the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
So is the reason for Tyren getting more unhinged the side effects of the devotion necklace, or was this a downward spiral he would have gone done regardless of the necklace? I remember you talking about how the necklaces have consequences, and I'm curious if this is one of them.
Yeah!
Tyren would have been an already overly-doting and even jealous character on his own without the loyalty necklace, (and had been due to his crush on the Lamb even before recieving it, and what happens when you reject followers in-game) but his spiral into a unhealthy obsession and idolization was aided by the loyalty necklace.
If it was given to perhaps a regular, less devoted follower, the effects maybe wouldn't have had such severity. But Lamb got the materials/necklace from the mystic seller and isn't fully aware of the effects it might have on their followers yet.
So, dog is unhinged a bit on his own, but amplified by the necklace. He's originally friendly, caring and sweet. But you take good traits, too much of a good thing, and they can turn bad
So the wildest thing happened where @mactheactor decided to dub over (if that's even the correct terminology) the Chaos Sonic animation I made!!!!
I'm still in utter awe about this like, hands down the coolest thing ever I've been thinking about this non-stop. Hope y'all enjoy it as much as I do!!
Okay hear me out. Imagine a story where a scientist is leading a tour of kids through his lab, showing off all the inventions that will hopefully one day help humanity! In this tour is his son, who is very excited to be with his dad at his job, while also technically going to school? Win Win!! His dad has been a bit overprotective of him, but he sort of enjoys the attention. Although he isn’t too keen on his classmates who bully (perhaps one of the bullies is his brother or something) him for it, still poking and teasing him during the tour.
After awhile the dad shows off a portal machine which can open a portal to a whole new world, or at least that’s what they think it leads to anyway. The lab hasn’t fully tested it and is making a robot to send in first. The kids all ask if they can see it and the science team agrees as long as no one goes over the rails towards the portal, cause it seems to have a suction. (You can see where this is going I bet) The science team flips on the machine and the portal lights up, and while everyone is distracted the bully decides to have some fun, whispering into the Scientist kid’s ear something like “Maybe you’ll see your mom over there” or “Perhaps I should just take out trash like you. You’re just wasting dad’s time anyway” before the kid can really process what happens he is pushed over the rail into the portal, disappearing. The machine shuts off with a clunk and the dad is pissed. He is shouting at the bully about how stupid that was and how they have no idea if it’s even life sustainable on the other side! A guard nearby says that the kid is in real serious trouble for so many reasons, only for the dad to chime in that the bully better hope his kid is alive cause if he isn’t, he’ll get a murder charge. The bully explains he didn’t mean to only for most of the class saying that the bully always does this and one student even repeats what he said before he pushed the kid in. They decide to end the tour early and send everyone home, while the bully is escorted out by the guards and won’t be going home soon.
The science team asks what they’re gonna do and the dad says they’re gonna make something. Perhaps a suit or vehicle so that he can go into the portal and find his son. The team nods and quickly gets to work, they know it’ll take more than a few weeks, but maybe if they are lucky the kid will be okay, and maybe they can get it done faster.
Meanwhile, the kid flies through the portal and lands on a soft ground. Panicking he sits up and looks around, only to notice he’s on a huge bed. The portal sent him to a world that was way bigger than his own. Fear strikes him as he realizes where there is a big bed, there’s a big person. He’s right when he looks over across the room and sees a huge person sitting at a desk mumbling to themself. He’s frozen in fear and can’t move, even when the person swings around from their chair and walks over to their bed only to pause and stare at him.
The giant just stared at him, confused as to why there is a tiny child in their bed. They swear they didn’t put them there and are about to say something when the kid just burst out crying and the giant panicked. They quickly kneel by their bed and try to hush the child and tell them that it’s okay. The child keeps sobbing and soft hiccups can be heard, but eventually the kid quiets down a bit. The giant carefully asks how the kid got there, and the boy answers between sobs. The giant listens and the boy eventually bursts into tears again, crying out that they want their dad. The giant gently scoops them up, and holds them close saying “hey, hey, it’s going to be alright. You said your dad was a scientist…sooo he must have seen you get pushed in. I bet he’s trying to get back to you, he just has to figure out how to.” The kid sniffles and asks if the giant really believes that and they nod. They then reassure the kid that they won’t hurt them and that they’ll watch and care for them, until their dad comes to save them. The boy nods and the giant pauses and asks if he likes movies. The boy says yes and that he likes action like movies. The giant then decides that maybe they could watch a movie, to help the boy calm down, they’ll even let the kid choose the movie. He gets a little excited over this and the two of them go and do exactly that. Through this we learn that the worlds are almost identical, but some things are changed like Superman is Aceman, and Ice Cream is Frost Gel. All still the same thing, just named differently, which both the giant and boy find amusing.
The boy stays with the giant for little over a week, getting used to the large surroundings and the movements of the giant. The giant provides a small house to the boy, made of a box and Legos, which the boy had fun playing with and designing that part of the little home. In the other world the dad and his team finally finished the suit. It was built to survive space, acid, lava, and other possibilities. It had a backpack built into the back that held food rations, weapons, tools, and other things for survival. There was also the case, which contained all the parts for a small return portal back home. Which had been tested multiple times….just not cross dimensionally. The suit also had a built in camera that would send live video feed back to the team while the dad, who wanted to be the one who went through, was over there looking for his son. He’d also do some science stuff, like take samples and explore a bit.
The day finally arrives and the dad walks through the portal. He finds himself behind a large plush wall, and he starts to walk around it when he hears booming voices. Meanwhile the giant is laying in bed scrolling through their phone. The kid is sleeping in their little house for a quick nap. Then out of the corner of their eye they see something move out from behind their pillow. The dad looks up and catches the giant’s eye glancing at him. He freezes, and then grabs a weapon from the bag. This causes the giant to freak out and quickly flop out of their bed and onto the floor. The dad runs over and, using the mic in his suit, shouts “WHERE IS HE?!?!?” The giant, confused as hell, asks that the “crazy living action figure dude” please put down the weapon, while also asking what he means. The dad just shouts “IF YOU DID ANYTHING TO HIM I SWEAR I’LL..” the threat falls from his lips as the giant rises above him and cautiously walks over to the little house. They open the top and reach in, carefully waking the boy up and whispering that they have a surprise. The dad, still in a fighting stance, watches as the giant approaches with something in their hands. He’s about to fight, when the giant opens their hands and reveals his son, causing him to freeze. The boy pauses, not recognizing him cause of the suit, but once the dad rips the helmet off, the kid jumps off the giants hand and rushes to embrace his dad.
Both the kid and the dad just tightly hold onto each other as the giant just smiles softly, watching them. They then comment how much of a strong and loving dad the kid has and how the dad has such a brave and smart son. They both look up at the giant, who gives them a sweet smile. The dad explains they can go back home and the son is excited to tell his dad everything he learned about the place. The giant asks if there is anything they can do to help, which the dad asks if there is a safe place to setup a portal device somewhere that isn’t, well, a bed. The giant nods, and offers their hand to the pair. The son quickly hops on and the dad, carefully steps on after a bit of encouragement from his son. The giant takes them to their desk and says they can set it up in the free space near the wall.
After some time the portal is up and running and the dad has some samples, including a hair from the giant, and the small pair is ready to go home. The giant remarks that they’ll probably be seeing more of the tiny people, but says that they are welcome to visit. The boy hugs the giants hand and thanks them for taking care of them. The dad also thanks them for watching over his son, and says that he’s glad that the giant was the one to find his son. They take their leave and the story comes out in their world about what happens. The bully is still charged for some things, mostly messing with official government science stuff, but everything seems fine in the end. Plus the boy made an amazing friend, and the dad found someone he can trust to watch his son.
Anyway, basically what if a portal led to a giant world similar to our own, but it was discovered because some kids decided to mess with a kid. Resulting in the kid getting lost in that world, having to wait to be found or find a way back themself?
love the idea of the Avengers adding new members but being stingy about rooms so the OG Avengers each get their own but Bucky and Loki are forced to share one under the guise of it being 'healthy interaction'
The feed ID doesn’t need to say anything other than what everyone else’s says, just name, gender, and…” She trailed off. She was looking at me and I was looking at her. - Martha Wells, Fugitive Telemetry
(The Murderbot art I used is the official cover art from the French edition of ASR)
When Steve and Eddie start dating Wayne pulls Steve aside and is like “I know this sounds odd but you’re gonna have to take him on walks every once in a while.”
And Steve is just like “?? Sir? He is not a dog?”
Wayne gives him a slightly haunted look, muttering “sometimes I wonder,” under his breath before clearing his throat and telling Steve to just trust him on this one.
Steve thinks this is probably something Wayne had to do when Eddie was a child to get him out of the house but the man is a full-grown adult now, Steve is not gonna walk him.
He kind of forgets about it until one day. Eddie’s been staying at Steve’s for the week and he gets home from work only to find the kitchen absolutely wrecked. He finds Eddie in another room standing in a pile of books. He very slowly approaches him, putting his hands out and making his voice soft and as carefully as he can being like, “Hey, babe, what’s up?”
Eddie whips around, eyes big and wild, rambling almost too fast for Steve to understand. “I needed to make a cake but I didn’t have a recipe so I improvised and that did not work so I went to find a recipe and did you know there are like fifty-year-old medical books here? There are so many descriptions of gross stuff in them.” He waves one of Steve’s granddads old books around and Steve has to lean back to not get smacked by it.
“Yeah… my granddad was a doctor,” he says all while eyeing him warily.
His hair is frizzier than usual and he’s about to turn around to grab more books and Steve does not know what this is or what to do? Should he do something? That’s when he remembers what Wayne said about walks and the way he had looked, a bit stressed and disbelieving. It’s about how Steve is feeling right now so he might as well try, right?
So he grabs Eddie, pulling him along towards the door, making up the first excuse he can think of. “Speaking of my granddad, he built a tree-house for me in the woods behind the house, let’s go look.”
He walks into the woods at the wrong opening, leading them kind of far in before turning around to wander and pretending to look. He finally steers them back to where the tree-house actually is, all in its tiny rotten glory, and right at the edge of the lawn.
“Guess it was closer than I remember,” he says with a shrug as if dragging Eddie around for twenty minutes insisting it was further in is in any way a believable mistake.
Eddie gives him a look like he’s acting insane, which, okay fair but Eddie did start it. And anyways he looks better now, judgmental as all hell but better.
“Cool,” He eventually says then stomps back inside.
Eddie spends the rest of the day making fun of Steve for getting lost in the woods where he grew up but he’s not climbing the walls anymore so Steve counts it as a win.
After that he brings Eddie on regular walks, tells him it’s because he doesn’t do sports anymore and needs to move, doesn’t always feel like running and it’s boring going alone. Eddie accepts it easily but also says it’s so weird because Wayne will also drag him along on walks, and, like, what about him attracts these people who need to go on walks all the time and can’t do it alone?
Steve and Wayne have a pact to never tell Eddie, they do not even want to imagine how that would go because Eddie is a drama queen at heart and their system is working (until years later when Steve and Eddie live together hours away and Steve goes on a trip with Robin, he comes back to Eddie on his way to turn their living room into a greenhouse)
OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever
I convinced my mom to try the live action One Piece, because she's the type to like this style of show even though she isn't into animation and would never read manga, but I didn't think I'd be able to convince my dad because he's usually a stickler for more grounded and realistic stories (his favourite genre is war movies, his favourite movie is Saving Private Ryan, for reference). But, when I brought up with him how I figured it probably wouldn't be his thing because it was fantasy, he mentioned to me that he does enjoy some fantastical stuff if it has like an internal universe logic, like Star Wars, and the more I thought about it, the more I remembered that he also enjoys campy fun action adventure stuff that doesn't take itself too seriously like Indiana Jones or Pirates of the Carribean.
And One Piece has both that internal logic for why people can perform crazy feats (even if it isn't explained right away) which I mentioned to him (just that there is a reason why people can do crazy things in this world), as well as the campy fun action adventure thing going for it, especially in the Live Action (the fight against Morgan's base even has a major Indiana Jones vibes ngl). So I explained that to him and asked if he wanted to try it, and he agreed to watching the first episode with me to decide if he'd watch it with my mom and me.
AND HE ACTUALLY SAID IT WAS INTERESTING SO FAR!! Like, he is NOT the kinda guy to enjoy anime or manga or even western cartoons, always refuses to watch anything anime and doesn't show any interest when I talk about it (I've managed to convince him to watch a few movies like Sword of the Stranger but it's obvious that even when he's not bored or doesn't hate it, it still doesn't catch or keep his interest), and he's really picky about anything fantasy or SciFi, if it like sets off his bullshit meter too much he starts nitpicking the logic behind certain abilities, or decisions, or explanations, etc. I once tried to get him to try Gravity Falls and he wanted to stop after the first episode. He's THAT picky.
So the fact that he actually laughed several times while watching the first episode of OPLA with me, commented about Luffy's character positively several times (he seems to think Luffy is really funny which surprised me cause I thought he'd be the most entertained by Zoro but I mean I can't blame him it is Luffy after all), never cringed or criticised or said anything about how ridiculous it was, means a lot coming from him cause he's always really blunt and honest about his opinion on this sort of stuff (which is fine I don't want him to pretend to enjoy stuff when he doesn't). He actually watched the whole first episode without it losing his attention, and seemed to have fun! And he agreed to watch the rest with my mom and me!
This sort of thing is one of the reasons why I dislike when people just dismiss the idea of live action adaptations entirely. I get that people are jaded with past failures, and don't like when live action is treated like a replacement for or improvement from animation when it isn't. But it is a valid medium just as much as animation or comics or writing are, and can be used to produce some amazing things. And the fact is, there are people who have a hard time connecting with other mediums who will otherwise never engage with this media in its original forms. Live Action, when done well and done right, can reach new audiences and welcome them into the fold in ways the original formats never can.
One Piece didn't need the live action to be popular, obviously, and the live action cannot and will not replace the original, nor should it. But I love that we get to have it alongside the manga and anime. It's just more of what we love, it's the cherry on top of an already stellar multi-layered cake. It complements the original rather than taking anything away from it. And for the first time in over a decade I might be able to share One Piece with my parents, who would only ever have a chance of experiencing it and enjoying it in live action. There's just something so awesome about that for me personally. I just wish more live action adaptations would understand what the One Piece live action understood about the adaptation process, and that's how to keep the heart of the story in-tact, so more people from more fandoms could have a chance to share something they love with more people who it would otherwise not reach.
Anyway, thank you Oda and the OPLA cast and crew for doing live action right for once!
i hope this doesn't sound like a silly or weird thing to send you, but i'm autistic and have long thought of nico and a handful of other riordanverse characters as autistic and i love your posts about why nico in particular seems intentionally autistic-coded. but i've been thinking, if rick did intend for any of his characters to be autistic, why wouldn't he say so outside of the text at least? i can't think of a good reason why not, when he goes out of his way to be explicit about so many other characters' various marginalized identities and has confirmed things like reyna being asexual outside of the original text. so it gives me this nagging sort of doubt that maybe rick just made nico come off as so extremely autistic coded by accident, somehow. if it wasn't an accident i do kind of wish he'd say so because there's next to zero explicitly stated autistic representation in, like, any media so it'd be nice to have here even if not strictly necessary. either way though, like i said, i love your posts and i agree with you 100% about autistic nico! some others i like to think are autistic are annabeth and leo.
(Most of this is gonna be kind of a tangential ramble to your point and i apologize in advance just bear with me)
This actually touches upon something I've been meaning to do a write-up on recently, which is: depending on the coding, that is our explicit statement. In most coding, actually, that's kind of the point. (Also something something Death of the Author.)
You may have noticed a recent trend across media of characters saying things directly rather than expressing them in a natural way, and often this includes incredibly stilted dialogue of characters explaining things in very politically correct, wikipedia-esque descriptions and terminology that make absolutely no sense for the characters' personalities or mannerisms. This is born out of the idea that if something is not stated in explicit terms, no amount of evidence below an outright direct exact statement will ever count - if two characters of the same gender have an explicit kiss and wedding on-screen, it doesn't matter because they never said the word "gay," etc etc.
In PJO, prior to more recent books, we get plenty of examples of characters explaining parts of their identities without direct statements. Percy never needs to say in outright terms that he has PTSD from Gabe - and it doesn't make sense that he would! He's 12! He's never been diagnosed for that. He probably doesn't even know what PTSD is really. But we, the audience, know without a doubt he has PTSD, because it is clearly expressed to us. That is coding. Tyson is coded as having down syndrome. Nico is coded as being autistic. It doesn't make sense for Nico to turn to the camera and explain that he's autistic and what that means, because he definitely never got diagnosed for it and probably doesn't know what that means cause the diagnosis literally did not exist when he was growing up - and heck, autism terminology was still kind of getting sorted out back in 2007 when TTC was published, so it's unlikely we could have feasibly gotten any exact terminology wink-wink-nudge-nudges short of something like how Percy outright mentions other students called Tyson the r-slur in Sea of Monsters. And in fact we see that same exact style of coding with Nico later on in the series. Nico never turns to the camera and says word-for-word "I am gay, I am mlm, here's me wearing my exact pride flags" (until TOA/TSATS, which... did the exact thing i mentioned about characters speaking like theyre trying to get a good grade in therapy, or giving a powerpoint presentation). But it is never unclear that HoO is telling us outright that Nico is gay. It's not just hinted at. It's there, in your face. But entirely because no one ever outright says "gay" specifically it's technically still only coding. We know he's gay, we know the characters have trauma/ptsd, etc etc. We don't need it spelled out - that's just kind of condescending. It's like if you said describing a character with "eyes like moss" means they were "green-eye coded."
Nico being autistic-coded isn't hidden. It's not a secret. It's very overt. If you know what autism looks like, well, yeah, there he is. Even if you only know very vague 2007 media presentation of autism, Nico in TTC is easily recognizable enough as autistic because that's the point. Tyson is easily recognizable as being coded as having down syndrome and it's very clearly very intentional! It's just never spoon-fed in exact terms to the reader because it's not necessary! You've already been told the information necessary to tell you what is up with this character, so just plainly going "oh they're [x] in exact terms" is very much telling-not-showing and feels redundant. And while there are places for that kind of thing, most of the time it's very unnecessary. Sometimes coding is subtle, sometimes it's obvious, and yeah there are times where writers code characters unintentionally, but the textual evidence is there, and that's the whole point.
And that's what Death of the Author is about - it doesn't matter what the author intended at the end of the day, because if it's in the text it's in the text. You can look at author intent to try and figure out what that text means, but the text is the text. A Separate Peace is a very classic example - author John Knowles denies there being homosexual subtext, and meanwhile one of the protagonists living in 1942 puts on a pink shirt while saying he doesn't mind of people think of him as gay. What the author says after the fact doesn't matter - if it's there, it's there. So Rick saying anything outside of the books is completely irrelevant. And Rick talks about this a lot - he actively tells people that his statements outside of the books are just his own thoughts, but what's in the books is what's in the books, and if the text supports it then that's all the evidence you need.
Nico specifically is a case where yeah, he's clearly autistic-coded. It's very obvious and very obviously intentional when he's younger, and as the books progress it remains a background trait of his but is still notable (except for when it gets forgotten in TOA/TSATS like everything else, including the adhd/dyslexia, but i digress). It's a clear pattern within the first few books that Rick is intentionally including. It doesn't make sense, especially for the year the book was published, for the reader to be directly told in explicit terminology that Nico is autistic, because the reader is already being told that Nico is autistic.
And yeah, Rick doesn't mention Nico being autistic-coded outside of the text, but he also doesn't mention Tyson being coded as having down syndrome. He also said one time that Percy doesn't have PTSD at all, which is very incorrect starting from book 1. Again, Death of the Author. Whatever Rick says outside of the books does not matter, because he already said it in the books. And there's plenty of other stuff in the books that Rick doesn't touch upon, particularly relating to character identity - did you know Leo is Native? Sammy mentions that the Valdez family is Native in Son of Neptune but we don't get any specifics and then it's like never brought up again anywhere. That happens all the time in the series - and outside of the series - Rick can't possibly address every single point to confirm/deny everything from the books. That's what analysis is for! And that's why my blog exists 👍