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elwenyere · 2 years

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The Tale and the Telling (Codywan, 2k)

Rating: T (no archive warnings apply)

I had the very great pleasure of pinch-hitting for the @codywanremixchallenge and writing this fic inspired by @lttrsfrmlnrrgby's fabulous "True Love's Kiss," about Cody becoming a bestselling romance novelist.

Thank you for the wonderful creative food, my friend. I loved getting a chance to play around in the world you created, and I really hope you enjoy this remix!

“What’s this, my dear?” Obi-Wan asked, picking up Cody’s data pad and angling it toward him so the words on the screen were clearly visible.

“From a bacta shipment to a banthashit curse: notes toward a story of true love.”

“Oh, that,” Cody replied, and he felt a slight flush creep up the back of his neck.

Read the original fic here, and then check out the remix!

#codywan #commander cody #obi wan kenobi #codywan remix challenge #romance writer cody #genre play #frame narrative #first kiss #my fics

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horizon-verizon · 1 year

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It's so funny when people say that the book is not the source material or the original storyline but the series exist thanks to that book bc none of those writer could come up with names like Rhaenyra or Viserys be fr.

I think people say that the book is full of unreliable sources and is written by an unreliable narrator.

Which is true, but they make as if the narrator is totally incorrect or everything they say is false and so it relies on the HotD writers to “reveal” the truth. As if these writers are the unequivocal experts and truthtellers. However there are multiple instances where they have proven they do have not thought deeply enough about this fictional universe to make the situations that they do.

But this idea that the book is totally unreliable/false and we need to just trust the is self contradictory.

Because not only are most appearances, most dates, & characterizations are meant to be taken at face value (otherwise who can you make any sense of this book!), you can only “reveal” some the truths by either reading carefully & thoughfully or by scouring and analyzing the text that is given--which is Fire and Blood. And look to other sources for the Dance, weight its historical impact on the current ASoIaF characters, etc.

They take "unreliable" as "liar" or "100% incorrect" so that they can validate the choices of the HotD showrunners and writers choices and continue to feel that whatever they wrote for the characters supports a good feminist premise: women inherently just want peace but the men around them use them towards their own political purposes and violently try to enforce themselves on these helpless female victims.

Why this premise is bad in of itself (what it’s saying):

women are told to be incapable of political critique or wanting power just for power sake --> as if they are a different breed of human

because women are always pacifists, they are only given sympathy if they work to be pacifist

men are made to be inherent/inborn/”natural” aggressors --> it removes ideology, societal, and cultural conditioning for men

Rhaenys’ words to Corlys in episode 1:

These knights are as green as summer grass. None have known real war. Their lords sent them to the tourney field with fists full of steel and balls full of seed, and we expect them to act with honor and grace. It's a marvel that war didn't break out at first blood.

As if the idea that man must show their military and athletic prowess to be recognized as man has nothing to do with it.

Most of the ingenuity this shows gives is in its costumes more than its plot. And even then the costumes almost never makes sense.

#asoiaf asks to me #hotd critical #hotd comment #asoiaf #HotD misogyny #maester gyldayn #gyldayn #unreliable narrator #frame narrative

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plumentoyvonne · 2 months

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-- q3 act

#frame narrative

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blueheartbooks · 3 months

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Unraveling the Fabric of Time: A Journey through H.G. Wells' "The Time Machine: An Invention"

H.G. Wells' "The Time Machine: An Invention" catapults readers into the fascinating realm of speculative fiction, offering a gripping narrative that transcends the boundaries of time and imagination. Originally published in 1895, this novella has solidified its place as a classic work of science fiction, exploring profound themes and propelling readers through the cosmic corridors of time.

At its core, "The Time Machine" is a tale of scientific curiosity and its consequences. The protagonist, known simply as the Time Traveller, constructs a machine that enables him to traverse the temporal landscape. His first-person narrative unfolds as a dinner party yarn, where he recounts his astonishing adventures to a group of skeptical friends. Wells masterfully employs the frame narrative, immersing readers in the suspense of the Time Traveller's extraordinary tale.

One of the novella's strengths lies in its imaginative world-building. Wells introduces the reader to the distant future, a world divided into two distinct races—the Eloi and the Morlocks. The Eloi, frail and childlike, inhabit a utopian surface world, while the subterranean Morlocks, eerie and industrious, lurk in the shadows. This stark dichotomy serves as a social commentary on class division and the potential consequences of unchecked technological progress. The novella acts as a cautionary tale, urging readers to contemplate the long-term implications of societal choices.

Wells' writing style is both engaging and thought-provoking. The vivid descriptions of the futuristic landscapes and the Time Traveller's encounters with strange beings evoke a sense of wonder and curiosity. The author skillfully weaves scientific concepts into the narrative, challenging readers to grapple with complex ideas surrounding time, relativity, and the consequences of scientific advancement.

Beyond its scientific and social commentary, "The Time Machine" delves into the existential and philosophical dimensions of time travel. The Time Traveller's experiences prompt profound reflections on the nature of existence, mortality, and the inexorable march of time. Wells invites readers to contemplate the fragility of human civilization and the transient nature of life itself.

The novella's enduring appeal lies in its ability to resonate with readers across generations. Its exploration of time as a narrative device and its examination of societal structures and human nature continue to captivate audiences. Wells' legacy as a pioneer of science fiction is cemented by "The Time Machine," a timeless work that invites readers to contemplate the mysteries of the universe and the consequences of tampering with the fabric of time.

In conclusion, "The Time Machine: An Invention" is a literary gem that transcends the boundaries of its era, offering a timeless exploration of scientific, social, and existential themes. H.G. Wells' narrative prowess and imaginative vision make this novella an essential read for those eager to embark on a thought-provoking journey through the corridors of time.

H.G. Wells' "The Time Machine: An Invention" is available in Amazon in paperback 10.99$ and hardcover 18.99$ editions.

Number of pages: 129

Language: English

Rating: 8/10

Link of the book!

Review By: King's Cat

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blueheartbookclub · 3 months

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Unraveling the Fabric of Time: A Journey through H.G. Wells' "The Time Machine: An Invention"

H.G. Wells' "The Time Machine: An Invention" is available in Amazon in paperback 10.99$ and hardcover 18.99$ editions.

Number of pages: 129

Language: English

Rating: 8/10

Link of the book!

Review By: King's Cat

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good-chimes · 10 months

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Proposing:

Grand Unified Scarian Theory

a single, overarching Scarian romance arc across the whole Hermitcraft and Life series as well as a primer for anyone curious about the early seasons.

We start with NEIGHBOR MEET CUTE in early Season 6:

Season 6 begins in a peaceful pirate bay. SCAR, an established hermit just beginning his third season, is happily making pirate caves. Into this tranquil scene comes GRIAN.

Grian, fresh-faced and new to Hermitcraft, picks a sea-themed base location right next to Scar’s pirate caves. He gets himself set up and starts his base. Even someone like Grian can get newcomer nerves, and he spends the first few weeks desperately trying to act like a normal person instead of the horrible gremlin he really is.

(Some hermits are taken in by this. Doc and Xisuma give him pity diamonds, something that—after getting to know Grian—they noticeably never do again.)

The only person exempt from Grian’s just-a-little-birthday-boy act is Mumbo, whom Grian already knows, clearly has a puppy-crush on, and pursues relentlessly.

Grian and Scar don’t interact much at first. Grian sees Scar for the first time while passing by his base. Scar instantly falls in one of his own caves and dies.

Grian panics.

Grian: I DIDN’T DO IT!

Scar, intrigued by his new neighbor, makes some overtures of interest:

1. Scar leaves a fully enchanted trident at Grian’s base as a welcome present. This is a generous gift for the cute neighbor you have a crush on and frankly the most normal thing either of them do in the entire years-long relationship.

Grian goes ‘huh!’ at the trident, never finds out who sent it, and immediately forgets the whole thing.

2. Scar entertains Grian’s traveling-salesman pitch and buys his overpriced armor boxes.

Multiple jokes about the size of Scar’s wallet. Grian clearly pleased by the transaction.

3. Scar makes Grian a complementary in-joke build (Spongebob’s house by Squidward’s house).

This delights Grian immeasurably for five minutes until he turns back to his prank war with Mumbo.

(Poor Mumbo. Clearly immensely fond of Grian but not sure he wants to be in a relationship with a lit stick of dynamite. This is very understandable.)

By this point Scar obviously kind of clocks that Grian is insane about Mumbo. This isn’t much of a leap. The entire SERVER is aware that Grian is horribly in love with Mumbo.

Ah. That’s okay. Scar backs off a bit. He recognizes when he’s not really in with a chance.

Maybe this thing he has with Grian is just going to be a friendship, and that’s okay! Having a crush is fun even if you’re not going to do anything about it. Scar is going to build some shops about it and be normal.

Both of them are going to be very normal.

FLIRTING (First Stages) – mid-Season 6

Both of them immediately forget to be normal.

Grian has started a detective agency and has no mysteries to solve. Scar instantly invents a cookie-based mystery supervillain called the Jangler and leaves Grian a series of tantalizing cookie-based puzzles for enrichment in his enclosure.

Grian has invented a game where you kill people with rockets. Scar volunteers to get murdered. Both of them are delighted.

Scar and Cub’s business empire is incidentally crushing Grian’s startup venture. There is no reason for this to be so flirtatiously charged.

At this point all the hermits move to a new village because of the Minecraft update. Grian starts a who-can-build-the-tallest-house war with Mumbo and Iskall. Scar notices and starts doing the same from the other side of the village.

It quickly gets so wild that Mumbo taps out (Mumbo does not do well with intensity, would rather just not, thankyouverymuch), and it's only Grian, Iskall and Scar.

Scar builds a wild giant plant eating his rocketship, and then a castle in the sky, and an enormous version of himself firing a canon at Grian's house. This is the first time you can really see Grian trying to hold in shrieks when he flies back in to see what Scar has done while he's gone.

Grian’s interest has been caught. He’s gone from barely seeing Scar to checking on him regularly. What’s our good friend Scar up to? What’s Scar done? What is Scar going to do next?

FLIRTING (How To Catch Your Crush’s Interest By Building A Secret Government Facility) – late Season 6

What Scar does next is put on a snazzy military uniform, team up with Doc to steal the time machine Grian invented last week, then, in the most effort someone has EVER gone to to get Grian's attention, spend weeks on end building a fully-functional 'Area 77' military base and containment facility to stop him getting it back.

Turns out this works beyond Scar’s wildest dreams.

Grian INSTANTLY obsessed with breaking into Scar’s base and retrieving his time machine.

Grian persuades Ren into forming a hippie camp with him next to the base and spends weeks entirely fixated on Scar. Meanwhile Scar, who is starting to really understand how to get and keep Grian's attention, builds more and fancier infrastructure to keep Grian out. This is also where Grian really starts looking at Scar's art—the insane cliffs Scar has build around his new hangers—and awkwardly not quite managing words, because it would be very embarrassing to just outright say the word beautiful, and Grian’s a very normal and non-embarrassing person.

In the climax of the season, Grian-the-hippie breaks into General Scar’s base.

Nobody can say that Scar making himself a top brass general and Grian making himself an anti-establishment flower power hippie does not end up with plausibly-deniable not-making-out Grian-provoking-Scar-into-holding-him-against-a-wall.

but.

BUT.

This is Hermitcraft. It’s temporary. Scar and Grian both know it was a bit. A bit they both got super into, sure! But a bit. Not weird at all.

(“Sure, mate, not weird at all,” Mumbo says, after all of this is over. “Then why are you making it SOUND weird Mumbo you’re the WORST”)*

(“Sooo....” Cub says, and Scar says, “I know. I know!”)*

*not canon but you can't tell me it didn't happen off screen

FLIRTING (But What About…) – early Season 7

Okay, so that was weird, but Grian is definitely still in love with Mumbo. The Mumbo pursuit is going great and Mumbo definitely doesn’t look nervous whenever Grian turns up with a new idea. Grian is going to get Mumbo to fall in love with him and they will marry in the spring and have a dozen beautiful children redstone contraptions.

Grian attempts to make it more official with Mumbo. Surely they have been flirting long enough, they are ready for the next stage! This is in no way a reaction to Scar becoming a weird wizard in a way very unsettling to Grian and building the kind of wild organic tangled forest build that Grian is fascinated by but can't even begin to comprehend.

Everything is very under control in Grian's life. He's now official boyfriends with Mumbo. They live together and have a messaging system and everything.

Mumbo announces he’s moving out.

It’s-not-you-it’s-me

You’re… you’re moving out? Grian says, in the smallest possible voice.

We’ll still have the messaging system, Mumbo says, unconvincingly.

FINE, Grian says, I’m moving out TOO.

Mumbo moves out.

Grian deals with this in the healthiest possible way. He invents a mayorship and attempts to give it to Mumbo.

Grian is Mumbo’s self-appointed campaign manager so Mumbo has to be round him ALL THE TIME, it’s for the CAMPAIGN, Mumbo.

Mumbo, a man who doesn’t deal well with pressure or responsibility, is maybe not the ideal choice for mayor, something that has escaped Grian entirely.

Mumbo builds a robot and attempts to palm off all responsibility for decision-making onto it. Grian immediately calls it their son.

Grian puts his moustache all over the server.

NO other hermits support them for mayor (except Scar, from a lost bet, who Grian has continued to have intensely weird flirtations with while all this is happening)

Things reach a fever pitch. Election day arrives. Mumbo doesn’t want this actually but try telling Grian that. The entire MumboGrian edifice that Grian has obsessively and wildly build has reached an unsustainable pitch and finally comes tumbling down around them.

Mumbo votes Scar for mayor.

Grian votes Scar for mayor.

Mumbo disappears for several weeks to do some nice soothing redstone and calm down.

FLIRTING (Civil War) – late Season 7

Everything has calmed down now. Scar is mayor. Mumbo is...somewhere. Grian is going to work on his base normally.

Grian has a new project. He wants to build in the new nether biomes. He builds a huge and echoing and obsessively inverse version of his huge and echoing and obsessively symmetrical mansion base. It's very impressive. It's totally hollow. There's... no one else here.

Grian decides that okay, he is going to bring PEOPLE here.

He invites Mumbo, because he hasn't seen him in weeks. He invites Bdubs, because Grian above all loves genius. And he invites Scar. Because of course. Everything major Grian does now, Scar is an of course.

Bdubs shows up! Generously builds Grian's entire mansion interior. Mumbo shows up. Builds a tiny upside down disco shack.

Scar does not show up.

Scar is being mayor! Scar is a very busy and important man! Scar has spent the last few weeks obsessively replacing every single goddamn mycelium block in the shopping district with beautifully tailored grass and making trees whose flowers are diamonds. He's also got his own megabase going on. For once Scar has so much to do it's even enough for Scar's ambitions, which have never been small.

He does not come when Grian calls.

Grian is Not Happy.

This is the point where Grian starts a steadily more unhinged campaign of leaving Scar invitations. He makes little tailor's dummies of himself and delivers them to Scar's house. He sets up a tea party of three grians in a secret space under Scar's mayoral throne. He hangs himself in effigy on the tip of Scar's megadrill build. Normal behavior.

And then when Scar still doesn't notice, he puts a tiny bit of mycelium back on one of the streets of the shopping district.

This starts… THE MYCELIUM WARS

Scar attempts to contain the growing mycelium patch with warning tape.

Grian spreads more mushroom spores.

Scar brings in his allies to help contain the growing mushroom patches.

Grian digs out an underground rebel HQ, recruits several rebels, and declares himself Motherspore.

Mayor Scar stares into a camera and uses his most velvety baritone to proclaim he will hunt down Grian and the mycelium resistance and bring them to justice.

Grian sets loose mushroom-spreading sheep.

Mayor Scar obsessively searches for his base.

Grian and Impulse build several decoy bases and trap them.

Mayor Scar employs Mumbo to strip-mine every block of the shopping district with redstone tunnel-borers.

Eventually Deputy Mayor Bdubs, having his own thing with rebel Etho, tricks all of the resistance into ender-pearling into jail.

Scar gets to threaten to pour lava on an imprisoned Grian for ten minutes straight and they’re both enjoying this so much.

Grian: Scar! SCAR! Scar Scar Scar no Scar no Scar no listen Scar

Scar: Yes?

Grian: …Let’s take this somewhere else.

They ‘take this’ to Scar’s beautifully-appointed mayoral office. Grian sits on the arm of his chair (I don’t know what to tell you, this is on-screen canon).

Grian: So I know how to end the war.

Grian: We have to play minigames and make personal bets.

Grian: And Scar, Scar, if you lose…

Scar: Yes?

Grian: … you have to help build my base.

Entire room: [stunned silence]

Etho: Is this what it was about the whole time, Grian?

So! That happened. And the thing is, they could both mentally pass off the area 77 general/hippie stuff as Just A Fun Bit That Got Very Intense.

They can't do this with the mayor/motherspore stuff. They are basically making out on Scar’s chair. The resistance have noticed. The mayoral staff have noticed. EVERYONE has noticed.

Scar is into it. Scar is going along with it. Scar knows he’d had a crush for a long time, and he isn't scared of swimming with a huge wave, never mind where it's going to break. Scar has always embraced the rush. With Grian, you never know what’s going to happen next.

Grian has always loved being around Scar because there’s so much going on that you don’t have to think. Grian doesn’t have to think until everything’s calmed down. It's not until now that he stops and realizes… could this be… something.

(Maybe it already is.)

And then, by whatever eldritch mechanic you personally favor:

3rd life begins.

HEAD-OVER-HEELS – Third Life

In the tiny claustrophobic stripped-bare world of Third Life, Grian makes a choice. Grian thinks, for once very, very clearly: what if it wasn't a bit? What if it was real. What if Grian took every explosive piece of who he was and handed it over to someone he's—okay, he'll admit it—someone he's been obsessed with for a long time. What if that heady sparkle he's been seeing in the corner of his vision is true. What happens if you grab it with both hands?

Scar—surprised, bemused, amazed but wrong-footed—almost doesn't know what to DO with this.

Scar is so used to Grian layering all his obsession behind a thick layer of irony and drama and second-guessing and schemes. ‘Sure we can make out but only if I'm trailing mushroom spores and you're wearing that sash.’ ‘I'm only here because Mumbo's not around.’ ‘It’s not a thing.’ ‘It's not real.’

But it is real.

And, for once, Scar hears a tiny alarm go off in his brain. Scar knows Grian better than anyone else does, by now, and even he doesn't know where this ends. Grian is a force of nature and Scar has never been his unfiltered target. But Grian's throwing himself into this, throwing himself at Scar. And Scar always says 'yes.' 'Yes, and.' 'Yes, let's'. Scar never wants less of Grian. Scar has always taken what he can get.

But with that warning bell, Scar does try to keep that slight layer of dramatic distance, even in this new world where you can die and not come back, even if they don't know if they'll get out of this alive. Scar doesn't fully buy into Grian's second-in-command-devotion, he forces a space for Grian to still be the Grian he knows, some kind of safety vent (‘here's a bee on a lead’). And it could be a lot of reasons, but part of it is…Grian's head-over-heels, for once, and Scar has the unfamiliar feeling of needing to be the one to look where they're going.

Because where they're going is: the last two, all their friends dead, not knowing if there's any way to survive but knowing their friends haven't come back, and at that point Scar takes off the very last of his brakes and the very last of his reservations and says:

For everything you've done for me you can kill me.

(I want this. I want it to be you.)

This breaks Grian absolutely and completely.

And not broken in the fun way! Grian is too far in. Grian let go of Mumbo, who was safe because Mumbo never let it get too far, and he took a risk on Scar, and now Grian is discovering that he didn’t even know what risk meant. Grian is in emotional pain he never suspected existed. Grian has let himself put all his gambling chips on someone who wasn't SAFE and he has lost.

Grian has LOST SCAR and he has LOST HIMSELF and he has FOUND OUT HE CAN BE HURT and he is never going to be the fucking same again.

Scar is in the pond with Grian’s sword at his unresisting neck. And Scar is going to die, and Scar (damn him damn him) has turned it into: he's going to die for Grian. Now Grian is hurting, he's complicit, it turns out grief is an inevitable part of love and beauty, this is all it's taken for Grian's worldview to fall apart in pieces he can't pick up, and Grian has no defenses against pain so there's obviously no way to cope except to beat Scar to death in a cactus ring and jump off a cliff.

AFTERMATH – Season 8

They wake up in Hermitcraft.

They wake up in Hermitcraft! Scar is delighted to find out they just reincarnate, after all that!

Sure, they've all got some lingering trauma but Scar has never let that stop him from doing anything. Scar thought that whole thing went well! He just about dares to think...romantic...? Maybe...?

Grian is Normal to him.

Grian is so fucking normal. it's like. s6 normal.

Scar is. kind of. confused.

Grian is NOT acting like someone he had a romantic death match with.

(Grian is falling apart, but if there's one thing Grian has proved in his building it’s that he’s SO. fucking. good. at facades.)

(Don't go round the back.)

Neither of them are ready for the death game to repeat.

DIVORCE (Traumatic) – Last Life, Season 8

Second death game. Grian deals with his trauma super well by isolating Scar, stealing all his friends, tricking a life out of him, dropping his horse in lava, forcing him into an extortion death loop, then abandoning him and—just as a bonus—murdering Mumbo as well.

This time it’s Scar who comes back falling apart.

A theory that seems plausible: Scar’s old friend Cub picks him up, puts him back together, gets him on his feet. What we do know is that Cub moves in next to Boatem, where Scar is still living with Grian, and incidentally builds an enormous dripstone megabiome that is coincidentally very hostile and might murder you upon landing if you're someone who flies a lot, or happens to be a bird.

There’s a hole with an endless dark void between Scar and Grian’s Boatem bases. They built it together. It’s around this time they both keep repeatedly falling in it.

DIVORCE (But When It Was Good It Was So Good) – Season 8, Double Life

Then the moon gets big. Gets close. Gravity breaks down and that should be the end, should be a way out of this terrible spiral they're in, surely they're better without each other—

Grian turns up at Scar's base and says: Scar. Build us an escape pod.

—and Scar does.

They go out together. Both of them can feel the pull back into each other’s orbit but they’ll die if they acknowledge it. At the end of it all, the void, the protective suits, the unbearable gravity of falling into space together, of holding each other until another uncertain end. They're nowhere but they're in it together.

Is this a good time for another death game? Of course. How much worse can it get.

Double Life, and this time Scar keeps his distance. My soulmate is this allay! My soulmate is my cat! I don’t need a soulmate. Oh—it’s Grian? This whole time? Hahaha. How funny.

Grian: Soo… do you want to base together?

Scar: Do we have to?

Grian: It…might be nice…?

Scar is wary.

He has been burned.

But the pull is still there. The pull is always there. You can’t forget Grian, but you can blunt the edge of him on your skin. Scar is here to take care of these cat-pandas. Grian can do what he likes.

Cheated of Scar’s full attention, Grian tries to tempt BigB into a pale imitation of the Scarian folie à deux (BigB is a genuinely nice man who does not deserve this).

The rest of the server turn red, one by one. Grian and Scar are the last greens. BigB is audibly nervous when Grian proposes a red-green alliance, even though BigB is the red, he has the power. But Grian can’t escape the rest of the server, and the red hunt begins.

Grian and Scar, hunted—trapped at the top of flaming towers, jumping from heights, chased down like foxes at bay, crammed into boltholes with their hands over each other’s mouths, Grian shrieks and laughs and falls back on Scar and Scar catches him and they’re both as alive and elated as they’ve ever been. Scar dies once to Ren and BigB’s zombies and Grian murders both BigB and Ren in revenge (BigB was right to be nervous). Grian has another unhinged murder plan underway when he dies for the last time.

This whole time, Grian was hit in the face by remembering that when it's good, it's so good.

Scar isn’t surprised. Scar has known that forever.

Back in Hermitcraft, its not magically fixed. They’re not innocent any more. But every time Grian looks at Scar he remembers: when it’s good, it’s so good.

And Scar never forgot.

DIVORCE (We’re In Love And We’re Not Done Yet) – Season 9, Limited Life

By now we're into Season 9. They’re still alive. They always live, they always start again, and the other one is just there. Being, infuriatingly and magnetically, them.

Grian is thoroughly annoyed by Scar’s new allegiance to King Ren, but he keeps coming back to Scarland anyway. Scar, I made you an obstacle course. Scar, stand here and get squashed by this anvil. Scar if you don’t do something I’m going to start a resistance.

Grian pretends King Ren doesn’t exist and he has more important things to do, and pretends this so hard that he incidentally invents a mad science robot pulls them all through into the Empires dimension.

Scar, assuming Grian is doing his own thing, shacks up with Jimmy.

It takes Grian three weeks to notice and be shriekingly outraged.

Scar we’re doing a project. Scar you can’t spend all your time with Jimmy! Join my cult. Get in my shrinking machine. I made you an enchanted netherite bow. I need your allegiance. (Another real quote).

Scar teases Grian for weeks then instantly abandons Jimmy when the choice comes down to him or Grian.

Fourth death game—they’re used to this, now. Nothing too intense. Nothing too weird. Grian can’t help murdering Scar.

At this point, Scar is starting to read it as: I love you.

And that’s how we get to the current Scarian dynamic we know and love of you're the worst and I'm the worst and we've divorced a few time but we still like each other so fucking much.

It's been years. They've killed each other every possible way. These two characters are in love and they're not done yet.

#scarian #grian #goodtimeswithscar #hermitshipping #yes canon IS a grand romantic arc #to be super clear: i don't think any of this was cc intention #but we can have a little narrative framing fun #as a treat #i think nearly all of this is true to canon except some timing vagueness and the dialogue in parentheses #thank you to the hivemind for theory help #long post #glossywrites

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apas-75 · 7 days

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Okay, two weeks to go, putting my cards on the table: there is no way in hell that Barriss is going to be an Inquisitor. That's not what this is. Everyone’s taking for granted that because the trailer sets up her training as an Inquisitor that means that we’re seeing a corruption arc for her, but just. Look at her. There is not a single frame of this trailer where she is not visibly looking for the exit. There is not a single frame of this trailer where she isn’t either visibly masking what she’s feeling or just looking determined to survive. This isn’t a start of darkness; it’s Ahsoka getting hunted for sport in Padawan Lost.

We aren’t doing the “we’re setting Barriss up as an Inquisitor so we can give her a redemption arc later” scenario. This is the redemption arc, this is her facing an in-universe attempt to force her into the fanon Inquisitor!Barriss mold that she doesn’t fit into at all, and she’s going to prove it and she’s going to outsmart all of these actual fallen Jedi she’s surrounded by who are trying to make her be like them. When Order 66 happened, Barriss was sitting defenseless in a cell and was offered a series of choices that weren’t real choices. But she knows that, she is not buying into it, and that offers her one, incredibly dangerous route to freedom: convincing them to trust her enough to send her into the field with a lightsaber.

It’s going to be rough, it’s going to be an incredibly dangerous, difficult path for her to navigate—they will make her do some messed up stuff to prove herself and for a moment it might look like she's given into despair—but she’s going to come out the other end of this miniseries having rejected both the Empire and the dark side. Not only as a Jedi in every way that matters but also as someone who is equipped with knowledge of how the Inquisitorius operates, which she can use to save as many people as she can from them—because she knows what happens when they take you alive.

And she's going to do it all onscreen in a story that is about her, she is the main protagonist here, and that is frankly something that was beyond my wildest dreams.

This isn’t wishful thinking on my part, this isn’t me trying to do a preemptive rewrite—this is me looking at what’s onscreen in this trailer, at what they’re telling us, at what they’re not telling us, and seeing the story laid out in front of us.

The only way out is through.

#star wars #barriss offee #tales of the empire #I can break down citations but if I did this post would be a mile long and take me all week so tldr just pay attention to her in the traile #and to the narrative framing around it #'divergent paths' wrt her and morgan in the official series description. etc.#so like. it feels unreal but after 11 years this is how we win #because if they were gonna just lazily make her an inquisitor they would have put it in the background of something else years ago #instead of waiting for a chance to animate a whole story for and about her

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anistarrose · 1 year

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okay so I know we only have two data points (Magnus and Barry), but what if all the human last names on the IPRE homeworld were actually a little silly. like in d&d lore it's usually gnomes that are supposed to be the silly ones, but what if humans got to be the silly ones on the two-sunned planet. as a treat. what if it was actually pretty common for human last names in general, not just Bluejeans or Burnsides, to take the form of "[silly adjective or verb] + [silly plural noun]" in a sort of portmanteau, that also has a ring to it as a conjoined phrase

are you still with me? do you follow? okay, good. I would now like to pitch to you that Lucretia's last name, canonically, could very plausibly be Adventurezones

#taz #taz balance #taz balance spoilers #lucretia taz #barry bluejeans #magnus burnsides #and look. i think if anyone deserves that name it's her #there is no taz balance as an in-universe narrative without lucretia #hell if we suspend our disbelief and accept the framing device in earnest then *we* are only hearing the story because of lucretia #she IS the adventure zone #and i love that for her

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lord-squiggletits · 21 days

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Could he really?

Are you really, really sure Pharma could have just run away or asked to be transferred?

Is it really that easy to stand up to the DJD?

It's almost as if Delphi being on the same planet as the DJD's base (something that was common knowledge and that Prowl didn't care about when stationing Pharma and an ex-Decepticon ward manager right next to them) means that there was no escape from the DJD.

It's almost as if isolating victims and keeping them from calling them for help is explicitly part of the DJD's modus operandi.

It's almost as if psychological warfare is just as much of a weapon in Tarn's hands as physical torture/killing is.

It's almost as if being a victim of the DJD is considered a fate worse than death.

Kind of weird how it is that in the same issue that the DJD are established as a terrifying threat, the same issue where Drift is compassionately asked if he's scared of being so close to the DJD, is the same issue where Pharma gets framed as a selfish madman for doing what he thought he had to to survive.

Dying of the Light came about 30 issues too late to vindicate Pharma and make it understandable why he did what he did. But even so, it's still really annoying how Pharma is the one and only victim of the DJD who gets called selfish and cowardly for doing what he thought was his only option to escape blackmail or death.

No one on the Lost Light, much less Ratchet himself, had any problem with considering Drift to be "on their side" even after millions of years as a member of the mass murdering Decepticons. And Ratchet had plenty of compassion to spare for Drift to ask him if he was scared of the DJD. Absolutely no sympathy to be had for Pharma, though; he's just a terrible doctor and Autobot who deserved everything that came to him. Murdering patients was just because he was an organ harvester working for the DJD, not because everyone at Delphi (including an ex-Decepticon who would be on the DJD's list) and himself was under threat of death by horrific torture.

Honestly I don't even think the unfortunate implications/unfairness were intended, at this point I just think that Pharma was simply intended to be a "mad doctor" character trope + token evil villain Autobot to add variety to the rogues gallery so like. The fact that the characters treat him like shit was just meant to be a narrative signal "look how much this guy sucks and is just so evil not even the good guy Autobots like him."

#squiggposting #pharma apologism #a little unhinged on this one sorry lol #ultimately pharma is just a victim of narrative framing and being too much of a tertiary character to merit depth #he has like 3 meaningful appearances and the rest are just brief flashback cameos #of course he was never gonna be written to be that deep #nevertheless i will make it that deep. i don't just have a shovel i have a whole fucking drill

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novelconcepts · 1 month

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The choice to frame even Jackie's last moments as being irrevocably tied with Shauna is just. Mwah. Yes. The fact that, yes, it is probably Jackie's last flutter of consciousness--the last vestiges of her awareness before she slips away--but also: when it's over, it's Shauna jolting awake. Shauna, as if from that very same dream. Was it Jackie's at all? Or was it only ever Shauna, after Jackie was already gone? Doesn't matter. Who can say. They're one and the same where it counts.

#yellowjackets #yj meta #yj rewatch #jackieshauna #the framing in this show is so. so fucking good.#shauna stopped having any shot in hell of becoming her own person the second she has that dream #or the second she wakes #that narrative's got you by the THROAT girl.#run as fast as you can. won't matter. this is who you are now

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belle-keys · 3 months

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Ember Quinlan is the realest one for stepping into Prythian just for five seconds and realizing how horrifying Rhys and his treatment toward Nesta are.

#she just like me fr #i miss the 2015 days when rhys was just unapologetically morally dark grey #without the narrative trying to frame him as jesus every two second #anti rhysand #anti rhys #anti feysand #anti cassian #nesta archeron #nesta deserves better #nesta i love you #ember quinlan

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