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honestsycrets · 9 months

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querido i: a reward of 2099 | outlaw!miguel o'hara x reader

❛ pairing | outlaw!miguel o'hara x reader

❛ type | doubleshot; chapter is safe for work.

❛ summary | it's been a long time since you've been with miguel o'hara. when your daughter gabriella finds his wanted poster, life starts to unravel.

❛ tags | mention of murder and minor character death, hidden pregnancy, western au, spanish not translated, outlaw!miguel, baby-mama!reader, slight cursing, angst, threats.

❛ sy's notes | here's to listening to the civil wars' devil backbone one too many times. i needed a break from filling most requests, so i only incorporated one very lightly in this piece.

“Mamá, 2099 is a strange amount for a reward, isn’t it?”

Your daughter was a mischievous girl just like her father. She tore down the poster that was tacked up on the homely post office’s bulletin board as you gathered the weekly post. Coming into town was always a bit of a laborious task. With goods to gather and a little girl to socialize, you made it into town once every week.

"Sure is," Jackson the postman said.

“Thank you,” you plucked mail from the man’s dark hands. “I’ll see you next week.”

He wore a warm, kind smile. Working in the post office, he always seemed to be well-versed in what was going on in everyone’s life. His coal-black eyes shone warmly at you.

“Take care now, there’s wild men out there. What with Peter gone and all, you sure you girls will be okay out there? Rio’d sure put up Gabi and you at the hostel.”

Gabi scrunched up her face tight like a screw being twisted into a board.

“That’s real sweet of you to worry but I’m sure we’ll be fine. We've been out there nine years now. I’ll see you next week, sí? ” You tucked your post into a basket that dangled on your elbow, pulling long and heavy skirts to avoid trampling them with your boots as you opened the door.

“See ya then!”

Gabriella stepped out first, pulling on your lace sleeves as a cue for her delayed answer. She wouldn’t butt into a conversation, but she always seemed to hold her questions for a better time. You sighed, looking at the pale wooden buildings. Saloon, feed store, bank, and the occasional hostel. Over the last decade, the town seemed to flourish, bringing all manner of people to your once tiny Spanish town.

“I suppose they didn’t wanna give the extra coin out, Gabi.”

She looked back to the paper in her hands.

“Wanted dead or alive. Notorious badman Miguel O’Hara, 38, native of Nueva… why that’s here, mama!”

Your blood chilled. Congealed even. The sun nearly blinded you, even with the hat that kept the hot sun off of your head. You stepped off the doorway and onto the dusty ground, spinning on your heel to face your little girl with your dark blue fan in your hands, waving the heat of the day off your flushed skin.

“Wanted for--”

You swiped the paper from her fingers.

“That’s about enough of that. We best get on our way, we got goods to buy, the undertaker to see, and a new dress to fit for your papá’s funeral.”

“I was just reading it. In case we see him?”

“We won’t. It’s been a time since he’s shown himself around these parts. You have no business looking at-- that kinda man. He’s a troublemaker. Now get in the cart, let’s not dolly around.”

You would know.

“O—okay, mamá.”

“I’m sorry, Gabi, I don't mean to yell. You’re all I got, preciosa,” you wedged the paper into a new bible, right next to your wooden rosary, and flung it into the basket.

"I know."

You started ahead of her, fussing with your white veil, sparing no expense to the many questions that she had that day. You had just as many questions as she did.

You just couldn’t articulate them to a grieving little girl.

Do you think it's a boy or girl? the seamstress asks a woman in her shop. She fashions all sorts of fashions from birth to death. Her store is stuffed to the brim with frilly and lacy baptismal dresses. Your gaze fell on her belly, tracing the curve.

"Una niña," she says. Her voice triggers something old, some ancient memory you've suppressed. His voice in your ear, a soft kiss on your head. You're sitting there, next to the little girl that he always wanted, haunted by the flood of memories that comes with looking at another woman's pregnant belly.

"You're not like the others. Aren't men supposed to want sons?" you teased him. Miguel snorted, his arm underneath your neck as he gazed up at a sky of glittering stars. The air was lightly warm, a light wind fluttering through the tall grass. Post-relation bliss was warm on his skin, peaceful and quiet.

"For what? Men are jealous of sons," he muttered, shifting his head to kiss the top of your head. "Little girls are... the light in their lives. I'm going to call mine Gabriella. You'd like that, wouldn't you?"

"That's a real pretty name."

"Sure is. ¿por qué?"

You didn't tell him why. That you hid a secret underneath the layers of your dress. A secret that you knew Miguel would have more than an issue with if he knew.

"Mamá?" Gabi shakes your arm, "Mamá we're next."

Your mind likes to pull mean tricks on you.

Wanted for double murder.

Miguel O’Hara was always somewhere between a hangman’s knot and three mouths to feed. For you, the latter. You were under no illusion of the sort of man Miguel was.

Every look at your daughter’s soft, peaceful face at night reminded you of him. You worried that the more she looked at posters of Miguel, peered into an artist’s rendition of Miguel’s slight, sultry eyes, lush lips, and strong jaw-- she might be able to locate the similarities when she looked at herself. That was why you had to take the flyer from her. The artist sure had a fine hand at drawing him, the man who danced in your dreams by a warm fire and stayed up late counting the stars. He’s gotten thicker, you thought. You sat on the rocking chair as she slept peacefully, rocking back and forth on the chair.

A violent knocking at the front door swept you free from your thoughts. You snatched up the silver lantern, yanked a fine ivory rebozo over your shoulders, and rushed down the stairs. The booming knocking became louder, more urgent. The movement was mechanical, with no husband to answer the door for you, you checked the window first. The man who stood there was not a man you’d want to see. Not now, not back then. He had a wicked face that sat beneath a wide-brimmed hat that obscured the balding spot on top of his head.

God, not him. He was obsessed.

“Buenas noches, Doña O’Hara,” he peeped into the window.

“Bendito, don’t call me that,” you rushed out, the heavy wooden door slamming to a close behind you. “I’ve told you already, he is not here.”

“And I don’t believe you. First, your man-loving husband dies. Next, sightings of Miguel a town over. ¿Qué piensas? Hm? What comes after that?”

“My husband was trampled, Aaron. By a bull. He was a hard-working man who worked with violent cattle. These accidents happen. Why don’t you ask the undertaker?”

He wouldn’t. Although you don’t think Aaron is a complete idiot, he surely has his own motivations for which leads to follow and which leads to ignore. Your husband’s death was one of them.

“I’ll tell you what comes next. You come next. It’s only logical that he would come back to you. You have his daughter and all. Or… does he not know about that? I seem to recall him running out of here like a bat outta hell.”

“You’ve checked my property three times. Barn, basement, home. It’s been nine years, Aaron. Gloria a Dios, he’s probably remarried and forgotten me by now.”

“Not according to my reports.”

You hate the twinge of delight that comes from that admission. Your cheeks warm with blood, highlighting the rouge that sits across your cheeks. He chuckles caustically at how easily it shuts you up. Aaron takes a step forward, his deep leather boots creaking along the aged floorboards.

“What’d you want me to do with that information?”

“If he comes to see you, and I know he will,” he reached out for your chin. Your hand connects with his, shoving him back. “Tell me. You know, it’s a crime to kill another man without good cause.”

“You wanna catch Miguel for your own reasons, Aaron. Don’t bring none of that holier-than-thou bullshit to my footstep.”

“She can curse,” he laughs again. “Here I thought you were a good Christian woman.”

“Don’t try me,” He tries to corral you against the door. You flip your skirts up, his eyes following the motion. You seize the handgun strapped to your thigh, threatening to pull it on him. Aaron slides back, holding his calloused hands up. "Get off my property."

“I’m just saying. If you see him, you know where to find me. Who knows, you and I could work a lil something out.”

Even if you knew where he was, you would be hard-pressed to turn him into Aaron Delgado. You knew Miguel O’Hara would kill him. So, really, it was for his good. You watched him beat down the squeaky steps and mount his horse, fading into the distance of dark, twinkly stars. You probably shouldn’t be praying that robbers got ahold of him.

But only Diosito could judge you for that.

You dipped down to pick the lantern up, stepping off the steps to ensure that he was not just off your property, but properly gone. Then, seeing him set off toward town, you gazed up at the deep night sky. It was littered with an abundance of stars, massive and twinkling brilliantly. Miguel’s favorite constellations shone brightly in the sky. The Anglo called it-- Orion’s belt. Around here, it was named for the hunter: the deer, the pronghorn, and the sheep. You count each of the stars on your way back indoors to sleep in your empty bed.

You prayed Aaron’s hunt would be fruitless that night.

With your husband's untimely death came several complex decisions. Namely, what to do with his cattle hands and the animals under your care. You were fortunate enough to have support from the community in caring for the cattle, but you knew human affection did not last forever. You could sell his property at a scam of a price as a woman or you could keep it and work bitterly on the farm.

Or, as Aaron suggested today in the cover of concern, you could remarry yet again. It was nearly the only good option. Working wasn’t sustainable when you had a little girl to raise and a whole host of children to teach, as you always had. It would be nearly impossible to find someone like your dearly departed husband who knew your situation and couldn’t care less about it.

It’s good for a lil girl to have a father, he says. You know that-- but Aaron should be no one’s father. Not Gabriella’s. Miguel would’ve never approved. Neither did you.

You loosened beads of sweat from your hair as you returned inside, the ends of your skirt matted with dust. Gabriella would return home from school soon and you were fully intent on feeding her a slice of fresh peach pie.

You made your way into your home, your boots between your fingers. The smell of a smoky hearth piqued your attention. It didn’t arise from your great big wood stove that sat against the wall, ready to cook fresh tortillas, but the sort of hearth settled in the deep outdoors.

“Dios mío.”

Miguel sat there, plain as a field flower. His fingers tapped over the heavy wooden table, rolling in succession. He’s older than you remember-- jaw peppered with dark facial hair, his hair dark and wild, set away from his kind eyes that caught yours as quickly as you caught his. You dropped your boots at your feet, backing up once, twice.

“Don’t run, you won't get far,” his voice trilled, low and warm. Beside his sombrero on the table sat a thick rope and his gun, you don’t want to know which one he was planning to use today. His head twisted, a mused smile growing on his face. “You look so surprised, amor. You had to know I was coming.”

The nickname cut more than it used to. You had not been someone’s amor in a very long time. Married strictly by the weight of paper, you don’t exactly recall what the fleeting emotion of love felt like. Wisps of it licked a dead flame to life in your stomach.

“Miguel.”

“You look gorgeous,” Miguel hummed, turning his impossibly broad arms one over the other. You don’t remember him being this thick. He lurches onto his leather boots, taking a few practiced steps closer. Brilliant, you think, you’ve languished years thinking of this moment just to smell of sweat and cow shit. You suppose he’s smelled worse as an outlaw, a name that doesn’t quite fit the handsome man before you.

“You were always a bad liar.”

“Look, not smell.”

“My point stands,” you say.

Your normally practiced updo has gone frizzy, bits of hair escaping the clips that kept it flat against your head. Miguel’s eyes flickered over the strands, then down to your skin flush with blood and exhaustion.

“Mine too.”

You stared at him a moment longer before you found yourself laughing, just a light-- a small thing that you had failed to do over the past week. His death, and the subsequent funeral, was all too miserable. Now he was here and for a moment, just a brief thing, everything didn’t feel so earth-shatteringly dire.

He cracks a smile, drawing his hand to your flyaways, soothing it down against your head. You should be more angry at him-- settling you with a baby like he did and disappearing into the long grass with Widow and not a word more.

“I missed you,” you said quietly. His hand falls away from your head, drifting past his dark blue vest, and hooking at the fat metal belt buckle. “Pero… why are you here?”

“I heard Peter passed,” he said in a practiced tone. “I was a few towns over. Seeing how he’s taken good care of you all these years, I dropped in to say my dues to him. Came to see my girl too.”

The grief may not be readable in his eyes, but you know he’s practiced it in the same way you did for your Gabriella. Her only daddy was gone, deep in the cold earth. His words echoed in your ears, cutting through your grief bright and resonant. You wonder if he knew, but logically, you knew he couldn’t. Miguel always wanted to be a father.

“Who’d that be?”

“You,” Miguel turns your name over, making your name sound beautiful and light on his tongue. It’s sweet, like the peach pie cooling in your aged windows.

“After all these years?"

"Claro."

"You... shouldn't be here. You’re a wanted man,” you said. “Aaron is looking for you. You know that, right?”

“He's nothing to be concerned about.” Miguel shrugged off your suggestion. "I'm only wanted in these parts."

“Where else is there?” you said

“Out West. South. You take your pick,” Miguel lifted his hand, tracing your parched lower lip. “It don't matter to me. I seen all manner of places, like it here more than anywhere.”

"There's nothing here."

"Nothing but you."

You felt your stomach swoop, a delight filling it better than any meal you’d had. You parted your lips to say something else, to find a response that would fit-- to tell him the truth. But he left you then, came back when something fit better than the road. You wonder what fortune he must have made on the road that he’d come back. His hand caressed your cheek, rubbing it as if to soothe you. It didn’t.

“You think you can just go and come back like nothing happened? After what you did?”

The front door squeaked, dragging with a long hiss. Miguel peered over your shoulder as if it were instinctual, his hand snapping to the gun on his hip. You stopped him short of seizing his handgun. Gabriella bobbed in, closing the door tightly shut behind her. She wore a plain blue dress, fine ribbon braided in the updo she had on that day. She takes a few short steps forward before realizing who you were talking to.

“Mamá, I’m home!” she gasped. “That’s the man in the— in the flyer mamá--”

“Gabi go to your room.”

“I’m not--”

“Gabriella,” your voice went soft but stern. Nearly apologetic. You had been so hard on her lately. Miguel’s eyes dropped from Gabriella’s huge, doe-like eyes to her nose, then lips. His eyes sharpened, whipping back to look at you. “Por mí, okay? He won’t hurt me. Te prometo.”

She darted up the many steps to her room.

"Gabriella?" He stared at you uncomprehendingly. He quickly goes quiet, searching your eyes for something. You worry that he’s found the truth, your breath light as you walked over to your wooden stove, checking the flame and setting a pot of water that you brought from a nearby creek to bathe with. He follows you to the stove.

“My daughter is home. You should go,” you remarked, less of a command than a meek statement, floundering on your lips at the end. As delightful as it sounded, running off into some other territory, town, or world with Miguel-- it was unfeasible and irresponsible to be with a man whose name was stapled on the bulletin boards towns over.

“How old is she?”

"That's none of your business." Your outlaw hovers over you, absorbing the space, a bundle of heavy muscle and rage that plumes off his skin like the smell of sweat on your skin. It’s almost as if he can smell the regret seeping off your skin, despite knowing you couldn’t have done anything differently. No one told him and you could not reach him. Whatever the reason he stayed away, you were not the one he reached out to for updates.

“Tell me,” he growls, waves of anger causing his voice to shake. The tone is heartless, empty of the nights together, of slipping off with the old cattle hand at night and day, in the barn and the field. You’re stuck in the memory of your lovemaking with your vaquero, now your outlaw man. You missed him.

“Don’t do this. She could be listening.” You pad away from the stove to the window with the hope that he wouldn’t follow. He backs you up into the wall, his calloused hands so tight on his belt that you could draw lines of tension through his veins.

“You're not telling me because she’s mine,” he’s whispering, the words going through your chest, fizzling out into terrible pain. He reaches out, squeezing your hips to keep you put. Miguel leans into your space and buries you in his overwhelming scent.

“What do you want me to say?” you stare at his prominent muscles, the shift that is thrown open to expose his skin. He cups your jaw and throat with his large hand, forcing you to confront the truth. Your eyes blink closed, bits of tears dripping there. Miguel doesn’t have the patience for pity, or empathy, whichever the two you were looking for right then.

“I want you to tell me the truth. It's not hard.”

“Me telling you the truth changes a whole lot of nothing. You're putting her life at risk just being here. You're an outlaw,” you say, trying his rapidly evaporating patience. "You got a bounty on your head."

"It changes it all," he shoves you back into the window, a choked cry slipping from your throat. He doesn’t mean to hurt you, he meant to have the truth. Distantly, you were aware of Gabriella’s feet beating down the steps. You’re relatively certain she’d never gone all the way up to her room. In this creaky house you would have heard her door shut, the floorboards bounce. In either case, there’s no point running away from what you both know to be true.

“Sí, she’s your daughter,” you mustered the words in a bid to get it over with. Miguel always had to get his way. “Now what?”

Miguel flicked a look over his shoulder, marked by the heavy drag of his weighted firearm skidding across the wooden table. A life on the run will do that. Gabriella’s tiny hands slipped around his handgun.

“That ain't true!”

“Gabriella,” you cut her short. “Gabi, bebe, put that down.”

Miguel took a step back, pulling his head back slightly as you shifted in front of him. Her tiny head shook, over and over, tears pricking her bright brown eyes. You fooled yourself into thinking that she wouldn’t listen-- because your Gabi was a good girl. A wonderful good girl who liked nothing more but running in the field with the boys and brightly colored ribbons laced into her braids. She was also a mischievous girl who had been trying really, really hard to be good for you this week. Children had their limits.

“My papá is dead,” she said, her fingers trembling about the thing. Miguel’s head tilted in response, expecting you to take care of it. “His name was Peter and-- he liked sunsets and fluffy chocolate calves and--”

“Badly made blankets,” Miguel said lowly. Gabi lowered the gun, slowly, just an inch or two. “Shorn fabrics, uneven stitching, ugly colors.”

“He liked to make you smile-- be helpful,” he added. You snapped to look at Miguel as he rose his hand to his hips, gazing at the floor and rocking. He waits another moment, noting how Gabriella’s head nodded, rubbing away the tears that dripped off the corner of her eyes with her shoulder. She set the gun down on the table.

“You knew my papá?” she turns her arms one over another. “How?”

“He was my friend.”

“Mamá?” she looked toward you, seeking an answer from someone who wasn’t a face on a wanted paper with a reward of 2099 dollars.

“Peter was your papá but-- Miguel is your padre, mija,” you breathed hard, exhausted from years of suppression. She looks at you, not used to this level of betrayal. Her eyes are distant, somewhere in her tiny memories. She whips around and runs out the back door. Miguel turns his eye out the window, her tiny body disappearing into the deep green fields. The sun blinds your eyes as you look out to the fields full of cattle. He reaches for his rope and gun, settling them in their respective places.

“¡Déjala! She needs time alone.”

He heads out the backdoor. He never did listen well.

#miguel o'hara oneshot #miguel o'hara x you #miguel ohara x reader #miguel x reader #miguel ohara oneshot #miguel o'hara x reader #miguel o'hara/reader #miguel o'hara fanfiction #spider 2099 x reader #spiderman imagine #spiderman imagines #atsv miguel imagine #atsv imagine #atsv x you #atsv imagines #atsv x reader #atsv fanfiction

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warningsine · 9 months

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I keep seeing such comments on my notes which makes me wonder: what did I miss?

"The Handmaid's Tale" draws on global histories.

Atwood was inspired by what happened:

during the Iranian Revolution (1978-1979),

in Philippines under Ferdinand Marcos,

in Germany (The Lebensborn project),

in Romania under Nicolae Ceaușescu,

in Cambodia under the Khmer Rouge,

in Stalinist Russia.

She was also inspired by what happened to Argentinean women during Jorge Rafael Videla's military dictatorship which was backed by the US.

But killing the pregnant women was a crime that even Argentina’s military men – who referred to themselves in self-aggrandising speeches as defenders of “western and Christian civilisation” – couldn’t bring themselves to commit. Instead, they kept pregnant activists alive until they gave birth, murdering them afterwards and handing their babies to childless military couples to raise as their own. It was, in a macabre sense, the military’s ultimate victory against a despised enemy they had decided to annihilate completely. It is estimated some 500 children were born under these circumstances.

(x)

And what happened to Spanish women under Franco.

Known as the lost children of the Franco-era, as many as 300,000 babies are estimated to have been abducted from their mothers under General Francisco Franco, who ruled Spain from 1939-75, and in the decades after.

The theft of newborns began in the 1930’s after the Spanish Civil War as an ideological practice, stripping left-wing parents or Franco-opponents of their children as a way of ridding Marxist influence from society. But in the 1950’s, the practice expanded to poor or illegitimate families who were seen as economically or morally deficient, Agence France-Presse reports.

New mothers were often told their babies had died and the hospital had taken care of the burials. These babies were allegedly sold for adoption and involved a wide network of doctors, nurses, nuns and priests, according to AFP. The system carried on after Franco’s death in 1975 until 1987, when a new law was implemented regulating adoption.

(x)

"When I wrote 'The Handmaid's Tale', nothing went into it that had not happened in real life somewhere at some time," she said.

#like look at what's happening to women in Afghanistan right now with the Taliban #and how Ukrainian children were trafficked by Russians.#tht #atwood

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thecreaturecodex · 2 years

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Monster Art History: The Wendigo

You may be wondering why the wendigo, which has become very popular in pop culture over the last 10 years or so, is usually depicted in Western sources with a deer head. This appears nowhere in Native American traditions, despite the creature having lots of folkloric variations. The association of the wendigo with deer is 100% Western, 100% modern, and has a long, weird history.

Just in case you need a primer, the windigo or witiko is a supernatural being from the Algonquin speaking nations of the eastern American continent. It appears as an emaciated figure, sometimes giant, sometimes covered in ice, sometimes both. In many stories, they have a literal heart of ice. Windigos are manifestations of cannibalism and winter, and hunt, kill and eat people. Someone who resorts to cannibalism to survive, or otherwise abandons their community for personal gain, will become one of them. A few stories tell of someone being “cured” and turned back into a human, but usually the only cure is to kill the monster. In the last several decades, native writers have associated windigos with capitalism and deforestation as an extension of their selfishness. If you would like to know more about the properly Native windigo in context, I recommend Dangerous Spirits: The Windigo in Myth and History by Shawn Smallman.

The creature first came into horror fiction with Algernon Blackwood’s “The Wendigo”. Note the spelling, which would become the standard in horror, and generally in non-academic Western sources. In that story, it is not associated with cannibalism, but instead is a more generic “evil spirit of nature”. This wendigo stalks white people in the wilderness and turns a Native character into a new wendigo by seizing them and flying with them into the sky. This definitely better fits fears about non white people, fears about nature, and how the one is closer to the other than “civilized” people. Its description in the story is vague (the most we get is that it has burned its feet away by running into the sky). But when the story appeared in Weird Tales in the 1930s, Virgil Finlay illustrated it like this, the first antlered wendigo I know of.

This story was ripped off by August Derleth, a prominent Weird author in the 1940s and the main popularizer of HP Lovecraft. In his Cthulhu Mythos stories, he introduces Ithaqua the Wind Walker, which is an alien version of Blackwood’s monster. This fits into Derleth’s vision of the gods and monsters of HP Lovecraft falling into the four classical elements, with Ithaqua being invented to represent Air. Ithaqua is usually depicted as an icy, emaciated giant, so ironically is one of the more accurate wendigos to Indigeonous beliefs in pop culture.

Image from a recent French edition of Call of Cthulhu RPG, by Loic Muzy

In Pet Sematary, Stephen King uses a wendigo as the reason for why the titular cemetery is cursed. This is an update of the classic racist trope of the “Indian Burial Ground”, except this time what gets buried there comes back animalistic and evil. The racist implications of that are pretty apparent. This wendigo is seen briefly and has ram’s horns. It does not appear in the first film adaptation, but does in the more recent one... with deer horns instead, because those are trendy right now.

A good scholarly look at the real windigo versus the 20th century horror wendigo is “The Appropriation of the Windigo Spirit in Horror Literature” by Kallie Hunchman.

In the 1980s, a movie called Frostbiter: Wrath of the Wendigo was produced, but it wasn’t released until 1995 by Troma. From what I’ve read, it’s a pretty transparent ripoff of Evil Dead 2, with the characters being picked off in a haunted cabin with a zombie in the basement. The “twist” is that the origin of the horrors is a wendigo released by breaking a Christian demonology-style sacred circle. This wendigo is realized in stop motion animation, and has the most deer-like body yet.

A number of other independent horror movies in the 90s and 2000s used wendigos as a plot element. These follow the Blackwood/King approach of having the wendigo being something evil, ancient and Native American, reflecting white anxieties about living on stolen land more than Native anxieties about cannibalism and greed. Wendigo (2001) has the creature sicced on a white family when they hit a deer with their car. The Last Winter (2006) posits that global warming and fossil fuel extraction have unleashed the ghosts of dead animals, which are wendigo apparently, to revenge themselves on mankind. Which approaches the idea that greed is wendigo sickness, but I don’t think intentionally as a reference to modern Native literature. The “wendigo” in this movie are spectral moose and caribou.

The mainstream breakthrough of the deer-headed wendigo was in, appropriately enough for this blog, Pathfinder RPG. In “Spires of Xin-Shalast”, the last volume of Rise of the Runelords published in 2008, a wendigo is a major encounter. I suspect that either the author (Greg A. Vaughn), or one of the editorial staff had seen Frostbiter, as the setup involves a cabin haunted by dwarven cannibal ghosts who all killed and ate each other due to a wendigo’s influence. This wendigo is a hybrid of the Blackwood and Cree versions in terms of its MO: it is a cannibal ice spirit that wants to make more cannibals, and does so by abducting people and running off into the sky with them. Its design is the standard for what most Western artists depict wendigos as these days: an emaciated humanoid with the head and antlers of a deer (and the burned off feet of Algernon Blackwood, which are less common):

Image by Tyler Walpole, © Paizo Publishing

This wendigo definitely made a splash at the time; it was the first time I remember seeing a deer-headed wendigo, and art of that design started to become common. It pushed away previous wendigo depictions, which were typically werewolves (as French Canadian trappers had blended the concept with their own loup-garou, and Werewolf the Apocalypse had a whole faction of racist Native American “wendigos”) or shaggy and ape like (based more on the look of the Marvel Comics villain).

What turned wendigos from “folklore/horror monster” to “fandom blorbo” was Hannibal, which first aired in 2013. In that series, the first murder is a woman’s body impaled on a stag’s head, after which protagonist Will Graham has visions of a black stag, and a man with the antlers of a stag, representing murder, evil, and of course the cannibalistic murderer Hannibal Lecter.

Since Hannibal was super popular with the shipping fandom set, wendigo themed characters became popular in its wake, creating a wholly new way to culturally appropriate the wendigo. This was magnified by Over the Garden Wall, which came out in 2014, and its villain The Beast. The Beast is never called a wendigo, but is an antlered giant associated with winter, and so is commonly head-canoned as a wendigo and associated with them in fandom circles.

Which gets us to the modern day, where teenagers have misunderstood wendigo OCs, any character with antlers can be called a wendigo on the internet, and actual First Nations people with an actual cultural connection to the legend wish that people would just knock it off.

#and now you know #wendigo #windigo #witiko #creature design #art history #pathfinder rpg #algernon blackwood #august derleth #cthulhu mythos #stephen king #b movies #stop motion #hannibal #native american #first nations #cultural appropriation #long post

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weeb-polls-with-pip · 5 months

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Autistic Anime Boys Tournament Bracket

Heeey guys! It’s finally time for our next tournament! Get ready to pit all your favorite autistic anime* boys against one another~ 😈😈😈 The same rules as the autistic anime girls poll apply here, but I will reiterate them below.

*Note: I understand that the term ‘anime’ does not, semantically, apply to every character that I will allow into the poll—I am simply using the term in a general manner, because it is quick to say and widely recognized. Characters from print media (i.e. manga, manhwa, manhua), ‘anime-style’ webcomics and games/visual novels, and from non-Japanese East Asian animation like donghua and hanguk aeni are welcome as well.

No western media, unless the characters are deliberately designed in an 'anime-style’ (ex: in the past, I have allowed characters from things like DDLC). It can't be a temporary or one-off gag style-change either. It must be the series' regular artstyle. Judging this will be my subjective opinion, but I am going to be excluding animation that stylistically toes the line (sorry AtLA and VLD fans).

Don't submit Shigeo Kageyama from Mob Psycho 100. His autism swag is too powerful and iconic, so I've decided he will be the mascot of this tourney. The winner of the poll will be rewarded with a special exhibition match against Mob. 👍👍

The characters do not need to be canonically autistic. Headcanons are perfectly fine.

You can submit as many characters as you like, but do not submit the same character multiple times.

Submit characters through the designated Google form. Any sent through asks/messages/any other means will be ignored and you’ll be kindly redirected to the form. Just keeps things more organized this way.

Don't be a dick if your fav loses. Please. Let's all be civil here and have a good time. Doing tumblr polls is entirely for fun!

Definitely send propaganda for the contestants! I love hearing people infodump about their favs.

This time around, I will not make submitting propaganda a requirement on the form, but it does significantly increase your character’s chances of getting into the bracket.

I will attempt to be more selective for this poll, to avoid an enormous bracket like last time (I just have a tendency to get attached to submissions and can’t help but let in as many as I can 😅), but I won’t officially decide on the number of competitors until after submissions close.

Good luck! May the best boy win!

SUBMISSIONS OPEN NOV. 28TH – JAN. 2ND

Tagging other poll blogs below the cut.

@ultimate-anime-tournament @pinkhairswagtourney @canonmisogynyvictimstournament @gayelderstourney @generic-anime-boy-bracket @fuckablemeowmeowbattle @moon-swag-tourney @animemusicbrackets @best-transgender-character @bisexualdivorceebattle @irritable-bowel-showdown @gentle-giant-swag @transandautisticswagcompetition @transgenderswagincartoons @victimsofyaoipoll @tummy-troubles-tourney @chuunibyou-showdown @ocd-character-polls @tournament-winners-tournament @found-family-tournament @christ-figure-bracket @headachebattle @rock-swag-tournament @bestshipsmackdown @queerprotagonistshowdown @titular-twins-tournament @character-of-all-time @white-boy-bracket @ultimate-poll-tournament @autismswagsummit @transgenderautisticbracket @fuckable-old-man-battle @beefy-babe-showdown @cringefaillosersummit @homoerotic-shonen-rival-showdown @autisticgirliesbracket @emoboybattle @miku-figures-tournament @best-book-siblings @toxicoldmenyaoi @serialadoptersbracket @actually-insane-blorbo-bracket @gaslightgatekeepgirlbosscombat @characterswithgodsnamesbattle @most-tragic-character-tournament @toxicyuribracket @big-brother-battle-bracket @toxic-yaoi-tournament @gayest-classiclit @foreheadfaceoff @annoyingblondebracket @badass-queer-couples-battle @yuribracket @blond-jerk-tourney

#tumblr polls #autistic anime boys poll #tumblr competition #tumblr tournament #tumblr bracket #anime #information #fyi #submission post #rules #guidelines

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er-cryptid · 10 months

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Achilles and Homeric Values

-- Homer’s work emphasized the protection of one’s pride and one’s family and property

-- Achilles was the fiercest warrior on the Greek side

-- he stopped fighting because his pride was wounded, as a king refused to give him his war prize

-- Homer wrote Odysseus as pure, Hector as good, but Achilles was the most human

-- Achilles’ lover Patroclus sees the Greeks are demoralized

-- Patroclus puts on Achilles’ armor and leads the Greeks

-- Patroclus dies at Hector’s hand

-- this enraged Achilles -- his lover killed -- Trojans thought they could kill him -- his honor and family assaulted

-- Achilles fights again

-- he calls out Hector

-- Hector dies

-- Achilles desecrates his body

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yokohamapound · 5 months

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Since tis Spooky Season, how about some wedding headcanons for our goth boys Bram and Akutagawa? :3

It might no longer be spooky season but goth bois are timeless. <3

Characters: Bram Stoker, Akutagawa Ryuunosuke

Contents: gn!reader, nsfw mention

Bram Stoker

Bram is certainly the marrying type. Once he’s found someone he feels he can spend the long years of eternity with, he’ll want to lock you down quickly and make it official. Dating is a foreign concept to him, but he will spend some time courting you. He’s very likely the one who proposed marriage, and like, you have eyes, so of course you were going to accept. Who doesn’t want to marry a handsome vampire lord?

It’s not enough to call Bram ‘old-fashioned’. The man is at least several hundred years old, (depending on whether his age is based on the actual Bram Stoker or Vlad Tepes, basis of the legend for Dracula). He’s between approx 170-600 years old. He’s seen trends become traditions and vanish entirely. The wedding would probably be some flavour of traditional, whether that’s a Western white wedding, or a wedding steeped in his spouse’s culture. If you really wanted to, you could have a historical-themed wedding to make Bram feel at home—just expect him to be finicky on the minor details.

“This is the incorrect type of date for this pastry.”

It might take some doing to find a priest willing to marry you to a vampire, or you can forge the documents and have a civil ceremony. It depends on whether or not Bram can actually set foot in a church. He’s probably relieved to discover civil ceremonies are a thing.

Bram looks beautiful in a suit. Just imagine it. A suit tailored to his ridiculous, 6’5” height, possibly a tailcoat, with a cravat, his long hair tied back.

You’ll have to bring him up to speed and explain that, apart from certain cultural traditions, dowries aren’t that common anymore, and that he doesn’t have to offer your father 50 goats for your hand in marriage.

Bram’s a pretty romantic guy, but he always does it with style. He pulls out your chair, his hand is going to rest on the small of your back, and he takes the lead in the first dance waltz, no matter your gender.

The speeches will be short—he’s had to put up with too many of Fukuchi’s soliloquies to want to hear any more monologuing. The wedding dinner—feast, he insists on calling it—is sumptuous, although Bram doesn’t partake. (You’re his wedding feast and he’d rather enjoy that in private.)

Godspeed on your wedding night. Bram’s spent years without a lower half of his body and now he has it back, and a spouse to enjoy. He is…pent up, shall we say~

Akutagawa Ryuunosuke

Poor Akutagawa is still reeling over the fact that he’s getting married. I would say that either you proposed, or Dazai planted the idea in Akutagawa’s head that it was time for him to put a ring on it. If Akutagawa proposed, your ring is some beautiful antique with a large stone and a creepy story attached to it. Don’t forget that Akutagawa makes bank in the Port Mafia.

Please, please, please plan a goth wedding.

Please remember that this is the same young man who said this when asked what he would give as a wedding present: “I'd gift them the enemy's freshly severed head decorated with bloody barren flowers.” Suffice it to say, Akutagawa should not be left in charge of either your gift registry or the flower arrangements. You will end up with a load of obscure antiques, knives, and bunches of rotting flowers “to show the briefness of our lifespans.”

Maybe compromise with dried flower garlands or even black roses if you want to go full 2007 My Chemical Romance-core. (Look me in the eye and tell me Akutagawa wouldn’t look up if you played him a G-note on the piano.)

He hates being the centre of attention in the actual wedding, so he’s more than happy to deflect it all toward you instead. The moments he seems happiest are when he gets to see Gin wearing a bridesmaid dress, when Dazai stands up to make a speech (during which Akutagawa sits up like he’s in a school assembly while the headmaster is speaking), and during the vows, when he’s focusing on you and only you.

He looks wonderful in his suit - let him have full tails and black tie and he'll be content.

Your wedding photographs look like one of those austere Victorian family portraits, save for Tachihara throwing up the bunny ears behind Gin’s head.

Akutagawa has a secret sweet tooth he won’t admit to, which is why he tries to pretend that he hasn’t had three slices of chocolate cake.

Either get Dazai drunk or put him in a corner with a plate of crab cakes to keep him occupied, because you really don’t need him making sly comments when it’s time for you and Akutagawa to climb into the car and head off for your honeymoon. His wedding gift for Akutagawa is an inhaler and a note saying, “You’ll need this! xoxo Dazai.”

#yokohamapound #bungou stray dogs #bsd #bsd headcanons #bsd imagines #bram stoker bsd #bram x reader #akutagawa ryuunosuke #akutagawa x reader

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ludcake · 7 months

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George R R Martin: in my lorebook, I'm going to make the western accounts of the eastern peoples outlandish and incredibly racist, and note how they think the same of the people in the West, to illustrate how Orientalism propagates through ignorance and stereotype and Othering of other cultures and peoples, ascribing mysticism and exoticity to the mundane and different

Redditors: wow, isn't it cool how outlandish and unbelievable these eastern civilizations are, they're so weird and wacky with their beliefs and magic

#.txt #asoiaf #valyrianscrolls #sorry I'm just a lil bit mad at GEOTD theories #and yes I know that this is delusional and it probably just involves actual racism on germ's part #but i want to believe

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butchscientist · 6 months

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From Queers in Palestine (here is their website, queersinpalestine is their instagram):

"Since October 7th, we have been witnessing an accelerated genocide unfolding in the Gaza Strip and in all parts of Palestine, blatantly and publicly declared on numerous occasions by Israeli governmental and military figures. The brutality and lethal magnitude of the atrocities committed by the Israeli state and its supporters produce increasingly harrowing conditions for those who remain alive in Palestine, every day, everywhere. This brutality has been sustained through the continued economic, military, diplomatic, and political support of world leaders historically and presently. We note, document, and narrate the hundreds of catastrophic massacres for the past 75 years at the hands of the annihilatory wrath of the Zionist regime; from Deir Yassin to the Tantura Massacre (1948) upon which Israel’s foundation is based, to the Kafr Qassem Massacre (1956) to Sabra and Shatila (1982), and this is just to name a few. There is no possibility of any liberatory political and social movement to achieve life and dignity if it is aligned with the genocidal death machine of Israel. Israel is founded on blood and is sustained through blood.

During these times, and in line with its long-standing exploitation of liberal identity politics, Israel has been weaponizing queer bodies to counter any support for Palestine and any critique of its settler-colonial project. Israelis (politicians, organizations, and “civilians”) have been mobilizing colonial dichotomies such as “civilized” and “barbaric,” “human” and “animal,” and other dehumanizing binaries as a discourse that legitimizes the attacks on Palestinians. Within this settler-colonial rhetoric, Israel seeks to garner and mobilize support from Western governments and liberal societies by portraying itself as a nation that respects freedom, diversity, and human rights, that is fighting a “monstrous” and oppressive society, illuminated clearly through the declaration of the Prime Minister of Israel “There is a struggle between the children of light and children of darkness, between humanity and law of the jungle.”

While these blatantly racist genocidal declarations take the stage, activists in Palestine and internationally are being silenced, harassed, detained, criminalized, workers fired from their jobs, and students suspended from universities. International feminist and queer activists, in solidarity with Palestine, are facing attacks and harassment by Zionists under the premise that those who support Palestine will be “raped” and “beheaded” by Palestinians for merely being women and queers. Yet more often than not, rape and death are what Zionists wish upon queers and women who stand in solidarity with Palestine. Zionist fantasies of brutalized bodies do not surprise us, for we have experienced the reality of their manifestation on our skin and spirit. Yet they never seize to accelerate in their explicit vehemence. It becomes evermore absurd when such framings are constructed against Palestinian society, in light of countless testimonies, reports, and documentations of sexual violence Palestinians have been facing throughout Israel’s 75 years of military occupation. From the thousands of Palestinian prisoners, men and women, who are subject to sexual torture and rape since Israel’s inception to this very day, to daily and escalating settler violence against Palestinians in the West Bank, to Israeli “civilians” filming themselves torturing kidnapped Palestinians as a TikTok trend, and the most recent harrowing footage published on social media platforms by Israeli soldiers which document the lengths of torture and sexual abuse soldiers and settlers inflict on our bodies regardless of their sexual orientation and gender – all forms of violence, including sexual violence are systematically and structurally part of Zionist domination over Palestinian life. And yet Israeli society continues to weaponize queerness for the purposes of justifying war and colonial repression, as if their bombs, apartheid walls, guns, knives, and bulldozers are selective of who they harm based on sexuality and gender.

We refuse the instrumentalization of our queerness, our bodies, and the violence we face as queer people to demonize and dehumanize our communities, especially in service of imperial and genocidal acts. We refuse that Palestinian sexuality and Palestinian attitudes towards diverse sexualities become parameters for assigning humanity to any colonized society. We deserve life because we are human, with the multitude of our imperfections, and not because of our proximity to colonial modes of liberal humanity. We refuse colonial and imperialist tactics that seek to alienate us from our society and alienate our society from us, on the basis of our queerness. We are fighting interconnected systems of oppression, including patriarchy and capitalism, and our dreams of autonomy, community, and liberation are inherently tied to our desire for self-determination. No queer liberation can be achieved with settler-colonization, and no queer solidarity can be fostered if it stands blind to the racialized, capitalist, fascist, and imperial structures that dominate us.

We call on queer and feminist activists and groups around the world to stand in solidarity with the Palestinian people in their resistance to displacement, land theft, and ethnic cleansing and their struggle for the liberation of their lands and futures from Zionist settler-colonialism. This call cannot be answered only by sharing statements and signing letters but by an active engagement with decolonial and liberatory struggles in Palestine and around the globe. Our unequivocal demands are as follows:

Reject Israeli funding, refuse collaborations with all Israeli institutions, and join the BDS movement.

Strike: Silently or publicly, refuse that your exploited labor be used for the silencing of Palestine activism or the funding, support, and endorsement of military settler colonization and genocide.

Do what anti-colonial queers have done for decades, reclaim the narrative, and set the terms of the conversation, this time about Palestine. What is happening in Palestine is Genocide. Israel is a Settler-Colony. Palestinians are a Militarily Occupied and Colonized Society. Under international law, Israel Does Not have the right to “defend” itself against the population it occupies, while Palestinians Have the right to Resist their occupation. Demanding Ceasefire is the first step in holding Israel accountable for its crimes against humanity. We must also demand to break the siege on Gaza and the dismantlement of the Zionist settler-colony.

Contact your local representatives to pressure them into defunding the genocide, ending their military, diplomatic, and political support with Israel. Speak up against the ongoing and complicit criminalization of solidarity with Palestine and the colonial and Islamophobic projection of European Antisemitism on Palestinian and racialized voices, as we are witnessing particularly in France, the UK, the US, and Germany.

Shut down main streets. Organize a sit-in in your local central station. Interrupt the flow of commerce. Complacency is a choice.

We, queer Palestinians, are an integral part of our society, and we are informing you: from the heavily militarized alleys of Jerusalem to Huwara’s scorched lands, to Jaffa’s surveilled streets and cutting across Gaza’s besieging walls, from the river to the sea, Palestine will be free."

#palestine #gaza #free palestine #queers in palestine

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abiiors · 10 months

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haunt // bed - pt. 1

a/n: a while ago, i wrote do me a favour after which i said, i would write a matty hate sex fic. well this is it (and perhaps a bit more than anyone asked for), read dmaf again if you want to refresh your memory, or don't. there are 3 parts to this + an epilogue. i also know very little about western weddings, so ignore the inconsistencies lol.

a note about the banner: the photo in it is only meant to describe the dress, not the race, body type, hair colour, etc of the reader <3

minors dni! part 2, part 3

wc: 2.7k

see u in an hour xx

charli’s text flashes on your screen, illuminating a small corner of the dimly lit room. it’s not that late in the day, in fact, it’s quite early—only about 10 am. you’re supposed to be hurrying around the room, checking for any last minutes things you might have forgotten. you won’t be back home until tomorrow after all. yet here you are, surrounded by the things that should have been packed in your bag last night.

the dress, laid out on your bed, feels like a weapon; red silk slippery enough to slide between your fingers effortlessly. “a wily vixen”, that’s what charli had called you when she'd seen you in it for the first. the thought of that day—bridesmaids dress shopping with four other excited girls—brings a small smile to your face.

everything laid out here is a weapon really; your four-inch, sharp heels, the delicate and dainty diamond jewellery, the makeup you plan on wearing—blood red lipstick, a perfect shade match for the dress. an expensive crystal bottle of the same perfume you have used for the past six years.

familiarity breeds contempt. familiarity is also an excellent knife to twist in someone’s gut. because everything here, today, is meant to maul and wound him.

see you in an hour babe, love you. you write back and chuck your phone onto the pillow where it bounces a little before nestling between its creases. you stare at it, maybe your body still yearns for a call that will never come? no more can’t wait to see you up there. no more cheeky selfies in a state of half-undress. just a smooth, black screen.

right then…time to get going.

charli has been flittering around the room for the last twenty minutes. her white dress fits her like a dream, her makeup is a work of art and her excitement about marrying george is so palpable in the room that at least one person squeals or sighs every five minutes.

most importantly, the smile on her face is a permanent fixture. and every time you look at it, a warmth spreads through your body. she deserves this—the happiness, the celebration. the happily ever after. no matter how your marriage ended, you won’t stop believing in it for her.

“so!” charli walks over to you and takes your hand, “how do i look?” she twirls and the dress swirls around her, the tiny crystals catching light and making her shimmer like starlight.

you laugh in response, “like george is about to go into cardiac arrest the minute he sees you!”

the pair of you giggles like teenagers. you can so clearly picture it before it has even happened. the joy and love that will shine on george’s face; his excitement, quiet yet infectious and for a brief moment you’re transported back to your own walk down the aisle.

small, unsure steps, worried about falling flat on your face in those tall heels, but all of that had evaporated the second you had seen his tear-stained face. and the bright smile that had bloomed a split second later.

but that’s how long the ache lasts; a brief moment. it’s bad enough that you’re going to have to be civil to him, there’s no need to make it worse with unnecessary nostalgia.

besides, there’s her to think about.

she in question is a beautiful, leggy blonde who is at least seven years younger than him. not that you’ve seen either of them today…yet. it’s only because you and charli got drunk one night, four weeks before the wedding, and she felt bad about keeping it from you that matty had a plus one. and that’s how you fell into the rabbit hole of scrolling through this girl’s Instagram profile at two in the morning.

if you thought you knew his type, you would be dead wrong. physically speaking, she is the exact opposite of you—someone who looks like they belong on a giant billboard in times square, perfect and stunning. then there’s the more questionable aspects of her feed. the flat tummy tea adverts and the paid partnerships with various brands that are always under fire for being unethical.

but that’s the ugly green monster rearing its head. it’s not like you aren’t known for indulging in vanity every once in a while.

she will be here today, no doubt, clinging onto his arm like a decorative little thing—woah, where did that snide thought come from?! you shake your head to yourself, at least a little embarrassed. he’s not even here yet and he’s already screwing with your head; pushing you back into old jealous and insecure habits. someone clears their throat.

nora, one of charli’s longtime friends, has her champagne glass raised. a toast. she takes a deep, shaky breath and smiles tearily at the room, about to give her sentimental speech when a resounding knock echoes and cuts her off before she has even begun.

five heads turn to the locked door and you happen to be standing closest to it.

‘i’ll get it,’ you tell no one in particular, hand already on the doorknob. the possibility of it hits you way too late.

it hits you right as his clean-shaven face comes into view.

it has been ten months. ten months since you gave up the last name healy and changed it back to your maiden name on all your official documents. it had felt like a form of catharsis, getting it done with such urgency back then. but you also remember the days when you would be asked to state your full name and stagger a little at how odd it sounded to no longer have healy in it. to not have a ring around your finger to fidget with. no one to hold you at night.

but back to now. back to here.

it’s not hard to see that he has changed a lot in the last ten months. he looks serious; not necessarily sombre—it’s his best friend’s wedding, after all—but mature, more grown up. the grey in his hair, in his beautiful curls, is now much more prominent. the crow's feet around his eyes are more or less the same (and it sends a small pang through you; has he not laughed recently?). his mouth holds—held—a faint smile that’s already slipping, already morphing into a thin line. the exact same face that you woke up to for years now turning into a mask of carefully arranged neutrality.

“charli,” he whispers roughly and then clears his throat, “here to check on charli.” and just like that, he steps past you and into the room where he’s engulfed into a hug by the bride (and slapped on the bum by another bridesmaid but you ignore that for now).

pointedly, you also ignore the sting that comes with being sidestepped so easily.

you stand by the door, back still to the room, for a second longer than necessary. it doesn’t even register that you’re letting the warm spring air in. is this really how little seeing you impacts him? it must have. because if he’s here then she is also here.

“tell him i’m fine!” charli’s voice brings you out of your thoughts, making you shut the door softly. “and tell him not to meddle, i’ve got my girls.” she looks at you over his shoulder and throws a wink. your gut tells you it’s nothing but a charity gesture, just trying to gauge the tension between you two. guilt gnaws at you—she shouldn’t have to play peacemaker, she shouldn’t have to worry about two adults behaving themselves.

“only doing my duty here,” matty raises his hands defensively, “keeping the groom happy.”

the rest of them tease and taunt him playfully while you take the time to admire—no, simply look at—his suit. it’s nowhere near as nice as the one he wore at your wedding, of course not. but it’s beautifully made, tailored to fit and accentuate his muscles. and there are a lot of those now, that much is evident from the way his sleeves stretch over his biceps. he fills it out nicely, not that he didn’t before, but something about the fabric straining across his arms does funny things to your stomach. funny, you thought that feeling was a thing of the past. then there’s the navy trousers that compliment his backside rather nicely.

there’s a part of you that is appalled at all these observations you have been making but there’s another part—bored and much more matter-of-fact—that reminds you that there’s nothing under those clothes that you haven’t seen, touched, licked or sucked before. there’s nothing new. he is still the same as he was before, just now with a few extra muscles.

“go away,” charli’s nudges him gently toward the door. “we’ll be out in fifteen.”

he hugs her just before he leaves, dropping a friendly kiss on her head. after everything you’re glad no one had to pick sides in the divorce. you’ve at least managed to hold the friend group together, even though the same can’t be said about your marriage.

matty leaves just like he came in, sidestepping you and making sure he’s looking straight ahead. there’s a brief second however—a fraction of one really—when he slows down and breathes in. his adam’s apple bobs roughly and his face struggles to hold the blank expression.

but it must have just been you projecting right? no one can go through that much in half a second.

“there you are, darling,” denise walks in on you mid-smoke. “i was looking for you.”

she’s in a beautiful pink dress that brushes her knees and makes her look ten years younger than she is. you blush slightly at having been caught smoking; it’s a recent habit, not one she would be aware of, and you don’t want her to judge you for it.

“denise,” you try to hide the half-smoked cigarette, “you look beautiful.”

she pointedly looks at your hand and laughs. “my son does enough of that.” then she straightens up, as if bringing matty so casually into this conversation was a mistake. you suppose it was—it does make your heart skip a beat.

“i just wanted to say hi, darling,” she adds hastily, “and look at you…” her eyes scan you from head to toe, linger on your face for just a second before she smiles again. “simply stunning.”

“thank you.” your voice comes out in a whisper, fighting to get past the lump in your throat. you didn’t think there would ever come a day when she would have to so formally stop by to ‘say hi’. yet here you are, almost a pair of estranged mother and daughter.

“i don’t…” she starts but shakes her head minutely, “i don’t want to condescend you. but are you okay? with matty bringing that girl, i mean.”

that piques your interest. “that girl?” you stifle a little giggle. “sounds like you don’t like her…”

denise shrugs, leaning against the wall and looking at the bushes in front of her. “she’s okay, i guess.” then she takes a bit to smooth out her dress. “but she’s not you.”

“dearly beloved…” the officiant, charli’s godfather, begins, which you tune out instantly. weddings are lovely and romantic, wedding speeches are dull and boring. besides, like it or not, something else has captured your attention.

you stand behind the bride, holding the ring she’s supposed to put on george later. and right in front of you stands matty, holding the matching platinum band in his hands. adam and ross stand behind him, smiling and occasionally laughing along with the rest of the guests. you tried it at first too, to only keep your attention on george—who looks very handsome and beams wide the whole time—but it’s impossible when you feel your ex’s piercing stare right on you.

you would have thought he would stick to the little ignoring act from before. instead, his eyes have lingered on you from the second you walked down the aisle as a part of the processional. tracking your every move, every small step. frankly, it’s insulting. does he think you would ruin the wedding as some sort of diabolical revenge against him? you scoff internally; of course, he would think such self-centred thoughts, it’s just all about him, after all.

you raise an eyebrow at him. what’s your fucking problem?

he smiles back; an arrogant curl of his mouth that turns his face from sweet to insufferable within a matter of seconds. you, his eyes seem to say, you’re my problem.

well too fucking bad then…

you huff and look away to the side at the guests. it’s only about fifty people from both sides. just family and friends—a lovely kind of intimacy the couple had asked for. you smile at george’s parents who sit in the first row. his mum dabs at her eyes, clearly overwhelmed with emotion. and behind them sit denise and tim. right next to her.

she’s exactly what she looks like on her instagram page. dainty and beautiful, picture-perfect elegant. her whole face looks like it could be hand-crafted by the gods (or very expensive surgeons according to the snide little voice in your brain) but her eyes are bone dry.

that’s because she doesn’t belong here, your brain chimes in. not among your friends and your family.

well, ex-family…

her name doesn’t immediately come to the forefront of your mind. all you know from that drunken night is how charli made you block all her socials at the end of it. as if you were going to go back to them again and again. as if you have no purpose in life other than obsessing over your ex’s new girl.

she sighs, then looks out the window with a bored expression on her face and you have to focus your attention back to the bride and groom before you do something drastic. not before you catch matty looking at you from the corner of your eye, however.

not just at you…he’s staring at the plunging neckline of your dress that shows off your cleavage wonderfully. with the big window to your side, it’s so clear to see every little detail of his face—his teeth gnawing on his bottom lip (he’s unaware that he’s doing it. you know that for a fact). his pupils that are blown out wide, making almost the entirety of his eyes look black; dark and hungry.

your mouth curls into a smirk, arrogant enough to mirror his own. well, this is interesting.

matty’s mouth presses into a thin line. even now, after you caught him so red-handed, he’s trying to deny it. but you don’t miss his ears turning the telltale shade of pink.

“...and i promise to love you for the rest of my life.” george’s voice breaks on the last word, the tears flowing freely but he smiles through all of it. in front of you, charli’s shoulders shake. they haven’t even put the rings on each other yet and they’re already emotional. it makes you laugh, and surprising, you feel the tears escaping your eyes.

i promise to love you for the rest of my life. that’s what matty had said too. i promise to dance in the kitchen with you and do all my silly little romantic gestures. i promise to never let you fall. i promise, i promise, i promise…

so many of them unkept, so many of them just pretty words spoken on a perfect day in front of a tearful audience.

“i do!” charli squeals before the question is even finished, making everyone laugh. a wet chuckle escapes you at her infectious joy.

“do you, george, take charli to be your lawfully wedded wife?” the officiant asks.

“i do,” he says patiently and charli sticks her tongue out at him.

you sincerely hope they stay like this for the rest of their lives—polar opposites who complete each other. not people who are so similar, they don’t know how to exist in the same space anymore.

matty smiles, first at the couple and then, shockingly, at you. husband and wife he mouths.

jarringly still, you smile back.

i would love to hear what you think 🤭

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mariacallous · 2 months

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The patriarch of a right-wing Canadian family of 11 had had just about enough of gay people in his country. “We didn't feel safe for our children there in the future anymore,” father Arend Feenstra told Russian media. “There's a lot of left-wing ideology, LGBTQ, trans, just a lot of things that we don't agree with that they teach there now, and we wanted to get away from that for our children.”

Yeah, if there’s one place that’s just not safe for kids, it’s Canada. Russia would be soooo much safer.

So Arend (and wife Anneesa) sold everything they had to move to sunny Russia and raise eight of their nine kids with “orthodox” values. They also gladly took donations on their social media platform from fellow right-wingers, all so they could live in Vladimir Putin’s wonderland. Russian officials assured them that they would work with them to get them established, and even help them get a farm. They did all of this just three weeks ago; long story short, they lived happily ever after.

Except they didn’t.

First, according to the family, the Russian bank where they moved the proceeds from selling their farm and belongings? It immediately froze their assets. The amount of money seemed suspicious, Arend states in a Feb. 9 video. I guess it would, since so many Russians outside of Putin’s circle are dirt poor. As a result, the family didn’t have money to live on—apparently those nice Russian officials offering to help them had disappeared.

Since no one in the family speaks Russian, they’ve also had a bear of a time trying to argue for their money—because Russia doesn’t require any bank, or any business, to hire English translators. In the meantime, they discovered that Russia is a pretty damn miserable place to be right now.

TikTok user Ukrainian.Networking translated a Russian Federation Reported Media story in a snarky post.

The Russian reporter noted that Anneesa spoke her mind in a since-deleted video on the family’s “Countryside Acres” YouTube channel.

"I'm very disappointed in this country at this point. I'm ready to jump on a plane and get out of here. We've hit the first snag where you have to engage logic in this country and it's very, very frustrating."

Hoooo boy. They just arrived and already she’s insulted Russia. Now, I’m not saying Russia doesn’t have freedom of the press, but it’s really just freedom to praise Putin and the country he controls. Anything that resembles criticism in Russia is NOT taken as kindly as it is in our godless Western dystopias. I’m also not suggesting that Russian officials paid the family a visit to remind them of where they are, but I will point out that Arendquickly posted an apology video to the Countryside Acres channel, saying that his wife misspoke and they’d deleted the video.

In that video, he reiterated that no, Russia is really, really great (subtext: “Please don’t push me out of a window”) and he spoke of his hope to resolve the issue with the bank. Commenters weren’t so sure, or kind. They pointed out that the bank will likely never release their funds and it is more likely that he will be recognized as a foreign agent.

At this point, I’m not sure the Countryside Acres farming gig is going to work out. Patriarch Arend should have agreed to be used as a tool for Russian state media. I mean, if you are going to be a Russian Asset, might as well go all-in.

I’m willing to bet that living in a country that grants gay people basic civil rights might not be looking so bad now. I was wondering if the family is desperately trying to split, so I looked up how difficult it is to leave Russia. According to the BBC, you can leave “as long as you have money and have not been called up to the army.”

Even if only for his kids’ sakes, let’s hope Arend’s only lost his money.

And I’ll end with this charming reprise of a German eurodisco tribute to Moscow, originally released in 1979. (English lyrics here)

youtube

“Welcome to Moscow!” At least the song is catchy.

Comment Award goes to Laughing Gravy: “I’ll bet back home they used to whine about immigrants who don’t know the language, who have no money, who expect the government to hand them a house and a job, and who complain when they don’t get everything they want.”

#Youtube

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readyforevolution · 7 days

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“It is enough to note the behavior of European capitalists from the epoch of slavery through colonialism, fascism, and genocidal wars in Asia and Africa. Such barbarism causes suspicion to attach to the use of the word “civilization” to describe Western Europe and North America.”

Walter Rodney

#walter rodney #blacktumblr #black history #black liberation #african history

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oliveroctavius · 4 months

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I got this ask on main but thought I'd pick it up here, my comics history/fashion ramble blog. I'd been wondering this exact same thing recently, and Google initially wasn't much help—Rocketeer replica jackets describe themselves only as "Rocketeer jackets" and the one Lobster Johnson cosplay thread just suggested ordering one of those.

The most curious part is the double seam and horizonal row of buttons that mark out the entire front as possibly being an unbuttonable "bib", like a plastron front. (Please don't ask how late in the game I worked out that "plastron" is the right word for that.)

The closest genuine Golden Age example of a plastron jacket I found was the military tunic style uniform of Blackhawk, created in 1941.

(Pics from the '52 movie serial (right) really show how awkward it is to combine open lapels + plastron. On a double breasted coat, that chest panel IS the bottom lapel, folded shut.)

Here's the thing: This outfit mirrors that of the Nazi ace pilot he fights in the origin issue, von Tepp (middle). And compare further to the far right: real life WWI flying ace Manfred von Richthofen, AKA the Red Baron, in imperial German Uhlan (lance cavalry) uniform.

"The Germans had designed such great costumes, we decided to use them ourselves," co-creator Cuidera is quoted as saying in Steranko's History of Comics, which (more dubiously, in my opinion) compares the look to the Gestapo or SS. Breeches or jodhpurs weren't strictly a Nazi thing at the time, but they do add to the overall effect.

Compare two other military tunic themed costumes from 1940, on Captain Marvel and Bucky Barnes. These are asymmetrically buttoned, and switch to a more classic circus strongman look below the waist.

But somewhere around 1975, with the Invaders book, Bucky gets a buttoned bib! There's something infectious about it—the symmetry, maybe. (Even re: the characters we started with; Mignola didn't draw Lobster Johnson with buttons down the right side, but every artist after does. And Spider-Noir wore a sweater under his coat until Shattered Dimensions introduced the double-breasted vest.)

If it didn't reach his belt, Barnes' button-on front + shirt collar combo would resemble a bib-front western shirt, like the one that became the Rawhide Kid's signature look in '56. (Or Texas Twister's in '76.)

This shirt entered the old-West-obsessed public imagination in the 1940s/50s largely because John Wayne wore it in several cowboy movies. In reality it was rare among cowboys, more common with firefighters and civil war era militia.

Military tunics, Western shirts, alright, but does anything match the style and material and era, or are these jackets a total anachronism? I tried looking into 1930s leather flight jackets and was surprised when the closest-looking results were marked as Luftwaffe.

It took me a bit to work out why: USAF and RAF issued standard flight jackets with a center closure. The Luftwaffe instead let their pilots buy non-standardized ones. The 'weird' double-breasted black German flight jackets were in fact fairly normal (but repurposed) motorcycle racing jackets.

Far left is an English biker's jacket that dates back to the 1920s. Even without the bib, this may be as close as you'll get to an authentic Rocketeer. The jodhpurs were pretty common to complete the look. (What was an early motorcycle anyways, if not a weird metal horse?) The first biker jacket with the now iconic off-center diagonal zip was designed in America in 1928 and yet as far as I can tell, not a single actual pre-war pulp hero wore one.

The greatest weakness of this post is that I haven't been able to find any of these artists' notes on how, exactly, they arrived at similar versions of this iconic Pulp Front Panel Jacket. I'm sure I've missed some things. But as far as I can tell, this jacket is an odd bit of convergent stylistic evolution from the above influences that's picked up enough momentum to now be self-perpetuating.

The problem with pulp heroes is that for the most part, they just wore clothes. The appeal of this jacket is actually very similar to what the 1940s thought the appeal of the bib-front shirt in westerns was: It's alien enough to feel "old". It looks like something invented before zippers or synthetic fabrics. It looks formal and militant but also renegade, rebellious. It also looks a little mad-sciencey*. It's a costume, but you can nearly fool yourself into thinking the past was weird enough that you could find something this cool on the rack.

If I wanted to end on some grand point, I could try to argue that there's a thematic throughline between fascist fashion, John Wayne movies, and throwback pulp. A manufactured aesthetic valorizing the violence of a fictional golden age... but I think the noir stylings of the post-Rocketeer comics in this lineup mean that, at least on some level, they know the "good guys" didn't dress like this.

*If I had another couple weeks of time to burn, I'd try to trace the visual history of the Howie coat in popular culture and investigate its possible connections to this. Alas, I do actually have a life.

#thank you for reading. also don't read golden age blackhawks the racism is awful even by era standards.#comics history #costume taxonomy #<- forgot I had that tag.#not to be like ''in MY favorite comics...'' again but may I point out that Hellboy and Robo and Tom Strong just wear... clothes #like. yknow. A pulp series that had confidence in itself rather than trying to cosplay as eras it thinks were cooler might do-#[I am yanked offstage before I can restart that rant]#the rocketeer

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