#I'm doing a lot of layout changes right now

[little-pup-pip]

Dinosaurs!!

#this has been in my drafts for a while #and I'm behind on requests right now #so have this peace offering while I work on it #I'm doing a lot of layout changes right now #I'm creating a navigation post to pin #adding yellow to things that need it #and inserting my new speech tag into my text posts!! #anyway #dinosaur moodboard #dinosaurs #sfw interaction only #moodboard #sfw agere #age regression #agere #sfw littlespace #agere moodboard #babyre

[rachaelthemes]

Ocular — Version 3

Preview // User Guide // More Info & Install

your favorite sidebar theme just got an upgrade, babeyyy

I went to update Ocular to make it NPF post-compliant and then my hand slipped and I redesigned the whole thing lmao. here's a brief update about Ocular 3; if you're looking for a full list of changes between versions 2 and 3, click the "Read More" below)

Ocular comes with the following features:

Colors: easily change the color scheme of your sidebar and posts using any colors you want

Post sizes: 400px, 500px, 540px, 600px, 700px

Sidebar: can be on the left, right, or above the posts. pick from a list of sidebar sizes, header image heights, and avatar shapes

Fonts: 20 different fonts, sizes 13px to 18px

Background: solid, gradient, full-size image or repeating image

Links: choose either regular navigation or drop-down navigation. unlimited custom links (visit the help desk FAQ for a tutorial) and ability to rename home, ask, submit, and archive links

Endless scroll, custom ask box text, Tumblr's full-width controls and search bar, optional header, avatar, and favicon images

if you already have Ocular installed, version 3 should be coming at you as soon as the update passes the theme garden. if you installed this theme with GitHub, you'll have to re-install manually.

now let's get to the fun stuff. what's new in version 3?

wow, do I have some updates for you!

1. goodbye color schemes, hello post background and text colors

you can now directly control the color of the posts rather than relying on color schemes to do it. want your posts to be a very specific shade of navy? all yours, buddy. go wild (make sure it's readable tho)

2. hello, color schemes! wait I thought we got rid of that guy

a lot of the color schemes I made became redundant now that the new post background/text color options exist. if you were married to the old color schemes, all of them can be recreated using those options. so the new color scheme options are as follows:

"My colors" — uses the colors you picked for post background/text

"Light preset" and "dark preset" — sets the posts to white with black text, or off-black with white text

"Translucent" — uses the colors you choose for post background/text, but makes the post backgrounds semi-transparent. there are NINE different translucent color schemes, ranging from 90% (only slightly see-through) to 10% (VERY see through)

3. navigation dropdown option

you can either use the sidebar links like they were before, or you can turn them into a cute little dropdown (helpful if you have lots of links or links with long titles!) you can enable this using the "use dropdown navigation" setting. you can also customize the label for the dropdown using the "dropdown menu label" setting. for instance, the dropdown on my blog currently says "oooh you wanna click me"

4. RIP google fonts I always hated your load times

decided to stop using Google Fonts and instead I'm providing the font files directly in the code. this will help speed up load times drastically when using custom fonts, plus I don't have to use Google. win-win! there's quite a bit of coverage overlap with the old fonts, but some of them that were too similar to each other got the ax. I also added all of the system fonts as options (hit classics like Arial, Georgia, and Comic Sans MS are now available TO YOU!)

5. more layout, sizing, and spacing options

the sidebar used to be either on the center-left, center-right, or above the posts; now it can go in the top-left or top-right! you can now control the border radius on the posts and sidebar. the header height, sidebar width, and post spacing all have additional options.

6. some options have been renamed for additional clarity

"background color 1" -> "background color"

"background color 2" -> "gradient background color"

"background" -> "background style"

"font override" -> "use body font everywhere"

"title" -> "sidebar title"

"description" -> "sidebar description"

"ask box text" -> "custom HTML above ask box"

7. removed some options

you win some, you lose some. I removed the uppercase sidebar links, theme credit, and inline media spacing options, mostly for redundancy reasons or because they produced unclear results.

8. as previously stated, now NPF-compliant

Ocular was ALMOST compliant with Tumblr's new post format, but had a few tweaks that needed to be ironed out. they're now ironed.

9: now user-friendly right out of the box

I updated the default color and content options, so new users installing this theme will have a much easier time using and customizing it immediately. no more ugly ass green background!

10. and finally, new JS

I had to rewrite some of the javascript for this theme, which turned into me rewriting ALL of the javascript. doing so meant that I could eliminate dependencies on third-party JS libraries and run the whole thing on plain JS. that should improve load times!!

bonus: custom CSS can do some nifty stuff now

want to change the size of your avatar? you can do that now! just do this to your Advanced > Add custom CSS section

super helpful if you're using the Avatar shape: Uncropped setting and you need your image to be a specific size (like a pixelated GIF)

for more info, check out the Ocular user guide. thanks for reading my updates!! hope you all have a fantastic start to your 2024 ❤️

#tumblr theme #tumblr themes #themes by rachael #codingcabin #ocular #blog #you should've seen me writing the JS for the audio posts lmfao I was on my hands and knees begging it to work

[penelopepine]

Don't be a stranger!

Part 1 Part 2

Simon "Ghost" Riley x FemReader

Content: Neighbors AU, fluff, developing relationship

Summary:

“Coming! Just one moment!” The voice calls out. Simon is quick to adjust his stance trying to make himself appear less intimidating as he could before the door is suddenly swung open. 

That was when he saw you. 

-

Returning to his flat was never easy for Simon; it was always dark, cold, and empty. It was harder to distract himself while he was here than it was back at the base where there was always something that needed to be done.

The one good thing about this place was that the neighbors were generally alright when he was here.  No one was ever being especially loud; allowing Simon to silently drown himself in whiskey and sorrow. 

Which is why he was confused when the neighbor to the right of him couldn’t seem to stop causing a ruckus. The whole morning has been filled with muffled curses and the sounds of things being dragged about. 

He vaguely starts to recall talk of that flat being open soon. This must be the new guy then; from the sounds of it they just moved in within the last few days. 

Damn his leave couldn’t have fallen just a week later when they were already settled in?

Simon tried to ignore them he really did, but there are only so many times one can hear an exasperated “god dammit” through the walls followed by an annoying screeching or banging sound. If something needed to be moved he'd move it himself and put everyone out of their misery. 

Which is why he was here now standing in front of his neighbor’s door. He had confidently stormed out of his flat, but now that he was standing in front of yours he admittedly wasn’t sure if he should knock or not. He didn’t want to, but at the same time your noise level was starting to grate on him. 

After a few minutes of silence from the flat he was about to turn around and leave them be. 

“Fuck!” A feminine voice calls out from behind the door. 

“Never mind” Simon thinks to himself, and knocks on the door. f

“Coming! Just one moment!” The voice calls out. Simon is quick to adjust his stance trying to make himself appear less intimidating as he could before the door is suddenly swung open. 

That was when he saw you. 

You took his breath away. Standing there face slightly red and clearly still in your pajamas; you looked beautiful.

“Hello…?” 

Right. He was here to see why you had been making so much noise all morning; not to just look at you. Even if that is all he wanted to do now. “Is there anything you need help with? I’ve been hearing you all morning.” Simon clears his throat, “I’m your next door neighbor.”

The red in your face only continues to grow the more he talks. “Oh! I'm so sorry- I just moved in and I’m trying to organize everything! I didn’t realize you could hear me.” You also tell him your name. He feels as if he could listen to you talk for hours. 

“I’m…I’m Simon, and it’s no worries. This building is old and the walls aren’t the thickest; I can try and help though with whatever is causing you so much trouble.” 

“I couldn’t ask that of you; I’ll quiet down-.”

“It’s no problem.” 

You seem hesitant to accept his help; which looking at the situation makes a lot of sense. Here is a strange man essentially asking to be let into your place. Simon clears his throat and continues, “I’m the door to the right,” tilting his head towards his own door, “Feel free to knock if you change your mind.” Simon then turns and begins to walk away not wanting you to think he’s some kind of creep. 

“Wait!” You call out to him, “If it’s really alright, I could use some help moving some things.” 

“I wouldn’t have asked if it wasn’t alright.” 

With that you open the door to let him inside, “Uh welcome in then; don’t mind the mess I’m still in moving chaos mode.” 

Stepping inside your flat layout seemed to match his perfectly. Your living room was filled with half opened boxes. Simon tried to give you a reassuring smile, “Just tell me what you need me to do, love.” 

Before he knew it he had unintentionally spent most of the day with you. Which unfortunately led him standing where he once stood merely hours ago now saying goodbye.

“Don’t be a stranger!” You say smiling up at him before finally closing the door. Leaving Simon standing in the hallway wishing that he didn’t have to leave. 

-

It’s crazy to Simon how something as simply knocking on your door can lead to this. After the day he helped you settle into your flat it seemed like the two of you were doing everything together; even unintentional things. 

First, he had just stepped out his door planning to go on his usual morning walk. Which of course as soon as he had stepped out of the building there you were. Standing on the sidewalk messing with your bag. Simon had debated if he should say anything to you, or simply continue as he was. That choice was quickly taken from him though when you had looked up and saw him. The smile that bloomed on your face was all it took to draw himself to your side. 

“Simon! It’s good to see you; what are you doing?” 

“I could ask you the same; I’m just going on a walk.” Should he ask you to join him?

“Sounds better than what I’m doing, on my way to work right now myself.” You gesture with your left hand down the street. Assumingly in the direction of the way you're going. 

Simon had to decide here and now what to do. He himself usually walks the same direction as you. He can simply say goodby right now and walk in the opposite direction, or he can take a chance. “I’m going the same way. We can walk together if you want.” 

“I’d like that!” That smile you give him is making Simon think he’s slowly losing his mind. 

Of course this event led to Simon walking you to work every morning. Enjoying the calm air and each other's company. 

Next, after a few days of walking you to work, you had invited him over for dinner.

“You’ve helped me so much with my flat it’s the least I could do.” 

“You don’t have to repay me for that love.” In all honesty he would love to have you make him a home cooked meal, but it worried him how much he was already enjoying your company. Simon was scared to get any closer to you. He couldn’t say no though when listening to you ask so nicely for his presence. 

One meal turned into two, then three. Until finally you and Simon were having dinner together every couple days. 

He had to admit that things were moving fast when it came to you, but at the same time he didn’t feel as if he was drowning with you. It feels strangely natural to be around you.

Having you here made it easier for him to pretend that all was good; that you were his. For the first time in a long time coming home didn’t have to mean being alone anymore. It’s a shame that he’s leaving in just a few weeks.

#simon riley x reader #x reader #fem reader #neighbors #tf 141 #task force 141 #call of duty #simon ghost riley #ghost x reader #female reader

[pterribledinosaurdrawings]

could you tell me more about spoonflower? i'm interested in uploading my own designs, but i'm not entirely sure how it works or how much it pays. thank you!

Sure! When you first upload your design, it'll look like this.

The standard DPI for printing on all the fabric sites I've seen is 150, and since I made this pattern at 200 DPI that means Spoonflower will print it bigger than I want it unless I change it here. So I click on the "change DPI" thing, type in "200" and click "change". Sometimes I find it doesn't save, so I always go back later to check and make sure it did save the right DPI.

(You can avoid this by just changing your image to the right DPI before uploading, but sometimes I want the option to make it a bit bigger, just in case.)

If you want to make multiple sizes of the same pattern available you'll have to upload a different version for each one and change the size individually. For example, I drew my Bathroom Dinosaurs pattern pretty large and at 150 DPI, and left that as is for the big version.

But I wanted a small version too, so for that one I changed it to 670 pixels per inch so it'd print much smaller.

You write in the title, tags, and description, and you can put any links to other pages or references in the "Additional Details" section.

(Leaving links isn't usually necessary, but sometimes it is, like how I wanted to leave a link to the original 1760's teapot for my crinoid fossil pattern.)

At this point, you can order things printed with your design, but nobody else can yet. You have the option to show the design publicly, but I like to keep it private until I've ordered my proofs and can sell it.

Now, to order proofs! DO NOT GET THE CUT SWATCHES!!! They are SO much more expensive than getting a fill-a-yard, because cutting and packaging all the little pieces is a lot of extra labour. Wether you have a few designs, or a lot, just get a fill-a-yard.

To make a fill-a-yard you first need to make a collection. Collections can be either public or private, so I keep a private collection called "new designs to proof", and I put all my new designs in there until I've ordered them. You can also add other people's patterns to a collection, so if you have extra space to fill up or you want little bits of a bunch of other people's patterns for a quilt or something, add whatever you want to your collection.

On the collections page when you hover your mouse over one you'll see a little patchwork symbol show up in the middle along the bottom edge, and you click on that.

That'll take you here, and you choose a layout and a fabric.

For some reason the fabric options here are a bit limited and vary depending on the layout. I like to get either the 1 yard/42 designs in cotton poplin, or the 2 yards/48 designs in cotton sateen, but there are plenty more you could try.

I'll click the latter for this example. (The squares in this one are the perfect size for pleated face masks, and I have a few made from mine and my friend's fabrics.)

Then you just click on a design and click on however many squares/rectangles you want it to fill. It usually takes a few seconds for them to show up.

You can have just one little sample of each, or you could make half the fabric be one design and fill up the rest with little samples. (That's what I did for my brown monster waistcoat - I printed juuuust enough of a fill-a-yard to cut out a waistcoat from, and the rest was other samples.)

You can change it around if you want. Once you're happy with it, put it in the cart and buy it!

I'm not going to order this one since it's an example with designs I've already proofed, but here's what my monster patterns looked like when they arrived.

Also, I want to point out that you could VERY easily make some really fun pride flags using the fill-a-yard! You might have to have it be only part of the fabric, depending on the number of stripes, but you could make it be any texture or pattern you want. Here's a quick example I did with other people's patterns by searching "(colour) marble texture".

With only 4 stripes I'd have to fill the rest of the space in with something else and cut it off, but it would still be pretty big! (The edge of that purple stripe looks jagged in the preview, but they print perfectly straight.)

I have not done this, but someone should! Just wash it, trim the blank edges off, hem it, and you've got a flag!

(Don't do this with the 2 yards/4 designs option though, it looks like nice stripes in the thumbnail but it's made for infinity scarves and there's a gap and dotted line down the middle for cutting. Bleh.)

Anyways, once your samples arrive you can make the designs available for sale! If you have any changes you'd like to make, to the size it prints at or the pattern itself, you can make them now.

I found the small version of the Bathroom Dinosaurs print was too small when I first got my proofs, so I just reduced the DPI a bit.

And you can replace the image with a new, edited version by clicking "upload revision".

So when my brown coffin pattern printed really washed out and grey, I replaced it with a more saturated version and was good to go, no need to order another proof.

Down at the bottom of the design editing page you can now click on the options to list it publicly, and to sell it on fabric and/or wallpaper. I make all of them available on fabric, and some on wallpaper if I deem them to be appropriately large.

They'll pay you 10% of the sales price of the fabric, or slightly more if you sell over a certain amount in a month. There's a whole page of questions and answers about it.

You also get a 10% discount if you order fabrics with your own designs. (Although, personally, if I'm ordering my own designs on fabrics for me then I'd prefer to get them from somewhere like ArtFabrics, since they use reactive dyes instead of inks, so their blacks actually print black and don't make the fabric stiffer like Spoonflower's do. And also because they're here in Canada so there's less shipping cost. Sadly they don't have an option to sell your designs though.)

Spoonflower also has weekly design contests which are announced a few weeks in advance and have pretty big store credit prizes (the first place one is 200 USD), and I've entered a few times, but I don't vote often because Spoonflower is such a huge site that there are frequently over a thousand entries and it's really time consuming to scroll through them all.

Ok, that's everything I can think of! I also put all my patterns on sone things on Redbubble, since they have options for repeating patterns on some things.

#ask #spoonflower #fabric #advice #I'd been meaning to answer this one for WEEKS

[jakeyp]

GRID + TORN PAPER + RAINBOW LAYOUT TUTORIAL (yeah, i'm sorry, but that is the title i came up with)

Hi everyone! This tutorial was requested by an anon, and we're going to make a gifset like this. You need, as usual, basic gifmaking skills and basic photoshop knowledge, but i'll try to explain this as easily as possible!

You'll also need a torn paper brush, which you can download here.

And here are the links to download the fonts used in my gifset: x, x

Okay let's start!

→ First you're going to create a new canvas, and it will be 540x540 px. Make sure to click on create video timeline (if you dont have a timeline, go to window > timeline. We'll leave this canvas there waiting for us :)

Then, onto our first gif. We're going to make the small square gifs first. All i do is resize the image and make it 120 px high, and you'll see why in a moment.

Make sure to remember the number of frames of this gif!! All the gifs we're going to put in the same canvas should have the same amount of frames.

Okay, so we have our first small gif:

As you can see it's a smart object, and I added some brightness, but so far that's all. You can sharpen it, but i like to sharpen until i've colored it. Now onto the important part:

Most of the gifs i worked with were mostly blue (aside from the skin color), which is recommendable, because you can create lots of colors starting from blue, using the hue/saturation adjustment, or camera raw filter. I also recommend you to use a gif that doesn't move a lot, so it'll be easier to color the background:

For the tutorial, we have our predominantly blue gif, but we are going to make it yellow, which is the opposite color, so it's the hardest to get. I hope you can see how i manipulate colors, and do it yourself :)

Here, you can use camera raw filter (filter > camera raw filter) to turn the blues and purples greener, like this:

And click ok to exit the camera raw filter. Then, we're going to use hue/saturation (image > adjustments > hue/saturation) to turn it yellow:

Since it was cyan, i changed the cyans, but if you got a much greener result you'll have to use green (duh, right? i dont know i just dont want anyone to get confused akjsdhs)

And you can also add a selective color adjustment to make those yellows more yellow:

The reason i don't directly use hue/saturation is cause it might look ugly and lose quality, or it wont pick up all the colors i want it to but they're also very small gifs so if you wanna do that, do it :)

I sharpen it until this point, but if you already have that's okay.

Now we're going to color the background! For that, you just add a new layer, and set the blending mode to color.

Then you'll use your brush, set it to 20px and 0% hardness, and pick the color you're using for this gif, you can use the eyedropper tool. This is why it's important that the gif doesn't move a lot, so you can color the bg like this:

I colored carefully around the edges, and that's the result. In some gifs from my gif set I colored Jake's jacket too because i was too lazy, but this looks cleaner :)

You might want to select the color layer and the gif layer to convert them both to a smart object, just to make everything easier. So, be careful, because after that you won't be able to change anything!

But let's say you have a scene that you want to include, and it moves too much and has no blue and it's going to be a nightmare to color it.

Well, don't worry, you can! Simply, instead of manually coloring everything, you can just choose to add a gradient map to it (image > adjustments > gradient map), like this:

And this is the result:

Just remember, it has to be the same amount of frames as the other ones!

You repeat the process, until you have 10 small gifs. I made around 5 manually colored gifs, and 5 gifs with gradient for each gif. That's a confusing sentence but i hope you get it.

We are going to start pasting the small gifs on our first canvas.

(You can paste them one by one but i did this so you can see my 10 gifs)

You're going to create a square that has to be 108x108 px, using the rectangle tool. You can remove the default white background.

And you may be wondering, why did we not just crop the small gifs into those dimensions? Well, you can do that, but to me it's much easier this way, because sometimes cropping isn't accurate, or it's tedious.

Place the small square on top the gif you're going to crop, right where the face of the character is (or whatever objects you're giffing), and while holding ctrl, click on the square. It will select it:

You're going to create a layer mask:

And then drag that layer mask to the gif:

And voila! It's now the same size as the small square. Once that's done, right click on the layer and convert it to a smart object, because we have to remove that mask. Make the square layer invisible, and start placing your gifs where you want them:

You're going to repeat that process with the rest of the gifs, and then place them all together. Don't forget that if you're making the first gif, they will all be at the bottom of the canvas, if it's one of the middle gifs, one row should be at the top and the other one at the bottom, and when you're making the last gif, they should all be at the top. Here we're making the first one, so they will all be at the bottom:

If you forgot to check that all the gifs had the same amount of frames, you can fix it here, just make sure no gif is past this little guy:

Okay! Now, to create the gutter, we're going to add a layer mask to each small gif, so that we can cut some of it.

The gutter has to be 4 pixels, (i recommend you to REALLY zoom in). What i do is make sure the width of the gutter takes 2 pixels from the edges of the gifs, since they are all together. As you can see in the image above, there's no a single empty pixel between the gifs.

This is a close-up of what i'm talking about. I select two pixels from each gif, and go all the way down to create the gutter:

(I hope I'm not over or underexplaining)

I usually use this tool when i have to make so many selections:

But that was just an example :)

(Another way you can do this, is by changing the size of the small square from the beginning and make it be 104x104 px, but i don't know why that seems more complicated to me ajsdks)

Anyway, this is what we have so far:

Now we're going to create the big gif. Its normal dimensions are usually around 1920x1080, unless you have different dimensions and have to crop it, but whatever it is, we're going to resize it and crop it to be around 550 px wide, and 400 px high:

We'll do the same thing of adding an adjustment of gradient to it to make it the color we're using. For this, i usually add a brightness layer before, because sometimes the gradient is a bit dark.

And using a 600px brush with 0% hardness, you can add some "light" on a new layer, like this:

Selecting all the layers, right-click on them and convert them to a smart object. Again, be careful, because once its a smart object, you wont be able to change any of it!

Then we paste our big gif on the canvas with small gifs, and add a layer mask to it. Using the torn paper brush at 600px, remove some of the gif to shape it like the torn paper. Make sure you're using black, otherwise it won't work correctly:

To make the effect better, add a layer UNDER the big gif, and using the torn paper brush, with the same size, you can paint under it:

Yeah, I covered some of jake's face, but that's how it supposed to look so the effect works!

And finally for the text! I used Granesta, at 150 px, and at -10.00º to make it a bit askew.

We're going to double click on it and give it a color overlay, set to normal, and give it a solid shadow if you want, then place it right here on the corner:

But as you can see, it's too big for the gif. So we're going to add a layer mask to it, and again, shape it the same way that we did with the gif. Make sure they're exactly the same shape, like this:

And that's it! This is our final result:

As always I'm sure there are easier ways to do many of these things, this is just how i do it but if you know an easier way to do it, go ahead. I hope this was at least understandable enough so you can apply the logic of it any way you want :)

If you have any questions you can send me an ask and i'll clarify!

If you found this helpful i'd really appreciate it if you left a tip on my ko-fi!

Happy giffing!

#will i ever learn how to properly explain things 😭 #tutorials #uservivaldi #userraffa #userbuckleys #userhallie #tuserheidi #usertina #userfern #usersole #usercera #userzaynab #userisaiah #usernik #userpriyas #usertj

[danrifics]

you all pestered me for it and here it is. the closeness analysis/ theory.

now if you didn't see I basically had this theory that the closer to BIG and COTY we get in the DAPG timeline the closer dan and phil sit to each other. Dan made a comment about how them playing Heartthrob being like a gay soft launch and that got me thinking of some other ways they could have done it and one of those being the idea that as time goes on you get less and less strict and worrisome about what others think of you and so they end up gravitating closer and closer.

This post will be under a see more cos its probably gonna be long af.

I will be splitting it into stages.

2014 -15

2016 - 17

2018

revival

sorry the screenshots arent clickable to make bigger tumblr only allows for 30 on a post so i had to group them together!

(i will not be covering horror games apart from in the revival stage and i will also not be talking much about gamingmas 2023)

2014 - 15

now when i initially went to collect my evidence, i was suddenly worried maybe i kinda had things wrong because i feel like in Donkey Kong Country (the first dapg video, see screenshot below) they're sat pretty close but honestly when we get to how they sit a lot later on you'll see that this is actually pretty far apart

now here are some screenshots for the inital look at at the end of them we'll talk (this will be the layout for most of this post i think)

now of course this is only a selection of those year's videos if i screenshotted them all i fear this post would never end. now these first 2 years are a good mix of at desk videos on sofa videos. i noticed from some other videos not show here that in sofa videos they rend to sit a lot closer to each other than they do at the desk, this is kinda funny to me cos really they definitely have room for a wider frame on the couch if they wanted to sit like normal people.

2016 - 17

2016 and the start of 2017 feel like a mixed bag of how close together they are but i did notice that the more into 2017 we got the more they seemed to be shoulder to shoulder! these also started to wean out sofa sitting games (not 100% gone yet but almost). now if you're wondering why i've kept this screenshot apart its cos this is the last one in the first london apartment.

and honestly from here on out is where i believe the "soft launching" begins!

so lets finish 2017 and see if im right!

just had to single out this screenshot for a sec:

in case anyone wondered that is the face dan made during dream daddy when phil reads "we were roommates for a while too"

softlaunch?

anyway moving on

watching these videos definitely feels like something changed btw, while they still arent as close as we'll start seeing them sit, i definitely noticed more often they were shoulder to shoulder. but like a new room has definitely changed the vibe a little bit between them, and now we can move on to the next and final year of pre hiatus dapg, where things as you will see immediately start to change.

2018

like i said... immediately we are met with this, i would also like to let everyone know that 2018 is my favourite era of pre hiatus dapg

lets see what the rest of this year will bring

now i'm splitting 2018 up into parts because i need to do a whole talk about the tour situations so for now lets look at the above screenshots, now its very obvious that they are sitting so much closer to each other which i think is really funny considering how big that room is and often in this section of videos there is a lot of room either side of them so they literally do not need to be that close.

now lets talk about the tour bus. this is how close they're sitting

thats for sure a 1 person seat yet they've both forced themselves on even tho the sofa literally behind them would have been perfectly fine to sit on, and they cant give me "this is the only place to set up the camera" babe its really not theres a whole surface behind you.

okay thank you for listening to this, moving on to the final part of 2018!

(the last 2 screenshots are out of order oops)

idk about you but yeah i think they are definetly a lot closer than they were way back in 2014. i really dont have a lot to say other than that, and i have definetly proven my theory so now we've established that lets have a brief look at post hiatus dapg!

Revival

Now this is gonna be really brief its just a summary of where we are post BIG/COTY and post hiatus (things my brain still cant quite believe is real)

now here are the revival moments i wanna give a mention!

firstly sims season ep 3 when dan moves his chair away from phil and their wheels are literally locked together, pushing phil's chair too

heres dan looking into the monitor and then moving closer to phil <3

and finally

hand hold

thanks for reading all this and sorry if it didnt live up to the hype lmao

#dan and phil #dan howell #phil lester #amazingphil #daniel howell #danisnotonfire #phan #dapg #dnpg

[bella-rose29]

The Greatest Thing - Lockwood x fem!reader

requested by anon: Hi, I love the way you write! I was wondering (if requests are still open) if you could write a Lockwood x reader where reader's mother died when she was little for some reason, and by taking on a case reader and Lockwood find themselves having to fight the ghost of reader's mother ? And maybe even Lockwood calming Reader down after the mission? Feel free to change parts. (btw: sorry if English is terrible, I'm Italian, English is not my native language)

my lovely you don't need to apologise for your English, it's better than a lot of actual English people I know (myself included) <333

sorry this took me so long, but hopefully you enjoy!!

for reference, the song that's mentioned is specifically Nat King Cole's version of Nature Boy from 1948 <3

Word count: 4.2k

Warnings: swearing (only a lil), brief mentions of cancer (not explicit though), idk if there's anything else

I did just copy and paste the tag list from DTH part 9 so feel free to not read this if you don't want to! <3

It was nearly one in the morning when the telephone rang. 

This was odd, because the phone had been broken for a little over twenty years. 

It was more sentimental than anything else, and it was kept as a reminder of someone long gone, as was the typewriter that sat on the shelves next to the telephone, on top of the case it came in so that it could be admired. There was a record player too, although that was in perfect working condition, unlike the other two objects. 

The ringing of the telephone woke up the inhabitant of the bedroom, and he groggily rubbed at his eyes as he sat up and turned the light on. The glare made him wince, but when he realised the broken telephone on his shelf was ringing, his eyes shot wide open. He scrambled for the working phone on his bedside table, trying not to panic too much and failing as he punched in the numbers. The line rang three times before someone picked up, and his breathing was shaky. 

“Hello? I think there’s a ghost in my bedroom.”

~~~

“Lockwood? You awake?” Y/n pushed open the door to the library, making note of the dim light that shone under the door. Her voice was quiet, just in case he’d actually managed to fall asleep, but as soon as she stepped inside she saw him sat in his usual armchair with a book.

“Everything alright?” he asked. 

“Not really. Dad’s just phoned me.” She took the chair next to him, watching as he put a bookmark in place and held the book closed on his lap. 

“Ah, that’s who was calling.” He frowned. “You don’t sound too happy about it.”

“He thinks there’s a ghost in his room. Said the old telephone that Mum bought ages ago started ringing just now. He wants us to come and check it out as soon as we can.”

“How do we know it’s not just… someone calling?”

“It’s broken, Lockwood. Has been for ages. Pretty sure it was broken when Mum got it, but she thought it looked nice.”

“Right. Well… you know the house layout, and where things are. And if you’re not too tired… I suppose we could head over now? Only if you wanted. Your father is welcome to stay here if he wants, too.”

“Thank you, Lockwood. I don’t know that I’ll be able to sleep, not knowing Dad’s in danger. And he won’t want to go outside at this time of night anyway, not without a safe route to somewhere else. You sure you’re alright with going on a case now?”

“Of course I am, Y/n. Especially for you.” She tried not to flush too much at how sincerely he had said it and pushed out of the chair. 

“Okay then. I’ll just… go and get changed.” She was still in her pyjamas from earlier. Lockwood was, predictably, in a suit, just without the jacket and tie. She was certain they were a second skin on him now. 

“Meet me by the front door in ten? I’ll get the kit ready.”

“Sure. Don’t forget the biscuits like you did last time.”

~~~

It took five minutes of quietly moving around the attic so as not to wake Lucy for Y/n to get changed. She wasn’t entirely successful in being silent, since the floorboards creaked every two seconds and she fell over trying to get her jumper on because she got stuck inside it and didn’t see the corner of her bed, but somehow Lucy slept through it all. Y/n headed downstairs, wincing when the steps groaned under her weight, and went to find Lockwood in the basement. He was nearly done packing up the bags, and when he caught sight of her his smile was blinding. 

“You all ready to go?”

“Yeah, think so. I’ve been thinking, about what the Source could be?” she said, although her voice lifted at the end to make it sound more like she was asking him a question. Lockwood nodded, zipping up the second kit bag and handing it to her when she reached for it. “I feel like the phone is too obvious, but if it’s some sort of Poltergeist it might be a good idea to check anyway. There’s quite a lot of things that could be a Source, actually. Mum loved collecting old stuff, said it reminded her of her childhood.”

“She wasn’t an agent, was she?”

“No. No Talent. Not with a capital ‘t’ anyway. She was amazing at loads of other things though.” They were in the hallway now, grabbing their rapiers out of the stand. Lockwood shrugged on his coat. 

“What do you know about the history of the house? Any murders or deaths that could result in a Visitor?”

“No. There was Mum’s, but Dad got the place sorted out as soon as he could. DEPRAC came in and cleared the room.”

“Well, we’ll see what we can find, yeah?”

“Yeah. Thanks,” she said when he opened the front door and gestured for her to go first. Lockwood must have called a cab, because now there sat one just in front of the gate. “I told Dad to get into the kitchen and turn the table lamp on, ‘cause a couple years ago he got iron strips put in the floor, so he should be alright in there. We can get this taxi to wait for him and bring him here, right?”

“Of course. That was a smart move, both the iron strips and your suggestion. We’ll make the kitchen our main retreat, then.”

Ten minutes later they were pulling up outside her childhood home, and as soon as the taxi stopped Y/n was opening the door and rushing to greet her dad. Lockwood was talking to the driver, paying him for the journey they’d just taken and asking if he might stay a little longer to take a passenger back to 35 Portland Row. 

“Hi, Dad, you alright?” Y/n breathed, wrapping her arms around her father. 

“Been better, love. I’m glad you and your boyfriend are here though.”

“He’s not my boyfriend, Dad,” she said, feeling heat creep up her neck. “Lockwood’s my boss.”

“I just thought that since you talk about him all the time, y’know? Lockwood this and Lockwood that.”

“I’m gonna walk away now, I think. Have fun with the ghost!” she joked, knowing that she would never leave her father in a house where there was a possible haunting. “We, uh… we thought it might be best if you went to Portland Row for tonight while we work here. It’s a standard procedure to not have the clients in the house, but normally they’ve got somewhere to go and a bit more notice, and Lockwood said you can take his bed if you wanted. We have also got a sofa, but it’s not nearly as comfortable as a bed.”

“Alright, love. You’ll be alright, just the two of you?”

“Yeah.”

“I take it he’s keeping that cab for me?”

“Yeah.”

“Okay then. I’ll see you in the morning, love.” He must have known that she would ask him to leave the house because he reached behind him and picked up a bag, hoisting it over his shoulder and planting a quick kiss on her cheek. 

“Bye, Dad!”

She watched as he sent a small wave over his shoulder, shaking Lockwood by the hand and thanking him for the offer of a place to stay, and then he was getting in the taxi and going back the way that she and Lockwood had come from. 

Lockwood had the keys to the house in his hand, and before he unlocked the front door (her father had locked it when he’d seen the taxi approach) he turned back. “Are you sure you’ll be alright?”

“I can do this, Lockwood. For my Dad. Besides, if something’s only just surfacing now from one of the antiques, it can’t be too bad can it? I mean, it didn’t hurt my dad.”

~~~

As it turned out, it was quite bad. 

Not in a holy-shit-this-ghost-will-kill-us way, but more in a holy-shit-why-does-this-house-feel-worse-than-a-graveyard-at-night? way. 

Y/n had grown up in this house, had only really moved out two years ago, and she had never once felt unsafe or uneasy. Walking around it now, though, doing initial readings of sensations and temperature, she wondered how her father had managed to stay positive. Most things she just got echoes of her own childhood, her laughter as she ran through the halls while her parents chased her when she was three, baking in the kitchen and licking the bowl when she was five, crying when she tripped and slid down the last couple of steps on the stairs and grazed her knee at the bottom, and her mother pressing kisses to her hair and a plaster to her tiny injury when she was six. But underneath it all there was a malaise, something unsettling that seeped into Y/n and Lockwood’s bones and made them cautious. 

“Does it normally feel like this?” he asked when they made it to the top of the stairs and around most of the rooms, one hand on his rapier hilt. They hadn’t drawn their weapons yet, but they knew it was only a matter of time. 

“No. Dad would have said something.” The thermometer beeped, alerting them of a drop in temperature. Lockwood checked it where it sat attached to his belt. 

“Minus two. It was three degrees just now.” They stood in silence on the landing, both looking at the thermometer. “Well, only one door left, I suppose. Do you want to do it or should I?”

“I’ll do it.” She made her way to the door of her parents’ bedroom and took a shaky breath before placing her hand on the doorknob. Immediately a rush of memories hit her, from when her parents first moved in after their marriage, to the day she was born in that room, to the countless times Y/n had crept in in the night because she’d had a bad dream, up to the point when her mother had last touched the handle. It went further, but the force of the memory of her mother made her push the door open and step over the threshold. 

Lockwood was right behind her, and she heard him draw in a breath and reach into his coat for his sunglasses. Y/n whipped around to look at him just as he pushed them over his eyes, catching the last of his squint while he warily studied the bed. “Why are you putting those on?”  she asked, not liking the wobble that accompanied it. 

“Death glow on the bed. Are…” he hesitated for a moment, and she imagined his eyes darting between her and the bed behind her. “Are you absolutely sure that your father got the house cleaned out?” His voice was soft, like he was trying to not agitate her too much, but she got defensive anyway. 

“Yes. He wouldn’t lie about something like that, not when he had a six year old living in a possibly haunted house!”

“But… and I’m not doubting you, or your father, I just need to know, were you here when the house got cleaned out after your mother passed?”

“No, Dad sent me to my friend’s house. He said it wouldn’t be good for us to be in the house while they were working.”

“So you never actually saw people cleaning out this place?” She froze, catching on to what Lockwood was getting at. 

“No,” she whispered, turning to look back at the bed. Her mother had died in it over ten years ago from untreated cancer, completely unexpectedly. She’d gone peacefully at least, in her sleep, but it had broken the two members of the family that had been left behind. Her father had told her that he’d call DEPRAC and get the house cleaned out, to keep the two of them safe, but now as she grabbed a hold of the doorknob again she realised there was no memory of people coming in to do that job. “Shit. Shit shit shit shit.”

“Hey,” Lockwood said, sunglasses still perched on his nose. “It’s alright. We’re agents, and we’re Lockwood and Co. I know… I know this won’t be easy, Y/n/n, but we can do this. You can do this. Just breathe in, and back out. Good. Right. Have a think: what in here could be the Source? Hey, focus, Y/n.” His tone grew a little harsher as he grabbed her shoulders, pulling her away from the door. 

“Why wouldn’t he clean the house?” Her breath was coming too quickly now, and her eyes couldn’t settle on any one thing. “Why, Lockwood? Why wouldn’t he do it?”

“Because sometimes we love someone too much to have them gone forever.” Her eyes finally stopped moving around, instead meeting his and making her draw in a breath at the vulnerability in his eyes. His voice had been rough with emotion, and immediately she thought of the door on the landing back at 35 Portland Row. As quickly as he had opened up, his walls had snapped back into place, and he was leaning back and smiling softly at her. “Let’s try not to focus on that too much, yeah? Maybe the phone?” As though he had summoned it, the old telephone on the shelf started ringing as soon as he finished talking. “Okay… that was weird.”

“It’s not even got wires attached to it,” Y/n breathed. 

“Visitor is definitely a Poltergeist then. There’s no apparition which is good, because no ghost-touch. That’s also bad though. No way of really knowing what the Source could be.” She tuned Lockwood out, knowing that he would just be talking himself through the situation they were in, and kept on staring at the telephone. It hadn’t stopped ringing. 

Music suddenly started blaring out of the record player, despite there not being any record to play. It was a song that Y/n recognised, although she couldn’t remember where from. 

“Is that… is that ‘Nature Boy’?” Lockwood asked, glancing incredulously at the record player. 

“Oh my god. Yeah. It was Mum’s favourite song, specifically this version.” Her mother would often be found with it playing on the record player in the study downstairs, and she’d told Y/n the story behind it a million times. She’d been adamant that Y/n never forget the words, and now as it played she knew it was her mother haunting this room. 

“I think it’s broken,” Lockwood said when the song skipped back to repeat the last section of the song. 

“The greatest thing…”

“No, it’s not. Maybe it’s the record player? Maybe that’s the Source?” The music stopped, and she knew she was wrong. “Okay… so the telephone is the Source?” At once the music started again, but from a different point. 

“But very wise…”

“Is… is your mother helping us?” 

“I think so.” 

“… Why?”

“Maybe she just wants to move on?”

“But very wise…”

“Okay this is freaking me out a little bit now,” she said, moving over to the telephone. It stopped ringing when she got close enough to reach out and touch it, and she glanced at Lockwood. “Silver net?” He wordlessly passed her one, his sunglasses still obscuring his eyes. His face was impassive and she couldn’t figure out what he was thinking, but he was focused on the record player. It had continued playing from where her mother’s ghost had skipped back to help them, and was finishing up the last lines of the song. 

“The greatest thing… you’ll ever learn… is just to love… and be loved… in return…”

The room became silent after that, and both Lockwood and Y/n stood staring at the record player. Nothing moved until Y/n finally broke out of whatever world she had disappeared into, slowly placing the silver net over the telephone and wrapping it carefully. At once the temperature lifted, and just before she had finished containing the Source of her mother’s ghost she heard a sigh in the air, as though someone was finally being allowed some peace. 

“We should head over to the furnaces,” Lockwood finally said. “Unless you wanted to put it in a silver glass case?”

“I’ll talk to Dad about it in the morning.”

“Alright. Here, let me…” he stepped over and gently removed the telephone from her hands. “Why don’t you go and sort out the kitchen, get all our things together? I’ll get a taxi for us.” Y/n nodded, not taking her eyes off of the bundle in his arms. “Y/n?”

“Hmm?” She was unfocused, untethered to this world, and his voice was muffled. She vaguely noted Lockwood putting the Source down and coming closer to her, and then he was hugging her tightly, pressing her into his chest and his lips to her head when she drew in a shaky breath and sobbed. 

“It’s alright. It’s alright.”

She wasn’t sure how long they were there for, her crying into his dress shirt and him rubbing her back and whispering softly to her, but by the time she pulled back, her sobs reduced to slight hitches in her breath, her throat was sore and her eyes puffy. “Thank you.”

“Anytime, Y/n.”

~~~

It was nearly three in the morning when the telephone rang. 

This wasn’t odd, because this time it was Lockwood phoning Portland Row to let them know that the ghost had been dealt with, and he and Y/n were coming back. 

Y/n had remained silent for the duration of the taxi ride back to 35 Portland Row, staring out the window with her eyes looking at something that Lockwood couldn’t see. He knew what it was like, to be in her position, but he had no idea how to comfort her other than just being here. She’d gripped him earlier, when they were hugging, like she thought he might be the next one to leave. It had broken his heart and made it swell at the same time that she had held him so tightly, but now he was left to wonder how else he might help. 

She was still silent when they walked through the front door. 

Her father came out of the living room to greet them, and Y/n had frozen, rapier mid-air while she went to put it away in the umbrella stand. Lockwood had put his own rapier away, and the sound made her snap out of whatever trance she had been in and finish her previous action before taking one last look at her father and running upstairs. Lockwood shrugged off his long coat, hanging it on the stand. 

“It was her mother,” he said, looking at the stairs instead of at the man he was talking to. “I think she’s upset that you lied to her, about clearing out the house.”

“I couldn’t-” he broke off, coughing slightly to clear his throat when emotion clogged it up. “I couldn’t bring myself to do it.”

“I know.” He could barely look at that door on the landing most of the time. He turned to face Y/n’s father. “But you made that house unsafe. You got lucky. She was a Poltergeist, but completely unaggressive like they normally are. Very lucky, in fact, because there was no chance of you being ghost-touched. But still, you should have told her.” The man nodded, tears starting to fall on his cheeks. 

“I suppose you put the Source in the furnaces then?”

“No, actually. I asked Y/n what she wanted to do, and she said she’d talk to you. You could keep it, so long as it was in a sealed silver glass box. You wouldn’t have to lose her again.”

“That would be great, thank you. Is it safe here overnight?”

“I’ll put it in the storeroom downstairs,” Lockwood smiled, one of his classic customer service smiles, and moved towards the kitchen. “Whereabouts did you decide to sleep in the end? The living room?”

“Yeah.”

“Alright. Well, goodnight, sir.”

“You’re a good lad, Mr. Lockwood. I can see why my Y/n likes you so much. Goodnight,” he waved, disappearing into the living room and closing the door behind him. Lockwood stood in the hallway, Source still wrapped in the silver net, and tried not to blush too much at the way those words had been said. 

~~~

“What are you doing in here?”

Y/n jumped at the sound of Lockwood’s voice, and immediately felt a little guilty for intruding on his personal space. “Sorry,” she muttered. “I didn’t want to wake Lucy up, ‘cause she hasn’t been sleeping well recently, so I came in here. Sorry.”

“That’s alright.” He went to grab his pyjamas, then did a double-take. “Is that my shirt?”

“Oh.” She looked down and flushed. “I didn’t… I forgot that by not going up to the attic I wouldn’t have anything to sleep in, so… yeah.”

“Oh.” 

She wished he would say more, because his gaze was as heavy as the silence that settled over them after that single syllable. 

“Lockwood?”

A pause. “Yeah?”

“I can leave-”

“No!” He swallowed thickly, then repeated himself. “No. I mean, no point waking Lucy up, is there? I’ll be back in a bit, just… going to go get changed.” She watched him leave, and then five minutes later she watched him come back. 

“You alright?”

“Yeah,” he answered, sounding anything but. He looked… nervous? Why the hell was he nervous? “You?”

“I’m alright.” She tried not to laugh, settling for an amused smile instead, and waited for him to get into bed next to her and turn off the light. Once it was dark (or as dark as it could be with the ghost lamp outside the window), she heard him shuffle around in his bed so that he was facing her. The outline of his face was barely visible, but it was enough that she could make out where his eyes were, and where his faint smile was. “Lockwood?”

“Yeah?”

“Thank you. For earlier.”

“I already told you, anytime.” They went quiet, just enjoying the comfort of Lockwood’s bedroom. “I talked to your dad, by the way. He said he didn’t want to lose her again, so I’ve offered to sort out a case for the phone in the morning. I also told him off for lying to you, which terrified me, because your dad is not a small man.” Y/n let out a snort at the last part, and she saw the faint light from outside light up Lockwood’s teeth as he grinned. 

“You didn’t have to do that.”

“I did. Back at the house, you were… well, I’m not really sure what you were. But you weren’t you, and it scared me. It’s like you went somewhere else, Y/n. I just can’t lose you, is all.”

“Oh.” Now it was her turn to not say much, and she could feel him fidgeting. 

“Your dad said something. About you.”

“What? What did he say?” Her heart was beating faster, not knowing if he’d said something good or bad. 

“He said that you like me a lot.” Now her heart was thumping for a different reason. 

“Well, yeah. It’s difficult not to like you, Lockwood, you’re a very likeable person, you know? Very-”

“Why are you nervous?”

“What?”

“You’re talking really fast. You do that when you’re nervous. Why are you nervous?” Damn him for knowing her so well. 

“Uh… I just… I don’t know.” She did know, but how could she admit to her boss that she had the biggest crush on him while they were lying in his bed together?

“Sorry. I shouldn’t have- it just sounded like he meant it in a… in a like like way.” She took a deep breath, and decided to bite the bullet. At least if it was dark she couldn’t see his face when he rejected her. 

“He did. I… I’ve liked you for a while, actually.” There was no response, and suddenly it all seemed like a terrible idea. “Lockwood?”

“How long?” There was no discernible emotion in his voice. 

“About two years?”

“So… since you got here?”

“Yeah, basically.”

“You’re telling me,” he started, frustration seeping through, and she shrunk in on herself a little. “You’re telling me that we could have been together this entire time?!”

“Yeah, I guess so. Wait,” she frowned, ��wait what did you just say?”

“It took us removing your mother’s Source from your childhood home and your father telling me that you really like me for this to happen?!”

“… Yeah?” She heard him bring his hands up to his face and groan, and then heard him shuffle around again. A moment later his hand was touching hers, tentatively at first, then lacing his fingers through hers and tugging her closer to him when he realised he’d found her. She ended up curled into his side, her head in the crook of his neck, and his arms wrapped around her torso under the duvet. 

“Well I know you’re free after we wake up, so right after we get the glass case sorted out I’m taking you out for food.”

“Like a date?”

“Exactly like that.”

It wasn’t long after that that the pair of them fell asleep, and before she drifted off in Lockwood’s arms, she couldn’t help but think how her mother had been right about loving and being loved, and how it was the greatest thing in the world. 

tag list: @ahead-fullofdreams, @aislinrayne, @anathemaloren, @anthgoldenhrry, @augustisintheair, @avdiobliss, @aysha4life, @bobbys-not-that-small, @briar-rose23, @curseofhecate, @dangelnleif, @edible-rat-vomit, @el-de-phi, @ell0ra-br3kk3r, @ettadear, @fearlessmoony, @fudosl, @idkbubs, @imaginebeingmentallystable, @informedimagining, @karensirkobabes, @lady-ashfade, @light-23, @locklyebrainrot, @locklyle1kanij, @locknco, @magicandrosewaters, @mentallyillsodapop, @mischivana, @mitskiswift99, @mrsklockwood, @mrsyixingunicorn10, @newbooksmell777, @no-morning-glories, @novelizt, @phlooper, @ran23sblog, @reggiepeterss, @simrah1012, @somethingrandomwatzit, @star-of-velaris, @superpositvecloudshipper, @t2sh0, @taygrls, @tournesol77, @whistle1whistle, @whenselenefallsinlove, @wordsarelife, @y0urm0m12, @zoom1374, @asyouwish-fromcabin3, @magicandrosewaters

#lockwood and co #lockwood & co #anthony lockwood #anthony lockwood x reader #anthony lockwood x you #lockwood x reader

[redbuddi]

How do you cope with drawing backgrounds? I haven't found a healthy method yet

Well first thing's first you need to develop a passion for backgrounds and how much they can add to a work. If you only view it as an obligation, then you'll never allow yourself to see how much you can do with them.

I'm lucky because I was a Motorcity fan when the show was airing, so I was exposed to backgrounds like this that all of us in the fandom would pour over:

(cant find source, pls lmk if you have it)

by hungerartist

(By Abraham Martinez, cant find a social but will update with one if someone sends it)

These backgrounds aren't just fantastic because they're well-drawn, (although make no mistake, they are extremely good,) but because of how they wordlessly flesh out the world and the characters. The show takes place in a cyberpunk dystopia, where a new Detroit was literally just built on top of the old one, Detroit Deluxe. All the backgrounds above are from old Detroit (AKA Motorcity), but now look at one from Deluxe:

By Ivan Aguirre

Instant change, right? Motorcity is dark and grimy and falling apart, but it is dripping with personality and love.

(cant find source)

Deluxe, meanwhile, is bland and sterile. The most striking thing about it is the giant ominous Kane Co. tower, dominating the skyline. It creates a completely different tone and feel just by location, as the bright and vibrant color of Motorcity is constantly under siege by empty whiteness. The metaphor there is obvious and very powerful in my opinion. Apart from obvious cyberpunk anti-corportation message, I don't think they chose Detroit as the setting just because they like cars.

And all of this is stuff you can figure out just from the backgrounds!

On top of that is the fact that when you're doing layouts or compositions, especially if you're drawing a comic or storyboards, its good to have the background drawn or at least roughly laid out first so you can better determine what camera angle you're going for. A lot of the time if you don't your shots will end up looking kind of samey, usually just people's torsos.

#ask #asks #motorcity #i will always loop things back to motorcity if given the chance

[nuzzle]

Hi~

I saw your post about how lolita fashion (and ads for it) have changed in the last few years, especially for Angelic Pretty, and I agree completely!

I think the lack of creative ads these days might be b/c Gothic & Lolita Bible isn't around anymore? (cries) and Kera went purely digital ages ago, I don't know if it's even still around (I should have kept my old Kera magazines). But I remember how I always used to look forward to seeing the clothes and layouts that were featured in the new issues of each magazine.

My favorite when I first got into lolita was from the Wedding issue of the English edition of GLB; a model for Baby was wearing a lovely, tulip print skirt (or was it the jsk?) in blue, holding a parasol and sitting at a cafe table. Something about her looked so sweet and simple; I wanted to be a lolita just like that!

The models in the magazines always looked like they were happy or having fun, which I think is part of what made me want certain dresses or blouses. In AP's current ads, the model just looks... kinda sad and pouty and bored. I've noticed that for a lot of their dresses, they've been skimping on the lace, frills, and ribbons, and there's no more cute hair styles either! Meanwhile, wasn't it AP that brought lolita from old school to New School / OTT sweet when they had models wearing pastel pink / blue wigs for their Mermaid Symphony (iirc) photoshoot back in 2007?

On a different, but kinda related note, I've noticed that in the past 5 years or so AP has been making a lot of dresses with ridiculously high waists.... also so many sack dresses (I know they started doing this back in like 2012 or so with that polka-dot M&M print dress)

Sorry for the long rant, I just really miss the old days of lolita fashion

hello there!

i'm always glad to have some feedback when i post rambles and thoughts on things. i never expect it, so thank you for your input! it's also comforting to know others feel the same way.

i agree that without as many publications in general (especially physical) there's less of a reason to put as much effort into details, like the magazine spreads that were commonly done for example. most people get information on releases online these days, making physical catalogs a bit obsolete.. aside from collectors. i greatly miss all of the graphics and how inspirational everything felt back then, especially the little PNG pictures of items in catalogs.

you're completely right about pictures from GLB's and other magazines looking generally "happier" and more like daily life sort of pictures, like the one in the cafe you mention. that aspect of it appealed greatly to lifestyle lolitas! seeing a dress pictured in a "real life" situation rather than just a plain white background photoshoot picture makes a huge difference. it brings it to life, and makes it a lot easier to see yourself wearing it.

i think a big change in marketing is that AP doesn't cater as much to lifestylers.. and lolitas who are very much interested in the fashion beyond a surface level and see them as more than just clothes. all of the photos now actually feel like advertisements, when they used to also be appealing from a photography perspective. like they're only trying to sell you a product and not an experience, even if only visual. for me, that takes away from it a lot.. it almost feels as though that sense of community, and the acknowledgement that lolita is a subculture, is dwindling.

plus, it's definitely more than just presentation that's changed as you said. i feel as though the designs AP offers have been super uninspired compared to old releases. not as many details, not as much custom lace, and the general silhouettes becoming a bit lazy.. tons more, but i could go on for days. even the revamp and progression of the lyrical bunny mascot has felt a bit soulless. very sad to see, because i do agree that they were the brand to introduce OTT sweet in a revolutionary way.

as much as i gripe about old vs new AP changes, the positive side is that we can still look back fondly on the old era!

and no problem at all! it was nice to hear another perspective on this. ^^

#asks

[fedoraspooky]

I haven’t been here long. What irritating changes have been made?

Credit where it's due, some changes have been good, like polls and stuff! But the big recent changes thus far that I would classify as irritating are:

- The UI change. This one may be less irritating for newcomers because it's basically the same layout as twitter and instagram, but for a lot of folks who've been here a long time, it feels cramped and like a loss of identity for the site. For many, the appeal of tumblr is that it ISN'T an algorithm hell like twitter or insta. Also, there's the annoyance of having to relearn where everything is, because it all got moved around.

- The users being lab rats for various tests the devs wanna pull out of nowhere without consenting to beta testing new site features- like the one that took away user icons on the dash for like half the site. They finally put them back after getting enough feedback that said NO, but users were so used to their feedback being disregarded that they were half expecting the change to be pushed through anyway.

- The Netflix tie-in advertising being pushed even to people who had PAID tumblr for a no-ads experience. Complete with them somehow thinking it would be a good idea to put an unescapable-by-scrolling spooky clown on peoples' dashboards that u had to use ublock to get rid of. While I'm not scared of clowns and often find them quite charming, it sucks that staff didn't take coulrophobia being a common fear into account.

- A wave of fully sfw trans posts being wrongfully marked Mature and staff doing little to nothing about it. Not sure if this is still ongoing, but it destroyed a lot of trust and good will. (LGBT+ users have been having to fight a constant war against censorship ever since the adult content ban on tumblr, so yeah... Nevar 4get the list of banned search words that would bring back no results, like 'girl')

- The site gradually moving away from customization. Tumblr is a BLOGGING site. But it seems to have lost sight of that fact, because most new users don't even know you can fully customize your blogs with css and stuff (an option that is now off by default for new accounts!), because of the in-dash viewer giving you only how blogs look on mobile, which is a lot more uniform. There, it's more like every other site- you get a banner and icon. Oh, but you can change colors and fonts from a drop-down list too, that's cool I guess. Though they recently took away custom color schemes on Message windows, just another little bit of personalization taken away.

- TUMBLR. LIVE. Basically tumblr teamed up with a skeevy dating app partner to allow for livestreams- but not the cool kinda livestreams like on twitch where you can draw or play games, no- to a site full of people who value anonymity, they decided to push phone cam only livestreams. Not only that but by agreeing to the terms, you're giving out tons of personal data including your location to said skeevy dating app partner and all of THEIR third-party ad partners. Needless to say, most people didn't wanna use it, so instead of users it's flooded by p*rn bots (which is ANOTHER issue we've been dealing with for a long time and have been getting an even bigger influx of FROM tumblr live) and scammers. And thus, since tumblr likes to put a carousel of current streams on people's dashes, you often get softcore p*rn thumbnails from the bot streams with no way to avoid it except for toggling off tumblr live entirely.

- Oh wait. That's right. You CAN'T toggle it off. Because you can only snooze it for a while until BAM, you're jumpscared by a carousel of ladies licking your screen again! But hey, at least they made the snooze 30 days instead of the 7 it used to be, right? Yeah, except for the fact that you can't get rid of the tumblr live button itself on the app anymore, and now it's front and center with a NEW notification tag on it, overlapping your dash and cramming useful stuff like the search button out of the way.

NOW- A lot of this stuff CAN be at least mostly fixed on desktop by installing ublock and xkit and tampermonkey + dashboard unfucker... But that's a lot of stuff just to make the site usable, you know?

#this isn't even a comprehensive list but hopefully that covers all the big ones #anyway i get tumblr has to make money and it's currently not doing that #but burning through the remaining good will of the people who stuck around through earlier bs doesn't seem like a great idea either #ah well... i'm still here regardless #i've already had to leave deviantart behind because it became an ai cesspit... and it sucked. I had a lot of good memories there. #it sucks to uproot everything and move. so unless something equally bad happens here i'll probs be going down with the ship lol #also there's like nowhere else to go right now which is a huge problem; #i've been trying to look for other places to post too but none really have the same laid-back feeling tumblr does. #also i love the asks system too much. more sites need that honestly #anyway i rambled enough hope this helps u get an idea of why people are angy #asks

[joycew-art]

Someone asked what my process was to make the Rickbot comic, so I thought I'd make a separate post to show it. The process was kinda all over the place and spread over many months from December 2022 up till June 2023, so I'll try my best to make it understandable. And if you have any questions feel free to ask them!

The idea

So it all started with the idea of; What if Rickbot came back? And then the idea immediately made me think of two things;

How would Rickbot react?

Why is he brought back?

Which ended up with these two scenarios in my mind;

A. Rickbot awakens and he's not happy B. Rick tells the reason he's activated again

These were the very first scenes that started it all.

So then the question became, how do I go from point A to point B?

I would take moments from the show as reference for how they would act in these scenarios. And I'd take inspiration from manga and other comics of how I wanted the dialogue to flow and what the comic layouts would look like. In this case I knew a lot of dialogue would be involved cause these guys talk a lot! But I also didn't want the panels to feel too crowded and rushed so I limited myself to the amount of dialogue per panel.

Right now I'm writing it down like it was very planned, but for me this was often a very subconscious thing I did. I just thought up scenarios while I was taking walks or daydreaming in the shower etc. And sometimes these very specific moments would pop up that I would write down or draw out later.

I would make mini thumbnails of how I wanted the pages to go and write the dialogue next to it. At this point I'm mainly thinking of what I want characters to say and how I want the story to flow. Sometimes I make multiple versions of the same scenario to see how it flows better.

At times I even only write down dialogue and then make the thumbnails for them later. I have a tiny a6 sketchbook for little thumbnails and ideas like this. These were often moments were I didn't know where I wanted to take the comic yet, so I would separate the two to keep it more organized for myself.

As you might have noticed, not everything is the same in the final comic. I always fine-tune or change stuff up as I go. Sometimes things don't flow as well as I thought they did or some dialogue feels awkward or unnecessary.

Sketching

Once all the pages were planned and I have a good idea of how the story would go I opened a new Clip Studio Paint file and used the comic feature to set that up.

I would then copy the thumbnails I made in the page files and exported a thumbnail draft of the whole comic and 'read' through it to see how it flowed.

After I was satisfied I finally started sketching the pages.

Most of the pages stayed the same from the thumbnail, aside from some poses or expressions here and there. But I would also change up stuff I wasn't satisfied with.

For example, initially the Prime panel looked like the left one, but I didn't like how the pose flowed with the text balloons. There was a lot of empty space as well. So I decided to redo it to the one on the right.

Even now for the final version I'm thinking of resizing Rick a bit more. These kind of changes just happen throughout the process.

The backgrounds

I knew the comic would only take place in the garage, so to save myself a lot of time I decided to make it in 3d.

First I decided to sketch out the four walls of the garage as planes;

Then I imported those in Blender. I did some simple 3d modeling to get the basic shapes for the counters and the cabinet et voila! 3d sketch version of the garage!

I know this is a very watered down explanation, but trying to explain how I did it would take a whole new tutorial. And there are many other ones out there that explain it much better than I could. I was lucky that I already have some Blender experience cause of past works I've done for school and stuff.

But if you got the time to delve into it I would recommend it! For this here you only need to know the basics. Also Blender is free to download :)

This has saved me a lotttt of time drawing the same backgrounds over and over again!

Cover

Lastly I did the cover. That one has also gone through multiple versions. I had a vague idea of what I wanted, but I wasn't happy with the execution so I redrew that one as well.

So that's the whole process so far. I do I wanna continue the comic once I got the energy to work on it again. Gonna do some test pages first to see what kind of rendering I wanna go for. Not sure if'll be in black and white, color or a combo...we'll see.

I hope this helps! And if you have any questions don't be afraid to ask them.

#tutorial #comics #comic tutorial #planning #text post #process #thought process #art tutorial #art process

[bonefall]

If you flip the spade upside down and put it on Gorseclaw’s neck, it could kind of look like a tie

Hello anon with the most convenient ask in my inbox, you have been selected to receive a FLOOD OF SKETCHES

I had only drawn Gorseclaw and Ripplestar before, and I'm about to do a redesign of Larkstripe so that she has the "hearts" motif that her son gets. I did a bunch of sketches just to try and figure stuff out so, messy post

Glossary:

Ripplestar

Gorseclaw and Spottedpelt

Larkstripe

Birdflight, Marshscar

After I post this I'm gonna jump back into Clip to play with Cloudstar next

RIPPLESTAR

[ID: A sketch of BB!Ripplestar. The text points out his major features and reads, "Heterochromia: Amber + Brown." Smooth scruff, with an arrow that points out the shape. Ginger on 1 side. Deer-eared. 3 layers with an arrow that points out the three stacks of fur on his chest. Wooly, kinda like a half-shorn sheep.]

I've actually drawn Ripplestar a lot in the margins of my notes and such, so this design's pretty solid.

I change the side the hearts are on, plus the number of hearts, literally every single time I've ever drawn him lmao. It dozen madder.

What DOES matter though is that there's a HEART over his BRIGHTER eye. I use it as a bit of a visual metaphor, if he's trying to size you up or negotiate with you, he keeps you in the bright eye. When he trusts you or becomes comfortable with you in some way, he turns the brown eye on you.

So in most scenes where he's not talking to family I imagine he's not fully looking at his conversational partner. Especially on the Highrock as leader of ShadowClan, because the layout makes the leaders sit side-by-side. Might as well play with that simple logistic fact, y'know?

He does this because I imagine this marking kind of intimidates people. It's like the ginger of his eye socket has set his iris ablaze with fire, while the other is as cold as rain-soaked peat.

The ear on the "colorful" side is also orange. All of his orange is on one side, except for his tail-tip.

He's actually distantly related to Nightcloud-- his Honor Sire (who was known but not involved) went on to have a mate. So he's the half-brother of one of her ancestors, and Nightcloud has inherited this thick, wooly fur texture.

Again, I draw him a lot so this was the easiest one. I didn't have to decide anything besides that I made his nose into a cute lil carebear heart.

The drawing I did for this synopsis of Ripplestar's Rot was actually the first time I drew him, for comparison! It's fun to see what's been streamlined.

GORSECLAW AND SPOTTEDPELT

FIRST sketches didn't feel right.

[ID: BB!Gorseclaw and BB!Spottedpelt. They have long, curly tails, long claws, and bell-shaped heads. Gorseclaw has a sharp 'tie' on his chest, and Spottedpelt has a heart]

I feel like Gorseclaw's spades look too much like diamonds in this one, but I was really going for a tie.

I've been giving him those sideburns for months, so, they don't really fit the "shape theory" but I'm having a hard time removing them lmao.

And this is the first time I drew Spots which is a shame. I love a bad bitch.

If you look at my designs, you can notice that I have a few traits that cats from each Clan "tend" to have. They're all pretty genetically similar actually and there's a lot of crossings between the groups, secret or otherwise, but some traits just get selected for more than others, and StarClan is likely to toss them into kits. SkyClan has saggy skin (like a bear) and really bendy tails.

Don't think it's come through well here, though. In future drafts I'm going to try and make them saggier.

(Why? It actually helps them against insect stings and impact damage, like falling from trees and being hit by branches)

Then I went on to draft 2,

[ID: Second draft of the characters above. Spottedpelt is fatter, with "dapples" on her back which are actually spades, and a distinctive spade-shaped mask. The ears of both siblings are now spade-shaped, and Gorseclaw's tie is different, along with Spottedpelt's heart with is now more of a medal.]

I like Spottedpelt a LOT more in this draft. That's probably going to be close to the final design I do, I'm really vibing with the dapple-spades.

I DON'T like Gorseclaw in this one though, the face shape reminds me waaay too much of Dustpelt's familial face-plate. Absolutely going to revise that, probably making it more mask-like akin to Spots'.

Also very proud of myself for the spade-shaped ears.

Hate Gorse's tie here though, that's not a tie that is a stinkhorn mushroom.

But Spots' medal is excellent. Absolutely keeping that. She is a distinguished little war crime kitty

Still not fat and saggy enough. Coming back to this. I need to learn how to draw a primordial pouch.

LARKSTRIPE

I'm trying to redesign her and I'm losing :/

[ID: BB!Larkstripe. She's a very plain cat with a string of hearts from her eye down to her leg, with a heart-shaped nose, cutie marks, and a heart-shaped tail tip]

This was the FIRST first draft of the redesign and that heart chain is underwhelming.

It felt like too much of a downgrade from the diamond-pattern Larkstripe I did, and I'm worried that maybe it's because diamonds just look so much nicer in a "chain"

I feel like I see too many perfect hearts on chests in WC designs, so when I do them, I try to do something weird with them like what I did to Heartstar

So I turned hers into a little fur tuft splash. I like the idea tbh, I might repurpose it for another design.

[ID: A version of the above sketch with bigger hearts on the chain and a single heart on the flank, followed by another sketch attempting to make the stripe more "blobbish"]

I'm beginning to think that maybe I don't like the sketches because Larkstripe is sad :( I like when I can draw her angry, before the strikebreaking broke her

And unfortunately she is the absolute most tragic character in BB. They took the fight out of her. I figure it would be symbolically fitting for the heart shape on her chest to "break" after Dalestar's decree.

For those asking questions, no, she never joins Skypelt. She is convinced she did the wrong thing and ended up unleashing an era of suffering on the Clans by having Ripplestar follow in her footsteps, though she had no control over him.

She's a character who would offer her life as an example during trials involving the Cleric's Vow, especially since I've gutted Moth Flight in BB. She argues about how important it is to avoid birthing cats who will claim their conquest is holy in the name of their parents.

She would also have something to say to Mudfur, admonishing him for breaking his Vow so openly, even saying that he's responsible for Leopardstar and all of her choices.

Basically, Larkstripe is beaten. She is a very tired, shameful spirit who repeats exactly what Silverpelt told her, during her own trial. She's so grateful to be here that she acts with devotion towards it.

Hurt people hurt people and all

But anyway, I still feel like it's a bit of a downgrade from the older design for Larkstripe, so I'm probably going to keep playing with it.

BIRDFLIGHT AND MARSHSCAR

[ID: BB!Birdflight. She's a tabby with the spades motif, long bases stretching up into hears on her shoulder, side, and flank.]

I want her to look old and tired. She's got that Leafpoolyness about her.

She's technically the very first member of the Tigerkin family, and has those characteristic long-claws.

I imagine in Clanmew her name is actually Yassgafba, "Raptor preparing to take flight." I have this really sad mental image of a majestic hawk that keeps spreading its wings, as if to take off and fly away, but never does.

Fitting, because she waited her whole life for Cloudstar to send word they'd found a new home, to come and fetch her and their children, but never did.

While I'm at the trivia, yes, Ripplestar and her were very close. Larkstripe argues in StarClan that Ripplestar started his war because of her, but it's not true. It was Birdflight who made him believe that Cloudstar would never abandon his family; if they hadn't heard from him, something was very wrong.

She died before he became leader, probably of a sickness outbreak. She likely didn't take the journey because she's immunocompromised in some way, plus the two newborns.

She was given a place in StarClan, but I'm not sure if she followed Ripplestar and Birdflight into the Dark Forest. She DID vote to accept them though.

I think she's practical about this. Leave for the Dark Forest, and you loose your voting power in StarClan.

She sees that there are very few SkyClan ancestors left here, hears Skystar scoff that the others are fools for leaving, that if more had remained then the rebels would not have been damned... and understands the value in his words.

If there's any reason for the Tigerkin Curse (which I hadn't really been working with until now, tbh, I just chalked it up to Bad Mojo on the night of Ripplestar's last stand), it's probably related to Birdflight in some way. Which is why no one knows what's causing it.

I don't know why, yet, though. Maybe it's an accident on her part. She could be crafting their litters, but every time she finishes a set, she can't help but cry about how much the fresh souls remind her of the newborns that stopped her from joining her mate, and her kits in the Dark Forest.

It's probably why the PROPER curse might stop abruptly after SkyClan's return. She joins Skypelt as soon as it's an option.

[ID: BB!Marshscar. He's a scrawny, battle-scarred old tabby with a diamond motif.]

He doesn't have any markings in-canon so I tried to just make all of his scars diamond-shaped. I don't think it works, I'm going to give him some markings.

I like the ears though, that's staying. I might also borrow from the old Larkstripe design, give him those funky diamond-spikes on his chest.

I have barely talked about him, but he is actually very important to Ripplestar. They've been mates since they were young warriors.

I kinda want to make it so that Spottedpelt was Ripplestar's deputy before being killed that night, but it was always implicit that if something happened to them, Marshscar was next in charge.

This drawing is definitely when he's older and more worn-out, he lives a long life without Ripplestar, ruling ShadowClan reluctantly, half-heartedly doing the bare minimum.

It's a downer story, and I think it really fits the theme here that Clan Culture is about to get a whole lot worse before it gets better... but still I love the fact that Ripplestar's Rot just ends with the entire cast like

[ID: Spongebob sits at a diner with his hands folded, frowning slightly, disquieted and deep in thought]

Like there really isn't a happy camper in this one lmao. Nobody wins. Alexa play 'That's Not How The Story Goes'

#The ONLY sketch that's REALLY smiling is Spottedpelt lmaoooo #The rest of the cast: 'nothing in life matters' #Spottedpelt: 'NOTHING IN LIFE MATTERS <3' #better bones au #Sketch requests #Ripplestar's Rot #BB!Ripplestar #BB!Marshscar #BB!Marshstar #BB!Spottedpelt #BB!Birdflight #BB!Larkstripe

[coyoteprince]

I am really, really going Through It right now, but... in the best way possible? Like, really good things? It's just a lot to juggle at once so I'm absolutely wore out from a massive growth spurt

I deserve to be joyous about this so:

-New house! All our own! We're even moving during October (date was pushed back due to philly market), very spiritually important time for me

-Getting married next Fall once things calm down, finally, after being engaged for a few years

-Came to terms with Widderwood being an important purpose in my life, an art that feeds my soul- even if the result remains small, all this work isn't a waste, because the process enriches my life and brings me joy. The many years of dedication I've had for it is a sign that it's the right choice for me to continue following, and am super looking forward to the years of doing the actual page layouts. I've been setting realistic expectations to maintain my happiness with production, am working it into my new schedule, and I get to ink the pages at my antique writing desk in the sunroom as I look out at our back garden once we move... waow

-Learning a ton of important things about myself- my fears, roots of problems and behaviors thanks to trauma and ego that I didn't notice. I'm being kinder to myself, less judgemental of others, and letting go of other's projections rather than continuing to internalize them. I know what I am, how to be empathetic and accept my missteps, but also what isn't worth my time and energy.

-Learning how to adjust my desire for perfection in myself to much more healthy & reasonable level, and being more willing to delegate

-Rebuilding my business internally from the ground up for success, seeking continuous education for business & science, and after years of struggling and testing, FINALLY figuring out a work-life method that works for my messed up desires-varience autism brain. Balance!

-Similarly, figuring out how to balance cooking for two autistic people who have greatly different cravings & stims

-Realizing what a hard working, loyal, and loving person I am with an unrivaled, firey dedication to change and self improvement. Capricorn to an eerie degree.

Overall I feel like I'm in the transitional period between continuing to be poisoned by the aftermath of prolonged abuse and illness, and finding peace while blossoming far beyond what happened to me. Something I've strived for, but wasn't sure I'd ever have. In a way, it's obtaining independence and finding out who I really am as a person, unclouded by other's words and fearful what-ifs.

20 something years of being locked away. About 8 more years of new experiences, perspectives, professional help, love, and grueling work to dismantle things in myself. I guess this is what real healing and responsibility looks like- at least in my case. I'll never stop growing, but I am at a pivotal point of change.

What I've experience is important to me because it set the projectile for my life. I want to be somewhat open because I want others to be aware of what autistic children often experience and how it affects them long term... but I also know I have more to me and don't have to be haunted anymore. Turning an unpleasant experience into a tool I can control is a lovely reward and I can now whole heartedly say: I love being alive.

[bleekay]

anyone who cares about the me hating my room layout saga........come along w me...... no img descriptions im so sorry..... i can only describe these images as "2d bedroom/office poorly laid out in various ways"

sorry im using inches not cm. so here is my room's current layout:

it's a small room, less than 10'x11'. that window on the side is 6'x6' and the window sill sticks out 2 inches from the wall, and it starts 1 foot up from the floor. im using my desk as a bedside table rn. why do i want to rearrange this? why does it kill me that this is what i'm stuck with?

SICK OF MY MOM DOING THIS SHIT. just silently standing in my doorway whenever she walks past my room and i have something interesting to her on my screen. she wont even announce she's there, she just stands there. one time i was watching some stupid funny video and i found out she was behind me because she LAUGHED and it scared the shit out of me. yes i have talked to her about it. yes she knows i don't like it. she says she "doesn't do it on purpose" just sometimes she'll walk past and see something on the screen and can't help but look. girl.

but like heres the thing... what if friends have drawn nice porn??? ideally let's not let my mom look at it. I want to draw porn??? lol, lmao even. imagine what i could make if i were free. no but fr even aside from that, just day to day, it'd be nice to feel like an adult and not a kid whose parent is looking over their shoulder all the time, even past the invasion of privacy issue, having my back to the door means im always on edge... so that is goal number 1.

("why dont you just close your door?" dogs ok shut up)

(also wanted to say that step 1 in preventing my mom from just Doing That was to get a door curtain, which i have now, but it does not change my desire to move my desk. it isnt enough.)

goal number 2 is giving the dogs a pathway equal in flow to the current one. the dog seat next to my chair is 26 inches high, so the dogs can only get there from the bed, not the floor. you can see right now, it's easy peasy for them, step up, bed, seat. that blue circle is where i initially put the dog seat, and it was lower at the time so the dogs could reach it from the floor. alas, katze hated it on that side even though it was easier for me to get out of my chair when it was on the left of me instead of the right.

ok, so we've got the two big goals. desk against right-side wall. easy layout for dogs.

i need you to know i've tried a lot of different layouts ok. i am showing you a FRACTION of the attempts. a fraction!!!! i tried a layout with my bed at a 45 degree angle, don't "have you tried--" me

the left side wont work bc the dresser and bed overlap by 2 inches and it simply won't fit. the right one solved that problem. but both of these have two other problems: 1, dogs falling into window gap lol -- easily solvable, i'll just fill in the window with pillows or something -- and 2, i have to choose whether to give the dogs a step over to their seat or to have a bedside table. can't have both. and i need a bedside table so the dog seat would have to go on the other side with a step up, which would block me in. also unacceptable. both of these are out.

thats what led me to this layout, which i made a post about. so the dresser would work as a bedside table for me, the dogs have decent flow up the step, to the bed, over onto the dog seat. but ah. the space between the desk and the bed is about 20 inches. maybe a little less if the window sill pushes the bed out an inch or two from the wall. am trapped. probably difficult to get in and out. i am not teeny tiny.

and now we are here:

if i just scoot the desk down i have room to move, dogs still have flow, everything's good..... except. you see it right. just a. large gap in the corner. nothing there. surrounded by things that are all 2 feet high or taller. so, a pit really. but, ah, what's this????

a free table exactly the length and width of the gap, stopping any chance of the dogs falling down there and hurting themselves or being unable to get out???

wow, i can move my printer from on top of the dresser to on that table! i can put my mini shelves there which are currently sitting on my desk! i can maybe even set some little trinkets and doodads there!! ah, table that is perfectly sized for my corner pit and that i got totally for free and is in really good shape and not falling apart, wow you're so great! :)

is what i would say if i had a table that fit there and was free and worked well

[thatonegayship]

This probably feels weird to ask

But I love how you draw dipper in general and your art in particular! Is it possible you could do a little tutorial on how your process goes?

If you don’t want to, I understand completely. I felt really hesitant asking this lol. Anyways, love your art!!!

I'm not the *best* at talking technicality, and certainly not about drawing Dipper; I have three distinct styles when dealing with him, that being Billdip Dipper, Canon Dipper, and AU Dipper, all of whom have entirely different purposes both visually and narratively. This results in some pretty inconsistent representations:

That being said! I'm totally cool with going over my process with you! Layout, technique, brainstorming, all that.

Generally speaking, I like to start my digital work on paper. Nothing crazy, just a basic idea that captures the pose, expression, and clothing (these things are destined to change by the end).

Notice the cloud of dirt kicking up at his feet. Look how I position one arm out while the other pulls farther back, and his hair blows from his face. There's a clear emphasis on motion here, both in body language (feet turned against the force) and added attire (Pinetree cloak flowing back, dust cloud at his feet, etc.)

This design is destined to change, but for action scenes like this, it's good to begin with an expressive foundation, so that once we start chipping away at and remolding our concept, we're building off of a design that encapsulates the *scene* we're wanting to convey. That is, no matter how much we shave off, we still have a strong foundation to reference towards and lean into for inspiration.

The next step is transferring our rough sketch into a digital setting.

This is where I tinker with the lasso tool, maybe take reference photos of the exact pose I had in mind. Here, I'm just breaking down my original sketch on a tablet. I readjusted the feet's position, pulled that other arm in to his chest, and straightened his arm out for a more powerful pose.

The next step focuses on pushing the pose and correcting anatomy errors.

Alright, cool! Now he's not just bracing for action, he's *jumping* into it. The back arm's pulled in like a fist, his shoulder bunched up close to his ear. We see how his body's twisted at the torso, chest out, legs stretched, arm extended.

Notice too how I utilize my shapes to empower the pose. Front arm and leg, extended. Lots of straight lines. It *curves* because of muscle and fat, but outside of that, they're pointed in a distinct direction. Contrastly, his right side curves at the hip and follows subtly up to his chest. This helps emphasize his lean into whatever he's attacking, sort of like a bow.

Now we've added details! You'll notice I've changed a lot of my initial design from my rough-sketch to fit more into the style and personality of Dipper in this setting. Since he's, you know, a "Pinetree," I figured his clothing should reflect it. I'm still working in pencil at this point, blocking out the general shapes of what I want, but not really exploring my options.

The cloak follows a slight gust, his hair flows back, the mushrooms on his shoulder lean out from the action, but these are still only guidelines. Keep it loose! Explore things! Have fun with it!

Next step, Inking. Digital art is *very* forgiving, so I'm a lot less concerned about moving forward without a full idea of my vision. This is usually the step I'm most inspired at because it allows me to go back over my loose sketch and add those minute details that excited me so much. I do not recommend moving forward without full confidence in your initial sketch when using traditional art! YOU WILL CRY!

Clothes: changed. Pose: changed. Details: expanded on.

This is where a bit of knowledge in anatomy is really going to serve you well. Bridging the gap between sketch and ink has always been very difficult for me, and it's due in part to those uncertain, not-quite-right bits I have to build off of from my initial sketch.

It's good to keep your rough draft light and fluid so that they capture the emotion and general pose of your character, but it's also important to keep in mind how you'll have to balance *maintaining* that level of expression while incorporating more realistic aspects of their design.

Take for instance Dipper's left foot that went from being tucked up under his butt, to being in a more braced position- like he's about to land, or skirt to a halt. As a loose sketch, it captures the motion very well. However, incorporating muscle and kneecaps and detailed shoes brings out a lot of the visual flaws. Proportion and angle become a serious issue if you aren't entirely sure how a particular body part would flex/squish/shorten in a particular position. The more realistic you go, the more jarring your mistakes.

This is, of course, not me saying you're forbidden from drawing your characters with a leg under their butt with big, meaty thighs. It's *actually* me letting everyone know that I tried working with the pose, building on it looked weird, and I decided to take a different approach. You are 100% allowed to try something else if your initial plan doesn't work out.

This step is where we adapt and improve. Our digital rough sketch didn't really capture the full power of his motion. His cloak kinda billows out like "Yeah, I'm a cloak, I billow gayly." It's flat, hollow, uninspired. Here, you're looking at photo references of Pinetrees, both real and not-real. You're gonna have to make it look like needles and branches, while *also* being a flowy bit of clothing.

For this, keep in mind how *cloth* moves with a more exaggerated, majestic rough sketch to overlay atop our failure of a branch jacket. Die.

See how despite the spikey pine needles, his cloak follows a distinct pattern? Additionally, this coat works in 3-dimensions. There's an outside and an inside, and it curves like a dome around him. It floats behind him, curves in front of him, lifts up, dips down. Really, it's up to you, but always consider your work on the third plain.

ALSO! Very important: Keep an eye on your line weight! Seriously, this took a long time for me to get a firm grasp of. Not *shading* really, but put a bit more emphasis on those bent spaces with darker lines. See that bold line connecting his thigh to his glutes? And the one behind his knee? DEPTH!! IT ADDS DEPTH!!

And *here* is the final product! This is the shading section, arguably my favorite and least-favorite part about my drawing process. Working in black and white, you don't really have to worry about getting every little shadow on your character. Just shade what needs emphasizing; everything with a shadow gets an added layer of depth as well. This is the part that gives your work an additional POP.

Consider too that shading isn't just solid black, even if you're working in black and white. His arm and under his hood are pretty solid black, but the interior of his cloak is far more textured and light. We see where it's darkest at his sides, but leading out, it lightens into distinct markings that (in my opinion) are visually more appealing. Using this tool is ultimately up to you, though.

Okay, the end!

#dipper pines #gravity falls #asks

[i-identify-tanks-in-posts]

Tank Man! A hypothetical for you.

How would you modernize a T-10M to nest survive and fight on the current battlefields of 2024 or later?

Couple of scenarios:

1) It is 2024, current day. You can change whatever you want except the actual layout of the vehicle, and assuming the new systems will fit/can be easily made to fit into the existing architecture of the tank. You have an unlimited budget.

2) Same as above, but you cannot change the gun or other major systems (engine, tracks/suspension, built-in armor, etc), but you can upgrade it in other ways (applique armor, new sensors, etc). You have an unlimited budget for add-ons.

3) It is the mid 2030s after a nuclear apocalypse. You are a post-Russian/Eastern European warlord who found a serviceable T-10M (I.e. it can move, it's not overly rusty, the gun still works, you have ammo for it, etc), and want to upgrade it by cannibalizing bits from the various knocked NATO and Russian tanks left over from the conventional stages of WW3. Your budget is effectively zero, so you can only salvage parts to fit into the tank. What do you do to upgrade it?

Well, this is a bit of a tough one.

For the first scenario, I'm going to gut the whole damned thing. New main gun, to bring it in line with modern ammunition and technology standards, new engine and transmission, since that was one of the IS-8s main flaws. I'd also dig into the C4I of the tank, and bring it up to standard, with modern fire control, sensor suites, etc. I'd also go in and apply a lot of ERA and some soft-kill APS, since that armor isn't going to hold up well to modern fire.

For the second, it's really going to come down to doing everything you can to make the tank more survivable. Applique armor, ERA, APS systems, to be honest, a lot of the stuff we're seeing in Ukraine right now would make the core of the upgrades.

For the third? It's all going to come down to finding parts that are simple and easily replaceable. FCS on an Abrams? Sure, those are going to be a dime a dozen. Loitering munitions launcher on a KF51? Good luck finding ammunition or repair materials for that. However, what's really going to be the issue with an unmodified T-10M is the engine and transmission, which is going to be borderline impossible to replace or repair, given that it's from the 50s, and drivetrain issues were a major part of what got Soviet Heavy Tank development canned in the first place.

#tanks #russian tanks #heavy tanks #military