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#v5
zankydraws · 2 days
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ms paint doodle I made a while ago B)
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maydaymainia · 6 months
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Hello, I love the basic mechanics infographic the World of Darkness Twitter posted the other day. But wanted a less ink-intensive page to print out. Spent way to long doing this so figured I'd post it. Should fit a normal US Letter Size (8.5x11) piece of paper 🦇
Download the full-quality pdf and png file from my Gumroad
UPDATE(s):
audsoll-blog pointed out that the Sneaking test was originally listed as Dex + Strength. I've corrected it to list Dex + Stealth. Thank you!
misterbatguano pointed out a typo with 1 on Hunger d10 being labeled as a success, this has been corrected to 10. Glad you noticed it, thank you!
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Portions of the materials are the copyrights and trademarks of Paradox Interactive AB, and are used with permission. All rights reserved. For more information please visit worldofdarkness.com
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clanlasombrasp · 22 days
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5 is so us...
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cruddyart · 3 months
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Because it's a thing that pops up multiple times and I'm pedantic.
White Wolf publishing doesn't exist anymore and hasn't for a good while. V5 is made by Paradox.
For context: In 2006 White Wolf publishing has been merged with CCP. WW would handle traditional publishing while CCP would deal with some mmo stuff they wanted to do.
At one point in 2011 a shit ton of employees were laid off and the creative director then went off to create onyx path publishing which published White Wolf stuff on CCP's (and now Paradox) behalf.
In 2014 more staff was laid off and the mmo was canceled. Then Paradox bought White Wolf. Since 2018 White Wolf has been restructured directly into Paradox and hence doesn't exist.
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redtallin · 1 year
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Some outfit refs for Rook, as he appears in the late 1890s. He was technically born just before 1800, so I really need to draw more of him in regency fashion too...
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neonjess · 1 year
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Karma, vampire of the ministry clan, fashion designer and makeup artist who likes to feed from hot models. Also likes to collect animal bones and cool trinkets
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supercorpzine · 1 year
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Hello everyone! We are so happy to announce that the final Supercorp Zine Volume 5 and 2nd Edition/Omnibus PDFs sale was able to raise a total of $54,466.51 USD!
We split our total raised amount of $54,466.51 USD evenly between The Trevor Project, the Transgender Law Center, and Futures Without Violence!
Each charity received a donation of $18,155.50 USD!!
This brings our zine’s five-year lifetime giving total to $130,272 USD.
Brief summary of images:
Donation receipt to the Trevor Project for $18,155.50 USD dated December 20, 2022
Donation receipt to the Transgender Law Center for $18,155.50 USD dated December 20, 2022
A bank wire transfer receipt to Futures Without Violence for $18,155.50 USD dated December 21, 2022 (Post will be edited in early January 2023 with the provided processed receipt from Futures, per their financial processing scheduling. See provided proof of confirmation on p4 of the financial records.)
For a full pdf document of our transaction records covering book/merchandise orders, supplies, shipping, reimbursements, as well as an added list of all purchases of Volume 5 and the 2nd Edition PDFs and Omnibus PDF from our Storenvy, please click this link to see our FULL transparency document.
You can find our previous zines’ transparency documents here.
Thank you. We can’t say it enough.
Thank you to the artists and writers who stuck through this final volume with us, and a very special thank you to the Supercorp family for helping us continue to grow this charity zine for a fifth and final year. We wouldn’t be here without your support, kindness, and love. The moderation team has been so thankful and bolstered by all of the artists and writers who participated, as well as all of you who supported your friends and the zine itself.
We hope this zine motivated you not only in your own creative endeavors and relationship with fandom, but also introduced a more grassroots and community-based activism into your lives. Thank you for helping us support our trans family and those we know and love who are victims of IPV and domestic violence. There is still so much more to be done, but the success of this zine proves that we can be stronger together and help support meaningful charities to continue that hard work. Here at the zine we hope that we energized you all to continue giving, whether that’s time or money or participating in a future charity zine. There is no gift too small, it all adds up.
But for now, this final donation marks the closing and retirement of You Are My Hero: A Supercorp Zine. Thank you for five wonderful years!
El Mayarah, the Supercorp Zine Team ❤️
Ayesha, Grace, Demi, Lisa, Batten, Monica
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karanizuzor-el · 1 year
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Can finally share my piece for the @supercorpzine Volume 5!
I’ve had a lot of fun participating the past few years and I’m really gonna miss it 😢 So thankful to everyone who donated and supported in any way! ❤️💙💚
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lafayettenossie · 21 days
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gaydexvocaloid · 1 year
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happy bday meikas:) 🩷🩵
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transsunwukong · 4 months
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randomly thought about something that hasn't really occurred to me before: the difference in how yang expresses her confidence depending on who she's with. we all know and love her attitude when she's dealing with some stupid asshole, but that's more of an intimidation tactic than anything else - it's just her style. what i wanna talk about here is more about who yang really is when she's not putting up a front. not consciously, at least.
it's apparent in a lot of moments, but i wanna highlight this by comparing 4 specific scenes, all about the concept of (her) strength:
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in v4c9, she has her talk with tai after their sparring match. it's pretty clear that yang and her father have a lot of mutual respect for each other in spite of their complicated history. i feel like tai is the only person who can really get away with criticizing yang on something so personal and essential to her identity as her fighting skills, especially with how much of an inspiration he's been to her on that front.
and she listens, because she knows he's right (even if she's sad and a bit sarcastic about it) - but also because, at this point in the story, she's still recovering from the lowest low of her life and her dad is currently the only one she can seek solace in. that's what this scene is all about! you can tell she's not happy with letting her guard down and being lectured/psychoanalyzed like this, but this is the one place where she can do so guilt-free.
her time back in patch is as much of an opportunity to reconnect with her family and sort out everything she's been dealing with alone in her head, as it is a literal recovery and training period. it's sad to see yang like this, but she's not really self-deprecating here - she just finally has a breathing room, and someone there to listen, who already knows and understands her better than she does herself sometimes, which i think is a really important part of it.
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in v5c14 and probably one of my FAVORITE scenes in the entire show, it's the other way around, as yang is the one confronting her other parent. this scene beautifully mirrors her previous conversation with tai and shows how much she took it to heart.
the whole back-and-forth between yang and raven is so good. there's just something so satisfying about yang finally tracking down her mom, being the one to ruin everything she's planned up until now, standing her ground and calling out raven on her hypocrisy and cowardice in such a tense moment without letting her feelings get the better of her - and ACTUALLY getting through to raven. "yeah, i'm scared, but i'm still standing here. i'm not like you, i won't run." what else can i say?
and of course it's not until raven has left and yang retrieves the relic herself that she falls to her knees and cries. this isn't yang putting up a front to scare someone away, this is yang taking matters into her own hands because she knew she was the only one who possibly could. this is yang choosing to be the bigger, braver person, knocking some sense into someone who failed at that responsibility her whole life, because there was no other option.
even though she WAS terrified and heartbroken, raven didn't -deserve- to see her cry.
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in v6c7 after That Whole Ordeal, everyone's still a bit on edge. this is such a small blink-and-you'll-miss-it moment, but i think it's still relevant to point out.
"especially since some of you are clearly stronger already." it's no coincidence that the focus is on yang here, when maria talks about her guilt as a failed hero/role model for the next generation, but it's even more important how yang reacts to it.
for one, yang can relate to maria's guilt (even if she really shouldn't have to). we know how important it is for her to be viewed as someone strong and reliable - as a protector of the people, as a friend, as a teammate, and ESPECIALLY as an older sister (this just in: self-destructive hero complexes aren't just limited to the team leaders!!). despite how much ruby looks up to her, there's still a part of yang that won't forgive herself for not always being the person ruby needed her to be, and the same can easily be said for her other loved ones. especially here in v6, when she's still not really There Yet when it comes to the old team rwby dynamic. it's a complicated time.
she says nothing, but you can tell she's interpreting this like it's pointed directly at her. when yang feels exposed like this, she tends to either dodge it with humor or lash out, so in a way it's refreshing to see her just kinda....sit on this, silently and out of view, even if it's not necessarily a good thing to sulk about.
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and of course there's this little bit in v8c9, courtesy of ren and his WONDERFUL AND HILARIOUS VIBE CHECK ABILITY!!!!
yang, jaune and ren are all -friends-. not necessarily teammates or family, but very close friends who understand each other. and they may be in some deep, awful, super scary shit at the moment, but that's nothing they're not used to. it kinda does feel like Just Another Situation With The Bros.
of course yang tries to lighten the mood! that's what she DOES with her friends, and they know this! i don't think it even OCCURS to her that the others might take it the wrong way, or pick up on why she's doing it. i don't think that she, in the moment, really thinks about why she's doing it, either. this is yang after all! confident, cool, funny, bright and happy yang. right?
so when ren of all people is the one to call her out on it, it catches her off guard so badly that it takes her a few seconds to even process it, and then she can't help but sigh and smile. it might have been a little embarrassing for her, but above all i think it's actually a relief for yang to be seen like this, especially from someone so unexpected. a less outspoken friend who she might not be as close with as some of the others, but who can therefore genuinely relate and sympathize with her anxiety in this moment without making her feel too self-conscious about it.
it's nice. it's just really cute and nice.
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doubledutchratfucker · 10 months
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'sabbat aren't meant to be player characters' how about you suck my dick and balls actually
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sengiewhy · 1 year
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do i kinda hate this painting in hindsight? yes. will i post it anyways? yes. i made it for @supercorpzine for the merch stuffs
heres a little photo of the actual postcard lol
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bumblebybelladonna · 7 months
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Happy Bi Visibility Day - Blake Belladonna 💓💙💜
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vtmchronicle-journal · 2 months
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So this is finally finished. It took me an annoying amount of time since I was very indecisive about the colors but it’s done now. I could have touched a few things up but I was so over messing so I’m putting the mouse down and leaving it be.
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reikiajakoiranruohoja · 7 months
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Second Inquisition WOW
I don't even know how to preface this, because this is some massive tonal confusion. I guess the best way to put it is that for all I love Werewolf and Vampire, I am not blind to the horror they are for humans. Though my go-to question for anyone writing monster hunters is why they hunt, I still feel hunters are extremely important to the narrative as a counterpoint to the monsters. So when I read the introduction text for the Second Inquisition book for V5, my jaw hit the floor.
"The theme of the Second Inquisition is determination – aimed at the player coterie. Like a certain killer cyborg from the future, the Coalition can’t be reasoned with, it can’t be bargained with. It doesn't feel pity or remorse or fear and it absolutely will not stop. Ever. Individual Inquisitors or soldiers or cops or nuns can be reasoned with and bargained with. Most feel fear, some feel pity, and even a few feel remorse. All those deviations and human moments make excellent stories, ripples in the flood. But the narrative relentlessly washes over those stories, replacing every flawed or broken foe with two more – ten more — out for revenge or salvation. The Inquisition as a whole – both as a conspiracy and a movement that enflames that conspiracy – will not stop until every Kindred burns. Conveying the impersonal, implacable determination of a gigantic bureaucracy to crush the player characters should not be impossible in the 2020s – but it should be very effective."
Why this made me stare at the screen, is how the Inquisition was introduced in an older book;
"The theme of The Inquisition is the crusader. The Society of Leopold sees itself as humanity’s last stand against the encroaching hordes of the World of Darkness. Inquisitors are the new Crusaders; all the Earth is their Holy Land. But theirs is a lonely struggle, bereft of the support of those whom they would save. The general populace does not know of the struggle, and would most likely think the Inquisitors are mad. Inquisitors are holy knights, alienated from their fellow mortals by their knowledge of what awaits. Some within the Inquisition are zealots, it is true, but it is better to err on the side of caution than to let slip the defences of humanity." The difference is stark, especially as they are talking about the same sort of hunters. The reason I find the newer book's take extremely strange, is due to the fact that the player characters in VtM are undead bloodsucking parasites that manipulate humanity and have magic blood powers that make them much stronger than an average human. Yet the V5 book chooses to introduce the inquisition as horrible people who will never stop hunting poor innocent vampires. It goes even as far as the art.
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(Start ID; A mixed media picture with modified photographs. A bald man in a trenchcoat is scowling with his fists clenched. He is holding the severed head of a female vampire from its hair. The expression on the head is of wide-eyed horror. End ID.)
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(Start ID; A book cover with the text Inquision as the title, with a crosshair symbol reading 'Year of the Hunter' on the bottom. The cover art is a painted picture of a bearded man in a trenchcoat and torn jeans wielding in one hand a large cross and in another a lit torch. There is a shotgun and spent shells on the tiled floor. Just outside the light of the torch, a horde of vampires with glowing eyes has surrounded the man, some shirking from the light. End ID.)
One treats the hunter as a threat overpowering a vampire. The other treats the hunter as a lone figure surrounded by a mass of vampires. Let me be quite frank, humanity in WoD are the mice that the cats (vampires) hunt. Hunters are the mice that fight back. A vampire in VtM, regardless of edition, has an advantage over a hunter. Vampires use humans as prey, the polite ones pay them for it but they don't HAVE to. In V5 you are given various methods to hunt for your blood, some which are cruel. Painting the people standing up to creatures that actively harm humans as the abusers and the ones in the wrong is extremely tone deaf. Vampires are not some oppressed minority trying to eke out a living, a vampire is creature that needs to drink blood to survive and human blood is the best. In V5's own lore, it is only recently that vampires are even put on the backfoot at all. Before that, humanity were pawns in centuries long grudgematches and at best a quick bite snack at wost fleshcrafted into sacks hung from hooks. Can there be good vampires and bad hunters? Of course, WoD is all about the shades of gray. It is when the basic set up of the setting is turned around like this that I have a problem.
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