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#I don't feel my thumbs
antaresr · 28 days
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universalkuzey · 5 months
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Toxic yaoi betrayal best yaoi.com called they want you two back (please laugh)
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blackkatdraws2 · 6 months
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I can't sleep. I've just been listening to Odetari for the past few hours.
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This is for the folks who don't know The Narrator (Black) is villain-coded.
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melit0n · 3 months
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👍
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machonnes · 2 years
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SIMONE ASHLEY and JONATHAN BAILEY in Bridgerton, season 2  ⏤ Viscount and Viscountess Bridgerton 
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goobygnarp · 1 month
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#good grief im gettin a lil tired of seeing 'DONT DO THIS' kinda art videos#i very much understand its a youtube thing and that clickbait names and thumbs get the views and attention needed#but it doesnt mean it doesnt annoy me or that I cant be annoyed by it#sometimes i just see it in tutorial pictures too#but the large DONTS with red Xs near the supposed ''wrong'' way of drawing is so demotivating#people start and draw in many ways than one#its what makes art their own#but when videos or tutorial posts are made and show the ''WRONG'' way to go about it#its like scolding the new artist or long time artist with that style that they're doing it wrong and that its bad#no matter the intention its not the way to go about helping artists learn to draw#and in my personal opinion#the click bait ''DONT DO THIS WHEN DRAWING'' thing is what keeps me from actually watching the vids#i get theyre probably helpful but i don't like that I have to feel some NEED or DESIRE to click on a vid cause I feel like I did a thing#wrong or that i never should have done it at all#i wish i could see more 'here are some tips that helped me#kinda vids cause yes i would love to learn what helped you rather than being or feeling wronged for drawing in a way that isn't theirs#im rambling but i have been seeing a lot of 'DONT DO THIS' NEVER DO THIS' 'IF YOURE DOING THIS STOP NOW' kinda art vids#im speakin for myself here#but im an artist sifting through art youtube or spaces always willing to learn new ways of improving my art#i dont need to feel click baited like the next 3am don't this kid to learn how to improve my inking skills#if it was more a 'this is my personal preference and I wanna share it with my audience and maybe teach some things' kinda vid#id watch that too#but im just so tired of seeing art youtube going down this need to tell folks 'YOURE DOING IT ALL WRONG. THIS IS THE RIGHT WAY"
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bellhopping · 1 month
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thx for ur snakeposting btw i fucking love snakes
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no problem... glad to have another snake fan in chat 🙏
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citrine-elephant · 8 months
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hey! hey, down boy! down! get your fuckin' dog-
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benetnvsch · 10 months
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I want to see them having more casual interactions please-
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uncanny-tranny · 5 months
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Crochet update: guess who has two thumbs and went through a skein he just bought in three hours and still isn't finished yet (totally not me)
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thyme-in-a-bubble · 17 days
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hheheheheh, i went on a thrilling little trip today to the garden centre and bought some flower seeds (cornflowers and a packet of some mixed flower seeds), some herbs (thyme, rosemary, chives and a mint, but one that had a funky name), a new very pretty pot for the plant on my desk that desperately needs a new home, a new pretty plant so that my desk one isn't so lonely (it's so pretty, the leaves are both green and white. sorry, i don't know the name of it), as well as the thrilling purchase of some more dirt. a garden girlie is always in need of more dirt.
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dancedance-resolution · 9 months
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i started a supercorp portrait of a lady on fire au like three years ago. i'm never going to finish it, but the writing style is pretty cool, so i want to share it. so um enjoy the prologue and a bit of chapter one?
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Prologue. Bonnelles, France. 1786.
“First, my contours,” Kara said, her voice soft and level. She looked out upon the dozen or so young women, their eyes darting back and forth from their papers to Kara herself. “The outline,” she continued. The increasingly swift sound of scratching charcoal prompted Kara to further instruct, “Not too fast. Take time to look at me.” She paused. “See how my arms are placed.”
At that moment, Kara saw the painting.
She swallowed and took in a breath; she schooled her expression before letting out the air with a pathetically soft “My hands.” Her students’ gaze followed her verbal direction, now observing as Kara’s fingers curled with remembrance. Their own hands now began to sketch the slope of hers—the slope that had once coaxed breathy moans from a lover, the slope that had once created that very painting in all of its hollow longing.
Kara felt her heart rate accelerating, and her attempts at calming deep breaths only made her shoulders shake unsteadily. “Who brought that painting out?” Her eyes darted around, landing on each possible offender, as she tensed her core and adopted a stern countenance.
Every student dutifully turned to look at the work.
It was an especially young girl who finally lifted her hand. “I brought it. From the stock room. Should I have not?”
Kara’s “no” felt like a brick, its weight threatening to pry tears from her reddening eyes. So Kara took another swallow, a handful of blinks, a few more steadying breaths.
“Did you paint it?” the girl asked innocently. Nia, her name was? She stared at Kara, oblivious to the flood of sound overwhelming Kara’s mind and echoing in the cavern of her heart.
“Yes,” Kara uttered softly, the word barely audible as they fell from her lips. “A long time ago.”
Nia’s head snapped back to examine the painting once more. It stood on an old but sturdy easel, tattooed and scarred but still standing. The artwork itself was brooding, with a white sun bleeding into a dark vignette. Heavy clumps of clouds occupied the sky and caged some of the sun’s rays, so the fire burning behind the woman was bright enough in comparison to create a dragging shadow of her figure. The flames crawled up the back of her windswept dress, bringing sharp tension to an otherwise lulling, melancholy landscape.
“What’s the title?”
The sound of the sea began to swell in Kara’s head. Her lips trembled. Her body unwittingly swayed slightly. “Portrait of a Lady on Fire.”
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Chapter I. The island of Brittany, France, and the surrounding sea. 1779.
Kara squinted into the distance, her face scrunching up a bit as she desperately tried to shield her eyes from the harsh glare of the sun on the water. For all its gorgeous teals and sparkling peaks, it certainly did make her wish for one of those brimmed hats the rowers were all wearing. With every one of their paced paddles, the cork-like little canoe bobbed haphazardly. Kara rather felt as if she were in the wine glass of a thoroughly drunken Marie Antoinette.
At least she wasn’t prone to seasickness.
She still felt quite unsteady, though, being thrown about and forced to pathetically grab onto the boat’s low walls. She leaned forward, trying to regain her balance and ground herself despite the absence of ground.
The wooden pallet holding her canvas was, apparently, as unstable as she was, and the next thing Kara knew, it had been lurched off of the boat like vomit from a drunkard. Kara watched helplessly as it thrashed among the choppy waves, the sea carrying it a few feet from the boat.
The chief rower met her desperate look with exhausted resignation; he ceased his paddling as Kara shed her overcoat and placed a precarious foot on the edge of the canoe.
With a strained creak from the boat’s wood, she jumped into the water, dress billowing behind her. Her first gasp for air upon emerging from the water was audible; she could feel the effort in her throat. Her arms moved in laborious little arcs as she slowly made her way towards the floating pallet and finally made a desperate reach for it. Kara’s fingers grasped onto a wooden board, and she pulled herself up onto it with a grunt.
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The incessant wind upon the sea was certainly not helping Kara. Dripping wet, she wrapped herself up in her overcoat in a pitiful plea for warmth. She held the edges of the garment up to her lips, the sensation of the dry fabric bringing her some comfort as she closed her eyes and left herself to the mercy of the mighty sea.
But the interminable rocking of the feeble boat wouldn’t allow her any rest.
Kara wasn’t very religious, not anymore. Yet, the sight of the cliffs and coast of Brittany moved her to relieved prayer.
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The sun had already begun to set as Kara trekked up the sandy coast. Her legs ached with every stumbling, unsure step—maybe she was a bit seasick after all—and her hands were tired of having to grip her full skirt to keep it out of her way.
She paused on the rocks, taking a moment to manually wring some of the water out of her skirt. She filled her lungs with an arduous breath before slinging the rope holding the pallet over her shoulder. Next came the fabric sling, which housed her trunk of personal items—she positioned it on her back with careful poise.
The journey up the cliffs and towards the trees was exhausting. Kara’s skirt required repositioning every few seconds, the rope was digging into her shoulder, and the pallet and trunk slammed into her back with each wobbling step. By the time she reached the straight path up to the residence, her breaths were heavy and pained, and the sun was nearly fully hidden beneath the horizon.
A soft light emanated from the windows above the mansion’s door, helping Kara feel a bit more secure as she knocked. A short blonde woman answered her summon and introduced herself with a flat “I’m Eve.” She opened the door a bit wider and gestured with her body for Kara to come in.
Eve held a small candle as she guided Kara up the stairs, the sounds of their shoes echoing through the grand yet starkly undecorated hallway. The walls of the stairwell were cement bricks, and the wrought iron bannister was rather plain and geometric.
They came to a stop in front of a similarly void room, bare save a few heavy curtains and a daybed. The raised panels along these walls matched the white-painted wood of the window frames, and they gave the chamber some elegant character.
While Eve entered the comparatively less intimidating room, Kara stayed back a moment, taking in the shafts of muted blue light from the windows and the contrasting warm glow of leaping flames from the central fireplace.
Eve crouched down to poke at the fire as Kara set down her belongings. “It was a reception room,” Eve explained. “Though I’ve never seen it used.”
The fire crackled pleasantly. “Have you been here long?” Kara inquired.
“Three years,” Eve answered, directing her attention back to the fire.
Kara peeled off her overcoat and draped it along the wainscoting. “Do you like it here?”
“Yes,” Eve said simply as she stood up. She turned to Kara, meeting her eyes now as her hands smoothed over her skirt. “I’ll let you get dry.” And with a nod, she was on her way.
Kara watched her every step.
Once the door closed, she hastily began removing her overskirt. It fell to the dark herringbone floor with an unglamorous thud.
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There was no method or grace to the way Kara wrapped her hand around the rusting crowbar, but with a few jerks, she’d managed to successfully pry the top off of the pallet.
After setting down the wood cover, Kara extended her hand, letting it fall clumsily onto the slick canvas in front of her. It was still wet, and her hand’s small circular movement caused moisture to pool at her fingertips, as if her touch had beckoned the water. So her hand withdrew, and Kara slid the canvas out from its container. Her eyes danced over the surface as she considered how to dry it, holding it in front of herself like the Communion host of an evening Mass.
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Kara decided to accompany her drying canvas, which was now positioned next to the fireplace. Stripped naked, she sat in front of the fire and pulled her legs towards herself—she was vulnerable, sitting there bare and in a new environment, and the action made her feel a bit more small, compact, and safe.
Kara set down her candle so she could light her tobacco pipe with the flames. Her large, smoky exhales grounded her, in a way, with the familiar sight and smell acting as a sort of sedative. And she stared forward, expression blank but unmistakably worn.
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Kara walked barefoot along the cement floor, making her way through the hall and to the pantry room wrapped in nothing but her robe-like smock.
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kawamagi-crow · 8 months
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Anyone else feel guilty of not being "disabled enough"? like, i feel like I can't call myself disabled bc "well, my autism does affect every aspect of my life buttt I'm high functioning and have low to medium support needs!" or "My essential tremors arent that bad, I just can't write sometimes, I'm probably exaggerating stuff."
Ik this is some internalized ableism, and i should sort it out but its just... ik. very hard. same thing with asking for accomodations. sometimes i want to, i really do, but something just makes me think I'm stealing from people who actually need it and its not even that bad, I'm just exaggerating for attention
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mrpenguinpants · 3 months
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crying mr pengu how are you T T
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franeridan · 8 months
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the way luffy regularly goes "we are the bad guys, actually" in the manga is something so dear so special to me
#it's cute how in the live action they make from the start the distinction between good and bad in both factions#since it's true and you as a reader know it's true#but i love the#''no old man don't he's a mar-! ah wait we're the bad guys haha''#and the#''what if we're attacked by bad guys'' ''usopp WE'RE the bad guys''#and especially the#''I'm not a hero!''#because it does two Fantastic things imo#one; it makes it clear luffy never once shied from the knowledge that pirates can be violent and unjust and horrible#he KNOWS being a pirate makes him a bad guy in people's eyes and he doesn't mind because he knows that as a rule of thumb#pirates hurt people and marines help people#he knows this and he doesn't mind it#he doesn't Want to be a good guy#he could have been! garp tried!!! that's not what he wants#he says it's because of freedom#which is true!!! but this brings us to the second reason why i love this fact about him#luffy doesn't have any problems with using a whole person as a human shield if he feels like it#if he wants to murder someone he will#he operates by his own rules and his own rules are my friends are right even when they're wrong and I'll kill you for them#it's just pure luck that most of the times his friends are genuinely good people and deserve to be saved#because luffy doesn't base his decisions on morals#he bases them on who fed him first#in skypiea he's on the side of konnis people even after he finds out they're in the wrong#he knows this! he explicitly says 'wait so YOU'RE the bad guys!’#he's sounds kinda angry at them for it too in the moment#but he's still on their side because they're still his friends#luffy's freedom isn't something he wants because he feels the rules are unfair#it's something he wants because he wants to choose the rules independently from just how fair they are#and I just really love that about him more than anything else
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pxppet · 6 months
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Another self portrait of my inner world appearance, but I tried it out with this digital colouring style I'm starting to find very fun
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