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#I mixed colors on procreate for this
mourninglamby · 10 months
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what comphet does to a mf
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jaevy · 2 months
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Star
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with tumblr’s compression, the text will be hard to read, so here’s the art split in two (reduces compression), and here’s the text that was cut off:
You know I'd always been alone
'till you taught me
to live for somebody…
That love is like a star
It's gone, we just see it shining
'cause it's traveled very far
Keep a leftover light, burning
so you can keep looking up
I am yours
No matter
That love's gone
We just see it shining
we've traveled very far
I'll keep a leftover light burning
So you can keep looking up…
…Isn't that worth holding on?
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ghul-wein · 8 months
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Weepy thing. .Papa has always had an affinity towards theatrics
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daughter-of-inklings · 4 months
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Not dead, btw. Have just gotten Procreate and I'm using it to Create things beyond my skill level. And some other things:
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noxcaelestia · 1 year
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A sketch of my Au Ra, Zansetsu. 2022. + alt
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fire-lizard-ro · 17 days
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Ratio as a dad (kinda). Written for my dear @pix3lplays (they already saw this when I initially wrote it).
CW: none it’s all fluff (kinda)
Reader gender: no use of pronouns (as far as I remember) but AFAB
Writing under the cut (SFW):
So when you tell him, he doesn't know how the hell to feel. You guys never really had the children talk, but you could tell that he wasn't really ready for that because of a mix of being too busy, not really understanding children, and never really thinking about it.
To him, children are snot-nosed, loud, emotional little gremlins.
But he never thought about children in the context of you and him. A child born of your flesh and blood. Something you have made together through the miracle (or simple science, as Veritas would say) of procreation.
It would take him a while to think of it that way.
Initially, since this is in the scenario where you're already married, I think that he would be fine with it so long as you're happy with it. He does his logical reasoning and thinks, "Oh. I have the means to raise a child and she wants it." So he doesn't really see a problem with it besides perhaps the stress it will inevitably put on you and having to deal with the messy and emotional rollercoaster ride that is children.
At some point while laying in bed with you after weeks of reading prenatal care and child rearing books, he begins to get curious. Curious about what it would really be like to father a child that the both of you made. That's how things start. Curiosity.
Would the child look like you? He would like that if they could resemble his lovely spouse.
Would they look like him? He would also like this as there would be no doubting who the father of your child was. A reminder of how the two of you were undeniably together.
Would they look like the both of you? He would enjoy this outcome the most as it would be the best of both options.
Would they have his intelligence that he prides himself on? Your smile that he loves, even if quietly?
Because of this process of beginning to be curios and thinking about the child yet to be born, it's not hard for him to subconsciously relate good feelings (and chemicals like dopamine and serotonin, he'd think) to the child themself.
You're happy when you talk about the child and what you'll do for them and how you'll care for them. He's happy when you're happy. He's pleased when thinking about how people will be able to see a physical manifestation of your love and belonging with each other. You're happy to be having his child. He's happy about that, too.
While your feelings regarding the child is like a warm spring day or a cup of hot tea just boiled, his are more mild, still. Like your tea, already cooled, or a warm blanket. There are positive feelings involved now, and even he cannot deny it (at least to himself).
He takes care of you well, following the advice of the books and experts to the T. Perhaps a little too closely because it's a bit overprotective. You're his. Which also means it's in his obligation to take care of you well.
But when the child is born... I think there's at least a spark there. I'm not sure it's enough to light that flame quite yet, but now... He realizes that this really is his child. His and yours. He has your pretty eyes but with his color. The curl of your hair and the slope of his nose. Oh. Oh...
This child...
As the years go on and he spends time caring for the child and spending time with them, he begins to find all these little endearing things about them. How they'll seek him out even in sleep. How they'll smile at him happily, the slant of it so much like yours. How they'll crawl and eventually waddle their way to him when they begin to cry... Even just the fact that he spends time with them is enough to grow this bond. And at some point, they're off to school and it's clear they did, indeed, have his intelligent mind. But they're far more soft around the edges. Much more susceptible to the inherent loneliness, boredom, and ridicule, even, that comes with such intelligence.
But... he gets it. He never really thought anyone understood him at that age and for him? It was lonely but he was irritated by it more than anything. He had thicker skin than his child at that age.
So when they come to him about it all, he can only try his best to let them know he gets it even if he doesn't know how to express such a thing.
Ever heard the saying, "Even a beast will love its child?"
He’s not a nice person. His personality is rough and no one would ever think he could be suited to something as delicate as fatherhood.
And yet…
While he's not one for grand gestures, I think the kid would be able to see he cares.
It's in the little things for him.
Talking about the things they're interested in at school.
Telling them about his work and the things he researches. Being patient with them unlike how he is with his students. ("They are grown. But you are not," he would say with a short pat to the head before going back to checking over their homework with care.)
Rewarding them for their achievements, even if it's with something small.
All sorts of small things.
(He'll never admit it, but you have a picture of the two napping while the kid was sprawled against his side, head tucked into his neck.)
Anyways ofisjgeo yeah-
Hopefully this isn’t too delusional goodbye- I was trying to make him a Relatively Good Dad for Pix while also making sure he was still mostly in-character. OTL
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genericpuff · 4 months
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Ahem. I know what other brushes LO uses ;)
(Forewarning: most of these brushes are from early LO and as such aren't used anymore. I will put an * next to the recent brushes Rachel uses.) Pastels, Gouache, and other textured brushes (used mainly for backgrounds):
Pastel Palooza (Kyle's Megapack)
Pastella (Kyle's Megapack)
Fat Fun 100 (Kyle's Megapack)
Fat Fun Spongy (Kyle's Megapack)
Hard Square Pastel (Kyle's Winter 2019 set) *
Pigmentia (Kyle's Fall 2021 set) *
Sheriff Coal (Kyle's Spring 2022 set) *
Watercolors (used for backgrounds like clouds and texture)
500 Giant (Kyle's Watercolors)
Medium Wash Texture (Kyle's Watercolors)
Soft Irregular Wash 150 (Kyle's Watercolors)
Soft Wash 120 (Kyle's Watercolors)
FX:
Kyle's Splatter Brushes - Splatter Bot C (Kyle's Splatter set)
Stars 1 and 2 (Kyle's Splatter set)
Pressure rake (Kyle's Rake set) (warning: while this brush can be imported into CSP, this brush only properly works in Photoshop and Procreate because of their specific brush engines that allow 360 brush tip rotation)
Wet Ink Dynamic (Kyle's Splatter set)
Wet Ink Random (Kyle's Splatter set)
Bird Mix (Kyle's Concept brushes)
Bird Mix Vintage (Kyle's Concept brushes)
Break Glass (Kyle's Concept brushes)
Crackup (Kyle's Concept brushes)
Downpour (Kyle's Concept brushes)
Gulls 1 and 2 (Kyle's Concept brushes)
Manga Line Varied (Kyle's Concept brushes)
Manga Lines Broken (Kyle's Concept brushes)
Any of the smoke brushes (Kyle's Concept brushes) (warning: like the pressure rake brush, they work properly in Photoshop or Procreate)
Get the concept brush set. I'm not joking.
The entirety of Kyle's Winter 2022 set (Rachel is using these for how winter looks in the mortal realm) *
Foliage:
Fall Color Save (Kyle's Concept brushes)
Foliage Color Mix (Kyle's Concept brushes)
Foliage Mix 2, 3, and 4 (Kyle's Concept brushes)
Foliage Mix Dry 1 and 2 (Kyle's Concept brushes)
Brancher Big, Medium, and Small (Kyle's Concept brushes)
Foliage Pro 1 - 8 (Kyle's Concept brushes)
Foliage Small Color (Kyle's Concept brushes)
Foliage Ground cover (Kyle's Concept brushes)
Maddy Bellwoar's Ghibli-inspired brush sets* (can be found on Gumroad for the cheapest price)
Hope that helps!
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listen here my dear sweet anon
first of all, there is no forewarning needed here that these are mostly from early LO, early LO is what I'm dying to recapture so you already struck gold and you can stop digging (or don't, because holy shit finding this in my inbox was like christmas for puff round 2)
second, i hope you're happy choosing this timeline where you're my new bestie because goddamn this is COMPREHENSIVE
and third (and most importantly) how in the flying FUCK did you know about some of these
like it's clear at this point rachel uses a lot of the kyle webster brushes, i kinda figured that out ages ago and it was just a matter of figuring out which ones she uses which you've done me the solid of putting together for me
but the ghibli background set?? the brushes that are exclusive to the newest episodes ??
either you've just become the champion of being the most hyperfixated on old LO orrrrr you know something we don't and there's a reason you're using the anon tag-
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soupandcats · 10 months
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Sorry abt the big ask, but your colours are always really vibrant and interesting! They seem both saturated and subdued. What’s your general method for choosing them or are there any tricks/layer modes you use?
Thank you! This is gonna be a long one sorry😭
My favorite digital art trick for color is the curves tool! In procreate you press the wand tool in the top left corner (Adjustments) > Curves. I recommend just playing around with this until something you like happens.
Here’s a study I did with pretty standard colors.
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Here are some versions of it after moving the curves around.
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What I like about this is it’s a really quick way of changing the color scheme that’s more precise than applying a filter. It lets you see how far you can push things outside of what’s expected!
When I first started digital art I had so much trouble with color because unlike traditional, the colors have the ability to be fully opaque. With traditional if you’re doing a painting the paints/colored pencils/etc will naturally mix with one another creating a more cohesive overall image.
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Here’s a drawing I did in 2020. As you can see it’s incredibly saturated. When I was picking colors I was working in the most saturated section for nearly every color.
These days even when I’m trying to make something super colorful I’ll force myself to desaturate it more than I think I need to. There are two ways to desaturate something. You can move it towards white or towards black.
Another thing I try to keep in mind is that colors look different based on what colors are around them. If you put gray next to a color it will look like that color’s complement. If you put a warm color next to a cool color they’ll amplify one another making both look more intense. In that same way if I put a super saturated color against a more neutral background the color will look even brighter.
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I like this tapestry by Sheila Hicks. See how the orange is glowing against the more muted purples and blues?
Another thing I try to keep in mind is value. Like color it’s influenced by its surroundings. If you place a lighter color over a dark background it will look brighter than over a light background.
So in a piece the eye will be drawn to the areas of highest contrast first. And area that’s similar in both value and hue will recede into the background.
I really am not an expert on color I have so much to learn. I recommend Marco Bucci’s videos as well as the book The Art of Color if you’d like more detailed+accurate info! Color theory is the most fascinating thing I’m obsessed with it.
You don’t really need to know theory to be good at color though! Just playing around and figuring out what you like (I LOVE PURPLE) will make you better!
The most satisfying thing is when you’re making a drawing and you decide to add a little gray or a little orange or whatever and suddenly your piece just starts to SING!!!! (That purple/blue/orange part of the Sheila Hicks tapestry is singing to me it will forever make me happy)
Anyways I hope this helps! 💜💜💜
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vanigoghhomeplease · 1 month
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Why won’t you fix me the way you fix everything else?
Clem Maidstone from Hello from the Hallowoods! Mixed media.
There are WIP pics and a little talk about the process below. Minor hfth season 4 spoilers I guess?
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Sketch: this was supposed to be Riot and Clem side by side because I’m obsessed with their whole “we’re the same person except entirely different” thing.
But it ended up just being about Clem, and how she has become more herself while the world around her has grown duller (noir…grim…etc)
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I used crayons to color, which I’ve maybe never done before?? It was a learning experience for sure.
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This is the finished piece as it looks in real life. The one above the cut I altered slightly in Procreate (upped the saturation and changed her face shape a little).
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bleaksqueak · 1 year
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How do you get the textures you use in digital art like that?
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so like, for stuff like this yea? There's several different ways to do things, but I have a few quick go-to methods that I use often, like
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Very fond of this brush "empire of dust", which is a really nice color shifting dual color metallic brush. I'll pick colors for my illustration and set it to an effects layer (color dodge, overlay, soft light, etc.) and then very gently erase parts of it with any number of my texture brushes. Really fond of this wood grain esp.
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similar with this scratched gold and this Damascus brush (well, the entire brush set)
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The real magic starts to happen when you start mixing them together with different layer effects. I also use stock textures, textures I've made and collected over the years, and different painting methods (in procreate, no 'instant' way to do it, but stuff like duplicating my painting layer, darkening the bottom duplicate layer, and using that to create brush shadows--in photoshop you can achieve this with brush toolsets or stroke/drop shadow layers).
But that's pretty much how I do it! Excuse the sloppy edit, I did this on top of some coimc work lol
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artsekey · 5 months
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Procreate Dreams
I've been playing around in Procreate Dreams for about a week or so now, and I think I've got enough of a handle on the software to offer a fair review! If you're interested in hearing my thoughts, click the read-more below.
A little context before we get started; I have two degrees in animation, but they're both in 3D. My personal specialty is tech and articulation/rigging, but I think my background puts me in a unique position with Procreate Dreams; I know all of the theory behind animation, but I'm not going into Procreate Dreams and comparing it to a professional-grade software I generally prefer to use (like Toon Boom Harmony, for example).
So, let's get into it!
First Impressions
I hated it. I opened the software, it crashed. I couldn't figure out how to enable onion skins. I couldn't increase or decrease the exposure of my frames. I couldn't figure out how to swap to the eraser. I was confused, I was frustrated, and then I realized that I was expecting to jump in and animate without taking the time to learn the software first.
Once I stopped trying to strong-arm it and started looking up documentation, things got a little easier.
Re-Thinking My Approach
Procreate Dreams isn't comparable to any other animation software I've used before. The UI is different, there's a focus on gesture over buttons, and everything about it is meant to be minimalistic. None of this reflects poorly on the program, in my opinion. It's different. You can't go to Procreate Dreams and get mad at it for not being like the other software out there in terms of how it's used. In fact, I think one area of Dreams that should be applauded is the sheer ambition on display. It's a hybrid of traditional frame-by-frame animation and offers a slimmed down version of some of After Effects' most useful compositing & motion graphics tools. That's just plain cool.
The Good
For those of you who've used Procreate Dreams, you may find it's a little... difficult to see all the good it has to offer through the muddied waters it's launch-day bugs kicked up, but under all the grime, there's a little bit of gold.
Dreams is a one time, $20 USD purchase. That's huge in terms of affordability and accessibility in the software market right now.
The "Perform" option is great, and I think we'll see the longer that it's out, the more creative people are going to get in using it. I've already seen people create gorgeous parallax on their illustrations.
Simple compatibility with Procreate is a huge win. I'm finding my pipeline uses both software together.
The UI is a mixed bag overall, but I find the ability to move between flipnote mode and timeline mode to be great. It keeps the screen free, but I can still access the features I need while doing frame-by-frame.
The move/filters option is a great way to add a little compositing magic to your work.
The Bad
The "bad" here exclusively covers issues with the software as intended. Bugs will be covered under "The Ugly" below.
The lack of a lasso tool is a huge setback. I've seen people saying that it doesn't make sense not to have that feature at launch, especially when it's part of Procreate, but I understand why it may have been difficult to implement in conjunction with the move/perform/warp options. If you save a warp on top of an illustration, then cut and move part of the drawing, how is the warp/local translation data applied to that image? Does the pixel remember it's movement, or is it applied on top of the drawing? There's a lot to consider.
Similarly, the "reference" tool in Procreate would be an excellent tool to add color to layers beneath current layers. "Add Reference Track" would be great! That said, I think this conflicts with the move/warp tools like the above.
The timeline is a time sink. I should be able to adjust the exposure of my frames easily and consistently. As of right now, I have an 80-20 shot of selecting my layer or grabbing the handle for exposure. A small button on the edge of each frame (like a dot) would improve this considerably.
As far as I can tell, you can't mask a group onto another group.
No double-tap on the Apple Pencil 2 to swap to the eraser. This one I'm not sure about; it runs in Procreate, it seems simple to implement here... though it'd be great to see it customizable.
The Ugly
This includes bugs and other issues that are separate from the features (or lack thereof) of Procreate Dreams.
Crashes are frequent. I haven't used the software reliably during any of my sessions so far, but Dreams' autosave feature is extremely strong and very forgiving, so I have lost no work.
My pen pressure become erratic at times, necessitating a restart of the software.
Sometimes my pen will stop working, though other features in the app will continue to run.
The good news is, I think that Dreams is overall a huge win for artists and animators worldwide. Everything that's not working about Dreams will hopefully be resolved in future updates. I'd encourage anyone who wants to try animating for the first time to pick it up-- with the understanding it might take some time to get used to/master.
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beestics · 7 months
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Hello, I was wondering (if you don’t mind ofc) telling us what brushes you use on procreate during your process? sketching outlining coloring etc. Very sorry if this has already been asked and answered somewhere, if it has, i couldn’t find it
absolutely adore your art by the way it’s beautiful <33
Ofc Here are the only ones I use!! I use them as described but I switch between brushes a lot during the coloring process since I draw on only one or two layers,, it’s almost always a mix of those 4, this also goes for backgrounds. Like for example I also like to colour/shade with the gel pen. Thank you so much btw, I hope you’ll find this helpful!
(Pinceau plat is flat brush)
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dreemurr-skelememer · 7 months
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Hey! I love your art so much and was wondering what brushes and/or art programs you use, I'm an artist myself and am just genuinely curious. Sorry if this is a strange ask or anything... I don't use or get on Tumblr too often. Thanks for reading this ask and have a good day/night. (This is my first ask to anyone I think)
hey!!! i use Paint Tool SAI 2!
as of the moment (which means i constantly change it) here is my main doodling/sketching/lineart brush:
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my coloring brush: any hard edged basic brush will do, you can also use the bucket tool or the lasso tool, it's simply for coloring
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my blushing brush: i blend this brush out by switching to transparency (making it an eraser) and lightly tapping the outside of the paint! (sai users, do this by pressing C on your keyboard. lifesaver been using this shortcut for years) it's versatile, i love using it for gradients
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marker brush (usually for ecto): i use this brush only when i want to paint ecto (which i don't do often) but you can use this for other purposes too! it's not my favorite, not even good enough for ecto imo, because my sai 1 version is much better i blend things out the EXACT SAME WAY as the blush brush so please keep that in mind!
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a basic brush im testing out for shading purposes: it has a little bit of texture and is made for baaasically cel shading but slightly softer and has the tiniest bit of color mixing
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blending brush i barely use and don't actually really like that much: i'm still testing out blending brushes that i like because i can't find one that i like that isn't just blurring colors together or making them muddy when mixed together. if anybody has suggestions, PLEASE let me know! anything like a procreate or csp blending brush that can be recreated would be great
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and finally, my rendering brush: it's basically a basic hard edged brush that can pick up the smallest bit of color i use it to clean up and add final touches by using the drop picker often and over the entire artwork
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ofc, change anything to your preferences. that's how it goes these are just the settings that work for me :) this also goes for the program LOL i know sai is not for everyone (but it's my baby my bestie my 5ever so like this is about ME)
i have an in-depth post about my CSP brushes and how i work with them (and i don't really ever use csp unless it's a big piece so it's not changing anytime soon) if that's what you have or prefer
my #ref tag is also a treasure trove of my old settings over the years if you'd like to see those too
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bluravenite · 8 months
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Do you also spend an hour zooming into your mutuals artwork deciphering how the fuck they art....
Like some people I can see it... I can tell what methods they use to determine the anatomy, how they shade or color, what tips and tricks they use to make their art look finished...
And then others I just...
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What... What program is that, you mix trad and digital, but sometimes you don't leave the paper texture... You use edge brushes... Lots of color dodge glitter... It looks like clip studio... But those pencils are too procreate like... Your anatomy is a simplification... But I can't tell how you structure it... It feels like you have experience drawing from life or references, very flowing repeating lines, there aren't 3d shapes but there is depth in the features... You duplicate your line work and gaussian blur it over the last, your colors are interesting, dark desaturated with bright rim lights, you paint them on top like one would with markers.... I see you... And yet I cannot understand you at all...
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iguanodont · 1 month
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Do you do both traditional and digital? Because your art looks like a mix of both and its really interesting
I do! Most of my art is a composite of both to some degree, though the flag chase piece was almost entirely watercolor/acrylic with some generous color enhancing in procreate.
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sharkrocket · 2 months
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If you don't mind sharing, what brushes do you use? I totally agree with you on the oil painting thing; I've recently tried it after a lifetime of digital painting and the difference in colour mixing is mindblowing :s
YES, if you're one of those people who prefer traditional oil painting and hate how digital painting feels, this is what I've found to work the best for me so far (Procreate)
Tuhis Brush Sets - There's a couple of packs here and I just ended up downloading all of them, but if there's one brush you're going to use, the Ultimatebrush is FANTASTIC, there's ACTUAL PRESSURE SENSTIVE COLOR MIXING
I'm also a fan of the Vino Drybrushes, and Mumma Tempuras, those also feel very good to me
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