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genoc1d3r · 3 years

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my turn to cry - thoughts on 3-1b

ok this has actually gotta be my favorite chapter cause holy shit so much stuff happened.

I played the Alice/kanna route and afterwards I watched a vod with the reko/shin route in which ranmaru and naomichi died before the banquet, so BIG SPOILER WARNING FOR BOTH ROUTES

Mafia Princess Sara??: Ok so first off, back in the beginning of 2020, I had a theory that Sara was a mafia heiress and that the death game was supposed to be something to “prepare” her. And that her memories were wiped or she was initially supposed to be kept blind to this whole thing (In 3-1a when everybody saw the consent form for the very first time everybody felt a sense of deja vu, except for Sara. Because why would they need her consent when she is the sole focus of the game and it’s all for her) This theory was mainly supplied by my confusion surrounding the hiring of Kai, cause why would mr Chidouin hire a former assassin to protect her?? How did he even know Kai??? But yeah, the whole thing with Shinobu Gokujo and deciding a new don through a death game just adds a lil more validity to this theory.

Sara’s real father: I also had a mini theory that Gashu Satou was her real father, but that was mostly cause of their hair color and how it would def make Sara’s hair color make more sense genetics-wise (but kai has black hair, so its most likely that his mother had black hair, which would also disprove this mini-theory but yk im not here to prove it just talk about it). And that Gashu knew of Mr. Chidouin and gave Sara to him, and it would also explain why mr Chidouin chose Kai of all people to look after her and why Kai could only watch her from a distance, in case she realized the truth that he was her brother/half-brother or something.

GREENBLINGS CANON AAAAAAAA: I love this, I love this so much oh my god. Now I can replay and cry after 2-2 cause nankidai hates us :’). I dont have an issue with this specifically, I’m just a bit bothered by how the whole thing went. There was some buildup yea, and the cg with kanna, kugie, and shin was amazing. And that lil bit about nice hallucinations made me tear up a bit. But, then everybody kinda just moved on? and idk this whole chapter was a fuckign roller coaster I could barely keep up.

Autistic Gin <3: I’m autistic myself and I have seen many characters who are autistic-coded or exhibit many signs of autism but have never been straight up confirmed (Ex: Vera Misham from Apollo Justice: Ace Attorney). And even then, these characters usually share similar personality traits like being aloof and reserved. So it’s nice to see that Gin is representing autism in a relatively realistic manner with his hyperfixations, vocal tics, and issues with socializing. Even after nearly dying like 17 times he’s still doing well and I genuinely wish for his survival and happiness.

Ranmaru’s death: Both of Ranmaru’s deaths, (if you or if you don’t fail the electricity absorption minigame) the death feels so... off? I was really attached to him as a character, yet his death didn’t impact as much as Joe’s or Nao’s did. During his Banquet death, one second he had his really cute smiling sprite but then whoops oh no guys weird drill screw thing kills him (again). I still can barely comprehend it because it all just happened so fast. Like no cg or anything. I was honestly kinda disappointed. The “delayed” one does a better job at his death scene, but again, it was wayyy too quick and completely dismissed as everybody just moves on to defeat Maple 2.0. I at least would’ve appreciated a better transition than Midori just saying “well anyways–”

Ranmaru’s extremely quick descent into madness in the shin route: I actually liked this idea of Ranmaru willing to go to such extremes for Sara. However, theres barely time for any of this to develop? Like again, everything just happens so fast??? I would've definitely liked if there were little hints around before the body discovery that ranmaru was gonna do something like this, just a little time for development would really be cool.

Mr. Policeman/Mr. Tazuna???: After I finished, I actually looked on the wiki to see if it said anything about his son that he mentioned and I found this:

But yeah thats cool

The thing about Q-taro: I’m gonna say it now, I’ve liked Q-taro ever since the aftermath of 1-2, and Q-taro haters have added absolutely nothing to this fandom. Everybody saw him as a child-hater, I see him as a guy who’ll do anything to survive and succeed. I mean that wish is kinda what got him into the death game. And yeah he did try to leave that one time, but that’s what getting thrown into traumatic killing games does for you, most people don’t want to die, they want to live, no matter what it takes. We can’t all be the main character and choose to cooperate with everybody and be the “good” person in that situation. Even Sara has those extremely selfish moments and those intrusive thoughts of winning and leaving.

This whole thing should also be applied to Ranmaru. Ranmaru has gone through so much shit in such a brief amount of time, to the point where he was considering to/actually kill people to escape with the one person he trusted in this hellhole. In that situation, Sara’s kinda at fault here, cause without Joe she’s lost her sense of morality which resulted in her becoming selfish and well... honestly kinda toxic. This emotional manipulation is really what set Ranmaru off, however it was 100% his decision to fucking kill somebody and murder’s bad. Still love him though.

But back to Qtaro, I really enjoyed the extra substance given to him in this chapter, it’s nice to see the development from being selfish to feeling deep remorse to protecting the dolls of the first trial victims, most notably Mai. As he completely forgives her for stabbing him. The chapter did a great job at fueling my already intense love for Q-taro (and it actually convinced my best friend who claims to hate Q-taro with every bone of her body to like him too!) I also love the father-son dynamic between him and Gin. I find this relationship to be really important cause Gin’s father is an abusive alcoholic and Q-taro’s an orphan who’s never had a proper role-model in his life. So it’s beautiful that despite not having anybody there for him when he was younger he can still be a good figure for another child.

Predictions/hopes for the next part:

I just want to see whether Shin already knew about Kanna being his sister, and if he doesn’t I want a reveal. Right. Now.

A Ranmaru/Joe/Q-taro/Kai/ “Hinako” revival, p l e a se they died so soon

More info about the people involved in the Hades Incident/Shinobu Gokujo

More info regarding Meister

Sara going on Maury

Who tf is “Hinako”????

I really hope that there isn't any specific good/bad ending. Like I want every ending to be equally bad and good yk? like equal consequences and good stuff.

Yo wtf happened to Sara’s mom?? Is she gonna come back and play a more important role in the story?? Are her parents gonna come back as floor masters???

I want things to actually change depending on whether you picked Alice or reko, cause so far they’ve played extremely minor roles.

#3 1b spoilers #yttd #yttd spoilers #q taro burgerberg #sara chidouin #ranmaru kageyama #joe tazuna #gin ibushi #kai satou #keiji shinogi #alice yabusame #reko yabusame #shin tsukimi #midori yttd #kanna kizuchi #greenblings #sou hiyori #mai tsurugi

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eponymous-rose · 3 years

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Talks Machina Highlights - Critical Role C2E121 (Jan. 19, 2021)

Aaaand we're back! The epic pet montage at the start is still the greatest thing ever.

Tonight's guests? Matthew Mercer and Marisha Ray!

We begin with an extensive discussion of waffle farts. As you do.

Matt is asked what it's been like to get to build out the characters in the Tombtakers. Lucien is Matt's favorite, but they've all got some fun traits to them. "It's one of those rare experiences as a dungeon master where you get to watch your players combat with the necessity of playing along. The instinct is: fuck these guys, I want to fight them, we'll take their shit... or I guess we have to play nice. And they begrudgingly grit their teeth and I smile internally."

On the Lucien accent: "You guys are all so mean to Taliesin!" Matt knew his own take would be a "weird mutation" of Mollymauk's accent anyway.

How's Marisha feeling about a lot of her predictions panning out? "Aw, I mean, gee, me? What? Noooo. It's definitely vindicating, I'm not gonna lie, and rewarding, but I also know that I write a lot of shit down in that notebook that's never relevant ever again. It's definitely a good feeling to know that I didn't go on that fifteen-minute deep dive and was utterly wrong about everything I said." Matt: "I was super proud. I was just silently cheering you on as you went on these long tangents."

What does Lucien think of the Mighty Nein? "Lucien is definitely curious about why they're getting involved in his shit and what they're planning alongside them. One, he hates Beau because he doesn't like people who challenge his authority. He gravitates towards Jester to an extent because she's the most open, which from his standpoint makes her easiest to manipulate. He loves toying with curiosity, and so between Jester and Caleb, those are the two people that he's the most comfortable interacting with. Caduceus makes him feel a little weird. He's amused by them. Fjord to Lucien is one of the more guarded and less accessible at the moment."

Is Beau enjoying getting under Lucien's skin? "Beau's picking and poking still kind of stems from her defensiveness and guardedness and her feelings, in a lot of ways, and the way that she's coping with things. It's a few steps removed from her default and what she often resorts to when she starts throwing up those barriers. She still has in the back of her head that she's looking at her dead friend. It's her way of protecting herself if she can go, fuck you, I don't care about you. This isn't too dissimilar to the way she reacted when Yasha was brainwashed." Matt: "It's a unique social sparring match the whole time they're traveling side-by-side. It's unique to have an antagonistic force that you're--" Marisha: "That we're going camping with."

Navigating the Tombtaker/M9 relationship as a DM is "challenging. At any given moment, a wrong statement could escalate matters one way or the other. It's having to pay attention to a lot of things at all points in time to be ready for how those chain reactions can happen and where it might go." He likens it to trying to follow and participate in two different conversations simultaneously at a party.

On the note from Yasha: "Oh man, you guys. Oh, it was so sweet. I don't think Beau was expecting Yasha to be so forthcoming with everything, and so complimentary and eloquent. Beau is awkward with healthy relationships, so she doesn't know how to handle them. She's still processing that and wants to not ruin it. No, it was magical." Ashley told Marisha after the episode that she was trying to think of what to say and wound up basing it on what she would say about Marisha.

Cosplay of the Week: an amazing Vax (by stormfeather_cosplay, photograph by travi_b, both on Instagram)!

On using variations on the Wild Magic table: "I wanted to give it some variation to consequences. They took some of the tooth out of it from earlier editions. I knew it would be fun once I gave them the specifications of when these things would happen - players are just waiting for someone to roll a 20 or a 1 at all times."

Why is it so important to Beau that she and Yasha have a proper date? Part of it is a fresh start. "So much of Beau's past relationships have been rooted in some toxic behavior. Beau feels like, well, maybe we should just start from the beginning in the most us way possible: fighting through the tundra with our dead-ish friend."

The sci-fi-ish theme came toward the end of developing Aeor, but it mostly comes from rationalization. Matt is intrigued by how all these different societies want to usurp the gods... which has parallels with modern society. He notes that focusing more on the science of the magic means the aesthetics pull away to "instead facilitate the utility or the most direct route to the answers you want. You streamline as opposed to focusing on the aesthetics."

Beau’s reaction to all the weird magic stuff? “I think Beau’s just so focused on the pragmatic aspects of it all right now. There are greedy people with motives and the will and want to corrupt across all spans of cultures and times. She’s trying not to get lost in the magic, both proverbially and literally, of it all, and just trying to focus on the motives of these people at hand.”

In some ways, Matt was surprised by Caduceus’ strong reaction to the creepy woods. “It was the first major reveal that there are some other sides to the coin that he hadn’t learned about. I had no idea how he would react. It pushed him away more in ways than I expected.”

Fan art of the week: an amazing Lucien! (by oratorkayla on Twitter)

What’s Dagen’s motivation? “He’s definitely a man of his word when it comes to fulfilling a contract and getting the other half of his pay, but it’s not hard to see they’ve grown on him a little bit. He’s really good at getting around the tundra unseen and unnoticed.”

Brian: “In true Sam fashion-” Marisha, instantly: “OH MY GOD.”

Marisha: “Here’s the thing. Here’s the tea, okay? If I ever hear one more fucking person trying to claim that I’m ruining things by metagaming, I’m going to point to Sam. I’m expected to respond accordingly to Veth being a Sam troll. Gods damn him! Raven Queen curse upon him! Let chaos reign! He made me pull out my earphones, I can’t hear anything you’re saying. It’s frustrating because I’d be mad at it if it wasn’t so god damn funny.” Matt notes that at a different table this wouldn’t be great behavior, but they all know each other well enough (and check in with each other enough) that it’s comfortable teasing.

With a bit of a deeper pull, Matt is asked whether he knew Avantika would return someday? “I knew she was a fun, interesting option out there. The M9 still have in their grasp the single most important artifact, in Uk’otoa’s opinion, at the moment. As long as they carry that artifact, his eye of Sauron is upon them.” Matt notes that he has more encounter tables going, so a lot of the time even he’s not sure what’s going to happen.

Caduceus suggested contacting Essek, but Beau and Caleb nixed that idea. Does Beau trust him? “Gods no. Absolutely not. She can like Essek personally. As a person, he’s fine, I guess. But I think a lot of people might be forgetting that he’s kind of a war criminal and kind of set off a lot of bad things in motion with this war with the Empire and the Dynasty, because he wanted power and to know things. So now here he is, also in Aeor. Yeah. Just kinda putting two and two together there. It is another one of those things of, you’re walking that line on trying to keep him on your good side and having a mutually beneficial relationship before it could easily go completely south.”

On the Star Razor being a Vestige: “I don’t want this to be--- the Vestiges aren’t always a thing where it’s like, you get a Vestige and you get a Vestige! I want them to be still considered special and rare. This is one that had to be earned, it had to be reforged. I didn’t know the circumstances that would involve it coming about.” He based it on the circumstances of Fjord’s evolution into a paladin. “In essence, not only did he finish the creation of the sword, but he Awakened it at the same time as he made this transition. It is Exalted at this point, it’s in its final form.”

What does Beau think might lie ahead? “I have no idea. I am trying to abandon expectation when it comes to that. I know what we don’t know, and that’s it. Beau is trying to compensate for the known unknowns and the unknown unknowns. I hope we can keep this tenuous relationship through to Aeor, because we need more answers before it explodes in our face. Beau, and Marisha, is hoping for a little more information before shit hits the fan.”

#critical role #critical role spoilers #talks machina #talks machina spoilers #long text post

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the-blue-fairie · 3 years

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Elsa’s scars are because of a complex interplay between the pain of the accident AND the pain of her upbringing thereafter.

I talk about the ways in which the trolls’, Agnarr’s, and Iduna’s choices negatively impact Elsa and Anna a great deal. It’s a complex subject to discuss - and I feel like I’m always returning to it because the fandom often tries to reduce it to black and white.

On the one hand, there are people in the fandom who vehemently dislike Agnarr and Iduna and portray them very negatively.

On the other hand, there are people who love Agnarr and Iduna and try to defend their every action, even when their actions hurt their daughters.

And... the trolls don’t usually get brought up at all. I mean, there are definitely folks who point out that the trolls are to blame for stoking the whole royal family’s fears... but I don’t think people can see their pain as easily in the abstract magical characters’ actions, so they just don’t dwell on them as much.

In my opinion, both extremes are approaching the matter in the wrong way. I don’t agree with people who hate Agnarr and Iduna. I don’t agree with people who paint them simply as abusive parents. In both the first film and the second, Agnarr and Iduna are good people trying to do their best in a painful situation. BUT, at the same time, their parents’ actions and the trolls’ actions hurt both of the sisters - and I feel like, when people bend over backwards to defend their actions, people ignore the hurt they caused.

AND, in some ways, I feel like the second film encourages this black and white thinking. The second film WANTS viewers to ignore the negative ramifications of the trolls’ and the parents’ actions. That’s why the film proper never discusses Agnarr’s and Iduna’s or the trolls’ actions while the sisters were children - opting instead for the tie-in book Dangerous Secrets to discuss those events... a tie-in book that, however well-written, will only reach a select audience while the films will reach a far wider audience.

This bothers me because it usually means I see people ignoring many of the external forces that caused Elsa to grow into who she is as a character.

In some cases, these are people who simply treat Elsa like a bad person because they ignore all the context that informs why she behaves like she does.

BUT, at the same time, I have friends who are deeply sympathetic to Elsa... but can’t seem to process how deeply Elsa’s upbringing informed who she grew up to be.

Like, I’ve had long discussions with friends who have told me that, if Elsa was raised differently, she would still grow up the same because her trauma comes from the accident.

I feel this represents a gross misunderstanding of how child development works.

Yes, Elsa was devastated by the accident. But consider her actions and body language immediately thereafter:

Her first instinct is to run to Anna and hold her in her arms. Even after her parents coming rushing in and her father asks what she has done, she defends herself, saying, “It was an accident. I’m sorry, Anna.” She still holds Anna close:

Elsa has to be taught to recoil, to shrink away, to keep her distance from Anna.

Elsa’s fear is learned. We only see her truly starting the pattern of shrinking away, of curling inside herself with fear of herself after Pabbie shows her an ominous vision, telling her there is “danger” in her powers.

A fear of herself that continues thereafter, after she has processed that she is and so begins to see herself as a danger:

Yes, the accident itself scarred Elsa. But to say that, “If Elsa was raised differently, things would have turned out the same because her trauma emerges from the accident” is simply wrong.

Elsa was a child being influenced by adult authority figures who ultimately failed her.

Pabbie igniting a vague and fiery vision of danger before an impressionable child influenced her, helped to cement the idea in Elsa that she is naturally dangerous.

Agnarr and Iduna separating the sisters reinforces to Elsa that there is something wrong in her - something she has to repress.

Keep in mind, I’m NOT saying this to demonize Agnarr and Iduna. As this moment shows, they are heartbroken the more Elsa shrinks from them. They love their daughter, and hate to see her hurting like this:

BUT that doesn’t change the fact that their actions helped to hurt her. Inadvertently, I know. But they still did.

To ignore the influence of the adult authority figures on who Elsa became is to ignore the complexity of how children interact with the world, how they respond to elders who are in positions of power. Elsa trusts the signals given by the adults around her. When Pabbie tells her there is “great danger” in her powers, she believes him. When her parents tell her that it is a necessity that she isolate herself and conceal herself, she trusts them.

Sometimes, certain people make much of the nuances of Pabbie’s words or Agnarr’s words. They point out that Pabbie also says there is beauty in Elsa’s powers and that “Fear will be your enemy” also refers to Elsa’s inner fear of herself. They comment that “Conceal it, don’t feel it” is not the same as “Conceal, don’t feel.”

The thing is, these readings put the blame on Elsa for misunderstanding - instead of putting the blame on the adults for inadvertently imparting hurtful messages to a child.

It shouldn’t be placed on the shoulders of a child to decipher a cryptically worded aphorism. It should be on the adult figure, especially when this adult figure is an ancient and wise being.

And really, for all the distinctions between “Conceal it, don’t feel it” and “Conceal, don’t feel,” their essence is still the same. The misguidedness of concealment, of not feeling something that is a part of you, is still rooted in the words regardless of which version we choose.

Elsa, as a child, was still told by the adults around her that she should keep her distance from others for their protection and so, as she grew older, she took that more and more to heart. She grew into what she had been taught - even though the teaching initially came from a good-hearted place.

Sometimes, I’ve had my friends ask me, “But by putting all this focus on Elsa’s influences growing up, are you sure you’re not losing focus on the pain Elsa feels because of the accident itself?” And... no, I’m not. That’s why the title of my post is, “Elsa’s scars are because of a complex interplay between the pain of the accident AND the pain of her upbringing thereafter.” Because I WANT this post to be a nuanced reflection.

But... if Pabbie hadn’t shown a vague and terrifying vision to and impressionable child and her frightened family... you can’t tell me things would have been the same.

If Iduna and Agnarr hadn’t limited Elsa’s contact with people, you can’t tell me things would have been the same.

A friend once pointed to the trail of ice Elsa makes on the journey to the Valley of the Living Rock, arguing that this shows Elsa’s loss of control and panic before Pabbie stresses that she is dangerous - and therefore arguing that this highlights that things would still turn out the same for Elsa growing up even if the trolls and her parents made different choices because she fears what she can do:

I feel my friend’s reading here is... a bit of a stretch. Elsa is scared, yes, but the self-hatred that defines her as an adult? That comes later. That, she has to learn. And it is that self-hatred and fear of herself that paralyzes her.

And I’ve had friends point out, “But Elsa WAS dangerous! She DID hurt Anna, and that’s tied into her stress with wanting to protect her, and that was before the trolls or her parents had any involvement...”

I don’t like this take because it seems to put an impossible amount of weight on Elsa as a child. It asks Elsa as a child to be perfectly composed. To not be scared for her sister’s safety. To... not feel.

It’s a take that follows the misguided logic the film ultimately refutes while defending the mistakes that caused that misguided logic to do so much harm.

And, yeah. Sure. Elsa becomes scared. In the ballroom and riding through the forest. She’s a tiny child.

That doesn’t justify teaching her to fear herself, actions that only make the problem far, far worse.

And you can say, “Well, the adults didn’t MEAN to teach Elsa that-” I know they didn’t mean to do it.

But showing a terrifying light-show to a little girl will impact her, regardless of what Pabbie meant. Especially when he does not clarify.

But slamming the gates shut will have a powerful psychological effect on both Elsa and Anna, regardless of what their parents meant.

Elsa was a child.

Children learn from their surroundings. They respond to the actions of adults they trust, adults they love. While the accident itself impacted Elsa, we cannot ignore that the way she was brought up thereafter also had a profound effect on the way she saw the world, the way she responded to the world.

Elsa was a child being influenced by adult authority figures who ultimately failed her - and the fact people are so willing to put the weight of that on a child instead of the adults surrounding her is troubling to me.

The fact that the second film kind of tacitly puts the weight of that on Elsa’s shoulders by only making abstract references to “fear” - instead of openly talking about the complex circumstances Elsa and her parents found themselves in - is troubling to me as well. It allows viewers to disregard the more complicated elements of Elsa’s relationship with her parents and only focus on the positives the second film puts on display.

(Keep in mind, I DON’T intend this post to be anti Agnarr and Iduna. I love them as characters - ESPECIALLY Iduna, with the backstory F2 offers. Agnarr and Iduna are good people. They are loving parents. They were put in a horribly complicated position... and ultimately their actions - for all their good intentions - had negative consequences.)

#frozen #frozen 2 #elsa #bigfrozensix

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manikas-whims · 3 years

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Shadow & Bone, The Crows & everyone's complaints

So now that I'm on my 2nd watch of the show, I wanna speak on certain things about the Crows in the show, which have made many people mad and some of which I didn't like either..but which I can still see as tying up with the canon.

⚠ Spoilers for both the Books & Show ⚠

Here we go:

• Kaz accepting the 1M Kruge job

Now ofc we all remember the book Kaz who bargained with a Mercher and raised his prize to 30M. But Leigh, Eric & the Crows Cast has been pointing out since day one that these aren't the same people we know from what we've read. This is a sort of prequel to those characters and just them figuring out their dynamic with each other.

Remember, the book opens with Inej saying Kaz is a feared man in the Barrel without hesitation, she introduces herself as the Wraith who can't be stopped even by gravity on certain days and Jesper as the amazing sharpshooter and charmer.

Now as a new reader, I found that chapter sort of funny because how are you claiming all this without showing me their process of becoming these formidable people? But as I read through, the thought that inded these are 6 dangerous outcasts, settled in my mind.

But before that 30M job, they must've had many smaller conquests too right? Ones which slowly built-up their experience, confidence and relationships.

Since this is a prequel, consider this as another day in their Barrel life, as them going on another of their regular jobs. And just think of this as a learning experience for Kaz. That its the dangers that they got into travelling to a different country that made Kaz learn his and his crew's worth. And prepared him for the negotiations he did with Jan Van Eck in SoC.

• Kaz brought to his knees by Pekka

While Kaz being bested by two mere lackies of Pekka was kinda annoying to me as well, why do we believe that Pekka can't harm him or the others? PEKKA ROLLINS WAS THE BARREL KING BEFORE KAZ.

Remember on the Ferolind when Oomen tells them he was ordered by Pekka Rollins to take down the Dregs? They all were shocked and somewhat worried. And it was brought up later on when Jesper said they were going against Pekka Rollins and Wylan explains for Matthias sake how Pekka is not to be messed with.

It was only Kaz who wasn't concerned at all, who consoles Jesper by saying Pekka is just another Barrel Boss.

And what were we even expecting Kaz to do when Pekka brought him to his knees? Didn't Kaz express in the books enough how a simple beating won't make it up. He promised to take his revenge in small steps— building up his gang, stealing customers from Pekka's clubs, etc. BRICK BY BRICK.

So Kaz can be brought down to his knees too. And Pekka can easily do it if he wishes so. But no one wants outright Gang Wars; Pekka because he is far more experienced and knows when and where to put pressure or when to let go of a job. He even advices Kaz to forget Inej and drop the idea of going against a Mercher in SoC last chapter, because it is a foolish thing to do.

And Kaz wouldn't want gang wars because he knows the Dregs aren't big enough to face the whole of Dime Lions. Besides he already plans to bring down Pekka brick by brick.

But no one threatens Kaz Brekker, so consider this "on his knees" scene as a set up and another reason for Kaz to strike back and pay back tenfold.

It will also serve as an amazing parallel if we get to see him make Pekka beg on his knees.

• Kaz and Inej are too obvious

Are they? Haven't they always been like that when in each other's company or when around the other Crows? So of course they're expressing alot in front of Jesper.

But note that there are was no incident in the show where Kaz expressed his slowly developing feelings in front of his enemies, namely Pekka. In fact all Kanej moments happen only between them or in Jesper's presence. So there's nothing wrong with that.

Are they too obvious? No. As I said before and as we all know Kaz and Inej ALWAYS share deep conversations whenever together even in books— "i will have you without armor", "i would come for you", etc.

So show Kaz telling Inej "no saints have watched over me like you.." was not much different from their canon alone conversations.

Have they shown too much already? NOT AT ALL.

We only saw Kaz putting the Crow Club on collateral but his reason behind it wasn't shown at all.

We only saw Inej kill a man to protect Kaz. We don't know why she chose to kill for him. You can't immediately translate that to love. It can very well be considered her trying to pay back because he saved her from the Menagerie.

Remember in Crooked Kingdom Chapter 4, Inej says: "their lives had been a series of rescues ever since, a string of debts that they never tallied as they saved each other again and again."

So consider these moments as their endless back and forth of saving each other.

*Another thing to note in the show is when Inej gave her knives to Kaz. She says: "as a friend once said".

She has started considering Kaz a "friend" and she knows he feels the same way even though he won't say it. They're only starting to open up and give way to friendship. And not just Kanej, Jesper too.

People can care for and have each other's backs without it having a romantic aspect. The show gave the viewers a peek at what Kanej are willing to do for each other and showed that there's obviously sparks flying but no clear motto. We still didn't see Kanej's first encounter at the Menagerie or Kaz staring at Inej sitting on his window. These are just small moments to set up the ship.

• The Crows only there for comic relief

NO. I don't agree to this at all.

I'm gonna go back to SoC Duology. Now we know both the books have a sort of a dark setting. But both of these books also had hilarious moments.

Right in Chapter 2 of SoC, Jesper joking about spelling with his bullets and Kaz joining in on the joke. There's also the "this whole shoot me thing is starting to worry me". Inej & Kaz's banter about "greed is your god".

Almost every chapter had atleast one moment that was either comical or to lighten the mood or just straight up banter between the Crows. And all those moments were all always entagled with serious ones.

The show did exactly the same. We were given their crime life because they were after all, on a job to capture and sell off a person. But the show lightened it by adding the Crows banter and certain comical moments. And for the finishing touches, they sprinkled in some vulnerability.

• Kaz not being ruthless enough

I AGREE. I DO.

What the fuck is wrong with us all wanting a sinister man being ruthless? 😂

There's not much I can say about this but that even in books, Kaz isn't always ruthless.

He is mostly giving out orders and scheming schemes. But in those rare moments in the book when we get to see Dirtyhands, we are given a view into some really intense moments.

When Kaz dislocates a man's arm in the Ice Court Prison, he himself admits it that he didn't do it as much to make himself look intimidating to the other criminals but more to remind himself that he can do it, that he isn't some helpless man.

The only such thing we got in the show was the brief scene between Kaz and that Inferni where he had that scary look on his face as he crushed that inferni's arm and slammed his face.

WE DID DESERVE MORE OF THAT.

But maybe it was a good moment to set him up for more violence in the coming seasons. *crosses fingers*

• The Crows not stealing from Alina

Okay whilst Inej wouldn't do it, Jesper may only consider, Kaz would definitely do it!

Remember Kaz kazually conversing with Van Eck and Pekka but also stealing their stuff in those moments with his slight of hands?

Yeah, the showrunners had a perfect chance at the end to do it but they missed it 😐

This is probably the one thing that I'm unable to settle with 🤧

So..that's it!

I don't want everyone to agree with me but I hope everyone can be a little less aggressive and more kind to the show. It was still amazing, if not a proper adaptation then at least good as a standalone show. And the showrunners already did say "high budget fanfiction"

#shadow and bone spoilers #six of crows #shadow and bone #the crows #kanej #kaz brekker #inej ghafa #jesper fahey #crooked kingdom #grishaverse

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shihalyfie · 3 years

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A guide to the 02 kids’ personalities and overall demeanors

I’ve already covered the deeper details of each 02 kid’s character arc and development throughout the series, but I figured I might dedicate a more specific post about the complexities of their outer personalities, and their behavior patterns on a day-to-day basis. 02 is the kind of series that doesn’t really spell out what the characters tend to do or don’t tend to do, or what boundaries they will and won’t cross, which means it can be a bit of a challenging task to track their behavior over fifty episodes and figure out the patterns. Fortunately, these characters are written remarkably consistently over said episodes, so we have a lot to work with!

Disclaimer before we continue: In general, all of my 02-based meta is specifically written for the Japanese version in mind, but this especially applies to this one, because the majority of the nuances of the demeanor and personality traits described below were not retained in the American English dub at all (please see this post for more detail). As a result, please understand that if you’re working from the perspective of having only seen that dub, and the contents of the below post sound completely different, that would be why.

Daisuke and V-mon

Believe it or not, I would say that Daisuke is actually the most difficult to nail the nuances of out of this entire cast. This is probably a really weird thing to hear when the usual fandom mantra is that he’s “flat” or “lacking in development”, but I think the deceptive part is that while he’s simple-minded and himself doesn’t think in complex terms, analyzing his behavior as a whole and how he approaches things actually involves a lot of very delicate balances, and getting that exactly right can be very easy to mess up. Daisuke’s not a rude jerk who looks down on anyone, not in the slightest -- but he’s also not a saint who can do no wrong, either!

I think the easiest analogy (which I’ve brought up several times on this blog already) is that Daisuke is like a puppy, but not just any puppy -- a tiny puppy that barks very loudly at anything it perceives as threatening (regardless of whether it’s actually threatening), makes its feelings very clear with obvious likes and dislikes, and can do some phenomenally stupid things in a bid to please others, but in the end means no malice and only wants you to be happy.

This is to the point where I’m just going to have to bullet-point this, because there’s so much going on at once:

Excessively emotional: One of Daisuke’s earliest profiles refers to him as having “an excessively large range of human emotions”, and really, a lot of the humor surrounding him has to do with the fact he has incredibly dramatic, overblown reactions to nearly everything around him. So if he gets a little annoyed or suspicious of people making fun of him, he tends to get really dramatic about being upset, and when he experiences only a minor setback, he acts like it’s the end of the world, and when he’s emotionally hurt, he sometimes even gets set on the verge of crying (you can especially hear this in Kiuchi Reiko’s delivery). Even Daisuke himself doesn’t tend to get caught up in it for too long and gets over things surprisingly quickly, so you can take it as him just constantly being too wrapped up in the mood -- but when it really is a serious situation, he gets truly emotionally invested in it, too.

Too easy to read: Because Daisuke wears his heart on his sleeve and is dramatic about everything, he’s awful at hiding anything. Any attempt at trickery or trying to disguise his intentions quickly blows up in his face because he’s too simple-minded and too transparent.

Not malicious: Daisuke only ever lashes out or gets angry at others when he thinks others are doing something he disapproves of, or when he thinks he’s being attacked; he’s very warm and kind to everyone otherwise (even in the earliest parts of the series, when he’s at his roughest, you might notice he’s very soft around Chibimon, as if understanding that his partner is now in a very small and delicate form and needs to be treated accordingly). In other words, Daisuke is very quick to get defensive, but he has no malice or reason to be condescending towards anyone otherwise, and he’s perfectly friendly with people even when they’d provoked him earlier (because he doesn’t really hold grudges). He doesn’t attack people without reason; even when he voices dissent against what someone is doing, he very rarely, if ever, insults a person or their character directly. Even when he’s trying to state his opinions (such as when he bids for the others to accept Ken), he never forces them down others’ throats and accepts that they disagree with him, even if he’s clearly not happy with their disagreement.

Easily critical and suspicious: Daisuke is a very bluntly straightforward and honest person, and he seems to get most set off by people who act suspicious; note how his early-series outbursts towards Takeru tend to be when Takeru’s acting evasive, and in Hurricane Touchdown, he catches onto Wallace’s shady behavior even before he starts flirting with Miyako (Daisuke’s own method of trying to seem attractive to others involves just “doing something cool and hoping it’ll impress others”, so he seems to dislike the concept of flirting as a whole). Because of that, he catches easily onto “things looking off”, so he tends to call it out (even if sometimes he’s overdoing it and there isn’t actually anything significant to be upset about).

Supportive and adoring of others: Other than the moments when he gets set off, fundamentally speaking, Daisuke likes other people, is perfectly willing to acknowledge them or heap praise on them when they do something awesome, and generally cares for their well-being. He’s easily defers to others when he understands they’re better than him at something, and he even has a decently realistic scope of his limits (see how he’s perfectly aware he’s likely to lose the soccer game in 02 episode 8, and figures he might as well enjoy the experience). This is even taken to its logical conclusion in the Kizuna drama CD when he “credits” his friends for giving him amazing and insightful advice when all of it was actually pretty ordinary stuff they’d done offhandedly. It also means that, given his penchant for getting emotionally invested in everything, he has a huge emotional stake in making sure his friends are doing okay, and supports them accordingly.

Deferential to seniors/elders: Tying into the above, you may notice that Daisuke takes a properly respectful and soft tone towards his elders and seniors in nearly all occasions, even to the point of occasionally using proper polite-form language around them. All things considered, Daisuke is a pretty well-behaved kid.

Constantly getting strung around: As much as Daisuke looks like he’s aggressive, in actuality, it’s very easy to get him to back down if you argue against him strongly enough, and since he has such a “the heck is that?!” attitude all of the time, you can see him constantly getting strung around and at the mercy of things happening around him. That doesn’t mean he doesn’t have enough will to put his foot down when it becomes a really important subject (especially in the second half of the series), but it’s very often when he’ll be talked down by others around him and shrink with an “oh...okay...” In fact, this is why a lot of his actions aren’t nearly as reckless as they might be otherwise; as much as he’s a bit hot-headed and likes to lead the attack, he also has a sense of self-preservation and intimidation when things look a bit too dangerous, and will only push forward in such a case when there’s something he really believes in at the other side of it.

Lacking in self-awareness and insecure as a result: While Daisuke doesn’t have any signs of persistent self-hatred (on the contrary, there are times he arguably comes off as overconfident), it also seems that he has practically zero awareness of how he himself is doing -- which means that he ends up rolling over like an idiot trying to get others’ approval and trying to impress them, even when it’d be clear to anyone else that he already has that approval. This also likely ties into the fact that he’s perfectly capable of acknowledging others’ accomplishments and skills (see above), so you might even think that the problem isn’t so much that he thinks he’s bad as much as he keeps comparing himself to people he perceives as being that much more awesome. (Perhaps symbolic of this, he apparently has a complex over being shorter than Takeru and Ken, despite the fact that he seems to be of perfectly average height for a kid his age.) It seems that his only bar for how he’s doing is dependent on everyone’s reactions around him, hence why his ridiculous antics are significantly less pronounced when he has proper emotional support and friends to keep him in check. It’s also important to consider that this applies to his apparent crush on Hikari as well; his crush mainly manifests in wanting her approval very badly, and it’s mostly visible in terms of him losing a ton of brain cells in her presence and bending over backwards to please her or impress her. He never actually says in words that he’s interested in her, nor does he ever show signs of intending to seriously ask her out, so it’s something that’s only apparent because of this behavior, and it’s very likely he hasn’t even seriously thought through what would happen if she actually accepted him in return. You can basically see this as an extreme version of the way Daisuke tries to get approval from everyone else, and this trait of his noticeably dies down whenever there’s more important things at hand, or when he seems to be in the midst of getting proper validation from those around him.

Simple-minded and pragmatic: What’s usually referred to as Daisuke being an “idiot” comes from the fact he doesn’t play well with complex thinking, tends to settle for very simple explanations or answers, and more thoughtful types like Ken or Iori will often have to fill that part in for him. However, because Daisuke is so simple-minded, he’s sometimes the most pragmatic person in the group, because he doesn’t overthink things or get principles of theory caught up into everything. So if Ken is clearly not showing any indication of doing bad things anymore and is actively working to help, Daisuke believes he should be allowed to help regardless of what he’d done in the past, and if they’re dealing with the situation of potentially having to kill a living enemy, Daisuke points out that hesitation would have resulted in even more casualties. In essence, in a situation where everyone’s running mental loop-de-loops, Daisuke will usually be the first one to snap them all out of it and go “uh? Guys?” Moreover, this trait of his makes him very good at spotting glaring threads or asking questions about the elephant in the room, because since he works best with things that are right in front of him, he can’t not notice it.

Enjoys the little things: Because Daisuke is so simple-minded, it’s very easy to please him (this is why his chosen career path is something as simple as ramen making). Daisuke likes his friends, and appreciates even simple things around him, so he’s happy with even simple pieces of happiness -- hence, why he’s fine with potentially losing the soccer game in 02 episode 8, because he’s ready to simply just savor the experience of getting to play against a respectable and formidable opponent.

Note that the main reason Daisuke never seems to bring up any of these issues with himself within the series proper is simply that he doesn’t seem to be aware of them -- he’s too simple-minded to understand what’s going on with his own behavior in depth, and hence, this is how he can say he’s not worried about too much by the time of 02′s finale, especially since by that point he has a proper support group that’s already helping him deal with most of his issues anyway.

Daisuke also has the roughest speech pattern out of any of the 02 group (similar to Taichi and Yamato in Adventure); he has a tendency to shorten words a lot and use “rough” variants of words (for example “-nee” instead of “-nai”).

Mischievous, friendly, and playful, V-mon is pointed out even by official sources to be much like his partner (far more so than usual), and it’s likely a byproduct of the fact that Daisuke himself is very honest and straightforward about his emotions and thoughts, and so since he has nothing to hide, V-mon is pretty much exactly like him -- with the major difference being that he’s a little more outwardly friendly and less likely to lash out angrily. So he’s effectively Daisuke without that very thin abrasive exterior, and because both of them are so like-minded and friendly, they get along extremely well (albeit with quite a bit of comfortable bantering on the way there).

Ken and Wormmon

Ken is the more intellectual type that Daisuke isn’t, and even after his stint as the Kaiser, it’s clear that he’s still quite studious and naturally interested in studying things. Looking closely at his style of dress and way of carrying himself (note how he lays down his chopsticks in 02 episode 36) indicates he’s also a rather tidy person in general. Being someone who’s capable of thinking things thoroughly, this makes him able to have a lot of deep insight into both intellectual and emotional issues, but because he takes things too seriously sometimes, he can sometimes come off as a bit overly stickler or insistent (note Daisuke and Ken’s Shopping Carol, where he subjects Daisuke to a long-winded lecture about the history of Christmas, because, really, he’s a nerd), or lead himself down the wrong direction when he’s having a hard time being straightforward (such as when he comes up with some very flimsy theories about why Jogress might be dangerous in 02 episode 28).

In fact, Ken’s disposition could be considered to be the opposite of Daisuke’s in many ways; while Ken is much softer and more conciliatory on the surface, he’s actually much more assertive and strong-willed by default, and it’s made clear that, even after his reformation from the Kaiser persona, he could still be vicious if he wanted to, he just doesn’t enjoy it because he doesn’t like it and it goes against his belief system (note that he even offered to "dirty his own hands" in lieu of the other kids if push came to shove and Archnemon had to be killed in 02 episode 29, even though he clearly wasn't enthusiastic about the idea). In fact, he has a very strong sense of responsibility and believes heavily in making up for what he’s done -- recall that 02 episodes 26 and 49 involved snapping him out of it by reminding him that there were things that needed to be done, and that he himself still had many things he wanted to do that wouldn’t be addressed if he’d stayed fixated on his past. Thus, Ken doesn’t deny nor avoid anything he’d done, and he isn’t even all that prone to self-pity -- it’s just that his tendency to put too much responsibility on himself means that he also takes a while to accept everyone’s support, too, because he doesn’t like the idea of putting burdens on others.

Because Ken is actually one of the more straightforward people in this group and a fairly honest person (at least, as long as he’s not lying to himself), he might hold himself back a little bit in order to not be rude, but he doesn’t do it nearly to the same degree Takeru or Hikari would and is much more willing to speak his mind when he has an opinion he wants to voice or needs to sort out his thoughts on something. Conversely, he’s not nearly as cold as Iori can get when criticizing things (he’ll certainly be firm, but not as incisive). Most post-02 materials also indicate that he’s not above being a tease or even a little mischievous (see Armor Evolution to the Unknown, Diablomon Strikes Back, Daisuke and Ken’s Shopping Carol).

Ken uses a speech pattern that’s slightly more casual than Takeru’s, but not nearly as rough as Daisuke’s. While anime will often have speech patterns substantially change between different personas of a character, other than Park Romi’s delivery of a more condescending tone for the Kaiser and a significantly softer one for Ken, nothing about his speech pattern is substantially different between the two personas (not even the first-person pronoun), indicating that, in the end, they’re really the same person after all, just manifesting the same personality traits in different ways.

Wormmon is affectionate and clingy, unfailingly loyal to Ken, and his biggest advocate during a time when Ken is trying to relearn how to love and accept himself -- meaning that he ends up very important to providing Ken the initial support he needed before Ken allowed other friends into his life. Wormmon isn’t all nothing but clinginess, though -- he has some insight about the weight of his experiences when prompted (02 episode 46), and in fact is more than capable of calling out Ken’s behavior when he’s being unreasonable or throwing himself into denial (see 02 episodes 27, 30, and 49).

Miyako and Hawkmon

Miyako approaches everything she likes with an attitude that makes her come off as constantly having bubbles and hearts around her. When she likes something, she says so. When she doesn’t like something, she says so (and she will go off when she’s on a roll; see 02 episode 14). In fact, part of the reason she so infamously voices her opinion on people being cute is, quite simply, that it’s her honest opinion. (Note that she never actually tries to ask them out or anything -- she just wants to make it very clear that they’re attractive.)

For the most part, she adores the people around her, and, like the others in the 02 group, she’s perfectly respectful towards elders. She also loves poking her nose in others’ business and trying to be as helpful as possible, which is good in that she ends up being a huge help to others, but also not good in that sometimes she overdoes it a bit (when Hikari calls her out for being a “handful” in 02 episode 31, the word she uses is one that literally means "a little too overly involved in others' business").

Miyako is the one who gets everyone up in high spirits by being cheerful, and whose cheer rubs off on everyone else around her (see her cheerfully leading the charge into the Digital World with her “Digital Gate, open! Chosen Children, let’s roll!” catchphrase). This is something the rest of the group catches onto very quickly, asking her to supply the “usual cheer”, and the later episodes of the series especially drive home the fact that her presence and antics bring happiness to those around her.

Miyako has a similar “chaotic, sloppy, and straightforward” demeanor to Daisuke, but there are some key differences. Unlike Daisuke, who’s bluntly honest about his opinions mainly because he doesn’t really hide things in general, Miyako’s opinions will be out of her mouth before she can control it. In other words, she has a nasty case of foot-in-mouth syndrome. In addition, while Daisuke tends to have a very thin skin and lashes out defensively out of instinct, Miyako takes things much more at face value and doesn’t blow a fuse nearly as easily, but because she’s significantly more assertive and aggressive, she’s much more prone to doing what she wants on her own whims instead of backing down to anyone. In fact, Miyako is significantly more emotionally sensitive in the long run, so while Daisuke tends to blow a fuse more easily, he’s also able to shrug it off and move on more quickly, whereas Miyako has a thicker skin, but when she does take emotional pain, she takes it much more deeply and harshly. She also tends to get overwhelmed easily by stress and panic, which makes her one of the more prone to running around in circles and doing frantic things in the midst of it.

One thing you might notice about Miyako is that she’s actually more critical of herself than anyone else in the group is; most of the time they act with mild exasperation at her antics but don’t tend to criticize her directly, whereas Miyako is very aware of her own shortcomings and is constantly either criticizing herself or comparing herself negatively to others (see: 02 episodes 10, 14, 18, and 31 especially). If she slips up and does something that stepped on someone else’s toes, it doesn’t take her long to realize that she’s messed up and want to do better. So while she generally tends to act the most in-your-face and aggressive, she also doesn’t necessarily want to be this way, and suffers from self-confidence issues and a poor opinion of herself.

Miyako uses a feminine speech pattern that’s a bit more casual than Hikari’s (she noticeably is willing to use the word anta for “you”, which has a bit of a connotation of being abrupt and in-your-face, especially with Daisuke). She’s also the most likely to physically manhandle things, both in the affectionate (hugging people) and aggressive (grabbing things and jumping on them in order to attack) senses.

Hawkmon is repeatedly referred to as being like Miyako’s “knight”, since he has absolute loyalty to her (in spite of her ridiculous antics often meaning he gets strung around by her) and is effectively in charge of minding her so she doesn’t get too out of control. While his overly polite and gentlemanly demeanor initially seems like a sharp contrast to Miyako’s aggressive and messy personality, you might also notice that, at their cores, the two aren’t all that different -- both are unfailingly loyal to others, and both also have a penchant for dramatic theatrics and being a bit overly proud of themselves.

Iori and Armadimon

The key thing to know about Iori is that he’s not stoic because he’s not feeling fervent emotions, but rather because he’s constantly holding them back (this is especially apparent if you look carefully at his facial expressions and Urawa Megumi’s delivery, where you can tell his facade is often “slipping” even when his words would indicate otherwise). Since Iori is trying to live by the ideal of being a model citizen, especially under the very formal environment he was raised in, he comes off as mature for his age, but it’s very important to not forget that, underneath all that, he’s still an impressionable nine-year-old child with the wide range of emotions and immaturity of one, and when he does emotionally fall apart, everything tends to burst out (see 02 episodes 16, 44, 47, 50). In addition, Iori is never condescending about the fact he usually acts more mature than the others; the impression is that he’s much more strict with himself than he is with others, and in fact still does look up to his elders in the 02 group even when they’re obviously a lot messier than he is.

The “need to be a model citizen” is something looming over Iori’s head at almost every moment, and it’s the easiest way to understand the way he acts in a nutshell. Iori is focused on the idea of “becoming a proper adult”, which means that he’s adhering to all of these principles because he feels they’re necessary to live a proper and honest life as per the formal manners that his family background trained him into. But like a young child who insists “you have to do this because those are the rules!” all of the time, Iori is over-applying all of this, and even his own grandfather advises him that he really needs to chill (02 episodes 5, 24). In short, he struggles with thinking flexibly and understanding that life isn’t all that clear-cut, because he’s a young child. Since he also tends to bring out these things in relation to “what my father would do/say”, it’s implied that he’s basing all of this off of having only hearsay to work off of in regards to what his father was actually like, to the point of aspiring to an impossible, saintlike version of him he’d created in his head.

Note that Iori’s “rules” have less to do with institutional rules (that would be more of a Jou thing) and more to do with self-imposed personal rules; for instance, he doesn’t mind sneaking into school during a holiday when it’s obviously not hurting anyone (02 episode 6), but he struggles with things like wasting food (02 episode 3) or not formally introducing himself to an elder (02 episode 5). So in other words, his adherence to principles has heavily to do with “the right and proper way to live” more than anything, and what he believes is the right thing to do in a given situation.

Iori’s journey in 02 is largely fueled by the fact that, as an inheritor of sorts of the Crest of Knowledge, he has a sense of “I want to know and understand more” whenever he sees something that makes him curious, but unlike Koushirou’s desire to learn more about the world around him in terms of its technical workings, Iori mainly wants to know more about people. The reason he begins to let go of his inflexible mindset is that he has the humility to understand that he still has a lot more to learn and understand, and when he sees behavior from others that doesn’t make sense, he does his best to learn more about it -- hence how his aggressive probing into learning more about Takeru allows them to reach an understanding and eventual Jogress, and how he’s able to eventually reassess his own view of human morality and emotions.

Iori sticks out in that he almost always uses the formal variant of Japanese in most situations (nobody else in the 02 group does this). However, formal in this situation doesn’t necessarily mean polite; Iori doesn’t believe in flattery and will bluntly state his opinion in said formal tone, and will be very cold towards something he sufficiently disapproves of or doesn’t have any respect for, which can make him even come off as passive-aggressive at times. (Noticeably, while he still asserts his own opinion, he does refrain from criticizing the others in the 02 group too much, presumably because he respects and looks up to them a lot as his elders, regardless of how chaotic they can sometimes get.) In addition, because a lot of his demeanor comes from him restraining himself, when his emotions are sufficiently pushed over the edge, he loses grip on the polite form and starts “lapsing” back into the casual one.

Because Iori was so young during 02, and because the events of its story ended up really upending his view of the world, the huge eight-year gap between 02 and Kizuna makes it difficult to predict certain things about his demeanor at the time of Kizuna (especially since his own voice actor commented on the difficulty of conveying the nuances of Iori’s character, thanks to only being able to work with the limited time frame of a movie that doesn’t put him in the kinds of emotionally drastic situations that push him to his limit). That said, everything we’ve seen of him in the movie itself and the drama CD makes reasonable sense; now that he’s much older, he comes off as having much better restraint on his emotions and coming off as genuinely calm, but he’s still not one for flattery, and you can still see very minor slips in his facade every so often.

Armadimon also initially seems like a sharp contrast to Iori in terms of demeanor, in that he’s much more casual and laid-back, and he’s indeed a huge factor in reminding Iori to chill once in a while -- but, much like Iori, he prods and asks questions about anything he’s curious about. This initially seems to be out of simple-mindedness because, being a Digimon, he doesn’t understand human society that well, but his very basic questions often end up snapping Iori back to reality in realizing that he’s getting hung up on things that don’t actually make practical sense. Urawa also felt that Armadimon fills in some of the void that Iori’s late father left behind, in that he provides Iori with unconditional love and helps guide him.

Takeru and Patamon

Takeru is the kind of person who seems to dislike major disruptions to the status quo, so he doesn’t say anything inflammatory that’ll rock the boat. It’s very difficult to get him to talk about serious topics related to his deeper personal feelings (02 episode 17, 35, Spring 2003), and even when it’s clear he might have more misgivings on the situation, unless it’s an urgent situation where it needs to be brought up, he won’t voice his misgivings too clearly for the sake of not causing trouble (hence why Daisuke is so unsure what to make of him in the early episodes of the series, because Takeru constantly fails to clarify his own position in favor of a “good for you” or “sure, you keep believing that if you want” attitude). This also makes him the most likely to awkwardly change the subject or try to distract with small talk, and it means that, even when he’s saying cheerful, pleasant things, it’s very likely there’s pain or uncertainty under that initial facade. (Note that while his suspicions of Ken during 02 episodes 25 and 27 aren't nearly as vicious as Iori's turn out to be, we learn that he's still willing to quietly accuse Ken of working for his own self-satisfaction in the latter episode, but he never brings this up to anyone but himself.)

Because Takeru isn’t necessarily doing this to be consciously dishonest, it does mean that he also has positive applications of this tendency to take everything in stride and keep the peace, because he ends up keeping the more extreme personalities in the rest of the group in line and acts as an effective mediator. You could say that he has a pretty high amount of tolerance and a capacity for taking everyone’s points of view in mind. However, since it’s also very difficult to tell what he himself is thinking, his use of this as a poor coping mechanism for his personal trauma leads to a tendency for him to suddenly explode in a mess of emotions whenever something gets too personal, leading to sudden conflict, and with others at a loss in terms of how to deal with him (the most extreme example being 02 episode 19, but also present in 13, 11, and 34). This “two-sidedness” is why it ends up having to be the more consciously methodical Iori who steps up to try and understand him better as his Jogress partner.

Fortunately, Takeru shows signs of becoming more straightforward in the aftermath, although you can see that he still has a penchant for mild flattery and “trying to hold back for the sake of not being rude” all the way up to Kizuna (but, again, this can’t be said to necessarily be a bad thing when it means he has a valuable skill as a mediator).

Takeru has a fairly neutral speech pattern that comes off as casual but not too aggressive or assertive (not as absurdly polite as Iori’s, but slightly less assertive than Ken’s).

Patamon initially still seems to be “immature” in the same way he was in Adventure, which initially seems to widen the gap in personality between him and Takeru, but looking closer reveals that the differences aren’t as big as they seem; Patamon seems to have gained a capability for slyness and active trolling behind his playfulness (see 02 episode 7), not entirely like Takeru starting to use his evasiveness in a teasing-like manner. Moreover, Patamon does actually seem to have gained a bit of proper maturity in the meantime; see how he instructs the Baby Digimon on convenience store food in 02 episode 3, and in general seems much more willing to take independent action in ways he didn’t always in Adventure. Noticeably, Takeru’s difficulty with his own convoluted feelings means that he can’t even have a proper heart-to-heart with him about it on the situation (most glaring in 02 episode 34, where it’s implied that Takeru would rather leave Patamon to be happy right now instead of bothering him about it), especially because he’s clearly having difficulty even working it out with himself. However, despite their ostensible differences in mentality, Takeru and Patamon have no difficulty getting along at all in 02, and, other than Takeru pampering Patamon a bit, there isn’t all that strong of an impression of them being so mismatched -- perhaps because, in the end, they really aren’t all that different.

Hikari and Tailmon

Taichi stated in Adventure episode 48 that Hikari has a problem where she's so selfless and thinking of others that she'll never speak up about her own problems. Hikari states in 02 episode 31 that she compulsively cannot speak out about her own feelings even if she wanted to, to the point she’s jealous of Miyako for being able to be more open (even if it means being overkill at times). As a result: if Hikari’s talking about “the right thing to do”, or something for everyone’s sake, or something that’s relevant to other people and what’s best for them, she will be extremely vocal and quick to act, and she’s not above even chipping in with criticisms (see: 02 episodes 19, 32, 44). In fact, she’s fully capable of being playful or toying with others if she really wants to (see how she casually manipulates Daisuke into calling a lunch break for everyone in 02 episode 6).

The moment the issue at hand is about herself, though -- her own feelings or pain, or something that might hurt others’ feelings (hence the presumable reason she dodges Daisuke’s affections rather than proactively doing anything about it), or something that would put a burden on others for her own sake -- she completely clams up and refuses to do or say anything, and when bad things start happening to her, she resigns herself to her own fate and concludes she can’t do anything about it. Hence, why she takes such a defeatist attitude towards the Dark Ocean swallowing her up in 02 episodes 13 and 31, and why it’s such a big deal if she even so much as asks for help. 02 episode 31 indicates that Miyako reaching out to her is an important step in breaking her out of her shell, and the Kizuna drama CD -- which has Hikari assertively declare something she personally wants -- heavily implies further that Miyako was instrumental to this becoming possible.

Hikari is compassionate for others to the very end, expresses pity for BlackWarGreymon as early as 02 episode 31, and catches on quickly to Ken’s feelings on himself in 02 episode 37 (and even back when she’d been more skeptical about him in 02 episode 25, she never seemed to have real personal distaste against him as much as she still wanted to make sure he was trustworthy first). But although she’s one of the most compassionate in the group, she’s also one of the most assertive in the group. This leads to something that initially seems like a paradox: she’s actually more fervent about the need to fight than the more aggressive Miyako is. Miyako is, ultimately, emotionally caught up in everything and briefly falls apart at having killed LadyDevimon in 02 episode 44 (even despite knowing how horrible of a person she’d been), but Hikari is the one who points out that there would have been more victims if they hadn’t. 02 episodes 25 and 43 had made it abundantly clear that Hikari didn’t like it at all, but she states in 02 episode 37 repeatedly that they need to prevent there from being victims -- meaning that she values the importance of protecting all lives, including those who would be hurt in the process, and thus has some of the more resilient guts when it comes to the prospect of fighting to save others. Again, her hesitation only comes into play at its worst when it has to do with herself; working to save others is a no-brainer.

Hikari uses a casual feminine speech pattern that’s less in-your-face than Miyako’s, but she’s still a bit more casual than she was in Adventure, when she used the more polite watashi instead of atashi. Interestingly, Tailmon herself seems to have mirrored this as well, presumably because now that she’s had more time to recover from her miserable life under Vamdemon, she’s able to enjoy her life a bit more freely. This means that, while Tailmon is still the most mature and put-together of the Digimon partners in the 02 group, she sometimes acts a little more casual and playful in a similar way to Hikari, and while she has a certain degree of stuffy personal pride (see how she wasn’t very amused at how frivolously the other Digimon were playing around in 02 episode 3), she’s still open to enjoying herself a little more freely. Hikari, for her part, becomes surprisingly like-minded with her during those times -- see them in 02 episode 12 -- and, as stated earlier, it’s not like Hikari isn’t up for making tough decisions when they’re needed, either.

#digimon #digimon adventure 02 #digimon adventure last evolution kizuna #shihameta

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angelltheninth · 3 years

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Korra’s Muscles: An Essay

INTRODUCTION:

Hello everyone reading this. I wanted to start out by saying that my post about writing this was a joke. At first. I made a smaller analysis post about Korra’s muscles already however people seemed to really want this essay. And have Seychelle Gabriel read it for some reason. And I thought to myself: well why the hell not actually try to write this properly.

Before writing this essay I had 0 clue about muscles as far as anatomy, training, muscle mass, maintaining muscles, the proper diet etc. So I wanted to learn a bit about all that so this could be as accurate as possible.

This took a long time to put together and write so I hope this was worth the wait and please enjoy reading this as I’ve put a lot of time and effort into making it good so I hope that it will please you.

THE LEGEND OF KORRA INTRO:

I’m sure everyone reading this knows what TLOK is because if you didn’t why the hell would you be reading this? But I’ll sum it up anyways.

The Legend of Korra is a sequel/spinoff of The Last Airbender. The good one, not the movie. TLOK was created by Bryan Joseph Konietzko and Michael Dante DiMartino, aired from 2012-2014., and it follows Avatar Aang’s successor Korra as she struggles with being the Avatar in a world that no longer seems to have a need for an Avatar as well as struggling with learning how to be human. On her journey she faces many villains and makes many fiends as well. And a love interest or two. Or three if you count Bolin. TLOK was meet with some controversy when it first aired but got lot more popular when it aired on Netflix in 2020.

AVATAR KORRA:

Before we talk about Korra’s glorious muscles we must talk a bit about Korra herself.

Who is Korra? Well as I already stated all of you probably know who she is already but I wanna make sure everyone understands how amazing she is before talking about her muscles.

Korra was born in the Southern Water Tribe. She’s the daughter of Chief Tonraq and his wife Senna.

Shown to be the polar opposite of her predecessor, Korra was hotheaded and brash in her childhood and teenage years.

Raised in the White Lotus compound she never interacted with anyone her age and spent her time training, both physically and bending.

After arriving in Republic City however, she had to learn about being human. Compassion, humility, friendship, love, found family, public dislike, opposition, fear, hope and more.

In her short time as a fully fledged Avatar Korra changed the world in many ways: bringing back the Air Nation, opening the spirit portals, defeating Vaatu, helping out the Earth Kingdom go trough a regime change in Ruins of the Empire.

Korra herself changed in many ways and went trough a lot in those few short years. Losing her bending, being separated from her past lives, being poisoned and almost killed, PTSD, depression, being crippled. She got trough all of that. And so did her muscles so lets finally talk about them cause that’s what you’re all here for.

KORRA’S MUSCLES:

BUILT

Korra’s overall physical built is one of the first things that sets her apart not just from other previously seen characters in Avatar, but also from the majority of female characters in animation.

Korra is very muscular for a woman, a fact acknowledged in the show itself by Mako and Bolin’s grandma Yin. Korra’s strength is displayed numerous times throughout the show, weather it be in fights or normal activities, such as when she picks up and hugs Tenzin and his kids with ease in season 1.

Korra is built like a fighter, a martial artist. Which makes complete sense given her upbringing and way of life. Of course her body sufferers a lot in the 3 years of her recovery in the South Pole after her fight with the Red Lotus. However trough training, she is eventually able to recover.

When it comes to her biceps and back muscles, one of the things about her most fans lose their minds over, its really no mystery as to how she got to where she is. She’s had years of training to develop them and like before those too are noticeably smaller after her 3-year recovery period. But more on that later.

One of the things about Korra’s physique people don’t talk about as much are her legs. Unlike her other muscles, Korra’s legs are always covered and due to being a fighter she wears baggy pants for easier movement, so we never actually see her leg muscles. However that doesn’t mean they should go unnoticed, especially considering that those were the ones that suffered the most in her recovery since she couldn’t walk or even move them.

DIET

As previously established Korra has the built of a martial artist so its only safe to imagine that her diet reflected that.

Typically a martial artist’s diet includes a balanced amount of protein, vitamins, carbs and fat in your meals. Martial artist’s eat food speeds up metabolism, but builds muscle and can keep one energized.

Now the world of Avatar is very different from our both animal and plant vise, and when taking into account what’s available to us and not to the Avatar world, such as protein shakes, vitamin supplants, multivitamin pills etc.

Korra is a Water Triber meaning that a good amount of her diet should consist of meat and fish.

According to Edmund Searles in his article Food and the Making of Modern Inuit Identities, a mostly meat diet is "effective in keeping the body warm, making the body strong, keeping the body fit, and even making that body healthy".

Korra spent most of her life in the White Lotus compound so its pretty safe to assume that her meals were such that gave her a lot of energy as well as built up her muscles, and that it was in a large part, a meat and fish type of diet because of her heritage and place of living.

However Korra has also lived with Tenzin and his family on Air Temple Island. Tenzin as we know is an airbender like his father. And airbenders have very different diet compared to the Water Tribes.

Airbenders have a vegetarian diet as we know from Aang and from Tenzin. Airbenders are pacifists and as such they don’t like to harm another living thing. Because of that their diet would mostly consist of rice, vegetables and fruits as well as nuts because they are high in calories and nutritional benefit.

Because of the balanced diet of the Air Nomads we see that Aang as well as Tenzin are pretty well built individuals themselves therefore Korra, after she begins living with Tenzin and eating more of the Air Nomad cooking, is still able to stay perfectly fit. That and we can also assume that while she was staying there she still ate some meat and fish as well as Republic City food.

As for Korra’s diet for her biceps, that would require a lot of high-protein foods. Those would be available in abundance both in the Tribe as well as in Republic City as those would include: eggs, various fish, vegetables, fruits.

Back muscles require a healthy spine plus a work out routine but lets stick to food for now, for that Korra’s diet would consist of: vegetables, salmon, herbs and spices, dairy products and fruit. Since it was shown that Korra’s diet habits plummeted during her recovery so did her back muscles. Once she got back to her feet and started being more active once more she ate more and got her muscles back.

Leg muscles require a a lot of meat, low fat dairy products, grains and fruit as well as starchy vegetables.

Korra could easily balance her diet in Republic City, especially since it has a large assortment of food.

TRAINING

Korra’s training began early in her life. She was already able to bend 3 elements at an early age, so she also had to train from an early age to master those elements.

Korra trained in the White Lotus compound for 12 years where she pursued the bending arts.

Along with the bending arts she also pursued martial arts and later on when she moved to Air Temple Island she learned how to move like an Airbender and integrated that into her fighting style.

Along with her White Lotus and Tenzin’s training she also trained with Mako and Bolin for the Pro-Bender Tournament. Pro-Bending mixes bending and MMA elements into one sport.

MMA fighters train heavily with weights to built their built muscle as well as strengthen their bones. This is something we can clearly see the results from with Mako and Bolin. They’re been Pro-Benders for a while and they have a very strong built. Bolin has larger muscles than Mako however, which could be to to the fact that Mako as a firebender moves quicker and is a lot quicker on his feet, while Bolin is more like a tank. Strong and sturdy.

Korra had many forms of training over the years which is why her body isn’t just one certain type. She incorporates everything she’s learned into her life, fighting style, bending as well as types of training that she does.

In short, Korra was trained for 12 years in Fire, Water and Earth bendings specifically, along with the martial arts skills that come with those. After moving to Republic City she not only had the chance to learn Airbending and its martial arts but also learn about other types and techniques. Her training might have been very different from Aang’s but its just as effective.

Korra’s biceps probably required a lot of training just on their own. I mean look at those guns!

For this I just want you to imagine her bicep workout routine: towel curls, chair dips, elevated push ups, regular push ups, pull ups. All of those are bicep excesses that Korra could easily do anytime, anywhere.

For her back muscles she’s most likely do push ups with and plank stands with one arm raised since those are great for back and abs workout and balance challenge, too. As well as push up holds for muscle build up.

Leg muscle training while important in her training in general is especially important during her recovery period. She lost all her leg muscles and had a lot to make up and those would consist of various squats and push-ups, as those are great exercises to build strength and muscle mass.

COMPARISSON

Now lets compare Korra’s physique and muscles to those of her peers, or in this case her friends: Mako, Bolin and Asami. Two of which are pro-benders and one of which is a mechanic and a martial artist.

First lets look at the brothers:

As stated before since they’re both Pro-Bender, at least for a good amount of time in their life, Mako and Bolin have a physique that’s fairly similar to Korra’s in some ways.

Toned and defined muscles, built for fighting. Like Korra they too trained for the purpose of battle. Although for Korra it was training under the White Lotus, learning proper techniques and for the brothers it was on their own and for a time with the Triple Threat Triads.

Bolin for example is a lot more focused on his upper body muscles. He is pretty much built like a tank due to him being a heavy hitter and also able to take quite a bit of hits. He and Korra have that in common. Korra’s upper body strength, biceps and back muscles, while smaller than Bolin’s in comparison have the same amount of force behind them. However Bolin is also hard to knock down as due to being an Earth Bender. Earth Bending takes a lot of heavy and firm stances and as much lower body strength as it does upper body strength.

Mako isn’t as buff as his brother but he doesn’t really need to be. He’s a lot lighter on his feet in fights and doesn’t use as much raw muscle strength in his bending. This is something that differs him from both Korra and Bolin as those two sometimes put a lot of strength behind their punches.

Now Asami:

Unlike Korra, Mako and Bolin, Asami comes from a rich family and despite Korra’s initial impressions of her Asami is far from a helpless rich city girl.

While not muscular like her friends Asami can more than handle herself in fights, using her martial arts skills and wits more than her psychical strength. Asami prioritizes her martial arts skills rather than her muscle built, and because of that she is built very differently from Korra but that doesn’t mean she’s any less helpful in battle.

ENDING:

And with those comparisons I will conclude this essay. This was very fun to write and I hope you enjoyed reading (and looking at all the pics).

#legend of korra #avatar the legend of korra #avatar korra #korra #Asami Sato #bolin #tlok bolin #mako #tlok mako

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ramblingkat · 3 years

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Fic: Stars

This was encouraged by the UraIchi discord server. Basic concept: Everyone is born with a tail. If you live long enough, you get more. If you find your “soul mate” you get a new color on your tail.

Here, Yoruichi noticed the new color on Kisuke’s tail. He had happily been oblivious. And has no idea who’s reiatsu matches that new color of fur on his tail.

Fandom: Bleach

Characters: Urahara Kisuke, Shihoin Yoruichi, Ishida Ryuken, Kurosaki Masaki, Kurosaki Isshin, and Kurosaki Ichigo

***

“You have gold in your fur.”

Yoruichi’s voice, deep and raspy, was a familiar one, and he knew she’d been sitting behind him for a bit, so Kisuke didn’t jump. Though he did pause, a cup of tea against his lips. Then he lowered it again, turning some to look over his shoulder at his friend.

She was crouched next to his tail, eyes focused on the tip. Kisuke didn't actually look at his tail all that much, with it being out of his direct line of sight. Oh, he made sure it was brushed and neat enough, but it was just another limb. As long as it worked as he wanted, he never thought about it too much.

Now he flicked it up, bringing the tip up closer since that was where Yoruichi had been focused.

This was the only tail on display, as humans rarely lived long enough to gain a second tail, let alone a third as Kisuke had. The other two were hidden, as they had been for almost a century of hiding in the special gigai he had created. The only one on display was the same ashy blond as his hair, a sleek fox tail that had gotten him quite a few appreciative looks. And more than a few people asking for blessings.

Apparently, pale fox tails were a sign of favor. Not something he had expected when he had first come to the living world.

Shinji had laughed at him, the man’s golden lion tail lashing lazily behind him. Kisuke had asked how it felt to only have to deal with one rope instead of the multitude that the older captain usually had. That had lead to a spar, and gotten Shinji distracted.

Now, however, Kisuke saw that there were fine golden hairs growing at the end of his tail. They didn’t stand out a great deal, not yet. But they were definitely golden. A distinct change from the pale fur they grew in.

Yoruichi’s reiatsu, as muted as it was, radiated delight. Kisuke was feeling a bit stunned himself.

“But,” he protested, voice distant in his own ears, “I haven’t met anyone new. Not for long enough to have our energies to click enough to bond.”

There was a flat-out chortle from Yoruichi, and she rose up onto her back legs, resting her paws against the back of his shoulder. That let her get a better look at his tail. “You found someone to soul bond to and didn’t say anything.” She sounded highly amused and no small amount of pleased. “What have you been up to?”

Kisuke snorted. “Plotting and planning. The usual.” He flicked his tail against her face, then let it relax again. “I wonder who this is. I don’t know of anyone I’ve seen recently that has that color of reiatsu.”

He reached over and poked Yoruichi’s nose as she opened her mouth. “And don’t start on SoiFon. Right shade, very much wrong person.” He smiled faintly. “She’d murder me if we ever created some sort of spiritual bond.” Kisuke paused. “Though the way she hates me would definitely qualify. But the timing is wrong.”

“She doesn’t hate you,” Yoruichi protested. Ignoring Kisuke’s amused, yet unimpressed, expression, the cat continued. “She’s just prickly about my honor.”

Kisuke snorted again, hand moving to rub his friend’s ears. “Very prickly,” he said drily. “If she could make me vanish, she would definitely do so.” He shook his head. “In any case, SoiFon’s disdain for me is not the topic here. I honestly have no idea why I would have golden fur coming in now. Everyone I interact with now are the same people I have interacted with for years. I doubt any of them have changed that much.”

“Something to figure out later,” Yoruichi agreed. “It’s not like your crimson isn’t a distinct shade.” She licked a foot, quiet for a moment. “Though now that I am here, how are things with Isshin and Masaki?”

Still absently petting her, Kisuke smiled faintly. “Going well. From everything that Ishida-san and I can tell, the baby is healthy and growing well. They are likely to have a mix of Isshin-san and Masaki-san talents.” Kisuke considered it a moment. “I believe, once the baby is born, they’ll take the hollow with them. That will be vital for their stability. They are so in balance at the moment that the loss of one aspect will likely prove lethal in the long run.” He considered that as fingers moving softly over dark fur. “Something I have impressed upon the parents to be. The hollow is sealed and will continue to be until we break it at some point, but the power it holds is present. So the baby will be…impressive.”

There was a snort from Yoruichi. “Maybe it’s the baby,” she teased, though there had not been any documented cases of soul bonding with an unborn child. “You do the impossible regularly enough. Why not do it again?”

Kisuke tweaked her ear, hand blurring as he dodged the slash of her claws. “I doubt even baby Kurosaki is developed enough to have a proper reiatsu signature yet,” he said easily. “While they have a strong presence already, it’s…malleable. Though I do hope that you’ll be in town when the time for the birth gets close.” He wrinkled his nose. “I am already noticing an uptick of smaller hollows. Masaki-san has been attracting quite a bit of attention from the wrong quarters. I think when it is time for baby Kurosaki to be born, they will lure in hollows for miles around. We’ll need to set up a protective line around them and deal with the swarm that is likely to descend on us at that level of power energy.”

A nod from Yoruichi. “Just contact me when it gets close to time. Though I don’t know if I’ll go too far.” Her tone went light and teasing. “After all, I have to find out who your mysterious suitor to be is. Only you could get a soul bond and not notice.”

That got her a sigh and a shrug. “It wasn’t like it was that big a deal,” he protested, giving his friend an over-exaggerated pout. “And I’ve been busy.”

Yoruichi perked up. “I have to talk to Tessai,” she warbled out, as close to singing as she got. Dodging Kisuke’s grab, the cat ran into the house, yowling out the name of their other friend, and Kisuke sighed.

Collecting his tea, he focused on that. No need to think about Tessai-san’s matchmaking urges now. He’d be dealing with them soon enough.

***

The stars looked amazing, and Kisuke found himself panting as he watched them decorate the night sky.

They weren’t as bright here as they were in soul society, but there was a great deal more progression in the living world, so bright it dimmed even the night sky.

Though all of his senses felt dimmed. The Kurosaki baby had come into the world, and he was grateful that Ishida had a charm that he and Masaki had put on the baby. It would allow more of the child’s reiatsu to release over the next year or so. Slow enough that they shouldn’t have a repeat of tonight.

He was exhausted, and he was sure that Yoruichi was the same whenever she was at.

The Visored had taken the outer layer of the patrol. Kisuke and Yoruichi had focused on the blocks around the roof of the hospital that the baby was being born in. And outside of all of it, Hachigen and Tessai had been working on keeping all of this under wraps. While he knew Aizen had an idea where they might be, they did not need the baby’s explosion of power to attract his eye.

He was pretty sure they had dealt with every hollow from miles around, all attracted to the initial spike of power that the baby would have screamed out with their first breath.

That was something he needed to check on well.

Pushing himself upright, Kisuke glanced around. It only took a moment to spot Yoruichi, leaning against an air conditioning unit a few roofs over. Waving to catch her attention, he waited until she nodded back, then he let himself drop over the side of the roof.

Ishida had given him a room number, and Kisuke had already scouted out where it was in the hospital. So it only took a moment to wrap a hint of reiatsu under his feet to slow and then stop his fall. He pulled a phone out and texted the man, making sure he was able to come in.

The curtains shoved apart, and Ishida was scowling at him. The man opened the window. “Get in here,” he muttered. “The sooner you make sure the boy is all right, the sooner you can leave.”

Kisuke smiled. “A boy? I am sure that Kurosaki-san is thrilled.”

“Isshin is being an idiot over it, and Masaki is pleased to have a healthy baby.”

He shifted aside, letting Kisuke step through and land lightly on the floor, geta making only a small clicking as they hit the ground. Then Ishida continued. “They named him Ichigo. I assume you dealt with any outside trouble.”

Kisuke grimaced a bit. “After this, I think we’re all going to go find out beds now that the charm you have put into place has muted his strength. The area should be hollow free for a few months.”

A sigh. “That’s good,” the white haired Quincy said. “Hopefully they’ll be gone for even longer than that.”

Kisuke considered that. “If you like, I can set up patrol when your own child is born.” It was an honest offer, as he knew that the man’s wife had taken poorly to pregnancy. She was happy to be pregnant, but every time Kisuke saw her around, she looked exhausted and drained.

Ishida tensed, then made himself relax. “We’ll discuss that later,” he said, which made Kisuke smile to himself. That wasn’t a no, and it was nice to see how devoted the man was to his wife. He was as bad as Isshin was, if quieter about it.

But he only nodded in response, quietly following as he was lead to the bed.

There was Masaki, who was watching them, though Kisuke could see she was ready to go to sleep. Beside the bed was Isshin, whose tail was wagging back and forth like mad. And beside him, placed where both he and Masaki could reach, was a tiny little being.

There was a tuft of dark hair, though he could already see strands of a paler color in it. Kisuke wondered if baby Kurosaki… Ichigo, his name was Ichigo, would have his mother’s hair?

He was wrapped firmly in a warm blanket, swaddled quite tightly. Though he managed to get a foot and a puffy little tail out of the confines already. Kisuke smiled faintly, tucking the fluffy grey tail and the foot back into the blanket. “Already a trouble maker,” he murmured to the child, and then rested his hand on Ichigo’s chest. Closing his eyes, he focused, threading his reiatsu gently to make sure everything was still balanced.

This was something he’d been doing since Isshin had come to tell him that Masaki was pregnant, in a near panic. There had been two pregnancies before this one, and neither had gotten far. The third time was the charm, and the balance of energies settled in ways to keep the boy from coming to harm.

Everything still felt good, and he opened his eyes with a smile.

“Congratulations,” he said, smiling at them. He knew they had been heartbroken the previous times, and having Ichigo here, all red-faced and scowling, had to be such a relief.

“Masaki-san?” he asked, offering her his hand. She rested her fingers against his palm, and he did his own scan of her energies.

Once he was done, he gave her hand a light squeeze and let go. “It’s as I thought. The hollow passed on to Ichigo, but the seal on it seems to be intact. Though he’s definitely strong enough to see spirits without much help.”

He smiled at the new parents. “You should have an easier time of things if you decide to give him any siblings without the hollow energies causing such distress on your own.” That was to Masaki, who looked relieved. He knew she had taken the failed pregnancies hard, but this should help her feel better about any future attempts.

Moving away from the bed, Kisuke absently sealed Benihime back into a cane, nodding at each of them. “Now that everything seems to have settled both outside and in here, I’m off. Let me know if you have any other concerns that I might be able to help calm.”

He went to perch on the sill of the window, then threw a grin back at them. “And, as always, come visit the shop and pick up a few items. I always have a wide range of stock for your purchasing pleasure.”

Ishida shoved him out the window with a snort.

Kisuke laughed as he caught himself, and took off into the night. Time to find everyone and let them know that they could do whatever. The situation was done, and it was time for a well-deserved rest.

Besides, now that Ichigo was actually born, Kisuke had potential plans to adjust.

#Bleach #fanfic #soulmate au #tails universe #Urahara Kisuke #shihoin yoruichi #ishida ryuken #Kurosaki Masaki #Kurosaki Isshin #Kurosaki Ichigo

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teawaffles · 3 years

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There’s No Business Like Show Business: Chapter 2

The next day.

After finishing his work at the mansion, Bond headed to Whitechapel’s Leman Street, where Maya and her company normally held their rehearsals. [1]

Walking down the noisy street was not just Bond, but also three other employees of the Moriarty household. One of them was Fred Porlock.

“It would’ve been fine if only you came along, Fred…… But thanks for joining us anyway, you two.”

Bond directed that to Jack Renfield and Sebastian Moran, who were walking a little behind him.

As Fred was a master of disguise, Bond had asked him to contribute his opinion on the performance too when Jack and Moran decided to tag along. Now the four of them were on their way to the rehearsal — with Louis’ permission of course.

Jack roared with laughter.

“No, you don’t have to thank me. I’ve watched my fair share of theatre, so I thought I could help them out, even if it’s from an amateur’s perspective,” said the old butler, nodding as he reminisced about those good old days.

“You’re probably just after the young girls from the theatre company, aren’t you old man?” Moran said, half in disgust. “Bond said this Maya chairwoman is a dashing lady in her own right, so I came along to feast my eyes on—— Ow, that hurt!”

Jack had clapped Moran on the head, as a warning to not shoot his mouth off.

“The only one here chasing women is you. Really, you didn’t even finish your chores properly before coming here.”

“I did my part just fine. For once, I’m not skipping out on work.”

“Rubbish — I did a check before we left and found some cigarette butts in the hallway. Don’t you dare annoy Louis any further.”

“……W-Well, the more the merrier, right?”

“…………”

Listening to their usual argument at the back of the group, Bond smiled wryly, while Fred was silent.

Finally, they had reached their destination. Waiting in front of the theatre was Maya, and her little sister Mae.

“Mister Bond!”

“Hey, haven’t seen you since yesterday.”

Mae waved her arms up and down in excitement, while Bond greeted them with a smile.

“S—sorry. Normally, she would play with the other children near our place, but today she insisted on coming with me…… By the way, um, who might these, d—dignified gentlemen be?”

“Ah, they work at the same household as me. The short one here is Fred. The somewhat scary-looking one is Moran. And this dandy old gentleman is Mr Jack. If you’re alright with it, I thought you could use their input as well.”

As Bond introduced them, the three men also greeted their host. But Maya seemed a little perplexed.

“……Maybe it wasn’t such a good idea to come here in a big group,” Bond admitted, looking slightly uncomfortable.

“No, no.” Maya hurriedly waved her hands. “I—I’m really grateful to be able to, hear valuable feedback from, so many people. For now, let’s not stand here to talk, please come in……”

Maya guided them into the theatre, stooped in a self-abasing posture. Her faltering voice was much as the same as from their previous encounter, but today, nerves seemed to have crept in as well.

“She has a sort of shadow about her, but that has its own charm. Like the transient beauty of a young widow, don’t you think?”

“She’s pretty, for sure, but not really my type. More like the kind of woman who complicates things when you break up with her.”

“Um, sorry you two, but if you could just keep your voices down,” chided Bond, as Jack and Moran whispered about the chairwoman behind her back.

Right after the entrance was a cramped space. The box seats above them looked hastily constructed; in truth, the interior decorations made it seem more appropriate to call this place a playhouse, rather than a proper theatre.

But their guide had only praise. “The manager here is, a really nice person; whenever we say we want to practise, he’s always happy to lend it to us. There are performances held at night, so we can only use it during the day.”

“He trusts you, doesn’t he.”

Hearing her speak with such sincere gratitude, Bond was quietly impressed by her character. Perhaps her dark aura easily invited misunderstanding, but she was definitely genuine at heart.

“Speaking of which, Miss Maya, you said that you’re the director for this performance, but surely someone else is responsible for the sets and the arrangements at the other theatre during this time?”

“Another member is in charge of the sets, but the negotiations and the like, w—were handled by me. Even so, the manager of the larger theatre — a nobleman — had actually approached us to be the opening act for another company, and I just accepted his invitation.”

“Still, isn’t it great to be invited to perform on a bigger stage, even if it’s just as an opening act?”

“Yes; for people like us — a theatre company from the slums, we don’t have many chances to show the world what we can do, so everyone’s doing their very best.”

Saying that, Maya secretly clenched her fists. Surely the one working the hardest was none other than Maya herself.

There was no audience in the stalls, and on the stage were a number of men and women — likely the company members themselves — doing light warm-ups and vocal exercises. A few of the children he’d met yesterday were also frolicking about on stage.

One exceptionally tall man on the stage had noticed Bond and the others enter the hall, and spoke up.

“Oh, is that the rumoured theatre master?”

Moran whistled at this unusually grand title.

“Theatre master, eh. A fitting name considering your experience, Bond.”

“Fufu, I’m honoured.”

Bond accepted it with his innate courage and composure. Then, he went onto the stage with Maya, while the other three sat in the stalls at the far end, so as to not stand out and interfere with the rehearsal.

The company members each stopped what they were doing and lined up in wait.

“Everyone, this is Mr Bond, who will be watching our performance today,” introduced Maya.

Right then and there, her voice had become clearer and stronger. A little taken aback by the sudden change in her attitude, Bond took a quick look around the room.

“Hello to you all. I’m looking forward to what you have for me today,” he said solemnly, as he bowed.

“We’ll do our best!” The company members bowed their heads in unison.

From their greeting, Bond could feel the the quality of their bearing, and the strength of their cohesion. Not only that, the tension he himself once felt when he stood on stage came rushing back in waves.

He switched his frame of mind from that of a special agent, to that of an actor, and looked over Maya and her company with an earnest gaze.

“Well then, without further ado, please show me what you’ve got.”

“Yes!”

Even though his instructions had been given with no introductory remarks, they asked no unnecessary questions, and jumped straight into preparation. Even though they had only put up plays in cheap theatres, Maya’s company already displayed the high level of professionalism they had developed.

“Miss Maya, what’s the programme for today?” Bond asked, as he moved to the row of seats right in front of the stage.

Maya was also directing Mae and the other children to sit down. “We’re starting with ‘The Red Shoes’, followed by ‘The Little Mermaid’, and lastly, ‘The Little Match Girl’.”

“Hmm, fairytales, I see.”

The unexpected subject matter piqued his interest.

In a time when Shakespeare was all the rage, to perform children’s literature in a proper theatre, and a serious scripted play at that — now this was a bold move.

But as someone who liked to do things unconventionally, that was precisely why their play intrigued Bond. Yesterday’s playful rendition of “The Little Match Girl” was probably inspired by it as well.

Then, the tall man who noticed Bond earlier spoke up.

“Ain’t it interesting? Maya always makes sure to write plays that even us poor dumb folk understand. Today’s script is also entirely her work,” he said cheerfully.

“Weren’t you in charge of creating the play too? You should be able to write at least one decent line of dialogue.”

At the man’s self-satisfied tone, a woman beside him sighed. But he ignored her pointed comment and carried on.

“There were a bunch of people who’d always thought ‘Hamlet’ and ‘Macbeth’ and the like were plain boring; but after Maya broke them down into something easier to follow, they’ve gotten hooked onto Shakespeare.”

“Being able to interpret works in a way that everyone can understand…… A wonderful talent indeed.”

But if you were to put on a proper production of Shakespeare in an unregulated theatre like this, you would be caught by the censors. To avoid that, incorporating music and the like into their productions was a brilliant adaptation on their part.

Bond had said that last part out loud, and the man thanked him for his words of praise. The members of the company had shown their admiration for Maya, but the woman herself took in a deep breath, as if to hide her embarrassment.

In other words, in order to put on a play that everyone could follow, the answer she'd arrived at was “fairytales”. Although it may be the best choice given the short length of the opening act……

“I’m sitting next to Mister Bond!”

“Hey, no fair!”

Bond had been absorbed in thought about the contents of the play. Nearby, the children were scrambling for the best spots. Having won the seat to the left of Bond, Mae asked him a question.

“Mister Bond, do you like ‘fairy tales’?”

That pulled him out of his thought process for a moment, and Mae smiled.

“Yeah. I read them when I was a child.”

“I like them too, because Maya and the rest always read them in a fun way—”

“Me too!” The other children raised their hands and shouted. Reading stories aloud while acting out the roles was indeed a theatrical way of reading to children.

However, Mae immediately pouted in frustration.

“But I really hate that story.”

“……Why is that?”

“The little girl always looks so sad. I tried asking Maya to give it a happy ending, but she just said that we have to ‘respect the intent of the story’ and didn’t listen.”

Her words helped Bond discern the true nature of the incongruity he'd felt.

As Mae had said, all three stories had their protagonists fall into unfortunate circumstances and perish. It was true that many fairytales were cruel, but there were others with happy endings too. Was there some hidden intent behind these choices?

As Bond pondered the new question that surfaced in his mind, Mae leaned in towards him.

“Mister Bond, do you also think it’s important, what Maya said? No matter how sad a story is, can’t we make it happy on our own?”

She asked that question with clear eyes. Bond thought for a few seconds, before responding.

“It’s true that it’s important to understand the intention of the original story. If you change its contents haphazardly, the fans of the story would be upset. I think your sister is the type who would take that very seriously.”

Mae glanced down in disappointment at his level-headed answer, but Bond continued.

“However, if we were all afraid of criticism, then nothing new would ever be made. If you have something you really want to tell others, then I think it’s possible to add a new interpretation to a story. After all, one form of respect is to show the world how you would’ve done it.”

“……Oh I see!”

Mae brightened up, and Bond smiled. Her question was one that had always, and would continue to vex all interpreters of stories. But at the very least, he didn’t want to make a decision on which way was right.

Just as their conversation had come to an end, it seemed the preparations for the performance were now complete.

“Without further ado, let us begin.”

Standing on a platform, Maya gave a bow, and with that the curtain rose.

Footnotes:

[1] Leman Street is a little to the north-east of the Tower of London and St. Katharine Docks, and within walking distance of both.

T/N: Is this chapter some meta-level commentary on the series itself?! omg

#moriarty the patriot #yuukoku no moriarty #yuumori #english translation #forbidden games

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zabiume · 3 years

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Because Kubo did not give a lot in the way of romance, when do you say Ichigo started having feelings towards Orihime personally? I would like to know your thoughts and HCs on his feelings (sorry if my English is poor, it's not my first language)

Your English is fine, please don’t apologize! This is a good question and I’m not above saying I’ve thought about Ichigo + romantic feelings in general, not only towards the ships I like, but just as a whole. I like a lot of ships that aren’t canon but I also think there’s a different kind of fun in examining how the OG author writes a pairing, and since IchiOri is canon as of(...how many years now?), we can do just that!

From what I’ve seen, the general IH community consensus seems to be that he developed proper feelings for her in the HM arc, maybe moderately developed a teeny lil crush on her as early as the end of SS arc.

While I think that’s cute, it’s not...necessarily my perspective on it. I think Ichigo unconsciously starts Having Feelings when we’re well into the Fullbring Arc. There’s this general pattern I’ve seen in many fandoms where Friends-to-Lovers isn’t considered “valid” unless both characters have feelings at Full Force 100% from the beginning but are in denial about it. While that is possible, it’s more common/realistic for a person who sees someone as a friend for most of their life to start seeing them a little differently when they begin to grow older together. I mean, given how Kubo himself claims he isn’t a great romance writer and that his pinnacle of romantic writing was Orihime’s confession, I’m surprised at how believably he wrote Orihime and Ichigo’s development. Ichigo is a teenager for 99.9% of the series, 90% of which he’s so used to plunging headfirst into fighting/saving the day that he doesn’t really have the time to process anything...not just romance. This is common in shonen as a genre, where the protagonist spends a lot of time wrapped up in wider Plot Events and training that we hardly get to see him do normal things like having a hobby, reflecting on life’s greater questions, falling in love, etc etc.

Coming back to Headcanon Territory. A part of the reason why I think his feelings don’t develop until much later is because of the reasons above. He simply doesn’t have the time to think. He just does. Why did the promise he made to Orihime be the one thing that anchored him to life, even in death? It just did. He did it because he had no other choice but to not die, simply because Orihime asked him not to. He must have reflected on it at some point--during the timeskip, at the very least, but I think he brushes it off as insignificant mainly because a) now is not the time and b) a part of his failure to see Orihime’s feelings for him is denial. Of course Orihime cares about him, she cares about everyone. Of course he kept his word and protected her; protecting people is important to him. These defense mechanisms and cover-ups are easy to fall back into as justifications, not because they’re lies but because they’re the truth. Both those things are true. And therefore, he doesn’t have to look deeper into those feelings, giving them the perfect opportunity to sneak up on him later, towards the end of the series.

I don’t want to be too critical of TYBW because of Kubo’s health and Bleach’s (?) cancellation, but some of the parts I genuinely did enjoy were the IchiOri parts. I am sure, about halfway through this arc, Ichigo goes “Do I like Inoue?” to himself and it’s an earth-shattering epiphany that he shoves to the far corner of his mind because they’re in the middle of a war. I would hazard a guess that this revelation comes after Urahara, Yoruichi and Chad teased him about her, mainly because Ichigo isn’t stupid-- he knows how to read a room and he especially knows how to read a room when every single person in it is rather explicitly implying the same thing. I wish Kubo hadn’t done the Dress thing, though, because it’s such a disservice to Orihime and it gave everyone on Tumblr dot com a free pass to slutshame her and take a giant dump on what was obviously intended to be a cute moment. Imagine if everyone had teased him after the Gentle Head Cradling incident. He would’ve never lived it down, and it would have played out exactly like it did in canon.

Kubo mentioned in a recent interview that he doesn’t like to be too overt in his writing because he enjoys when people read between the lines and I think that’s why we don’t get a proper confession, a kiss, or even a hug on screen. Some people might call it lazy, but I like it. I think it’s apt for a character like Ichigo. Scenes like this, where Ichigo is deeply aware of Orihime’s feelings regardless of what’s going on around them, are indicative of how he puts her first--no matter how trivial the reason. Ichigo is not a character who is overly affectionate or expressive, so the ways he does express his feelings are subtle. It’s 90% in his body language, which is something you pick up on, rather than have the author hand it to you and say, “Hey, look at how this guy cares about her.” I don’t need to see Ichigo say it when I’ve seen at least four arcs worth of Ichigo’s general love language to know what he’s like.

In the same arc, we see Ichigo, for the first time ever, ask Orihime to protect him. If you’d been keeping up with the manga for a long time, you’d know that’s a huge deal, given Ichigo’s history with letting himself be vulnerable enough to ask for help + Orihime’s struggles with her weakness + Ichigo’s unwillingness to see Orihime hurt. The first person Ichigo explicitly says “I’m trusting you to protect me” is Orihime, which is not something that would have happened in the Hueco Mundo or Soul Society arc and goes to show that they are not the same people they were when they met. Which is a good thing. Love takes so much vulnerability, especially for Ichigo, who has been hurt before. For him to put his guard down, meet her in the middle and say “protect me” in a battle against the man that killed his mother--it’s a lot. And I’m honestly so proud of him for learning to share the responsibility and lean on everyone, not just Orihime, but I mainly bring this scene up because again, how often do we see Ichigo asking someone to protect him? Imagine if Ichigo had cupped Orihime’s face and told her he loved her before going into battle. You could have replaced Orihime with anyone else you see fit, and the moment would still be ship-py. What makes the moment we got in canon so special is because it is an exclusively Ichigo and Orihime moment. Had it involved any other two characters, it would not have been as special because they simply would not have the precise history that that moment was a direct callback to. Kubo even makes it a point to show us flashbacks. Those were better narrative decisions to me than any traditional romance writing would have been because it’s an IchiOri moment that can’t be corrupted, retconned or replaced with other pairings even though people have tried. It just doesn’t have the impact it did in canon, which is what makes it good romantic writing.

TLDR: Unconsciously, in the FB arc. Consciously, towards the end of the TYBW arc, but he doesn’t ask her out for at least another 3-4 years because Teen Angst.

#ichihime #meta #yes-twisteoffate

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work-of-waking-up · 3 years

Text

In Defense of the Psychopath

Alright, wanna venture into my crazy ass brain? I’m going to start by saying one thing that will set the tone for everything else that follows: Villanelle is not a psychopath in the way that we currently understand them. Why am I even bothering to write about a fictional character, you ask? Because representation is important. Media portrayal of various mental and behavioral health topics (including ones that people might not think need to be discussed) is important and this show has a big audience. I also just want to contribute to the conversations that are taking place because I am seeing A LOT of them and the reason for that I believe boils down to the fact that Jodie makes Villanelle so relatable and people want to know what that means and looks like for them. Even those who felt they could relate to Sandra’s Eve, or the relationship between the two, maybe questioned what that meant the further they went down the path with them. “It’s probably a bad thing I relate to a psychopath, right? But she can’t be a psychopath because she cries and she feels things! Psychopaths don’t cry, which means she isn’t realistic so therefore it’s okay that I relate to her! Right? Or are my assumptions about psychopaths and people with antisocial personality disorder wrong? I relate to Eve but look what she is underneath it all...so does that mean I relate to that part of her too?” Not only is villanelles character relatable, but people see the freedom inherent within her, the freedom that Eve sees, and they realize that, at least on some level, they want it too. The show has (unintentionally I think) created a massive dialogue which is super cool and you can tell everyone involved on the show is aware of that now, I mean they have a consulting psychiatrist so I think that speaks for itself. This is less of a commentary on the character herself and whether or not she is a genuine psychopath, and more so a commentary on the conversations she has inspired and why... For the record, this is literally just my opinion sprinkled with a few facts, nothing else.

So, the term psychopath gets thrown around in the show, more so in the beginning, MI6 explicitly labels Villanelle this way, even going so far as to use her in a presentation about psychopaths, although I think that was more so to gauge Eve’s response than anything else. The reality of Villanelle, which we come to learn, is that nobody has been able to get close enough to really know the truth. Anna and Konstantin both got close but we never hear either of them use that word (Konstantin says it once but he clearly doesn’t mean it, it was more of an attempted manipulation tactic). They make it clear that she has, and can, and WILL cause damage, but that’s as far as they go. Eve is getting close and she tells Villanelle when they first meet that she knows Villanelle is a psychopath but it’s obvious from Eve's behavior and things she says later on that she truly doesn’t believe Villanelle is what everyone says she is. It’s easier to label her as a psychopath because that alienates and isolates her and her behavior completely. She is an outlier with behavioral anomalies and therefore it isn’t necessary to look any closer. For MI6 and others (not talking about the shows creators) to label Villanelle as a psychopath is easy, it’s lazy, it’s reductive, it serves a single purpose... a means to an end. They (anyone other than Eve basically) simply do not care about Villanelle’s truth. But as an audience we are lucky enough to see more of her with each episode. The psychopath label begins to fade and Oksana is what’s left. We know based on what she has said that she is aware that people think she is a psychopath, a monster, a person built to kill. It’s not always easy to decide that who you are is different from who you’ve always been told you are, especially given her history. Villanelle hasn’t told us yet if she thinks (or knows) that she is a psychopath, but it’s clear towards the end of last season that she no longer wants to be the person that they (meaning the twelve, Dasha, Konstantin, etc.) created. We see moments where she clearly has no remorse and clearly enjoys what she does, but then we have little moments sprinkled in between where she very obviously struggles, even if its short lived. And those moments are important. We have the moment where she struggles with the choice to shoot Konstantin, saying he is a good person, she thinks. This comes shortly after a conversation she had where Irina tells Villanelle she thinks she is a good person because she is sad, so we know she is thinking about it, we know the awareness is there, and it becomes more and more there as times goes on. I like to think of it in terms of having moments that are pure Villanelle (ie the way she killed Inga in the Russian prison), and then we have moments that are Oksana, vulnerable and emotional. Villanelle is a creation and a mask whereas oksana is the truth. Those moments are starting to really mean something. I'm not even going to start with her trip to find her family, that’s its own thing, but it's a Really Big Thing.

So. Villanelle is not a psychopath in the way that we currently understand and perceive them. Yes, she displays psychopathic traits, and yes, she absolutely has antisocial personality disorder. I read an article where the psychiatric consultant for the show (makes it pretty obvious how hard they worked to make Villanelle as realistic as possible) said that the Villanelle in Luke Jenning’s books scored a 32 on Hare’s psychiatric checklist, but I like to think (and I think a lot of people would agree) that number is a bit high, at least for Jodie’s Villanelle, maybe not even hitting 30 at all (close though, let’s be real lol). The max score is 40 which would be a fully blown primary psychopath. For reference, Ted Bundy scored 39. This checklist is flawed though, mostly created and based off the prison population. Which is why it isn’t used as a proper diagnostic tool. 32 is apparently extraordinarily high for a female (think Aileen Wuornos), which brings me to my next point which is that because it’s hard to measure a lot of the classic traits objectively, there is not a ton of solid data surrounding psychopathy, and even less of it is on female psychopaths. Like most things in life, psychopathy exists on a spectrum, there are levels and layers. It’s not black and white, there’s no definitive test (psychopathy isn’t even in the DSM-5 because as I said earlier it’s extremely hard to measure objectively) and it's important to distinguish between someone who exhibits psychopathic traits and someone who is actually an identifiable psychopath. Chances are high that someone you know displays at least one characteristic shared with psychopaths and this doesn’t make them one.

I think what’s important about this is that mental disorders (mental illness/personality disorders/etc.) of any kind are much more nuanced than a lot of people tend to think they are. That they exist less in black and white and more in shades of grey. Jodie Comer is absolutely remarkable for showcasing that through portraying the different layers of Villanelle. Her performance is a literal gift. We cannot keep thinking and acting like we know everything about how a person thinks, feels, and behaves based strictly and entirely on one label. The thing that has stuck out to me the most, the reason I decided to even write this bullshit babble, is that one of the most searched topics about the show is whether or not it’s realistic that Villanelle cries, and honestly how sad is that? That makes me sad for V. Is it more realistic for her to develop connections and cognitive empathy if she was made into a psychopath vs if she was born that way? Is there a legitimate difference between the two? And how do we even decide which one is applicable for someone? It’s important to add that antisocial personality disorder is not the same thing as psychopathy or sociopathy. You can have aspd and not be a psychopath. Research has shown that about only a third of those diagnosed with aspd would meet criteria to be considered a psychopath. Society is not doing a great job at getting people to understand this. But to be fair, understanding personality disorders specifically has been somewhat problematic, a lot of diagnostic confusion and overlap between disorders. A LOT of work needs to be done. But as far as portrayals go, society has strictly chosen to go the route of giving us psychopathic characters and having them be inherently violent, incapable of remorse, feelings, or change. Poverty of all emotions. Subhuman. They are made out to be so abnormal and unrelatable to the point where the character of Villanelle has sparked so much debate and fascination simply because she exists in a way that actually IS relatable...and layered and beautiful and thrilling. We thought she would be the bad guy and yet we root for her at every turn, we cry for her, we want good things for her! We see her darkness and without question or hesitation we forgive it. She makes us question what we’ve previously been shown. Questioning whether or not it’s realistic that she acts the way she does is less important than questioning our own personal assumptions and beliefs and where those come from. I think that’s awesome. Villanelle is truly a gift. She is hands down one of the most well written fictional characters, which is saying a lot considering when you put something, or someone, in a box it doesn’t leave tons of room for expansion. and I honestly don’t even really need to say this, but.. Jodie Comer.

#killing eve #villanelle #jodie comer #eve polastri #sandra oh #villaneve #feel free to rb #if you want #oksana astankova

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