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bidokja · 1 year

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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then

SIGHS...

Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.

I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:

There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.

Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.

I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.

No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."

Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).

So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?

This is an extremely significant turning point dressed up as a dress-up scene.

---

P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.

#orv #orv analysis #orv meta #orv spoilers #mine #ask #there's also the meta that he is described with these (stereotypically) pretty features as they are about to try and 'sell' him to a crowd #which feels to me like a very pointed way to convey how 'beauty' is commodified. how audiences like 'attractive' characters more #note: made some edits to add in a couple of sentences my brain forgot in the moment so make sure u reblogged those if u do #tag edits for further commentary that isnt strictly relevant to the point i was making:#do i think that this face censorship was executed as well as it could have been? nah.#not that it was like. done Badly. it's followed through to a certain point. its established enough for me to make this post at least.#but i do think it is the one thing in the web novel that SS didn't capitalize on.#like. they still stuck the landing but it was not as picture perfect of an execution as the rest of the metaphorical stuff in orv #also. this (not the face censorship specifically but the 'hes just some guy' point of it all) is one of the big reasons i think that-#-visual adaptions of orv can never quite work. they can do the best that they can with that medium but a lot of nuance is lost-#-simply by virtue of it being a visual medium #i personally think the only way a visual medium could work would be one where they commit to the power move of not showing kdj's face #(until a certain point (of view) that is)#his face is always facing away or out of frame or hidden by someone or something else in the way #commit to the fucking allegory or simply perish

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sapphorror · 5 months

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my top controversial Zim headcanon is that Zim actually performs absurdly well at skool because

1. he's a perfectionist with a compulsive reaction to ANY system of scoring

2. I 100% believe test scores are this guy's forte because he had to become an Invader SOMEHOW and he sure as hell wasn't passing based on the practical

3. He has hyper-advanced alien AI to do his homework for him. like come on.

meanwhile Dib is really only scraping by on raw intelligence and the inherent educational advantage of having a mad scientist father. He doesn't have TIME to study, there's an evil alien he has to stalk and besides, you know what's better than a high school diploma? The Nobel Peace Prize for proving the existence of extraterrestrial life.

#invader zim #zim #dib #zadp #iz posting #natterings #not actually my top controversial headcanon but i believe in working your way up to the cancelable stuff #anyway dib may or may not get more serious with it as he gets older #but at twelve years old i do not believe for a minute this kid gives a fuck about grades handed to him by stupid people #hes probably doing pretty okay at math and any sciences but i dont even want to IMAGINE how he performs on say #literature #he doesnt have time to read a whole BOOK hes trying to save the world here #though naturally if anyone pointed out to him that hey isnt it fucked up the literal alien is doing better in human subjects than you #we'd see a turn around REAL fast #that or hed just spend all his time trying to prove that zims been cheating which #yeah not likely to get him very far

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averlym · 1 year

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i have been thinking about this lyric all day

#love how dlyh can be interpreted so many ways! see also: HE doesn't wanna bang you #thinking also about how i keep drawing araleyn with the dynamic of unstoppable force (anne) meets immovable object (catherine)#a unprompted araleyn post? wow asdfghjkl they. them. royal historical au with homoerotic undertones in which the mistress works the other #way around is all i'm saying. wlw supremacy.#the fine line between seeing these as proper historical figures versus characters. i'm calling it an au and calling it a day #considering the other AUs out there. i'll deal #this is fine! :>#i apologise for the poor visibility it is 2am i am making poor lighting choices. cathy parr hours fr #anyways. goodnight #six the musical #six the musical fanart #catherine of aragon #anne boleyn #aralyn #araleyn #i like the shading best in the third panel. but also the fourth panel is cool bc dark and shadowy and quiet yknow?? only issue is they don't #match with each other which breaks the flow >:/#*goes insane* hahaha. anyways does this count as pg13 for some reason it feels like the most spicy thing on the blog idk adsfghgjjl /////#i've drawn aralyn side profile in this exact up down configuration twice and if i had a nickel i'd have two nickels which isnt much but it-#not to be on the straight side of bi on main (not quite main. sideblog?) but i feel like i might be projecting emotional repression onto ara #mutual crushing rn and. i'm adamant about not wanting a rship but like this guy straight up says 'i'm okay with you leading me on' ??????#the dubious morality of it all help lmao. i'm planning to just wait it out *thumbs-up emoji*#anyway that's enough anonymous on-the-internet tea about the irl side of life! enjoy the blorbos

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moeblob · 1 month

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Unfortunately he's from a game from 2021 and so I closed my ask box to avoid spoilers because I am not far and I don't want to be spoiled on anything. Also I'm apologizing since I went a little bit too over-achiever mode on art of him and won't finish it tonight.

But you can see my new funky blonde guy obsession tomorrow.

#moe talks a lot #i am so sorry to the three people i have been telling about him all evening on discord #thats half the reason i wont finish tonight lmao #i spent too long talking about him and how hes a side character that i just super love which isnt shocking #the canvas im working on is literally saved as ...#unfortunately i love him shocking no one #i also showed what he looks like in game to someone and she told me yup thats definitely a salmon approved guy #im being very normal about his expression sheet concept art by which i mean im obsessing over his fangies #time to go get dinner that i keep not getting bc i was trying to finish the art before eating n then didnt

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anglerflsh · 2 years

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Post-everything Whenever Wiks curse acts up is just going to remind everyone The Possession Incident

in hindsight they're lucky Wik wasn't in the human realm for that episode. Wouldn't have been pretty

#I'd work on this au again if only the episode had given us any new information about how the isles are doing... hell and hatred for that #while all that was happening he was probably running around as a monster. or playing with the collector which isnt much better #wik hunter au #toh #asks #anonymous #toh spoilers

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chuckyray · 3 months

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everyone wants my jelix thoughts until i say jack rubs coke on his gums before forcing nearly unconscious drunk felix to make out with him.

#or that mr kranken likes it when mr walten slaps him with his wedding ring hand and busts his lip open.#or that linda has asked felix way too many times how jack's hair ended up on her pillow while she was out of town #or that jack tried to fuck felix in the bathroom on his wedding night. which one? both of theirs.#or that jack has strung felix along for all 20 years of their friendship. how they were so happy in college and the week before graduation #he told felix it was all just for fun and meant nothing to him and now he has to start his life and how he was getting married.#and yet he never lets felix stray too far. hes still his. and felix allows it because hes selfish and despite loving rosemary and the kids #hed never give up whatever he has with jack on the side. and he tells himself it isnt hurting them despite how jack never leaves work #and spends hours in his office on the phone with felix at night instead of seeing his kids.#i could go on and on but yeah #twf #jelix #jf

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northern-passage · 8 months

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this was one of the first snippets i posted back on patreon in 2021, with Lea and Merry. i've edited it a bit (a lot) before reposting it since it was a few years old, and it was fun to see how much more confident i am now with writing intimate scenes than i was back then.

i imagine this would take place sometime while the gang is in Highfell, maybe the first few nights or right before they're setting out to leave again. enjoy~

Lea glances back as Merry quietly steps out onto the balcony, a sudden wave of heat washing over them from inside before the door closes and the cold night air chases it back out. They shiver a bit, eyeing the bottle in Merry's hand as she walks over to where they sit balanced on the railing, their back towards the inn, their feet dangling over the long drop down to the beach below. They take a deep inhale from their pipe, tasting it for a long moment before exhaling slowly.

Merry leans against the railing beside them, her arms crossed over the cold, damp wood, clutching the bottle still in her hand, tapping it lightly with her nails.

"You going to stay out here all night?" Merry asks, peering up at Lea, who just shrugs. "You're wasting that expensive bed in there," Merry scoffs, turning out towards the water and taking a quick drink before setting the bottle aside precariously atop the railing.

"I can't sleep," Lea says simply, staring out at the dark water, fidgeting with their pipe in their hand.

"There are plenty of other things you can do in a bed like that than just sleep," Merry smirks.

Lea huffs, rolling their eyes as they raise their pipe to their lips again.

The waves roll gently out across the beach, the black water shimmering as the full moon reflects its light across the choppy surface, with a soft green glow on the distant horizon from the northern lights. Merry and Lea sit in comfortable silence for a few minutes, and Lea finds themself glancing sideways, staring at the woman beside them, the soft light of the inn filtering through the balcony windows and igniting her auburn hair in a dreamy glow, clashing with the dark shadows and white, pale light coming off the water.

"What?" Merry says, giving Lea a coy look out of the corner of her eye.

Lea scowls, shaking their head and turning away, lifting their pipe only for Merry to pluck it from their hand, tilting her head and leaning in close as she takes a deep breath, holding the pipe between her lips. Lea doesn't move away, even as Merry exhales, the smoke curling in the small space between them.

"Smoking is bad for you, you know," she says.

"So is drinking," Lea shoots back, and Merry just smiles, holding the pipe in her mouth, her lips curling around the mouthpiece as her teeth flash white in the dark.

Merry slides closer along the railing, her eye roaming over Lea's face, flicking to their lips, and she can’t suppress the thrill she feels when Lea doesn't move away, a sudden nervous energy pulsing in the air. Slowly, Lea reaches out, gently taking the pipe from Merry's mouth, and she lets them, holding their dark eyes in her gaze as they do it, her lips parting just enough for the mouthpiece to slide free. Lea is the one that looks away first, a slight blush creeping over their face, glancing down and fumbling with the pipe in their lap.

Merry is feeling bold, either from the alcohol or the tobacco or both, and she closes the remaining space between them, her hand gently brushing over Lea's thigh - but they go rigid at the contact, grabbing her by the wrist and pulling her hand away.

Merry quickly steps back, recoiling, and Lea releases her, their eyes widening.

"What are you doing?" Lea asks, their words coming out too fast, clumsily swinging their legs back over the railing and dropping down onto the balcony. They clutch their pipe to their chest, blinking slowly at the captain, their eyes still wide and wary.

"Sorry, I clearly misread the… situation," Merry says, raising her hands, giving Lea an apologetic look. "I thought you were interested."

Lea hesitates, glancing out at the water, before forcing themself to look back at Merry.

"I - I am," they say quickly, grimacing before dropping their hands and setting their pipe down beside Merry's bottle on the railing. They struggle for a moment, scowling at the pipe and wringing their hands, anxiously twisting a thumb ring that Merry has never noticed before.

"I'm sorry. I just… are you sure?" they finally say, and they can't look at her, their face burning, wishing the floor would just swallow them up. Lea just finds it hard to believe that a woman like the captain would be interested in them - after everything. Of course, there's been flirting and teasing between them, but Merry seems to be like that with just about everyone. And even Lea wasn't sure sometimes if they really meant it - but right now, just the two of them, it feels more real. More tangible.

"I'm sure, Lea."

Merry tilts her head at them, studying their face for a moment. Lea is handsome, and their features look even more severe than usual in the unforgiving moonlight, their eyes flashing as they return her stare. Lea takes a step forward then, but stops short, opening their hands, palms-up - waiting for her.

Merry approaches them as if they were a skittish animal - she doesn't want to spook them again. But Lea gives her a little nod, and soon enough they're so close that she can smell nothing but that tobacco on their breath.

Merry takes their hands, guides them to her waist.

"I'm sure," she says again. "I like you, Lea Chen," she whispers, and Lea bows their head, their jaw set. Merry raises a hand and gently presses her palm to Lea's cheek, and they let out a long sigh, melting into the touch, closing their eyes for a moment before turning their head - just enough to brush their lips against Merry's inner wrist, feel her warmth and taste her pulse.

The gesture seems to ignite them both simultaneously, Merry's other hand tangling in their thick hair, cradling the back of their neck and urging them forward while Lea roughly grabs at her hips pulls her close. Their bodies lock together as their lips meet, teeth clicking against each other and lips splitting painfully in their haste.

It's a messy first kiss, both of them hungry for it, enthusiastic, clumsy, and a little bloody - metallic with the sweet spice of tobacco and alcohol making Lea's head spin as they taste Merry's tongue in their mouth. Merry rolls her hips against their thigh, pulling at their hair and sucking on their bottom lip, ignoring the ache in her teeth as they kiss and kiss and kiss.

Eventually they have to break apart, both of them breathing hard, Merry still gripping a handful of Lea's hair, their bun hanging loose with long strands falling across their face and tickling Merry's lips as they pant together over the sound of the waves.

"The bed," Lea says, breathless, and Merry nods, pulling them back towards the door, and they reach around her for the doorknob, throwing it open hard enough that it slams into the wall and makes both of them wince. But Merry just laughs.

"Sorry," Lea says sheepishly, ducking their head as they gently push it close. It's scorching in the room, from the woodstove, or just from the two of them together, hot and heavy hands roaming and groping as the two kiss again, slowly backpedaling towards the bed.

Merry shrugs out of her jacket, letting it drop to the floor before reaching for Lea's belt buckle. She pulls at their shirt, untucking it from their trousers, and Lea watches as Merry pulls their belt free in one quick motion, tossing it over her shoulder with a smirk. Her hands are surprisingly cold now, slipping beneath their shirt, Lea grunting from the touch as she trails her fingers across their stomach.

"Okay?" Merry prompts, looking up to search Lea's face, and they nod quickly, leaning forward to pepper kisses along Merry's jaw, down her neck, all while her hands explore beneath their shirt, tracing the plane of muscle over their ribs before slowly drawing her nails down their back.

Merry tilts her head back, Lea's lips brushing against her pulse, sucking gently, teeth grazing over her flushed skin, their hands reaching around to slide down the curve of her ass, squeezing roughly until she gasps. Merry pushes their shirt up then, fumbling a bit as she tries to unbutton Lea's trousers, and they laugh, the sound reverberating through Merry's chest before they relent, pulling back so Merry can actually see what she's doing. The buttons are no match for her now, and she gives Lea a coy look through her lashes.

"Take off your shirt," Merry says, her fingers curling around the front of Lea's trousers, partly pulling them open, admiring the glimpse of their lower stomach as they raise their arms to tug at their shirt. They jerk it off over their head, tossing it aside with their belt, and Merry drinks in the sight of them, rolling her bottom lip between her teeth as she looks over their exposed torso, their chest and their scars, and all the beauty marks adorning their skin. She releases their trousers to run her hands over their chest, their shoulders, squeezing the swell of muscle in their arms before pulling them back in for more kisses, open-mouthed and still hungry. Lea makes a sound in the back of their throat that sends a spike of want lancing hot up Merry's spine, and she grinds herself against them, her hands tightening around their arms hard enough to bruise. She breaks their kiss then to desperately press her lips to the hollow of their throat, breathing them in and dragging her tongue across their collarbone before blowing cool air over their pulse and making them shiver.

Lea pushes Merry farther into the room, tangled together and nearly tripping over each other until the back of Merry's knees hit the bed.

She drops down, pulling Lea down with her, though they catch themself, a hand on either side of her, palms pressed to the bedspread. They lower themself slowly, sliding their thigh between her legs and flexing it a few times and dragging it up along the length of her until she’s squirming, her fingernails leaving little half-crescents indented in their shoulders.

Lea pushes her shirt up, exposing her stomach, caressing her with a gentle hand before sliding low to kiss her just above her navel. They follow the scattered trail of freckles, their tongue snaking out and leaving its own glistening trail as they slowly make their way down to the waistband of her trousers. Their hands follow close behind, teasing her breasts before sliding down her stomach to her thighs, pushing them apart and opening her legs wide as they take their place on their knees. They pause for a moment, kicking their own shoes off before pulling at Merry's, followed by her trousers, with Merry laughing and wiggling on the bed all the while.

The laughing stops, though, when Lea presses their mouth against her, her breath catching in her throat as they kiss slowly at her inner thighs, sucking on the soft skin and carefully testing her with their teeth. Merry reaches down, fingers twisting through Lea's hair, her body arching back against the bed as Lea drags their tongue over her cock, hot and wet and attentive.

But they stop, pulling back to kiss her some more, on her stomach, her hips, biting at her thighs, all while her hand tightens around their hair until she can't take it anymore. Her thighs clench around Lea's head, breathless and giddy, her long hair starting to stick to the sudden sweat along the back of her neck.

"Lea," she whines, and then she inhales sharply as they finally wrap a hand around her base and press a wet kiss to the tip of her cock, staring up at her as they do, their other hand gripping one of her thighs. They open their mouth, taking a little at a time, bobbing their head as Merry gasps and pulls at their hair. Lea eventually grabs her hips, pressing her back into the bed when she starts to buck reflexively, their movements slow and agonizing as they keep stopping and starting again, kissing her stomach and thighs, reaching up and teasing her nipples through her shirt.

When they wrap their lips around her again, they let her hit the back of their throat, Merry loudly moaning their name, both hands tangled desperately in their hair now as they move up and down a few times and then slowly draw back, their tongue flexing deliciously against her before they let her fall from their mouth with a gasp. Strands of spit and fluid drip from their open mouth, and Merry tugs impatiently at their hair, sitting up then to meet them with a kiss.

Lea holds her face in their hands, their thumb stroking her cheekbone, tentatively touching the fabric of her bandana, still wrapped around her head and hiding her eye from them.

Merry pulls back, Lea's hands still cradling her face, and she reaches up, touching their wrist before taking their hand in her own, guiding their fingers to slide beneath the cloth, giving them a nod when they hesitate, their brow furrowed with concern.

"Take it off," Merry says, though her voice is soft, not a command like earlier - but a request. She nods at Lea again, sliding her hand down their arm and giving it a squeeze. The first time with someone, Merry usually keeps the bandana on - she's protective of it. It's not like it's some big secret - anyone can see the scars beneath the bandana, the way she hides behind it. Maybe they can even tell that she's hiding more than just her damaged eye. But she wants Lea to see. She doesn't know why, but she wants them to see her tonight.

Lea carefully lifts the bandana off, untangling some of Merry's hair twisted through it, setting it atop the blankets. Merry casts her gaze sideways, avoiding Lea as they take in her fully exposed face, her drooping eyelid and her milky white eye. They don't say anything, instead just reaching up again and tracing the scars there, the ghost of a touch along her cheek.

Merry closes her eyes, bowing her head for a moment. When she opens them again, she can't quite meet Lea's stare, so she looks down at their chest, at their own scars, and she mirrors their touch, her thumb caressing the raised skin that runs horizontal just beneath the muscle. Lea takes her in their arms then, pulling her close, humming softly as she touches them there.

"Merry," they breathe, their lips against her neck, and for a moment she just lets them hold her, kissing her throat and cradling her face while she strokes their chest.

Eventually, she slowly pulls back, slipping out of their arms and pressing her hands to their chest, pushing them back onto the mattress, her long hair falling over her shoulders and tickling their face. Sitting between their legs, she touches them with her hands first, caressing their face, the curve of their neck, then feeling the strong muscle of their shoulders, down to the swell of their chest and those long scars. The muscle over their ribs, the soft skin of their stomach, their hips, squeezing their thighs. She stands from the bed and takes off their trousers, dropping back down and starting again, her hands first, slow and deliberate, and then she follows with her mouth, kissing their jaw, the hollow of their throat, trailing along their collarbone before sucking on their chest, massaging and kissing along their scars, drawing a low moan from them before taking one of their nipples in her mouth and teasing them with her teeth. She sucks gently while Lea strokes her hair, pushing it back out of her face, gathering it in one hand and pulling it over her shoulder while their breath quickens with pleasure.

Merry kisses their scars a few more times before sitting back up, licking her lips and running her hands down their stomach and over their thighs again. She slowly draws her hand between their legs, and Lea's hips twitch, longing for her touch, pressing themself against her while they watch her through half-lidded eyes. She pulls back, getting an indignant huff from Lea, licking her fingers before she reaches down to touch them again. She drags her thumb over their growth, moving her hand in a slow circle, Lea's head rolling back against the pillows as she does.

"Fuck," they grunt, gritting their teeth and grabbing at the blankets. Merry stares down at them, pressing a palm to their lower stomach as she strokes their opening, playing with their growth until she's satisfied by their panting and moaning. Lea tries to stay quiet - it embarrasses them, it makes them feel too vulnerable, even more than someone touching them like this - but she doesn't let them. Lea bites their lip, swallowing loudly, sweating and twisting in the sheets until they can't resist it anymore. Her hand works faster and harder, until they finally moan her name, and then she slips a few fingers inside.

Merry pays attention to the spots that make them moan even louder, their body trembling from her touch, her fingers curling slowly inside with delightfully obscene sounds as she thrusts her hand faster and faster, hot and wet. By the time Merry moves her hand away and eases herself inside of them, they're both begging for it, Lea's legs shaking as they lift their hips to accommodate her.

They finish quickly together like that. Skin on skin, grunting together as Lea hooks their legs around her and touches her stomach, lifting her shirt up to grab at her breasts, holding her tight until she has to pull out to come on their stomach. It takes her a moment to recover, Lea pushing her hair back out of her face again, and then she returns her attention to them, working her hand against their growth just like before until they finally come undone completely beneath her. She strokes them gently a few more times before she untangles herself from their legs, standing from the bed and fetching a towel from the washbasin in the corner. She cleans them up, and then collapses on top of them, both of them hot and sweaty and clinging to each other. Lea takes a deep breath, wrapping their arms around her and holding her tightly against their chest.

"Hmm," Merry presses her lips to their flushed skin, giving them a few lazy kisses before tucking her head beneath their chin. "I told you I liked you, Lea Chen."

Lea smiles softly, reaching up to pet her hair, kissing the top of her head and feeling a sudden rush of affection that nearly makes their breath catch in their throat. They gently comb their fingers through her hair, neither of them quite knowing what else to say - until Merry is eventually lulled to sleep by Lea's gentle hands.

They take the chance to study the scars on her face, the slow rise and fall of her breathing, the way her body curls around them with her hands grasping at the blankets, grasping for them, even in her sleep. They notice a few grey hairs this close, and then they start to count her freckles when sleep alludes them.

Eventually they relax, leaning back into the pillows and staring up at the ceiling. They keep brushing their fingers through Merry's hair as they wonder how long it will be until they regret this. Only a few more days left here - only a few more days with her. It will be a clean break, at least.

They glance down at her again, clenching their jaw before turning their head to stare out the windows to the balcony, watching the distant northern lights dance across the water. At least right now, in this moment, they have this. Merry's steady heartbeat pressed against their own, the calming sound of the ocean outside, the heat of the woodstove making their eyes grow heavy - they feel warm and content as they finally pass into sleep, even when Merry slips out of their arms, and out the door.

#also i just realized highfell isnt on the water but theyre sitting by the ocean. oopsie #anyways. this was like the first sex scene i ever wrote LOL #it was very funny rereading it. i also avoided all 'bad' words back then #which i still tend to avoid using too many of them bc i do find them to be silly and a lot of them are like. ough #but you have to call it SOMETHING. you know #i honestly go back and forth about liking how i write these bc they do feel very.... hmm visceral isnt quite the right word #but i know they're not Fluffy or anything i tend to get straight to business lmfao #and then i'll read someone else's work who writes like the softest most beautiful sex scene ever. and im like :/ why does mine #read like a horror movie. LOL #snippets #lea chen #merry harlowe #nsft

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rearranging-deck-chairs · 5 months

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yazs faith in my fic mostly amounts to no alcohol and vegetarian jelly babies and vague religious anxiety on occasion, partially bc i dont know a lot about islam so i dont really have a lot to work with and partially because the show doesnt really give us a whole lot to work with either

but i do kinda like how, especially in this current fic where i give her a sort of explicit eating disorder past, that like, the main ways that god ends up playing a role in her daily life this way is through what she puts in her mouth or not

if the doctor is restrictive, emotionally psychologically nutritionally, and the master is excessive, yaz sort of hovers in the middle, pulled at from both sides

seduced by restriction vs seduced by excess. swallowing your anger vs spitting it out. desire and consumption and the way the human and the holy meet in the fallible body. you can become the doctor by acting like the doctor. you can make yourself holy by Doing The Right Actions

#i dont know.........which religions that fits and if theres overlap #the doctor isnt..............................a god. but. idk. vaguely divine sometimes #what if i want to eat her. what if she explodes. what if i explode with the desire to eat her. what if i eat her and she explodes inside me #its probably insensitive to...........literally everyone #muslims. bulimics. bulimic muslims #lesbians #but im not here to write that story im here to write my yazs story #i would have liked if they had given me more to work with though #like those rules or whatever they have for muslim astronauts #wouldnt it have been fun to see that #i wouldve loved for yaz to like try to keep track of the time of day and also in what general direction earth is #wouldve loved to know how she feels abt it all #if only to mirror with the master so we could extrapolate stuff abt him too #i suppose theres stuff abt him. those halos in timeless children right?#but also bc now i mostly just have my own feelings to work with #and my own feelings abt god are a little bit atypical i think perhaps who knows #are anybodys feelings abt god typical #are there typical god feelings? probably not #as many gods as there are bodies i think #which means a little bit of god dies with every body #whatever. my own feelings are christian probably which i dont think does yaz justice

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istherewifiinhell · 3 months

Text

IS FLYING GENDERED?

On the masculine default, typifying gender in genre, and women as the other in the transformers cartoons.

question for the ages

once again i said back in the halcyon days of watching g1 (aka 5 months ago) i was like. Nooooo, decepticon is NOT a gender that's Silly. It's funny, but as a Read Of The Text, I thought it largely unneeded. (The concept came about, as a joke, involving dismissing the bad guys using the same language you would abt women (sexistly) that they're emotional [heh, flighty], vain, and shrill) after all. If in the 80s era there are 5 whole named/speaking woman tfs, its only ever gonna get better from here right? (<- booboo the fool)

anyway

Let's consider the axiom that the assumed default gender is male, that maleness is often seen as LACK of gender, and femaleness and gender variance are the PRESENCE of gender. In certain reasoning and worldviews, of course (See Androcentrism). Then add that, for transformers, the assumed default thing a transformer turns into, is car. (Autocentrism, if you will)

(The most general term for what a tf turns into is "Alt mode" as some of them are not vehicles at all. The other mode is "Robot Mode", whether its humanoid or not)

So I will be laying out why I believe the cartoon iterations support: non standard alt modes = non standard genders. This is in spite of the fact that FIRST lady tfs were all cars. Sleek cyber cars, but still. For whatever reason, (possibly, the reason for everything in tf, toys) they might as well not exist for how woman tf characters presence in the cartoons progressed over time.

And, to be clear, this is a reading of how these works of fiction are created, not a new unified bioessentialism but for robots aliens I'm proposing for like. In universe lore reasons. I hate that idea.

That said, alt modes in order of most to least gender: Spider, motorcycle, flying (in general, with rotors, jets), tank, and then FINALLY, car. (water and space crafts are already too marginal to rank, but they too can be assumed in relation to default maleness, AND that in making one a woman, would still qualify as othering her).

The NUMBER one reason for this is the bizarre need to have an ESTABLISHED woman tf character before making new ones. AS YOU MIGHT IMAGINE. With a g1 gender ratio something like.... (counting even the most marginal cases for the ladies) 9:120? (That's a rough count from a quick scanning of the tf wiki g1 char list) Shits dire out here.

The second is, ofc, character design based. cis people [stand in phrase for the hegemonic world view] are not okay, and their opinions about how tf gender must need be depicted visually is. uh? Im not a fan. Size and shape dimorphism in general is a given, and specifically having women tfs as far more humanoid and curvy in specific. Also general cartoon lady face syndrome but, whatever. I think there's exactly one character here who doesn't have "lips" or "lipstick" as a distinguishing factor. I'm so tired.

Third is generally, the idea of The Girl Of the Team. When there's The Girl, she often isn't JUST a normal character, who happens to be a girl. See, of course, the Smurtfette Principle. But in my view there's also a trend to give The Girl "special traits" on top of "Girl", maybe even to directly combat the idea that the Girl Character has no other traits? To stop this from being a General Primer on Woman in Media, my explanatory focus is things specific to the tf franchise.

(A phrase I use for thinking about normative modes [in general, not just the Alt ones] in within the tf universe is "unique transformerdom" or, even more clunkily, "A transformer of unique transformerdom". The excessive verbosity is amusing to me personally. All I mean by it is to have an umbrella term for any of the ways tfs can be made unique from their peers in the non allegorical realities of the fiction).

I could, and do, and greatly want to, speak about this AT LENGTH. But it keeps spiraling away from me. So I'll say for now were looking at ways a character is being depicted different from her peers, not because she is the only woman (which she likely is), but cause she's a different kind of transformer, AND if she's othered for it.

(IN SOME forms of the lore. Being a transformer woman, IS A UNIQUE KIND of transformer unto itself. Let's just say I hate it and move on)

Fourth, is the gender of villainy. There is much to be said about gender presentation of villains, the ways they are allowed to be aberrant. We will get to it. There is also all the tropes specific TO evil women, and the modes of villainy open TO female characters. But a general thing I think impacting the gender ratios of the factions is the how "Good" and "Evil" female characters are written. I'll generalize and call this the "Damsel vs Temptress" dichotomy. (See concepts like the Madonna-whore complex). Transformers, is by and large, an action franchise. Unless special reasons are made, characters who can impact the action– have more screen time, and likely more memorable, and iconic presences. A villainous woman can be unchaste, violent, aggressive. While a heroic woman, even if not a literal damsel are more likely to be in a support role. The secretaries of the action genre: medics and techs.

(Another factor is that tfs are giant robots, and the good guys are often friends with tiny squishy little humans. These make very good damsel fodder, and can be taking up the spots on the roster that might, in a different franchise, go to women. Additionally, while woman characters in transformers overall is an interesting topic. When I say tf women, I'm referring to ones that are in fictionally, transformers.)

SO, now understanding our points of attack/obstacles for getting woman into transformers. (Getting established, gendering the designed, uniqueness of existence, and general villainy). Lets go over those alt modes, and the characters that have em, in more detail.

Spiders

The "Beast Era" (1996) intro-ed the spider ofc. And what don't we have with this one. She's a villain, but shes also misunderstood, the era and design style let to these more organic shapes. And they used them to make sure she was very sexy. She's genre aware, she's quippy, she's an absolute icon. So naturally. She gets ported to other later shows. Which means we just have sexy spider ladies running around when everyone else is a fucking truck and shit.

Her own origin is, well think of her as a "Bride of Frankenstein" to the resident evil scientist, also a spider. She was designed for, and manipulated by him in multiple ways. Her protoform (A blank robot base), was supposed to be one of the good guys (a Maximal), but was reprogrammed into a bad guy (Predacon). Even then, she eventually joins them, for her own reasons. She's not even the first predacon to do so, the difference? Well the characters are a lot more NORMAL about his autonomy. Both of these characters stress that being a predacon is an identity they still see as important. But only the woman is told that really, she is was was always MEANT to be a maximal. And while that's true in a sense. There's also a plot were she's forced (by plot contrivance, not the other maximals) to get corrective robot surgery for it. And when they think she died from, everyone's more sad for her boyfriend than for her. Ouch.

The second spider, in the 2007 show, is now one in a world where she is the only "techno-organic" transformer, hence, she is spider, everyone else is a vehicle. Similar to the first, her narrative is very gendered, but less in the way were, like, I do literally think the first was was experiencing in universe sexism from other characters. Here, they really focus on the "techno vs organic" narrative, and the tragic circumstances on how that happened. In this case its just real world sexist writing.

THIRD SPIDER, (2010), instead of misunderstood and tragic evil, this ones just super mega likes to cause pain evil. She also occupies a strange place between the typic vehicular tfs, and the insecticons. This is because she has a helicopter alt mode, and her robot mode is just, a lady with spider characteristics. And, more than just a passing bug like similarity, she has the power to control the insecticons (you know, cause evil woman mind control). However, she doesn't fit in with them either, as the insecticons are at the most insect like they've ever been, in look, living in hives and that most don't even speak.

They may vary in exact character, relationship to the story's moral conflict, and design. But they stay comfortably established, dimorphised, flirty and flirting with villainy. And bonus points, always, for black widow spider trope.

SO. SPIDERS. Established: ✅️ Gendered designs: ✅️ (Extremely!) Unique: ✅️ Othered: ✅️ Villainy: ✅️

Motorcycles

Tooooo my knowledge the first bike lady was in 2004, and fairly minor, in the actual plot, but rest assured, they did go the previously established woman route, by being pink, though, which one shes named after varies by language. But neither were previously motorcycles. (And yes, there is also this problem of mixing together or swapping out one woman tf for another. As if we have the ladies to spare). Even though motorcycle men also exist, this one just stuck for a bit. Maybe something to do with Those Movies. I think the Gendered Existence of a motorcycle is pretty evident though, general sex appeal, being smaller, the mode of riding a motorcycle is different, more physical and intimate. Mainly this ranks so high for the level of grossness they can pack in. Just how objectifying it can be, particularly with two instances where the human rider is an annoying teen boy. Naturally, I've also never seen a male and female motorcycle in the same room, but the approach to design tends to be different. And yeah most of em are Arcee, who's first alt mode was cyber car, but it's not just her.

Established: ✅️ Gendered designs: ✅️ Unique: ✅️ Othered: Depends on iteration, I do NOT like the way one gets called "tough, for a two wheeler". Villainy: ❌(they wouldn't need to be motorcycles if they weren't making them the Special Girl Autobot, after all)

Flying

General: It just tends to stick out when your one girl is only flyer in the group, even she's otherwise tactfully done. Only flyer of the Maximals, a falcon, only flyer of the dinobots, a Pteranodon.

Rotors

I can barely even figure this one. Maybe it's just a general, aesthetics and use case of the actually vehicles, the associations? None of these ladies (and special case) are very connected otherwise. As previously mentioned, the spider helicopter. ¯\_(ツ)_/¯

A big one for this is the preschool demo shows, which are rescue team focused. In the first one the only woman on the human response worker team pairs with the helicopter, they mention she does medical at times. The helicopter is male, like the other tfs. But also he's afraid of flying, and while not the first case of a flyer with a fear of heights, their personalities are, pretty different. As he's both fearful AND effeminate, fine as character traits go but, with the tone of humour used, marks him as Other.

In the second, Whirl (pointing to icon) becomes a girl for the first time, now with standard humanized face. I assume as move to keep with the previous show of having a girl one, as there's no human team mates. She's also the only one who really likes rescue school. Aaaand that's all know of her. What more do you want from me.

Helicopters: Unique: ✅️ Othered: ✅️ (milder than some)

But why'd I call this section rotors instead of helicopters? That would be because one of the latest Sole Female TF we just put in everything™ is a VTOL jet with rotors. She'll tend to be the only jet of her type, which is also smaller than the type of jet used for the villains.

And, of course, aside from alt mode, the thing that makes her stand out most in the cartoons? That she's very clearly a comics character. (I find the emphasize that she's "fan created" over done, as it only controlled minor aspects, and irrelevant cause tfs get completely overhauled in new versions all the time). From her design, which is a bit busier than most characters she stars with. And also uses Japanese aesthetic signifiers in ways that I think are a bit misappropriated and untactful. (VERY USamerican comics). Also, when she stars next to a guy, also from comics employing Japanese aesthetic, you can tell its not deployed in the same manner. (E.I she has hair and makeup, he has armor). Either way, her depictions have her either as badass sword lady on mission from god who's constantly getting hit on by an annoying guy. Or have her be from a different planet and has special telepathy.

Do we see how both her gender AND the cultural signifiers are having affects here? That the main woman tf in a series can be a literal alien even among our alien robots, with cultural signifiers they don't have?

Ratings Established: ✅️ (made the comics to cartoon jump) Gendered designs: ✅️ Unique: ✅️ Othered: ✅️ (SO SO EXTREMELY, using methods in fiction and real life)

Jets

I think my association of jets with tf gender is stronger, than some of the above examples, even if there's less reason to it. And why is that? Well, lets get socratic. Here's another question.

Is This All Starscream's Fault?

No. He's not real, he can't do things. But. His legacy as THE main stay transformers character that gets to subvert gender? Yeah. (Sure, the G1 autobots have their own effete, but he's not in every single cartoon they ever made now is he? Plus now that I think about it, he is a FLYING car...)

From the get, he's not a Man's man. He's shrill, he's manipulative and duplicitous, petty and emotional, cowardly and wheedling. He is, of course, the Perfect character. Now naturally, the 80s cartoon was not concerned with your paltry logics. Starscream and his ilk are the jets, but every decepticon can fly. The gun, the cassette player, the camera, the cassettes.

And each to a last, more masculine than he is. Vocally or behaviorally, physically. Every one of them fit the gender expectations more than he does. Even being a small time grunt, is a masculine trait, after all, more so than unchecked ambition. So its not femininity from flying, from jets. But direct relationship, reference, and descendancy from Starscream that makes it. I've yet to see female versions of Jet fire and or the aerialbots, for example.

So what to do when an effeminate male villain was less maltese falcon and more that man has effeminate hips? Well. We had to start getting his ass for being effeminate, explicitly. They made the female clone of him, which yeah, is an offensive joke stemming from the various The Gender Anxieties. (Transmisogyny, homophobia and sexism. General relation toxic masculinity. A heady mix of all and more).

But I mean. It's free girl tf... Once given a name in extra canon materials, she start's showing up in other things. Once you're in books, video games, comics, and most importantly, toys, you're real. And then eventually, her first non clone appearance in a cartoon, and how her presence shaped it.

That being, Cyberverse. Which is a cgi show, you need to know this for reasons of production. Making new models is expensive. This has always been the reason you just make recolours of Starscream and name them different things. Chicken or egg on this one, I don't know, But because CV has Slipstream, and the only difference between her and the generic "male" decepticon jet, is a more feminine face; Suddenly, any random decepticon goon can be a woman.

An absolutely revolutionary take for striving to populate a fictional world with gender parity. By at large it also means they're way more lady villains, and specifically flying model of villain. The show has other woman, but none who get the same androgynous body mold treatment.

Established: ✅️ Gendered designs: Mildly to NO. Unique: By design, no. Othered: Yes for the clone, and Screamer himself, I suppose. No, otherwise. Villainy: ✅️(That's, the whole idea)

Tanks

It needs to be said. Sometimes, when doing things that transgress a norm, anteing up is less subversive. This is another reason why gender variance, female agency and overt sexuality are more common traits of villains. When already defying strictures of society. What's one more.

That's Right. TANKS ARE THE BUTCH WOMAN OF TRANSFORMERS.

Alright. Let me back up. Strika is the stone cold knock out undefeated champ of lady tf designs that, actually has a reoccurring cartoon presence. She is, admittedly, only a reoccurring to minor character.

Her introduction is in another show with techno-organics, this one involved in the struggle between well, the techno and the organic. Strika as we see her, and as the design that will go on to be iterated, is not in her normal transformer body. She has been transferred into a 'vehicon' body. Without a preexisting essence contained in one, vehicons are not considered alive, in the way a transformer is. Visually, they lack the more human body plan, a standard face, feet and hand like appendages.

To further contrast Strika against the two techno-organic woman. Both of them are tall, and slender. Their softer organic shapes designed towards elegance or beauty, whatever your subjective opinion of that result might be. They both have romance subplots too. By the way. Or honestly one subplot and one main plot. Strika. In contrast. Is built like a brick shit house. Her face is. Minimal. And her goal: protecting her planet... by terminating the heroes.

Now, existing as a character that can be referenced for other media, and given the detail that she was a "Famous general", it's off to the races. She makes a wonderful big tank menace that can fill out a background shot, too.

Without her I hardly think we could have Clobber, also from CV. Who is. The true goat. The finest thing, the achievements of all we could ever hope for. A big fuck off woman, gender swapped from a previous male design with minimal faff, with now even more personality and show presence. Friends, wants, desires. Emotions. Thank God for Clobber, Thank Clobber for Clobber. Thank Randolph Heard and Mae Catt for Clobber.

Established: Depends if you want to count that Strika had so much swag they kept drawing/modeling her Gendered designs: FUCK NO Unique: ✅️ Othered: only originally Villainy: ✅️

Cars

So now you have the final piece of the puzzle. In transformers, Autobots are Cars. Yes, there are plenty of autobots that are NOT cars, and there are cars that are not Autobots. But they're exceptions, they're aberrances. They're unique. And Autobots are the norm. They oppose the Decepticons. Decepticons are Villains. And Decepticons can fly. Modal simplified binaries and false dichotomy abound!

And the thing about those original Autobot woman, the one's who largely did not influence all of this? They were cars, it's true, but not like how the men where cars. They've not been designed from transforming car toys, with a shellac of humanoid gender over top. Their designed in the way of human gender. With the car on top.

When the preexisting clause leads to the original designs to be revisited, which, has largely only happened in more recent years. They aren't car woman robots. The cars are literally not part of their bodies, they are additional. Instead of a unifying identity of a robot who is a car, its Arcee and her backpack. Parts of cars get grafted onto their petite lady bodies, and placed anywhere out of the way.

In order to make a transformer a woman, they have to give her a gender, not understanding that that's always been the case. And to give her a woman's gender, she's got to LOOK like a woman, not a transformer. And to look like a woman, she's got to act like a woman. She must be heroic but reactive instead of active, or else, villainous, conniving and or self centered. To be a woman, we must have some other previous woman to explain her presence, or else explain it anew with her unique, strange, or exotic origin. How could she ever be a woman if she simply, existed, looked average, talked average. How could she be a woman if her body is hunks of ungendered car. How can she be a woman if she's everything we expect a transformer to be.

A woman is transgressive, a woman is not normal. Autobots are normal. Autobots are heros. Autobots are men. And Autobots do not fly.

#some shit #its not called cisformers #<- IT SURE ISNT FOLKS #a note on how im using citations here u can read BEFORE getting into the post proper #I'm writing this in mind that someone might have NO idea about tf. or. god forbid.#the general perspective of media trope analysis im working from.#So the links can be considered additional or further reading with intent of 1. if a more thorough understanding of a concept might help #2. something im eliding the name of for search reasons 3. a referential example of what im saying #4. a specifc reference/bit of info that might be unclear. in which case im usually linking to a SECTION of the page #5. JOKE #ALright now normal tag talking space.#THIS IS. serious media analysis done casually for fun! in that. I mean it. genuinely. But also im here for silly fun and im not trying #to be SOOOO academically rigorous that its still not. Posting. u know?#MUCH inspired. or i suppose u might say. encouraged to completion and whole hearted commitment by (fandom) silly serious analysis and #math theroying thematics #i have NO idea if this thing will be searchable with all the links and the words i used. but i prepared for it it case it is #AND I PUT A LOT OF WORK INTO IT!!!!!!!! SO its okay if anyone reads it!#but im also braced for bad faithing inwhich case. I will not be held responsible for my actions. thank you.#i have been told to tag this #maccadam #transformers #if someone tryies to kill me for it im not taking responsibility

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