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infinitymythos · 2 months
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Aetheric Ocean🐋✨🌀
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quornesha · 2 months
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Orca (Killer Whale) Prophecy And Symbolism
The Following Channel is from higher powers, Divine, the ancestral plane, and is prophetic through Quornesha S. Lemon|
Whether the Orca Whale appears in dreams, visions, waking life, or synchronicities, it is a sign and message that everything is working together for your highest good. It is a reminder that you are introverted for a specific reason and you are extroverted around specific people for a reason. One of these reasons is that you are not meant to be around everyone.
Your warfare is powerful. And sometimes, when around the wrong people they can bring out the war inside you. Your warfare is so powerful that it can kill. If you have to walk on eggshells or keep from snapping or spazzing out around someone, this is someone you should get far from and fast. Your energy is a prevalent source in this universe and there is a time and place for it. You know exactly what I speak of. You have archangels, orishas, gatekeepers, and God/Divine himself that will stand on the line for you ten toes down.
With great power, you have a huge responsibility to be sure that your anger levels are not stimulated so often. Your anger is energy and it puts Divine on alert to go to war for you. Now, it is a time of peace, that does not equate to you not having to go into battle from time to time, but it means that you have to choose your circle wisely. The Orca, killer whale is also a reminder that you have incredible prophetic/seer/psychic gifts that are coming to the forefront. You are like the Phoenix, once burning, you illuminate and level an entire town. This is most likely your supernatural side. You will never be in a position to take matters into your own hands. Divine fights all of your battles. The Orca whale is also a reminder that you have help in many realms, timelines, and spaces. Especially water elements.
Your archangels and elementals are reminding you to continue moving forward. Press onward and push back the ‘dark’ whatsoever that may be in your life right now. Do not allow fear to disable you and paralyze you. You and your babies are safe. So, whatsoever is happening to your enemies Divine will never do to you. You will never become an enemy of God, so it is assured that you will always be protected. The Orca Killer Whale also predicts protection throughout any upheavals happening around or to you right now. You and your loved ones are completely safe even if things feel out of balance.
The Orca Killer Whale is a prophecy that, for every ‘giant’ in your life, there’s giant protection to keep you safe from all harm and danger, fatal and tedious. When you go into prayer, God/Divine listens, he sends angels on assignment for you and just one grimace of negativity, it will be put to rest. The Orca is symbolic of success against all odds, miracles, supernatural events, and heightened psychic/prophetic gifts. In business, look forward to substantial growth and expansion beyond belief.
This message isn't, obviously resonant with all whose paths it crosses, as perhaps you may encounter someone of this vernacular, mastery or skill. Therefore, it is a sign from the universe that you're meant to work with such a person.
Need further clarity or your own queries answered? Book your own reading as my schedule is full and I do not guarantee a reply on social media regarding this post.
If this is not you, then it is time to get clear to rejoin your tribe or the rest of the world of infinite beings. It's time to bring your light to the forefront. However, if you aren't able to invoke, heal or otherwise on your own, call on the assistance of shamans, healers, intuitive people, etc. to assist you. This synchronicity can possibly have specific meanings for you, it's time to get insight. 
The Gift that Quornesha Has can never be duplicated, She is a Shaman, Writer, Healer,  And Teacher with incredible prophetic/healing gifts. Please do not infringe upon her rights as the author. You are not permitted to reuse, nor are you to sale as you wish. This information has been made available to you for the purpose of introduction and demonstration. All rights reserved. If you'd like to use this in a magazine, online publication, or other, please ask for permission first. Legal actions will be taken if you proceed to impose. Be blessed, bless others and be at peace on your journey. What you do is coming back on you. Make sure that it is good, and all is well within you, through you and around you.  The source sees all and knows what you think it does not. 
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juliejewelssmoot · 7 months
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Join us for Sounds from Neptune Gong
Join us for Sounds from Neptune Gong
Listen to the beautiful sounds of the dolphins and whales that was created by playing Neptune Gong.
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dejahisashmom · 1 year
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The Mayan Calendar Facts, Theories and Prophecies - Historic Mysteries
The Mayan Calendar Facts, Theories and Prophecies – Historic Mysteries
https://www.historicmysteries.com/mayan-calendar/
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cryptotheism · 1 year
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A Review of The Way Of The Shadow Wolves: The Deep State And The Hijacking Of America by Steven Segal
Alleged rapist and human trafficker, cop groupie, washed-up action movie star, and personal friend to Vladimir Putin, the paradox of Steven Segal is how he manages to stick around despite being –by damn near every account– a universally unpleasant vacuum of charisma. I could go on, but I feel that no introduction of Steven would be complete without the tale of the headlock. Legends tell of Steven’s conflict with legendary martial artist and hollywood stunt coordinator “Judo” Gene Lebell. Allegedly, the two fell into an argument on the set of the film Out For Justice. The crux being Steven’s claim that he was “immune” to being choked unconscious. Allegedly, LeBell called his bluff, and put the actor in a headlock. A headlock that resulted in Steven losing consciousness, and control of his bowels. Steven denies the story. He also wrote a book.
The book is garbage, but garbage in a way that can be easily overstated. I wanted to take a page from other reviewers of this book, and call the text what it is; a fever dream of exhausting mediocrity, swaddled in delusions of grandeur. I wanted to whale on it. I wanted to denounce it like some ridiculous fire-and-brimstone preacher of internet literary criticism. But this does not capture the core, the essence of Way of the Shadow Wolves. There is a paradox at the heart of this text, a contradiction that even now I struggle to describe. Because despite everything, despite the balls-to-the-walls premise, the disastrous prose, and the buckwild plot, this book is deeply and powerfully boring. To call it a fever dream is to imply that it might be exciting. 
Some books are bad in a way that must be experienced firsthand. This is not one of those books. In a way, I feel that you’ve already read this book. You know Steven Segal. You met him in elementary school, when he told you he has “every black belt.” You met him in college when you tricked him into smoking a bag of oregano. You met him at your most recent family gathering, where you were trapped in an awkward one-sided conversation about “those people.” The bad-ness of Steven’s work is deeply familiar. 
We have our boots. We have our waders. We have our shovels. But, before we wade into the shit, there is one more thing we need to get out of the way: The Shadow Wolves are real. In 1972 the United States government agreed to the Tohono O'odham Nation’s demand that border enforcement agents patrolling their land have at least one quarter native ancestry. The result being the specialized unit of Immigration and Customs Enforcement officers known as The Shadow Wolves. In the 2020 Sonic the Hedgehog film, Dr. Eggman states that they are who trained him in the art of tracking. 
WAY OF THE SHADOW WOLVES
Let us cook Way of the Shadow Wolves from scratch. Think of every dogshit C-list action movie you’ve ever seen. Ideally, you want the trash cuts of post-9/11 hysteria marbled with ex-cia heroes and vaguely arab villains. Drop it all into a stockpot. Next, roughly dice some comic books and kung-fu movies, the more racist the better. Now add some datura, it doesn't matter if it's edible or not, because you saw a native American in a movie make something like that once and you’re totally 1/64th Cherokee. Add a whole can of Qanon and a whole can of racism. Boil until you have pacing thicker than mud. 
Way of the Shadow Wolves is a police procedural meets a spy thriller, a fast-paced action drama about elite agents on the fringes of the law who have the huge sweaty meaty balls to do what needs to be done for our country. It is Steven's attempt at the action schlock he embodies as an actor. Our hero is John Gode: Shadow Wolf. Reservation-born native American tracker, ICE agent, and Kung-Fu master. I believe he might have been described at one point. If he was, I do not care. Steven does not care. It does not matter. John Gode is Steven, and he’s the most badass dude to ever not be gay. He is: Special Agent Shaman Cop. He’s gonna beat up the deep state. That’s all you need to really need to know. In fact, it is shocking just how little you need to know about this book. 
We begin in a movie theater, where our protagonist is alone, watching the end credits of a movie about the atrocious treatment of native Americans on behalf of the united states government. When the film finally ends, John says to himself “It’s about time.” He gets up to leave. The chapter immediately ends. My compliments to the chef. A delightfully bland apéritif of a character introduction. Steven uses the essential point of first contact with our protagonist to tell us vital information like “He doesn’t like it when movies are long.” or maybe “He didn’t like this movie about the trail of tears.” It is unclear. To quote English-Albanian philosopher Dua Lipa, “Go girl, give us nothing.”
I have been dancing around the quality of the writing. It seems impossible to approach without the footing of a new paragraph, an opponent that requires full-focus, an all-out assault. It is nigh-incomprehensible. I hate comparing bad writing to drugs. It feels too easy. But there is a specific air to Way of the Shadow Wolves. There is a distinct cadence, simultaneously manic and lethargic, that comes from attempting to write while day drunk on over-prescribed amphetamines. And make no mistake, if Steven was not entranced by the muse of Too Many Uppers And Downers At The Same Time, if he wrote this thing stone sober, that is worse. Small quotes will not do the writing style justice, you must see for yourself how sentences flow into each other:
“The desperado’s mind went back in time to a small town in Mexico twelve years before, where he first met his two cohorts when they were thrown together by a tragic set of circumstances. Their parents had been gunned down by a cartel who was at war with a competing cartel for control of the area, which was a pathway to the American border near Nogales, Arizona. All three had been shepherded to a local mission where they were being cared for by the Franciscans, who were becoming overwhelmed by the growing number of children left homeless due to the rampant killings by the warring cartels . . .”
Labyrinthine. A paragraph structure that would feel more at home with Calvino, or Garcia Marquez at his most experimental, though stripped of its deft control and musicality. Segal will regularly change temporal perspective in the middle of sentences. A single run-on sentence will begin in the past, have a middle clause in the present, and then return to the past by the end. There is a downright massive cast of characters for a 200 page book. Damn near every chapter introduces three or four more names, and we are lucky if Steven describes them before discarding them entirely. This book is a slog. I find myself losing patience with Steven. 
Some time has passed since I began writing this review. Originally, my approach was surgical disassembly. I was going to go over the plot, summarize its anatomy, pick apart its flaws with surgical precision. But the more I cut, the more I felt as if I was the butt of a joke. I was performing an autopsy on a clown, pulling sheets of colorful rope from its gut, and the cadaver was laughing at me. 
There is a moment, about halfway through. A woman approaches John at a bar. An assassin, who later attacks John in the parking lot with karate. A furious series of crescent kicks, effortlessly blocked by John Gode, who punches her in the ribs and knocks her to the ground. Realizing that her martial arts are defeated, she draws her gun, but John Gode is too fast. He fires his own weapon before she can get the shot off, killing her instantly. “Her round went upward toward the sky as she fell backward with eyes wide open, seeing nothing.”
This scene stuck with me. It illustrates one of the critical flaws at the heart of Way of the Shadow Wolves. Nothing hurts John. Nothing even gets close. He does not struggle. He does not sweat. He does not bleed. Steven clearly intends this scene to be badass, a moment where his self-insert hero defeats a dangerous enemy without trying. This book is an action movie, but John’s untouchability makes every action scene read as a moment of profound and boring cruelty. This was not a contest of master martial artists. This was an adult kicking a child in the throat.
I find myself losing patience with Steven. I am running out of humorous ways to describe this vapid tripe. This is, in my mind, the greatest condemnation of bad writing. There is no hell lower than being boring to mock. I see myself as a sort of sommelier of the awkward and disastrous. I will be the first to tell you “Wait! Don’t throw that out! There are things to be learned!” But Steven repeatedly proves himself to be a sort of Alchemist of Shit, capable of transmuting theoretically interesting bullshit into just fucking nothing. If this book deserves credit for anything, it is its miraculous ability to squander its own premise. 
Why write this? Any of this? Steven clearly does not read. Or, if he does, he seems to subsist entirely on a diet of comic books about monkeys that do kung-fu. Why write this? At some level it all comes down to “because Steven wanted to” right? 
Right? 
But I cannot shake the feeling. To call this book masturbatory is to imply that Steven might have enjoyed it. There is a desperation to the power fantasy here. To be feared by men, desired by women, revered by all, yaddah yaddah yaddah, all the same trite excretions of blunt masculinity. But there is something else. Steven wants the same thing that every conspiracy theorist wants; a simple world. A world he can understand. Steven is exhausted, overwhelmed with a world he feels he can neither effect nor understand. I am exhausted. 
I fear my earlier allusions to expressionist novels may have been more spot on than I imagined. Way of the Shadow Wolves has a plot in the sense that Sunny-D contains fruit juice. Its presence is a formality, a ceremonial hat worn for tax purposes. The plot is there, but it is unimportant. This is not a text that can be debated with. Because within the world of the text, politics is not complex. It is not actually a web of interconnected groups, each with their own interests, rivalries, alliances, and historical contexts. Behind all of it is two things: Good guys, and bad guys. The good guys are all working together, and the bad guys are all working together. 
I find myself losing patience with Steven. I fear my earlier allusions to expressionist novels may have been more spot on than I imagined. Way of the Shadow Wolves has a plot.
John Gode finds a human tooth in the desert. It belongs to a body, a body of a woman described in lurid detail. Nearby, he meets a young native American man, a man who calls himself Sweet Tooth. The body is missing teeth, missing hands, missing feet. A trademark cartel killing. A young native American man. “I’m gonna be like, your assistant right?” A buddy cop dynamic. Meeting the task force. Tailing an ICE van full of cartel soldiers. A hostage situation. A shootout in the desert. Far away, faceless men in suits with masonic ranks plan a mass killing. Some sounded like they had Arabic accents. Freemasonry. Interrogation with a snake. The corpse was a woman. The woman was a reporter. She had the evidence on a flash drive, evidence that proved the existence of the deep state. What if its all connected? A sex scene, or almost a sex scene. A sex scene interrupted. A shootout in the desert. Kung Fu assassins at a bar. A cartel defector. A shootout in the desert. What if its all connected. They’re working with the Jihadists. The USA is already “half latino.” The government is paying the cartels to ship Jihadists north across the border. They’re well-trained and well armed. You can’t trust anyone. A terrorist defector who hears the voice of the prophet. The ghost of John’s grandfather. The sun sets over the Sonora. A shootout in the desert. They kidnapped John’s mother. Bring them the flash drive. They’re planning to bomb the casino. A shootout in the desert. The police chief was a traitor. The Catholics are in on it. Its all connected. A shootout in the desert. Assault by night. Rescuing the hostage. A knife dipped in pigs blood. A pit of vipers in the sonora. 
Steven ends a chapter with the line. “They had functioned like a well-oiled machine that had just saved two innocent lives. All lives matter. Do they not?” 
I am tired. I find myself at a neighborhood block party, trapped in a conversation I’ve had a thousand times. This time the man on the other end is a sweaty divorcee in range glasses who looks like a sunburned thumb. Last week, it was a woman with a necklace of crystals and blonde hair bleached blonder. “Haha yeah” I say, looking down at my phone. “Burgers look good this year huh?”
Thank you to my Patreon supporters who made this review possible.
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nobrashfestivity · 6 months
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Nelson Takkiruq
Double Shaman Drum Dancer, whale bone, stone, 1989
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formlines · 4 months
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Raven Gets Married
Andy Everson
from the website: "This shortened version of the legend is derived from my great-great-grandfather George Hunt’s retelling in 1904. At the time, he was documenting the stories that go with the totem pole that his mother raised for her mother that was later stolen by Seattle businessmen and erected in Pioneer Square in Seattle. This is one of the four stories that go with that pole.
Raven, or Yéil as he is known amongst the Tlingit, was head chief of the Taantʼa Ḵwáan and wanted to find himself a bride. He confided in his friend Mink that he desired to go out to the great island of the Haida and marry the daughter of Chief ’Idansuu. Knowing it was a considerable distance across open waters, they enlisted the help of their friend, the Great Whale. They climbed inside his mouth and made the journey over to Haida Gwaii.
Whale beached himself on shore in front of ’Idansuu’s house. News of this huge spectacle made its way through the community and, soon enough, the whale was surrounded by villagers carrying knives to cut open this valuable treasure. Before they could start, a shaman heard singing coming from within the cavernous insides of this behemoth: “I, Yéil, who brought the light in this world came across from Gidexenits to take for my wife the daughter of ’Idansuu the Chief, as I am. Ya Ha Na He….”
The people went up and implored ’Idansuu to come down to the beach to hear the singing for himself. After listening to the song, ’Idansuu told the people to cut open the whale and let his “son-in-law” out. Raven exited the carcass wearing his bird mask and feather cloak, followed by his friend Mink. Both were black and shiny from the fatty insides of Whale. Mink ran out and rolled around in the powdered stump of a rotted spruce tree to wipe off the grease and thus remains brown to this day.
Yéil offered up the whale as bride price to Chief ’Idansuu in exchange for the hand of his daughter. The moment Raven sat alongside the Chief’s daughter, the two were married. It was not long before the bride of Yéil gave birth to a little baby boy. Chief ’Idansuu passed on his name to be used when the boy goes across the waters to his father’s people. When the boy was old enough he returned to Tongass with Mink while his parents remained on Haida Gwaii.
It’s amazing how I as a descendant of Yéil of the Taantʼa Ḵwáan could find myself my own Haida princess. This image is dedicated to my beautiful Haida wife Ḵaalga Jaad."
- Andy Everson
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bestiarium · 17 days
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Taqqiq, the moon spirit [Inuit mythology]
Ever-present in the night sky, the moon plays a central role in countless folktales and myths from around the world. In native Inuit religion, the moon is inhabited by an Inua (supernatural spirit) named Taqqiq, which literally means ‘moon’. This enigmatic but benevolent creature watches over humanity and is responsible for guiding the souls of the dead to the afterlife. He once was a mortal man, and his transformation into the moon spirit is the subject of several different stories. Details differ, but a common version has it that he lusted after his own sister, Siqiniq. According to one tale, he made his advances at night, when it was too dark for her to recognize him. But Siqiniq was clever and smeared her body with black soot. The next morning, she saw Taqqiq’s face was blackened with soot and realized that it had been him. He chased her and she fled into the heavens and turned into the sun spirit.
Taqqiq, still chasing after her, followed his sister into the sky and eventually became the moon spirit, ironically reflecting his sister’s fate. He deeply regrets his actions and tries to make up for them. Perhaps because of this, he is said to sometimes descend to the Earth when women are abused and then saves them. Sometimes, he takes them back with him to the moon, where they live happily as Taqqiq takes care of them.
His outfit is made with gorgeous white fur, and Taqqiq himself is said to be particularly handsome. In some stories, he is said to travel with a troupe of dogs. It is unclear to me where these dogs came from, but they are particularly powerful and large.
The moon spirit is also associated with the hunt: the Polar Inuit believe Taqqiq brought wild animals to the world of the living so that humans could hunt and eat (hunters would sometimes offer prayers to thank him), and in the belief of the Inuit of Baffin Island, these animals are specifically mentioned to be caribou and seals. Iglulik Inuit believe that Taqqiq would bestow good fortune on seal hunters, whereas the people from eastern Greenland believe him to bless whale hunters. Taqqiq is often depicted with his signature whip, which he uses to hit young boys, as it is his role as a spirit to harden them into strong hunters. While this is a harsh (and presumably very traumatic) way to teach a kid a lesson, Taqqiq is regarded as a protector of young boys and defender of the weak.
Source: Taylor, J. G., 1997, Deconstructing deities: Tuurngatsuak and Tuurngaatsuk in Labrador Inuit Religion, Études Inuit Studies, 21 (1/2), pp. 141-158. Christopher, N., 2013, The Hidden: a compendium of arctic giants, dwarves, gnomes, trolls, faeries, and other strange beings from Inuit oral history, 191 pp, p. 178-181. D’Anglure, B. S. and Philibert, J., 1993, The Shaman’s Share, or Inuit Sexual Communism in the Canadian Central Arctic, Anthropologica, Canadian Anthropology Society, 35 (1), pp. 59-103. (image source: Christopher Stevens, painted for Pivut Magazine, Copyright Inhabit Media)
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divineei · 1 year
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metkayina.
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a coastal community located near the reef, whose people base their beliefs on taking care of and loving the ocean. the metkayina capital, awa’atlu, is where the olo’eyktan (chief tonowari) and the tsahik (shaman ronal) live. the metkayina live in houses built on platforms near the coast–some of them directly above water–that they call “marui”. this is to prevent high tides from dragging their homes into the sea. because of how much of an impact the ocean has in their lives, every habitant learns sign language at an early age to communicate underwater.
these group of people have mastered the way of water and are deeply connected to it as well as their fauna and flora. in fact, this bond gained over the years is so profound that it’s allowed them to earn the trust of many oceanic creatures such as manta rays, which metkayinas endearingly nicknamed “ilus”. however, the community’s flag bares the silhouette of a terran whale (which they call “tulkun”) since they have developed a deep spiritual connection towards these animals; to the point every habitant at one point in their lives is destined to bond with a tulkun and become each other’s “spirit sister/brother”.
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avatar masterlist!
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© to @divineei on tumblr; do not repost or steal
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midweekblues · 3 months
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Finally, after a slow night at work and much ruminating, I hereby present my own True-Detective-Night-Country world-famous ramble stew. Tipping my non-existent hat to one Mr @rhavewellyarnbag
Something something Sedna of the many names, Arnarquagsag, Nerivik, Nuliajuk, the one who would not marry, the wife of all.
What's you name, girl?
Navarro, Eve, Angie, Evangeline, Missy, your mother never told you your real name (the one of the Real People) and some think you have forgotten it.
Sedna of the many names many stories Arctic wide, Alaska to Greenland, many stories and in all of them she lives under the sea, in all of them she ends up there because of her father.
Her mother? sometimes a shaman (voices. episodes.) sometimes entirely absent from the narrative (died in chilbirth), sometimes a background character following her husband.
Her father? oh, he always throws her in the sea, sometimes in a panic, sometimes in a rage. She would not marry the man he told her to.
Why?
Well, is that the right question?
She would not marry the man he told her to, because she was already married to her dog who was a man, a shapeshifter, so they kept it in secret.
So many secrets here... do we trust Qavviq the dog-man, the home-brewer? or is he gonna die a terrible death?
i dunno, man. Annie keeping it secret. Danvers keeping it secret. But Everyone here knows.
Sedna whose fingers were cut went she went overboard and she tried to hold on to her father's kayak. Sometimes her whole hands, bit by bit.
So many fathers here, too. Hank, raised by an animal to act like an animal. His son trying to be better than him. The son's son drawing the woman with no hands, no fingers, spooking his father.
What is it with white people getting spooked about other people's religion? Not me, i was raised catholic. A lady with no fingers is no big deal. But maybe i mean white-white. Not opening that particular can of worms right now.
Oh and of course Travis. Fucking Travis Cohle. And his little interpretive dance. That was a man drowning. Or several. Didn't Lund cough up some filthy water when he woke up corpsicled? Cause of death: Spooketh. But also maybe drowned. 
The lady under the sea, the lady with no fingers, cannot untangle her hair. Her hair traps the marine animals and she gets agitated and there is storm and famine. Her hair under the sea, her hair maybe like the sea, and who hasn't dyed their hair sea-blue, sea-green, when they missed so much? i have. Wear the monster's face, wear her hair, whatever you can manage.
The lady with the sea-hair beautifully painted on the door to the warehouse where the people gather. And the people are pissed. 
Something in the water, and no one seems to be asking questions. Not even the wrong ones. Tsalal is the mine is the thing under the ice, now she's awake and y'all done fucked up.
The lady with no fingers that lives under the sea gets pissed off sometimes. Main thing driving her mad is greed and ungratefulness, apparently.Those who take more than they need and those who do not honor their prey. The seals have souls, and so do the whales and the walruses. Those are Sedna’s children, not exactly like children, born from her chopped fingers like Eve from Adam’s rib. 
Sedna (90377 Sedna) is also a dwarf planet hanging around Ceres. This season feels like the Belt. As oppresive as S1 made Louisiana look (humid, hot, that heavy heavy sky) this creeps me out more. What's worse, air thick with miasma or no air at all? Women walking out to the dark, a tiny circle of light and then the vast nothing. Very cosmic horror. Also i miss Naomi Nagata and i miss Camina Drummer. Funny that Danvers' kid was named Holden. But i digress.
You know how scientists are, naming stuff after goddesses. Pieces of rock, sometimes lifeforms. She's awake alright. 
Who are you, girl? Eve? An angel? I am reminded too that Evangelion means Good News. Are you catholic, Navarro? Was your father catholic? What did he drink?
Something in the water, something in the ice. Crabs are bottom feeders, aren't they? How fucked up is an ecosystem where the carrion-eaters die off? Maybe stuff isn't dying at the rate it should. Caribou spook relatively easy, but maybe they know something we don't, too. Micro earthquakes and magnetic fields and shit. Guess we’ll find out.
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artifacts-archive · 3 months
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Amulet
Tlingit, Native American, ca. 1840–70
The peoples of the Pacific Northwest share a shamanistic worldview. Shamans employ techniques such as fasting and dancing to enter altered states of consciousness, in which they have visions that guide them in healing or advising the community. They wear protective or spiritually charged pendants, such as this example, and sometimes give them to patients as powerful medicines. Here, we see two animal forms that may have been ancestral emblems of a particular shaman: a graceful diving whale and a raptor with outstretched wings. The color-shifting nature of the abalone shell reinforces the transformational composite beings that empowered the healer and the patient.
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quornesha · 1 year
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Grey Whale Prophecy And Symbolism: https://www.powerfulmystic8.com/sacred-spirit-shaman-blog/2023/3/14/grey-whale-prophecy-and-symbolism #greywhale #graywhale #whale #blessings #goodfortune #insight #shamanicpractitioner #shamanism #mystic #mysticism #dreaminterpretation #shaman #symbolism #powerful #blog #hugeblessings (at Colorado County, Texas) https://www.instagram.com/p/CpxqsKYu2BE/?igshid=NGJjMDIxMWI=
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pancake-breakfast · 5 months
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After I finished watching Centaurworld, I came up with a handful of essay questions one could apply to the show.
Posting them here for posterity. (They are spoiler-free. Feel free to answer one (or more) if you'd like.)
1. In the last episode, Elk claims he and Horse are the same. What evidence is there to support his claim? What evidence is there to refute it?
2. Do you think the final choice the Woman made at the end was the right one? Why or why not?
3. Discuss the various elements of modern culture and/or society, both good and bad, as reflected by least one of the following centaur groups: Bird-taurs, Centaurs (TM), Mole-taurs, Cat-taurs, Cold-taurs.
4. Use at least three of the characters listed below to discuss ways people try to attain comfortableness. Be sure to address the effectiveness of their technique. Characters: Ched, Comfortable Doug, Elk, Gebbrey, General, Glendale, Horse, Sunfish Merguy, Tree Shamans, Wamawink, Whale Shaman, Zulius
5. How might an adult utilize a show like Centaurworld to discuss one or more of the following topics with an audience under the age of 12? Be sure to reference specific scenes from the show. Topics: Depression, Suicide, Trauma, Loss, Self-Acceptance, Conflict Avoidance, Conflict-Seeking Behavior, Unhealthy Internalization of External Expectations, Boundaries, Recognizing and Respecting the Struggles Others Have While Still Respecting Yourself
Extra Credit: Why are you smudging up your answers with tears?
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I still have so many feelings about the trauma in Centaurworld s1.
the tree shamans couldn't bring back Wammawink's herd, because what she needed wasn't for the dead to rise, but to heal. bringing back her family would not have fixed the trauma of knowing they were dead--murdered brutally and torched. necromancy isn't therapy.
the Be Best Competition is focused on appearances and distraction. there is talent on display, but you're not rewarded for artistry or passion, only novelty--or appealing specifically to the particular taste of one person (Johnny Teatime). And you don't even get to enjoy being the winner, because tomorrow you have to compete again if you want to keep the sash. You wake up in the morning and have to choose between being a cut-throat performer who will tear down their friends and loved ones to be closer to fame, or being an audience member--a nobody, because you aren't Performing hard enough. (or you can be normal like David and considered a joke)
the beartaur is definitely a fatphobic stereotype, but also he's a fucking asshole because he see the very real pain and death caused by the war as something Fun To Look At; he's not processing his grief, he's using the grief of others as toys. like the middle class white dudes who obsess over the Vietnam war or collect N*zi "memorabilia" instead of maybe dissecting the fact that their grandfather was a cruel, evil man because he obeyed orders to torture and murder other human beings, and it fucked up his brain chemistry.
the whale shaman herself is a metaphor for suicide, addiction, any form of unhealthy coping mechanism that relies on numbing yourself to everything--not just the hurt. she thinks she's helping (like the people who offer you drugs when you're grieving to "take your mind off things"), but all she does is deprive. I'm really glad she changes, by the way. it is so important that people realize you do not have to disappear from the world. you can stay. you MUST stay.
the human woman's boyfriend turned evil so she locked him in the void and... what, expected everyone else in two entire universes to just never wonder at the Rift and maybe find another way to open it? she expected everyone to share her shame and despair, and lose the ability to hope or fight for those they loved? she let the knowledge of the very real danger fade from everyone's minds, because she personally didn't feel like she could do anything?
I'm almost definitely going to add to this after I finish s2
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laninasinamor · 1 year
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NASHURI TWINS PT. 1
The Boy
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(original 🎨 by my friend @commanderbunny, specifically made for me on my bday 💕 love you boo) (YOU CAN SHARE BUT DO NOT REPOST WITHOUT CREDIT!)
Born on the fourteenth day, otherwise known as the day of the Jaguar (Ix)…
Birth Name(s):
🌎Ix Muun (meaning “tender”, his true name)
🌍Prince N’Jata, Son of Shuri (given name by the Golden tribe of the sovereign nation of Wakanda)
☀️Kinich Ahau (Sun God), Son of K’uk’ulkan (royal name as addressed by the Kingdom of Talokan)
Aliases/Nicknames:
“First son of the first son”
“Son of Suns”
unyana wam (“my son” in Xhosa)
in paal (“my child” in Yucatec Maya)
ubhuti (“brother” in Xhosa)
suku’un (“older brother” in Yucatec Maya)
Och Kan (meaning “Vision Serpent”) - Shortly after turning five years of age, the young prince dreamed of death — that of a whale. The next day his people found strangely their whales missing, vanished without a trace. They supposed someone or something had done this. He felt panicked. He did not know what it meant until more and more his dreams came true. They came to realize his dreams were not dreams at all. The gods granted him visions, an access to the spirit world where he could travel to & from the mortal realm. Talokan’s shaman knew immediately this boy had the gift of foresight — the ability to see into the future. Except the future is never as certain as it seems, even with a power as strong as his.
Abilities:
Seer - which includes divination, clairvoyance, precognition
Flight - he grew wings on his back instead of the ankles
Superhuman strength, speed
inherited X gene from Namor - thus he breathes underwater and above the surface
Description:
Born under the sea with the Sastun (“Sun”) at its highest
“Heir to the throne of Talokan” - The prince feels pressure from his father to learn the trades and one day rule the kingdom and take care of his people. K’uk’ulkan requires the prince to keep the “sun” to his people, he is named after the sun god after all. However he’s inclined to go with his sister to the surface world, save people, soar high in the skies, much like an eagle.
He admits he did not take interest in becoming a great warrior. The prince prefers to stay in Talokan where he’s comfortable and enjoys time alone. However his loneliness creeps up time to time and he’s entangled in his sister’s schemes and her wishes to sneak out to Wakanda. She would not survive without him. Nor he her.
The prince works with Talokanil priests and shaman where he focuses on being a healer, working with medicine and taking care of crops.
He CAN hunt and knows his way around the “forest” that is the open sea.
One of his and his sister’s favorite activities is playing Pok-a-Tok (“ballgame”), some would say they have mastered this sport but the twins are never satisfied knowing there’s always room for improvement
Uses obsidian blades for bloodletting practices, Talokan knows royal blood is of value and has to be given willingly for the gods to grant him visions when he most needs them. Polished obsidian mirrors may also be used in this process
Very introverted yet wishes to stand out more, to achieve a level of assertion only his sister demonstrates.
The prince is very secretive about his visions, he feels he cannot trust anyone with certain information.
Traits:
Soft-spoken, spiritual, mysterious, clever, sophisticated, strategic, sensitive, intuitive, natural born leader, can seem manipulative
Something still haunts the boy, a vision he saw soon after turning 16. The Talokanil had legends of the old world before they departed towards the sea. It spoke of an eclipse where the moon covered the sun, as if day were night. An omen of destruction, of death that could not go unseen. Even so, the boy told no one. Not his father, the god-king. Not even his sister, the warrior. Especially not her. His visions continued and the more he saw the more he feared. She would be the end of Talokan, the end of an era. But his visions weren’t always right. So is she Chac Chel, destroyer of worlds? Or could she be Talokan’s only hope in salvation?
(Thanks to my Nashuri fam! Love you guys <3 feel free to tell me what yall think 💭)
Click here to read the short story on ao3
Part 2
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nobrashfestivity · 10 months
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Inuit carving of a tupilaq (spirit), from Argnagssalik, East Greenland, 1931–32. National Museum of Denmark.
In Greenlandic Inuit religion, a tupilaq (tupilak, tupilait, or ᑐᐱᓚᒃ in Inuktitut syllabics) was an avenging monster fabricated by a practitioner of witchcraft or shamanism by using various objects such as animal parts (bone, skin, hair, sinew, etc.) and even parts taken from the corpses of children. The creature was given life by ritualistic chants. It was then placed into the sea to seek and destroy a specific enemy.
The use of a tupilaq was considered risky, as if it was sent to destroy someone who had greater magical powers than the one who had formed it, it could be sent back to kill its maker instead, although the maker of the tupilaq could escape by public confession of their deed.
Because tupilaq were made in secret, in isolated places and from perishable materials, none have been preserved. Early European visitors to Greenland, fascinated by the native legend, were eager to see what tupilaq looked like, so the Inuit began to carve representations of them out of sperm whale teeth.
Today, tupilaq of many different shapes and sizes are carved from various materials such as narwhal and walrus tusk, wood and reindeer antler. They are an important part of Greenlandic Inuit art, and are highly prized as collectibles.
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