#I just fucking hate this place

[starry-bi-sky]

(Part of this post with older brother danyal al ghul)

...Okay, look. Sam knows she's staring. She knows very well that she is staring. And that if she doesn't stop staring it's gonna draw her unwanted attention, and that will only have to make her explain why she's staring. Which she doesn't want to do.

She's trying not to stare, which she thinks she should get brownie points for. She tries to look away, to find a spot on the wall to stare lifelessly at, maybe she can burn holes into some of these annoying socialites' heads. But eventually her eyes drift, and suddenly she's back to staring again.

Can you blame her though? Damian Wayne looks like a very close mini-me of her fucking best friend. Seriously, it's like looking into a mirror to the past. If that mirror to the past had green eyes rather than blue and a distinctive lack of a facial scar.

The first time she sees him when her parents drag her over to Bruce Wayne to butter up to him she has to do a doubletake. Then a triple take. Then a quadruple take, just for good measure that she was seeing what she was actually seeing. She was sure she looked like one of those stress toys that when squeezed had their eyes pop out comically like a Saturday morning cartoon, that's what she certainly felt like anyways.

Look, Danny's come a decent way from being that scowl-y, jerkish little ten year old she first met when he arrived like the wind to Amity Park five years ago (even if he was still occasionally scowl-y and jerkish), but one thing that's stayed the same is how reserved he is about his home life prior to being taken in by the Fentons.

He doesn't talk about it much, and Sam's come to know that he's very good at changing the subject when it gets brought up. Even after being friends for nearly four years, the only thing she and Tuck know for certain is that he has a little brother that he refers to as 'starlight', whom he cares a lot about but left on really bad terms with. And that he's never met his father, but wants to and knows who he is.

He's never told her or Tucker who he was though, and glancing at Bruce Wayne, Sam is realizing why. She can begrudgingly acknowledge all the good he's done for Gotham, but... well, if Danny told her that Bruce Wayne was his dad, she wouldn't have believed him at all.

But she's starting to see the resemblance, as subtle as it is.

And she sees the resemblance to Damian Wayne, her eyes dropping back down to him as he wears a very Danny-like scowl on his face, arms crossed behind his back as his eyes swept around the ballroom. He was five years younger than Danny, and god it was so, so weird.

His eyes turned on to her, and they locked gazes for a moment.

Involuntarily, Sam makes a startled noise and looks away. Fingers tap against her purse, black and purple and unfortunately a clutch that only held her phone and her wallet in it. She would have kept a knife on her, but her parents put their foot down and there was a security detail at the door. Only in Gotham.

Silently, she was hoping that the little Danny-me didn't say anything. Or at least, he hadn't noticed her staring. Which was a tall order if she ever heard one -- and unfortunately, her silent prayers went unanswered as her mother's eyes dropped down onto her.

"Did you say something, Samantha?" She asks in a sickeningly sweet voice, a sound that makes Sam's skin crawl. Her dad and Bruce Wayne's attention also turns onto her, and she glowers at her mom from the corner of her eye.

"I didn't say anything." Sam says, barely keeping her tone polite as she turned her head away. Her mother clucks her tongue, disapproving, but from her peripherals doesn't pester her more

Bruce Wayne, the bastard, takes that time to turn to Sam and grace her with his dime-a-dozen billboard smiles. "I've been talking with your parents this whole time, Miss Manson, you must be terribly bored. How is your schooling going?"

Sam eyes him up and down. On one hand, she immediately wants to be snarky. It's none of his business what her school life is like, she doesn't care for his fucking small talk.

On the other hand, this was Danny's whole father. Someone who she knows that Danny has wanted to meet for, what she's assuming, his whole life. He's never brought it up much, but she remembers that very quiet, solemn conversation she and Tucker had with him where he admits to having never met his dad. But god does he want to.

And... wait. Sam's eyes narrow, and she meets Bruce Wayne's eyes. Does this man even know Danny exists? She drops her gaze down to Damian, who was staring at her suspiciously, and then back up to Bruce, and she alternates between them.

Why was Damian living with Bruce, but not Danny? Why hasn't Bruce done anything to reach out to him - what was going on with Danny's biological family that Danny had to be separated from them, but not Damian? Danny's always been kinda mysterious, but now things weren't adding up.

Was Danny given up? Does Bruce just not want Danny, but wanted Damian? Why the fuck does Bruce Wayne know about Damian but not her best friend -- or does he know and just not care? He's fought for custody for his adoptive kids before, does he just not want to fight for his other biological son? Does he think Danny's not worth it?

She's never cared much about the Wayne family before, other than to hear about the advancements on WE's eco-friendly tech, but Sam thinks she's gonna have to look into why Damian Wayne was living with the Waynes.

Slowly, with a protective anger beginning to burn in her gut and crawl up her throat, a scowl slowly curls at the corner of her lip as she redirects her glare from her mother onto Bruce. "It's going fine," She says curtly, jutting her chin out defiantly. "Me and my friend Danny started a petition to fix the leaky faucets in the girls and boys' bathrooms in order to conserve more water for the rest of the city."

She eyes his face, waiting to see if anything like recognition flashes through it. And- and nothing. Sam breathes in slowly through her nose, trying to quell the red that's blurring the edge of her vision -- does he just, not know where Danny is?

Her parents however, make vaguely displeased expressions. "Our Samantha is... quite passionate about her pet projects." Her dad says, laughing low and nervously, "she's very vocal about silly things like that."

"Her friend Daniel is perhaps even worse than she is sometimes." Her mother adds on, fanning her face with her perfectly manicured hands with a sigh. "I swear, he's the one that keeps dragging her into these things."

Sam's anger turns on its head, and she whirls on her heel like a fire-breathing dragon. "It's Danyal." It rolls out like instinct. Danny's told them both that he hates the Americanized pronunciation of his name, but in a rare moment of restraint, puts up with it for reasons unknown to her. "And Danny doesn't make me do anything, it was my idea."

The name, Danyal, seems to ring some kind of bell in Brucie Wayne's head, because she sees him and Damian quietly perk up like two cats pricking up their ears. Her eyes flick onto him immediately, something dangerous rearing its head. So Bruce Wayne knows about Danny. And he's not reaching out to him. Is he? She's not sure.

She does know that she's gonna rip his throat out if she finds out that he's known about Danny this entire time and has been ignoring him while favoring his little brother. She'll hunt down Aragon herself and steal his dragon-shifting amulet and wreck house on Bruce Wayne if that's the case. Batman and his league of vigilantes be damned. Her parents don't notice her slowly turning head towards Bruce.

But Bruce does, and she makes direct eye contact with him. His smile doesn't falter, he just tilts his head like a curious puppy and looks at Sam's parents. She hopes Bruce can read minds, she hopes he can hear her threatening him.

"Danyal?" He asks, and Sam doesn't know if she hates the fact that he said it correctly or not. She just continues burning holes into him and hoping he might spontaneously combust.

Her mother waves her hand dismissively, tilting her nose up poshly into the air. "Our dear Samantha's little... foster friend from school," she says, not even bothering to hide her disdain, "a creepy little boy with the most garish scar on his face. He's a rude little thing, not good for polite company."

Scratch that, Sam mentally alternates between ripping into her parents and Bruce. She whirls on them. "Do not talk about Danny that way." She all but snarls, and they all but ignore her.

(She's tearing up the upholstery when she gets home. She's going to paint over the fine china. She's going to do something to make them pay for this.)

"Oh yes, he was taken in by that freaky Fenton family a few years ago." Her dad continues in lieu of her mom, and they both shake their heads disapprovingly. "It's just what our city needs, another menace."

"Danny is not a menace." Sam continues, raising her voice while her hands shake with rage. Her parents finally look at her, but she can already tell that they're going to scold her for raising her voice. She bulldozes over them and jabs her black-painted finger at them. "He's got a bigger heart than the both of you combined."

"Samantha, please." her mom says, exasperated. They both give her disapproving looks, Sam thinks about grabbing champagne off the tray of a nearby waiter and throwing it in their faces. "You defend that boy far too much. What do you actually know about him and his family?"

Sam sets her jaw, puffing herself up like a dragon protecting its hoard. She steps into her mom's space. "I know that he loves the stars; you can ask him anything about astronomy and he could give you an entire lecture on the formation, class types, and various gasses that stars are made up of. He can tell you how the Earth was formed, he can tell you about the visible light spectrum and about light curves, and a whole ton of other stuff that I don't really understand. But Danny loves talking about it."

Her face twists and scowls, "I know he cares a ton about the environment and about fixing light pollution, and preserving the forests and natural habitats of animals." She nearly jabs her finger into her mom's chest, "I know he loves dogs, and that there's one he feeds every day on the way to school that he calls Cujo, its a St. Bernard puppy and Danny carries him around whenever he sees him after school, and is in the middle of training him."

It's not a total lie, but it's not the whole truth either. Cujo doesn't need food, but Danny gives him it anyways. "I know he likes spicy food and loves movies but specifically only sci-fi and horror, and he hates most martial arts movies. His favorite superhero is the Martian Manhunter, but Batman comes in at a close second." For reasons to her that were pretty unknown, but it didn't matter.

"I know he loves wordplay and making puns, which I would have never expected from him when we first met, but it's so unbelievably Danny-like that I can't imagine him not making puns." And she smiles a little to herself, she remembers the first time Danny intentionally made a pun once and it got startled laughs out of both her and Tucker.

Her smile suddenly falters, and she swallows. Her lips purse up, wobbling, and she very quickly glances over to Damian Wayne, of whom is watching her with a vaguely bewildered expression alongside Bruce.

She turns her eyes back onto her parents. "And I know that he worries a lot, even if he has a shit way of showing it. I know he had a little brother that he hasn't seen since he was adopted by the Fentons, and he doesn't talk about him often but when he does he he calls him 'starlight'." From the corner of her eye, she sees Damian jerk.

"So- so, so what if he's not 'good for polite company'." Sam's voice, embarrassingly, cracks down the middle. But she's so angry over Danny's behalf that she doesn't really care. "Or that he can be mean, and critical, and stubborn. He's learning, and he's becoming kinder by the day. That's more than I can say about you."

(She remembers when Danny finally admitted to her and Tucker being his 'closest friends'. It was sometime before the portal incident, and it felt like a milestone because beforehand he only really referred to them as his companions or allies.)

(At the time, he'd looked unsure of himself. Skittish like a stray in the back of an alleyway, almost shy in his own way. It had come out stilted, slow, like an infant taking its first steps, and it would have been endearing if it hadn't been heartbreaking.)

Her parents rear back like she'd struck them, and her mother holds a hand against her chest in aghast. Sam doesn't care, she blinks the sting out of her eyes. "Samantha." Her mother starts.

Sam cuts her off, "I don't care what you have to say, you-- you pricks." she snaps, around her, there are gasps. Belatedly, she realizes she's grown an audience, but again she doesn't care. "Danny might be an asshole, but he cares. And I'd rather be around someone whose mean but cares, than someone whose nice but doesn't."

With that, she whirls on her foot and turns on Bruce Wayne, who has been silent the entire time with a surprised expression on his face. He starts to shake out of it when Sam turns to him, but she doesn't give him the chance to speak. "Enjoy your party." She snarls, and then stalks away.

#dpxdc #dp x dc #dp x dc crossover #danny fenton is not the ghost king #dpxdc crossover #dpdc #danyal al ghul au #older brother danny #sam is one protective gal. this scene went differently in my head. way differently. but alas. i am not complaining. #sam: if bruce wayne abandoned my best friend i'm gonna physically transform myself into a dragon and incinerate him. how dare he. #bruce and damian got to watch in real time as a random girl who knows danny suddenly realizes he's related to them. which is comical to me #because she suddenly goes from being disinterested but weirded out by damian. to suddenly looking at bruce like she's gonna kill him #which is very funny to me bc from their pov at first its like this random girl just speedran hating bruce. and then her parents bring up he #friend danny and then she calls him danyal. and suddenly its starting to click into place like 'oh fuck wait we may just have a lead on -- #-- finding danyal and his whereabouts.' especially after sam's mom mentions the scar on his face. like wow. what a crazy ten minutes. #not seen but def happened: sam gets her phone out to go text danny in the corner. she's not gonna bring up the bruce thing yet. she needs #a pick me up. related note: danny and tucker know she's gone to some gala thing with her parents but not to a wayne gala. if danny had know #he may have told her that he was related to damian wayne. just to prepare her for that. not so sure on the writing in this one folks #but i also dont wanna go through and edit anything its like half past one in the morning and i also dont wanna wait until morning to post #when i can just do it now. and get instant serotonin. i thought of this scene in various ways. like sam calling damian 'danny' out of shock #and then quickly correcting herself. and then excusing herself very quickly. or her mentioning that damian resembles her friend danny a lot #so she was just thrown off by him. because i def think that could happen if sam has no reason to think that she needs to hide danny from th #waynes. i also thought about her parents mentioning that damian resembles danny a little bit. only for one of them to go 'oh no no couldn't #- be. how insulting to damian since the daniel they know has this horrid scar on his face.' and then go from there. either way i thought #a scene like this would be fun. get to also kinda explore how danny looks like from his friends' povs. of which he is #'our lovable jerk who is an ex-cult member and whom we will maim someone over.' #not a scene that was added but i wanted to: sam mentioning in parenthesis that she and tucker think danny was part of a cult prior to the #fentons. and that sometimes danny will say something alarming and sam and tucker will stare at him until he frowns and goes #“that... isn't normal. is it?” and tucker will clap his shoulder and cheerfully go “no buddy. no it isn't” bc i think the idea is funny. #sam is so focused on the idea that bruce abandoned/ignored/was unaware of danny's existence that she momentarily forgot that bruce may have

[transmascissues]

today, my coworkers’ refusal to see me as a man put one of our patients in a position where they felt unsafe for the third time. i’ve been at this job for less than two months total. i don’t even care about getting misgendered anymore, i just want the people we’re supposed to be taking care of to feel comfortable around me.

i work at a hospital where we have to supervise our patients in a lot of vulnerable situations. there are safeguarding rules in place for certain things that male employees aren’t allowed to be present for when it comes to female patients. and yet, the people training me and telling me what to do have repeatedly put me in situations where i’ve been forced to do things that the female patients aren’t comfortable with me doing. and because they have repeatedly failed to teach me the rules for doing my job as a man, i have no way of knowing when i’m crossing one of those lines unless one of the patients tells me.

i’ve had to watch a victim of SA stare at me in abject terror as my coworkers asked her to strip naked with me still in the room. it took several minutes for her to even be able to speak enough to ask if i could leave the room. i found out after that she broke down crying the moment i walked out. my biggest regret is that i didn’t realize what was happening fast enough to leave before she ever had to say something, because she shouldn’t have had to say it. i never should’ve been allowed in the room in the first place, because that’s not something male employees are supposed to be present for. but i didn’t know that yet, because i was training and i thought surely, they wouldn’t train me to do something that directly violated their own safeguarding rules. that moment was the first time, and it’s haunted me ever since, but it wasn’t the last time. not only did it happen for the third time today — it almost happened for the fourth, and would have if someone hadn’t spoken up to say they should pick someone else. i care for these people so deeply, it’s why i took this job, and i’m so tired of hearing the fear in their voices when they have to ask me not to do something i never should’ve been told to do.

i’m very used to the personal discomfort of being misgendered. i willingly deal with it a lot at work as well as in other situations, not because i’m in the closet (at this point in my medical transition that would be impossible), but because it’s such a frequent occurrence with my coworkers that we would never get anything done if i took the time to correct them every time. but to see it get to the point of causing such visceral discomfort in other people? people i’m supposed to be taking care of and keeping safe? that’s something else entirely, and i’m fucking exhausted.

and after all of that, some of them still look at me like i have two heads when they tell me what to do and i say “i can’t do that, only female employees can” because i’m learning now. clearly i’m already seen as a man by our patients, but my coworkers would still rather put them in an unsafe situation than just train me as a man.

#to be clear it’s four different things they’ve asked me to do that im not supposed to #as soon as i find out about one rule they ask me to violate a different one that i didn’t know about #i will never ever forget that girl’s face and i’ll never stop being angry for her #for all three of them but especially her #i hate my coworkers for a million different reasons #the patients are the only reason i didn’t quit this job after the first day #i just want to do right by them and sometimes it feels like i’m the only one working there who does #it kills me because the patients who know im trans have been so great about it too #most of them know nothing about trans people but they’re so willing to learn and so respectful and we’ve had such great conversations #they’re getting fucked over by someone else’s transphobia when they themselves don’t have a single transphobic bone in their bodies #i hate this place because i care about the people in it too much to stand by the way it treats them and it’s killing me #transandrophobia #transandromisia #transmisandry #virilmisia #virilphobia #anti transmasculinity #transmascphobia

[zoroshonkingbazonkadonkas]

'hm? oh yeah ofc my internal compass led us to u'

#VJFESKDMCDJISOLXKMCDJSLX #MCDEKS #SO BADLY I WANTED FOR THEM TO HAVE ENDED UP AT THE SAME PLACE BUT THIS IS SO MUCH BETTERRRR #THE IN SYNC HEAD TURN GODDAMMIT #I HATE THEM I HATE THEM I FUCKING HATE THEM #zosan #one piece #strong world #usopp is like. sanji. babe. #like be for real right now you really just fucking. came to someplace zoro was with 0 effort just instinct??????? #like???????? cmon man #that is your RIVAL with HOMOEROTIC GAY TENSION #CMON #one piece strong world

[ohplasticheart]

I'm not sure

#fob #fall out boy #fob8 #love from the other side #so much (for) stardust #fob art #hi i think i hate this #i spend way too long over thinking about it soooo im just saying fuck it and here it goes #i know it looks werid in places dont mention it #can you tell i just could not decide on a font so i just roll with it #okay im getting anxious bye

[twentyfivemiceinatrenchcoat]

i love you, i love you (kill me in the morning) ; suguru geto

synopsis; everyone has a weakness. some are harder to get rid of. (or, alternatively; suguru geto befriends a non-sorcerer as a child.)

word count; 10.0k

contents; suguru geto/reader (not explicitly romantic but the subtext is there), gn!reader, geto-typical angst, childhood friends to [redacted], mild gore, suguru geto’s defection but with added angst, twisted depictions of love, depictions of stalking, depictions of death/murder, general bloodlust (geto wants to kill u soo bad but also not really), unresolved yearning, hurt/no comfort, curse user geto is his own warning tbh

a/n; ok so. this is kind of a mess. just my own take on geto’s childhood and defection + how i think he’d deal with a non-sorcerer reader after defecting……. so it turned out kinda. Dark. it’s entirely sfw to be clear!!! just sorta twisted. in conclusion i love my cult leader wife who wants me dead <3 (pls listen to ’kill me’ by indigo de souza it is SO geto)

suguru geto meets you in the afterglow of sunset, by a dusty summer creek.

it’s his special place, hidden in the outskirts of your tiny town; a place where the water glimmers with silver-hued fish, and all the biggest cicadas reside, singing softly and waiting to be caught.

a place where he can be himself. alone, with no one to curse him.

— except, this time, he isn’t alone.

your crying face is the first thing he sees. big, wet tears, cascading down your scrunched-up face, accompanied by little sniffles as you sit there. curled up into a ball, knees against your heaving chest.

the next thing he sees is the bruise on your leg. a scrape on your knee, gritty and a little bloody, but it’s not so awful. he can tell that it hurts, though — you bite your lip to stop yourself from trembling, like you’re trying to be brave. but you look pained. 

and it sends a tremor running through his very soul.

suguru was born with a bleeding heart, an empathy unusually developed for his age. always pushing him forward, coaxing him into taking action; this nagging desire to protect, to nurture. born with an inability to avert his gaze from the suffering of others.

so when the two of you lock eyes, he manages a smile. warm and soothing, even though deep down he’s alarmed. but he masks it, slathers over it with something kind, something comforting — and he can tell that it works, from the way your teary eyes seem to soften in the buttery hue of the afternoon glow.

you’re crying. and suguru finds himself wanting to wipe those tears away, more than anything. you look small, and you’re in pain.

(protect the weak, urges some voice in the back of his mind. insatiable. protect those who can’t protect themselves.)

he asks for your name, all while cleaning your wound. the wince that slips from your lips when the cold water of the creek licks at your knee makes his heart clench.

but you tell him. you tell him your name, as the sun sets in the horizon, and he tells you his. 

suguru. a sweet kid who sees you fall and patches you up. a cool kid who teases you a little for being so clumsy. who holds your hand tightly in his own, to make sure you won’t fall again.

the sun melts away beyond the cluster of trees that surround you, its burning glow breaking through the gaps between the branches and dyeing the summer creek a deep red. illuminating your blurry silhouettes, as you walk back home. hand in hand.

and that’s how it begins.

the two of you grow closer, in the same way flowers who share a stem learn to lean on each other, grow in the same direction, a mess of mingled roots. a natural connection, blooming out of nothing more than a sweet coincidence — that kind of blissful, innocent childhood friendship. the kind you never have to question.

you learn very quickly that suguru isn’t like the rest. that when compared to all the other kids you know, he’s mature, almost mystical, like he knows something they don’t.

you learn that there’s a gentleness to him, one he could never fully hide. one that shines through when he looks at you, when you play and laugh to fill the silence of the hills overlooking the small town you both live in.

you also learn that he can see ghosts.

curses, you’ll both come to learn, but that’s later. for a child in a remote town, isolated and alone, the familiarity of the ghost stories that adults tell you is the only kind of comfort suguru has to cling to. something lighthearted, to explain the predicament that haunts him — the flickers of black in his vision, that lingering taste of charcoal on his tongue.

suguru is different, you realize, different from the rest. and you eventually learn, from him, that you are far from alone in that belief.

in the town you both had the misfortune of being born into, suguru is the black sheep. his parents think there’s something wrong with him. the other kids think there’s something wrong with him. he isn’t right in the head, they whisper, he sees things that aren’t there.

(it’s a debilitating isolation that never truly leaves him.)

so suguru learns to stay silent, learns to keep his pretty little mouth shut, learns to lie. it’s easier that way. easier to survive, in the remoteness of your tiny town, with all the adults who scorn him and look at him like he doesn’t belong anywhere at all.

and suguru learns to be content, in that solitude. that heaven-granted isolation. a lone white chrysanthemum, in a sea of red and lavender; blossoming alone.

but then suguru meets you.

and, contrary to everyone else, you don’t think there’s anything wrong with him. when you tell him that he’s different from the rest, you mean it in the best possible way. you say it with starlight in your eyes, gleeful, giddy. like he’s special, not broken. like you’re also tired of those other kids, those sneering adults, the silence of a town so isolated it could crush a child’s heart.

like you have something in common. like you’re the same.

and you stay by his side. throughout the most difficult years of his early life, when he’s still growing accustomed to the duty he’ll have to bear for the rest of his life, you’re there. every single day. to smile at him, to speak to him like you’re both just normal kids — even though suguru is well aware that he’s anything but normal.

(when he’s with you, he feels like it, though. feels like he’s just a normal boy, like there isn’t something glued down wrong inside his brain. something twisted, something that needs to be plucked out.)

suguru finds comfort in you. in your presence, in the notes you pass him when classes get boring, in the way you cling to his sleeve while exploring the woods during recess. in the way you grin so brightly after managing to catch a firefly in the darkness of the summer night, all proud and toothy, a childlike innocence he wishes he still had.

you’re sweet, and understanding, and suguru thinks you might be the coolest person he knows. you’re his friend, his very best friend, his one and only.

and when he tells you what’s wrong with him — when he tells you what he can see — you ask him something that will forever rest in his subconscious. a flicker of precious, fleeting, genuine acceptance, one he won’t ever feel again. not until he meets a certain boy with blue eyes, but that comes later.

(a memory he’ll return to, over and over again. even after all the evil in the world has already descended upon him like a crackling hurricane.)

what do they look like?

there is no judgement in your voice, in the way the question slips from your lips. no mocking laughter, no silent rejection or whisper of crazy, evil, wrong. there’s only you, the way you’ve always been, curious and understanding and wise beyond your years.

suguru decides, right then and there, that he’ll protect you forever. no matter what.

you can’t see curses. you aren’t like him, in that regard, and he learns that quickly. and as suguru grows up, grows a little taller, a little wiser, he is glad that it’s true. he’s glad, because he already knows what kind of road lies ahead of him.

he already knows what kind of world you both live in, how unforgiving it can be. how many people die every day, every second, because of monsters only a select few can even see. he already knows that curses aren’t the eccentric, silly ghosts you were hoping for when you were kids — but pure, unadulterated evil.

(he already knows what they taste like.)

and suguru takes careful measures, day by day, to keep you away from it. as much as he can without lying outright. you’re curious, by nature, almost fascinated by curses and sorcery and everything you do not understand. an endearing trait, though it exasperates him to no end.

someone like you has no business sticking their nose into that kind of cruelty, he thinks, that kind of bloodshed.

and you’ve always been clumsy, a little scatterbrained. enough to make him worry instinctively when you’re out of his sight. like when you tripped and scraped your knee, by that tiny summer creek, all because you wanted to catch a dragonfly.

so he tries his best to keep you away from it, all of it, away from a darkness he knows would swallow you whole. away from the small, weak curses that sometimes litter the woods or the schoolyard; away from his cursed technique, the disgust of a power he never once asked for. 

(he never lets you see him swallow those things, never lets you witness the way he throws them right back up again before it happens so many times that he grows used to the disgust. you’re sharp, though, and he can’t hide the grimace that always lingers on his features.

you don’t ask — you only give him a packet of gum, to chew away the taste with, and suguru thinks to himself that he’ll love you forever.)

time passes by, slowly but surely, and the two of you stick together.

and as he grows into his teenage years, so much weight already resting on his tiny shoulders, suguru has already developed some sense of it all. of his ability, of the world of sorcerers. he’s already spoken to people like him, has already been made well aware of his potential. 

he’s already been given a choice, a choice that was never really a choice at all, but he decides that it doesn’t matter.

suguru decides to become a sorcerer. to train his abilities, to hone his skills. to eventually move away, from the stifling silence of that town, the silence that was only ever filled by you.

and suguru thinks to himself that he’s doing this for you. that in doing this, in being this, he’ll fulfill his promise to protect you.

(forever. no matter what. he echoes the words in his mind like a prayer.)

suguru wants to protect those who cannot protect themselves. those who are weak, those who are alone, people he has the power to help.

but more than anything, above all else, suguru wants to protect you. 

you are the most precious thing in his life. and if he can turn the world a little brighter for you, just a little bit kinder, then isn’t that enough? isn’t there enough meaning in that to give him the strength he needs?

there is. suguru decides that there is.

so when he tells you about his plans, under a pleasant, ephemeral starry sky, he does so with conviction. he knows that you will understand, because he knows you. you’re his best friend.

and he’s right. you do understand. you’re proud of him, and he’s your best friend, too.

i’ll support you, no matter what. 

the instantaneous answer makes suguru smile. not the kind of smile he plasters on to appease the adults around him, nor the smile he wears when he needs to lie convincingly. a full, genuine smile, that reaches his eyes and blossoms like a flower in the light of the moon; a warm, gentle smile, one you’ll always, always associate with him. 

(forever and ever. no matter what.)

and when suguru eventually has to leave, for a high school he’ll spend the next few years of his life living at, he carries that conviction with him. his choice is steadfast, unyielding, inevitable. the only one that matters.

the whistling of the wind breaches his ears, as you both stand on the platform and wait for his train to arrive. a spring breeze caresses your skin, and suguru’s bangs flutter in the wind. sunlight scatters across the train tracks and seagulls cry out in the distance, and the acute sensation of a parting lies heavy in the air.

it’s embarrassing. it’s childish. suguru wants to claim that he isn’t a child, anymore; that he wouldn’t give in to hesitation, at the sight of your meek expression. that he wouldn’t cry, at the thought of moving away from his best friend.

but the slight puffiness under his eyes is evidence enough. evidence of the tears he shed last night, when the reality of the situation finally dawned on him. 

suguru doesn’t want to part from you. he’s nervous, too — leaving you alone in that town, all by yourself, with no one around to protect you properly.

it's stupid. because deep down, he knows that you’ll escape too. that you’ll come after him, no matter how long it takes, that'll you'll both end up in tokyo. that you'll end up together, despite his duty as a sorcerer — eating soft serve ice cream cones, playing shooting games at the arcade, strolling around the big city aimlessly. doing all those things you always talked about doing.

because the two of you will always, always find your way back to each other. just like how he found you with that bruise on your leg, all those years ago, a fated encounter as natural as the glow of sunset. two lone dragonflies, who always meet somewhere in the middle of a dusty summer creek.

still, suguru can’t help but feel sad. a little lost. he can only hope you don’t notice the soft frown on his face, the faint redness of his eyes. 

(then again, when have you ever not noticed something he was trying to hide?)

there's no need to worry about it, suguru knows. he’s never had to worry about you judging him, looking down on him. never you.

and when his gaze falls on your face, after the train he’s supposed to board screeches to a halt behind him, your own tears are enough to make him realize how silly he’s being.

he laughs, from the bottom of his stomach, when you tackle him into a hug and tell him with teary eyes that you’ll come visit. he squeezes you especially tight, in a boyish fashion he can never quite hide from you, and murmurs into your ear that he’ll be waiting.

he asks you not to forget him. you laugh through your tears, and tell him that you never could.

before he has to let go and step into the train, you tell him that you love him, and his grin blooms with honeyed affection. he ruffles your hair, always gentle, always teasing, always the same suguru.

he tells you that he loves you, too.

— then he’s gone.

(you’ll forever regret not convincing him to stay.)

the two of you stay in contact, all throughout his first year. texting, calling — making sure neither of you get the chance to forget the other. suguru tells you about his life, his missions, his classmates, leaving out all the gritty details. and you listen; attentive, curious.

at one point, you even visit him. his friends tease him relentlessly, but all he does is roll his eyes and flick their foreheads, biting back a smile. that makes you laugh, and he’s relieved that the sound hasn’t changed in the slightest.

and suguru stays the same, throughout that one first year. he is steadfast, unyielding, decisive. he has a conviction he’ll never let go of, and people he's vowed to protect. people he needs to protect. 

(non-sorcerers, is what he tells satoru, and he means it. but suguru chooses to omit the fact that he specifically wants to protect one single non-sorcerer, above all else.)

and suguru is happy, with his choice. thoroughly and wholly. the road ahead of him will be long, full of obstacles and thorns, but he always knew that would be the case. and he knows that it’ll hurt, that it’ll be tough, but he also knows that this is what he sincerely wants to do. what he was meant to do. the only choice worth making.

suguru is content. suguru will not falter.

— then, his second year descends upon him.

riko amanai dies. toji fushiguro dies.

satoru gojo becomes the strongest sorcerer of the modern era.

(and suguru geto is left behind.)

it is a slow, sinking realization. one whole year to lose sight of his goal, lose sight of the conviction he held onto so tightly. one whole year to feel it slip through the gaps between his fingers, helpless to stop its course. everything grows muddled, molding, rotting before he has a chance to root it out — and all he can do is wait, as it festers like bile in the bottom of his gut.

suguru geto falters.

(he doesn’t quite know who he is, anymore.)

words he’s swallowed down like curses all his life keep flooding his subconscious, building up inside the back of his throat, spinning and spinning and spinning inside his brain until he feels sick enough to throw up. evil. crazy. protection. responsibility.

duty, duty, duty —

(what does that word even mean?)

suguru doesn’t remember. he can’t recall what made him step onto that train with such conviction, how he was able to smile so assuredly. how he was able to laugh, from the very bottom of his gut, as if it was the easiest thing in the world. he just can't remember.

who is he doing this for? what meaning lies in all this pain? 

suguru keeps watching, hoping for an answer that’ll save him just enough. waiting and watching. he’s always just watching, isn’t he? never changing anything. always too late, too weak, too fucking useless to stop even a single person from dying. 

he watches helplessly as a little girl gets shot in the head, for the crime of having been born different, for the sake of simple currency. watches helplessly as satoru carries her lifeless body in his arms, across a room full of people so vile that some deep, rotten, intrinsic part of suguru just wants to —

but there would be no meaning to it.

(does there really need to be one?)

suguru honestly doesn’t know, anymore.

riko dies.

(curses spring up like flies. he devours and devours.)

then haibara dies, too. 

(in the distance, he thinks he hears the sound of clapping.)

sorcerers. non-sorcerers. curses.

the words begin to rot inside his mouth, like wilted flowers, syrupy sweet and nauseating. crumbling on his tongue, numbing his senses until it’s all he can taste. a mouthful of honey, sticking to the walls of his throat, too sweet to stomach.

this is wrong, he thinks. everything is all wrong.

everything is wrong and i don’t know how to fix it.

— and then there’s you.

during your third year, both of you are busier than usual, but still find the time to talk when you can. the normalcy of your little stories is a comfort, to suguru — but also makes him burn with something he fears may be close to envy.

you tell him about your new school, your new town, your new beginning; bright and dazzling. one that suits you just fine.

the two of you are different, he realizes, all at once. some part of him always knew. you were born to be happy, kept away from the bloodshed, hands unsullied by the deep red that always dries beneath his fingernails. there was never a place for you in the world of curses. and he’s glad, that it’s true, he always has been, but —

(resentment festers in his gut. he can’t tell how long it’s been there, and he’s afraid to know the answer.)

these days, suguru takes a little longer to answer your texts. his voice comes out sounding a little more fatigued when he’s speaking to you through the phone, and he doesn’t talk as much as he used to. your voice soothes him, though, he thinks. just a tiny bit. but it’s enough.

(he’s doing this for you, too. he can’t forget that.)

and when you come to visit him, during his third year, suguru is surprised. surprised to see you, standing outside of his dorm, bags full of his favorite snacks in hand. smiling.

you look the same as always.

(he’s the only one who’s changed.)

it’s a pleasant surprise, though, despite everything. he really did miss you. in his life, your presence alone has been nothing but a comfort, for as long as he can remember. even now, when everything feels so blurry and uncertain, you appear to him as a flicker of starlight; shining through the darkness that’s been plaguing him for the past year.

so he tries to smile, tries to sound the same as always, but he knows you don’t buy it. you know because you know him, despite everything.

suguru wonders what you would think of him, if you could hear the thoughts he’s been having these past few weeks. he wonders what he looks like, reflected in your eyes. he wonders how much he’s changed since you last saw him.

(he hasn’t felt like himself in months.)

your presence is like a balm, to his soul, but it also seeks to hurt him further. because you’re still the same. still so understanding and wise and patient. you can tell that he’s fading, and he can tell that you can tell. but he doesn’t want to tell you why. he refuses to open up to you, because what would that accomplish? how could you possibly understand?

how could you understand his hatred, his resentment, towards the very people he’s supposed to protect? he told you that, himself. he decided to protect them, on his own accord. that’s his duty — steadfast, unyielding, inevitable. that’s all it was ever meant to be.

protect the weak. protect the ugly. protect everyone except his comrades, until all of them lie dead in a pile of maggots and tangly limbs and buzzing flies.

a bitter, heavy kind of vomit settles inside his chest, his throat. and somewhere deep inside suguru’s mind, in the very bottom of a drawer he vowed never to open, the image of non-sorcerers shifts, distorts, flickers on and off under the light.

protect those monkeys until his very last breath.

(what a fucking joke.)

you couldn’t understand. he doesn’t want you to. he promised himself that he would keep you away from that kind of darkness, no matter what, and —

and you’re the only good thing he has left.

not only that — you’re a non-sorcerer, too. and suguru knows what that means. if what his brain is telling him is true, if that’s really how it is, then you are no exception. then you’re just like the rest, something lesser, nothing but a —

(he thinks he might throw up.)

suguru does not tell you anything. despite everything, despite your pleading expression, despite the heavy bile at the bottom of his gut. he does not tell you what is truly wrong. he does not open up to you. 

and that is suguru’s first act of betrayal, to you. before he even betrays the jujutsu world.

(it is perhaps the only betrayal he’ll ever feel any kind of remorse over.)

you try, though. persistent in your affection. he loathes how little you’ve changed, how brightly you still shine when reflected in his eyes. you sit right next to him, under a pleasant, ephemeral starry sky, stars blurred by the light pollution, and tell him what you always have.

i’ll support you, no matter what. 

…

suddenly, all he can hear is the whooshing of the sea. as if he's been pulled underwater, a heavy weight tugging at his limbs, lungs gasping for air that doesn't exist. pure static, in his ears, a sharp crack of something. like a rib, or a train of thought. all he can taste is saltwater.

the dam begins to break. it cracks at the edges, like two giddy children poking a stick into a puddle layered with ice, giggling at their scattered reflections. memories resurfacing, images flashing in his subconscious. suguru looks at you like he’s lost. something inside of him breaks, disintegrates into a pile of despair. 

because you don’t understand what you’re telling him. you don’t understand what he thinks about doing, sometimes, when the nights are especially long and the school is especially empty and the taste of curses lies especially thick on his tongue.

you don’t understand. you never will. 

but you’re smiling at him, so very gentle. so accepting, so all-encompassing of everything that’s good, everything worth cherishing. just like always. 

suguru recalls your teary face; when you scraped your knee, when he left that town behind. he recalls all the ways you’ve soothed him, saved him, in all the years you’ve known him.

i’ll definitely come visit. i love you.

i’ll support you, no matter what.

what do they look like?

— suguru falters. these days, that’s all he ever seems to do.

how could he hate non-sorcerers, when you’re among them? how could he hate a world that has you in it?

(he can’t, he can’t, he can’t. he can’t hate you. not you.)

the words that spill so very easily from your lips break him. he can’t tell if you’ve mended the damage, or only worsened it. he can’t tell where the jagged hole inside his chest ends and begins. he can only tell that it’s extending, extending, extending.

suguru wants to fall apart. he wants to fall apart, for only you to see, because you’ve always been the only one who could ever understand. the only one who wouldn’t turn your eyes away from him, even back then. the only, only one. the only other white chrysanthemum.

he wants so desperately to be honest with you, to let every dark thought he’s ever had flow out from his lips. for you to hear, for you to scorn or to accept at your leisure, doom him or bless him, a bleeding dog at your feet. to get rid of the tangled mess of thoughts inside his muddled mind — to just let go of everything, even if it’s only for a minute or two. just a second would be fine.

suguru wants to drag you down with him. drag you down into the depths, into the abyss, to share the weight of his suffering. so that you can be together, just like you always have; through thick and thin. always and forever.

but he doesn’t.

(and what a betrayal that is.)

suguru keeps his pretty little mouth shut, and he gives you a smile. a smile that doesn’t reach his eyes, the kind he always wears when he needs to lie convincingly.

he could tell you so many things. could ruin you completely, take you down with him. hand in hand, staining your unsullied skin with the blood on his own. into the gaping maw.

but at the end of the day, he chooses not to.

suguru chooses your peace of mind over his, just like he always has, and feeds you a vague half-truth. not quite a lie, but something that ignores the underlying question of your statement, a silent plea for sincerity. something deep and true, but almost sorrowful.

i know, he says.

i know you will.

the moment does not save him. but suguru does feel just a little more hopeful, a little less like he’s slowly rotting from the inside out. a little less like he’s completely and utterly alone, isolated in his agony.

you are the same as always. and what a relief that is. 

(for you, he can wade through the hell for just a little longer.)

when it’s time to say your goodbyes, suguru can tell you aren’t satisfied. that you wish you could do more. but he also knows that you won’t push it, because you’ve always respected him in a way no one else ever cares enough to do. 

before you leave, you tell him that you love him. in a quiet voice, a whisper, as if trying to squeeze some sincerity from his chest — a last-ditch attempt at reaching him. he squeezes your hand, instead, and doesn’t say it back.

suguru just smiles, flimsy, a smile that doesn’t reach his eyes.

you look like you want to say something, but you don’t.

and he watches you go, with forlorn eyes, until the dot that is you gets too small to distinguish from the darkness of the night. until he can almost delude himself into thinking that you’ve turned into a star. he watches you go as if trying to burn the sight into his memory, as if this is the last time he’ll ever see you.

(the curse of i love you rots in his mouth, unspoken, unvoiced.)

two weeks later, suguru stands in front of a cage, covered in blood.

the girls in front of him, skinny, frail, crying — beaten and exhausted — look at him like he’s a god. him, pale, smiling, with blood staining his white uniform, bathed in moonlight —

like some kind of angel of death.

suguru soaks up the metallic scent of the room, basks in that sickeningly sweet feeling of release. he soothes the girls, as best he can. he leads them away, careful not to let them see the bodies. 

(there isn’t much left of them, anyhow.)

suguru geto makes his choice. the only choice that matters. 

he will twist himself into a curse. he will devour his ideal, until it’s all that’s left of him. he will embody it, become it, through and through. it’s fine if he dies in the process, it’s fine if everyone dies — just as long as it means something.

that is the conviction he will carry with him. the decision to only ever see the line between ends and means, the bright light at the end of a never-ending tunnel.

the blood of an entire village is on his hands.

(a part of him wants to throw up. another grins with ecstasy. every part agrees that it was inevitable.)

their screams weren’t beautiful. they were aggravating, revolting, the wretched buzzing of bugs ringing like static in his ears. but it felt good. it felt just. something in his bones settling into its rightful place, a spark of affirmation.

and suguru doesn’t stop there. as if desperate for the cup to finally run over, to make sure that there truly is no going back, his feet take him to a place he always hoped he’d never have to see again.

when suguru returns to that stiflingly silent town, to kill his parents, you are no longer there.

it’s not a surprise. he knows you escaped, long ago, just like him — just like you always said you would. not quite to tokyo, to your grave disappointment, but you managed to find some other town to live in. bigger, better. the new beginning he always hoped you’d get.

suguru does not want to think of you. he doesn't want to remember your face, the sound of your laughter, the way your eyes shone in the light. he wants to erase every single trace of your existence from his memory, if only to protect you from the person he will soon become. or perhaps only to spare himself the heartache of it all.

but when he passes by that one summer creek, forgetting you becomes an impossibility. 

his eyes gaze at the silver-hued fish, sparkling beneath the moonlight, the big cicadas singing sadly under the shadows of the trees. he closes his eyes, and breathes in the solitude, and recalls a child with teary eyes.

suguru knows what school you go to. he knows what your town is called, what your street looks like.

and it is far, far away from the town he’s in. far from tokyo, too. 

— and suguru is relieved.

(it gives him an excuse not to hunt you down just yet.)

the sight of his childhood home stirs no fondness in his heart. it is empty, it is silent, it is the same as always. and now it doesn’t even have you in it, anymore.

so it doesn’t matter.

suguru moves on with conviction, with bloodstains scattered across his clothes, seeping into the fabric. the screams of his parents don’t mean anything — they blur together with old echoes of evil, crazy, wrong. 

(there is something wrong with that child.)

their blood sticks to the soles of his shoes and he is repulsed by their fragility. their blood stains his shirt and he is elated by the irony of it all. all he sees is a blur of red. 

the road before him becomes clear.

finally, there truly is no turning back. that one sliver of good still left in him, crushed beneath the heel of his boot. at last. homicide, patricide — the more he adds, the easier it’ll be. easier to distance himself, easier to convince himself that his choice matters. that the blood of mere animals is a small price to pay for the future he envisions.

that he is right. that he is just.

(self-affirmation. what a holy thing it is.)

there is still much left for him to do. so suguru leaves the town behind.

he leaves that tiny summer creek behind.

it is a premature death; a resignation of identity. he isn’t an adult, not yet, but he has long since stopped being a child. he stopped being a child the moment he saw a bullet go through the skull of an innocent girl, the moment he saw haibara’s ghostly pale skin. no sorcerers stay children for very long.

none of it matters, anymore.

time passes with a speed that’s almost frightening. 

suguru disappears, almost entirely faded, leaving only geto in his wake. a new person, an entirely different human being — ten years of living in an echo chamber, ten years of forming his personality in the shape of something twisted.

(something almost divine.)

and geto is right. just. geto has conviction, and that’s all he needs. everything goes according to plan; geto has a goal, and a family to pursue that goal with, to pursue that goal for. everything finally feels just right. breathing feels a lot easier. living feels a lot easier. 

but everyone has a weakness.

and there is one thing, only one thing, that still acts as a thorn in his side. something that holds him back, a stain yet to be wiped away, a piece of gum stuck to the sole of his shoe. a tattered memory, clinging to his subconscious as if haunting him.

(i’ll support you, no matter what.)

if only you could see him now.

when geto left his old life behind, he did not contact you. he did not say goodbye. he threw away his phone, deleted every single thing that someone could use to locate him with, and left. he hasn’t heard from you in years, hasn’t spoken to you. 

but he has seen you.

geto knows where your town is. what your apartment looks like. he knows what university you go to, where your go-to café is located. 

so resisting the temptation eventually becomes impossible. 

he tries not to think of you, he really does. he tries to act like you are nothing, to him, because you aren’t. you are proof of weakness and a fragility that geto loathes, proof of his own foolishness, his young naivety. you are everything he hates and everything rotten and everything he’s vowed to cleanse from the earth.

but, despite that undeniable truth, geto cannot help but seek you out.

he tells himself that it means nothing. that he’s only doing it to make sure he knows where he’s got you, like a predator watching over their prey, preparing to lunge out of hiding when the moment is right. because geto knows that your death, at his hands, is inevitable. what you are is a weakness, a connection that lingers on his skin like a mold, one he still has to the creatures that disgust him so.

so it’s inevitable.

in reality, he should have killed you first. before his parents, before the village — he should have killed you, because that would have solidified his devotion in a way nothing else ever could. but he didn’t. 

geto likes to think of it as a symbol, of sorts. that he’ll save you for last. the same way children eat every last part of the cake, greedily, before gulping down the strawberry. every single non-sorcerer will be dead by the time he gets to you. you’ll be the one remaining obstacle, the one final stain to rinse away before his dream becomes reality, the one thing still standing between him and the divinity he seeks. 

it is an honour, geto thinks, an honour he would not bestow to anyone but you.

but until that time comes, all he can do is watch over you. silently, so you don’t notice. always from afar, sometimes through the eyes of the curses he’s bound to. just to make sure that you’re still alive. that you haven’t tripped over your shoelaces and gotten yourself into a car accident, or gulped down a mouthful of food too fast and choked to death, or anything similarly pathetic. he wouldn’t put it past you. really, he has no idea how you’ve survived this long without him.

weak, fragile, clumsy. soft enough to sink his teeth into. you are everything that geto hates. you are nothing, nothing at all.

(and you are the same as always, despite everything. what an aggravation that’s become.)

he watches you, anyway; like a god finding amusement in his creations, an omniscient overseer watching you stumble day to day. he watches as you live your life, as you talk to other people with that familiar smile on your face. it hasn’t changed in the slightest.

he watches you laugh, watches you grab a crêpe from a street vendor, watches you cry when you think nobody is there to see.

(the sight sends a tremor running through his soul, one he desperately wants to pretend not to feel.)

on melancholic summer days, when the sun paints the sky pink and golden, he watches you clutch onto his old sweater. one you always said you were going to return, but never did — never got the chance to. you used to tell him it was too comfortable not to steal. that it smelled like him, that it made you feel less lonely. geto so tenderly wishes he could have forgotten those words, by now.

but he watches you, in the solitude of your apartment, as you bury your face in the wool and inhale the fading tinge of his old cologne. then you cry and cry, like a child, until the moon rises in the sky; until you’re breathing softly, lulled to sleep by his scent.

(geto thinks to himself that you are a fool, to still miss him after all these years.)

it’s not an everyday occasion. most days, he does not think of you. there are many other monkeys to kill, many things to discuss. there’s money to be made, plans to be forged, wars to be brewed. geto is a busy man. a family man, no less.

but when boredom is all he can feel, he still finds himself seeking you out. just to make sure no one has gotten to you before him. just a god enjoying the struggles of a lesser being.

that’s all it is, geto tells himself. that’s all it’ll ever be, from now on.

no one needs to know if he spends the occasional morning checking up on you, curious if you did well on that exam you were studying for. no one needs to know if he absorbs the curses that sometimes cling to your fragile skin, gulping them down before they cause too much damage. no one needs to know if anyone who gives you a little too much trouble suddenly disappears off the face of the earth. 

no one needs to know if he reminisces, every once in a while, when the summer nostalgia is too much to bear. about your childhood, about that question you asked him — a million years ago, back when the center of his universe was a single summer creek. 

(no one needs to know if he finds comfort in your presence, even now.)

on days when the moon hangs low in the sky, and geto can’t choke back the longing in his chest, he sits by your bed and watches you sleep. a forlorn expression on his face, lips stuck in a tight line. it’s risky, careless, but he’s helpless to the temptation. 

most nights, you lie perfectly still. so still he can almost delude himself into thinking that it’s over, that you’ve passed on, that he won’t have to kill you after all. sometimes you twist and turn, mumble something unintelligible under your breath that he doesn’t catch.

he wonders what you dream about. he wonders if you ever have nightmares, if they’re ever about him. he wonders why he even cares at all.

geto resents you. resents you for existing, for smiling every day, for being a bridge between him and lesser creatures. he resents you, resents you, resents you.

(self-affirmation. what a holy thing, indeed.)

— he could kill you so easily. 

he wouldn’t even need a curse to do it. a flick of his pinkie would be more than enough. that’s how fragile you are; asleep, right in front of him, breathing softly while he watches you like how the fox watches the lamb.

(he could end all of this, right now, in the silence of the night. in your most vulnerable state.)

and yet, geto allows the opportunity to pass him by.

he can’t get too greedy. that’s what he tells himself, as he slips out of your window in the dead of night, leaving your sleeping figure behind him. it’s not the right time. he can let you sleep, for just a little while longer. the bags under your eyes have looked especially heavy, recently.

(he tries not to remember the sleepover you had as kids, when he stayed perfectly still as you dozed off on his shoulder. doing his best not to wake you, watching you fondly until the sun began to rise. back when all he wanted was to protect you.)

geto knows that you know he’s not dead. he knows because he’s almost certain that satoru spoke to you, back then, even if he probably didn’t let you in on any details. because he knows that you’re sharp, sharp enough to know that he’s alive.

and even if that were not the case, geto knows because he’s sent you gifts. letters. absentminded, almost taunting, cruel in their joviality — always anonymous, always mysterious and vague and impossible to trace back to him. but he knows that you know who they’re from.

a little dance, if you will. geto haunts you like a ghost. he never lets you see him, but he lets you know that he’s there, sometimes. just out of frame.

he can only hope it’ll eventually haunt you to death.

(if it ends up as a comfort to you, instead, then, well — it is what it is.)

all of it is a safety measure in disguise. a way to satisfy the yearning inside his chest, without coming too close. that doesn’t mean he never falters, though.

every once in a while, he feels strangely compelled to talk to you. to waltz into your home, in a lighthearted fashion, to soak up your shocked expression. to ask how you’ve been, casually, and watch you stammer, stumble over your words — he can imagine the face you’d make, the way the lilt of your voice would tremble. would you cry? he can’t help but wonder, sometimes.

yet he always resists the temptation. careful, cautious, with every move he makes. like a shadow. he deliberately leaves no traces of himself behind, no breadcrumbs for you to follow like the curious creature you are. geto lets you know that he’s there, but he doesn’t let you see him, because if he talks to you he knows that he’ll kill you. and he can’t have that, not just yet. 

eventually, he’ll do it. he’ll do it, and he’ll watch as your blood stains the silk of his robes like the inevitability it is. but not yet.

you’ll be the last one, the last one he’ll kill. the final proof of his devotion.

until then, he can have this. this sickeningly sweet scrutiny of your life, your life without him. the sound of your laughter, the reflection of untainted light in your iris.

(you are the same as always, and you are a weakness that geto is learning to live with.)

he can’t rest, won’t rest until it finally ends. until the curtain calls on your bloodied body, until he feels the cold skin of your palm against his lips.

only then will he finally know if it was all worth it. only then will he be free of this yearning. only then will he be able to say that the last remnants of suguru have been well and truly cleansed from his soul, that there is nothing left of the person he was.

only then will geto be able to call himself wholly divine. 

but until that time comes, he can do nothing but watch you. when the temptation begins to crawl under his skin again, when he needs to remind himself of what he’s fighting for. that one thing, at least, never once changed; suguru geto has always fought for you. for your protection, for your survival, for your demise.

for your happiness, in life or in death.

(geto hates you, loathes you, resents you for being what you are; but suguru will always, always love you. forever and ever. no matter what. 

and that will be their undoing.)

suguru geto dies without saying goodbye to you. 

if there are any regrets to speak of, any at all, then maybe that’d be it. he never got to see that shock on your face, never got to hear you stammer in the way you always used to when you were nervous.

in the golden hue of sunset, the last of his resentment finally fades away. the curse known as geto disappears, and what remains is no more than a ghost — the ghost of suguru, the person he was, the person he never quite stopped being.

and when geto disappears, when the last of his resentment fades away, suguru finally allows himself to think of you. fully, without interruption, without unspilled blood festering beneath his tongue. just one single touch of sincerity, one last indulgence before it all ends. he thinks of you, you as a person, not you as a non-sorcerer. he gives your memory the respect it deserves. something worth cherishing.

he wonders what you’re doing, right now. he wonders if you studied enough for that exam next week, if you found a good gift for your friend’s birthday party. he wonders if you still miss him, even though he'll never be deserving of it.

satoru stands in front of him, genuine, sincere. and suguru thinks that he is a fool, just like you; to still have any kind of affection left for someone like him. after he left you both behind, that summer.

satoru doesn’t curse him. suguru wishes he would.

a soft bout of laughter falls from his lips, as the sun sets behind him, and he knows you would have found the sight breathtaking. you always did love sunsets, didn't you? the sun was setting when he found you with that bruise on your leg, he recalls — such a miniscule detail. he wonders why he remembers only now.

suguru chokes back his tears, still smiling. it’s a smile of love. a smile of regret. he thinks of satoru. 

at least curse me a little at the very end.

those should be his final words. he should avert his gaze, follow the script, tear his eyes away from the only other person besides you who ever truly knew him —

but he doesn’t. he can’t. suguru looks straight at him, at satoru, into his eyes, so blue they seem to gleam in the orange hue of the melting sun. sparkling like little galaxies, like the crinkling of soda pops, like crystallized summer skies. he looks beautiful, as beautiful as he always was.

(i wish i had told you, suguru thinks. i wish i had told you everything.)

in a voice so small he barely hears it, so tender that geto would’ve felt disgusted to his very core, suguru asks his best friend for one last favour. he’s not sure why, not sure why it matters —

but maybe, just this once, it’s fine if it’s meaningless.

satoru listens, intently. he looks at his best friend with eyes so soft it makes suguru want to laugh and cry and go back to a time when they were all happy. but they can’t, that choice was lost ten years ago — he threw it away. smothered it beneath his boot heel. there was never any going back, from the very beginning. 

satoru answers his plea. one final favour, one best friend to another. 

of course.

a shaky breath. he can’t tell who it came from.

of course i will.

suguru smiles. a full, genuine smile, that reaches his eyes and blossoms like a flower in the light of the sun. it’s the last time anyone will see it.

satoru clenches his jaw. he crouches down, and presses his fingers against his best friend’s battered body, right over his bleeding heart. he will never, ever forgive himself for what he's about to do.

(suguru already has.)

and the moment before the last flicker of light leaves his eyes, suguru chooses to think of you.

he thinks of your smile, the way your lips curled up at even the smallest things. he thinks of your curiosity, how it always lead him back to you. he thinks of what could have been.

he thinks of that question you asked him, all those years ago — how accepted it made him feel. that sensation of being understood. suguru thinks you saved his life, that day.

(he never got to thank you for it.)

you were his childhood friend. his nearest, dearest, oldest one. 

suguru doesn't believe the world he lives in is kind enough to allow him a second chance. and he doesn't think he really deserves one, either way.

but if there is a next life, if he’s lucky enough to be reborn —

then suguru hopes he’ll be born as a dragonfly, so he can find his way back to you.

he’ll meet you, again; in the afterglow of sunset, by that dusty, forgotten, tiny summer creek. framed by silver-hued fish and cicadas, and the silence of a town that glimmered while you were both in it.

he won’t be able to wipe your tears away, won’t be able to clean the bruise on your knee — but he can be with you. and maybe, in your next lives, that’ll be enough.

(what a lovely thought.)

suguru smiles, and lets a final breath of air course through his burning lungs.

— it tastes like summer.

there is a silent understanding, between the two of you.

it’s been ten years since you last spoke to satoru gojo. it wasn’t a very pleasant conversation, and somehow, you doubt this will be an exception. an acute awareness lies heavy in the air — and deep down, some part of you knows what he’s about to tell you.

(as if it was an inevitability.)

gojo doesn’t smile. his voice has no masked amusement to it, no sense of joviality. if you strain your ears, you think it may even be wavering, slightly, so faint it’s hard to tell for sure. just that one low shiver of his lips, saying more than words ever could.

he doesn’t beat around the bush. and you see that for the kindness that it is, despite the ice cold chill that creeps into your veins when his words spill out into the air, a full body shiver traveling down your spine.

he tells you that suguru is dead, and you don’t flinch. you don’t even cry. that comes later.

in the moment, all you can do is nod, a little pitiful, teeth digging into the flesh of your bottom lip to stop it from wobbling. like you’re trying to be brave. 

truthfully, you had a feeling that was the case.

sometimes, it was as if you could feel him. just barely out of reach, a certain cologne lingering on your windowsill, a box of cookies you’ve liked since you were little delivered to your doorstep. a sudden feeling of being watched. a note wishing you luck on whatever exam or driver’s test or job interview you had the next day, accompanied by a silly smiley face so distinctly suguru it made you want to cry.

— how cruel of him.

but you couldn’t help but feel comforted by it, all the same. it made you feel like he was still with you, somehow, like he still cared. even though he disappeared from your life without saying anything. even though gojo told you explicitly all those years ago to stay away, if you ever saw him, as if he was suddenly dangerous —

but you could never be afraid of him. you don’t think you have it in you. 

to you, suguru will always just be the boy who helped you up when you scraped your knee, all those years ago. a sweet, cool kid, who held your hand firmly and gently wiped the blood off your skin.

(he’ll always be your nearest, dearest, oldest friend. even if you aren’t his.)

but lately, there’s been nothing. you haven't felt any traces of him at all, no lingering gazes boring into your back. so you knew. deep down, maybe you always kind of knew.

gojo looks at you with compassion, understanding. and without him having to say it, you know he loved suguru too. you know because his breathing is shaky, because his eyes look puffy from hours of crying; you know because grief is like a stench, thick and heavy, overwhelming, one that clings to your skin and haunts your very being. just like love.

and you can smell it on the both of you.

(you both loved the boy who died for his ideals, the man who was so moral it killed him.)

the news will sink in, later. you are sure that you will crumble, and you are sure that you will cry. you’re sure that the road ahead will be a long one, full of obstacles and thorns. but that’s fine. you’ll deal with it when the time comes. suguru was always a little mystical, a little too good to be true.

maybe you always sort of assumed things would end like this; that he’d walk ahead without you, with all his whispered secrets and gentle lies. 

(asshole.

he could have given you a call, at least. even just once.)

for now, all you can do is try to keep your trembling skin intact. and you assume that gojo will leave, now that you know, that this was all he came here for. just a messenger of death, coated in a grief so strong you doubt he’ll ever be rid of it.

but gojo doesn’t leave. 

he hands you something, instead.

a polaroid, you quickly realize. a photograph, of three kids — one with white hair, one with brown hair, and one with black hair. the black haired boy is trying hard not to smile, you can tell. the other two have got their arms around him, squeezing his body tightly with matching grins, throwing up peace signs. he looks at them with exasperation in his eyes, but you can tell that there’s a love there. you can tell, you know, because despite everything, you still know him.

a lump forms in your throat.

it’s not the original copy, is what gojo tells you, apologetic. you’re almost certain that he kept it for himself, and you don’t blame him. i’m sorry. but i wanted to… you know.

(he wanted to give you something to hold onto.)

the gesture is a little bit awkward, just a tad clumsy. but it’s a genuine concern, a sincere kindness. you aren’t really surprised that suguru spent his last moments with this man instead of you.

gojo continues to speak, and you continue to listen, attentive — hungry for anything to mend the hole in your heart. but your eyes never once stray from the photograph.

(suguru looks so, so happy.)

he tells you that suguru talked about you a lot, back then. and without him having to say it, you know what he really means is he loved you a lot. the words of consolation ring like static, in your ears. it hurts. the hole in your heart just keeps extending, extending, extending.

gojo notices. so he gets to the point, the final point, the only one that matters. this is his duty, too — granting suguru’s last request. the only one he ever asked of him in words.

(it’s the least he could do, for the man he loved so dearly, the one who left him behind in the shadow of summer.)

he tells you that there’s one more thing. that suguru asked him to tell you something, that it was the last thing he ever said. words that he wanted you to hear, more than anything.

gojo’s voice does not waver. it is not his place.

you listen. you listen as if it will bring him back. you listen as if it is the last thing you will ever do.

and gojo speaks.

the words mean everything, and also nothing at all. how very like him. they bounce off the walls of your apartment, spilling into the suffocating air, echoing inside your mind. cutting into your bloodstream, rooting themselves in a particularly soft spot deep within your ribcage, chrysanthemums blooming from your flesh. petals filling up your stomach until you can scarcely breathe.

the final words of your childhood friend. your nearest, dearest, oldest one; suguru geto, who you will always love, in the same way the sun loves the moon, as naturally as breathing.

the dam breaks. the sky shatters. the sob you choke on tastes salty, and gojo looks remorseful, his figure blurred by your tears. everything comes crashing down around you — an inevitability you were hoping to put off, in the same way suguru put off talking to you all those years.

and now, finally, he tells you his honest feelings. when it’s already far too late. how very, very like him.

(tell them i’m sorry. and that i hope their exam goes well.)

— honestly. what a fucking asshole.

not once did you ask for an apology. you never wanted one, never thought to even wish for it. you didn’t need one.

all you wanted was for him to come back to you. to find you, again, the way he always did.

tears cascade down your scrunched-up face, big and childlike, but no one’s there to wipe them away anymore. you cradle the photograph in your hands, savouring every single memory you have of him. all the love your heart can muster.

the tears never seem to end. they continue to run down your cheeks, until all you can smell is sea salt, until the sun has set in the horizon, until the moon has hanged itself in the sky. a silent comfort, but it’s not enough. it never will be.

a sniffle pushes past your lips, and you hear yourself laugh — bitter, raspy, gentle all the same. what a moron, you whisper, a soft lull of your tongue. didn’t he know?

(you forgave him long ago.)

bonus 👀

#get u a man who loves you so deeply it causes him cognitive dissonance #im a lil unsure abt this piece pshshs but it has a rly special place in my heart!! #i just like the idea of geto being so desperately in denial about his love for u that he forces himself to hate u. self-affirmation yknow? #subconsciously putting u on a pedastal above the rest… being unable to let go of the connection between u even though he wants to sever it #having this evident fondness for you but its constantly battling with the part of him that hates what your existence means for him #telling himself that he’ll ’save u for last’ but its more of a measure to keep himself from killing u bc he knows his ideal is unattainable #so he’ll never have to kill you. it'll never get to that point. he wants to so badly though. but does he really? #yeahhh. im normal abt fucked up curse user geto <3 soft canon divergent sugu is still my fave to write for tho #geto suguru x reader #geto x reader #geto x you #geto suguru x you #jjk x reader #jujutsu kaisen #jujutsu kaisen x reader #jjk #geto angst #jjk angst #jjk x you #jujutsu kaisen x you #geto x y/n #jjk x y/n

[swampthingking]

andrew’s definitely gotten in trouble with his pr manager for tweeting things along the lines of:

“no mania inducing medication will compare to the euphoria i will feel the day donald trump drops dead”

#pr manager is like: andrew… this is the last time i’m gonna tell you #andrew: whats the point of democracy if i can’t exercise freedom of speech #pr manager: andrew it’s no longer about your image #at this point we are concerned the fbi is going to show up #andrew: neil has connections. i’m fine #they thought marketing andrew on social media would be good #they were sooooo wrong #because now andrew has a place to share every insane thing he’s ever thought #for instance—a tweet that just says ‘an alien googling: human clothes’ #he’s on there advocating for lgbtq+ youth you KNOW HE IS #he’s cursing and mildly threatening members of congress for imposing these disgusting bills #one day he tweeted ‘does mitch mcconnell know he’s dead yet’ #when mitch mcconnell stepped down from senate andrew tweeted ‘hopefully next he steps down from life’ #unsurprisingly: this endears him to some people and makes others fucking hate him #and he’s such a shit. he does not care either way #he’s kind of just like: pr manager. you gave me a twitter and told me to tweet. i’m just doing what you asked me #they’ve threatened to change his password so many times #they actually did once but andrew reported the account so many times for defamation and fraud that it got suspended #and he made a new account out of pure spite #his pr manager is like: andrew nobody is going to want to sign you because of your public image #and andrew is like: ?? ok. they can lose every game then #(he knows he’s the best goalie) #ok i think that’s enough for now. however i will probably be back #andrew minyard #aftg #tfc #trk #tkm #the foxhole court #all for the game

[pcktknife]

I am simultaneously the luckiest and unluckiest fucker ever I can't believe this

#stupid fuckass house!!!!!!!! (<- leak in my room only. specifically over the good outlet where my tv and everything is) #i had to swap my tv with my computer desk which messes with my drawing situation cause now THOSE cords have to b moved #and my tv/switch/ps4/whatever cords probably dont even reach the outlet i was using in that area #and theres only FOUR OUTLETS IN THIS ROOM. #in the most inconvenient places ever and theres too many doors and i hate the street we're on and #i hate the east coast i hate these old ass houses i hate this stupid weather i miss my cali bedroom #okay whatever im gonna go fuck w these plugs see if i cant figure something out #not even that mad its just annoying #kae.txt

[unfortunatelyilikebnha]

Thinking about the KaeyaJeanDiluc friendship where they grew up together and they were CLOSE & sure maybe Jean felt like Diluc & Kaeya were closer since they were brothers & sure maybe Kaeya felt like he had to keep secrets from the two of them bc they would never understand but they were like. A trio! A team!

& then Diluc’s 18th birthday comes around and everything goes to shit and Diluc LEAVES so they’re no longer KaeyaJeanDiluc but just Kaeya & Jean & in some ways Kaeya and Jean get closer because of it but there’s also a pronounced DISTANCE where Jean doesn’t know how to reach Kaeya anymore & Kaeya is even more determined not to tell Jean anything & they both lose themselves in their duties to Mondstadt while also missing Diluc and ALSO, despite everything, offering each other unconditional support

& then Diluc comes BACK & in addition to Kaeya & Jean there’s the shaky reestablishment of Jean & Diluc and Diluc & Kaeya but it’s not THE SAME. they’re no longer KaeyaJeanDiluc; Jean & Kaeya are knights and Diluc will never be a knight again & they all changed while Diluc was away & none of them know how to talk to each other anymore AND YET there’s still an undercurrent of trust!! Not fully, especially between Kaeya & Diluc, but Diluc still calls on Jean during the archon quest, trusting that she will keep their secrets even though as the acting grandmaster she should probably not. Jean says in her about Diluc voiceline that she understands why Diluc hates the knights & is working hard to make them an organization he can trust again. Kaeya covers for Diluc’s darknight hero escapades & fondly reminisces about their childhood in front of him. Diluc invited Kaeya to dinner at the winery & (afaik) never told anyone about Kaeya’s origins. Kaeya tells the traveler that they need to give Jean their full support and planned a birthday party for her. Jean left Kaeya in charge of Mondstadt when she went to the golden apple archipelago! On some level they recognize that their goals still align!! There’s still trust and love there but there’s also this gap between them that none of them know how to cross and I just!!!

#kaeya #kaeya alberich #diluc #diluc ragnvindr #jean #jean gunnhildr #genshin impact #YOU CAN TRY TO REASSEMBLE THE PIECES BUT THEY WILL NEVER FIT THE SAME WAY. AND MAYBE THEY SHOULDNT. #I DONT KNOW IF THIS MAKES SENSE AT ALL I’M JUST GOING INSANE THINKING ABOUT THEM #GRIPPING THE BARS OF MY ENCLOSURE. HEY DO YOU WANT TO TALK ABOUT KAEYA JEAN AND DILUC BC I SURE DO. #also not blaming diluc for the leaving btw I feel like it was necessary for him #it’s just emphasized bc of how it contributed to the change in their dynamic #I can’t always put it into words right but I have a lot of thoughts about these three. #my brain is going GSVDKDBCJHDEJDHSBDVDHWBDNHSJSBSJDGSHSBSHSB rn #also also in the ‘duties to Mond’ bit I’m also not downplaying kaeyas indecision abt choosing mondstadt/Khaenri’ah #I don’t think he’s chosen & I think he has genuine love for but also feels indebted to both places #I fully reject the ‘oh kaeyas chosen Mond fuck Khaenri’ah’ takes i hate them it’s so much more complicated than that!! #he can care about both places!!! #anyways just wanted to clear that up since I didn’t really elaborate & don’t want it to be taken like that

[zytes]

something’s wrong?

#heheh what a name for a town. borger. brother that is a samdwich!! #I could prob talk about what this means to me but I don’t wanna #actually nvm I just thought of a funny way to describe the feeling: #you have two wolves inside of you. one HATES everything it sees soooo much. the other only sees beauty. you’re jaded. #or something like that #I’m trying to be conscious about only bending man-made structures and objects #unless it just looks extra cool to bend the natural stuff too #not rly a critical commentary. the basic premise is to show you how fucked up these little towns are; #while also communicating how they’re typically found in naturally beautiful places. #weird right? like finding ruins. it’s like these places settled and then worldly-priorities changed and everything fell apart #but you can tell - usually - that somewhere in the history of these small towns someone said: #‘what a fucking sweet view. let’s make camp’ #my art #glitch art #aesthetic #art #artwork #webcore #glitchcore #internetcore #abstract #artists on tumblr #photography #abstract art #distortioncore #glitch #weird art #americana #southern gothic #angels

[beatcroc]

homest[ar/uck] posting. this was meant to be supplementary to the gerome comic as him 'explaining the joke' but i uhhhhhh forgot.

i'm not much for crossovers in the the traditional sense, but it IS one of my favorite character exploration exercises to just go like 'if x media existed in this universe, who would and would not be a fan of it?'. and these ones are pretty notorious and always very fun to mess with for that and so here we are

#technically evangelion too but i couldnt think of anything intersting for eva with these guys #pizza tower #fake peppino #noisette #gerome #peppino spaghetti #these guys will just show him things and then he brings it home to peppino and hes gotta deal with all that #the simple fact is if you watch homestarunner at an impressionable age it WILL fuck up your lexicon permanently #and i think fp is the sort that is just kind of eternally impressionable. so #gerome is the only one of the cast whos into hsr he quotes it Constantly but no one knows hes referencing things #they think hes just saying shit. he knows this. he thinks it's funny. secret references for only him #but yeah that opening line was meant as an actual in-universe reference to hsr. when he says 'an old joke' it's literal jsjkskjdkjfd #idk what time pt takes place but hsr is perpetually yesteryear to me. that shit is so 2008 you really had to grow up with it i think #as for the other one. everybody i think at least knows OF mspa bc noisette talks about it All The Time #but the rest either dont get it or dont care. anyway its her right to be obnoxious about it. her privilege‚ even. #noise hates it though. hes so sick of hearing about it. if you mention a classpect hes gonna stab you #this is the only thing i have where the three besties are even close to interacting thats so sad.i need them being funny in a room together #pizzaposting

[arundolyn]

more trans brisket showcase i actually REALLY like this one

#bridget #guilty gear #guilty gear strive #edits #mods #palettes #flags #tumblr HATED me trying to upload this so fucking bad and idk why. simply stop being a big baby. #im very pleased with how this turned out ngl. after like 4 straight hours of working on it hfjkdhklafgh #oh my fucking god it is 5:35 and it fucked up Again lets see how long this takes #please fucking let me post trans brisket why do you hate me sooooo bad. #AGAIN? FUCK. #figured it out tumblr fucking logged me out. as it loves to when i Post Images. hate this place #and its ONLY on the new post editor i forgot all about it cause i went back to the old one. #they want me dead! #anyway finally BIDGET #if anyone wants this on gamebanana just ask hfkjlfgh

[inkskinned]

i hate how commodity and capitalism has ruined so much storytelling . i hate how sequels and prequels and whatever else all ring like merch sales; i hate that i as an author have to include any social media following i have as a marketable trait; i hate that everything feels like a xerox of a copy of a dream of a memory.

i hate that my nostalgia has been turned into profit. i hate that companies fear consumer backlash so no real commentary may be made; i hate that companies care more about quantity over quality. i hate that so many artists and creators are being overworked to the point of complete collapse rather than being allowed to tell the story their way. i hate that every point of representation has to be fought for. i hate it i want us all to go back to living in a cave .

when you sit with friends over a bonfire and the night is getting long and people start telling this slow, almost hypnotic story - in this quiet voice, like they don't expect you to listen while they say the most fucked up shit you've ever heard - that is storytelling. who cares if the punchline is car hand hook door. storytelling has always been about community, about us all sitting in the dark, choosing to fill the silence while the last embers are dying. we forgot that storytelling is spellwork. hallucinating together, our breaths held, waiting for the ending we already knew was coming.

#this is specifically due to my rage and undying hatred of megacorporation #disney. #and specifically bc i think there COULD have been a really good series of new #dinosaur island t rex movies #if they had just fucking gone the distance #stopped with the fucking bad CGI #and made the whole thing about late-stage capitalism #do you wanna know what would ACTUALLY sell and work on the big screen more than a trex screaming in front of a volcano #(u absolute jerkweeds)? #so they've rebuilt the island and the park. but the narrative is 100% #that nobody wants to fucking work there and it feels AT BEST cult-like and insular. nobody is paid well for this #at EVERY possible place they are cutting corners. the dinosaurs might have higher walls #but the handlers are paid 5.34 an hour due to island laws. the corporation has RFID tags in their costumes which they are forced to wear #the employees are not allowed to drink water in 120 degree heat bc it would be upsetting to guests #u know real things i experienced working for disney #(but it was 8.90) #anyway it turns out the park CEO knew the risks and just didnt care bc bottom line BAYBEE. #it would be so much more sobering and fucking GOOD if it was like. scientists being like ''i am an environmental scientist'' #''after the epa was slashed this is literally the only job i could find. i literally HAD to take it or i couldn't feed my family.'' #''i hate what i do. i am disgusted by it. i literally CANNOT STOP because the company also charges us 400 dollars a week to live here'' #the dinosaurs escape EARLY in my movie. like minute 45. and then... 1 week later #the park reopens. #half the staff are missing. they're just fucking gone. it doesn't matter tho the company tells everyone to work 2x as hard #that those people weren't loyal enough or they are tragic heroes bc they died doing what they love #and the movie isn't like ''wow dinosaurs scary!!!'' it's... #that in a global fucking pandemic disney kept sacrificing employees. #but it'll be disguised bc the pandemic will be dinosaurs. #this my beloved is what we call an ALLEGORY but unfortunately certain companies have never heard of them #allegories require critical thinking and that doesn't test well with audiences

[mugentakeda]

i sketched this short sloppy comic for my au a while ago before i actually read the promise comic but i figured id post it anyway since its just been rotting in my ibis gallery

#i got zukos age wayyy off cus i didnt know what year this even took place in but apparently it was 84 ag #so zuko was like. Way younger than this lol #at the time of drawing this i wasnt sure if ozai saving zuko from drowning was even a canon fact or if what i read was just a headcanon #so i just took the idea and ran off with it. Just to find out it was actually true #i have GOT to read the comics i really dont want to because i fucking Hate the art style and the writing is so mid but. #whatever. #atla #avatar the last airbender #zuko #lu ten

[twentyfivemiceinatrenchcoat]

i’m obsessed with the idea of cult leader!geto pining for a reader who just fucking hates him i don’t know why just. maybe it’s someone from his past that he left behind when he defected, maybe they’re bitter and spiteful and all they do is hiss and bite but he’s so smitten. you can do no wrong in his eyes. he deserves the curses and anger, and he receives them with a smile and eyes full of hearts. he gets giddy when you scowl at him. he just thinks you’re love personified. he’s so gentle and patient that it’s infuriating because nothing you do or say will get him to bite back. it’s like you’re a kitten gnawing at his fist but he does nothing but coo at you even when you draw blood.

#SAVE ME MAN CAPABLE OF IMMENSE CRUELTY WHO TURNS INTO A PUPPY IN YOUR PRESENCE…. SAVE ME………. #im thinking abt a kind of sort of sequel to there was no place in nature we could meet…. #where reader DOES go with geto and join his cult but they’re still soooo bitter and hateful. there’s so much anger left #and geto is just endlessly patient he’ll wait as long as it takes for them to melt into his embrace again….. #doesnt even mind if they scratch at him or tell him to fuck off he’s in LOVE #im obsessed w cult leader geto and the idea of him being a puppydog w his s/o alone it’s canon to me #ari noises ✩ #geto x reader #<- clout chaser moment I JUST WANNA BE ABLE TO FIND THIS AGAIN IF I WRITE SMTH ON IT… :’3 #thinking abt him always <33 my silliest little mass murderer

[kanansdume]

I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.

The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.

Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.

But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.

So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.

#star wars #andor #star wars andor #i GET why some people feel like andor isn't star wars #but quite honestly that feels like not just a superficial reading of andor but a superficial reading of star wars as a whole #the only other show to come anywhere near andor's level was the obi-wan kenobi show #there's tons of visuals that are intended to link back to both the pt and the ot #from obi-wan and leia's costumes to things like the fire obi-wan is burned in and that flashback scene #i'm placing andor above owk still because i think andor takes it an extra level higher but owk is also in that sandbox #owk just got stuck with the fucking volume and the disadvantage of going from a movie to a miniseries #but it did far better with those disadvantages than just about anyone else and still told a VERY star wars style story #the fact that it feels like the prequels is exactly why everyone hated it #and it's exactly why i loved it and think it's the 2nd best thing to come out of star wars since rots #i'll give 3rd place to rebels since it tries once or twice to do some visual and dialogue repetition #but those kinds of things aren't something i see analyzed about rebels all that much tbh #everything else is just fanfic that made a profit #some of it is really BAD fanfic that thinks a cameo is the same as a visual motif. it's not. they suck. stop doing them.

[morgana-ren]

Love that Tumblr had banned nsfw artists and artwork, but the fuckin bot accounts are not only unbelievably rabid, but actively recommended to me to the point I scroll, report, scroll scroll scroll, report, scroll, report, report, scroll ad infinium.

They can catch a piece of artwork that shows a smidgeon of tit within literally 24 hours and delete it, but "hi ❤️ my name is JULIYYA and I have HUGE BREADSTS. Call me NOW ❤️" with a picture of some woman crotch out with her fingers fishing in is actively recommended to me.

You say your site is crashing and desperately needs money, and you say apple is SO STRICT about nsfw, so why aren't the bots a priority? Why are they seemingly actively propped by the site? Why are they allowed to TAG their spam WITH CHILD-FRIENDLY TAGS? Why hasn't apple shut us down already if they're so anti-nsfw when literally EVERYONE had a sexbot problem?

Watch this post get a mature content warning, ironically enough.

#morgana and friends #i dont want tumblr to die #and i think everything should be brought back #and i understand these problems are harder to solve with a skeleton crew #but they NEED to be a priority #quit rolling out features as FOCUS and maybe the tumblrbase will be more loyal #you want money but whenever you get it you just use it to do shit we HATE #like turning this fucking place into a twitter clone or trying to be tiktok #you wonder why youre drowning when you deliberately keep your head under water #capitalism demands exponential growth but you aren't growing. you are SHRINKING #and yes i know apple cannot 'shut us down' as they dont own tumblr #but they can do what they did before and threaten to remove tumblr from their store