𝓨𝓸𝓾𝓻 𝓝𝓪𝓶𝓮
Movie AU
The whisper of the wind is cold.
The bell calls and the ocean sings.
They sing a song, they try to tell him something but he doesn't listen. He can't.
When the water covers him, the silence and warmth are familiar. He has been here before. The blue sky is visible from the surface.
Then someone calls his name.
Daniel.
Daniel.
Daniel.
Find me!
"Where are you?" Daniel shouts. His throat hurts. He feels like he's drowning.
Silence again.
"Where are you?" Daniel cries. He needs to see him. One last time.
"I'm right here."
Daniel sees someone's silhouette distorted, like someone who is underwater and ripples dance over him.
"What's your name?" asks Daniel. His voice is on the verge of cracking. He knows who this guy is but- he can't see him.
The current starts to get stronger. He feels the water trying to reach his lungs. Daniel runs towards the figure as if it were his last hope.
The ripples stop and then he can see him.
Hair as golden as the sun, face soft but frightening. Eyes as blue as the sea. Bright as the sky.
Daniel reaches down to his wrist, a red band tied around it. The boy lifts it up and shows it to him as he looks at it tenderly. He smiles at Daniel. A lotus flower peeks out from the center of the band.
It's the hachimaki Mr. Miyagi gave him.
Daniel puts his hand on the cold glass. The boy does the same.
Daniel sticks his forehead and whispers "Who are you?"
The current comes closer. The glass shatters and the boy disappears.
Daniel feels the water filling his lungs.
He wakes up in the sand stinging his skin. His eyes bathed in tears and his heart pounding. At his age, anyone would think it was a heart attack. But he knows better.
Find me. I’ll save you. I promise!
He didn't tell him his name.
Daniel raises his hand. There's something strange about it. A squiggle in black.
Johnny
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those first couple weeks after escaping a time loop have gotta be disorienting as all fuck. all those little cues that used to tell you what's about to happen are now triggers that cause you to brace for something that isn't coming. you have to relearn the permanence of death -- hell, you have reacquaint yourself with the entire concept of finality altogether. everything keeps changing but it never changes back and you keep having to remind yourself that this is normal. "it won't reset anymore," you echo to yourself, over and over and over, like a broken record, like you're still trapped in a loop, like someone who escaped the time loop but was doomed to bring it into the future with them
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for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal
before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"
and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"
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thinking about Nimona’s face in this scene because she already knows how this plays out, she’s lived this already and while Bal has the hope that she once had in his eyes, she KNOWS what happening before the sword is even raised. She’s NOT SURPRISED she’s NOT SHOCKED she’s only DISAPPOINTED that Ambrosius can turn on the man he loves because she’s already played this out with Gloreth
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saltburn details that make my brain explode bc theyre so beautifully done
felix & venetia having matching star tattoos
the vampire scene hinting at venetias death
the catton players display with the stones ontop at the end
venetia telling the doppelganger story and seeing a felix doppelganger in the window (hints at felix’s death)
these r some of the details i really love that emerald put into the film & i feel like they add a lot
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i think something that elevates the hunger games franchise is not just the quality of writing but the integrity of it. tbosas isn’t just a cash-grab by suzanne collins in the age of sequels and reboots (though i won’t pretend that didn’t play a part), it’s a character study of the main antagonist with a different structure than the main trilogy. and importantly, it doesn’t just re-hash the same old themes and beats the main trilogy had, it expands on not just the world of the hunger games but the themes as well, it actually has something new to say about the trilogy’s themes about class, capitalism, power, and control, in a way that couldn’t be explored with the main story because the protagonist of that story simply did not have access to the world that’s being explored in tbosas.
i understand the people who call for books/movies to be made about haymitch, finnick, johanna, different years of the games — we love those characters and want to see more of them! i’d kill for a novella on finnick’s days mentoring tributes, or katniss’s parents falling in love. but at the end of the day we probably wouldn’t be very satisfied with those stories being fleshed out if they had absolutely nothing new to say about the world, they’d be enjoyable, but not as interesting and engaging as tbosas has been.
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greta gerwig really said. when this girl gets a little sad and confused by the weird and complicated and uncomfortable parts of being human and growing up, she meets god and sits at her kitchen table, drinks her tea, holds her hands. and she asks god if she’s allowed to be happy. and god tells her she doesn’t need her permission. she tells her she’s going to be okay.
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there are no mirrors in barbie land, not in the beginning or in scenes when we see the car mirrors, which means the barbies don’t really know what they look like. barbie responds to a compliment with “thank you, i feel beautiful” and whenever else she’s talking about her appearance, it’s just about how she feels.
we can see her change in appearance, but her view of how she looks is through the way she feels she looks
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i think one of the reasons glass onion is so fun is that it just... loves the audience back.
so many popular movies and shows these days thrive on a sort of bitter engagement with their fans - where the fans are dismissed as being stupid, annoying, and needlessly angry. we are constantly positioned as being less intelligent as the writers.
so much of "spoiler-free" movie-making relies on writers getting away with one twist in their work, regardless of if that twist was earned. the work doesn't actually have any rewatch value or interesting writing - because they think "good writing" is about "pulling one over" on the audience. they don't focus on making interesting characters or storylines or good endings - they focus on fooling you. glass onion, meanwhile, has faith that the audience has figured the ending out, and that we'll watch anyway, because we love the characters.
so many adaptions of older works... kind of seem to hate the original work. they're done without passion. they're done almost as if checking off a box. so many of them openly mock the audience for enjoying the original, almost directly telling us that we are fools for ever having loved something.
but glass onion. loves the audience. it knows that many of the people watching are mystery-lovers. it is an homage that feels love towards the original works it references. it knows we also love those works; and instead of trying to disparage those works, it allows us to celebrate them.
one of my favorite things about it - and maybe why i found it so satisfying - is that this movie isn't trying to tell you it's the smartest, bestest, most-clever detective story. instead, it asks itself what is satisfying and exciting for the audience? and actually gives us that payoff. it's bright, colorful, and fucking fun.
just... more of this please. i'm very bored of nihilism and grittiness and "shock value" writing. put the love back in. let us love unironically. have your work say i love you too. thank you for sharing this story.
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