint of sunshine!reader.
You are the best Theo fluff writer😭🔥❤️
theodore nott x sunshine!reader
a/n: sorry i’ve been so busy i’m catching up on requests now!!
theodore very instinctively backed away from blaise's incoming hands. the boy was simply joking around with his friend, but as he lifted his hands to pat his back, super bro-dude of him, Theodore backed away.
"sorry mate." blaise noticed his flinch and laughed. theodore shook his head and gave a small smile to his friend.
"you act like everyone but you has the black plague or something, theo." pansy laughed at the interaction.
"what?" theodore asked.
"you back away from touch so quick." the girl replied.
"yeah, you never let anyone touch you." Draco added.
"i don't think i've ever seen you hug som-"
"theo!" blaise was interrupted by you walking towards the group of slytherins with an unmissable smile on your face. theodore's face visibly lit up as he stood up to greet you. you instantly walked up to him and reached out for a hug which he gladly reciprocated. blaise, draco, and pansy looked at eachother in shock. they knew theodore liked you but for him to display pda so naturally was strange. the two of you had only been dating for a week and before that you seemed to be close already, but the group still never saw this side of the relationship.
"hello to you too, y/n." blaise said, holding back a laugh with a smile. you turned to the group and smiled at them.
"hi guys." despite the two breaking your hug, your arm did not leave his body. "can i sit?" she asked.
"of course, i don't think theo will let you leave anyway." pansy replied making everyone not so discreetly laugh. theodore scowled at them and led you to sit down next to him. you smiled as he placed his arm around you and chatted about your day to him.
the scene was incredible to theodore's slytherin friends. you couldn't keep your hands off him as you sat together and he did not mind at all. you held on to his hands, placed a hand on his thigh, even touched his hair as you spoke to him. all he did was stare and listen to you as you talked, occasionally giving commentary and melting in your touch.
"i'll go get it for you." theodore said as he stood up, responding to something you mentioned you forgot in his room.
"where are you off to?" draco asked.
"getting something for y/n, i'll be back." he replied as he headed to his dorm.
"that boy must really like you." pansy turned to you as soon as he was out of sight. you smiles.
"well i hope so."
“it’s so funny, we were just talking about how much he hates being touched before you came over.” blaise said. you furrowed your eyebrows at his comment.
“he does?” you questioned. they all nodded. you never would have thought that about theodore. you were naturally very touchy with people you cared about and didn’t think theodore had a problem with it because he never said anything. as you thought about it, you did realize that he rarely was as physically affectionate with you in the same way so maybe he didn’t like it?
as the week went on, this thought never left your head. you suddenly became self aware of all your actions around theodore. your hugs were shorter instead of unnecessarily being prolonged, you held his hand instead of clinging onto his arm, and you rarely played with his hair.
theodore did not understand what was going on. he knew something was different as soon as he noticed you hesitating to hug him. he was never one to initiate physical affection so he wasn’t sure how to go about this. his break point was one afternoon in the empty school courtyard when the two of you sat in the grass talking and enjoying each other’s company. you were next to him but did not even attempt to touch him the entire time.
theodore looked down at the hand you were leaning on that was in between the two of you. you were ranting about your divination exam but all he could think of was how much he missed your touch. he looked back up at you and nodded to your words. he moved his hand without looking to touch yours, intending to hold on to it, but you immediately moved it away.
“why are you doing that?” he interrupted you. you stared at him in silence.
“doing what?” you asked.
“you’re not touching me. are you upset with me or something?” he asked. you looked at him in disbelief.
“no. i’m not i just,” you looked down not really knowing what to say.
“just what?” he asked again.
“i thought you didn’t like being touched.” you said. he tilted his head at your words. “it’s your friends, they told me you don’t like being touched by people soon figured i would hold back on it because i don’t want you to be uncomfortable.”
“ragazza dolce (sweet girl),” he placed a hand on your cheek making you look at him. “i only like being touched by you. i miss it so much.” he says.
“really?” you asked. he nodded. you smiled and kissed him, placing your hand on his arm.
“now please give me a hug. yours are the best.” he smiled at you.
“if you insist.” you gave him a hug as he requested, smiling and closing your eyes as you lingered in the feeling.
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insipid-drivel · 12 days
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Horses: Since There Seems To Be A Knowledge Gap
I'm going to go ahead and preface this with: I comment pretty regularly on clips and photos featuring horses and horseback riding, often answering questions or providing explanations for how or why certain things are done. I was a stable hand and barrel racer growing up, and during my 11 year tenure on tumblr, Professional Horse Commentary is a very niche, yet very necessary, subject that needs filling. Here are some of the literary and creative gaps I've noticed in well meaning (and very good!) creators trying to portray horses and riding realistically that... well, most of you don't seem to even be aware of, because you wouldn't know unless you worked with horses directly!
Some Of The Most Common Horse + Riding Mistakes I See:
-Anybody can ride any horse if you hold on tight enough/have ridden once before.
Nope. No, no, no, no, aaaaaaaand, no. Horseback riding has, historically, been treated as a life skill taught from surprisingly young ages. It wasn't unusual in the pre-vehicular eras to start teaching children as young as 4 to begin to ride, because horses don't come with airbags, and every horse is different. For most adults, it can take months or years of regular lessons to learn to ride well in the saddle, and that's just riding; not working or practicing a sport.
Furthermore, horses often reject riders they don't know. Unless a horse has been trained like a teaching horse, which is taught to tolerate riders of all skill and experience levels, it will take extreme issue with having some random person try to climb on their back. Royalty, nobility, and the knighted classes are commonly associated with the "having a favorite special horse" trope, because it's true! Just like you can have a particularly special bond with a pet or service animal that verges on parental, the same can apply with horses. Happy horses love their owners/riders, and will straight-up do their best to murder anyone that tries to ride them without permission.
-Horses are stupid/have no personality.
There isn't a more dangerous assumption to make than assuming a horse is stupid. Every horse has a unique personality, with traits that can be consistent between breeds (again, like cat and dog breeds often have distinct behavior traits associated with them), but those traits manifest differently from animal to animal.
My mother had an Arabian horse, Zipper, that hated being kicked as a signal to gallop. One day, her mom and stepdad had a particularly unpleasant visitor; an older gentleman that insisted on riding Zipper, but refused to listen to my mother's warnings never to kick him. "Kicking" constitutes hitting the horse's side(s) with your heels, whether you have spurs on or not. Most horses only need a gentle squeeze to know what you want them to do.
Anyway, Zipper made eye-contact with my mom, asking for permission. He understood what she meant when she nodded at him. He proceeded to give this asshole of a rider road rash on the side of the paddock fence and sent him to the emergency room. He wouldn't have done it if he didn't have the permission from the rider he respected, and was intelligent enough to ask, "mind if I teach this guy a lesson?" with his eyes, and understand, "Go for it, buddy," from my mom in return.
-Riding bareback is possible to do if you hold onto the horse's mane really tight.
Riding a horse bareback (with no saddle, stirrups, or traditional harness around the horse's head) is unbelievably difficult to learn, particularly have testicles and value keeping them. Even professional riders and equestrians find ourselves relying on tack (the stuff you put on a horse to ride it) to stay stable on our horses, even if we've been riding that particular horse for years and have a very positive, trusting relationship.
Horses sweat like people do. The more they run, the more their hair saturates with sweat and makes staying seated on them slippery. Hell, an overworked horse can sweat so heavily that the saddle slips off its back. It's also essential to brush and bathe a horse before it's ridden in order to keep it healthier, so their hair is often quite slick from either being very clean or very damp. In order to ride like that, you have to develop the ability to synchronize your entire body's rhythm's with the rhythm of the horse's body beneath you, and quite literally move as one. Without stirrups, most people can't do it, and some people can never master bareback riding no matter how many years they spend trying to learn.
-You can be distracted and make casual conversation while a horse is standing untethered in the middle of a barn or field.
At every barn I've ever worked at, it's been standard practice with every single horse, regardless of age or temperament, to secure their heads while they're being tacked up or tacked down. The secures for doing this are simple ropes with clips that are designed to attach to the horse's halter (the headwear for a horse that isn't being ridden; they have no bit that goes in the horse's mouth, and no reins for a rider to hold) on metal O rings on either side of the horse's head. This is not distressing to the horse, because we give them plenty of slack to turn their heads and look around comfortably.
The problem with trying to tack up an unrestrained horse while chatting with fellow stable hands or riders is that horses know when you're distracted! And they often try to get away with stuff when they know you're not looking! In a barn, a horse often knows where the food is stored, and will often try to tiptoe off to sneak into the feed room.
Horses that get into the feed room are often at a high risk of dying. While extremely intelligent, they don't have the ability to throw up, and they don't have the ability to tell that their stomach is full and should stop eating. Allowing a horse into a feed/grain room WILL allow it to eat itself to death.
Other common woes stable hands and riders deal with when trying to handle a horse with an unrestrained head is getting bitten! Horses express affection between members of their own herd, and those they consider friends and family, through nibbling and surprisingly rough biting. It's not called "horseplay" for nothing, because during my years working with horses out in the pasture, it wasn't uncommon at all for me to find individuals with bloody bite marks on their withers (that high part on the middle of the back of their shoulders most people instinctively reach for when they try to get up), and on their backsides. I've been love-bitten by horses before, and while flattering, they hurt like hell on fleshy human skin.
So, for the safety of the horse, and everybody else, always make a show of somehow controlling the animal's head when hands-on and on the ground with them.
-Big Horse = War Horse
Startlingly, the opposite is usually the case! Draft and carriage horses, like Percherons and Friesians, were never meant to be used in warfare. Draft horses are usually bred to be extremely even-tempered, hard to spook, and trustworthy around small children and animals. Historically, they're the tractors of the farm if you could afford to upgrade from oxen, and were never built to be fast or agile in a battlefield situation.
More importantly, just because a horse is imposing and huge doesn't make it a good candidate for carrying heavy weights. A real thing that I had to be part of enforcing when I worked at a teaching ranch was a weight limit. Yeah, it felt shitty to tell people they couldn't ride because we didn't have any horses strong enough to carry them due to their weight, but it's a matter of the animal's safety. A big/tall/chonky horse is more likely to be built to pull heavy loads, but not carry them flat on their spines. Horses' muscular power is predominantly in their ability to run and pull things, and too heavy a rider can literally break a horse's spine and force us to euthanize it.
Some of the best war horses out there are from the "hot blood" family. Hot blooded horses are often from dry, hot, arid climates, are very small and slight (such as Arabian horses), and are notoriously fickle and flighty. They're also a lot more likely to paw/bite/kick when spooked, and have even sometimes been historically trained to fight alongside their rider if their rider is dismounted in combat; kicking and rearing to keep other soldiers at a distance.
-Any horse can be ridden if it likes you enough.
Just like it can take a lifetime to learn to ride easily, it can take a lifetime of training for a horse to comfortably take to being ridden or taking part in a job, like pulling a carriage. Much like service animals, horses are typically trained from extremely young ages to be reared into the job that's given to them, and an adult horse with no experience carrying a rider is going to be just as scared as a rider who's never actually ridden a horse.
Just as well, the process of tacking up a horse isn't always the most comfortable experience for the horse. To keep the saddle centered on the horse's back when moving at rough or fast paces, it's essential to tighten the belly strap (cinch) of the saddle as tightly as possible around the horse's belly. For the horse, it's like wearing a tight corset, chafes, and even leaves indents in their skin afterward that they love having rinsed with water and scratched. Some horses will learn to inflate their bellies while you're tightening the cinch so you can't get it as tight as it needs to be, and then exhale when they think you're done tightening it.
When you're working with a horse wearing a bridle, especially one with a bit, it can be a shocking sensory experience to a horse that's never used a bit before. While they lack a set of teeth naturally, so the bit doesn't actually hurt them, imagine having a metal rod shoved in your mouth horizontally! Unless you understand why it's important for the person you care about not dying, you'd be pretty pissed about having to keep it in there!
-Horseback riding isn't exercise.
If you're not using every muscle in your body to ride with, you're not doing it right.
Riding requires every ounce of muscle control you have in your entire body - although this doesn't mean it wasn't realistic for people with fat bodies to stay their weight while also being avid riders; it doesn't mean the muscles aren't there. To stay on the horse, you need to learn how it feels when it moves at different gaits (walk, trot, canter, gallop), how to instruct it to switch leads (dominant legs; essential for precise turning and ease of communication between you and the horse), and not falling off. While good riders look like they're barely moving at all, that's only because they're good riders. They know how to move so seamlessly with the horse, feeling their movements like their own, that they can compensate with their legs and waists to not bounce out of the saddle altogether or slide off to one side. I guarantee if you ride a horse longer than 30 minutes for the first time, your legs alone will barely work and feel like rubber.
-Horses aren't affectionate.
Horses are extraordinarily affectionate toward the right people. As prey animals, they're usually wary of people they don't know, or have only recently met. They also - again, like service animals - have a "work mode" and a "casual mode" depending upon what they're doing at the time. Horses will give kisses like puppies, wiggle their upper lips on your hair/arms to groom you, lean into neck-hugs, and even cuddle in their pasture or stall if it's time to nap and you join them by leaning against their sides. If they see you coming up from afar and are excited to see you, they'll whinny and squeal while galloping to meet you at the gate. They'll deliberately swat you with their tails to tease you, and will often follow you around the pasture if they're allowed to regardless of what you're up to.
-Riding crops are cruel.
Only cruel people use riding crops to hurt their horses. Spurs? I personally object to, because any horse that knows you well doesn't need something sharp jabbing them in the side for emphasis when you're trying to tell them where you want them to go. Crops? Are genuinely harmless tools used for signalling a horse.
I mean, think about it. Why would crops be inherently cruel instruments if you need to trust a horse not to be afraid of you and throw you off when you're riding it?
Crops are best used just to lightly tap on the left or right flank of the horse, and aren't universally used with all forms of riding. You'll mainly see crops used with English riding, and they're just tools for communicating with the horse without needing to speak.
-There's only one way to ride a horse.
Not. At. All. At most teaching ranches, you'll get two options: Western, or English, because they tend to be the most popular for shows and also the most common to find equipment for. English riding uses a thinner, smaller saddle, narrower stirrups, and much thinner bridles. I, personally, didn't like English style riding because I never felt very stable in such a thin saddle with such small stirrups, and didn't start learning until my mid teens. English style riding tends to focus more on your posture and deportment in the saddle, and your ability to show off your stability and apparent immovability on the horse. It was generally just a bit too stiff and formal for me.
Western style riding utilizes heavier bridles, bigger saddles (with the iconic horn on the front), and broader stirrups. Like its name may suggest, Western riding is more about figuring out how to be steady in the saddle while going fast and being mobile with your upper body. Western style riding is generally the style preferred for working-type shows, such as horseback archery, gunning, barrel racing, and even rodeo riding.
-Wealthy horse owners have no relationship with their horses.
This is loosely untrue, but I've seen cases where it is. Basically, horses need to feel like they're working for someone that matters to them in order to behave well with a rider and not get impatient or bored. While it's common for people to board horses at off-property ranches (boarding ranches) for cost and space purposes, it's been historically the truth that having help is usually necessary with horses at some point. What matters is who spends the most time with the animal treating it like a living being, rather than a mode of transport or a tool. There's no harm in stable hands handling the daily upkeep; hay bales and water buckets are heavy, and we're there to profit off the labor you don't want or have the time to do. You get up early to go to work; we get up early to look after your horses. Good owners/boarders visit often and spend as much of their spare time as they can with spending quality work and playtime with their horses. Otherwise, the horses look to the stable hands for emotional support and care.
So, maybe you're writing a knight that doesn't really care much for looking after his horse, but his squire is really dedicated to keeping up with it? There's a better chance of the horse having a more affectionate relationship with the squire thanks to the time the squire spends on looking after it, while the horse is more likely to tolerate the knight that owns it as being a source of discipline if it misbehaves. That doesn't mean the knight is its favorite person. When it comes to horses, their love must be earned, and you can only earn it by spending time with them hands-on.
-Horses can graze anywhere without concern.
This is a mistake that results in a lot of premature deaths! A big part of the cost of owning a horse - even before you buy one - is having the property that will be its pasture assessed for poisonous plants, and having those plants removed from being within the animal's reach. This is an essential part of farm upkeep every year, because horses really can't tell what's toxic and what isn't. One of the reasons it's essential to secure a horse when you aren't riding it is to ensure it only has a very limited range to graze on, and it's your responsibility as the owner/rider to know how to identify dangerous plants and keep your horses away from them.
There's probably more. AMA in my askbox if you have any questions, but that's all for now. Happy writing.
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fractallogic · 1 year
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why the fuck are the Avs doing so poorly against these really shitty teams
they just let anaheim score two goals within less than a minute in the third fucking period and they got trounced by chicago a couple weeks ago before this win streak. what the literal fuck. these are the two of the three worst teams in the league, gentlemen. what the FUCK are you doing.
good thing they already played all their games against columbus, or they'd fuck up and lose big to them too
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lowkeyremi · 7 months
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That's my man atsumu x fem!reader
notes: I needed to write smthing for my baby's birthday. fwb tsumu does smthing to a me (it'll end up with getting together bc im silly like that), the samu ver is here
Content: slight language, slightly suggestive, fluff
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He smiled at her with those sex eyes of his. Yes, he's giving them to her and not you. Atsumu makes everything so hot and cold, it's hard to tell with him.
She giggles and he laughs too, entertaining her for some pussy. The 'why' is something you will never understand, not when you've had that man down on his knees, eating you out like he was on death row and you were his last meal.
Your hope is that both of their stupid asses feel your heated glare towards them. They don't notice it though, mainly because you're best friend pulls you out of your thoughts.
"The sooner you get over him the sooner my life becomes easier." Your best friend jokes. Their attempts at lightening your mood are ineffective. How could you be in a better mood when the man of your dreams only wants sex from you? You want him, badly, but he doesn't want you.
This was something you were aware of before sleeping with him. Yet, you took it lightly, and now here you are, pouting over him being with another girl.
"I know, it's just-"
They cut you off, "'it's different between us, he treats me better than his other fucks.' I've already heard the whole shebang." Your friend rolls their eyes with a quick smirk.
"He's a college frat boy, there's no way he was serious if he said something in bed. It was probably to set the mood." You know they're right, you're just being delusional. You want your relationship to be something it's not.
The rest of your day was pretty foul. Just as you thought it couldn't get worse it did. You had to present your presentation, because your partner who was supposed to do it has covid, and your other partner is so bad with public speaking that she freezes up.
Your favorite coffee is the only thing that brings you some joy to your day. You're seated in your favorite booth at your favorite cafe. You take small sips and check your social media feed. It's then when you hear your name being called out.
You don't bother to turn to look because you know who it is. He sits at your booth, unaware of the anger you feel currently.
"Don't you have someone's pussy to be buried into?" You ask with venom.
Atsumu gives you that cute little chuckle, you hate it so much right now. It feels like a tear to your pride.
"Only if it's yers." He suggests with a smirk.
"I'm really not in the mood right now Atsumu, why don't you go entertain that girl from bio." Shit, know he'll know and tease you. He'll probably cut things off with you and-
"Oh her? I was just tryin' to get her to do my presentation, but she turned me down." He says casually. This is probably the only time you'll be thankful for Atsumu's obliviousness.
"I could have helped you with it." He knows you're smart, and he would have asked you...
"There was no way I woulda asked ya. You always make me do the work, and only give me commentary on my work." He says sighing. You watch as he places those big rough hands of his under his chin.
He's so pretty, volleyball has not failed him once. Even though some of your friends hate his hair; you think it's cute.
Those eyes, so pretty and brown draw you in to him. Also his muscles are just right, he's not too buff but he's also not thin to the point you can't see anything.
"Yeah, it's called improving. I really hope you didn't think you'd get through college with a pretty face and money. College isn't just one big party. At least not for me." You lecture and Atsumu listens, he always listens.
"For starters I do my work now, I ain't slept with a teacher since freshman year which was almost two years ago. Thank you very much." He replies to the shade you send his way.
"Anyway, what is it that you wanted?" You ask with a sigh.
"I wanted to check up on ya s'all. My cupcake seemed a lil' outta it today." Fuck his perceptiveness.
"Just tired is all." Atsumu's eyes narrow at your response. Why'd you think you could lie to one of the biggest liars you know?
"The way ya were acting today wasn't as much 'oh gee im tired' but more like 'my sweetie pie tsumu-bear hasn't been paying me any attention.'"
"If you knew, then why where you trying to force it out of me?" You roll your eyes and look back to your phone as to avoid his gaze and your embarrassment.
"I just wanted to hear ya say it because yer so cute." Atsumu is going to be the death of you. He annoys you to no end.
"Just so ya know, I ain't been sleepin' with anyone besides you, sweetheart."
"How do I know you aren't a big fat liar?" The way he smiles when you hiss at him has your heart melting. Why? Why you?
"I'd be an idiot to sleep with someone else when I got the most beautiful girl in my bed all the time." It's so sweet and sincere, his voice is honest you can tell. It feels like a weight has been lifted off your chest, and that Atsumu shaped hole in your heart is slowly being filled.
"Yeah? What're you trying to say, Tsumu?" You peek up from your phone screen to look at his dark eyes. It catches you off guard slightly, the way he looks at you, like you put the stars in the damn sky.
"I knew ya were kinda clueless but this is something else. I want ya to be my girl."He clarifies and you stop breathing for a second. When you'd fantasize about this you'd never thought his confession would be calm. Atsumu is loud and obnoxious, so this quiet, calmness has caught you off guard.
"Is that a question or a demand?" You ask.
"Not a question, m'already confident in ya wanting me." He's prideful and sometimes it sucks but right now.. it's so hot.
"Okay then, I'm yours." You whisper quietly trying to grasp what you've just said.
"Good, best decision you'll ever make, cupcake." Cockiness is laced in his tone and you roll your eyes.
"I said to stop calling me that," You finally drop your gaze back to your phone, but you aren't even paying attention to the dimly-lit screen. Your brain is exploding right now.
"You're my man now." It finally registers.
"Sure am."
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convolutedblasphemy · 2 months
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I wasn't shitting you guys btw I actually made the one-sided radiostatic playlists
here is my lyrical masterpiece. both the vox version and the alastor one. done my best to make it as lyrically accurate as possible. @styrofauxm @onesidedradiostatic i hope you enjoy this (go check out the full lyrics for the songs on google if you can't listen to it but i recommend it because all of these are bangers) feat. my stupid commentary and vox's pathetic wet cat energy
Click to listen to the Vox one on YouTube
1. the hearse — matt maeson
thought this one fit so well lyrically. the "what was it like to feel in love" part i interpreted as vox asking himself that rather than alastor
❞ i am the man we both couldn't stand, i can't wash off the dirt from my hands, what was it like to feel in love? [...] i will never go backwards, i will never be free, i will never run faster; will you sink down to me? ❝
2. i'm just ken — ryan gosling
i'm not even adding lyrics to this one, everyone should have seen the barbie movie and this song at this point. this just HAD to be in there. can you feel the kenergy?
3. too many friends — placebo
less about alastor, more about vox's existential crisis
❞ my computer thinks I'm gay, i threw that piece of junk away on the champs-elysées as I was walking home. this is my last communique, down the superhighway. all that I have left to say in a single tome... ❝
4. creep — radiohead
i mean isn't this literally his theme song?
❞ when you were here before... couldn't look you in the eye. you're just like an angel. your skin makes me cry. you float like a feather in a beautiful world. i wish I was special. you're so fuckin' special. but I'm a creep, i'm a weirdo, what the hell am I doin' here? ❝
5. where evil grows — the poppy family
y'all seen the sonic movie? we need to see vox do that dance.
❞ i like the way you smile at me, i felt the heat that enveloped me and what i saw i liked to see. i never knew where evil grew. i should have steered away from you, my friend told me to keep clear of you but something drew me near to you ❝
6. one of us — ava max
i had to edit this one a bit in the video and cut out the part about the kissing because that for sure didn't happen
❞ one of us would die for love; one of us would give it up. one of us would risk it all; one of us won't even call. one of us could say goodbye, never even bat an eye... ❝
7. colorblind — amber riley
more pathetic wet cat energy brought to you by yours truly
❞ i don't think that i'll ever find that silver lining or reason to smile. you know i used to paint such vibrant dreams, now I'm colorblind, colorblind. when did my heart get so full of never mind, never mind? did you know that you stole the only thing I needed? ❝
8. arcade — duncan lawrence
more pathetic wet cat energy brought to you by yours truly
❞ a broken heart is all that's left. i'm still fixing all the cracks. lost a couple of pieces when i carried it, carried it, carried it home. i've spent all of the love I saved. we were always a losing game; small town boy in a big arcade, i got addicted to a losing game... all i know, all i know: loving you is a losing game. ❝
9. if i can't have you — skylar astin
i picked the version from zoey's extraordinary playlist on purpose because the context of this scene is that the dude who sings it hires a bunch of singers and dancers to confess in a public space as you, the viewer, sit there and cringe at him as he gets rejected. if that doesn't have vox energy, i don't know what does.
❞ i'm good at keepin' my distance (lie), i know that you're the feelin' I'm missing. you know that I hate to admit it but everything means nothin' if I can't have you. i can't write one song that's not about you, can't drink without thinkin' about you. is it too late to tell you that everything means nothing if I can't have you? ❝
10. do you want me (dead)? — all time low
when vox asks himself whether alastor wants him or wants him dead it's definitely the second option.
❞ i let it ride on a bet, i doubled down on a sinking ship; need a second to catch my breath: do you want me? or do you want me dead? oh, give it up for at least a second; i'm getting sick of your bullshit attitude and how you walk around like you shine brighter, it's killing me, so what do you say? do you want me? or do you want me dead? ❝
11. push — ryan gosling
i can't just put one musical number from the barbie movie in and not include the other one that fits equally as well.
❞ said, i don't know if I've ever been good enough. i'm a little bit rusty and I think my head is cavin' in. and I don't know if I've ever been really loved by a hand that's touched me, and I feel like something's got to give and I'm a little bit angry, well, this ain't over, no, not here, no; not while I still need you around. ❝
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Ice-cold rejection & vicious mockery: Alastor's version
the contrast of this is the best part.
Click here to listen to the Alastor one on YouTube
1. little big boy — madds buckley
he doesn't go easy on him. this is 0 compassion and 100% roast.
❞ brimstone fire and eyes aglow, little big boy's making the whole world know his name. raised on pillars and shining lights, breathing smoke for the right to keep his place. never satisfied 'till they all see how big this little boy can be. well the water's rising; tide's comin' in. does little big boy know how to swim in a pond filled with fish bigger than him? ❝
2. i help you hate me — sunrise avenue
he's so helpful fr but it's not working unfortunately
❞ i broke many hearts throughout my days. yours was the hardest one to face. though, I've never been a saint, i still love you every day, just not the lover kind of way. i know you wanna see me falling out, falling out the window. i know you wanna see me crashing down, crashing with my plane. baby, i'm way too young to die but I'll help you get over me. ❝
3. no surprise — daughtry
this is one of my favorite bands, i'm glad i got to include this.
❞ it came out like a river once i let it out when i thought that i wouldn't know how. held onto it forever just pushing it down, felt so good to let go of it now. not wrapping this in ribbons, shouldn't have to give a reason why: it's no surprise i won't be here tomorrow, i can't believe that I stayed 'til today. there's nothing here in this heart left to borrow. there's nothing here in this soul left to save. don't be surprised when we hate us tomorrow. ❝
4. go screw yourself — avery
i can picture him 1:1 delivering a swing version of this when vox confesses to him
❞ i know i've been holding it in, the way i feel about you. something i've been dying to say but I don't know how you'll take it; oh please don't go; you should know these three words i've been holding back; trying to fight, i'mma let 'em out... these three words, gotta let you know, here I go: go screw yourself. i've had enough, yeah, now we're done. ❝
5. the audacity — emelyn
this one's such a bop honestly. had to cut it in the video because i can't picture alastor realistically crying over anything vox-related.
❞ think your opinions should be broadcast... even though no one's subscribing, listening or liking but by all means, keep whining. must be tough if life's so rough. you should buy a mic, start a podcast, even though, wait, nobody asked. [...] where do all these men find the audacity? no actually, i'm stunned by your stupidity. ❝
6. friends — halocene
this one had to be on here.
❞ have you got no shame? you're looking insane turning up at my door. it's two in the morning, the rain is pouring, haven't we been here before? [...] so don't go look at me with that look in your eye, you really ain't going away without a fight. you can't be reasoned with, i'm done being polite. i've told you one, two, three, four, five, six thousand times. haven't I made it obvious? haven't I made it clear? want me to spell it out for you? f-r-i-e-n-d-s ❝
7. can't catch me now — olivia rodrigo
he likes the attention def especially after his return
❞ bet you thought i'd never do it, thought it'd go over my head. i bet you figured i'd pass with the winter, be somethin' easy to forget. oh, you think i'm gone 'cause i left but i'm in the trees, i'm in the breeze, my footsteps on the ground. you'll see my face in every place but you can't catch me now. through wading grass, the months will pass, you'll feel it all around. i'm here, i'm there, i'm everywhere but you can't catch me now ❝
8. take a hint — victoria justice & elizabeth gillies
this is on every rejection playlist and it's gonna be on mine too. a bop even after all these years.
❞ ask me for my number, yeah, you put me on the spot. you think that we should hook up, but I think that we should not. you had me at "hello", then you opened up your mouth and that is when it started going south. [...] what about "no" don't you get? so go and tell your friends i'm not really interested. it's about time that you're leavin', i'm gonna count to three and open my eyes and you'll be gone ❝
9. no — madilyn bailey & megan nicole
more rejection for y'all. the world needs more mean aroaces and this playlist is my contribution.
❞ first you gonna say you ain't runnin' game, thinking i'm believing every word; call me beautiful, so original, telling me I'm not like other girls, i was in my zone before you came along, now i'm thinking maybe you should go ❝
10. oh no — marina and the diamonds
a classic.
❞ don′t do love, don't do friends; i′m only after success. don't need a relationship, i'll never soften my grip [...] i know exactly what i want and who i want to be. i know exactly why i walk and talk like a machine. i'm now becoming my own self-fulfilled prophecy. ❝
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Reblogs are appreciated!
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itspyon · 5 months
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how to adapt into dtblr culture for twitter refugees
so you've decided to move here from twitter. welcome and congratulations. this post is basically a big warning that goes THIS ISN'T TWITTER, DON'T BEHAVE LIKE IT IS, LEAVE THAT AT THE DOOR
i'll be teaching you two things, how the site works, and how to adapt your behavior to tumblr ( and really, normal human being ) culture. believe me, it's not that hard and it will actually feel very productive
let's start with the basics and frequent questions
your username can be anything, don't stress about it
your picture can be anything. a lot of us don't even have dteam related stuff up on our profile
your display name doesn't have to be your name. nobody is going to see it when you post, only usernames are visible
check your settings. do it. get familiar with them. turning on and off asks, turning anon off, turning submissions off. click on your blog, go to blog settings, check things there, go to account, your muted things will be there, go to dashboard and customize that. use your settings !!!
yes, pinned posts are fairly important and they tend to be pretty extensive. name age what you post about ( a lot of people here are multifandom !), just don't overshare ( no locations no trigger lists i beg you ). they also usually have a breakdown of your tags at the end
tags
it's a whole thing. some are actually useful. some are just passive commentary
the tags you put on posts ( both when you made the post and when you're reblogging something ) are both global and hosted on your profile. it's why you'll see things like "nameofperson art" rather than just "art". using just "art" will put you in the promoted tag, in this case
you can use spaces on your tags
usually you will tag what type of post you're making ( art, text post, ask post ), and then the contents keep in mind this is how people often mute things, some people tag the current situation, people use and mute ship tags. but this is also how people find things, like the specific asks from one person to another, so "username ask" is commonly used, "irl person ( dream, dnf, etc )" is also seen a lot just watch how others tag things and copy them. nobody will get offended you took their tag formatting, most of us will appreciate properly tagged posts
you do tag when you reblog people. you use tags to comment on things. don't really use replies unless you're, saying thank you to someone or pointing out a spell mistake or asking to add an option to a poll, etc. we don't do replies, just rb your reply
quick reblog and like deets
post popularity is measured in "notes" which is the sum of replies, reblogs and likes. we don't really care much about numbers here and if you start getting crazy about it people will not like it. this is more of a talking and showing site
you can reblog without tags, feel free to
you can hide your likes. you can and should like as many things as you want. they don't alter any algorithm, since there's none. a like is a "i saw this post" notification to the poster
actually posting
people talk a lot. a fucking lot, and it's something you will have to get used to, because it's very different from twitter
there are no qrts. callouts are looked down upon. breathe. if you don't like something MUTE IT DON'T POST ABOUT IT, because no one is going to listen to any callouts. you will have to learn to live with the fact people like things you don't. this will, with time, make you feel very free
the bulk of posting here is asks, as you might notice soon. asks are fun and encouraged. just don't name drop if you're talking about drama please ?
don't be scared to send asks off anon, this is how people will find you and get to know you really. people are also more likely to reply to you
block bait anons. yes you can block anons. yes it will block every blog they make
culture time
i've said this. tumblr is unserious. drama here is approached very differently and with several less layers of panic. you will see death threats. you will see slurs ( said in non derogatory ways ). you will see jokes about serious topics. you will see people say "i didn't like this" and nobody will care
tumblr is a community of individualism. you will like your own things within the thing we share we like. you might not like dream's music, you might not find irl streams entertaining, as long as you're fucking normal about it ? nobody will care and you're free to express your opinions. people will even come ask you about it and just have a chat. we're here for the same content to some degree
tumblr is also a bunch of people who understand they like another bunch of people. that none of the streamers have stopped being human. so you might see people defend things that, maybe, you'd not have thought to defend before. maybe you're even uncomfortable seeing them defending it. this is something you will experience a lot, and you'll learn to properly deal with it as time passes
because again. no one does callouts here unless it is extremely bad. no one cares if you don't really like them. and they also accept people might and will not like them. and that is fine. and that doesn't make either person horrible. you're just different people. and you don't even have to interact
you want to make friends ? ask people things, compliment people's work, genuinely attempt to make conversation. this is not an impersonal website the way twitter is. people don't care about your opinions because they care about you, and you are more than what you don't like
the more positive and jokey and interactive you are the more people will talk to you. there's no "hitting the algorithm", there's no "engagement", it's just people talking to people. so don't be a neg posting bot, and be a person
you will learn to be less miserable. you learn to stop giving a shit and just do what makes you happy. they cannot get you here. there's no qrts. the few antis you'll find can be blocked and you'll never have to directly interact with one. don't be mean to the people in your own community, even if you disagree
again, you are more than what you don't like. learn to be what you like instead. and leave the dooming at the door
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cloudcountry · 1 year
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nrc students reading aloud
SUMMARY: Pick your favorite NRC boy(s) and have them read out loud to you! What could go wrong?
CHARACTERS: All NRC Students.
WARNINGS: None!!
COMMENTS: i was working on this for a while and ultimately decided to just publish all of them together since i finished them all!! i've been yearning for azul to read to me because im really tired so here we are. also hey epel you want to read to me in your country accent hahah???? hahahaa.a......asking for a friend lol......................haha.
Heartslabyul
Riddle reads it all perfectly. I don’t know what you were expecting, but his mother probably drilled reading out loud into his head. Also, he’s amazing at public speaking and probably didn’t fumble once. He’ll be as rigid as a board so if you want to rest your head on him good luck.
Trey is much more entertaining. He makes funny voices to go along with the characters and sometimes he’ll throw in hand gestures. He’ll let you rest your head on his shoulder and snuggle as close to him as you want. He doesn’t stumble either, but it’s because he’s so used to reading bedtime stories to his siblings.
Cater thinks he’s got it but he ends up stumbling occasionally. He’s not horrible, but you can see his face turning pink when he tries to pronounce something and fails. He’ll also let you rest on his shoulder, but his voice is so nice to listen to that you might fall asleep (he wouldn’t mind.)
Deuce is so precious but there’s no way he’d be able to read out loud. He’s shaking at the mere mention of it, even though it’s only you. His face is beet red after a few seconds, the occasion “uh-” or “um-” breaking the sentences. He’ll get even more nervous if you lay your head on his shoulder, sweating nervously at your close proximity and mind blanking. Was he reading? What book is this? is it upside down? Help!
Ace is another one who thinks he’s got it. He does moderately okay, except for the fact that whenever he doesn’t know how to pronounce a word he purposefully says it in the most incorrect way possible. He’ll also make funny voices, but his are so outlandish and disturbing that your laughter will slowly turn into crying. Don’t rest your head on his shoulder, he’ll do the opposite of Deuce and tease the heck out of you.
Savanaclaw
Leona refuses. If you beg, he may read you one sentence. It’s just not worth it to him, plus he knows you’re trying to embarrass him. You could read to him though, he says, because your voice is soothing. He’ll keep going until you’re so flustered you stop bothering him.
Ruggie is going to tease you. There’s no getting around it. He’ll ask if you want him to read you bedtime stories, but the second you pull out a snack for you two to share he’s sitting down and grabbing the book. He insists that you feed him, since he can’t possibly eat the food when he’s holding the book, and uses the break you two take to eat together to add commentary to the stories. It’s very much a “character a was so stupid what was that” discussion.
Jack is really sweet, so he’d agree immediately. Quietly mumbles to himself under his breath when he doesn’t know how to pronounce a word because he doesn’t want to disturb you by asking what it means. If you end up falling asleep he’s going to wake you up as gently as possible, and now he’s concerned about your sleep schedule.
Octavinelle
Azul will not read to you for free unless it’s lesson materials. Lucky for you, you two regularly study together. He’s going to turn bright red if he messes up a single word, so be patient with him if he suddenly goes quiet. He’d prefer if you read some parts to him too, and may wordlessly push the book towards you if that’s the case. Thankfully, he rarely messes up so you won’t have to deal with your study buddy running out of the Lounge.
Jade wouldn’t mess it up. Ever. It makes you wonder if there’s anything this man can’t do (besides handle heights during flight lessons, not take a picture of every mushroom he sees, etc.) He’ll be flattered by your praise, brushing you off with his normal demeanor. He will let you rest on his shoulder, and if he likes you enough he’ll rest on you as well.
Floyd is almost impossible to make read. If you ask him that at all, he’s likely to throw the book and say he doesn’t want to if he’s in a sour mood. If you catch him in a good mood, he’ll refuse if he thinks it’s not interesting. You have to find the right book and get him on the right day, and even then you wouldn’t be able to rest on his shoulder because he’d squeal and squeeze the heck out of you.
Scarabia
Kalim would be wonderful at reading aloud. He has a nice voice and is naturally entertaining, so you can count on character voices and hand gestures. He’ll look up from the book sometimes to see if you’re enjoying it. He’d totally let you rest on his shoulder too, clacking it up to you just being tired and needing a break from everything. He’s happy to be your sanctuary!
Jamil also wouldn’t mess up a single word. His voice is so nice too, if you fall asleep I wouldn’t blame you. He’ll let you rest on his shoulder, but he acts like you’re not even there. He’s focused on the reading while subconsciously acknowledging your presence, which is nothing new to you.
Pomfiore
Vil doesn’t know why you want to hear him read a story of all things, but he will not refuse. He reads a bit slowly, but his voice makes every word sound beautiful. You suppose it’s to be expected, since Vil constantly conducts himself with pure beauty in mind. He’ll let you rest on his shoulder for a bit, but will wake you up if you fall asleep.
Rook would much rather listen to you read, but who is he to deny your request! The words that fly from his mouth are nothing short of dramatic. He makes everything sound like poetry, and it’s like the writing is swirling around you like a tornado. It’s amazing how Rook can see the beauty in everything, and share that view with you just by speaking.
Epel immediately thinks about Vil and what he told Epel to do about his accent. Epel tries his best to tone it down, and he really doesn't want to get yelled at by Vil again over reading something to you. But when you confess that the entire reason you want Epel to read to you is so you can hear his accent, he flushes. Fine, he thinks, he’ll do it for you. And he does. Hesitantly at first, but slowly getting more confident, he slips into the sound of his voice that says apples and strength and hard work, instead of using the one forced upon him by a man who wanted to turn him into something he didn’t want to be.
Ignihyde
Idia is going to have a heart attack. He’ll type the story to you in a text to speech thingy if you want to hear it so bad! Idia lovers already knew how this one was going to turn out…you are not getting him to read out loud. And if, on the off chance, you did, he’d throw the book and hide away in his room for weeks if he got one word wrong.
Ortho is a sweetheart and would read to you without hesitation. Well, maybe with a little bit of hesitation because he doesn’t quite understand why you want him to read it out loud. Once you explain your reasoning, no matter whether it's logical or emotional, Ortho will nod in understanding and begin reading. It’s weirdly soothing, while also being a bit unnerving because he doesn’t mess up a single word. He won’t let you rest on his shoulder though, because he knows it’ll be uncomfortable and you may get a neck cramp!
Diasomnia
Malleus takes your request seriously. You want him to read to you? He’s visiting late as per usual, so he might as well help you to bed, right? He tucks you in and pats your head, making sure Grim is comfortable too. Then he stands right above you and begins to read, his voice so monotone you'd think you were a lecture. It’s not boring, it’s quite the opposite, and both you and Grim sleep very well because of it.
Lilia is used to reading bedtime stories since he’s adopted like three children, so he’s got the funny voices and hand gestures down. If you want to rest on him for a little while, he’ll rest you. If you’re good he may even give you One (1) Single Headpat. But only if you listen to his story all the way through and don’t fall asleep!
Sebek loves to read. He thinks you made the right choice, coming to someone like him to read you something. His voice is very intense as he’s reading, proof of how focused he is on the material. He doesn’t mess up once, and his tone is as dynamic as the writing itself. You hear it when he gets angry or when he’s beginning to get excited, and it’s the most wholesome thing you’ll probably ever get out of him.
Silver will try for you. He really will. He’ll probably fall asleep on your shoulder in the middle of reading to you. If you fall asleep before him, you’ll wake up with his jacket draped over you. If you fall asleep after, you can just use him as a pillow. He won’t complain. He’s probably doing the same anyway.
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pharawee · 5 months
Text
It's Friday Sunday, and that means it's time for more omegaverse shenanigans. 🥳
Sadly, this will be my last Pit Babe novel commentary post for a while because the main story only has 25 chapters. But worry not! Apparently there's a few extra chapters and if anything significant happens you'll be the first to know (but don't be surprised if it's just chapter upon chapter of kinky sex - that's just how Daddy and Papa Charlie and Babe roll).
If you want to catch up, you can find parts 1, 2, 3 & 4 here.
As for this part - expect major spoilers, shenanigans (both omegaverse and not), family reunions, family reunions... and fun card games. But more on that later.
For now, let's get back to Babe, who's apparently rich enough to own a white Ferrari. Show-off. He's currently on his way back to Khun Tony, and he's such a brat about it that he fools the guards into letting him through. Things escalate from there. Babe threatens to bring Tony to justice once and for all, to which Tony reacts with mild bemusement. He's no longer interested in Babe since he's lost his powers, and he even taunts him with Charlie's (supposed) death. No, Tony didn't want Charlie dead. He merely wanted to incapacitate him in order to bring him back home (because car accidents are such a precise science...). It's a pity that Charlie died but, really, at least he's free now. Or something.
This man must have stupid amounts of money to throw at all of his plans because, quite honestly, they're shit. Oh well, at least we know where Way learned his... well, unnecessarily long-winded (TEN YEARS!!) ways.
Babe has heard enough but sadly Kenta steps in before he can get his hands on Tony. This leads to more taunting and the appearance of Way, who casually slings Babe over his shoulder and forcibly removes him from the premises. Which leaves the guards like, "who tf even was that weirdo?" Oh, to be a guard in Khun Tony's employment...
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(photoshop is my passion)
Meanwhile, Charlie (alive and, uh, relatively well) is still busy having his stolen powers exorcised by Babe's long-lost dad (the real one this time). The more he uses a particular ability, the longer it takes to meditate out of him. No, seriously, Reval and Charlie are basically just sitting in a room mind-palacing the powers away. Apparently it's very draining.
They also talk about Charlie's guilt, and how he believes it's best to stay away from Babe as not to hurt him again. Sure, he could leave the final decision to Babe but even that, he fears, might be selfish of him as that leaves Babe with the burden of having to decide in the first place. No matter what he does, it will cause Babe both happiness and pain - just like when Charlie's initial selfishness brought him closer to Babe and then almost drove him away entirely. Charlie's mind is going in circles. He's so protective of Babe that he doesn't realise - no matter his intentions, no matter his inaction - he can't untangle himself from the hurt he's already caused and will cause going forward.
Oh, and by the way? That moment when Charlie "died" in the hospital and Babe thought he was getting his powers back and had to listen in on every excruciating detail of Charlie's body shutting down? Yeah, turns out that was Charlie causing (mass) hallucinations and slowing down his body functions. Poor Alan had to go identify Charlie's body in the morgue while Babe was in such a bad way that he basically stopped functioning.
I've said this before and I'll say it again: what the hell, Charlie, you positively traumatised the poor boy. Could you maybe have kicked the bucket a little less dramatically? Did you really have to enact all of Babe's worst nightmares to make it more convincing? Just because you mean well (and didn't do it over the span of TEN YEARS for weird omegaverse breeding purposes) doesn't make it all right.
But more on that later.
Babe has made his way to a safe house. There, he meets Pete - the oldest of Tony's sons and currently AWOL, same as Babe. Pete is adorable, all sunshine and puppies and right-hand man of a local mafia boss. Or something. Because, you see, Pete figured out early on that the only way to leave Tony was to seek the protection of someone even worse. So he started working with the mafia, as you do. Apparently, he's so good at his job that he's convinced them all to go straight. Now he's studying to become a doctor. Oh, and also planning Tony's demise by preparing a really effective presentation.
That's where Babe comes in. Him visiting Tony's mansion was all a distraction - a sleight of hand, if you will. Even though he complains about Way manhandling him (Pete offers to get him a masseuse for the pain) it was all part of their plan:
While Babe distracted the guards by making a big stink, Way snuck into Tony's evil room of plotting (or something) and stole all of his evil data. When he later dragged Babe outside, he used the opportunity to slip the data stick into his pocket. On it there's evidence of all of Tony's evil business transactions. It would be easy to give it to the police, but Pete cautions against it. The evidence would simply vanish - something that has apparently happened many times before. Instead, Pete plans to reveal all of Tony's evil deeds in a way that makes it impossible for anyone to ignore.
We cut to Charlie and Babe sharing a cute moment. Wait, what?
"I've never loved anyone this much before." Babe's voice was soft, as if he didn't really want to accept reality, but he couldn't help but share those feelings with [Charlie]. "I'm afraid that if I love you too much, it will make you uncomfortable. [...] I'm afraid I can't love you as well as you love me."
Is it a dream? A memory? A (shared) vision? Whatever it is, before Babe wakes up from it, he and Charlie share some fundamental truths about themselves. About how Babe doesn't really know how to act now that he's in a relationship because he's never been allowed to be in love. About how he feels vulnerable and unsure, afraid of taking too much instead of giving back. But Charlie reassures him that he likes Babe just the way he is. He feels very loved, and anyway, he's also never loved anyone before so it's not like he has any grounds for comparison.
Meanwhile, Charlie also just woke up. He's given away the last of his powers and he's very exhausted. Jeff is with him to keep him company. Outside, it's just stopped raining. The rain makes Charlie think of Babe because it accompanied them throughout their relationship: when they argued, when they fought, and when they first became boyfriends.
"And the first day you became a normal person, it also rained," Jeff added with a small smile [...]. "But you couldn't see it in time. Only I saw." "Yes, when I woke up, the rain had already stopped." "Maybe that's a good sign." "A good sign?" "Yes," the young man nodded lightly. "Because the rain has stopped. [...] The sky is clear now."
What is this? Allegory? In my omegaverse novel??
There's always been a shadow hanging over Charlie and Babe's relationship - heavy and dark like a rain cloud, constantly reminding them of their past, their powers and the lies it took for them to even meet. Charlie has worked hard to rid them of their powers, and Babe is busy taking action against Tony. Maybe honesty and trust are all that stand in the way of them getting their happily ever after...
Until then, all they have is last night's dream, because as it turns out Charlie shared Babe's vivid memory. Babe's powers were the last to get exorcised and perhaps it created a momentary psychic bond between them. You never know with these omegaverse x-men.
What follows is the moment we've all been waiting for: the grand finale. The Ides of... whatever month this is but I hope Khun Tony gets stabbed to death by all of his adopted children. Et tu Way!
Meanwhile, Khun Tony is throwing a party. And by party I mean a human trafficking auction where he sells off some of his beloved children to fellow rich people. Charming. Why bother with a plan at all? Why not set everything on fire?
Right, because Pete really, really wants everyone to see his presentation.
Currently, Babe is disguising himself as a waiter. We all know waiting (and retail) staff are invisible to most people so no one recognises him except for one lone guard who's so smitten that he asks Babe out on a date.
Pete is also in disguise while Way pretends to be a good son and accompanies Tony for some good old-fashioned evil mingling. Their plan is to disrupt the auction and reveal all of Tony's illegal machinations.
This is a very questionable idea because I don't know about you but if I was at an auction trying to buy a child I'd probably not care if the auctioneer was evil. I'd probably ask for a slice of the evil pie.
Just as Babe is about to set their plan in motion, he's interrupted by Kenta. Uh-oh.
But, much like Pete and Way, Kenta too has had enough of Tony and was just waiting for the perfect moment to act. He assures Babe that he won't interfere. In fact, it was him who let Way into Tony's evil room of plotting to gather all of the incriminating info on him. Et tu Kenta!
"About helping you guys, this is a personal matter. [...] I have a brain, I can think for myself, and I know what to do. [...] But not everyone has many choices. Especially me. I can't make the same choice as you. [...] So, this is the best I can do. [...] You can handle the rest yourself, right?"
And so, Kenta leaves this story (presumably with some of Tony's financial assets) never to be seen again. What a shame. Kim's existence in the series will hopefully fix this.
Meanwhile, the auction is about to begin. I mean, the... uh, fundraising for poor, underprivileged children who also happen to have powers. Everyone's delighted - except for the poor kids who are led on stage one by one and then sold off like priced cattle. The thought alone makes Babe sick. Would the same have happened to him if he hadn't run away that day (no Babe, I thought we had established that you'd have been part of the breeding program...)?
And now, after having watched episode 5 of the tv series, I wonder if this is where the plot will lead us in lieu of the omegaverse plot. Tony mentioned an auction. I wonder if his goal is to sell Babe (and any other of his adopted children) for profit.
Anyway.
Babe's thoughts are cut short by a guard patrolling in front of Pete and his hiding place. Babe decides to check things out but he's quickly overwhelmed by the much stronger guard. He starts choking Babe and things almost go from bad to worse until someone unexpected comes to Babe's rescue.
That someone is Charlie - and there's a short, sweet and intense reunion between them that proves all of his fears wrong:
"I'm sorry." "It's okay," Babe let go of the hug and immediately responded without stopping for a second, his palms framed the other man's cheeks, before kissing his entire face: his forehead, nose, cheeks and lips. "It's okay, Charlie. Really, it's okay." The beautiful alpha hugged the tall young man again while repeating "It's okay" over and over again until the listener felt guilty.
Well, that was easy. But more on that later.
Charlie, Babe and Pete quickly catch up and then join forces. Pete is amazed that Charlie gave up his powers to escape Tony's clutches, going so far as to even fake his death to protect his loved ones. He's also amazed that he'd even dare come here - powerless and without a nifty presentation.
(And also, how does this whole having no powers thing even work? Did Reval - and in turn Charlie when he stole Babe's powers - rewrite Charlie's whole dna? Because how else would that even affect Tony's evil breeding program? And why am I so concerned about the specifics of omegaverse shenanigans? For all I know none of these characters even know or care about dna.)
It's quickly decided - probably due to Charlie's lack of nifty presentations - that they'll continue following Pete's plan. But wait, where is Jeff? There's no way he'd have let Charlie come here on his own!
Back at the auction, another child is led onto the stage to be sold. It's none other than Jeff. The auction grinds to a halt while Tony attempts to save face. This leaves Jeff with enough time to introduce himself and his powers. His name is Jeff, he's a 20-year-old omega and he can see the future.
"In no more than ten minutes, everyone in this room will have the same future." Jeff looked around the room with a bright smile before saying his next sentence which made the entire meeting room fall silent. "That is, death." The little Omega smiled broadly as if his own prediction was very pleasant.
I love Jeff so much. Make them suffer!
He then adds that there's a bomb hidden in the building and it will go off if even one person attempts to leave. Who even needs nifty presentations when you've got... Oracle Omega (no seriously, this is what the novel - or rather, the machine translation - calls him. Maybe it's his code name).
Everyone is then forced to watch Pete's presentation. I really, really hope it looks something like this:
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I'm not joking, it has talking cartoon dogs. Interactive talking cartoon dogs overlaid with incriminating voice files of Tony.
Turns out Tony's guests are okay with human trafficking and buying children but they draw the line at violence and murder embezzlement. Everyone is all shocked and clutching their pearls and secretly very glad that their names don't come up in this weird cartoon dog powerpoint presentation.
Tony's acting all cool until the cartoon dogs reveal that this presentation is broadcast live and for everyone to see - this includes live footage of the auction.
But it's never too late to fix your past mistakes so Tony draws his gun on Jeff because he would have gotten away with it too if it weren't for you meddling kids!
Luckily, Way quickly intervenes before Tony can fire his gun, but even though Tony's many guards are somewhat suspicious of a little guy with a bomb and someone who hypnotises people for a living, they're quickly overpowered. In the control room above, Charlie, Babe and Pete don't fare much better.
Everything seems lost until there's a loud crash.
It's Alan in a black supercar and he's crashed through the doors leading to the auction hall.
They're on the second floor (it is sadly later revealed that Alan didn't drive up the stairs - the car was already parked in front of the doors because this is what rich people do to impress other rich people, I guess).
But Alan isn't alone. He's brought several other racers, among them Six (Babe's old rival who was probably turned into either Kim or Winner in the series). Six is a powerful alpha who can cause mass hallucinations that are so strong that they're banned by law.
Yeah.
Tony's guards are going down!
Meanwhile, Tony has had enough. He locks down the whole mansion so no one can escape. Charlie, Babe and Pete make their way up to the roof because there might be a skylight without security doors. They have guns, the many guards have guns, but it's okay because this is where Pete enigma powers come in.
You see, Pete has super control over his whole body, meaning that he never misses a shot.
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I guess this explains this bit in the series (except for the part where the arrows are all over the place). But also congrats to Way for his future boyfriend with amazing body control.
While Pete is busy being awesome, Charlie and Babe lament the fact that they're probably going to die here when there's so much sex still to be had. :((((
Things are looking dire indeed. They're surrounded and out of bullets. One of the guards takes aim at Babe but before the bullet can hit him Charlie intervenes by jumping into its path. Miraculously, he's okay.
But that's because a few steps away Way has also jumped into the bullet's path and it's hit him instead. Babe is in shock. He hates Way for what he's done but in a way he's still his best friend. While Alan unsuccessfully tries to stop the bleeding Babe comes closer:
"Babe…" Way's dry voice called out his name as soon as he knelt beside him. "This is all I can do." Babe was silent, he just stared at his former best friend's face, tears flowing silently, without him even realizing it. "I know whatever price I pay, it probably won't be enough. But this is all I can do." Way's voice is very soft, as light as his breath. "…. I'm sorry for being a friend like this.."
And then he dies. Babe is inconsolable, sobbing and tightly hugging Way's lifeless body. He's still angry with Way, and he'll never forgive him for what he's done, but he didn't want him to die.
They better change this whole part in the series or I'll riot. I watched Nut Supanut die once in Something in my Room and I still haven't recovered.
Their victory is overshadowed by Way's death. Tony is apprehended alive and taken into custody. His evil alpha trafficking and breeding program is no more.
A little while later, Charlie finds Babe sitting alone in the mansion's garden. They talk, and Charlie apologises once more for letting Babe believe that he was dead. If Babe wants him to, he will disappear from his life and even stop racing cars so that they'll never have to meet again. This is all he can do: give Babe the freedom to decide for himself. But Babe only asks him if he truly wants to leave, and of course Charlie doesn't. And that's that. Babe has made his choice. He has decided long ago that he wants Charlie in his life.
Their long-lasting painful lives ended in the garden of the mansion that raised them to grow up like caged animals, allowing them to meet and fall in love. Today, everything has ended. It ended with the falling rain washing away their blood stains, sweat and tears, as well as a sweet kiss that he had been thinking about for a long time, making him feel able to stand in the rain without feeling afraid.
Oh, the rain allegory (and also oh, the bad machine translation)!
The novel ends quietly with Way's funeral, eerily similar to Charlie's fake funeral a few weeks prior. It's attended by the same handful of people. Even the clothes they wear are the same (which is convenient, I guess, but also... ouch!). Despite his many wrongdoings, people loved Way - and this includes Babe. And as it turns out, it was Way who got rid of whoever caused Babe's racing accident. He never told anyone about it.
Babe stays behind with Charlie and mourns his friend. He recognises that his feelings of friendship and betrayal are both valid and important (and later on it's established that Babe actively works on processing his traumatic experiences with the help of mediaction and therapy - and you know, I really appreciate the novel's nuanced approach to a character's mental health. It's an incredibly rare thing to see in Thai BL and an even rarer thing in most kinky stories). He won't forgive Way but...
"In the next life, please be kind to me. Don't deceive me again [...} Be a good friend, idiot!"
Which is as much of a peace-offering as anyone can hope for - wishing to meet each other again in the next life under better circumstances. Negl, I teared up because it's such a bittersweet thing to say. 😭
Meanwhile, Alan and Jeff have gone ahead and are talking in the car. Their ending is vaguely romantic (with their growing relationship hopefully developing further in the bonus chapters) but for now, all Alan asks of Jeff is to accept him in his heart as his brother. Please, don't phi nong me, novel!
And because this is Pit Babe the novel, we get one last drawn out sex scene that consists of Charlie trying to cheer Babe up by suggesting a game of naughty cards. A bit like strip uno, I guess. Naturally, Babe wins, but Charlie is allowed to leave his glasses on - and wear nothing but an apron while he gives Babe the bestest and longest and absolutely mindblowing (yes, there's a lot of blowing too) dicking of his life. Babe, my man, enjoy. You truly deserve it.
The End.
No wait, the novel actually ends with Babe and Charlie racing again for this year's title of King of the Hollow. Charlie is very skilled now, and it's very close but I'm relieved to say that Babe's experience and talent isn't all for nothing and OF COURSE HE FUCKING WINS.
The End.
Hold on, wait. I forgot about the part where Charlie takes Babe to see Reval - his real father. And of course Babe forgives him and it's all very sweet and they live happily ever after.
THE END. For real this time. Except for the bonus chapters. And unless the mpreg happens there (I mean, Jeff and North are technically available...), that's it for the omegaverse shenanigans.
When I first started writing these commentary posts I never thought they'd become so detailed and long - or that people would actually be interested in reading them. Thank you so much to everyone who left replies and tags. Sharing the insanity and reading everyone's reactions was honestly the best part of it all. May Pit Babe the series treat us kindly, and may none of us ever pop up in a cartoon dog powerpoint presentation. 🙏
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coldairballoons · 4 months
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i've seen a lot of people saying that saltburn (2023) isn't a commentary on class, and genuinely, i have to disagree.
keep in mind, i watched this at 3am last night with my sibling, but i'm also a literature major with a focus in literary criticism of popular culture (including film), so i do know what i'm talking about!
spoilers below the break
first of all, framing saltburn as a conflict between the upper class and lower class is incorrect. in fact, that in itself is one of the major criticisms that comes up throughout it! oliver is quite literally not lower class, but uses the preconception that the cattons will view anyone in a lower social class than them as a tool to manipulate his way into their life. despite this, he is not lower class. and you are not meant to root for him, especially not towards the end.
the marxist theory of literary criticism surrounds the idea that in every story, one of the key concepts is a class struggle. this could be between any class, but the most common is the rich vs poor duality that shows up in most stories - ex. titanic, the fall of the house of usher. the thing is, in both of those examples, the sympathy lies with the victims - the lower class. in titanic, you are meant to feel guilty on behalf of the rich leaving the lower class to die. in usher, you are meant to feel anger towards the mistreatment of those who seek out the treatment the family offers. but while usher is a clear criticism of class, is that its main genre? is is purely a class struggle movie? no. it is a story inspired by edgar allan poe that surrounds horrors of family, trauma, and yes, class, but also morality. meanwhile titanic is supposedly a romance. though jack dawson is young and poor, he is not the only sympathetic character. what i'm saying here is that media is incredibly layered, and while on the surface level, something may not be entirely a class conflict story, those undertones exist throughout, no matter what. even take hit series percy jackson for example. there is still a class discussion to be had there, with percy and his mom struggling with finances, while annabeth and her father live comfortably.
but saltburn is interesting, because the antagonist throughout the entirety of it is, as far as the audience knows, lower class. you are introduced to him, not through judgement for his living condition, but through compassion and generosity. felix offers him a hand, even when he isn't in the same group as him. that in itself is a criticism of class dynamics.
listen. i hate rich people as much as the next gen-z college student. i personally have a hit list with many a billionaire's name right at the very top. but it's undeniable that, despite the class difference, the cattons - at least venitia and felix - are kind to oliver at first. obviously, he is a part of the other, but he is still a person. elspeth enjoys his presence. james treats him as a son. farleigh feels threatened by his presence, because he knows that, if they so choose, they could replace him with oliver.
i want to talk about farleigh for a second.
i literally have not seen anyone talk about farleigh, and i am upset about it. not only is he one of the most compelling characters - a supposed american slacker who lives with his extended family and blows their money on lavish means -, but he is important in the class discussion because it affects him directly. the cattons do not support his mother. she is in america, and although they have the ability to, they actively choose not to. the reason felix is bothered when farleigh implies that it is, in fact, a "race thing", is because it is. why is farleigh the one dependent on the cattons, and risking expulsion from the family? because he is the first other that they encounter.
and then pamela, who not only has sought help from the cattons, but disappears midway through with no explanation. she goes directly from rehab to them, and although she is trying to find a place to live on her own, the cattons offer her no assistance. they offer her nothing, and complain when she is in their space. they offer her NO help, when they so easily could set her up with a small flat and monthly allowance to help her find a job.
and not only is this a criticism of the upper class - the inactivity and extremely single-minded worldview that the cattons have, the amount that they are out of touch with not only the outside world and the lower class, but their own emotions -, it's also a criticism of the upper middle class.
as someone currently in college, whose parents are a college professor and a high school teacher, i am fairly middle class. however, there are so many people in my immediate vicinity - folks i know from high school, in my classes, extended family, etc., - who are Extremely upper middle class. however, they have the comfort of certain things that i, and my family, don't have. that's just part of life. however, in saltburn, oliver milks the "middle" in his "upper middle" class. he milks it, and he runs it absolutely dry.
someone truly in his alleged position would not be able to spend the summer lavishly and hedonistically gallivanting around the countryside of england, playing tennis and smoking cigarettes by the lake. hell, someone in my middle class position wouldn't be able to do that either, especially not while attending oxford fucking university. he would likely need to work, not just to support himself, but to support his mother, especially after - again, allegedly - his father died. and not only is this coming from a place of an oversight on his part, not realizing what his privilege truly is, but it also comes from a place of oversight on the part of the cattons.
do i think that saltburn is a movie about class? nope. at its core, it's a story about a desire for power and possession, ownership and obsession. there is this intense, almost vampiric lust throughout the entire thing, and that's in part what makes it the perfect setting for discussions of sexuality, of madness, and, honestly, class. wealth is power, and the cattons have a lot of it.
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eros-vigilante · 24 days
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The Many References in Teniwoha's Samsa
If you haven't read "The Metamorphosis" by Franz Kafka, the one thing you likely know about the short story is that in it a man turns into a bug. And this is enough to recognize the allusion of Samsa being named after the protagonist, Gregor Samsa, as well as the imagery of a dragging tail and onomatopoeia of "zuki". However, there are several deeper layers to Teniwoha's symbolism of themes and references to "The Metamorphosis" that add a great level of cohesion with Immiscible Discord's story. First, I would like to say that "The Metamorphosis" can be found as a free pdf online, and is a very good short story, so if you have the time and energy you should read it. This post will only be summarizing the themes that are referenced in Samsa and Immiscible Discord and will not include some of the other great commentaries Franz Kafka has. And of course, it will spoil the progression of the plot. Also, all quoted lyrics are from Amiaryllis' english cover, which is also very good and worth listening to. The lyrics will not be quoted in order.
The biggest and first theme the surrealist nature of the story expresses is that Gregor Samsa has been led to - and does - believe that his worth is tied to his ability to work. When he discovers he is a bug, he is only concerned because he is going to be late for his job if he cannot figure out how to get out of bed in his new body. He is determined to go to work because his entire family relies on his job to pay for their lives. ("i've grown monstrous down to the very core of my soul") This is comparable to Mafuyu's relationship to academics. Their mother relies on them to fulfill her dream of Mafuyu becoming a doctor, and so teaches them that nothing matters as much as this goal. Even when Mafuyu is stressed or physically ill, they push themselves to attend school, club activities, cram school, and study. Mafuyu's academic performance is their worth to their mother, as Samsa's income is his worth to his family. ("so could the bravest of souls face me and bear the toll?") When Samsa's family discovers he is an insect, they are horrified. Samsa finds this reasonable as he also considers his form monstrous. It is another theme of the story being from his perspective that he has good faith in his family to the point of seeming either naive or to have a low self-esteem. Actions that are most easily justified as disgust and hatred are rationalized by him, despite acknowledging at points that his family was not as affectionate to him after they began relying on him for money, as well as acts of physical violence such as his father shoving him back into his room.
("those painful fights, fearful nights") This is an interesting thing to compare to Mafuyu's experience of being gaslit by their mother. They believe very strongly- because they were told- that everything their mother is doing is for them, their future, and is in their best interests. This prevents them from questioning her actions and sacrificing their own desires in a self-destructive manner, which is also something Samsa does. For instance, he hides himself with a bedsheet so his sister does not have to see him when she brings him food, despite him finding this uncomfortable. ("craving any smile or attention just from you") Samsa's sister is the only one who still shows affection towards him, as she is the one who brings him food, but eventually she too festers fear towards and dehumanizes him. By the end of the story, the entire family blames their despair on him becoming an insect and no longer believe he is Gregor Samsa. The most direct reference to the story in the lyrics is when his father throws apples at him and has to be stopped from killing him by his wife, Gregor's mother. He crawls back into his room and he is locked inside. ("i beg, don’t throw those rotten apples at my chest before they lock up, lock up samsa") This could best reference when Kaito says that Mafuyu's mother is killing their feelings or true identity. Additionally, Mafuyu's mother places all blame for Mafuyu's recent behavior on Kanade's influence. And as the family plans for their life after his death, Mafuyu's mother tells Kanade that she plans to convince Mafuyu to go back to doing what she wants, no matter how extreme she must be about it. ("if it all goes to plan, then, we’ll soon rejoice") In the end, Gregor Samsa stops eating, and dies of starvation. All the while, he still thinks fondly of his family and believes they are in the right for their treatment of him. Gregor Samsa is used to form a strong representation of the extent to which Mafuyu has been gaslit. ("so please don't tell me that you'll be giving up on reality, samsa") The biggest difference (other than the bug transformation) is that Mafuyu has people who still dearly care about them, and not just for what they can provide. While all of Gregor Samsa's family abandons him, the other members of Nightcord do not abandon Mafuyu. Mafuyu has a reason to live, and people to tell them that they do not deserve to be locked away. ("i know that brilliant light will shine as the clock strikes 25")
He could already hardly feel the decayed apple in his back or the inflamed area around it, which was entirely covered in white dust. He thought back of his family with emotion and love. If it was possible, he felt that he must go away even more strongly than his sister. He remained in this state of empty and peaceful rumination until he heard the clock tower strike three in the morning. He watched as it slowly began to get light everywhere outside the window too. Then, without his willing it, his head sank down completely, and his last breath flowed weakly from his nostrils (Franz Kafka).
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amelie-isnt-french · 2 months
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I'll bite.
I need to know about the red string conspiracy doc.
Sounds very fun
I have been WAITING for this. Get ready for the combined brainrot of @alice-apparently and I, you poor soul. Now, listen up, 'cause we’ve got a labrynthine twisted task of a tale to tell, and if you don’t keep up, you might get lost :)
And obviously: spoilers for tmagp. don't keep reading if you're behind 🫵🏼
First things first: anyone currently descending into paranoia? we're already there, poster children of paranoia-land, that's us. May I present the title of the wonderful conspiracy doc -
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There's also a TMA conspiracy doc Ali made, fully colour- episode- and entity-coordinated. It's like 24k words and not even fully done. don't worry about it.
Which is why we're going to be super normal and low-key about the Protocol red string doc right?
of course.
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As you can see above, our collaboration relies on Ali's colour coding and her making nice, structured observations of possibly important things, while I provide the Latin and cheer her on. Balance is important in a marriage.
Also included in this all-round package: character info, quotes, etc.
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I've since moved on from my "Gwen is evil" theory because I simply love socially awkward, abrasive characters who are good at their job a little too much (nervously shuffles Jonathan Sims, the Archivist, further behind my back). Still the hottest bitch at the OIAR, don't @ me.
Also also, in this house we love Alice Dyer and don't trust her any further than we can throw her. what is UP with all your comments Alice? What do you know???
Anyway.
But Ames, you say, didn't you promise quotes? I did, and I'll do you one better: tmagp quotes with additional obnoxious commentary from yours truly and Ali
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If you'd like to see Ali lose her shit over the red canary implications (which I fully support), hop over to her tumblr @alice-apparently and give it a read. It's delightful.
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Right. Moving on from the random screenshots. Basic outline of part one of the paranoia board is a section for every episode. Ali is listening to ep7 as I write this and having a great time (not), so there's not much in the ep7 section, except for this:
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Thoughts and prayers, love, thoughts and prayers.
And FINALLY, my favourite section.
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This is the speculation part, time line puzzle and colour coding reference, but my current favourite is this:
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She's trying to reverse-engineer the case coding in tmagp, a noble cause. Godspeed, Ali, bc that is too many numbers for my silly little brain. I only excel at criticising stupid horror protagonists aka Personal Screening:
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That's all for now.
Thank you for coming to my TED talk, and to send you all off, one last silly comment from me to you and the universe:
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Bye!
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