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#(and even then I had to post the entire page for context)
So... @muffinlance wrote a really awesome story. I read a post from a point in time, though I truly do not remember when since it seems like I've been working on this project forever, saying that she gives blanket permission for people to print and bind the story into a book (I think there was an also addendum saying that they do not give permission to be sold, since selling fic is illegal). This fic has had total control over my whole brain since it was sent to me (@creatorofthemind I believe it was you, so thank you forever for tuning me into it) back during the days of like chapter six or seven.
So here I am now, sharing this amazing journey of my first ever bookbinding adventure. Further reading below.
So to give you an idea of what's going on, this is a fanfiction about Zuko (Avatar the Last Airbender) (animated show version, the LA show did not exist yet and we do not speak of the movie) being adopted by Hakoda, Father of Katara and Zuko. (This might have also been what kicked off the Give Zuko A Parent craze, but don't fact check me.)
Overall, the characters from the show stick very well to the cannon versions, but where MuffinLance really shines is in the rich backstories and fleshed out feeling of all the non cannon elements. Especially the background characters. I would argue that the writing in this peice of fanwork could easily rival the cannon show at many points of comparison.
Now that you have context, we can get into the actual process.
To start, I used this guide to figure out where to even begin, and fount the included resource list to also be quite helpful. I cannot for the LIFE OF ME figure out where I found the template I used for the front matter and such, but it must be somewhere and I will link to it when I inevitably come across it again.
Then I began to typeset. This step took... a long time. I worked in chunks from about September of 2022 to late March of 2024. I would get a big section done, sometimes even the entire thing, but then find I hated the way I had done it and give up for months at a time. Such is the life of ADHD and flitting interest in projects I suppose.
And then finally, step one was done, and I was left with pages on a word document that look like this. (And do please let me know if you want the link to the document. It was so much work, and I would love to not be the only one to use it.)
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Next step was printing out this beast. Ended up being about eight pages of front matter, and about 630 pages of body text.
That I printed wrong.
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Twice.
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Before finally getting it right. And then not getting a picture of it, because I finished at 4 am and had work at 7, and am also an idiot.
Then I simply stitched along, putting everything together into a beautiful text block.
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And came up with a design for the cover.
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Yes the glue did end up lumpy. Ignore it.
Yes I did have to sketch out the design onto a scraped page several times before I figured out what I was doing. Ignore that too.
The cover design does wrap around the entire cover. No I did not get a picture before I glued the thing down. See again: I'm an idiot. And just... massively impatient.
Finally, we get to the stage of gluing. Behold, my bookpress.
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Of course, topped with Madam MuffinLances own actual professional-people book, Fox's Tounge and Kirin's Bone. It is Excelent. Here is the LINK so you can go and support this amazing author with the real-monies as well as the internet-kudos.
Then, once everything is glued together, one must give the book its "gilt" edges.
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bassdaily · 3 months
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roseykat · 5 months
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TITLE: Play Bite
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PAIRING: Hyunjin x Jisung x female reader
SUMMARY: You, Hyunjin, and Jisung have a really fun time playing a dirty truth or dare game after the plans for everyone to go out failed. Part 1 to the 'Play' series.
WARNING: minors DNI with this post or my blog. I create NSWF SKZ related content and I know I won’t be able to regulate/monitor every single potential interaction with those posts so please do not engage with my work or page whatsoever.
Part 1 - Play Bite Part 2 - Play Fight Part 3 - Play Right
TAGS: Hyunjin, Jisung, and reader have all consumed alcohol but are not fully drunk, smut, kissing, hickies, making out, dirty texts, dirty talk, erotic truth or dares, use of pet names such as 'bub', 'baby' and 'pretty', swearing, food play (nothing heavy), solo orgasm, female masturbation, suggestive material, very vague mentions of choking (not emphasised), slight traces of top!Jisung.
MASTERLIST
A/N: Think of this as a prelude to this hard thought I posted a while ago. If you haven't read it, it will give you some context into what will come in the future for this type of concept. Also just to preface but not give away too many spoilers, nobody is cheating in this story.
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“Remove one piece of clothing, socks do not count,” Jisung reads aloud from the card in his hand. 
It’s the third task into the deck of dirty truth or dare at Hyunjin's apartment. After the entire group’s plan to go out for the night fell through when it started pelting down, it was in all three of your guys’ best interests to not waste the night. So, although he invited the rest of the group over for drinks, only you and Jisung decided to go around. 
An hour later into the night and already just past the point of tipsy, the three of you progressed to playing games. A set of dirty truth or dare cards was the first thing that caught Jisung’s keen eye as he analysed the plethora of games that Hyunjin had on a shelf in his living room. 
“You’re not even wearing socks, so you have no choice,” Hyunjin chuckles, almost evilly.
Jisung dons his best thinking face, eyes narrowing as he tries to come up with which item of clothing he wants to take off. He grabs the hem of his shirt and pulls the entire fabric up and over his head before placing it beside him, careful not to knock over his drink. 
Your eyes glue to his gorgeous bare top half for a few seconds too long before averting them to the floor like you weren’t supposed to look at him. It’s not like you’ve never seen him topless before in all of his honey toned glory. Almost always will Jisung proudly walk around half naked unprovoked when you’re around him. 
“Your turn bub,” he continued.
You clear your throat then lean over to pick a card up from the middle, then read it out loud, “oh…”
“What’s it say?” Jisung peeks his head over to see what’s written down before his jaw unhinges. “Let the person to your left select an area of your body for them to give you a hickey. Wow.”
Hyunjin, to your left, stares back at you in shock and horror. His cheeks were ballooned and full of liquid after taking a large swig of his drink before setting it down. The more silent seconds that tick by, the more flips his stomach keeps doing. But, he had to expect the unexpected with this game.
You and Jisung were ready to play by the rules and Hyunjin wasn’t going to exempt himself from it just because of the card you pulled. 
He swallows the mouthful of alcohol, “alright. Are you okay with me doing this?”
You nod even though you can feel your heart picking up its pace, “I am.”
He takes your answer and runs with it then ponders on the best place to plant a hickey on your body. It doesn’t take him long to think of a number of unspoken places where he would and even though he’s tipsy enough to disclose those areas, he decides to keep that to himself. 
“Okay, can you lie down for me then?” He asks. 
“Lie down?”
“Mm, otherwise it might be awkward to reach,” he explains vaguely. 
You start jumping to conclusions at the instant you hear his request, yet your mind is so hazy that your body just ends up listening to what Hyunjin has asked of you instead. You end up lying back on the floor, your head next to Jisung’s thigh who looks down at you while Hyunjin moves. 
His long body straddles yours but not fully putting his weight down on you. With his hand, he pulls back some of your hair so he can reach the area he wants before gently tilting your chin up and to the side towards Jisung. 
Hyunjin then sinks his face down just to the side of your throat and sucks. For a second, your body squirms at the slight achy pang that he brings to the surface of your skin. Still, with the way that your body is buzzing, it undoubtedly feels amazing. He remains there for a few seconds and uses his tongue to swipe over the surface he just marked.  
Jisung watches with his mouth ajar. He takes in the contorted look of concentration on your face, the way your eyelids flutter closed. 
It’s not long after until Hyunjin peels himself off of you then takes your hand to help you sit back up again. In hindsight, you wonder if it was all but necessary to lie down for him in order to give you a hickey. But Hyunjin’s thinking was that to reach your throat, you had to be on the ground. 
“That might’ve been-“ his face contorts with worry just looking at the fresh, deep and reddish mark. “A bit much, sorry.”
“It’s fine,” you respond, trying to act cool under the pressure. “It felt nice anyway. Okay, Hyunnie’s turn.” 
He draws another card, reading it in his mind before his eyes dart to Jisung, “make out…with the person beside you for one minute.”
“W-Which side?” You ask. 
“My left which is-“
“Me,” Jisung responds, pointing at his chest. “Alright then.”
Hyunjin stares blankly at his friend, unsure if he's joking or not, “wait, you’re…you’re serious?”
Jisung shifts his body closer to Hyunjin, his face nearing him, “that’s the game right?”
“Y-Yeah,” he replies sheepishly. “Yeah, okay then.”
“I can set a timer,” you announce.
He’s never done this before - kissed a friend, made out with a friend. For one, Hyunjin knows Jisung has done so multiple times, having been an impartial witness to it. Whether it was while Jisung was drunk, sober, high, it happened. Even with the same gender. 
“Alright,” you say, pulling out your phone as you go to the clock app to set a timer for one minute and place it on the ground. “3, 2, 1, go.”
You’re not sure who it was first that leaned in for the kiss after being so warped by the fact that they were even doing this. It was like Hyunjin offered his mouth and Jisung went for the kill. Both of them started off slowly by the time ten seconds hit. Twenty seconds in and Hyunjin’s hand comes up to the side of his friends’ face when the kiss deepens even further. 
You watch the glide of their tongues move so languidly with one another, doing unspeakable things in between your legs. Similar to Jisung’s reaction when Hyunjin gave you a hickey, your mouth was on the floor. There’s no way in hell could you ignore how hot it was to see them make out. 
After forty seconds, the pace had picked up a notch as they continued to move in sync with one another. Jisung’s hand had made it onto Hyunjin’s lap with some unintentional plan of slowly hiking up his thigh. In his mind, the more touch, the better. He already felt floaty because of the alcohol. Now Jisung touching him, kissing him, was an enhancement. 
At the mark of one minute, your phone rudely blares its alarm. Hyunjin pulls away with red lips, Jisung’s as equally as glossy as the other. They stall for a second, almost as if they briefly thought about going back at it again…
“Minho was right,” Jisung breaks the silence willingly. “You are a pretty good kisser.”
“What?” Hyunjin exclaims, his eyes almost popping out of his head. 
“What?” He whines. “He and I were trying to figure out who in the group would be the best kisser. Minho reckons you are.”
“You say that as if you’ve kissed everyone in the group to try and find that out,” You realise. 
“Well I just kissed him, so it’s everyone except for you now. Which there’s still time for since it’s my turn now,” he responds in a slightly hopeful tone and picks up his next card. “Huh, maybe not - what’s the most amount of times you’ve had sex in one day?” 
“Is that the first truth question?” Hyunjin points out, trying to subtly keep himself calm after what just went down with Jisung. 
“I think so,” you reply. “We’re nowhere near halfway through the deck.” 
“Three and a half,” Jisung answers. 
“And a half?” You and Hyunjin parrot in unison, the confusion very present in both of your tones.
“Halfway through the act, got caught, had to wrap it up and leave,” Jisung explains very succinctly. “It would’ve been four if it weren’t for fucking Seungmin. Doesn’t matter, it’s not like I’m holding a grudge or anything.”
“Sure,” you trail off, trying your best not to laugh at his misfortune while you go to pick up a card. “Uh, lend your phone to the person on your right and let them send a dirty text to someone in your contacts.”
Jisung claps excitedly, “hand it over baby!” 
You roll your eyes, reluctantly passing him your device, “anyone except my family otherwise I probably won’t live to see another day.” 
He takes your phone earnestly with a cheeky and devious expression before delving righteously into your contacts list, “don’t worry, I wouldn’t do anything like that.”
Jisung’s thumb scrolls excitedly trying to find the right person to send the right message to. He pauses over a couple of names and then finds one he thinks will give the most entertaining response. He creates a new message and types in what he wants to say.  
From You: I’m horny. Come over and fuck me.
The silence was palpable as the fate of your dignity rests in your friends’ hands. Once the message is sent, Jisung keeps your phone on standby while you all wait for the response. The sheer riskiness of the dare calls for you to pick up your drink and finish the rest off, knowing that you’re going to need it. 
“What did you write?” You ask him anyway, setting your empty glass aside. 
He looks smugly at the screen again and repeats what he created, “I’m horny, come over and fuck me.”
Your eyes widen in horror, “t-that’s not…who did you send that to!?”
“That’s a bit straightforward isn’t it?” Hyunjin laughs. 
“Doesn’t matter now, your turn, go,” Jisung nods to you.
“Fine,” you groan, snatching up a card. “How many times a day do you get off? Once, maybe twice. Done. Next, you go.” 
Hyunjin blinks in surprise at the information you so rapidly provided and leans into the circle to grab his card, “alright. Choose one person to sit in between your legs for the remainder of the game.” 
“I think considering that he and I just made out, it’s your turn to do something now,” Jisung smoothly contends his point before you could even get a word out. 
“Fair enough,” you respond coolly.
The move is practically childsplay in comparison to what they’ve done so far. Nonetheless, it quickly proved itself to be rather effective on your body. 
Hyunjin tries not to grin and spreads his legs for you to slot perfectly in between them. You’ve been this close to him before - in a hug at least. But never has Hyunjin been as acutely intimate with you as of right now. As he’s pressed up behind you, it’s hopeless to try not to be so affected by such subtlety. The warmth from his body glows like a heater onto your back and the steadiness of his breathing is comforting. 
“Sungie’s turn,” he says from behind you. 
Another card is taken from the deck and Jisung reads once more, “feed someone a food item with your mouth. Okay, but what kind of food?” 
“There’s that bowl of grapes just there on the coffee table,” Hyunjin points over to it. 
Jisung spins around on the floor and sees the assortment of snacks that they had laid out on the table earlier on. He turns back with the entire silver bowl in his lap, popping a couple of them in his mouth and eating away to his heart's content before proceeding with the dare. 
“You’re breathing heavy,” Hyunjin whispers teasingly in your ear while Jisung isn’t looking. 
“S-Shut up,” you utter back to him, trying not to act so utterly embarrassed by the truth he’s managed to highlight. 
Jisung pops in two more grapes and goes to sit beside you before talking with his mouth full, “bo’ o’ ya.”
“Huh?” Hyunjin retorts, trying to decipher what his friend is saying. 
You ponder for a second, “I think he said both of us?” 
Your guess comes up as correct because without a proper verbal answer from Jisung, his actions spoke louder. He leans towards your face first - closer than it has ever been since you’ve known him. The purple grape sits between his teeth as he goes to pass it to you by his mouth. It was awkward to manoeuvre at first, but the pair of you discovered that using your lips is key. By that point, Jisung manages to exchange the fruit as you crush down on the grape that explodes with such a sweet flavour. 
Then, he moves a bit behind you to reach Hyunjin. Both of them struggle to pass the grape without fully touching each other's lips once more. Then again, that was the point of the card that Jisung pulled. 
“Yummy?” he asks, sliding back to his original spot with the bowl. 
“Mm,” Hyunjin hums while he chews. “Sweet.” 
Half of the stuff that you’ve done so far with them makes you realise that you’re not that nervous to do these kinds of things. It could’ve been the alcohol, that definitely helps. But also because they’re two of your best friends and wherever they are, you feel safe in their proximity. 
“My turn,” you say as Jisung picks the top card off of the deck and slides it to you across the floor. “Oh - same as Sungie’s, remove a piece of clothing, socks do not count. Isn’t this just a forfeit card since it’s already been picked up?”
“No, not necessarily?” Hyunjin answers. “Plus, what if you forfeit that one and pick another one but it’s worse?”
He had a good point. It was a very mellow dare in comparison to the others you’ve all completed. With that in mind, your hands find their way down to your shorts, contemplating whether to take them off or not. Considering Jisung already has his top off, you went for the opposite in a sudden spur of confidence that was short lived when you saw the look on your friend's face. 
Jisung’s eyes couldn’t leave where your hands moved as you freed your legs from the fabric, allowing you to remain in your underwear. However, it becomes very apparent to you that taking your pants off wasn’t such a good idea when you know that you’re wet. Whether they knew it, particularly Jisung who had a full view of you, was too late. 
Behind you, Hyunjin was trying to keep himself calm as you moved around a bit, “w-who’s turn is it now?” 
Jumping onto a different topic gave time for Jisung to blink away from your body. He feels guilty for even staring at you like that in the first place. Then again, it’s not like you weren’t doing the same ever since he took his shirt off. 
“Yours actually,” you answer and without any spatial awareness whatsoever, you lean forward just a bit to pick up a card for Hyunjin that your ass slightly pushes back into his crotch in the process. 
After the fact of the matter, you realise what you’ve done. But it wasn’t intentional. You just wanted to pick up a card for him so that he didn’t have to move from behind you. As you come back to sit between his legs properly, you feel his forehead rest against the back of your head - a silent sign to prove he definitely recognised what you did to him.
Although he didn’t say anything because what was there to say to that? In hindsight, it might’ve been better forJisung to just read it out for Hyunjin. 
“H-Here,” you offer the card to him, playing it off. 
He lifts his head back up from yours and takes the item, “what is your dirtiest fantasy and why?” 
Right now if Hyunjin was able to answer honestly, he would say ‘fucking you while his best friend watches.’ But even for a filthy game that they’re playing, he thought it would be inappropriate to say. On top of that, it’s not actually his dirtiest fantasy. He could do way worse but just doesn’t know what at this point in time in his sex life. There was still time for him to explore…
“I haven’t really got one at the moment,” says Hyunjin. “I suppose just real…rough sex.” 
Jisung immediately becomes intrigued, oblivious to the fact that Hyunjin had it in him to admit such a scandalous piece of information, “what does that mean to you though?”
He becomes even more flustered under the heat of his friends’ question, it doesn’t help that he’s nearly fully hard behind you either, “it means things like…choking or hair pulling-”
“What…you like to do those things or those things being done to yo-
“Both, I like both. Anyway, that’s not the question,” Hyunjin interrupts impatiently. “Just move on.” 
It’s difficult for you not to laugh at him, yet as you go to pick up a card - more carefully this time for Hyunjin’s sake - your smile fades quicker than you could blink. Not one doubt crossed your mind about how obscene this game could get. Yet this card refuted all of that. 
“I…get…get yourself off in front of someone,” you mumble in a very quiet voice.
“Get what?” Jisung tries to reiterate. 
Hyunjin’s brows knit in concentration as he reads the card from over your shoulder, “she has to get herself in front of someone.”
An ‘o’ forms in Jisung’s mouth before he responds to that statement, “that’s a…an interesting card.” 
The three of you fall deathly silent to the weight that the dare has you under. Your mind wants you to do it, to satiate that instinctual appetite to pleasure yourself ever since the game heated up. To do so in front of your friends doesn’t appear to be a bad idea which technically it isn’t from the way they already have you unintentionally wet. That in itself said a lot.
Therefore, you spread your legs and bend your knees. 
An expression of realisation washes over Jisung, coming to grips with what’s about to unfold. As for Hyunjin, he can only sit and remain in place as a support for you to lean against when your hand slips down the front of your underwear as you begin to rub. A sigh of warm relief then pushes past your lips. The pads of your fingers collect your damp essence to use as you circle over your clit. 
Already, a hefty volume of pressure is escalating in the pit of your tummy, tingling and spreading throughout your lower half. All from being turned on by the game. The person in front of you and behind you feel the exact same way except the one behind you was already there a long time ago. Their cocks fill out against the inside of their thighs and Hyunjin is positive that you can feel him through his pants. 
“Y/N,” Jisung says. “Does that make you feel good?”
“Jisung,” Hyunjin warns him sharply, not wanting his friend to fuel the fire that’s burning. 
“Mm, y-yes,” you stutter, breath catching at the base of your throat the more you try and push yourself towards an edge. 
It could be better though. It could be the pair of them groping and teasing your body at their will. You know that they both know how to use their mouths with the way that they made out earlier on. Not to mention from the grapevine, you’ve heard about Jisung too; how he knows how to eat pussy. Then you have Hyunjin, who just exposed his fantasy of liking having rough sex. The possibilities with his ideas would be endless and fun. 
With the pair of them, you don’t think you would ever run out of orgasms. Just thinking about it makes your fingers speed up, becoming increasingly more wetter. Your muscles jerk every now and then when you inch closer to the tail end of your orgasm, which causes you to unintentionally move against Hyunjin’s crotch once more. 
“Y/N,” Hyunjin breathes out against you. 
“Don’t touch her,” Jisung snaps. “This is her dare.”
“I-I’m not fucking touching her,” he presses back madly, then mutters just to himself as he hides behind you. “Can’t help it Jisung.”
“K-Keep watching…” you plead. “So…close.” 
Hyunjin’s nails are digging deep into the carpet beneath him and his restraint not to touch you teeters dangerously on the last millimetre of a cliff. He’s throbbing, achingly hard. For you. Jisung can see his friends' knuckles turning white but he understands. He too remains hard in his sweats, which was obvious to you. Even just the slight outline that you can see indicates to you that he’s big.
Your mind starts wondering what that sort of length would do to your body, how would it feel to have inside of you? As you ask yourself those questions, you try to imagine that sensation when you start fingering yourself. 
You whimper pathetically, curling over that sweet spongy spot, “yes, feels so good. Makes me wanna cum…” 
“Yeah? Gonna cum in front of us?” Jisung eggs you on. “Gonna make yourself cum just for us?
Your dozy eyes lock with him just for a few seconds before you nod against Hyunjin’s body, “j-just for you both.” 
“F-Fuck,” Hyunjin squeezes his eyes tight shut, gritting his teeth so much that his jaw aches. 
As that familiar euphoric bliss catches up to you, a silent scream paints over your face while your eyelids clamp shut and your eyebrows are furrowed together, focusing on the pleasure. For a moment, you’ve forgotten that Hyunjin is behind you as you can’t help but shiver helplessly against his body from the waves of your orgasm. Quiet yet very audible moans ring throughout Hyunjin’s apartment, making themselves known as you gradually come down with heavy gasps. 
“Holy shit,” Jisung murmurs in awe, he can see that you’ve soaked through your underwear. 
The large wet and sticky patch makes him want to lurch forward, tear the piece of clothing from your body and taste you for himself. To have his face buried in between your legs would be the Atlantis of his own fantasy right now, to have you use his mouth and tongue until you’re cumming all over again. 
In the moments of quiet when the still air is filled with nothing but your staggered breathing and depleted whimpers as you try to collect yourself, your phone buzzes on Jisung’s thigh - the reply to the dirty text he sent from earlier on.
He looks down at the glowing bright screen and his jaw drops to the floor once more. His mind sobers quickly.
From Chan to You: Again? Still horny from this morning? Alright then, I can come over and give you what you need x
There was no way.
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bogleech · 4 months
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Mortasheen: The Tabletop RPG slowly releasing as of right now
If you backed the Mortasheen kickstarter 3 years ago, check your emails, because I just put up version 0.1 of the first initial digital-only edition; it contains the entire gameplay system by Morgan Mullins, pages and pages of monster abilities, dozens of setting locations including NPC characters and even some non-monster (but still not normal) wildlife, plus over 100 monsters with playable stats. If you aren't a kickstarter backer you'll have to wait until later this year for the general public release. First there will be a free update of this digital version adding several more monsters, one additional chapter of various other tweaks, then work can begin on the final public version for both digital and physical.
I spent about 15 years of my life waiting to be able to put this out. It outlasted my 20's and now outlasted my 30's. For 99% of that development I was left out of the loop on what was even happening with it while I hoped it would come out any year now to maybe possibly make me a little bit of money while being poor the entire time. I almost feel like it kind of took half my life away?
In the time this RPG has been in development, the entire "Adventure Time" franchise debuted as a Nickelodeon short, got picked up as a Cartoon Network series, redefined the animation industry, revealed several plot points coincidentally almost identical to many major reveals of the Mortasheen setting, ended, and has now returned as a spinoff.
I can't wait til I can show it to everybody else but for now it's for all those backers who waited two years longer than the time frame I expected. Here's some of my more recent artwork for it without any context:
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I wish I was making this post on some kind of actually special day or something and not just a random friday in january but I basically uploaded a passable book the very moment I had a passable book.
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nyerus · 7 months
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The Narrative Importantance of Hualian's Sexual Intimacy
This is a repost and minor edit of a thread I made on Twitter yesterday. This is a topic I have always wanted to talk about because of how often it comes up in TGCF fandom, time and time again.
‼️CW: mentions of sexual assault, self-harm, bodily injury‼️
⚠️Major spoilers for the entire novel ahead⚠️
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Saw a question the other day on what relevance Hualian being sexually intimate by the end of the novel had to either the narrative or Xie Lian's character arc.
In short: it bears significant relevance, especially in context of other themes the novel explores like bodily autonomy.
Throughout the novel, we see time and time again that Xie Lian is often dehumanized by pretty much everyone—including himself—with the sole exception of Hua Cheng. I've talked more in depth about it in an old twt thread, for those interested. @/stalliondany on twt has also made an excellent recent analysis that goes deeper into the specific ways Xie Lian was used as a physical shield, martyr, or scapegoat for others without thought to his humanity or suffering. I highly recommend reading it first!
But to sum it all up: it's important to Xie Lian's character arc to keep in mind that he is used to seeing his own body as a tool to solve problems. And in crucial narrative moments, he is robbed of his bodily autonomy, and either brutalized or violated in service of others.
One of the plot points that ties together all these concepts is actually... Xie Lian's chastity vows. That will be the main focus of this post.
When he was a young teen (or possibly as a child), Xie Lian took an oath of chastity because such was the norm for cultivators seeking ascension in Xian Le. To Xie Lian, even as he grew older, he never had an issue with this because he just never felt sexual attraction to another person, or any desire to be intimate in that way. Even if he yearned for the concept of being loved. And indeed, at first glance, his chastity vows may seem like nothing more than a side note. Or even a funny gag when it comes to Hua Cheng (later).
In reality Xie Lian's chastity vows are not only used against him, but paint a very disturbing picture with regards to his repeated violation.
The Land of the Tender scene is the most obvious example of this. Xie Lian's vows are directly tied to his spiritual powers, and because it affects how his followers see him. They place a high value on his chastity as being vital to his moral character.
For reference, an excerpt from TGCF vol. 3 of the English print translation, page 135:
Xie Lian's method of cultivation required a pure body. Those who worshipped the ascended cultivators who practiced this path were firmly convinced of the transcendence of gods untouched by earthly desires. If they couldn't protect their purity, their following would no doubt collapse and their powers would be devastated. It wouldn't be as serious as plunging from godhood to back to mortality, and there was still the possibility of recovery after many more years of cultivation—but with things as they were now, there was no time for him to sit behind closed doors and cultivate for years!
As a reminder: it is Bai Wuxiang who orchestrated this whole thing. Him trying to compromise Xie Lian in this way is horrific on many levels, yet that's not the main point I want to make here. It's that to preserve his "pure body," the solution Xie Lian realizes is to severely harm himself. To impale himself with his sword through the abdomen.
The juxtaposition of having to maintain bodily purity versus the gruesome violence inflicted on his body is extremely stark.
This grim contrast is no more evident than in the 100 swords scene. Where Xie Lian's body is literally brutalized and defiled to an unthinkable degree. To the point where he, quote: "no longer looked human." Yet he emerges from that temple physically "pure" all the same. His chastity vows were not broken, his body healed without scars. As though he was untouched.... And yet, he was completely destroyed mentally. It left permanent effects on him as a person. It's even worse when the scene is read analogous to sexual assault, as many have talked about before. I think that interpretation actually hits the nail on the head, especially keeping in mind the Land of the Tender scene and all the similarities between them.
Following the 100 swords scene, Xie Lian of course has a complete disconnect between himself and his body. I believe this is part of why he doesn't really feel pain, except when he is with Hua Cheng, who treats him and his body as one. As a person who is cherished, and loved. Hua Cheng is adamant in his adoring treatment of Xie Lian. Small injuries are also something he cannot tolerate because he knows what horrors befell Xie Lian in the past. (He was present at both the terrible moments mentioned above.) He will not let any of that continue, regardless of what Xie Lian says, because he sees it as injustice.
Xie Lian is willing to use himself as a tool to help others no matter the personal cost. He even thinks of it as something he must do, or that he deserves as penance. But Hua Cheng is the one person who asks "what about you?" He's the one that insists "your happiness matters." And it is Hua Cheng that takes issue with Xie Lian's chastity vows as being unfair, unlike everyone else. Regardless of Hua Cheng's reasons for this diegetically, symbolically it means a lot that he is the one opposed to this.
Just thinking about the chastity vows on their own for a moment: Xie Lian can indulge a little bit in stuff like alcohol, which isn't great to begin with for him. But he absolutely cannot engage in "pleasures of the flesh." He can totally have his flesh ripped from his bones, literally, but actually experiencing any kind of sexual gratification? Now that would make him unclean, and lesser.... Why? Because unlike everything else, that's something Xie Lian would do simply for himself to feel good. And what greater crime is there than to ever dare put himself first?
So Hua Cheng—being the one person who puts Xie Lian first above all else—thinking that such a restriction doesn't make sense is important. Hua Cheng being the person who Xie Lian breaks those vows for in the end is important! (Especially because it seems to have been an easy choice for him.)
And of course, the scene with Jun Wu and the Virginity Detector Sword™ has to be mentioned. Again, there's symbolism to be had! The perpetrator of two of the most physically violating moments of Xie Lian's life (both of which were sexual in nature; one literally and one allegorically) being the one to "check" Xie Lian's virginity... oof. Yikes. It's dramatic irony. It's deeply uncomfortable. Especially because Jun Wu probably wanted to know if Xie Lian slept with Hua Cheng, as he already knew Xie Lian wasn't the ghost fetus' father.
So it's once again a stark juxtaposition: of Ghost King Hua Cheng disagreeing with the purity vows, wanting Xie Lian to break them for himself and his own freedom. Versus Heavenly Emperor Jun Wu wanting to weaponize those vows against Xie Lian in whatever way he can, intact or not, to keep control over him.
Naturally, there's something to be said for the real-world problem with such purity vows being used against people, to judge their moral character, societal expectations, etc. Elephant in the room. It's very on the nose, so there isn't even much to say about it that hasn't been said already.
In the end, it comes down to how horrible it is that when Xie Lian tries to help others, it results in immense harm to his body every time. Yet he is expected to continue to bear it, for centuries, by others and also himself. Until he meets Hua Cheng, who helps him rediscover what it means to be happy, and to be loved. So yes, it's absolutely relevant that in the end, Xie Lian decides to break his purity vows to be intimate with Hua Cheng. That he's able to put himself in Hua Cheng's hands, and let himself be treated with affection and desire. It's Xie Lian finally forgiving himself, and beginning to heal.
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snalsupremacy · 7 months
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Why this is my favorite panel in hgsn
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Hgsn has some incredible art and page composition, but out of the entire manga so far, to me this is the best panel of them all. Hell, this might be my favorite panel of any manga ever. (Note: Due to respecting the scanlator's wishes, I blanked out the dialogue and replaced all necessary dialogue with the official English source)
1- Build-up
Before I get to the panel itself, lets first talk about the pages before: For context, this is in chapter 2. Yoshiki has just found out about "Hikaru", and its trying to adjust to this new reality. As they walk from school to Yoshiki's house, Yoshiki asks him if he killed Hikaru. This is how the previous two pages look like:
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Notice how the half shading effect is done in hatch marks. This is the first sign the all-black shading is a stylistic choice used to convey something.
Look at the balance the two pages form when you put them together: half white, half black, half black, half white. They compliment each other, both in color balance and in panel shape.
We have to turn the page to hear Hikaru's answer to Yoshiki's question. This gives the control of the narrative back to the viewer. This creates tension and build-up to it, it is a common tactic famously employed by Junji Ito in his famous "page-turner" moments where the viewer has to turn the page to see the monster. Except in this instance we are not revealing monsters, or are we?
2- The page
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I'm not gonna get into too much detail on the page itself, I just want to point out the juxtaposition between the page composition of this page and the previous two. The last two were balanced and had all the panels closed while this one is much more liberal, bringing a feeling of unbalance, like something just shifted. I'd say the black and white balance is still there, with the Hikaru on white and Yoshiki on black panel side by side and all, which actually brings me to my next point:
3- Black and White
Honestly this could be an entire analysis post of itself, where do I even start?! Let's go from the very beginning. This is the very first time we learn of "Hikaru" :
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Notice how the panel is colored black. In fact, throughout the story, we see black panels being spoken by "Hikaru", usually right before he does something unnatural:
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And here are the only two instances we see of the Brain-snatcher's true form:
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• He's literally a black blob, just like the text bubbles! And now combine that with Hikaru's white hair, and the fact his name means to be bright, and what's the brightest color but white, and there is a clear color symbolism going on:
Hikaru=White
"Hikaru"=Black
4-The Panel
And now we're back to the original panel! Taking all the other points in mind, we can analyze the panel itself
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First, his expression. My G-d, his expression! His raised eyebrows and his squinted eyes, making his pupils way larger, make the expression seem almost childish and pitiful. But the half black-out face turns this pity look to an ominous one. Not being able to see the face or having your face obstructed is easy path into the uncanny valley, which I think is the case for this scene. Immediately 180 from "aww the poor guy" to "what is he hiding?"
The white panel says "I like you" while the black panel says "I'm crazy for you". HOWEVER, The white bubble is by the black side of his face and the black bubble is by the white side of his face. So which Hikaru is saying that? Is "Hikaru" crazy for Yoshiki, while Hikaru just liked him, or the other way around? Did the original Hikaru ever love Yoshiki, or is that the monster's feelings? Well we don't know! That's the premise of the whole manga! In one panel!
And that's why it's my favorite :)
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Text
POV: YOU’RE DATING CALLUM TURNER
pt. ✌🏻
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cturnerupdates Cal & Y/N spotted at a cafe in Paris today - March 23, 2024
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fan12 I SHIP IT BUT IM JEALOUS
y/nfan two lovers in the city of love 🥹 fitting ♥️
user23 I’m calling it now these two are gonna be it for each other. They’re end game.
yourinstagram that’s the goal🥹
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keoghan92 Context: Cal taking his bird away because we were apparently “pissed ” 🙄
Photo credit - me 🫡
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anthonyboyle baftas are always a fun night eh?
yourinstagram he saved your ass, i had you!!!
keoghan92 love I’ll out drink you any day
yourinstagram tbh we weren’t even that drunk
rafflaw you were crying cus you “lost” your boyfriend but he was holding your hand the entire time and barry thought the stalls were narnia entry
keoghan92 that’s a solid night mate
fan23 damn y/n looks good
yourinstagram tits out & every thang 🤗
keoghan92 Oi her heads big enough
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yourinstagram trying to enjoy my lunch but this weird (cute) guy won’t stop bothering me (i love him)
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user12 i need to know what its like to be her
fan23 callum is so down bad for her #relatable
fan21 what did she cover up 👀
yourinstagram lol just cal being cheeky
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yourinstagram hi handsome ♥️
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fan23 THE WAY HE’S LOOKING AT HER 🙌🏼😭😭
user68 i wonder if he’s aware how many photos she takes of him and she posts them all its weird
yourfriendsig lmao trust he’s aware & he’s obsessed when it comes to y/n
fan21 ppl see shit on the internet & think they know everything ugh 😑
yourinstagram guys let’s all be nice and enjoy looking at my beautiful boyfriend! 😍
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jimmyfallonshow Tune in tonight 10/11 CT to witness Callum Turner swoon over ‘amazing’ girlfriend 💕 ….
When asked if he’s aware how iconic she’s become on social media he said he’s well aware and he isn’t at all surprised before divulging to Jimmy “she’s the one.” 💍 👀
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user23 After watching the interview I’m 100% convinced he’s the golden retriever and she’s the black cat. Y/N loves him but gosh … the way he was talking about her and looking at her?
fan13 IMA CRY ITS NOT LETTING ME WATCH SOMEONE SHARE
y/nupdates It starts with Callum sharing a joke and Jimmy didn’t laugh but Y/N did from the crowd 😂 Callum recognized her laugh and said “thanks baby” and then that’s when Jimmy asked about her IG fame. Callum said “she’s the one man - we aren’t worried about that.” When Jimmy asked how they deal with the attention.
user12 starting to wonder if they’re secretly married/engaged
fan31 Nah and I think it’s beautiful even though they’re aware they are it for each other she’s willing to wait and support him as he enters a new kind of fame
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yourinstagram Daddy? Sorry. Daddy? Sorry. Daddy - 🥵
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callumfan Y/N PLSSSSSS I CANNNOOOTTT
user41 girllll yes !!!!
fan53 can i please be you???
user91 ur man is so daddy he’s fire
user33 Y/N and Callum daddy kink confirmed
keoghan92 That’s what we called him on set
yourinstagram back off my man barry
rafflaw … we really did though
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drewbarrymoreshow Hilarious, gorgeous, and kind — yes these guys, but I was referring to the star of tonight’s show Callum Turner’s girlfriend. Her Instagram page is one of my favorite’s, tune in to watch me fan girl over three stars tonight.
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yourinstagram unreal !! i adore you !!❤️❤️
drewbarrymoreshow Text me for our date night 🤗
fan23 everyone loves y/n it’s beautiful to see someone being praised when they’re authentically themselves
user12 shoulda interviewed her too
drewbarrymooreshow 🌚
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yourinstagram Y/N by me (Cal) 💍♥️😍
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fan31 HIS EMOJI USE?!?? rip me
user12 im gonna cry she’s so smol he’s so tol
fan23 Cal make your own page!!! We know it’ll just be Y/N and we’re okay with it!!! It’s what we want tbh !!!
keoghan92 “why the fuck are you taking a photo” is what she was mid saying
user25 omg he probably crushes her she’s tiny it’s great
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yourinstagram 🥹
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fan23 ugh the height difference kills me
user12 they’re so in love it makes me happy
fan33 I believe in love because of them tbh
fan67 idk how he hasn’t popped the question yet
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cturnerupdates Callum spotted with Y/N and his mother in London back in Feb for his birthday. The group had a picnic at the park and Callum’s mother even braided her hair — Feb 19, 2024
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user13 ohhhh he’s gonna be a girl dad fs
fan54 she’s got the momma’s stamp approval it’s gonna happen
user23 what i wouldn’t give to be his gf and have a picnic w him at the park and have his mom braid my hair
fan56 Is anyone gonna talk about how he’s looking at her? 🥹🥹😍 Definition of heart eyes
————
I’m so down bad for this man so I really couldn’t resist making another one. He’s handsome and charming and manly and ughhhhh kill me!
P.S slight FC use of Olivia Dejonge. Not only is she gorgeous but she’s so smol and I find it so beautiful, especially with how large he is. Needed that picture for a specific use to help identify the size difference between the two but feel free to keep imagining whoever. He’s dated Vanessa Kirby and Dua Lipa so the hair color constantly changes in pics 😭
Don’t have a tag list but thanks to everyone for all the love, hope ya’ll enjoy this one as well 💕
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piratekane · 9 months
Text
(rated m for mature)
Ava’s room is the last sacred space in their apartment. A room that belongs to Ava, and Ava only. The living room is shared space, of course. Their breakfast bar holds both of their tea mugs: Ava’s in the shape of a bulldog holding a bone, her own a dark gray and white plaid pattern. The bathroom has a small stand with both of their toothbrushes and two face cloths on small hooks, one on each side of the sink. The face of the kitchen refrigerator is littered with pictures and ticket stubs and small post-it-note drawings they’ve both accumulated over the last few months.
We exist, Beatrice, Ava likes to tell her. If we died and someone came to pack us up, they would know we both existed here.
It’s a morbid thought, but it rotates in her mind for days afterwards. They exist. They exist together, in this shared space. There’s two of everything - a testament to a life shared between two people who found comfort in each other. Who found a home. Their shoes are by the front door, their bills are on the counter, their sweaters tangle into knots on the couch where they dare cross the line Beatrice has drawn between them.
Ava’s room is a line. She doesn’t cross it. She lets their shared existence fill every corner of the apartment except for Ava’s bedroom. She’s never crossed the threshold. Even on the day Ava moved in, she dutifully passed her boxes from the living room, marveling at the idea that one person who existed in a single dorm room for a handful of months could accumulate so many things.
She’s not sure that Ava even noticed. If she did, she didn’t say anything about it. Because she’s kind and takes Beatrice’s actions into consideration with the sort of care no one else in her life has ever shown.
But that’s par for the course. Ava is unlike anyone else in her life.
It’s why Beatrice is so careful. She’s gotten used to having this unusual, perfect thing in her life. She’s gripping it tightly with two hands, firm enough to keep it in one place but soft enough that it doesn’t break. It took her years to learn that grip and only a month with Ava to master it in a whole new way.
She should know by now, after seven months, that being careful around Ava is never careful enough.
“Blue or green?” she hears Ava call from inside her room.
Beatrice sighs, resting her pencil tip against the page she’s taking notes on. “Ava.”
Ava’s head pops around the doorframe. She’s smiling in a way a younger Beatrice would have called dashing or roguish. It’s charming. Infuriatingly so. Ava knows it—has never forgotten it since the time Camila said it out loud one night when Ava convinced them to try roller skating at some wooden rink nearby. That smile is a weapon, a carefully drawn bow whose range Beatrice can never escape from.
“Blue or green?” she repeats.
“I’m afraid I need a bit of context, Ava.”
Beatrice resists the urge to rub tiredly at the space between her eyes. Finals week is upon them. She’s prepared - has been preparing all semester - but then her Early Christian Women’s professor gave her some last minute feedback to restructure her entire research paper. It’s left her molded to the stool at the breakfast bar for the last three days, the entire top of it covered in color-coded index cards and texts she’s expressly forbid Ava from going anywhere near.
Ava pinky promised that she would listen. Beatrice would have accepted a confident “okay,” but Ava had taken it a step further, tightening her grip on Beatrice’s pinky and pulling her whole hand up to her mouth as Ava kissed her own fist, eyes on Beatrice the whole time.
“There. Now it’s really a promise.”
Beatrice thinks maybe she didn’t have enough friends growing up. Or that she didn’t have enough friends like Ava growing up. Because she’d never heard of this particular kind of promise. Shannon had made a face when Beatrice asked her about it. No, I’m not making fun of you, Shannon assured her. I just mean… Bea. Come on.
Beatrice does not come on, but the next time Ava makes her promise she won’t throw all her sources out the window and develop a list of new ones, she quickly presses her lips to the outside of her own hand, eyes darting to Ava’s face. Just as a test. Just to see if she’s doing this right.
She must have. Ava beamed for hours.
“Blue paint or green paint?” Ava expands.
“For what?”
Ava extends her arm past the doorway into Beatrice’s view. A small bucket of paint, hardly larger than a box of baking soda, dangles from her fingers.
She holds back the long-suffering sigh building in her chest. “Ava.”
“I’m painting my room.”
“You’re-” Beatrice turns, notecard on Thecla abandoned. “You’re painting your room?”
Ava frowns at her like she’s the one who just announced that she’s completing a home makeover project. “I told you this.”
“You didn’t.”
“I did.” Ava’s arm drops to her side, and she leans a little further around the doorway.
Beatrice shakes her head. “You most certainly did not. Because I would have remembered that.”
“You can’t remember everything I say.”
I do. The thought nearly makes its way to Beatrice’s tongue, but she bites it back. She certainly can’t admit that, though she thinks Ava would, if she was in her position. Ava has always been more free in her words, in her certainty.
“I would have remembered this,” she repeats.
Ava shakes her head. “I definitely told you I was doing this. I asked if you wanted to go pick out-”
Her forehead wrinkles into a frown that Beatrice immediately wants to smooth away. She can feel Ava’s skin under her fingertips, warm and soft. She blinks.
“Huh. Maybe I mentioned it to Mary, now that I think about it.” Her face brightens without Beatrice’s help. “I guess I’m telling you now.”
“You can’t- You can’t paint your room.”
Ava nods like she understands. “I can’t paint it alone, no. I’ll need help. Oh! A paint party!”
“No, I mean-” Beatrice takes a deep breath. “We would lose our security deposit if you paint the walls. It’s in our rental agreement.”
That doesn’t seem to bother Ava. “We can just paint it back when we move out. Or if we never do, then no one will ever know.”
If we never do. The words are like a lightning bolt in her chest. If we never do implies that Ava has thought about living with her indefinitely. That Ava has considered the possibility of a future where they're still in each other’s lives, where they’re still living in this same apartment doing the same things together. Movie nights and take out and reading while Ava watches something on TV, and talking about the few hours they spent apart and deciding where to take weekend trips and what new household decoration Ava is going to talk her into.
Their life in shared spaces, for everyone who visits to see.
Forever roommates.
The thought is too overwhelming for her to breathe properly.
“So, will you help me pick a color?” Ava continues on as if Beatrice isn’t slowly burning from the inside out. “I’m thinking green. Blue seems more like your color. Hey! We can paint your room next.”
Beatrice shakes her head. “Ava, no.”
Ava either doesn’t hear her, or pays her no mind. “I got this cool mint color. It looks like mint chocolate chip ice cream!”
“Mint,” she repeats, voice strangled.
Ava beams. “It looks like our toothpaste.”
Dread washes over her, as cold as ice cream out of the freezer against her tongue. Their toothpaste is a frightfully minty green color that always catches Beatrice off guard no matter how many times a day she’s brushed her teeth, even after the ;five months since Ava started buying it. It’s a sickly green, almost. Certainly not something that should be on a wall, let alone four of them. Ava’s room would glow, practically radioactive.
“No,” she insists. “Not that color.”
“Come see it. Then you’ll understand.”
She moves without meaning to, without giving much thought to it. Ava calls like a siren, and she swims out to meet her. She gets as far as the couch before the water comes up to her chin and she stops again.
“I don’t think you should paint your room.”
Ava waves away her concern. “It’ll be fine. The whole room is just so… white. We need a little color in our lives, Bea. A little bit of… spice.”
“A little bit of spice.”
“You know. Excitement.” Ava is firmly in the doorway now, paint can hanging at her side. “We can’t live with white walls forever.”
Why not? she wants to ask. She grew up with white walls. Pristine ones. Washed down every week by their housekeeper. Sanitized. She pauses. Ava might have a point.
But their landlord would not approve of it. And Beatrice intends to stick by the rules. She opens her mouth to say so, but Ava cuts her off.
“Come here. Just have a look.” She pads forward on bare feet and curls her fingers around Beatrice’s wrist, tugging her forward gently enough that Beatrice could step back, break their connection if she needed to.
She doesn’t. Not yet.
But she gets closer and closer to Ava’s doorway, to the raised threshold that separates her from this last sacred space. Ava is stepping back over it, eyes on Beatrice, and then her toes are bumping against it and she stops. Their arms stretch between them for a moment before Ava catches up and steps forward so they hang loosely again.
Ava waits for her. Always waiting for her. It’s not fair, she thinks. It’s not fair that she’s always waiting for me.
“So, I have something to admit,” Ava says slowly, pulling her out of her head. She’s smiling sheepishly, her head ducked a little as she searches Beatrice’s face. “I might have already painted a few swatches on the wall.”
“Ava.”
“Just a few,” she rushes on. “Small ones. Like, the size of a book. A small one! I’m sorry, I just wanted to see what they looked like.” She strokes her thumb over Beatrice’s wrist. “The mint kind of looks horrible,” she admits.
Beatrice fights that never-ending sigh again. “Of course it does.”
“But the other green looks good! It’s kind of turquoise-y, actually.” Ava’s forehead wrinkles into a frown that lingers for just a second. “Greener than a normal turquoise, though. Almost like the sea. Like - okay, just look.”
Ava’s hand falls away, and she takes a step back into her room. She’s looking at the wall, eyes moving quickly over what Beatrice assumes is the paint swatches she’s done there.
She eases her weight onto the ball of her foot. The floorboard creaks under it. Ava is still looking at the wall, still studying her choices. Beatrice feels a ripple of fear race through her. It’s just a room. Their apartment is made up of rooms. But it’s Ava’s room. Opening this door, crossing this line - she’s not sure she can come back from that.
Ava meets her eyes again and tips her head in that effortlessly endearing way, a soft smile on her face that immediately ebbs the fear away. Ava crooks a finger in her direction, beckoning her forward. It’s like a piece of string loops its way around Beatrice’s wrist and it pulls.
“You’re going to like the turquoise,” Ava says just quietly enough for Beatrice to hear. Another siren’s call.
She’s a strong swimmer. She can survive this. Her toes brush the raised threshold, and then they’re curled over the other side of it as her shoulders breach the doorway. The air shifts. She feels a little lightheaded. The lights seem dimmed, lowered. She holds her breath and waits for God to strike her down, and when nothing happens, she silently exhales a thin stream of air.
She doesn’t go further than that. Her body doesn’t seem to want to move past the invisible line that goes from the ceiling down directly to the floor. Her eyes immediately go to the wall Ava was looking at.
She was correct. The mint looks horrible.
“I know,” Ava says, reading her mind. “It looked a lot better at the store. Maybe it’s the light?”
It takes Beatrice a minute to reply, almost as if the words were a trade for tipping forward into Ava’s room. “I don’t think different lighting is going to help this.”
Ava studies it for another moment before she nods decisively. “You’re right. But what about this green-turquoise?” She moves and touches her finger to the wall. It comes back with a sticky greenish color. She frowns at it. “Huh. Thought it’d dry.”
“I like it,” Beatrice allows. “But Ava-”
“I promise we’ll paint it back. I just…” Ava stops, running a hand through her hair. She leaves behind a smudge of turquoise on her forehead, disappearing into her hair. “It’ll be easy to paint back. Please, Bea?” She clasps her hand in front of her, holding them to her chest. “Pleeeease?”
They both realize she’s going to give in at the same moment. Beatrice didn’t think she had any tells, has always prided herself on being someone fully in control of their actions, emotions, and facial expressions. Lessons learned from her parents that she actually appreciated. Expressive got you in trouble, gave too much away. She spent years tightening up to prevent anyone from knowing too much.
Ava does not carry the same burden. And Ava, it appears, has learned to recognize when Beatrice is on the cusp of expressing too much, of giving in. Maybe she’s giving it away in the quick pull of the corner of her mouth. Maybe there’s something in her eyes, a flicker of acceptance. Maybe she clenches her hand into a fist, a small flex of her muscles. Maybe she shifts her weight. Maybe she blinks too many times.
Whatever it is, Ava sees it in her. And she grins, the light in the room becoming impossibly brighter.
“I want nothing to do with this,” is what she decides to say.
Ava claps her hands together. “You won’t regret this.”
“I’m sure I will.”
It doesn’t dim Ava’s smile. “When I’m done, you’ll see how much it brings this place to life. And then we talk about your room. And the living room! Oh, and wouldn’t the kitchen look so great if we painted it some kind of blue? I saw a swatch at the store that looked exactly like the water in the Blue Grotto. I want to go there one day. I always thought it would look-”
Beatrice steps back. Something that was fizzling inside of her fades, though she didn’t know it was there until she felt its absence. Ava is still going on – the bathroom would look good in pink. With black and white tiles on the floor – but Beatrice feels a sense of calm come over her, and she takes her first deep breath since she crossed the threshold.
Ava stops. “I’m getting ahead of myself,” she says sheepishly.
“It’s okay.” And it is. Beatrice doesn’t mind getting swept up in Ava’s elaborate plans. “But I’m going to go back to my homework.”
Ava flashes her a thumbs up. Her finger is still stained turquoise. “Okay. But you’re not studying for too long. We can’t have a repeat of this weekend.”
Beatrice feels her face flush. “I swore I went to bed.”
“You did. Standing in front of the refrigerator. I thought you were going to fall over.”
“I’m very disciplined.”
Ava grins. “Well, put a cap on studying tonight. When I’m done with the first coat, we’re going to get something to eat.”
She pretends to be annoyed by this, just because she likes the way Ava narrows her eyes playfully and shakes a finger at her. She’s not disappointed when Ava does exactly that before turning back to the stool she stole from the kitchen where she’s stacked two small paint cans, one open and one closed, and a paint roller.
Crossing the room back towards her homework is easier than going the distance from it to Ava’s room. She feels lighter with each step. She sits back down, her intention to focus on this paper she’s supposed to submit in two days (but feels nowhere near completion). Work, then break. As long as she works for the next hour, at least, then she can offer to buy Ava Indian food and ask her to watch a documentary about a filmmaker befriending an octopus. Cedrick, in her Study of Film elective, had suggested it to her. She doesn’t think it’ll be hard; Ava has said more than once that she thinks octopi are cute.
But as thoughts of Ava and octopi float in her head, some of the words Ava just mentioned start to register in Beatrice’ brain. Ava never mentioned the Blue Grotto before. They’re inching closer to the end of the school year and she doesn’t know Ava’s plans yet. Does she want to go backpacking across Europe? Alone? Will Beatrice have to haunt the corners of the apartment waiting for her to come back? Will Ava be different when she comes back? Will she forget about Beatrice?
Will she find a new forever-roommate in another city and leave Beatrice on her own?
Her homework is suddenly the furthest thing from her mind. She can’t focus on Eve or Thecla or their impact on the religious narrative. She can only think about the possibility of spending the summer alone - Mary and Shannon are going on a graduation trip across Spain, and Camila secured a summer internship with a tech startup company, and even Lilith found a program that allows her to travel for the few months before the start of the fall semester.
Beatrice’s big plan is to work at the campus library, splitting her time between shelving books, starting her graduation capstone project, and Ava. The practical side of her knows she should try to make that time an even three-way split, but the more she thinks about the coming months, the more adventures she keeps coming up with in her head. Things she wants to do and try with Ava, because she knows it’s on Ava’s list. They could visit the Prado Museum. Take a long weekend and travel to some seaside town where Ava could practice swimming in the waves. They could find new restaurants and new hiking trails. She’d even let Ava convince her to try roller skating. Again.
Beatrice hasn’t told her yet, but she has the whole summer mapped out. And Ava is embedded into every bullet point of that. It just hadn’t occurred to her that Ava might have her own plans. Ones that didn’t include Beatrice.
“Ow!”
Beatrice’s head snaps up. The sudden noise is followed by a heavy thud, thud and a rattle as something hits the floor. She’s up and moving before she has time to second guess herself, crossing the apartment in long strides until she’s reaching Ava’s room.
She crosses the threshold in a breath, suddenly plunged into the smell of paint and the sight of the bright lights Ava has rigged up in the center of the room. It nearly blinds her and she quickly looks at the ground.
Ava is lying on the thick, plush navy rug at the bottom of the bed, body curled in on itself as she clutches her foot. A small unopened can of paint is rolling slowly away from her towards the corner of the room. Ava groans loudly and turns her face into the rug as her whole body expands with a breath.
Beatrice drops to her knees, ignoring the dull ache that rockets up her thighs into her hips. She grabs Ava’s shoulders, turning her onto her back as her eyes scan Ava’s face for any blood or bruises. Her hands follow the same path, tucking Ava’s hair behind her ear and trailing her thumbs across the flat of Ava’s cheeks.
“What happened? Are you hurt?”
Ava’s eyes flutter closed, and Beatrice immediately becomes concerned about a concussion. Her fingers slide to the base of Ava’s head, and she applies a little pressure to tip it back. Ava’s still blinking up at her but as the light reflects against the honeyed color of her irises her pupils shrink. Beatrice heaves a relieved sigh. No concussion.
“Bea,” Ava groans again. She turns her face into Beatrice’s palm. “I think I broke it.”
Beatrice’s hands fall from Ava’s face and skim down her shoulders to her elbows, cupping them gently. “Let me see,” she says softly.
Ava shakes her head. “Just leave me behind.”
A rush of fondness ripples through her. She presses her fingertips into Ava’s bare arms, the sleeves of her This may be cheesy but I feel grate t-shirt brushing against the backs of Beatrice’s knuckles. “Ava,” she urges.
“No, it’s too horrible.” Ava’s grip tightens on her foot and she immediately winces.
Beatrice slides her hands down to Ava’s slowly. She curls her fingers into the spaces between Ava’s and her foot, pushing them back until she has enough room to free Ava’s foot from its self-imposed prison. There’s a bruise already forming at the base of her toes on the top of her foot, blooming across the first three toes. She ghosts her thumb across it and Ava flinches slightly.
Beatrice’s lips purse into a frown. “I’m sorry.”
“S’okay.” Ava rolls completely onto her back, staring up at Beatrice. She’s still blinking rapidly and Beatrice is worried about a delayed concussion now.
“I think you’ve bruised it.” She presses down, gentler this time. Ava draws in a breath but doesn’t flinch away. “I don’t think anything is broken.”
Her hand drifts higher, curling around Ava’s ankle bone. It’s delicate under her fingers, the point rounded. Her other hand, still resting on Ava’s foot, goes to her other shin. There’s nothing but an expanse of smooth and warm skin under her palm.
“Good,” Ava says faintly. Her eyes go to Beatrice’s hand, lingering.
Beatrice’s eyes follow. Oh. She quickly pulls her hands away, cheeks suddenly hot.
“I didn’t mean to-”
“You don’t have to-”
They both pause, staring at each other. The air feels electric, goosebumps running up Beatrice’s arms. Her chest feels tight with unspoken words. She looks away first.
Ava’s hand on her own pulls her eyes back around. She looks at Beatrice for a long moment before she smiles a little. There’s something on her face that Beatrice can’t read, but it settles the rising tide of fear in her chest and she feels it ebb away into nothingness.
It’s not unusual, the sense of calm that comes with a simple look from Ava. It’s a peace that feels second nature now. It’s odd how seven months with Ava has untied almost all the knots her life created. Seven months isn’t very long - a blip on the radar, really. She’s had the same study group for longer than that. But these seven months have felt so monumental that it seems to have lasted years.
But Ava is monumental, so really, it does make sense.
Still. Her hands got ahead of her head. She touched before she thought, and now she’s kneeling on Ava’s floor with her hands hovering between their bodies, and Ava’s eyes are even more honey-colored than usual. The lights reflecting off the white walls makes her feel like she’s under a spotlight on a stage where everyone can see her, here in Ava’s room.
In Ava’s room, across the threshold. Completely across it.
A line she hasn’t crossed, a step she hasn’t taken. The room rushes in on her suddenly. She’s hyper aware of the faint chemical smell of paint, the too-bright lights, the rough fibers of the rug against her bare ankles, the way Ava’s laundry seems to be crawling out of the basket in the corner.
“I’m-”
“Don’t apologize.”
“I didn’t mean-”
“Bea.”
“I’ll just-”
“Beatrice.”
Beatrice blinks. Ava’s hand has turned over in hers, her palm up. “Yes?”
“Help me up?”
Beatrice blinks again. “Oh. Yes.” She shifts back onto her heels and grabs Ava’s wrist, fingers spread to distribute her grasp so she doesn’t pull Ava’s wrist off her arm, and gently leads her forward. She wobbles as she rises, leaning into Beatrice for support, and Beatrice quickly winds an arm around her waist to steady her as she stands. They’re so close that Beatrice can feel the way Ava is breathing, the push of her ribs against Beatrice’s hand. She helps her to the bed carefully, cautious of the paint around them, and sits her down gently.
There’s more turquoise paint along her forehead, and dried paint on her fingers, and Beatrice wants to find a clean washcloth, wet it, and gently wash it away. She does the next best thing.
She picks up a rag next to the small container of water Ava must be using to clean the brushes and dips the corner into it, wetting it. She hands it to Ava and waits as she rubs furiously at her finger, washing the paint away.
“What happened?”
Ava sighs, eyes narrowing as she looks at the unopened paint can on the ground. It’s rolled across her room away from them. Luckily, the open can remains in place on the stool, the paintbrush hanging precariously on the edge of it.
“I went to reach for the paintbrush and knocked it off. Freaking thing landed on my foot. Obviously.”
Beatrice’s free hand goes to Ava’s foot. Her thumb sweeps across the bruise. Ava’s fingers flex against the back of Beatrice’s forearms. “You are lucky it didn’t break anything.”
Ava shudders. “Manuel, one of the guys on my floor when I lived in the dorms, he broke his foot the first month in. He had to wear a big walking boot for weeks. It was so ugly.”
“It would hardly go with your outfits,” Beatrice agrees.
“How would I even get my jeans on?” Ava frowns thoughtfully. “I’d have to walk around in my underwear all day.”
Beatrice nearly chokes on a cough, but she swallows it back down, uncomfortable in her throat. “I think… I think you could remove it to put your clothes on,” she says, her voice too light to be her own.
Ava’s face flushes unusually. “Oh, right. Of course.” She starts to smile wickedly. “Don’t want me walking around in my underwear, of course.”
Beatrice doesn’t quite hide her blush like she hid her cough. Because she has envisioned Ava walking around in her underwear before, just with one of Beatrice’s big sweaters dusting her thighs and coming down over her hands. She quickly blinks, turning the image to black in her mind. It was a passing thought, just once. She never had it again. It was unfair to Ava to even begin to form that picture in her mind. It flashes in her head like a bang now and she tightens her grip on Ava’s wrist, suddenly aware she’s still holding on.
She goes for a strangled joke. “It would prevent Lilith from coming over.”
It was the wrong thing to say. Ava latches onto it. Her eyes light up. “Consider it done.”
Beatrice immediately concerns herself with something else. Ava’s foot.
“Let me get you some ice,” she says. Her voice doesn’t waver this time. Shannon, if she knew about this, would be proud. She’d praise Beatrice’s restraint, call it admirable.
Shannon would also probably tell her that she should do something that would completely change the trajectory of her friendship with Ava. So maybe the Shannon in her mind should be a little quieter.
“I don’t think I need ice.”
Beatrice looks down at the bruise, darker now, and then gives Ava a pointed look. It has the desired effect. Ava’s cheeks pinken and she smiles sheepishly. Beatrice nods, assured in her success, and carefully extracts her hands from Ava’s foot, standing.
“I’ll be right back,” she promises. “Don’t forget the paint on your forehead”
Ava carefully taps her foot, higher than the bruise. “Not going anywhere.”
Beatrice could argue that Ava could go somewhere. It’s not broken. It’s uncomfortable, of course. She once flexed her foot at the wrong moment and kicked a pine board toes-first. The bruise remained for weeks and the slight limp from accommodating the pain had lasted a little longer than that.
But Ava wipes her forehead carelessly and falls back onto her bed, hands hanging over each side of the bed in a T-shape as her legs dangle off the end. Her shirt rides up her flat stomach revealing a sliver of skin Beatrice wants to run her fingernail over. Ava’s eyes are closed, head tipped back just enough for her chin to lift up, exposing the long unbroken line of her neck.
Beatrice looks away before another thought rushes unbidden into her mind. Her cheeks burn.
“I’ll be right back,” she repeats, unnecessarily. Ava hums on the bed.
She doesn’t linger, striding out of the room and across the apartment. She opens the freezer, welcoming the blast of cold air against her face. She takes a moment, almost forgetting why she’s standing there. But Ava calls her name from the bedroom, and Beatrice remembers quickly. The ice maker hasn’t worked in a few weeks - she makes a mental note to have Mary look at it before she calls her landlord - but Ava only found that as an excuse to buy increasingly ridiculous ice cube trays.
It takes her a minute to decide between ice cube shapes. Ava went a little crazy online, buying shark fin-shaped ones, brain-shaped ones, ones shaped like ice monsters and another set shaped like centipedes. Beatrice decides on ones shaped like rubber ducks, twisting the silicone tray so they pop out. She wraps them in a cloth quickly so her hands don’t get too cold.
Crossing the room feels like a walk she’s made a hundred times before. She knows in her mind that it’s only been twice but now that she’s opened the flood gate, her feet move her without thought. Past the books and notes she’s abandoned, the armchair, the couch. She pauses just before Ava’s bedroom, toes against the threshold.
She crosses it as easily as she exhales.
Ava is still laying on her back, an approximation of a cross as she rests with her eyes closed. Beatrice watches her chest rise and fall as she breathes in and out evenly. There’s a beauty in simplicity, she’s always thought so. Ava only strengthens that.
“Ice,” she says quietly, unsure of why she doesn’t want to say anything at all. She doesn’t want to break this moment, startle Ava and ruin the weightlessness of it.
Ava cracks one eye open, a half-smile on her face. “You’re back.”
Beatrice holds out the ice. Ava crooks a finger at her, beckoning her closer. She hesitates. Ava pushes up, resting on her elbows now.
“I think we’ve established that I don’t bite.” That smile turns wicked again. “Unless you ask nicely.”
Her fingers clench around the ice, and she feels the cold bite at her skin. But she stays still, not giving anything else away.
Ava sits up, foot dangling over the end of the bed. She rests her palms flat against the comforter before she pushes up and stands. She puts her weight down on her foot and her leg buckles almost instantly.
Beatrice doesn’t think, arms looping tightly around Ava’s waist and pulling up her. Her fingers slide into the dips of Ava’s back, the ice trapped between one of her palms and Ava’s skin. Her feet tangle with Ava’s. Their hips are nearly pressed together, almost no space between them. Ava exhales in a noisy rush, lips twisted in a grimace. Beatrice feels the hot air against her collarbone.
“Are you okay?”
Ava tilts her head back slightly. “Would you believe me if I said yes?”
Beatrice’s mouth flickers in a smile. “No.”
“Then we’ll just assume the answer.” Ava’s hands are wrapped tightly around her elbows and her fingers flex against the back of Beatrice’s arms. “Wow. Do you work out?”
“You know that I do.” She keeps her voice light.
Ava’s fingers dance further up her arms, under the hem of her sleeve. She squeezes again, gently. “Yeah, well knowing you do, seeing you do it, and feeling its effects are three very different things.”
Her fingers are maddening, burning hot against Beatrice’s skin. Ava rubs her thumb in a small circle over her bicep.
“Really, Bea. You could probably crush an egg with these things.”
She frowns. “Why would I want to crush an egg?”
“Well, it’d be a way to spice up breakfast.” She presses gently, dimpling the skin. “And a killer party trick.”
Beatrice fights a shiver despite the way her skin feels like it’s burning. “I don’t go to parties.”
But that’s a lie. She does when Ava invites her. She thinks of the party they went to, the spinning disco lights and the way Ava’s body pressed against hers in the hot swell of sweaty, drunken students. She thinks of Ava slumped over on their couch later, saying she’d wait for Beatrice.
That voice that sounds just like Shannon’s whispers that it means exactly what Beatrice hopes it means. She’s never been good at telling Shannon to stop, but this is easy enough to sweep under the mental rug so it remains unknown and unseen.
Truth unknown and unseen is still truth, Shannon has said before. I read that on Pintrest.
Beatrice shakes the memory from her mind and focuses on the facts in front of her: Ava. Ava, close enough to breathe in. Close enough that Beatrice could eliminate the mere inches between them and-
“I bet you’d go to more parties if you had a party trick,” Ava interrupts.
“I doubt it.” But Ava is grinning and Beatrice can’t help but smile back. “But I’m sure you could convince Mary to give it a try.”
“I mean, Mary has decent biceps, but I don’t think she could crack an egg.”
Beatrice shakes her head. “Why an egg? Why not, I don’t know. A walnut.”
“A walnut. These are good goals.” Ava squeezes Beatrice’s bicep once more to emphasize her words. “Let’s start with an egg and work our way to something more advanced.”
The flex of Ava’s fingers against her skin pulls her from her next thought. It’s not that she didn’t notice the lack of space between them, it’s just that it’s rushing in on her now. It’s dizzying, the way Ava is standing so close. Beatrice tries to breathe in, but her chest pushes out until it nearly brushes Ava’s and she’s sucking all the air back into her lungs just as quickly.
Ava notices, eyes dropping down past Beatrice’s chin and neck before they dart up again, crinkling at the corners. She takes a step back, dropping to the bed again, the ice in her hand. She pulls one leg up under her, chin resting on her knee as she puts the ice against her bruising foot.
Beatrice blinks, oddly cool air rushing in where Ava’s body had been despite the humid air of their apartment as the spring pushes towards the hot summer. “You’ll need to ice that for a bit.”
Ava nods, adjusting the ice for a moment before she looks up and says, “So, first time?”
Beatrice frowns. “Administering first aid?”
“First time being in here. Properly, I mean.” Ava looks around, throwing one arm wide. “What do you think?”
Beatrice takes stock of her situation. It’s technically her third time being in here, but Ava is right. She’s in here properly now. Not just over the threshold or charging through barriers because Ava’s been injured. She crossed the line intentionally this time. And she remains, the walls of Ava’s room coming at her from each side without boxing her in.
Ava’s laundry flows from the hamper. Her bed isn’t quite made, but isn’t quite a mess. There are books stacked on the desk in a way that tells Beatrice Ava hasn’t opened them in some time. Hobbes sits next to them. A series of pictures is on the wall opposite her desk, ones of her and Ava and the rest of their friends. Beatrice’s eyes catalog each inch, committing it to memory in a place where she knows she’s going to see it for a very long time.
“You’re missing the best part,” Ava says. Her voice is quiet, like she’s afraid to startle Beatrice. She waits until Beatrice looks before she points upward.
Beatrice’s eyes follow the imaginary thread from Ava’s fingertip to the ceiling. She nearly gasps.
White-green stars dot the ceiling, filling all the space. Spider web-thin lines connect some of them, forming constellations she recognizes from the pictures Ava has shown her and the ones Ava has pointed out on rare nights when she can convince Beatrice to go out to the quad and lay on the grass to watch the night pass by. Some of them she doesn’t and she focuses on those ones, studying their shapes and trying to decide what they look like.
“Apus.” Ava’s finger moves, tracing the lines she’s drawn between the glow-in-the-dark stars. “We call it the Bird of Paradise. Derived from the Greek word apous, which means ‘footless’. There’s a story that birds of paradise were once believed to have been footless.”
“I don’t believe I know what a bird of paradise looks like,” she admits.
“My mom loved them. She’d never seen one in person, but she liked looking at pictures of them. They have these large plumes. They look so soft.” Ava sighs wistfully. “There was a nun, in the orphanage when I was first there, that called me a bird of paradise.” She pauses, eyes darting to Beatrice. “Because I was footless, you know? She reminded me of my mom. She didn’t stay long, but she was nice.”
Beatrice’s heart clenches as it always does when Ava talks about her past. But this is a softer ache, a longing to thank this woman who showed Ava a sliver of mercy.
“And that’s Grus, the crane,” Ava continues. “Originally, it was part of another constellation, Piscis Austrinus. But a Dutch astronomer defined it as its own separate constellation. Its brightest star is Al Na’ir. It’s Arabic for ‘bright one’ which feels a little on the nose.”
Beatrice studies its shape, noting the bigger star that Ava must have defined as Al Na’ir. “Why do you like this one?”
Ava thinks for a moment. “Did you know that cranes have the ability to fly over the Himalayas? They can. They can go as high as 8,000 meters. Imagine being that high up, feeling the wind in your hair.” She blinks, looking off towards the wall littered with paint swatches. “I spent so long tied to one place that the idea of being able to fly over a mountain, to graze the tip of it with a set of wings, sounded like a fairytale.”
Beatrice slides her hand over Ava’s, fingertips resting in the dips between her knuckles. “I think we could hike the Himalayas one day, if you wanted to.”
Ava looks down at their hands and blinks before her eyes meet Beatrice’s. “You think so?”
“I think you could do anything you want to do.”
Ava doesn’t blink this time, doesn’t even look away. “If I can do anything I want to do, I want to…” She pauses, tongue darting out to wet her bottom lip.
Beatrice waits, but the rest of Ava’s sentence doesn’t come. She clears her throat. “What do you-”
“Did you see that one?” Ava asks, interrupting her and pointing up at the ceiling.
Beatrice blinks, startled at the intensity of Ava’s voice. She searches Ava’s face but it’s unreadable, a mix of something Beatrice can’t quite put a name to. So she looks up helplessly, searching for what Ava is pointing at.
“That’s Drago.”
“The dragon,” Beatrice translates. “What’s his story?”
Ava shrugs. “He’s just fucking cool.”
A sharp laugh slips out from between her lips and Ava grins widely back at her.
“So, you like it, then.” Ava looks around her room and nods to herself. “It’s a pretty great room, isn’t it?”
“It’s very… Ava,” Beatrice allows. She’s smiling though, hoping that her words don’t sting.
“Isn’t that all I can hope for?” Ava sighs and turns her hand over so her palm presses against Beatrice’s. “But can I ask another question?”
When she breathes out, “anything”, she means it.
Ava hesitates still. “You never come in here,” she says slowly. “Why not?”
Something tightens in her chest. Words rise in her throat and she swallows them back down, a reflex more than anything else. Ava must notice something pass over her face or feel the way that Beatrice’s hand jumps in hers, because strong and warm fingers stroke up her wrist as they lock around the bone, keeping her anchored to the moment.
“You don’t have to answer that,” Ava rushes on. “I’m just… curious, I guess.” She smiles crookedly. “Does it smell in here?”
Yes. Like something deep and woodsy and so uniquely Ava.
Ava’s nose wrinkles. “Does it? Because if it does, I-”
“It doesn’t.” Beatrice’s voice is too loud. “It doesn’t,” she says, softer now.
Ava’s frown doesn’t smooth out. “Then… why?”
It’s not you, it’s me, her mind supplies. She doesn’t say that. She thinks about how to put it into words, how to unpack all the things she tidied away and put in a cedar chest, locking it tight. Nothing comes from it, just an empty explanation that won’t make sense if she says it out loud.
But Ava is her best friend. And if it doesn’t make sense, if the words don’t come out right, she’ll wait patiently for Beatrice to try again. She’ll sit here, one leg tucked up as ice melts through a washcloth and she’ll wait for Beatrice to find the right words.
I’d wait for you forever, Ava had said, lips loose with party punch. And Beatrice believed her.
Ava makes her brave. Brave enough not to make an offhand joke and turn the conversation back on the open can of paint and the paintbrush quickly drying out.
Instead, she clears her throat and straightens up, the first thing she does when an image of her parents enters her mind. And Ava doesn’t let go of her wrist, moving with her instead, ebbing and flowing with her seamlessly. Beatrice turns to face Ava, watching Ava mirror her, and she exhales out the tension building in her muscles.
“Bea, if you don’t want to-”
“I do.”
She does. Holding onto these things makes her feel heavy. And almost more than anything - but not more than wanting Ava - she wants to be lighter.
Ava shakes her head. “I’m serious.”
Beatrice grips Ava’s other hand, their arms tangled around each other. “I… I have to.”
“Okay,” Ava says softly. Her smile is the same. “Whatever you want to tell me, I want to hear.”
Ava isn’t always sledgehammer, she realizes. She thinks of her as a hammer, crashing into everything and leaving a wake of needed destruction in her wake. But Ava is also a set of picks, quietly and discreetly slipping into the lock around her. For all the stomping around she does, all the things she knocks over in her haste to get from one moment to the next, she’s also deft, hands built with finesse.
Beatrice tries to find the start. Was it Penelope Marshall? Was it the start of boarding school? Was it her parents finding her journal when she was thirteen? Was it all the time she spent with the diplomat’s daughter? Was it her fifth birthday when she cried because her parents bought her the dress with the pink frills instead of the bicycle she wanted?
“My parents…”
“I hate them.”
She doesn’t chide Ava for saying so. A deep, angry part of her hates her parents too. She smiles humorlessly. “They sent me to boarding school, as you know. When I was thirteen. Right at Christmas time. I remember it because it was my present that year. An ‘opportunity to further my education in an environment that would foster appropriate and lifelong lessons’,” she quotes. She can remember the brochure she’d been given unceremoniously, a smiling girl on the front. Even in print, Beatrice could see the hollow light in her eyes.
“Appropriate,” Ava scoffs. “Like anything they did was appropriate.”
Beatrice feels Ava’s pulse thunder under her fingers. “They said it would give me a framework for my life. Lucille Thomason had graduated from there a year before and she was going to Oxford, on her way to inheriting her mother’s social calendar. My mother always fawned over her at dinners. ‘Lucille is following the plans her mother set out for her. Lucille has accomplished so much at such a young age.’”
“Lucille sounds like a loser.”
“Lucille sounded exactly like the daughter my mother wanted.”
Ava frowns softly. “You know that you’re leagues above whoever Lucille is.”
“I didn’t think so,” she admits. “Lucille was someone to admire. Her achievements were something to strive for. She had something I so desperately wanted when I was younger: my mother’s approval. And so, when they presented the option-” She stops herself. “It wasn’t an option. But when they presented their plan, I reconciled myself with it by reminding myself that Lucille was leading a very successful life.”
“There’s more to life than success,” Ava says gently.
Beatrice smiles a little. “To you. To me. But to my parents, there is nothing more.” She takes a deep breath. “And if they were framing it as me taking an opportunity to lead a successful life, then they would forget about… the things they were discovering about me.”
Ava immediately tenses. The Beatrice she is now knows it for what it is: an attempt to contain her anger. The Beatrice she was months ago would have worried. Was Ava afraid of her? Was Ava disgusted by her? The thoughts had swirled that movie night. What if she did admit to a crush on Patricia Velasquez? Would this new person she wanted so badly to be around, without knowing why, suddenly change her mind once she found out the truth?
But Ava hadn’t. Ava won’t. Beatrice knows it with every fiber of her being. There are very few absolute truths in the world, but this is one of them.
“They read my journal, you know,” she continues. The words are coming out easily, this tiny fissure in her chest cracking open as Ava looks at her with wide and trusting eyes. “A new girl started school at the beginning of the term. Her name was Mina. Her father was in banking, I believe. She had the bluest eyes I had ever seen in my life.”
Ava scoffs lightly. “Blue eyes.”
She skims the pad of her thumb over Ava’s wrist. “One day, our hands brushed. It was something simple, innocent. She was passing me a paper, and we miscalculated the distance. I’m sure it meant nothing to her.”
“It meant something to you,” Ava guesses.
“I was thirteen. Everything meant something.” Beatrice sighs, feeling her chest rise and fall heavily. “And anything that meant something to me went into my journal. I just didn’t know that what went into my journal eventually landed in my parents’ hands.”
“So those bastards went through your private journal and read about some girl who touched your hand,” Ava hisses. “I swear, the minute I meet them, it’s fist to face. They don’t call me The Piraya for nothing, you know.”
“No one calls you that.”
“They might call me that, you don’t know. I have a whole superhero persona you don’t know about.” Ava puffs out her chest a little bit.
“The name Piraya implies you’re more of a villain than a superhero.”
“I’m a villain’s villain. How’s that?”
The trickle of despair of dragging this up again fades as Ava’s smile widens. She knows what Ava is doing. But she doesn’t stop her, grateful for the brevity and the way it makes her feel like she’s grounded in something, not floating listlessly and endlessly in her terrible memories.
“I mean it.” Ava’s voice drops, low and serious. “I’ll be their worst nightmare.”
“I’m afraid that role is already taken,” she says quietly. “Though, I don’t think they intended for it to be their daughter.” She sighs. She used to be her mother’s doll. But once she started moving her own parts, she found herself moving in the opposite direction.
“Bea,” Ava whispers. She tightens her grip on Beatrice’s wrist.
“I remember I wrote that touching her hand was as if the heavens opened up and I finally understood what song the angels were singing. We were in the middle of a poetry unit, and I fancied myself quite good at it.” She lets out a dry chuckle. “When I found them in the kitchen one night holding onto my journal I foolishly thought they had found out I was reading Emily Dickenson instead of studying for my science exam.”
Beatrice remembers coming down the stairs, flushed with the late November cold. Mina had invited her for dinner the next night, and she promised to show Beatrice the new video game she got. Beatrice didn’t care about those kinds of things, but no one else had gotten an invitation to Mina’s. Beatrice felt special.
But her parents’ faces had stopped her in her tracks. She didn’t notice her journal at first. It was made to look discreet, not to stand out. It had blended into her mother’s dark skirt, and it wasn’t until her mother raised it into the air that she saw it for what it was.
They asked her to explain herself. She wasn’t sure what they wanted her to explain, not at first. She stumbled through an apology about delaying her studying; she’d do it immediately and ask her teacher for an extra take home lesson. She scrambled through a rushed explanation about having new friends meant more opportunities for networking. With new friends, she could join a new club. It would do well on her list of extracurriculars.
It wasn’t until her mother spit out the name Mina that she had any idea of what she was supposed to be afraid of.
“What did they say?” Ava asks gently.
“They didn’t have to say much. There were questions about who Mina was. My mother had a particular talent of making something that wasn’t a swear sound like it. And she hissed Mina’s name like it was the dirtiest word she could say.”
Beatrice thinks of Mina now. Where was she? What was she doing? Beatrice never heard from her after she left. No letters, no calls. She came and went in her life so quickly, it was as if Beatrice made her up. The only sign that she had been there was the page missing from her journal, returned to her the night before she left for school.
“They demanded to know what she had done to me. What had I done to her? I was so confused. She had touched my hand. I certainly hadn’t…” Beatrice’s chest hitches at the thought. “It was a fleeting moment, but I learned that fleeting moments were the most damaging ones. That,” she says dryly. “And that locks do nothing to keep a determined person out.”
“Locks are meant to keep people out,” Ava all but hisses. She sighs, working her fingers up Beatrice’s arm to her elbow. They rest in the dip of her arm, right over the thin vein under Beatrice’s skin. “God, Bea. I’m so sorry. They were - are - horrible. No one should have had to go through that. Especially not you.”
Especially not you, Ava says. Like Beatrice is better than anyone else. Like she should exist under different rules.
“Of course you’re afraid,” Ava says quietly, speaking to herself. She raises her voice, talking to Beatrice now. “Of course you’re worried about even - Jesus, Bea. Touching a girl’s hand?” She looks down as if she’s suddenly noticing how she’s knotted herself around Beatrice’s arm. She laughs dryly. “What would they say if they saw us now?”
Ava means what if they saw me comforting you? Not what if they saw how I touch you like nothing else matters?
The answer would be the same: her mother would simply set fire to the room.
The chasm is widening now. She’s cracked the seam on these memories, and her mind is cycling through the events that followed: a new suitcase set, pink with her name on an address tag; a set of starched uniforms that felt like coarse wool against her skin; a final meal in her parents’ formal dining room, the chef-of-the-week uncaring of her dislike for persimmons; a single plane ticket pressed into her hand and a dismissive nod as a car pulled away from the airport, leaving her alone.
She tells Ava this in stilted words, as if narrating someone else’s life. But then it starts to sink in, the anger. And it spreads in her belly, burning into a rage. She feels the moment the numbness transitions to an inferno. She hears herself exhale the word alone and something snaps.
“They had no right,” she says. Even through her anger, the words surprise her.
Ava’s voice sounds hoarse, unused. “They didn’t.”
“I was a child. Their child.” Her hand clenches tightly into a fist, Ava’s hand moving with the flex of her forearm muscle. “A ‘problem’ arose and they just…” She stops. “They strung me along until I was no longer of use to them.”
“You are not a problem.” Ava's voice is low, burning hot in the rapidly closing space between them, in a tone she’s never heard before.
Beatrice almost startles, confused. She had nearly forgotten that Ava was here, so consumed in her story. But now she’s noticing her. 
Her eyes flash. The tops of her cheeks pinken slightly. She’s angry. Beatrice has seen her on more than one occasion get angry on her behalf. The mere thought of her parents seems to send her into a flurry, but the anger in her eyes now is nearly staggering.
“You’re not,” she says again, insistent to the point of almost desperation. “Beatrice, you are not a problem.”
And Beatrice, blinking, already falling, dives deeper into love with her.
-
Ava feels her cheeks go hot with a liquid anger that roils in her blood. She’s been angry before - angry at Bea’s parents, even. But this feels like pure molten rage. All of the pieces are slotting together: a young girl who just wanted to make her parents proud; who saw someone - touched someone so innocently - and felt the world shift; who didn’t understand why a cliff rose up between her and the people who were supposed to love her more than anything; who trusted so completely and had it thrown back in her face as if she was the one who somehow failed.
Ava’s fingers tighten until her fingernails cut deep half-moon shapes into her palm. She pulls the words out from between her teeth like nails scratching the floor.
“You are not a problem.”
Bea blinks. The broiling heat in her stomach softens its edge, replaced by the confusion in Bea’s eyes as she blinks again.
“You’re not,” Ava insists. She tugs Bea’s hand, pulling her closer until they’re pressed together, an almost-sweaty slide of the skin of their knees bumping together. Bea blinks a second time, mouth parting slightly. “Beatrice, you are not a problem.”
She needs Bea to believe her. She’s never needed anything more in her whole life. She could live without air. She could make it minutes without oxygen. But she can’t live with another second of Beatrice believing her parents’ poison.
She coaxes Bea another inch closer. “Do you hear me?”
Bea’s mouth parts further, something on the tip of her tongue. Ava squeezes Bea’s hand a little tighter. “Do you hear me?”
“I hear you,” Bea says faintly.
Ava isn’t satisfied. “You need to believe it. You’re not a problem. You’re-” She softens her grip, thumbs Bea’s wild pulse. “You’re-”
“Don’t say perfect,” Bea whispers, eyes slamming closed. “Please don’t say perfect.”
Ava hesitates. She was going to say perfect. She was going to say frustratingly perfect. But she can pivot. There are a million other things she can call Bea - courageous, intelligent, kind, beautiful. All things she’s told Bea before and all things she’d tell her a million times more.
“Human,” she lands on. Bea’s eyes open slowly. “You’re human, just like every single other person on this big rock orbiting in space. You live like everyone else. You laugh, you cry. You love, just like everyone else. And none of that-  not who you are or who you love, or even the special little rules you have for tea that took me forever to learn - not a single part of you is a problem.”
The space between Bea’s eyes wrinkles in thought. Ava usually holds herself back, usually just wishes to press it flat gently. But the line between them is so thin now that she doesn’t think twice about it, reaching up and resting her thumb between her brows, pushing gently until the skin relaxes.
“Can I tell you a secret?” she asks in a whisper. Bea holds so many of her secrets, one more won’t hurt.
Bea nods slowly.
“When I first met you, I was so… intimidated.” Bea’s eyes widen slightly and Ava nods. “I was. You seemed so… cool. Composed. Not at all affected by someone who crashed into your table with the grace of a… what did you call it?”
“A newborn foal,” Bea says lightly.
Ava grins, her smile widening when some of it reflects in Bea’s face. “A newborn foal. That’s a giraffe, right?” She doesn’t wait to be corrected. “I thought, I need to know who this is and I need to know everything about her right now or I’m going to combust.”
Bea rolls her eyes, the motion of her eyes disrupting Ava’s thumb, still on her forehead. She doesn’t drop her hand, being bold and dragging the blunt ends of her fingernails against the smooth skin just above Bea’s eyebrow.
“You’re very dramatic.”
“Did I pretend to be anything else?” Ava shakes her head when Bea opens her mouth. “Don’t answer that. Just know.” She sobers, breathing in and exhaling the most truthful thing she thinks she’s ever said in her life. “The minute I met you, I knew you were something spectacular. I knew you were going to change my life.”
A weight hangs between them now. Bea looks shy under it, her head ducking slightly. Ava’s fingers slip, nearly burying into Bea’s hair. She drops her hand back into her lap but curls it over Bea’s, not quite wanting to let go yet.
“Can I tell you a secret now?” Bea asks, eyes still on the space between them.
Ava nods without being seen. “Anything.”
“I never really felt like that.”
“Like what?” Ava frowns. “Spectacular?”
“Human.” Bea looks up. “I spent so long feeling like… an other. That feeling like a human just didn’t… I couldn’t make sense of that. It took some time.”
Ava smiles gently. “But you got there.”
“After-” Bea stops herself, pulling her lips in as if she’s trying to keep something from erupting out. Ava watches the thin stream of air work its way through her nose, and catches the slight shine of Bea’s eyes, the way they seem to sparkle as unshed tears fill them.
“Hey,” she says softly. “No. No, don’t cry.” She drops Bea’s hands, cupping Bea’s face. Her thumbs brush along the flats of Bea’s cheeks. “I don’t know what to do when pretty girls cry,” she admits.
Bea laughs, choked and watery. “Neither do I. But it never stops me from telling you that Lilith doesn’t actually hate you no matter how much of her fancy vodka you drink.”
“One time,” Ava mutters, lips pulled back in a smile as she pretends to be annoyed.
It works. Bea’s smile seems a little stronger. “Ava,” she says quietly.
Ava strokes down a line of freckles absentmindedly. “Yeah?”
“Can I tell you another secret?”
“You can tell me you’re responsible for bringing down the Vatican, for all I care.”
Bea doesn’t laugh, worrying her bottom lip between her teeth instead. Ava wants to press down against the smooth skin but she stops herself before her thumb drifts that low. That perfect, soft-looking skin, a breath away. She focuses, pulling herself back into the moment.
Bea’s voice is nearly a whisper when she says, “Someone thought I was spectacular once.”
“Just once?”
Another silence. Ava tightens her jaw. Listen, don’t talk. She can do that. She can be still. It’s something Bea has taught her - just be still. Just wait. It will come to you when you stay in one place. So, she’s been waiting, patient against every urge within her to jump up and down and scream.
Sometimes, these feelings for Bea are so big in her chest that she feels like she’s going to explode into a hundred stars. She pictures herself shattering as the unspoken words build in her until they can’t go anywhere but out. But Bea is something to wait for. Bea is someone Ava doesn’t mind standing still for. She knows it’s there. She knows the feelings aren’t just her and that Bea needs to find her way forward. Ava just needs to be the flashlight in the distance, waiting for Bea to find her.
“At least, I thought she thought I was spectacular,” Bea continues, almost as if she didn’t hear Ava. “She said-  well, she said something close enough to it.”
Ava can feel another piece of the puzzle slotting into place. Another brick that makes up Bea’s nearly-impenetrable walls. For every one Ava manages to crack and loosen, another suddenly rises in its place. But she feels like this time, it falls and nothing slots into place.
She doesn’t stop herself from touching a freckle this time, tapping out a song she heard years ago before her hands drop again. “Was she pretty?”
She’s clumsy on a good day. Boisterous on others. But Bea is doing that thing again, learning how to run without knowing how to walk. And Ava is practicing. She’s trying so hard. She stays so still that Bea could almost imagine her gone.
“People are pretty in different ways,” Bea finally says. It’s a very diplomatic answer, something so very Bea that Ava breaks her stillness to smile. “All the other girls wanted to be her. I remember someone saying that her hair was so shiny, she must brush it a hundred times on each side before bed.”
Ava can’t help herself. “Is that why your hair is always so perfect? Are you secretly combing it until your wrist hurts?”
“A brush through wouldn’t kill you, Ava.”
“Speak for yourself.”
Bea’s growing smile flickers out. “I suppose it didn’t matter if she was conventionally pretty. I…” Ava watches the way she shores herself up against an invisible storm. “I thought she was beautiful.”
“What was her name?” she asks quietly.
“Penelope Marshall.” Bea says it like a prayer.
“Penelope.” Ava suddenly creates an image in her mind. A girl with wide brown eyes, bronze skin, a perfect smile of perfect teeth, a button nose, long and shiny hair.
Bea swallows and Ava feels the click of her jaw under her palms. “She was in my year, her room just down the hall from me. We were partners in Latin.”
“I bet she copied all her answers off your test.”
“Maybe once or twice,” she admits. “She certainly did not always do her homework on time. But Sister Magdalene liked her and simply turned a blind eye every so often.”
Bea’s cheeks are warming. Ava can see it in the way they pinken.
“It’s silly, but… I remember the first time she smiled at me. I had conjugated the verb, sum, to be, in the pluperfect subjunctive. She had been trying for the better part of an hour, but the switch from esse to fui for the tenses was always confusing to her.” Bea smiles slightly. “When I gave her the answer, she smiled at me and it felt like…”
“Like the world kind of tilted off its axis?”
Bea looks surprised. “Yes. Exactly that.”
“I’m familiar with the feeling.”
Because she is. So, so, deeply familiar with the feeling. The first time she saw Bea, that first smile she got as she bumbled her way through cleaning up the few drops of tea that spilled, the world went sideways and it hasn’t completely righted itself since.
“It’s peculiar, that feeling. It sticks with you, doesn’t it?” Bea looks down. “I used to dream about it,” she admits.
“That’s normal, Bea,” she says gently.
Bea looks up again. “Is it? Because it didn’t feel normal. It felt… other. Strange. Like a rock in the pit of my stomach. Penelope would touch my arm over our Latin text, and I could see my parents poring over my journal, looking for any otherness that might exist between us.”
“She made you happy, though.”
“I thought I made her happy as well.”
Ava doesn’t need Bea to tell her the rest. She can imagine how it went: touches as they broke down a dead language, sitting with their shoulders brushing at meals, giggling as they studied in what Ava assumes must have been a massive and cold library. She can imagine the small strands of Bea’s hair slipping from her bun across her cheeks and Penelope pushing them back behind her ear with quick fingers.
Ava lets herself be selfish and do that same thing now. Bea’s face turns slightly into her hand. Not enough that she probably even notices.
“When did she kiss you?”
Bea looks surprised again and Ava’s hand falls away. “How did you-”
“A good guess,” she lies. Because she knows that having Bea there and not kissing her is God’s strongest battle. She has been a good soldier.
She’s not sure how much longer she can be good.
“A few months into the semester.” Bea’s voice goes taut. “She invited me to study for her biology test. On the recommendation of our teacher, she told me. I imagined it was a lie; she had the same grades as I did.” Her cheeks pinken. “We were reviewing the different biological features of various aquatic animals and she…”
“She kissed you over the cod?” Ava says, voice a little strangled.
Bea meets her eyes. “It was my first kiss. Everyone I knew had theirs already, but I thought that if this is what I was waiting for, it was worth it.”
“The best things are worth waiting for.”
“I’d read about whirlwind romances in novels. Girls in the dormitories talked about it. Boyfriends they had back home that they saw on holiday weekends. But it was nothing like kissing behind locked doors. It couldn’t be. No one else could be experiencing what I did. It was so uniquely ours. Do you know what I mean?”
She does. It means closed doors. It means secrets. Bea reads it on her face because she can see something close to shame bloom across Bea’s cheeks.
“It was just for us,” Bea confirms. “A secret not even my parents, kilometers away, would learn of.”
Ava has never been one for secrets. She doesn’t like the way they taste in her mouth. You’re keeping your own, a voice like Mary’s reminds her. But that secret isn’t really a secret, is it? Because Mary knows. And Shannon knows because Mary knows. And her favorite barista, Lucy, knows it. JC knows it. The belayer at the rock climbing place and the guy at the one party she dragged Bea to and Lilith and Camila - they all know.
Bea knows too. Ava feels the truth of that in every crevice of her heart. Bea knows. Bea isn’t going to do anything about it - she feels that truth too. But the list of people Ava is hiding this from is shorter than the list of people who know it.
“You loved her.”
Bea’s smile is sad, far away. “First kiss, first love. I was convinced we would graduate and run away together. She would lie in my bed propped up on one arm talking about Paris and Rome and the places we could travel as soon as we got away from school. I’d felt so futureless when I arrived, but now I could imagine a million possibilities.”
Ava thinks of making a joke. Something about Bea jet-setting across all of Europe with a pretty girl, exactly the kind of lifestyle she deserved. But she knows this story doesn’t have a happy ending.
“She told me she loved me. More than anyone she loved in her life. She said we were young, but it doesn’t matter. You just feel love louder, she would tell me. I…” Bea takes a deep breath. “Mina may have been the first girl to touch my hand, but Penelope…”
Bea goes quiet long enough that Ava nudges her hand gently. “She…”
Bea’s eyes clear a little. “She touched me in other places. In other ways.”
Ava guesses the next part of this story too. “You wanted to tell someone and she wanted you guys to stay a secret.”
Bea laughs, short and sharp. “I wish it had been that simple. I wish I had been enough to stay a secret. Instead… She must have learned my parents’ trick. When someone becomes unseemly, when it becomes ugly and unwelcome, you simply… strike it from the record. Forget it ever existed. Send it away to boarding school and hope for the best. Or-or pick a new Latin partner and create an ocean that feels uncrossable.”
“Bea,” Ava says quietly.
“I could have accepted it was all done. An ending. I’m sure I could have. But instead I was…” She shakes her head. “Have you ever had someone you thought you were in love with look at you and tell you that none of it mattered? That it was girls being girls and that whispered promises in the corners of classrooms were never more than just a game? A joke?”
“Bea.”
But Bea has a haunted look in her eyes, like she’s somewhere else than Ava’s bedroom with its overflowing laundry and rumpled comforter and the paint swatches on the wall. Ava imagines she’s back in a girls dormitory standing in front of a pretty girl who is cutting her down to bits.
“She told me that none of it was real. It was wrong. It was just something to do. She wasn’t like that,” Bea says, voice just as haunted. “She promised that she wouldn’t tell, because she didn’t want people to think there was anything wrong with her.” An empty laugh, sardonic and hollow in a way that Ava’s never heard, escapes Bea’s lips. “Don’t worry, she said, I wouldn’t want people to think there was something wrong with you, either. I suppose in some twisted way, she still cared.”
The thing about Ava is that she’s always capable of more than she thinks she is. They said she’d never walked; now she runs across campus after Mary. They said she’d never be smart enough to go to university; now she’s in the front row of all her classes, her scholarship enough to make sure she doesn’t need to worry about her degree. They said she’d never make friends; now she has six of them who make every single day something more than she ever hoped.
They said she’d never fall in love; now she has Bea.
And when she doesn’t think she can go a little further, push a little harder, she thinks of Sister Frances and the way she told Ava that she’d never be capable of anything.
But she’s capable of this: setting everyone on fire who ever hurt Bea.
Her anger unleashes like a wildfire, and it swells in her chest so brightly that for a moment she can’t breathe. She can’t see straight. She’s imagining Penelope again but all of the softness is gone and she’s a cutting monster knocking Bea to the ground. She tightens her hand into a fist so tightly that sharp pinpricks echo in her palm from her fingernails.
She doesn’t realize she’s nearly growling until Bea’s fingers are working hers apart, smoothing them flat.
“Ava, it’s alright.”
“It’s not.” Her voice sounds stretched thin. “She’s not.”
“She’s gone.”
“But she’s still here.” Ava shakes her head insistently. “She’s still stuck in here.” She presses a single finger over Bea’s heart. “She still has all this space to be cruel. And when I meet her - not if. I’m going to find her - I’m going to make her suffer. I’m going to-”
“You can’t go on a one-woman crusade because someone hurt my feelings.”
Ava stares. “Hurt your- Bea, she didn’t hurt your feelings. She broke them.”
Bea straightens up slightly. “I’m not broken.”
Ava softens instantly, like someone turning out a light. “No. No, you’re not Bea. Of course you aren’t. There’s nothing wrong with you.” She ducks her head, catches Bea’s eyes, and smiles a little. “You’re incredible. You are spectacular. I promise you that.”
Bea exhales. “I’m embarrassed to say someone had such a hold on me.”
“That’s not embarrassing. That’s human.” Ava raises a cautious hand to Bea’s cheek again. “That’s wonderfully, perfectly human.”
“She just…” Bea takes a deep breath. Ava’s hand slips to her jawline. “My whole world ended in a single minute. Everything I did after that felt… fraught. I couldn’t trust her, couldn’t trust anything anymore. I was constantly looking over my shoulder, wondering if she was going to change her mind and tell someone how different, how terrible I was. She made me… nervous.”
She made me… nervous, Ava thinks.
Ava feels the soft skin between her eyes wrinkle as she works the words over in her mind. Of course Penelope made Bea nervous. Of course she made Bea doubt everything - every friendship, every interaction. Of course she held so much power over the way Bea engaged in the world. Of course she-
Oh.
Bea, who doesn’t linger too long when she’s looking at Ava. Bea, whose cheeks go pink when Ava dusts a hand down her bare shoulder. Beatrice, who is always the gentleman, always the one to hold back when they seem to be teetering on this invisible line of why aren’t we.
Of course Bea is going to be scared of what their friendship could become. Because she had this happen. She put her whole heart into something only to be told how wrong it was when it was over, how wrong she was, and that none of it was real.
Ava has been wondering why Bea is so afraid of what they could be. She thought if she proved herself, if she stayed when she could have run, then Bea would understand. She thought Bea would look at her and see someone worthy enough of falling in love with. She thought, some nights when the stars on the ceiling just weren’t enough light, that there was something wrong with her. Something that Bea wasn’t telling her because she was too nice to let Ava down so cruelly.
But it’s not her. It’s not Bea. It’s all the ghosts of Bea’s past stacked up against an ‘Enter’ door that are stopping Bea from pulling it open. It’s all these things outside of Ava’s control that’s holding them back.
It all comes together so neatly in her mind. Bea is not going to make the first move. She never was. She’s been leading Ava to this place, but she can’t make the final step. She’s loading the gun but she can’t pull the trigger. She’s putting this in Ava’s hands and hoping that Ava doesn’t break it in two.
Ava’s clumsy on a good day. Boisterous on others. But she’s also been practicing so hard at being still and maybe that was the wrong thing to do. Maybe Bea needs her to move, to run ahead and give in first.
Ava takes a deep breath, feeling it expand in her chest. It’s loud, roaring in her ears. Bea looks at her curiously. Maybe she doesn’t know that Ava has put it all together. Maybe she’s just as confused as Ava was a second ago. But Bea is smart. No, she’s not just smart, she’s Ava-smart. And she can read Ava like one of the dog-eared books littering their breakfast bar.
“Bea.” Her voice is remarkably steady.
Remarkable, because her whole body feels like it’s moving, vibrating at a frequency unable to be heard by the human ear. She catches Bea’s wrist in her fingers, locking them tightly around the delicate bone.
Bea is still, eyes dropping down to where their skin meets. “Yes?”
“Beatrice.”
Her hand is the thing shaking now as it rises up between them and slowly presses to Bea’s cheek, fingernails curling around her jaw. She feels it move as Bea swallows, hears the slight click of it as the silence magnifies. Bea’s eyes widen and she nearly pulls away, Ava’s hand on her face the only thing stopping her.
“Ava, I…”
Ava imagined their first kiss. She’s dreamed of it almost from the moment she met Bea, already wondering what it would be like before she knew who Bea really was - before she knew how good it was going to be. But she read something somewhere about how knowing someone enhanced the experience of loving them. How something steeped in history made the love richer. And the history she has with Bea may be short, but it is rich. Bea knows all her secrets and now she knows all of Bea’s.
So, fucking kiss her, a voice like Mary’s demands.
And isn’t Mary always telling her she has to listen better?
She only closes her eyes just before their lips touch. She wants to see Bea’s face and is rewarded with the fluttering of delicate eyelashes, the slight parting of Bea’s lips, the quiet hitch of her breath and the way her throat bobs as she tries to hold it back. Her hand slips to the back of Bea’s neck, pulling just until her top lip brushes Bea’s bottom one.
Her eyes slip closed as Bea’s bottom lip slips between hers and they’re kissing. They’re kissing. Bea is warm and soft and still. She stays there, intent in the way her mouth clings to Bea’s. I’m here. I’m kissing you. I’m choosing you. And you’re spectacular.
Bea shudders, her whole body coming alive, and she surges forward as Ava starts to pull away. The air goes out of her lungs and she tips backwards a little and she panics, unwilling to break apart now that Bea is kissing her back. But Bea’s hand goes past her, holding her up as she exhales against Ava’s mouth.
They’re so close together, their knees knocking. Bea’s mouth presses hot against hers, closed mouths clinging to each other. She can’t believe it, can’t believe they’re finally kissing and Bea isn’t running - she’s closer as Ava’s shoulders fall back against the bed, Bea’s hand curled around her shoulder as she settles against Ava’s side. Her free hand has found the hem of Ava’s shirt and her knuckles are brushing against the sensitive skin above Ava’s navel, steady and warm.
It’s Bea who takes the hesitant step forward, her lips parting just enough that Ava’s slide, and then Ava can feel Bea breathing as she kisses a little harder, mouths open against each other. It’s Bea who takes a less hesitant step again, the tip of her tongue ghosting along Ava’s bottom lip.
Ava pulled down the last brick, but Bea was a roaring river behind the dam and she kisses like she’s been uncorked. Her fingernails dig into the soft flesh beneath Ava’s shoulder, her knuckles press into Ava’s stomach, and she kisses with reckless abandon.
“Bea,” Ava whispers between kisses. She’s never been one for religion but maybe she’s been worshipping the wrong gods. Maybe this is who she should have been praying to all along.
Bea hums pleasantly against her mouth. She’s bolder now, kisses a little more frenzied. Ava understands. She tightens her hand at the base of Bea’s neck, pulls her closer. Her other hand slides down the flat of Bea’s stomach and curls around her hip bone, thumb stroking over the soft fabric of her sweatpants.
She thought kissing Bea would be amazing but she was wrong. It’s life-altering. She can see everything shifting to accommodate the way Bea’s lips press, hot and open-mouthed, against her own. She’s going to be completely altered after this, her life now in two separate parts: Before Kissing Bea and After Kissing Bea.
Bea’s hum burns into a low moan as Ava’s fingers dig more insistently into the dip of her hip. Ava is addicted now. She kisses harder, body starting to move as she rolls, a leg going over Bea’s until she’s bracketing Bea’s hips. She slides her mouth along Bea’s jaw to just below her ear, following the way Bea pants at the sensation of her teeth against smooth skin.
She needs to be closer. She needs nothing between them. She sits up, holding her weight as she works her fingers in her shirt and lifts it high and off her shoulders. She tosses it onto the corner, adding to the laundry pile, and sits above Bea in her bra with the flamingos on it, her chest heaving in anticipation.
Bea stares up at her, her face flushed and her lips bruised. Hesitant hands go to Ava’s waist, fingers flexing experimentally as they settle just above the hem of her shorts.
“Hi,” Ava whispers.
Bea nods, the line of her throat bobbing. Ava watches as her eyes track down her body, shoulders down to the sliver of skin just above her shorts. It takes her a minute to look back up and meet Ava’s eyes.
“Is this-?”
“Yes,” Bea interrupts. Her fingers feel purposeful now, like she’s burning her fingerprints into Ava’s skin. “I… I want this.”
A niggling thought works its way into Ava’s mind. Just a breath of hesitation. “You’re sure?”
Bea sits up, hands sliding to the small of her back. She blinks, eyes wide but focused. “Ava, I’ve wanted this for…”
“So long,” Ava finishes.
“So long.” Bea’s eyes flutter and she leans forward, mouth brushing over Ava’s collarbone. She feels her eyelashes against her throat. “Are you sure you want me?”
Me, she says unspoken. Me out of everyone else you could have.
Ava puts two strong fingers under Bea’s chin, lifts her face up until their eyes meet. I’ve never wanted anything more sounds too small. But it’s the only way she can think to say it. And when she does, Bea’s smile brightens the room.
Bea presses her lips to the pulse thudding in Ava’s neck, gentle teeth scraping against the skin. Ava breathes in sharply at the feeling of it, of Bea’s fingers working steadily up her back until they’re hesitantly touching the clasp of Ava’s bra. Ava is brave enough for both of them. She reaches back and loosens it, the fabric falling away from her chest. She tosses that away too.
Ava hisses softly when Bea’s fingers skate up her stomach to cup her breast. Her hand is burning, and Ava pushes into it so she can feel herself on fire. It only grows hotter when Bea kisses her collarbone again, teeth a little more insistent as she makes her way down to her own hand.
Ava pulls at the bottom of Bea’s shirt, freeing it from where she’s sitting on it, and pulls gracelessly until it’s over her head and somewhere by the door. She traces the lines of Bea’s navy bra until she finds the clasp and undoes it, flinging it away.
“I’m not going to make a joke about your boobs,” she whispers into Bea’s temple. Her tongue swirls over sensitive skin at Ava’s chest. “But just know that I really want to.”
Bea lifts her head. “I appreciate your restraint.”
“Saint Ava, they call me,” she babbles. “Patron Saint of-”
Her words are swallowed up in a gasp as Bea presses a hand down purposefully down on her waist. It sends a shiver through her and pulls a little bit of a moan from the hollow of her throat, Bea’s eyes widening slightly in surprise.
Ava tucks some of the loose strands framing Bea’s face back behind her ear, cheeks just a little red. “Before we… Before we do anything else, you need to know that I’m not going to be normal about this. Like, at all.”
Bea walks two fingers up her side, using ribs like steps. She moves them across her chest, brushing against her nipple. Ava shivers again. “I don’t know that I’m much interested in normal,” she admits.
Ava arches into her touch. “I’d hope not, considering how much you’re into me.”
She pauses, breath caught in her lungs as she waits for Bea’s reaction. Bea looks up with wide, imploring eyes. She searches for something on Ava’s face, and Ava hopes beyond hope that she finds it.
Not because she needs Bea’s hand to keep doing what it’s doing. Not because she wants to slip her fingers beneath Bea’s waistband. Not because she wants to hover over Bea and nose down the long stretch of what she’s sure is perfect skin from her chest to her belly button.
Because she wants all those things. But she also wants Bea to know she’s safe. That it’s okay to want her. That Ava is going to be someone she can trust, that Ava won’t treat her like something that’s going to break but will hold her gently regardless.
It feels big, to say that. But Bea is right there, a fingertip away, with her lips bruised and her hair starting to tangle around Ava’s fingers, and she thinks: I’m never going to come back from this. I’ll never be the same. What she feels is undeniable and real, the most real thing she has ever known and she would never, ever want to go back, even if she could.
“I am,” Bea finally says, voice a breathless whisper.
“A lot?” Ava asks, a sliver of neediness in her words.
Bea nods, unblinking. “A lot, yes.”
Ava makes a show of breathing a sigh of relief, a relieved smile on her face. “Well, that’s embarrassing for you.”
“Ava.”
Ava buries her reply in a kiss, fingers curling around Bea’s shoulders as she slowly inches her backward onto the bed until Ava is a shadow hovering above her. She wonders what the hollow of Bea’s throat tastes like, and she smiles into the kiss as she realizes she doesn’t need to ask. She breaks away from Bea’s mouth, kissing over the point of her chin and the underside of her jaw and down to the dip of her throat, teeth nipping at sensitive skin as Bea’s breath hitches. She can feel fingers flex at her waist and then tighten more purposefully.
Sensitive neck, she catalogs. She wants to make a list, grow it until she knows all of the places that cause Bea to make that breathless noise.
Bea’s fingers are insistent at her neck, drawing her back up until they’re kissing, harder than they have before. Bea kisses with lips and teeth, her tongue soothing away the nips, while one hand works its way to Ava’s waistband, curling into the thick denim fabric of her jeans.
She would have been satisfied with some heavy making out. Her skin is already burning where Bea’s bare chest is pressed against hers. She can live with this. But Bea doesn’t seem to be able to live with just this. Ava feels the back of her knuckles against her stomach as Bea pops the button of her jeans and works down the zipper. It’s so loud in the silence.
Ava kisses her way down Bea’s throat again then goes lower, tongue leading the way as she flicks the tip of it over a pebbled nipple. There it is again, that breathless noise. The fingers at her waistband freeze, tighten around the denim, and then release. Ava’s hand goes to Bea’s other breast, and she feels it press into her palm as Bea arches her back slightly.
Ava dares to go lower, kissing over the swell of Bea’s breast and down to her navel. She slides back on Bea’s legs, her fingertips light against Bea’s skin above her hip bones.
“Ava,” Bea breathes. She reaches down, hands reaching for Ava’s chin. Ava kisses the center of Bea’s palm as strong fingers curl around her jaw. “Ava.”
She doesn’t know what Bea’s trying to say, but she doesn’t need to. She can feel the heat radiating off Bea, the anticipation. She hooks two fingers in the waistband of Bea’s study-sweatpants, the ones she wears on all-nighters where she’s going to fall asleep sitting up, and starts to work them down a little as Bea’s hips lift off the bed.
She rests her forehead in the dip of Bea’s hip. She’s never believed in a God, but she does believe there’s a higher power out in the cosmos, and they’ve suddenly found her worthy of this gift: Bea stretched out across the sea of her comforter with her eyes closed and her chin tipped into the air as her chest rises and falls with increasingly harder breathes and her hips arching just slightly until Ava feels her against her forehead.
Because shit, this is holy.
A hand snakes its way into her hair, blunt fingernails scratching against her scalp. She can feel them trembling slightly. Ava wants to feel the whole of Bea tremble. She kisses down as she pulls Bea’s sweats down until they’re past the top of her thighs to her knees.
This feels like a moment they can’t come back from. And looking up at Bea, at the way those dark eyes stare into hers and the hand in her hair tightens slightly, she doesn’t want to come back from it. She wants to never, ever come back from this. She only wants what happens on past this moment.
She works Bea’s underwear down until they’re on the floor with her sweatpants in a tangled heap, and she noses her way lower until it’s nothing but heat and something slick against her tongue. Bea keens, hips lifting high off the bed, and Ava presses down hard against them with flat palms, keeping Bea down in one place.
The hand tightens in her hair, Bea’s knees tighten around her shoulders, trapping her in this crystalline moment. She rolls into it, tongue working more steadily as she feels Bea’s hips start to roll in response. She dips lower and soars higher, an unknown melody working into her mind and guiding her as Bea lets a sigh loosen from her throat.
Her hand climbs until she feels Bea’s breast against her palm, and she works her fingers over sensitive skin. Bea’s hand traps hers in place, palm burning. She can feel Bea’s legs start to tremble, and she licks a little more precisely, a little more purposefully.
She swirls, she drives forward and pulls away. She finds a rhythm until Bea’s whole body starts to tighten into an invisible line, pulled taut by an some unseen string. Ava doesn’t stop, even as Bea’s legs tighten around her. Even as that hand in her hair pulls a little harder. Even as Bea’s breathing swells into a hard pant and she lets out a strangled cry of Ava’s name.
She doesn’t stop until Bea’s body melts into loose muscles, until Bea’s hand goes slack in her hair. Everything is hot against her skin. Her tongue eases away, laving up and over Bea’s hip to her navel and charting a slow course to the center of her chest until she’s back at the hollow of Bea’s throat, teeth nipping as she feels Bea’s chest rise and fall rapidly against her own.
Bea draws another ragged breath, a hand up over her red face.
Ava pulls it away and kisses Bea hard, their mouths sliding together. Bea’s fingers curl around her throat, holding her in place when Ava tries to pull away. A tongue dips behind her teeth. Bea inhales sharply, stealing the air from Ava’s lungs.
Bea, still panting softly, hooks a leg under her and twists, rolling until Ava is on her back, and Bea is hovering over her, eyes dark and flashing.
The air punches its way out of Ava’s throat. If she’s cataloging the things that turn her on, this has just gone to the top of the list, right after the way Bea tastes and the feeling of her mouth sliding against hers.
“Bea.” Her voice is strangled and warped between them.
But Bea doesn’t answer her. She works her fingers purposefully down Ava’s front, sliding beneath her waistband without fanfare, without hesitation. Ava’s legs part with a half-breath, the other part of it stuck in her throat.
Then it’s nothing but an overwhelming sensation and the soft sound of Bea panting in her ear as Ava feels the world start to tighten around her. Bea’s breath is replaced by a white static, and there’s a fullness in her that she knows she’s going to be chasing for a while. Her hips lift and fall, a rhythm she knows without having to think about it. She rides it out, settles into it like she’s known it all her life and then-
And then-
Then she’s soaring, hips off the bed and her whole body shaking as she tries to focus on the rhythm again, the whole dance gone from her mind as it’s replaced by fireworks exploding, one after another. She can feel Bea’s hand on her, in her, and nothing else. She’s disconnected from reality except for where Bea is touching her. Floating weightlessly in an in-between where nothing but this feeling and Bea, hot against her side, exist.
She crashes back down, the world slamming back into her head as her legs clench, Bea’s hand between them. Strong fingers slide away and stroke across her thighs before they go up and curl around her side. Her breath comes hard, her pulse pounding in her head. She squeezes her eyes tightly, afraid to open them and see that the whole world has been turned upside down.
She wouldn’t care if it was, is the problem. She wouldn’t care if she suddenly found herself light years away where there was no oxygen in the solar system. As long as Bea is next to her, she doesn’t care.
She opens her eyes slowly and turns her head, finding Bea looking back at her with liquid pools for eyes.
“Hi,” she breathes, the word sticking in her throat.
Bea smiles softly. “Hi.”
“That was…” She inhales raggedly. “It’s never been like that.”
Because I’ve never been in love, she doesn’t say out loud.
Bea is biting on her bottom lip, eyes searching Ava’s face. “Me either,” she finally says.
Ava hums, content and boneless. “We are so doing that again. Soon,” she promises. “When I can feel my legs, it’s over for you.”
Bea laughs a little. “Okay, Ava.”
Ava lets her eyes close again and when she opens them, Bea is still looking at her. It doesn’t unsettle her. She lets Bea drink her in, and she lets her own eyes follow the lithe line of Bea’s body.
“Boobs,” Ava sighs. She curls one hand around Bea’s breast, no intention in the movement.
Bea wiggles around as if it tickles slightly, but she just settles more tightly against Ava’s side.
“I’m going to be insufferable,” she warns.
“So I can expect more jokes about my boobs.” Bea walks two fingers up her side and across her chest, pressing over where her heart is. “What else?”
Ava inhales shakily. “Anything else you want.”
“Anything?”
“Anything,” she promises. “Whenever you want. I’ll be a court jester for you, babe.”
Bea’s face pinkens at the name, but she holds Ava’s gaze for another moment before she rests her head between Ava’s shoulder and neck. “I do find you marginally funny,” she admits lightly.
Ava grins, the smile lazy. “See? You need to tell more people how funny I am. Mary doesn’t believe it.”
The blush doesn’t fall from Bea’s face. “Please don’t talk about Mary while we’re naked.”
“Why not? She’ll think it’s hilarious.” But Ava stretches her neck and kisses Bea’s temple. “But okay. Just this time.”
“I appreciate it,” Bea murmurs. It’s familiar, the exasperation, but it’s tinted with this whole new feeling. A new depth. “Ava?”
“Hmmm,” Ava hums, sleep pressing against her body.
“I can tell you later.” Fingers brush hair off her damp forehead. “Close your eyes for a little bit.”
“Just a little,” she agrees. “And then I’m making you stir fry.”
Warm lips press against the hollow of her throat, humming an okay against her skin. Bea settles against her side as a warm and welcome weight.
She doesn’t remember falling asleep, but she knows she goes quietly and calmly, and that Bea is still there, still pressed against her side, molded to her like she was never meant to be anywhere else.
-
She wakes up to the smell of paint. Her eyes take a minute to adjust to the light in the corner but she pushes up on her elbow, the comforter over her sliding down to her waist. She blinks as Bea comes into focus.
“You’re painting?”
Bea turns. She’s barefoot, in her underwear again, and one of Ava’s cropped t-shirts that has a white cat in red shadows and I’m not cute I’m purr evil written on it. It hangs a little higher on her and Ava can see the swell of her breasts through it.
She’s the most beautiful woman Ava has ever seen.
And she’s blushing. “I didn’t want to wake you.”
Ava sits up more fully, stretching her arms above her head. She watches, a slightly smirk on her face, as Bea’s eyes drop to her chest. But she doesn’t push. There’s time to tease Bea about staring at her boobs. All the time in the world, really.
“How long was I asleep?” She looks at the wall. Bea has nearly finished the whole thing.
“Not long.” Bea puts the paint can down on the stool, balancing the paintbrush on the edge of it. “But you looked…”
“Like a dead fish?” She’s aware of the way she sleeps, limbs thrown about and head rolling back. Years of being unable to move makes it so she never stops now, even sleeping.
“Peaceful,” Bea finishes. She’s hesitating, torn between wanting to do something and worrying about doing it.
So, Ava takes the lead, leaning in until she’s kissing Bea. She feels Bea sigh into it and knows it was the right move, that it’s what Bea wanted to do. She wants Bea to know she can do this whenever she wants. Bea kisses back almost instantly, sliding into an already-familiar rhythm.
She pulls away, a smile on her face. “Hi.”
Bea is a little breathless when she says hi back.
“I thought we weren’t painting.”
Bea looks back at the wall, most of it covered already. “You were right. About leaving our mark on this place. Someone needs to know we were here.”
“If we ever move out.”
Bea smiles. “If we ever move out.”
Ava pulls her legs up under her and Bea’s hand into her lap. “The only place I plan on moving is into your room. Or you can move in here, since we’re already decorating.”
“Oh?” Bea says. Her voice seems tight, like she’s holding something back.
A wiggle of doubt worms its way into her mind. “I mean, if you want to. No pressure. I’m more than happy to stay here and we can pretend like-”
“I don’t want to pretend,” Bea interrupts. She seems surprised by the firmness in her words and she sucks in her lips for a second before she shakes her head. “I wasn’t sure if you- I know you just kissed me but maybe that was you letting me down and-”
“Bea.” Ava waits until Bea’s mouth snaps closed. “I don’t want to pretend. I’ve been waiting months to kiss you, and unless you tell me otherwise, I plan on kissing you at least a hundred times a day.”
Some of the tension drains from Bea’s shoulders. “A hundred.”
“Give or take another hundred.” Ava grins. “One kiss for every time I’ve thought about kissing you the last seven months. Spread out, of course. Otherwise we’d probably be stuck in this apartment for days, just kissing.” She narrows her eyes playfully. “That might not be the worst thing to happen, though.”
“I’d miss finals,” Bea points out.
“Do you really need to pass them? Aren’t you teaching the classes at this point?”
Bea rolls her eyes, fond and exasperated. “Ava.”
“Bea.” She rolls her eyes back. “Fine. If you won’t lock yourself away to make out with me for days on end, what else are you willing to offer me?”
Bea is quiet for a long moment, her hand twisting in Ava’s as she thinks of something. Ava can see it pressing against her teeth, can practically feel the tension of whatever Bea wants to say radiating off her and lighting up the whole room. Ava waits it out patiently, knowing that whatever Bea has to say will be worth it.
She stays still. She waits. Bea has a way of bringing out all of the things in her that no one else has bothered to look for before. And after another minute, Bea looks up.
“Me.”
Ava’s heart clenches in her chest. “You.”
“I’m willing to offer me. Just… me. If you’re willing to accept.”
Ava turns Bea’s hand over in hers and presses two fingers to the thudding bundle of nerves at the base of her wrist. Bea looks down at where they meet and her eyes stay locked there for a moment while Ava watches her.
“If you think there’s anything just about you, then you don’t know the Beatrice I know,” Ava finally says. “Because I’ve never thought there was anything just about you. You always leave the light on for me. And you never make me do the dishes alone. And you don’t mind mushrooms on your pizza. You keep soda in the apartment and you always vacuum when I’m not home.”
A funny smile graces Bea’s face. “I think that makes me good for you.”
“The best,” she agrees. Her smile softens. “I’ve never thought there’s anything just about you. You’re incredibly kind, trustworthy. You’re humble - maybe too humble,” she jokes. “And considerate. And insanely intelligent. Hilarious. My best friend.” She pauses. “And I’m pretty sure you’re the love of my life.”
Bea inhales sharply.
“I know that’s, like, a lot. And I don’t need you to say it back, because I’m not trying to pressure you. But saying it all has lifted some kind of weight off my chest. Like, I didn’t know I was suffocating under not saying anything but I guess that I was,” she babbles. “But honestly, you don’t need to-”
“Ava,” Bea says patiently. She waits until Ava snaps her mouth shut and mimes zipping it closed. “My parents…”
“I’ll kill them,” Ava says cheerfully, looking guilty when Bea’s eyes cut to her. She closes her mouth again.
“My parents made me believe that love had to be earned. That if I wanted it, I had to work for it.” She takes a breath, astonishingly steady. “But you’ve never done that. You’ve never made me work for it. You’ve just… given it. It’s who you are.”
Ava’s smile wavers a little. “Because you don’t need to deserve love.”
“I didn’t know that before you.” Bea shakes her head. “I’ve had to unlearn a lot of things since meeting you. Like that. Like how to not be afraid. Like how to eat pizza. All these things that were so ingrained in who I was that I didn’t think I’d ever know anything different.” She reaches up and cups Ava’s cheek. “You changed all of that for me.”
She thinks Bea is saying I love you. She thinks Bea is saying You’re the love of my life, too.
And then Bea, spectacular Bea, looks into her eyes and says exactly that. “I love you. I’ve loved you since you spilled tea on my very important notes, and I’ve fallen in love with you every day since.”
Ava feels relief flood through her like a dam breaking. “That’s good. That’s really, really good. Because it would be embarrassing to be sitting here naked telling you how much I love you if you’re not going to say it back.”
Bea shakes her head but she’s smiling. “Ava.”
“Beatrice.” Ava curls a finger under Bea’s chin and beckons her forehead. She kisses her slowly and sweetly before she pulls back. “Kiss one of a hundred today.”
A blush spreads across Bea’s face. “You’re not really going to count, are you?”
“I’m going to keep a tally, that’s how serious I am.” She kisses Bea again. “Number two.”
Bae rolls her eyes and when Ava kisses her a third time, she opens her mouth, tongue brushing Ava’s bottom lip. It leaves her breathless when Bea pulls back.
“If I knew getting you in my room would have ended up like this, I would have tried a lot harder,” she says, eyes still closed.
Bea’s lips press against her cheek, then under her eye. “I wasn’t ready for that,” Bea whispers against her skin.
Ava doesn’t open her eyes. “I know you weren’t.”
Bea’s forehead rests against hers. “I am now.”
“It’s okay if you’re not. I won’t stop loving you.”
Bea’s breath ghosts across her mouth. “I am. I’ve never been ready for anything more in my life.”
“Not even your finals? Because you’re really ready for those, even if you think you aren’t.” She feels Bea start to argue more than she sees it, eyes still closed. “I’ve never met anyone who studies as much as you study. Seriously, you’re a beast when it comes to notecards and colored highlighters and-”
She does stop this time as Bea’s lips press against her. She hums, sinking into it. “Oh,” she says when Bea ebbs away. She finally opens her eyes.
Bea is smiling, beautiful and wide. “More than my finals. If only because I’m still not convinced of Thecla’s real contribution to modern religions.”
“I don’t know who Thecla is, but she’s never been less relevant to my interests right now.” Ava twists a strand of Bea’s hair, resting on her cheek, around her finger. “She could be Jesus’ mother for all I care.”
“She’s not-”
“I know she’s not.” Ava grins. “But I like the way you look when I say something wrong.” She presses her finger to the space between Bea’s eyes. “Like you’re not sure if you want to lecture me or kiss me. For the record, I’m very much in favor of the second option.”
Bea’s lips pull up in a slight smile. “I’ll keep that in mind.”
Ava breathes in deeply, letting the air fill her lungs as she stretches her arms over her head, noting the way Bea’s eyes follow the lift of her chest. She smiles to herself. Maybe Bea is a boob-girl. She’ll have to weaponize that knowledge for later. 
“I think I promised you stir fry.”
Bea opens her mouth to argue.
“And I’m hungry,” Ava says over her. “And can be trusted with a knife. So, I will be making you stir fry, because it’s the one thing I’m good at. And I want to impress you.”
Bea’s smile is fond, and Ava thinks back to the first time she saw it, how it was aimed at Camila and how she wished one day it would be a smile for her. And now here she is, Bea in her shirt and an I love you between them and a smile that is reserved just for her.
“So let me make you stir fry and you can come sit and study some more. In my shirt. Which, by the way, is very sexy.” She winks.
Bea rolls her eyes. “Mine was quite tangled up in the comforter, and this was just the most easily accessible.”
“You have a bedroom about a hundred feet away,” Ava feels the need to point out. Bea’s eyes narrow and Ava grins. “But for the record, I really like seeing you in it.”
Bea blushes a little but stands and opens Ava’s drawer, pulling out a pair of underwear - Ava’s favorite, yellow with pineapples on them - and then a big t-shirt she stole from Mary that has a pug with a pair of aviators on printed across the front. She hands them to Ava.
“No pants?” she asks as she pushes the comforter down and wriggles into her underwear. She pulls the t-shirt on, huffing her hair out of her face.
“No pants,” Bea says simply.
Oh. Okay. She grins and stands up, curling her hands around Bea’s waist and pulling her in. “This is going to be so good. I know it.”
Bea smiles, swaying slightly with her when Ava starts to go back and forth on her feet. “I know it too.” She presses her lips to Ava’s forehead and speaks against it. “Thank you, Ava,” she breathes.
Ava frowns. “For what?”
Bea pulls back and tucks a strand of Ava’s hair back behind her ear. “For waiting for me to be ready.”
“Of course I waited. I love you,” she says easily.
Bea’s smile widens. “I know.”
Ava beams back at her, feeling like everything has slotted into place so neatly. She never wants this moment to break, never wants it to go away. She wants to remain forever in this room with Bea in her arms and the rest of the world somewhere else doing whatever it is they’re doing. All that matters is this moment, these kisses between them, the possibility of what the next moment brings.
She can’t wait.
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steddiealltheway · 10 months
Text
!!!!! Tw: faked suicide not by Steve or Eddie. There are ⚠️⚠️⚠️ before and after the most graphic parts which can be skipped without needing too much context. I tried to be vague but it can still be triggering. !!!!! (Thank you everyone tagging it as such)
A sort of different type of TikTok Modern AU…
Eddie Munson is a famous rockstar and honestly doesn’t post much on TikTok, but he occasionally finds himself scrolling though the app which is how he finds Steve.
He’s gorgeous. Exactly Eddie’s type with luscious, gravity defying hair, a sharp jaw, pretty lips, and he bets if he had a closer look, Steve would have the most charming eyes. It’s a shame the camera is so far away from him, and Eddie almost wonders why until Billy Hargrove is in the shot.
Eddie’s stomach sours at the sight of the man. Yes, he’s attractive, even Eddie could admit that, but there was something about him that made Eddie feel uncomfortable. Plus, there were a few scandals surrounding the tiktoker regarding previous racist Tweets and comments which he has responded to with a thrust trap to “Nobody’s Perfect” by Miley Cyrus / Hannah Montana.
So yeah. Eddie didn’t particularly like him and the stuff he got away with just because he’s hot.
He tunes back into the video which has him holding his finger to his lips, and Eddie is already rolling his eyes. The caption says, “Pranking my boyfriend, Steve 🤣😱” and Eddie can already tell it has to be fake with all the dramatics that Steve just happens to not see.
But then Billy carefully sneaks behind the couch where Steve is sitting and dumps a bucket full of water and ice onto him which has the man yelling and standing up in shock. He stands still for a minute and then yells, “Why the fuck would you do that, Billy??”
The tone and overall reaction has Eddie actually wonder if the video is fake or if Steve is just a really good actor. But he watches it again and notices that the man doesn’t look toward the camera once and something about that makes him feel really uneasy.
Eddie has to reason with himself, if the man is dating Billy Hargrove then he must not be a great person, and maybe he deserved the bucket of ice water. But Eddie still closes out of the app and tries his best not to think about it.
-:-:-:-:-:-
He opens the app a few days later, having forgotten about the whole incident until he comes across another video by Billy and the word “prank” in his caption catches Eddie’s eye. He sighs wondering why it’s on his for you page, but right before he swipes past it, he catches the gist of the prank.
Billy fills a syringe with mayonnaise and injects it into a donut, and then it cuts to him giving it to Steve from a camera that once again seems to be hidden although Billy keeps glancing at it with a smirk on his face and evil in his eyes. Steve, on the other hand, doesn’t glance toward the camera, but his face lights up with glee when he’s handed the donut. “You got this for me?” He asks in an awe filled tone as if the donut means the world to him.
“Yeah, why don’t you take a big ol’ bite of it for me?” Billy asks, voice low. Eddie watches as Steve shifts uncomfortably and puts the donut down.
“This isn’t another prank, is it? You know I don’t like them,” Steve says which honestly surprises Eddie. His tone is entirely genuine, and he feels like he’s peering in on a private moment.
“Of course not baby. Told you I’d stop,” Billy replies with a big smile.
Eddie can’t help but click on the caption: “Simple prank makes boyfriend storm out!” With a shit ton of hashtags that Eddie doesn’t bother reading.
Sure enough, Steve bites into the donut and immediately spits it out. He doesn’t say a word, just shakes his head and storms out of room.
Billy laughs loudly, “Oh, don’t be like that, babe! You know that was funny as shit!”
Eddie opens the comments, and is surprised to find people actually defending the prank. There are some people who comment shit like, “date me instead! I would never get mad at your pranks 🥵”
There’s only one comment that says, “Don’t really find this funny.” But it’s swarmed with hate comments from Billy’s fans that has Eddie scoffing as he scrolls onto the next video. He watches for a few seconds before scrolling back up when he realizes something. He looks at the date of the TikTok and realizes it was posted the previous month which means…
Eddie sighs realizing that him looking through Billy’s videos will only give him more attention and views, but he needs to know how long this has been going on for. And he really needs to find out if Steve is in on any of it or at least had gotten Billy back.
He begrudgingly clicks on Billy’s profile and scrolls through. He finds several videos with the thumbnail being of Steve mid reaction to a prank, and Eddie notices that every time, the camera is far away, and there doesn’t seem to be a single video of him up close.
The whole thing doesn’t feel right to Eddie. But what can he do about it? It’s not like he can report the videos. He could simply just block Billy and try to forget it all.
He scrolls back to the top and accidentally refreshes the page. He’s about to block him when he notices a new video pop up, where Steve looks like he’s in the middle of a panic attack. Eddie immediately presses on it.
⚠️⚠️⚠️
Billy smiles at the camera, no shirt in sight as he laughs, “This is my biggest prank yet. Steve should be home in less than a minute. And look,” he holds up his phone and shows a bathtub filled with red water that almost looks like blood.
Eddie’s shaky hand covers his mouth. He wouldn’t.
Billy laughs and continues, “I sent him a text that says ‘I’m sorry’ and a picture of an empty pill bottle, and he’s been texting me non stop for the past few minutes. Shit, he’s on his way now so it’s time for me to hide my phone and make this look as real as possible.”
Eddie watches as Billy puts his phone on a shelf and seemingly stacks towels up to cover his phone and hold it in place. He looks away when Billy takes out a bottle of fake blood and stages a suicide. He practically shakes with anger. Steve has to be in on this. He has to just be a good actor.
Eddie’s stomach drops when he hears Steve yelling Billy’s name rushing through the house. He bursts through the door and falls against the wall in shock. “Tell me this is a damn prank Billy. Billy…” he gets closer and shakes him. “Billy!” He yells shaking. “Shit. Shit. No no no. Fuck. What the fuck…”
Steve sits next to the tub and puts his head in his hands having a panic attack. Billy’s eyes open and he winks at the camera before grabbing Steve’s shoulders and yelling, “Boo.” He starts cackling loudly as Steve confusedly looks around trying to catch his breath. “I got you so good!” Billy yells through laughter.
Steve shakily gets up, tears streaming down his face and runs. Billy gets out of the tub and makes his way to his phone. “Don’t worry, I’ll make it up to him later,” he says with a wink before the video ends.
⚠️⚠️⚠️
Eddie sits as the video reloops. He’s shaking with anger. He doesn’t think as he duets the video and mutes the other audio. “This is the most fucked up thing I’ve ever seen. These ‘couple pranks’ are stupid enough and not funny, but to fake a suicide and call it a joke… you have to be an extra type of fucked up asshole. There aren’t enough words to describe how evil of a human being you have to be to do something like this to someone you love. I don’t care if this is staged or not. This is not okay. And fuck you.” Eddie quickly censors Billy’s half of the video with a note of “watch at your own risk.” He doesn’t care if his manager is pissed or if his account is filled with Billy’s fans hating on him or whatever. He presses the post button and turns off his phone. He needs fresh air.
He grabs his keys, a hat, and sunglasses, and makes his way out of his apartment. Hopefully the damn paparazzi back the fuck off today. He makes it down his street and walks quickly, fuming with anger. He weaves in and out of people and curses the busy LA streets.
He turns the corner and rams right into someone walking at an equally fast rate. He holds onto the stranger to steady himself and keep them up. “Sorry,” the man chokes out and Eddie is about to brush it off when he realizes he recognizes him.
“Steve?” He asks. He knew Billy lived in Los Angeles but he didn’t know he lived so close. The thought makes him kind of sick to his stomach. He thinks he might punch him if he ever saw him in person.
Steve wipes at his face and narrows his eyes at Eddie. “Sorry, do I know you?”
Eddie glances around before lifting up his sunglasses and hat, waiting for Steve to recognize him enough to gain his trust. Instead, Steve just stares at him blankly.
Eddie’s heart races. This has never really happened to him. He puts on the hat and sunglasses sheepishly. “Uh, I’m Eddie. I know you from Billy’s TikToks.”
Steve just tilts his head in confusion. His eyes are red and puffy. He wonders if Billy posted the video so soon after his prank and if Steve is currently in the aftermath of it. “Um,” Steve says and clears his throat, “Was I in the background or something? He told me I wasn’t in his TikToks.”
Eddie’s heart drops. He opens his phone and goes to Billy’s TikTok, ignoring the way his own TikTok is blowing up. He turns his phone to Steve and picks a less traumatizing prank to show him.
Steve grabs his phone and his eyes widen. A look of confusion crosses over his face that slowly turns into realization and numbness. “He’s been using me for views after promising he wouldn’t, isn’t he? I even asked if the pranks were somehow stupid content but he said they weren’t. He…” he trails off and shakes his head. “Sorry, I don’t mean to be unloading all of this onto you.”
Eddie shakes his head. “No, no. It’s okay. I’m sorry that I told you.”
He watches as Steve numbly nods and scrolls presumedly through Billy’s profile. He looks down at the screen and back at Eddie. “Is this you?” Steve asks hesitantly as he turns the phone back to him.
Eddie confusedly looks at his phone and sees that Billy has apparently replied to his TikTok already. Then, to his left, he hears a bit of commotion and sees some cameras flashing. Fuck. “Do you trust me?” Eddie asks.
Steve looks at his phone and back at Eddie.
Yeah, that’s a lot to ask of him. “Okay, how about this? You keep my phone, and we run back to my apartment around the corner and talk in private before we both end up in shitty magazines?”
Steve tilts his head and glances toward where a few people with cameras make their way to them yelling, “Eddie! Eddie Munson!”
“You’re not a famous serial killer or something, right?”
“Musician,” Eddie says and holds out his hand. “One who hates Billy Hargrove.”
Steve looks down at his hand and takes it running alongside Eddie who tries not to think about the stories that might come out of this. Gosh, he thought his biggest scandal would be when he came out as gay.
He makes his way back to his apartment telling his doorman, “Paparazzi! He’s with me!”
Hopper just nods in response and opens the door quickly. Eddie sighs in relief when he makes it through and to the elevator. Steve looks at him and asks, “How offended are you that I don’t know you?”
Eddie laughs. “Mildly, but it’s a relief really.” He realizes that isn’t the biggest concern in the moment and changes the subject. “Are you okay?”
Steve sighs and runs a hand through his hair. He opens his mouth but the elevator dings, and Steve almost looks relieved. Eddie doesn’t press it as he leads him to his apartment. “Make yourself at home. Do you want water, coffee, tea, soda, or anything?”
Steve numbly shakes his head, so Eddie grabs two bottles of water and two cokes from his fridge. He puts them down on his coffee table and sits on the couch, watching as Steve kind of hovers in his living room with his arms crossed. “I won’t bite, and I certainly won’t pressure you to do anything. But you can sit on the couch if you like.”
Steve eyes him and asks timidly, “You’re not in on anything with Billy, right?”
It breaks his heart seeing and hearing how on edge these pranks have made Steve. “Fuck no. I promise on my guitar I have never had anything to do with Billy and I never will. Well… unless you count me calling him out on his shit on TikTok.”
The words seem to get through to Steve who sits down on the couch next to Eddie while keeping his distance. “So… that’s why you were on his TikTok.”
Eddie’s heart hammers. He nearly forgot that Billy had apparently dueted his own video. “Yeah, but it has to be really new because I only posted mine literally a minute before I ran into you.”
Steve looks down at Eddie’s phone still in his hands. “Why?”
“Why what?” Eddie asks genuinely confused.
“Why did you call him out?” Steve asks, not sounding angry just… curious.
Eddie shifts and play with a string on one of the rips of his jeans. “His most recent video with the faked suicide. That wasn’t fucking cool, man. None of the pranks he’s done have been okay. And I’m sorry that you were put through them - especially this last one.”
Steve’s face turns almost white. “He posted that? Was I… was I in it? Like… my entire breakdown was…” he trials off as Eddie slowly nods. “Fuck,” Steve says burying his face in his hands. Eddie is about to apologize or go on a rant about how much he hates Billy Hargrove when Steve asks, “Can I see the video you made?”
Eddie’s cheek flush red, but he replies, “Yeah, uh, I don’t exactly remember what I said because I kind of went into a fit of rage and posted whatever came to mind. But yeah, my password is 051599.”
Steve types the password into his phone, and stares at the screen blankly. He looks at Eddie and asks, “I’m not on social media… ever so… could you show me?”
Eddie nods and slides over until he’s a few inches away from the beautiful man, and he does his best to try not to think too hard about how attractive he finds him as he goes to his profile and presses on his recent video. His nose scrunches up at the sound of his own voice, but he doesn’t disagree with anything he said. Billy Hargrove is a dick.
“Can I see the comments?” Steve asks. Eddie nods and clicks on them.
“Woah,” Eddie can’t help but say as he sees blue checkmark after blue checkmark. The top comments are from @ ronancetheromance with the couple saying: “Only an absolutely vile person is capable of such a fucked up prank. #SaveSteve”. Another from @ willthewise: “remember to comment on here instead of the original video so it can get less attention!! #savesteve”. Several of the rest of the streamers who call themselves “The Party” reply to Will’s with the hashtag “SaveSteve”.
“Who are these people?” Steve asks as he scrolls through the comments. He comes across one from @ billyfan4everandalways saying: “Watch Billy’s new video and stop being so quick to judge!!”
Eddie clicks on the replies, and the top liked one - having more likes than the original comment - is from @ ericasinclair: “that ugly mullet man’s explanation is bullshit and everyone knows it. let Steve talk for himself or I’m not buying it. #SaveSteve #CancelBilly”
Eddie nearly follows the girl, but realizes that Steve had asked a question. “Most of them I don’t know personally honestly.”
“Then why are they defending me? I’m nobody,” Steve says as if it’s a common fact.
Eddie turns off his phone and puts it down, properly facing Steve. “I know I don’t know you well, but you are not nobody. And these people are defending you not only because Billy is a dick, but this prank stuff is abusive and shouldn’t be normalized especially with the following he has. Nobody should go through that.”
Steve turns slightly red and looks away before asking, “Can we watch his reply?”
Eddie shudders a bit at the thought, but turns on his phone and goes to his page. “Are you sure? I haven’t seen it yet either, and I’m a little prone to getting pissed at him.”
“I’m sure,” Steve says and even reaches over to open the video.
Billy still has fake blood on him and is scrubbing it off with an angry look on his face. He looks at the camera every so often, and it’s clear that he’s staring at himself in a mirror. What a fucking asshole. “These pranks are harmless, and even my boyfriend would agree with that. He enjoys them and he makes sure to show me how much once the cameras stop rolling and his shock has died off,” Billy says so with a smirk on his face that sends chills down Eddie’s body. “So, stop making assumptions about me and my boyfriend and keep making shitty music instead asshole.” The video ends with him flipping off the camera.
“Charming,” Eddie comments, pausing the video so it doesn’t endlessly loop, and turns to see Steve’s reaction. He runs a hand through his hair and shakes his head.
“He’s lying. I’ve been begging him to stop for weeks. Even slept on the couch in protest. But that last one was the last straw. I just… don’t know where to go,” Steve sits back against the couch and mumbles, “Fuck.”
Eddie shifts and looks at him. “Do you have any friends or family that could take you in?”
Steve laughs humorlessly. “My parent disowned me when they found out I was dating Billy. Didn’t want a bi son ruining the family image. I had to move in with Billy, and he used to be sweet really. Well… I thought he was for the first three months. When his TikTok career took off he moved to LA, and I felt like I had no choice but to go with him. I grew apart from the few friends I had before the move, and I was just stuck with Billy here. And I… I don’t know,” Steve sighs and puts his head in his hands. “Sorry, I didn’t mean to dump all of this on you. I just… haven’t really had anyone to talk to.” The man lifts his head, his eyes are tired and filled with unshed tears. He’s gorgeous really, but that’s the last thing Eddie needs to be thinking about.
Eddie takes a moment to consider things. Steve seems like a good guy. He has plenty of extra room in his too big apartment and money to spare that he doesn’t know what to do with. Honestly, he’s not meant for this lifestyle and never has been. He’s happy that his uncle Wayne is retired and living comfortably off his too big income, but it’s lonelier than he imagined it to be.
And with that thought Eddie tells Steve, “Then live here for a while. No pranks. I won’t use you for clout or whatever. I have a guest bedroom with its own private bathroom, and I usually never have visitors. And I hate parties, so you don’t have to worry about that either. I may be writing songs in the middle of the night, but my music room is fairly soundproof. And trust me, I would appreciate the company or feeling like my money is going toward something important.”
Steve stands up and shakes his head. “It’s okay, man. I don’t want your charity. You’ve already done enough.”
Eddie stays on the couch and says, “Please, Steve, stay a week or just a few days. If you hate it here, I’ll help you get on your way. But trust me when I say you’ll help me too. It’s…” he sighs and runs a hand over his face, “It’s lonely in LA.” He cringes as he quotes the title of his favorite song that he’s written. It’s also his least popular one, but it’s the most honest thing on any of his albums.
“Reminds me of that song,” Steve says with a small smile.
Eddie’s head snaps up. “You know it?”
Steve hums the chorus of Eddie’s song and Eddie joins in. Steve stops to ask, “You know it, too?”
Eddie huffs a laugh. “I wrote it.”
Steve looks at him for a few moments longer with a combination of shock and hesitation. Then he surprises Eddie by asking, “You really wouldn’t mind if I stayed?”
“Not at all. Unless you ended up doing something really drastic like trying to murder me.”
Steve snorts, and Eddie finds it endearing. He tries to shake the feeling away. He can not fall for this man when he’s a guest in his house and especially not after everything he’s been through. But then Steve gives him a real smile and holds out his hand saying, “It’s a deal.”
And when Eddie takes his hand and feels how warm and nice it feels in his, half of him wants to argue that it’s just because it’s been a while since he’s actually had a genuine conversation with another person. But the other half is quick to accept that he’s absolutely fucked when it comes to this stranger that he feels like he’s inevitably going to fall in love with.
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semidecentpoet · 2 months
Text
What gets me ab western mainstream news coverage of the genocide in Palestine—besides the obvious lack of morality—is that it’s, frankly, shit journalism.
(For context, I’m a journalism major with a focus in print reporting. This is literally what I’m going to school for.)
(Forgive me if this is slightly disorganized. Harder to write when I’m pissed.)
My instructors tell me ab the importance of active voice over passive voice all. The. Time. There’s a difference, for example, between “More than 30,000 Palestinians have been killed” and “Israel has killed more than 30,000 Palestinians.”
More recently, I’ve had instructors tell me to be more skeptical of official sources (e.g. police), fact-check their claims and get alternative sources whenever possible.
But, from what I’ve seen, a lot of outlets seem to just take Israel’s word as fact without searching for further evidence. For example, when Israel made that claim—with no real evidence—ab the 40 beheaded babies and it was everywhere. And then they said they can’t confirm shit, and now these outlets have to backpedal.
And of course, on top of the blatant misuse of language (beyond just active vs passive voice) and the false/unsupported reporting, there’s the lack of reporting.
I don’t see western mainstream outlets quoting the assholes who call Palestinians “human animals.”
I don’t see them pointing out the sickening abundance of social media posts of Israelis celebrating the genocide, of IDF posing in front of the rubble of what once was Gaza or with the undergarments of the Palestinian women and girls they raped.
I don’t see them setting their headlines ablaze with the countless historic holy sites Israel has destroyed, mosques and churches alike that were some of the oldest in the world. (But when Notre Dame was on fire—)
I don’t even see the context of the more than 75 years of Israel’s bullshit leading up to now.
Where is the coverage of the entire families Israel have wiped out? Where is the coverage of how Israel treats its hostages? Where is the coverage of the Palestinian people’s injuries, physical and mental, and the reason for the lack of proper medical aid?
Countless children in Gaza have to undergo amputations in unsanitary environments without anesthesia. Where’s the coverage?
Who is asking Biden the important questions? Like, if you’re trying so hard for a ceasefire, why has the United States vetoed United Nations resolutions for an immediate ceasefire three times since Oct. 7? Why a temporary ceasefire instead of a permanent one?
How ab Israel’s attack on Rafah during the Super Bowl?? Rafah the designated safe zone?? While airing a $7 million ad?? During what is arguably the most famous and most-watched sports event in the U.S., which has given billions of dollars in support of Israel’s genocide?? How are these outlets not blowing up????? This is a U.S.-funded slaughter during a national event???? Is this not newsworthy enough for you??????????????
Maybe they include some of these things in their articles. But when and if they do, is it a full-fledged story or just a brief?
Is it toward the top of the page or buried lower? (Journalists typically use the inverted pyramid style, which means the most important information in a story is at the top.)
I understand that, as journalists, we have to be objective. But this is not objective reporting. It is clearly biased in favor of Israel. If it were any other country, any other people under siege, this would all look a lot different.
On the topic of objectivity, I’ve heard a few arguments along the lines of, “We can’t pick a side.” But is there truly more than one side to this crisis?
One instructor of mine has said that “both sides” is a false dichotomy, meaning there are rarely ever exactly two sides to any given issue. Sometimes that means there are more than two sides, and sometimes that means there is really only one.
Coincidently, an example he gave of only one side was the Holocaust in Nazi Germany. Even though there are assholes who say otherwise, it was real. It happened. It was wrong. There’s no other way to look at it.
Ik that journalists bending objectivity and imposing morality in reporting is a relatively recent and controversial debate within the media industry.
But.
If we do some actual goddamn reporting—take the numbers and the quotes and the experiences caught on video and add them all together—we start to paint a pretty clear picture of who is the victim here. And who is responsible for the atrocities.
Just bc our government supports Israel does not mean Israel perspective is on equal footing with, much less more important than, Palestine’s.
When Palestine’s death toll is roughly 30 times that of Israel’s, there’s only one side.
This is some pretty shit journalism.
I’d look forward to hearing from other journalists/student journalists what they think ab coverage of the genocide.
Personally, I’m a little heartbroken that some of these outlets I’ve looked up to and dreamed ab being a part of someday have been so lacking in their coverage—to say the least. Especially since journalism is so important and is supposed to be a major means of holding people in power accountable for their actions.
Life’s bitter irony, I suppose.
Free Palestine.
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opluffys · 1 year
Text
Personal-
posted first to my archive- you can read ‘mentor mentee’ for more context if you’d like, but you can also read this blind! pls let me know if there are any errors and i hope you enjoy!
tags- rough sex, size difference, size kink, angst, toxic relationship, internal conflict, creampie, vaginal sex, mating press, fem reader.
4k words.
-Ghost x Reader-
-nsfw/smut-
Forcing yourself to drag your stare from the monotonous and drab documents onto him, standing there in all of his terrifying glory. Mountainous and big, all of him, from his behaviour to his looks. You were tired of it, of him. Lies.
You wondered what brought him in this time. Part of you had already known, though.
"Did you fuck him again?"
You scoffed, clicking your pen and setting it down gently, the dark ink setting to dry over the tinted pages. You had wanted to tell him a false truth, but is it really false? A growing bit of you had wanted to scurry back to Price, sticking to his side just as you'd done for Ghost.
"Why does that matter?" You began to kick your shoes off, knowing what would happen in the next few moments. Bent over the desk and fucked until broken sounds left you, like always.
Ghost stilled, displeased with your response. He'd not yet closed the distance between you two, not yet sealing your fate for the night. To be sore and stuffed full of him, is what you'd anticipated, thighs squeezing together as you started to reminisce.
What good were you though, if you were just made to say yes? To always listen and mindlessly obey whatever Ghost would say and ask of you. You attempted to will away whatever lecherous thoughts that compelled you, standing from your office chair.
"There's always something I've wanted to ask you. Something I've been too afraid to even think of." You laughed, a saddened and dry sound. You forced yourself to continue on with your complex dialogue.
"Can you tell me Ghost? What you and I are to one another?" Your question was desperate, tone shaky and eyes glossy. You'd constructed a perfect answer within your muddied mind, hoping that he'd say what you'd wanted to hear, overcome with something to falsify that answer.
You waited for his reply, your stare stuck on his dark one. You loathed looking into his eyes, because they told you everything you'd wanted to know. You knew he had an answer, one so intricate and lengthy, he himself was unaware- the thing that had been so utterly amusing though, was that you were equally as unknowing, too.
And like a true spirit, he'd left as silently as he'd appeared.
A muted moan left your lips, bent and folded in an impossible, nearly, position, taking Ghost into your pussy. His large and gloved hands were on the backs of your knees, pushing and folding your legs to compress your entire being. The large and ill-fitting shirt hung off of your body as he pushed into your heat, oddly gently, eye contact starting to make you nervous and nauseous.
He continued to feed his large cock into you, leaving just a bit of him to keep you stretched open before shoving himself back in. You cried out to him, your hands tangled into the cheap sheets of his bed, and- his bed? Your eyes popped open, scanning your surroundings, and oh, how the hell did you end up here? In his supposed safe haven, his fucking home.
How had the stars aligned for the two of you to get a break at the same exact time? Not so much as a break, more like a medically related one for Ghost, and you'd been forced to go watch over him, since he was notorious for not trusting other hospitals. The man barely trusted anyway, this was not at all surprising. This all made sense, but how you'd gotten into this position hadn't.
A soft squeeze at your plush flesh had your eyes flickering back to his, "Look at me while I fuck you."
Your breath hitched, legs opting to close, being stopped by him. He pulled out again, slow, slower than he's ever gone with you before. You were used to a rabid and animalistic pace, one that would shake you back and forth from his thrusts alone. But this? Leisure and slow, powerful and strong thrusts of his cock inside your walls, deep eye contact, those honey eyes with light lashes staring down at you. Ever so slightly narrowing when you'd squeezed him in such a way, tight and snug around his thick girth.
You, for once, stared right back at him. Through your tears at your waterline threatening to flow, through thickened lashes, you stared at him, just as he'd wanted you to. Just his tip was inside of you now, and he waded himself back in, watching and appraising your reaction. Every twitch of your body, how your legs tried to close, how your pussy spasmed around his cock and tried force him out- all of it.
Ghost struggled to get all of him inside of you, so used to just having you sit atop him and laze back, often in your own seat. He'd watch, somewhat amused, as you rode him, so fervent, hands behind your back while you would moan and whisper whatever it was you'd said. He'd, when feeling generous, roll his hips up into you to meet you halfway, watching as your eyes opened in shock when you felt him just a little deeper.
So, at a new and all too personal angle, he continued to work his dick into you, hearing your small 'it's too much,' or 'you're so big' spur him on with every minuscule movement from him. Ghost wasn't one to try new things, opting instead for something familiar. Like maybe having your face buried into the sterile cot as he fucked you from the back, fast and unforgiving speed always having you moan out to him in pure ecstasy. But, he was open for new things at times. Sharing you with Price (once was enough for him), having you set the pace, trying new positions.
He briefly questioned if you'd enjoyed the change, too.
Cutting through the silence, he spoke, "You like getting fucked like this? Feelin' me right- fuck, right here?" His large hand fanned out over your abdomen, pushing down and able to feel himself inside. Your hand scrambled over his, cold leather meeting you. The sensation of the provided pressure too much, per usual.
"God, don't, don't do that again." A whine left you, your body betraying you as you pushed his hand down, a timid ask, again, please.
He listened, pushing that spot over your stomach down, the cold material of his gloves making it feel a little less personal- because to be completely true to yourself, you had to admit how badly you'd wanted to touch him. To feel his hands, without the leather barrier, to hold them and wonder how they would feel in your smaller ones. Your hand enclosed over his, raising it a bit, fingers attempting to lift his glove off. You wanted it to feel personal. You were tired of it not being such.
But you were also so fucking scared of it becoming just that, too personal. As every aspect of your day to day life had some of Ghost in it, your conscious and mind having the most of him within, constant thoughts plaguing your mind. These thoughts, for once, hadn't deterred you, continuing to ease the leather glove off of Ghost's hand.
He didn't seem to take note of what you'd been doing, lost in your tight insides, his eyes fluttering closed at the pleasure you'd provided him. Maybe that's why he'd chosen you, because you were the only one who could take him like this, take him any fucking way he'd chosen. You had been the only one able to give him a similar sensation of pure euphoria, just as he'd given you.
"Ghost, I-" A sharp inhale from you as your cunt continued to struggle with his size, "I want to touch you." So sudden, your voice was airy and light, almost as if you'd pass out at any given moment. And from how lightheaded you'd felt at both your request and at the way Ghost had slowly been fucking into you, it didn't seem too far off from actually happening.
Your brain hadn't even had the time to concoct whatever negative scenarios, as he spoke up, "Why now."
Not a question, a statement. He's right- why now? You'd always despised loved the idea of touching him, and you'd so desperately wanted to put that idea into fruition, even though the rightful side of you, the more logical one, had attempted to warn you that it wasn't a good idea. If you'd felt him, then perhaps you'd grow even more addicted than you already were.
You'd take your chances, though.
"I don't know why, just, oh, fuck," You forgot what the hell you were even talking about, feeling his cock just about bottom out inside of you. "Please."
He stopped, hovering over you, a single hand keeping your leg spread while the other was entangled with yours. The ambient and low lighting framing him with an odd glow, one that had you wanting to cower in fear.
Lightly, so much so that you almost hadn't noticed, he squeezed your hand back, an answer to you, fine, yeah okay. It was unsure, just as his demeanour normally was around you. You pushed the glove off, the item falling to the floor with a barely audible sound. You, for a moment, held his hand. Not too long, because then you knew that he'd retract it and slip that glove back on, that sense of protection back on, his sense.
His hand was rough and calloused, but so warm. Heavy in your hand and against your touch, you laced your fingers with his before squeezing, looking up at him, his figure blurry through tinted lenses.
"Go faster, please." A shy appeal, something which your body couldn't even handle, your insides unable to withstand the spare inches that Ghost had yet to fuck into you.
"You can handle it, can't you?" He rolled his hips upwards, his cock dragging against your walls in a way that had you feeling dizzy.
Words had failed you, so you nodded, anchoring yourself to him just by holding his big hand. Your eyes etching shut, before widely opening from a particularly harsh and deep thrust by Ghost.
"Keep your eyes on me."
You attempted at a nod before throwing your head back and gasping, air refusing to fill your lungs as Ghost had nearly pushed the entirety of his dick in. He was filling you to the fucking brim, stuffing you full of him, his flushed tip threatening to bash into your womb again and again.
You held the position that he'd folded you into, thighs beginning to burn at the abnormal angle. You then remembered, he'd crowded into your space while you bandaged his abdomen is what began this all. You don't even remember what he'd said to you, what he'd done, for you to end up beneath him- a sight that you'd witness on the regular. He's never had you so close to him, his face merely inches away from yours. His deep and dark stare never leaving yours, spare for the few times he'd straighten his posture and sound his own moans. Gravelly and low, shutting his eyes while his blonde lashes fell over his cheeks in bliss.
You briefly looked down towards your hand, staring at the larger one that had been loosely holding yours. You'd never even seen his hands before, always clad with leather and never showing his actual flesh. It was scarred, and big- just like the rest of him, full of protruding veins and tendons. The size of his lone hand could fit both of yours within it easily, making your face have a warm heat fan across. You began to think about how his hands would pin yours to the wall, the mattress, whatever, while pounding into you. Feeling conflicted between lust and love, no, this isn't love, it never will be.
Yet, you clutched onto him like it was.
You wanted to commit this sight, this entire night, to memory, because you knew that the next morning you'd criticise yourself for it. Endless questioning of how you'd allowed him to get so close to you, to hold you like a lover and fuck into you like one, slowly, oddly carefully for him too- it never made any sense. He'd either be too cold, which is the Ghost you'd known, or he'd slightly warm up, handling you with care instead of typical rag-doll fashion.
You'd handle your emotions in the morning.
You squeezed his hand, tightly, drawing his attention back to you. "Faster," You plead, feeling his hips slowly push against you, the soft material of his gray sweatpants soft against your exposed skin.
"You know to ask nicely, love."
You hated adored when he'd call you pet names, they just made you feel more attached. Nevertheless, you obeyed, "Please, please go faster, Ghost."
He hummed lowly, pleased at your obedience. His leisure speed hastened, his forehead pressing against yours as your eyes flitted closed, little whimpers and moans leaving your agape lips.
"Fuck, so good, you're so good." He grunted, bottoming out inside of you at last, hearing you cry out in slight soreness. His nose was brushing against yours, his eyes on you, brow furrowed. He's so fucking pretty, and you hadn't even known what he'd looked like.
"You're so deep," Your words slurred, feeling his cock rub up against your slick walls deliciously.
"Yeah? You like it, don't you?" He groaned, sounding like a deep growl rumbling in his clothed chest. His speed was dizzying now, slamming into you with fervour.
You nodded, feeling his hand pin yours on the mattress, the soft and laced hold now turning into something filthy, a means to hold you down.
"Use your words, don't go dumb on me just yet." He teased, returning to the slow and downright tortuous pace he'd once been at.
"Yes, I like it, I love it," You stopped yourself from saying something that you'd soon regret, those three words remaining unspoken.
"I know you do." A long and drawn out moan left him, his hand grasping your wrist as he continued to ram into you.
A sudden wave of uncomforted emotion consumed you, thoughts of how close he'd been making you feel queasy. You wanted to get him off, while simultaneously wanting to pull him impossibly closer. You didn't know when he'd feel like this again, so you felt like you were taking this entire situation for granted- but those conflicting thoughts were eating at your very sanity, making his close vicinity unbearable.
Looks like Ghost shared your sentiment, backing away from you and removing his hand from yours. Instead, he looked down towards you as his cock continued to drive in and out of your wet cunt. You hated how he had known how to fuck you just right, making sparks fly within your synapses, always coaxing multiple orgasms from you, he had always known what to do with you.
His ungloved hand reached up to the bottom of his balaclava, and you clearly froze up. You had to be hallucinating, because if just touching him would make you feel so utterly confused, you couldn't even begin to fathom how seeing him would fare.
That cloud of constant anonymity surrounding Ghost made things easier between the two of you. While you had shown and intimated at your true feelings, albeit rare, you have done it before. Typically when seating yourself on his cock wasn't enough, and you had actually wanted to feel something between you two. You couldn't lose that, because then you knew that you'd fall for him, it's already happened, hasn't it?
He pulled the fabric up, acting as a striptease while shallowly thrusting into your heat. He stopped just shy of showing the bridge of his nose, and you turned away before you'd even gotten a glimpse of him. You didn't care how badly you'd wanted to see him, see Simon and not Ghost. You didn't care at all, staring at the bland and blank white walls as you were moved up and down due to his hips colliding against yours.
It was sudden, his bare hand on your face, nearly smooshing your cheeks together, roughly bringing your stare back to him.
"Not a very good listener, are you? Look at me."
Your stare never met his, tears prickling at the edge of your eyes, please, don't make me see you. I don't want to fall in l-
A harsh thrust forced you to meet his gaze, and you felt an odd sense of relief rush through your system as his entire face wasn't exposed. Just the bottom half, which you have seen a few times, in a more clinical setting, of course. He's never shown you himself whilst balls-deep inside of you.
Well, until now, anyway.
"Good." A quick praise that had you melting against his welcomed touch. You were unaccustomed to seeing his lips form the very words he'd said, yet you could watch it all day. He removed his hand from your face, instead tugging at his loose shirt, bringing it to catch on his teeth.
Fuck, that shouldn't be that hot.
His eyes were on your trembling figure, at times glancing down to watch his thick cock disappear inside your greedy pussy. Gripping him in a way that you thought he wouldn't pound into you again, foolishly wrong as his cock returned within your cunt with a low groan. The gauze covering his abdomen following every light twitch from his stomach having you watch with embarrassing intent.
Your thighs burned as they were spread to their limit, one of your hands grabbing at the sheets as your very life depended on it. The the other was clutching tightly at his inked arm, nails biting into the decorated skin, he grunted as your nails raked over his arm, his thrusts halting as he felt his own orgasm creep up on him.
Normally, he would speak during this period, tell you how perfect you were for him. But, he kept quiet, due to the fabric of his shirt in his mouth, or maybe he just wasn't in the mood. You didn't know, you didn't care, you were lost in the way his cock would push right up against that spot that had your vision blacking out. Your own hips lowering to meet his in mutual thrusts, eyes rolling back in pure pleasure and liquid ecstasy shooting through your own spine, every disc lighting up.
Ghost's hot and heavy dick continued to punch into your drooling cunt in such a way that nearly had you bawling. You felt your toes begin to curl as all of the signs were leading up to your own orgasm, something of which you'd been chasing, yet delaying, for you knew that those rose-tinted glasses would shatter.
Again- you didn't care though.
His gloved hand reached to rub at your neglected nub with passion, having a high pitched moan leave your lips. You jerked into his touch, a greedy imploration for more, your body betraying your very mind and virtues.
Your ask hadn't been ignored, the tight circles he drew becoming neater and more attentive to every twitch and move from you. You whimpered his name, feeling his fingers on you and his cock ruin and pick you apart being too much, even for you. You, who had been moulded and formed to his very imprint, wanting and constantly ready for him.
A brush of his fingers and feeling his cock drive into you just right had you sobbing. Your back arching up towards him, your nails making crescent shapes over his exposed and inked skin, as you had finished over his fat cock. He groaned at watching your orgasm wash over you, humming deeply while he witnessed your comeback to the scene. Your sensitive nerves not getting a break as his pace had only hastened, cock driving into you at the most proper and precise angles.
With a huff, his shirt dropped down to its correct spot, hiding his body from you. He groaned as he felt your insides squeeze him with a vice grip. His mouth was agape, stubble framing his jaw beautifully, kissable lips forming a sentence, "He can't fuck you like this. Not like I can. Nobody will ever be able to, because you're mine." His words were rushed, his thrusts becoming sloppy as his cock twitched inside you.
God, you nearly unraveled under him once more at his very words. You already knew who Ghost was speaking  of, and no matter how good Price was in bed, he was right, he couldn't fuck you like Ghost could.
You didn't confirm his words, though. You couldn't, because then you'd have to admit he was right, right about you belonging to him. And oh, how you'd wanted that to be a cruel reality, held in his virulent grasp.
You heard his sounds grow in quantity and felt his thrusts quality begin to deteriorate. You knew he'd been close, "Inside, please."
"Not goin' anywhere else."
While fucking Ghost, you quickly learned that he was obsessed with the idea of finishing inside of you. You quickly had to start the pill, lest you wanted to carry his child. You didn't know why he loved it so much, maybe it felt good, maybe the sight of your pussy leaking his cum after being stuffed to the absolute brim was such an arousing sight to behold. But no, it was a means to claim you. To mark you as his in a way that no other would have the ability to.
And he'd do just that, again and again, and again, and again, andagainandagain-
He groaned, such a low and addicting sound as he doubled over you. His cum filled your cunt, his heavy balls slapping against your skin as he continued to fuck his seed back into you, your knuckles blanching at how tightly you had held both the sheets, and Ghost's arm.
The both of you were unmoving, his dick softening inside of you before he'd pulled out. He untangled himself from you, stare stuck on how your abused hole leaked his essence, using his thick fingers to push it back in. You remembered what he'd said before while doing so, 'Not good t'waste,'.
You laid still, regaining your breath as well as your ability to form thoughts while you felt a warm cloth tidy you up. His touch would sometimes linger on you for a moment too long to be considered an accident, yet you'd shake it off and consider it as one.
You clothed yourself, pulling on a set of bottoms, ultimately unnecessary, as the shirt you wore was like a dress on your shorter stature. You don't know how Ghost's article of clothing had ended up in your hands- on your very body nonetheless, his scent embracing you, yet sneering at you, feeling attached?
You checked his wounds and re-bandaged any as necessary, as you were still a doctor, after all. You'd had plenty of things that remained unsaid, to both yourself and to him. You'd wanted to tell him your true emotions towards him, but you were so afraid. Afraid of him, or rejection, or both. It wasn't clear, and it wasn't feasible to build a relationship with a man like him, anyway. With a man so fucked up and broken, incapable of feeling how you felt, even a sliver of it. Is what you had thought, anyway.
Ghost watched as you shoved on a windbreaker in a hurried way, slipping your shoes on as you'd wanted to run. Sprint off into the sunset and forget whatever fucked up relationship was between you and Ghost, if you could even call it such a thing. What the two of you were was truly complex, forever unknowing to you and him. Despite this, he yearned to say a single word to you, a pathetic beg forming in his mind.
He'd wanted you to stay.
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fuh-saw-t · 2 years
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How to Write Character Dialogue 
Like, in a realistic and engaging way. 
Edit: PART 2
Preemptive warning that this extremely long-winded and messy post is designed to be a vague guide to help or prompt beginners with methods they could use in writing, to help people avoid common mistakes, and to hopefully aid in developing unique methods of constructing and presenting dialogue. It's also opinionated, and heavily influenced by my own writing style.
This post will be split up into two posts detailing a macro and a micro view - macro being dialogue in general, and micro focusing on how individual characters and stories will have certain considerations. Reblog and say in the tags if you want Pt 2 on the micro-view.
The 'Macro-View'
Don't start googling that term. I made it up.
The key to making dialogue sound realistic (and, in turn, making your characters appear more like people - making them easier to empathise with) is to think about how real people talk. Very obvious, right? You'd be surprised.
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Ellipsis 
And no, not the '...' kind. We'll get to that later.
Ellipsis is a term that refers to how words can be omitted from a sentence, yet it can still be understood. It's something we do all the time (though not often thinking about it). For example:
"Are you going home?"
"You going home?"
The latter is entirely understandable, but is not grammatically correct. However, most people do not speak in grammatically correct sentences, or even sentences. We speak in utterances and focus more on being understandable than eloquent. It's important to consider this when writing, as I've seen time and time again - even in published books - the writer focusing too much on making the dialogue grammatically correct. The characters sound dry, void of personality, and appear to be reading off of a script at every moment.
Ellipsis isn't going to be used in every sentence. You still have to think about which character will use it and when.
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The Other Ellipsis
Gonna break every fanfic writer's heart in one statement: using ellipsis to convey pause is grammatically incorrect.
But, good news! Language is made up and I think it works well for dialogue, so it gets to stay.
Ellipsis (...) can be used to convey a pause - usually when a character is considering something, overthinking or too heartbroken to think straight. It can technically be used anywhere, but I'd advise against using it at the beginning of a sentence, like this:
He muttered, "...I can't believe it."
Because, honestly, it doesn't really convey much that you couldn't show through other methods. And, since a pause is silence, placing it at the start of a sentence conveys (in most cases) nothing, as of course there would be silence - the character hadn't started speaking yet.
However, when placed at the end of a sentence, like this:
He muttered, "I can't believe it…"
We report back to the primary purpose of an ellipsis - to convey something has been omitted. Here, the use of the points have created the impression that the character had more to say, but instead trailed off. This is something we do in speech all the time.
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Dashes
To me, dashes are a near-essential part of constructing realistic dialogue; they can be used to present characters' spontaneity, the insertion of impromptu remarks, or a 'take it or leave it' comment that can be considered by the other characters or reader based on context (or what's remembered). For example:
"Well," he said, flipping idly through the pages, "we could go to the city and protest there—that might be too dangerous—or try to rally some support from the neighbouring villages."
That's the (largely) grammatically correct version, though. Since language is made up, punctuation is a lie and readers don't notice nor care, you can do whatever. There, I used the 'em dash' (as opposed to the 'en dash', which is '–', or the hyphen, which is '-'). This is what grammarians and dictionaries tell you to do, but you can totally change whatever you want to suit what you think looks best. Such as putting in an en dash or a hyphen instead, putting spaces between the words and the punctuation mark, or putting marks such as '?' or '!' within the subordinate clause (a relatively-new habit of mine).
As you can tell, I usually put a '-' in writing where I don't have to bother. Like here on this blog.
Overall, dashes are a great way of inserting side-comments and impromptu thoughts, making your characters seem much more natural and alive. Moreover, they can be used to give the effect of stuttering. And, as a bonus, they can also be used to show interruption or a stopped thought. For example:
"But you didn't tell me about—"
"I didn't have to tell you anything."
Personally, I use en dashes for interruptions and em dashes for self-obstructed speech (where the character stops themselves) to indicate the following silence. Punctuation can be used creatively to show whatever effect you want. Experiment and find your style!
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Contractions
This is a short one, since I'll touch on it in part 2, but contractions such as 'don't' and 'I'm' do not necessarily indicate a character, for lack of a better term, isn't posh. I see people try to write characters that are intended to be posh or highly educated all the time and decide the best way to show that through their speech is to omit contractions. In fact, it just makes them sound a bit like a robot. People can still use contractions in speech if they're highly educated, especially in a context where their education or status is not relevant. There are better methods to show a character's personality or upbringing through dialogue, but we'll touch on that later.
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Dialogue Placement
I'm too lazy to think of, or look for, a better term. It's where you put the dialogue, and how much of it you have. Simple as.
Let's be blumt. Don't do this:
He said, "blah blah blah."
She replied, "blah blah blah."
He responded, "blah blah–"
She screamed, "blah blah blah!"
Riveting dialogue, am I right?
Instead, let's try jazz things up. Ensure that your speakers are clear to the reader, that the tone can be understood through either your punctuation, descriptions or dialogue, and you'll be absolutely fine.
Elliot was heartbroken. Taking Elena's hand, he told her, "I can be better, I promise."
"Seriously?" She snapped her hand out from his grip. "If you could be better, then why weren't you better before? Before all this, I– now I don't know what to think."
"But you don't have to think! I'm telling you, Elena, the life we can have–"
"I don't want to hear it!" She screamed, "We're over!"
Even if you replaced that with blahs, it'd probably be a bit more engaging. The content of your dialogue isn't the only thing that matters, it's how it's placed. Here, the placing is diversified; the dialogue is sometimes embedded within the sentence, more so than before, making the words seem a lot more related to the context; a better view of the situation is shown, and we aren't bothering the reader with a constant 'she said, he said' situation. Though, it should be noted that 'said' is your friend, not an enemy.
Also, you know how sometimes in TV you get characters go 'all right!', 'so cool!', 'let's go!, etc, and wonder how much they paid the voice actors to say the same generic one-liner ten times an episode? That happens in writing, too. If it's something generic and unimportant to the plot or adds nothing to the situation, you can describe it instead or leave it out entirely. 
Like how you can say 'he screamed in pain' instead of typing out "AUGSHAHSGEJAJAHHHHHHHAAAAAA!!!"
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Also, a few other, quick things because I am tired:
Every rule of punctuation and grammar, as well as every piece of advice you'll ever be given, can be broken in certain situations. Always take advise and grammar rules into consideration, but recognise when it may be best to break them.
Avoid empty adverbs. These are situational.
E.g. 'She whispered quietly' is empty - the verb 'whispered' already insinuates the action was quiet. Adverbs should add to a description or circumvent expectations, an example being if she 'whispered angrily'. Adverbs are not always necessary.
Please don't overuse dashes and overdo stuttering. I'm looking at you, My Hero Academia Fanfiction writers. This line is directed at you.
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Obligatory 'I'm not a professional, I just do things sometimes and have some education on this'.
Asks are open, and if anyone wants a Pt 2 where I cover considerations in writing dialogue for certain situations, personality traits, etc, feel free to either ask for that in the comments/tags or send an ask in about what specific thing you want covered!
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wibta if i refused to help my classmates going forward?
i am in university for a science degree. i have been struggling for almost my entire degree due to undiagnosed ADHD and autism, as well as my habit from grade school of working myself too hard. i went into burnout from 2020-2022 and failed most courses i took. i had to cut down on my work significantly so i could stay in university and finish my degree. it's been 5 years and i'm just over halfway finished. the end's not in sight yet, but it's getting there.
this semester, i'm taking two courses that i've struggled in previously and am retaking actually. the term will most likely be over once this is posted. one i've finished twice but didn't have a high enough grade to move forward (chemistry) and the other i've dropped 2 times before to avoid failing (calculus). the subject areas might give more context, and my chemistry course isn't introductory. they're also notoriously very difficult, and most people end up retaking this chemistry course several times. they're both needed for my degree and a similar degree. someone in both classes (2 different people) made group chats specifically so we could help each other. at first it was a very good idea, and i myself benefitted from them, managing to get a really high mark on a math assignment because of the group chat and sharing our work/processes.
this term is the one term we have a mid-semester break, and while the details are irrelevant here, i went away during this break, and i came back in a fairly poor mental state. i didn't want to share my work anymore, and said i was uncomfortable doing so. this got me mocked (i believe, but no one's commented on it or said anything to me about it) in my math class group chat when i asked for the notes after having to leave class early due to the noise. i have misophonia, and i was incredibly close to shouting "shut the fuck up" one say when they honestly just wouldn't stop talking. it's been a problem this term in this class where several groups in the class have been chatting amongst themselves during lecture. my friend (i think we're friends?) emailed our professor (i think i was named in the email), and he addressed the class about it, but as a whole, has told me directly that there wasn't much else he could do about it since they might be talking to each other to understand better.
at this point, there's only about 3 weeks left of classes and then finals, so it's not worth dropping out, especially since i don't think i'm in danger of failing. but that was all kind of just background info. it's been a rough semester for me.
in my chemistry class, we have weekly lab reports. they aren't huge, 10+ page reports, and i can usually do them in about 2-3 hours of work total. i usually work on them in small pieces throughout the week, so i can focus on other assignments as well as lectures. they're due at the beginning of lab, and we have lab on friday afternoons. this wouldn't be an issue if not for thursdays.
at the beginning of the semester, i made myself kinda known as Someone Who Has Answers. i like to help people when they're struggling, and i know that these are difficult classes, and i have past experience taking them with these instructors specifically, so i helped in any which way i could. after our mid-semester break, i was in no mood to help anyone. but on thursday evenings and friday mornings, i would get text messages from a few people asking me about the lab report. but not just a few messages. i would get asked on EVERY BIT of the lab report. i try to be patient, as i understand hidden struggles. but i was at the end of my rope. i never snapped, and i always tried to help them, but sometimes i was very frustrated because on thursdays, i have 2 classes (doesn't sound like a lot, but at my school, my lectures are 2-3 hours long, so it's about 5 hours total of lectures) at two different campuses, so i leave at about 7:30am and get home at about 5:30-6:00pm. it's my night to clean the kitchen as well, so my patience is very thin at the end of the day. i never agreed to help them, and they are texting me. i don't know how to tell them "i'm in no mood to help" but it made me so upset to the point that i was saying that next semester, i wouldn't give my number to anyone. i'm not a tutor, and i'm struggling to stay afloat myself in these classes. i don't have all of the answers, and tbh i'm not even confident on most of my answers. i've tried to make this clear, but they still come to me for help. next semester, i'm retaking ANOTHER course that i failed (not failed, but didn't get a high enough mark to move forward) and i honestly feel like a dick for not helping when i could and should help.
this is probably a nonissue tbh. i'm on the verge of dropping out myself because i took on too much this semester and this just kinda feels like it's all more than i can handle.
What are these acronyms?
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In honour of 4/13x15 I'm posting (a very slightly edited version of) the paper I wrote on the Unofficial Homestuck Collection for one of my classes last term. The language/tone is a bit more academic than what I would usually put up on here, but it's exam season so... 
Don’t Turn Your Back on the Body:
The Resurrection of Homestuck After the Death of Flash
Digital media is, broadly speaking, very difficult to preserve. The rapid pace of technological development means that obsolescence and decay present a consistent threat to the availability of natively digital works. Most computers produced in 2023 no longer have built in CD drives, and I feel fairly confident in asserting that none are being produced with floppy disk readers outside of hobbyist spaces. Issues with the accessibility of physically stored digital media can be mitigated (at least for now) by the use of external readers, but the preservation of fully digital media, born and hosted in its entirety on the Internet, is a different beast entirely.
This is, in part, an issue of pure volume; no one organization could ever hope to archive the vast amounts of stuff that the Internet is constantly producing, let alone organize it into a resource that could be used effectively. Like Borges’ cartographers who created “a Map of the Empire whose size was that of the Empire,” to fully archive the Internet would be to replicate it in its entirety. Thus scope becomes a central question of fully digital archiving. 
The Internet Archive, which also operates the Wayback Machine, answers that question with a resounding and all-encompassing ‘yes’ — their stated goal is to “provide Universal Access to All Knowledge,” but even this comes with caveats. The organization freely permits members of the public to upload files to the archive and save pages on the Wayback Machine, but the work carried out by its official volunteers is more curated, and prioritizes webpages which have been identified as particularly important.
The Internet Archive is very effective within its own space, yes, but it has its limits. When the piece of work you are trying to archive is composed of not just static text and images, but longform animations and complex browser-based games, where do you put it? What do you do when the software necessary to access these elements of the work has been taken offline? And what happens if the people who were supposed to safeguard it fail to do so?
These were the issues that the fans of Homestuck faced in 2020 as the impending deactivation of Flash loomed on the horizon.
But first, before I properly explain what the Unofficial Homestuck Collection really is and why it is so effective as a digital archive, let me tell you about Homestuck. 
Frustrated with the poorly implemented official preservation of the comic, and with a lot of free time on his hands, one fan began the Unofficial Homestuck Collection as a personal project during lockdown, during the “depths of 2020.” As the project changed hands and more fans became involved over the following years, its true scope came into focus: the Collection would preserve not only Homestuck itself, in its entirety and with its Flash-dependent pages intact, but also as much of its contextual material as possible, thus making it a prime example of the effectiveness of fan-driven digital archiving and preservation. Because the people who created the Collection are long standing fans of Homestuck, they know which pieces of peripheral material will provide the context the comic demands. The Collection preserves Homestuck as a text in a way that would be impossible in an analogue format, creating an archive both of the work and of the experience of reading it in a serialized format.
Andrew Hussie began* Homestuck on April 13th of 2009, and published it serially on mspaintadventures.com, his personal website at the time, until its conclusion on April 13th, 2016. Prior to beginning Homestuck, Hussie had been publishing short webcomics and pieces of fiction for several years on his older website, Team Special Olympics, since 2004, which had gained him a small but very loyal following. This following was centered mostly around the forum attached to the TSO website, which hosted the first of Hussie’s ‘MS Paint Adventures,’ Jailbreak, in September of 2006. Jailbreak was a short comic which Hussie produced as a collaborative writing game on these forums, in the style of early text adventures.
Beginning with the prompt, “You wake up locked in a deserted jail cell, completely alone. There is nothing at all in your cell, useful or otherwise,” Hussie then wrote the rest of the comic according to the first comment posted after every page. This, perhaps predictably, resulted in a barely coherent mess of a story.
Following the conclusion of Jailbreak after a short 134 pages, Hussie would produce two more comics prior to beginning Homestuck: the unfinished Bard Quest (June-July 2007) and Problem Sleuth (March 2008-April 2009), which was his longest work so far at the time of its conclusion. Problem Sleuth in particular represented a substantial increase in production quality and general coherency over Jailbreak, as Hussie gained experience using the MSPA forums as tools for collaborative storytelling, reigning in the meandering narrative by allowing himself to be more selective about which forum responses he followed.
Hussie would continue this more controlled style of forum collaboration throughout the first three Acts of Homestuck, which followed a much more focused story than any of his prior work, thanks to his decision to use reader input only in specific parts of the comic. In the introduction to the print edition of the first Act, Hussie described his own role during the production of these first Acts as “dungeon master, a game engine responding to input, and an improv comic all in one.” During the process of writing Act 4, Hussie stopped taking prompts from readers entirely, and would construct the rest of the comic ostensibly as its sole author.
‘Okay,’ you might now be thinking, ‘you’ve given me the context, but what the hell is Homestuck? And what’s it about?’ Well, to wildly oversimplify a very complex piece of media, Homestuck is a webcomic about four young online friends who play a video game that causes the end of their universe and grants them the power to create a new one as they see fit. It is a story about growing up and realizing you’ve been forever changed by your experiences, a story about leaving behind the life you knew and constructing a new one. It is also a story about time travel and paradoxes, genetics and cloning, a large number of aliens, a possibly larger number of puppets (at least one of which is sentient), and an unfortunate amount of clowns. 
This story slowly unfolds over the course of 8126 pages, 817,929 words, and 166 animated panels, 95 of which contained some degree of interactivity and all of which total over four hours in length. Most of the comic’s pages consist of a main image, usually a short looping gif, accompanied by a text description or dialogue, which is almost always written in the format and style of online chat-logs between characters. As mentioned previously, however, these simpler gif-and-description pages are interspersed with longer videos, animated in Flash and soundtracked by one of Hussie’s several collaborators.
The first of these animated panels was uploaded a few weeks into Homestuck’s publication — an animated opening title-card for the comic, scored ominously with sounds of howling wind and windchimes. This first Flash panel was relatively simple, but the next would introduce a bespoke soundtrack (“Harlequin” by Mark Hadley), and the third would include simple interactivity. These soundtracked animations and interactive segments increased in scope and complexity over the course of the comic’s run; the final animated page in the comic, “[S] Collide,” comes in at nearly twenty minutes in length, and some of the larger interactive segments can take upwards of two hours to fully explore. 
While some of the later interactive pages were developed in an engine based on HTML5, most of Homestuck would be built using Adobe Flash, and would depend on the program for basic functionality. This would prove disastrous for the comic’s long term preservation. Flash was very popular, and had become ubiquitous by the early 2010s, but it had security issues which were easy to exploit, its range was fairly limited in terms of what kinds of animations it could produce, and, as its most fatal flaw, it couldn’t run on mobile. Thus with the expanding use of smartphones and tablets, Flash became less and less practical as a tool for web developers, and Adobe began slowly preparing to kill it. On December 31st, 2020, Adobe sent Flash off to the farm where it could frolic and play in the digital sunshine, leaving many online communities facing a crisis. How do you preserve a text when its foundations have crumbled?
With Homestuck using Flash in such an integral way, the issue of preservation was an important one. After the finale, Hussie would post some short post-credits stories to Snapchat from October 2016 to August 2017, as well as a longer epilogue in April 2019, before stepping away from any formal involvement with the comic in 2020. In 2018, Hussie had given the distribution rights for Homestuck to VIZ Media, which primarily handled the English-language publication of several manga series, and had left the rights to the IP and the freedom to produce new work to former collaborators. Thus it was VIZ who took on the task of officially preserving Homestuck against the death of Flash.
To say their efforts were unsatisfactory would, I think, be paying them too great a compliment. The complex and highly detailed Flash animations were replaced with embedded YouTube links to low-quality screen-captures of the originals. The hours-long walkaround games were not translated at all, replaced with ‘choose your own adventure’ style pages of text and links. The official version of Homestuck as it currently exists fails to capture a lot of what made the comic work, because it removes a lot of the gamified elements of the comic that are so integral to its storytelling.
There are many snapshots of the website from before the walkaround games were taken down on the Wayback Machine, but the Flash emulator that archive.org uses is very inconsistent, frequently becoming stuck on looping loading screens or failing to process assets correctly. While the dubious preservation of the long Flash animations is a real issue on its own, the lack of any attempt to replicate the format of these longform games represents the loss of something essential to the comic. Homestuck is, throughout the whole of its story, intertwined with the visual and cultural language of video games. The loss of the complex interactivity of these panels fundamentally changes how the reader is permitted to engage with them and, by extension, with Homestuck’s narrative as a whole. The official version of Homestuck that exists online is no longer complete. 
This incredibly poor preservation was the impetus behind the creation of the Unofficial Homestuck Collection. In its most basic form, the Collection is simply a preserved and restored version of Homestuck, intact and in high quality, accessible through a downloadable client, rather than online — reducing the Collection down to this basic description does it a disservice. The Unofficial Homestuck Collection includes not just Homestuck, but all of Hussie’s prior work: Jailbreak, Bard Quest, and Problem Sleuth are in there, but so are the full contents of his first website, Team Special Olympics, alongside archived versions of his now-deleted accounts on various social media platforms, and copies of threads from the MSPA forums that he would later reference in the main comic. The Collection also includes material that Hussie released alongside Homestuck, like the in-fiction blog of one of the main characters, various short comics written by guest authors, and a full episode of an in-universe childrens’ cartoon.
These peripheral materials are interesting and provide context for some of the more obscure references throughout Homestuck, but many of them were not produced until well into the comic’s run, and assume an audience that is caught up with the most recent update, making them dangerously full of spoilers for the unaware new reader. This issue is solved by the appropriately named ‘new reader mode.’ One of a variety of useful accessibility tools included in the Collection, the new reader mode tracks which page a user has reached, and implements a universal spoiler cloak over the whole program, hiding all materials that were released after their most recent page’s publication. This tool is what transforms the Unofficial Homestuck Collection from an archive of a text, into an archive of an experience.
De Kosnik argues that fan-driven archiving serves as a way for fans to mediate their own temporal experience of a text, describing websites hosting fanworks as mechanisms which “maintain the possibility of individuals joining fandoms… long after a media text has ceased to air.” While De Kosnik’s focus is on archives of fanworks and their function in ongoing fan spaces, I would argue that this framework, which centers the impact of serialization on the dynamics of fan communities, fits extremely well when applied to the Unofficial Homestuck Collection. Homestuck was published serially over the course of seven years, accompanied by blog posts, side comics, music, and other pieces of peripheral media that were released in tandem with the comic itself.
Updates were highly anticipated events, and fan communities were structured around them — one user on Tumblr found an unlisted part of the MSPA forums where Hussie posted new pages before they were published, and this “MSPA Prophet” became a fixture of the fandom for their ability to predict when the next update would come. The event that was an update (or upd8, after the typing style of a popular character) was a central aspect of the experience of reading Homestuck during its publication, and it is one that is very difficult to recover now that the comic exists as a static, completed work. The Unofficial Homestuck Collection, through its new reader mode, functions as a solution to that absence. It does more than safeguard the reader against unwanted spoilers: it temporarily transforms Homestuck back into an incomplete text. 
Homestuck makes use of the assumed preexisting knowledge of the reader, and their “intuitive familiarity” with various types of digital media and culture, especially ones which are inherently participatory. The story’s use of narrative motifs and referential easter-eggs allows Homestuck to function, in Hussie’s own words, as “both a story and a puzzle,” but that “There [are] a range of ways to interface with it[…] Failing to grasp everything shouldn’t preclude basic enjoyment, nor is it a symptom of failure by either the reader or the story.” In the most frequent example of repeated symbology in Homestuck, Hussie peppers the text with references to the number ‘413,’ simplified from April 13th, the day the comic began.
The story follows four friends who are all thirteen years old, many of the songs on the comic’s soundtrack are exactly four minutes and thirteen seconds long, and the timestamps on chat-logs show that characters frequently begin important conversations at precisely 4:13, to name just a few of the number’s appearances. The combination of puzzle and story in Homestuck extends beyond these kinds of motifs, however, and into the way Hussie employs referential humour.
Some of these references are fairly easy to catch; in Act 4, one of the main characters is gifted the Warhammer of Zillyhoo — a brightly coloured weapon which originally appeared in Problem Sleuth. Others, however, are much more obscure. The older brother of another main character runs a business creating bizarre, semi-ironic puppet pornography. Most of the audience read this as an absurdist joke about the internet’s love for offputting porn; the subset of fans who had been following Hussie for several years, or those who looked into Hussie’s early activity on the MSPA forums, however, would find themselves with new understanding of a long-running joke. This element of the experience of reading Homestuck is something that the Unofficial Homestuck Collection not only preserves, but makes readily accessible to the comic’s readers in a way that would not have been possible during the comic’s publication.
On a purely theoretical basis, I would argue that the Unofficial Homestuck Collection is valuable not just in the context of contemporary fan activity, but as a potentially valuable resource for future research. Homestuck is a foundational piece of the current cultural landscape, its influences permeating both digital and analog media in subtle (and sometimes not so subtle) ways.
Undertale, titan of online culture that it is, was created by Toby Fox, who was the composer behind a large amount of the music in Homestuck and was, during the game’s production, living in Andrew Hussie’s basement. Tamsyn Muir, author of the Locked Tomb tetralogy, began her writing career as a prominent figure in the Homestuck fandom on Tumblr and Archive of Our Own. Although the reach of her original work has thoroughly outgrown her fandom roots, Muir includes sly references to Homestuck in several places in her books. Hell, one of the animators working on Bluey, a cartoon aimed at very young children, included references to Homestuck in the backgrounds of episodes they worked on, as easter-eggs for the benefit of parents in the know. All of this is to say that Homestuck has its hooks deep within the culture of the Internet, and its impacts will, I think, be felt for a long time yet.
The Unofficial Homestuck Collection is certainly not immune to digital decay or link rot, but it is resistant to them, since it is hosted on a large and well established website (GitHub), and, once downloaded, can be accessed without an internet connection, and shared freely. For the hypothetical future researcher, the Collection contains resources to mitigate the frustration of trying to hunt down pieces of contextual or peripheral material by packaging them with the text itself — it functions like a sourcebook. 
Bibliography
Bamboshu, and GiovanH. The Unofficial Homestuck Collection. 2020. https://bambosh.dev/unofficial-homestuck-collection/ 
De Kosnik, Abigail. Rogue Archives: Digital Cultural Memory and Media Fandom. Cambridge, Massachusetts: The MIT Press, 2016. https://doi.org/10.7551/mitpress/10248.001.0001.
Glaser, Tim. “Homestuck as a Game: A Webcomic between Playful Participation, Digital Technostalgia, and Irritating Inventory Systems.” In Comics and Videogames. Edited by Andreas Rauscher, Daniel Stein, and Jan-Noel Thon. 96–112. Routledge, 2021. https://doi.org/10.4324/9781003035466-8.
Hussie, Andrew. Homestuck. MS Paint Adventures, 2009-2016. https://homestuck.com. 
Nakhaie, FS. “Reproduce and Adapt: Homestuck in Print and Digital (Re)Incarnations.” Convergence, 2022. https://doi.org/10.1177/13548565221141961.
Read MS Paint Adventures. “Statistics.” Last modified April 7, 2018. http://readmspa.org/stats/.
Veale, Kevin. “‘Friendship Isn’t an Emotion Fucknuts’: Manipulating Affective Materiality to Shape the Experience of Homestuck’s Story.” Convergence 25, no. 5-6 (2019): 1027–43. https://doi.org/10.1177/1354856517714954. 
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2sw · 8 months
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🖤Understanding Season 4&5 Sam🖤
long post, 30 gifs
sorry I don't care if my english sucks or not anymore. I live with the urge to defend Sam 24/7, that's what it's about.
this post looks weird on pc… recommend you to read on the app
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Supernatural S1E01 Pilot // S1E06 Skin S3E08 A Very Supernatural Christmas S4E19 Jump the Shark
Do you see the parallels here? This is why I think people who say season 4 Sam was annoying also hate every other character in this show, they just don't realize that. It was not a big deal when other characters treated Sam the way they did, but when Sam started to mirror them you suddenly find it annoying? That's absurd. I know almost every filmmaking choice of this show is unfair to Sam and I hate that too, but still we audiences can see things from various angles and think for ourselves. And sometimes you need to see the story as a story, not something to take sides.
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Supernatural S3E16 No Rest for the Wicked Supernatural S4E04 Metamorphosis
Sam lost his entire family at the end of season 3. He was full of remorse, and to make up for that he was literally following his family's footsteps. Sam became obsessed with revenge like John did after Mary died. Season 4 was about that vicious cycle, the tragedy of it. Dean sold his soul for Sam just like John did for him. Sam tried to be more like his dad and big brother and did what they taught him. And Sam's relapse was a part of the addiction cycle. But Dean locking up Sam in the panic room changed nothing, the final seal was broken after all. So Lucifer gets out, and the oldest family drama is about to start all over again. It wasn't about who was right or wrong. It was about the circle, a never ending story. The next season was about restoring trust in each other and seeking redemption, and Sam eventually broke the chain by sacrificing himself. That's what makes Swan Song the tragic ending of all time. (though it all comes back as the show keeps going on... but what is spn without The Codependency™)
So, yeah, it's beyond me how some people can't see the reason behind Sam's choices in this season cause the context was SO clear. If you watch the show, you can see how much Sam and Dean affect each other and how much both are affected by John in different ways. And it's natural because they are family. We are who we are because of everyone and everything that has happened in our lives, and same goes for every fictional character, including Sam. It's just as simple as that. Sam was just trying to live by his brother's will while battling with grief and loss. He had to keep on fighting without Dean. And the reason why Dean wasn't with him was because Dean sold his soul to save Sam and went to hell for it. It not only made Sam the sole survivor of the family but also made the very being of him their entire legacy. Starting with Mary making a deal with Azazel, every choice ever made in this family is what brought him there. As I said earlier, it's the cycle. And a consequence. In short, if it is a sin, I think it’s everyone’s.
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Supernatural S4E04 Metamorphosis
Sam and Dean's fate to be vessels? Their destiny? It doesn't matter in the end. This show was always about fate AND free will. Free will was always there. You always have choices. Sam was the one who believed that most desperately so he became the one who broke the cycle. Even though it was only the last page, he ripped out the written fate anyway and wrote the ending himself. YES HE IS THE MAIN CHARACTER. And after everything he did for the world, the story made him suffer eternal agony with the Devil because he is also a tragic hero figure. (SIGH literally the character of all time)
You can see this all only as an observer, as an audience. For Sam, the only thing he could do at the moment was just find the person to blame―in this case, it's a demon named Lilith― and get revenge. And he was lost somewhere along the road, he became an addict because he couldn't do anything about his loved ones dying, but when he drinks the demon blood it gives him power and a sense of control. (aaaaaand I still don't get why writers wrote this as some kind of diabolical desire in 4x18. I get it sammy what the fuck would chuck know about helplessness)
You can say you wouldn't suck up the demon blood, that's fine, but this story was written in this way, and if Sam didn't do that, the story couldn't go forward. Why? Because he is the main character. (It always had to be you, Sammy!) And reminds you that if you want to watch a show with multiple seasons, you have to remember what happened before to understand what’s going on now. So please don't make up things in your head, just go back to where it all started. There are contexts in everything. Everyone is a consequence of each other, but we don't have to be bound to that fact. We have choices: to change, to make things better. That's why we should be kind to each other, and for that, I love and respect Sam so much cause he didn't let his traumas define him and always tried to be a better person. ♡
I'm not done yet!!! see also this:
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Supernatural S3E04 Sin City Supernatural S4E04 Metamorphosis
Dean worried when Sam killed a demon with the Colt to save him cause it also killed a person who was being possessed, and it was 'cold'. But then when he finds out about the demon blood, he is so mad that he doesn't even care about the fact Sam was saving possession victims and just screaming in Sam's face "Use the knife!". It's so??? What is the logic here? This just proves it's always been about his feelings, not really about saving people. Is that an evil thing? No, I don’t think so. Dean is just a human, he can’t control what he feels. But if you use this to beat up Sam, I'll go feral then. Cause Sam is a human too.
And look at Ruby's masterful manipulation skill. Makes Sam feel guilty about everything, and comes back with what he needs when no one's left around him. She really was the best of those sons of bitches.
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Supernatural S4E04 Metamorphosis
Seriously, what was Sam supposed to do? Everyone on this show didn't even bother to understand Sam and just decided everything he ever did was fundamentally wrong. Sam was using his own body to change the things outside of him, cause there is nothing he can do about the fact of his body, the blood in it. In life, there are things we can change and we can't. We have to live with that non-negotiable fact for our whole life. Sam learned this most painful way... And one thing about Sam is that he never let the unchangeable things make him give up the things he can change. It's not always a good thing though, cause Sam in s4 was very self-destructive. He was obsessive, and that is one of his problems. Sam is so stubborn and doesn't give up on anything easily. Actually this problem could be solved after s7 cause he tried to move on, but s8 happened… so it got worse, kept getting worse, and look what happened in s10. The most heartbreaking domino effect, I'd say...
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Supernatural S5E03 Free to Be You and Me Supernatural S5E06 I Believe the Children Are Our Future
Anyways, back to the point. Unfortunately, Sam started the apocalypse. And what did he do after that? When the whole world tried to hunt him down, the devil wanted to crawl inside him, and an angel called him an abomination? He didn't give up there to remain that abomination. He didn’t surrender. Instead, Sam begged for a second chance. He wanted to atone, wanted redemption. He still believed in others even though he lost trust in himself. He believed there was still something he could do about it. Even when he was possessed by Lucifer, he fought till the end to save his brother and the world. And he did it. He was a fucking hero at that moment, sadly a tragic one too. But the important thing is: Sam Winchester represents hope. (I think Swan Song was a perfect ending as a tragedy. This show got weaker and weaker after s5 which kinda ruined the perfection, but I'm also so glad the show continued cause this message fits more hopefully in Carry On. I needed to see Sam rewarded with something better than eternal agony after all those additional tortures of 10 more seasons.)
One last thing, you know what's funny about Metamorphosis? Dean had nothing to say about the fact Sam saved more people than when they were hunting together, so he just went "That what Ruby wants you to think?" Dude what was going on in your mind. like that was what Ruby intended, he was right about that only by chance, but I still find it funny that Dean said that at this exact moment. And he does this a lot, attacking the messenger when he can't refute the message. He didn't have any rational reasons like Sam, he just didn't like it and that's all(and honestly I think this can be an actual reason too cause there's a history behind it which I talked about it here. I wish Dean had just talked to Sam and had a real conversation. but he never talks about his feelings, that's what Dean Winchester does. so… yep not gonna happen. also, if the brothers have a healthy relationship, that is not supernatural lol), so he brought up Angels and evoked Sam's religious guilt. And the Angels in question also turned out to be manipulative assholes later. Everyone makes mistakes, but somehow Sam is always the one who gets most condemned and blamed. Dean, On the other hand, is justified by the narrative so many times even when it is actually his fault. As I said, unfair. This is not even a Dean crit post, I'm just mad at unreasonable people and the way this show works in general.
I swear I was normal before watching this season. Sam's demon blood arc was what made me insanely fall in love with him, so when I found out all those hate for Sam… that really could be my villain origin story but instead I chose to be on tumblr, so yeah I believe love wins<3 ha what a way to end a post. sorry guys
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genericpuff · 1 year
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LO Art Analysis (or: A Real Example of Why You Shouldn't Use Multiply for Everything)
I've obviously been spending a lot of time recreating LO art and in that time, I think I've really cracked open some of modern LO's problems with its art. This is a lengthy post so turn on some lo-fi, grab some popcorn and strap in.
One thing in particular that I'm very eager to talk about (and go off about) is Rachel's use of color language and shading.
THERE WILL BE BRIEF FASTPASS PANELS AHEAD IN THIS ANALYSIS. YOU'VE BEEN WARNED!
One of the key things that most people seem to agree on when it comes to LO's current art quality is the lack of color language. Back in S1, we had colors that seemed to jump off the page, with gorgeous rendering that created panels that were vast and beautiful to take in. It didn't matter if the anatomy was wonky or if the backgrounds were translated directly from Google Sketchup, the color and compositions made up for its flaws and created unique vignettes that individually contributed to what we found so special about LO back in those days.
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That last one especially is still hands-down one of the most well-known and influential LO panels out of the entire series. Many a phone background its graced (my own included, I've literally had this as my phone background for like 3 years now) and it serves as a beautiful standalone example of the mood and emotions LO used to convey. You don't need to know the context of the scene, you don't need to know the characters, the mere posing and color choice alone is enough to invoke a reaction from the viewer. It doesn't even have a lot of shading or final rendering, the composition and texturing is all it needs.
So why does a simple panel like that work, but panels like these don't?
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I have such beef with this panel because it does the complete opposite of what the famous Tower 4 panel achieves - it puts on full display everything wrong with LO's current art style, from its character posing to its color language aaaall the way to its final rendering.
First off, the character posing and framing. I finally figured out what RS' male characters have been suffering from lately, and it's a phenomenon that I'm sure many of you will be able to recognize right away.
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Seth Macfarlane Syndrome.
You might not watch Family Guy, you might not watch American Dad, or the Cleveland Show, but you'll know exactly what I mean when I talk about Seth MacFarlane Syndrome. It's the stiffness, the lack of movement or bend in joints, the boring posing of characters standing with their arms flatly at their sides and their entire body facing the same direction, eyes unblinking - and when they speak, heads slightly tilting, mouths always being conformed to the same default shapes, while the arms do something random and unrelated to create the illusion of natural movement.
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This has been an issue in LO for a while now, incredibly flat posing that lacks any sort of dynamic curvature to it, but it's best exemplified by that Ares panel above because holy shit does he ever look like Stan Smith in it. Boxy shoulders with arms that appear to be WAY too short hanging off the side, elbows flattened, hands straightened out, no natural shaping whatsoever.
But that's not the crux of the issue I want to touch on today.
No, the worst offense of this panel is that it indirectly proves what I've been suspicious of for a while now.
To explain real quick for context, there's this thing in digital art called Blend Modes. It's essentially a basic function in digital art that allows you to change the properties of layers for the purpose of shading, rendering, whatever have you. Most of these Blend Modes are the same across all digital art programs, things like Multiply, Screen, Color Dodge, etc. are all fairly basic tools in the digital artist's toolkit but all have an INCREDIBLY high ceiling of mastery - meaning, blend modes are easy to use on a basic level, but require a lot of skill and understanding of color language to utilize to their full potential. Using them right can transform a passable piece of work into a great one - on the flipside, using them wrong can take a passable piece of work and piss all over it.
The one I want to focus on in this post is Multiply. I use this blend mode myself quite often, it basically 'multiplies' the properties of the layers below it, taking whatever colors are below and 'doubling' them to create darker tones. This makes it a go-to for shading.
But the issue with Multiply is that it often ends up being used when it's not supposed to be. Or rather, people starting out will often use it as a substitute for shading when you'd be better off using your own hand-picked colors. I've got characters with skin tones that I can shade with the same color set to Multiply, zero issues, because the base tone is one that doubles well, it creates a nice rich tone on top that's perfect for shading.
But do you know the one color that DOESN'T multiply well?
Yellow.
Yellow is NOT a color you can just multiply, not without the final result looking flat and almost putrid. Most people will thus recommend you shade yellow with other colors along the same side of the color wheel, including oranges and reds. This is precisely why knowing color theory is such an important skill even in digital art, because using Blend Modes improperly can create flat tones that can ruin a final composition.
Going back to that Ares panel...
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Again, I've had this suspicion for a while, especially when looking at panels of Persephone (*pink is ALSO a color that doesn't multiply well)
So I put it to the test. I took the original panel, sampled the yellow, and overlaid it with Multiply to see what I'd get.
Fam.
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That putrid deep yellow that I mixed above is literally NEXT DOOR NEIGHBORS WITH WHAT I EYEDROPPED FROM THE PANEL. Copy and paste that and eyedrop it yourself if you want to see it with your own eyes. It's pretty obvious she did the same thing with Hera as well, you can tell her skin tone has been set to multiply and repainted with the same color, same as with her jacket.
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They are using Multiply layers for everything as the default. This is not how Multiply is intended to be used - it's lazy shortcutting that's resulting in flat, boring, ugly compositions.
RS has stated herself that she 'changed' how LO is drawn to help 'streamline' the process for her assistants. This isn't streamlining. This is cutting corners.
Streamlining would be having color palettes to refer to during the coloring and shading process. I use them myself for characters that I CAN'T multiply-shade, I literally have characters whose skin tones are too light and yellow-toned for it - using Multiply would wash out their tones and make them look flat and sickly so I have to use a separate color from a different part of the color wheel to shade them (usually a darker tone of red/orange).
Rachel, babe, this isn't streamlining, this is just taking shortcuts to the point of sabotaging your own work. You can't sit there and tell me THAT looks good and is worth the 'streamlining' when panels like THESE used to exist:
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Turn off the Multiply layers and color your characters for once, please, I'm begging you. This is such a rookie move for someone who claims to be a professional (and regularly brags about the awards she's won); not to mention a tragic fall from grace because we know Rachel can and has produced better work than this in the past. She knows color language, she knows how to paint, so why is she resorting to shortcuts like this? She has an entire team of people and yet she's still consistently behind enough in her buffer - or just doesn't care enough anymore - that she's resorting to lazy amateur tactics like using Multiply for everything.
And on the off chance that she ever sees this, Rachel, it's not even that hard to use proper colors. You've done it before, you should already have the color palettes available to you.
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(P.S. One handy-dandy experiment to tell if your Multiply layers are failing you is the desaturation test. You'll notice that drawings being made primarily with Multiply layers will look a lot 'flatter' when desaturated, because the shading is just the same color on top of itself and 'doubled', there isn't any actual value or depth in the shading itself. These are the exact same panels I showed before, RS' on the left and mine on the right, they've just been desaturated to show the difference that proper color choice can make when defining values and tones in shading!)
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