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#It was basically Labyrinth
laffeetaffeegg · 11 months
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Demon-Luke based on a dream I had. Cynder was supposed to take his soul but didn’t want to give up his human twink, so the ruler of Hell swept in to cause some chaos, and granted Luke one wish. Luke wished for Cynder’s powers, and bam, became demon-Luke. A bit more happened in the dream, including a particularly rough time for Cynder and the apocalypse, but it was all a bit NSFW.
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chainlollipop · 1 year
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does this make sense
edit: sorry yall im turning off rbs for this its getting to be a lot 😭
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emoreooo · 11 months
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i told you not to play with the misfit toys
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babymagi · 3 months
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bumblebeebats · 1 year
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Wow, Guillermo del Toro really said You know what my animated kid's musical needs? Catholicism. War. Death. Alcoholism. Fascism. Frankensteinian undertones. A haunting meditation on mortality and grief. Cate Blanchett making monkey noises. And he was so fucking right
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pillowprincessvarric · 4 months
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I think if you've ever unironically said some variation of "I hate leftovers" or "I won't eat leftovers" then you should be killed
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shynmighty · 8 months
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My 7 y/o daughter: (Points at owlbear Halsin) WHAT. IS. THAT???
Me: That's my buddy Halsin. He doesn't really look like that, though.
7: What does he look like?
Me: He's like... a big elf dude.
7: An elf? You mean... like the handsome vampire?
Me: ...Astarion?
7: (Dreamily) He's so handsome...
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purpleshadow-star · 9 months
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I love how respectful Nico is. He thanks the dead for doing his work when he really doesn't have to. This is why he makes friends everywhere.
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cairavende · 7 months
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Worm Arc 11 Interludes thoughts:
AAAAHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!
Ok. Just in order I think. Sorry for the chaos.
Started off with puppies. I was happy.
Then the puppies started getting a little more violent than needed. I was less happy.
Then Victoria got clowned on a little and I was little bit more happy.
Then the unkillable naked zebra lady showed up everything kinda went downhill. For everyone.
Bitch do not join the supervillain serial killer group, please and thank you.
Seriously though, The Siberian is a bit scary. Just, completely invincible as far as anyone can tell. And super strong.
Theo is having a bad day. And unless someone takes care of Jack Slash for him he's gonna have a bad few years.
Jack Slash is such a poser oh my god. Dude. Come one. You aren't all that.
Also. Jack. Do not toss a loaded baby! That baby had a full diaper. You toss that baby and you are liable to have a containment breach. Speaking from experience, you do not want a containment breach. (Also just don't throw babies of course.)
I hope Theo gets cool powers and is able to become a super amazing hero like he dreams of. On the plus side, probably gonna be lots of opportunities for trigger events coming up. On the minus side, he didn't trigger when Jack Slash was planning on killing him so I don't know if he's gonna be able to.
They were obviously going to go for Labyrinth. She has such amazing powers for mass terror. Though I guess Burnscar never tried to actually recruit her. I assume that was the plan though.
Also Burnscar needs to stop excusing her actions. Just be evil or don't be evil. You don't get to be evil and say it's not your fault (that sure will come up again in these interludes).
I fucking LOVED the description of how Labyrinths powers work. Just the details of everything. So good!
Fucking Colin. Of course they had to go for you. Why can't you just go away and leave my robot daughter alone?
Mannequin is fucking WILD. Like, god damn. Those are sure choices you made. Helps you be creepy as shit though. And get through air vents.
Mannequin writing out "U ME" to Pocketknife Man by laying keyboard keys down on the table one at a time has cursed meet-cute energy.
In the end, Colin survives cause my robot daughter saves him. And I guess she's gonna tell him the truth about being an AI. Fiiiiiiine. I will be polite to Colin if he comes over to dinner. He still needs to apologize to my other daughter though.
Also I'm sure glad the Slaughterhouse Nine won't have any use for the magic pocketknife that can cut through anything that Mannequin took. No worries at all I'm sure. It won't do jack shit for them. Might as well just slash the idea and toss the knife out.
Cool. Some Nazis died. That's great!
Not enough though. Disappointed in Shatterbird.
But if one good thing can come of this whole Slaughterhouse Nine thing, maybe Hookwolf can die. I'm not holding my breath though.
Shatterbird has a very interesting power set. Being specifically glass focused like that. Definitely can see how she would terrorize a city.
Dinah PoV. DINAH POV!!!!!!!!!!!!!!!!!!!
Ok well first off, I obviously hated Coil for Dinah already. Enough that I don't really know if the Dinah PoV can technically make me hate him more. But that said, I hate him more. WTF.
The description of her power was so NEAT though! Had a minor moment of "oh hey this paragraph of this precog talking about her power works inside her head is an almost perfect description of how my brain works" which was wild. I don't actually get to see the future though, which is a major difference.
She can actually just full blow see a possible future holy shit! Wow. Like it hurts and she hates it but it's still crazy.
Also I guessed that Crawler was going to come for Traveler in a Vault (that is Noelle's cape name until I am told different) after the Bitch interlude. I was very happy I got that right since I really knew almost nothing about either.
So Crawler just basically can't die and gets stronger every time he gets hurt. I wonder how long it will take him to reach Endbringer level power?
And Traveler in a Vault is just a large monster that is always hungry and can be driven to the point of eating people. That sucks a lot for her.
Also Leviathan came after her too huh? Well that's probably fine and won't matter in the future.
Regent's sister is worse than he is. That's impressive! Like, not good impressive. But impressive.
Getting real close to the "can't exist" physic power set. I guess it's not quite it though.
She should keep a better eye on her phone battery.
AMY DALLON! I knew it would be you.
I knew you were destined to be a tragedy from the moment I met you. You were always going to become a villain. So once I knew the Nine were recruiting it was a guarantee that you'd be recruited.
Specifically, that you'd be recruited by Bonesaw. She is an artist and obviously she is obsessed over the art you could make together.
Holy shit though that chapter.
Lets see. FUCK CAROL. Victoria gets some excuses, she's a kid, she's following her mom's example, etc. But FUCK CAROL. You are partially responsible for what Amy is about to become.
Despite being terrified, Amy seemed to have a dark fascination with everything Bonesaw was doing and saying. Really listened as Bonesaw explained things.
The more detailed view of what Amy's power does is crazy. She really can do just about anything to someone.
“Why not fix your dad?” is where Bonesaw won. It's about 3/5 of the way through the chapter. And she won at that point. That was the killing blow. The rest of the chapter, the remaining 3.5k or so words, is watching Amy bleed out to drive the point home. It is Panacea's death monologue. It is beautiful and tragic and amazing.
All that said, since she is losing anyway, is it bad for me to want more of Bonesaw's notes? SHE HAS LORE! GIVE IT TO ME!
Dad at least seems pretty good. He made the perfect response after getting healed. Unfortunately she was already gone.
AND THERE IT IS. THERE IS THE THAT FINAL STEP. Fucking rewire your adopted sisters mind to have romantic feelings for you. No you don't get to say it was an accident! You chose to do it. Holy shit Amy. You are going to be an amazing (terrifying) villain.
Callback to Burnscar and blaming her power for her actions.
If Worm was a Disney movie Amy would end up with the best song, 100%. Hellfire or similar levels.
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theone · 4 months
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Obviously I'm basing this on nothing but I'm out here freaking out bc of the implications of hits different -> you're losing me -> labyrinth -> snow on the beach -> the great war
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wanderingmind867 · 3 months
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Pjo-Marvel Comics Crossover Idea:
Sometime prior to the battle of the labyrinth, The Hulk stumbles into Daedalus's Labyrinth. I actually thought of what would happen from here. But I feel like this has potential. Hulk in the labyrinth would be a pretty cool sight. I mean, he isn't that different from the minotaur who used to be housed there.
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pan-magi · 3 months
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Titus: I've never lost a magic battle.
Me: You are a little baby, I'm sure this is your first magic battle.
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whumpshaped · 11 months
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im sure this post has been done before but whats everyones go-to whump scenario before bed
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craqueluring · 1 year
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lets talk about will's journey through hannibals mind palace in s3a, the myth of theseus, the minotaur, ariadne’s thread, labyrinths, and mazes (there is a tldr at the end of this! and this gets better & more cohesive towards the end i promise lol esp after the uffizi gallery screenshot)
background on theseus: theseus sailed to crete intending to defeat the minotaur, a beast housed by the labyrinth constructed by daedalus. it was constructed so well, daedalus himself could not navigate it. ariadne was the daughter of king minos, who ordered the entrapment of the minotaur. she fell in love with theseus, and,betraying her father and her country, she gave theseus a thread to tie one end at the entrance of the labyrinth, and carry the rest with him, so he could find his way back out. theseus succeeded in killing the minotaur and returned safely.
will graham sails to italy as theseus sailed to crete, and enters the labyrinth of hannibal lecter's mind palace at the norman chapel in palermo, italy. the imagery of the many consecutive doorways and disorienting paths in the catacombs under the chapel is notably labyrinthine, and is actually what made me think of this connection in the first place.
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*note the consecutive doorways/arches. this parallels the shot of will and hannibal in front of la primavera. in that shot, there are also many doorways behind them.
hannibal is simultaneously
daedalus, the maker of the labyrinth,
the minotaur, the beast at the center, and,
partly, ariadne, the one who betrays her father and her country, falls in love with theseus and allows him to navigate the labyrinth (i.e. the heart in the norman chapel is what confirms to will that he is going in the right direction). just as ariadne's love of theseus was a betrayal of her country and her father, hannibal's love of will is a betrayal of himself.
perhaps hannibal as daedalus-minotaur-ariadne represents the many contradictory parts of hannibal: the person suit containing the monster (daedalus), the monster (minotaur), and lover (ariadne).
but ariadne, the symbol of love, could also be more accurately represented by both will and hannibal: their connection, and its portrayal through will's hallucinations:
the ravenstag which leads will on the train tracks after chiyoh pushes him off
the blood puddle under the doors to the norman chapel catacombs
the fireflies that lead him to mischa's grave
& more
this thread of connection that leads will through the labyrinth of hannibal's mind is universally present throughout season 3a. it is not the physical actions of a lover that lead will through the labyrinth like ariadne did for theseus, but instead the undertanding derived from love of the labyrinth-maker himself which allows will to navigate the labyrinth. 
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if the entrance ("foyer") to hannibal's labyrinthine mind palace is the norman chapel, the center is his home in lithuania, as will's imagined hannibal says while he is in the lithuanian forest in secondo 3x03:
"is this where construction began?" "on my memory palace? its door at the center of my mind. and here you are, feeling for the latch."
perhaps the center of hannibal's memory palace is actually hannibal's home and what happened there. "mazes intended to be more or less impenetrable have a center containing something so valuable or so shameful as to warrant protection" (x pg. 91) — hannibal's labyrinthine mind palace was constructed outward to protect something at his origin, at the center of his mind: mischa.
will's last stop in hannibal's labyrinth, and perhaps the exit, is where he finds hannibal in front of la primavera, once again in italy. the long hall of consecutive doorways in the center of the screen, which mirrors the doorways in the catacombs during will's 'entrance' into hannibal's mind palace, gives a sense of some long journey coming to an end. he tells hannibal "i wanted to understand you before i laid eyes on you again. i needed it to be clear what i was seeing," plainly stating his reason for his journey through the labyrinth — understanding. 
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*note the consecutive doorways in the center, which parallel the arches in the aforementioned shot of will entering the catacombs in secondo
as explained by penelope reed doob, the purpose of a labyrinth can be to…
"…to entrap or enlighten errant mazewalkers, denying or controlling access to a center that may contain good or evil, and leaving the maze-walker with higher knowledge or in chaotic limbo" (x pg. 64)
certainly, will's journey through hannibal's labyrinth was, as doob calls it, "the labyrinth as a sign of difficult progress." as a plot device, will's journey through europe, hannibal's labyrinth, the mind palace, was a path designed to lead to will gaining higher knowledge, and the "transcendence of labyrinthine confusion" (x pg. 91) 
right?
but, even after will's journey, we as the audience, will as a character, and even hannibal himself, remain confused, turned around, and unable to see any end in sight, especially after both of their failed attempts at separation.
we are still in the labyrinth. 
"labyrinths, like life, involve chaos and order, destiny and free choice, terror and triumph — all held in balance, all perspective-dependent" (x pg. 252)
church labyrinths as a metaphor for life in particular emphasize a unicursal design, or there being only one true path — that of christ, who can act as a guide for humanity "to discover that the mythically multicursal and unstable labyrinth — of life, of the world, of hell — is in fact unicursal, stable, and extricable" (x pg. 133)
instead of this, nbc's hannibal purposefully emphasizes the multicursal and inextricable nature of life and the world through the use of a seemingly chaotic, and sometimes absurd, plot. there are so, so, so many paths will can (and does) follow in the labyrinth/maze of his life. but none are emphasized as the correct one. because that does not exist. everything becomes a matter of perspective, and even looking at the maze from the outside, one becomes disoriented.
thus, this gives even the viewer a sense that they are wandering through the labyrinth with will.
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"The only pattern we are shown is the pattern of the labyrinth...all progress is illusory: we may think we are getting somewhere new, but really we are retreading old patterns, circling and turning and retracing our steps until suddenly we exit right where we entered, with an echoing line or repeated pattern, and not once only but time and again" (x pg. 336)
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just as doob says of chaucer's the house of fame, nbc's hannibal as a whole "reconstructs, rather than transcends, the complexity of the many labyrinths in which we live and write — labyrinths we cannot, and perhaps do not even wish to, escape" (x pg 339)
the plot of hannibal has been criticized for being too absurd or chaotic, but the absurdity is the show's essence. it is a tool of emphasis to remind us of the fact that hannibal, will, bedelia, jack, abigail, alana, margot, are — everyone is — making their way through the inferno, wandering through the labyrinth, unable to see the forest for the trees, just as we are. 
"there is no overview of the labyrinth, at least not in this life, and nothing is clear but the uncertainties of the ambiguous maze above whose constraints we cannot rise. believing all this, some men might despair, but…if these be labyrinths, they are enchanting ones, as full of delight as of frustration…nightmarish as it may be, is colorful, energetic, chock-full of magnificent diversity, far more beguiling than cosmic spheres. it cries out for the shaping mind and voice of the poet to give order and perspective where none exists. if that shaping is no more reliable than its material, so be it: perhaps a well-wrought poem in such a world is all the more admirable, and much more fun. the confusions and errors of the maze may be as attractive as the transcendent view. and if truth is always deferred, redefined by another twist, a fresh perspective, a different viewer, so what?" (x pg. 337)
tldr: will's journey through europe, exploring hannibal's memory palace is comparable to theseus' exploration of the labyrinth in search of the minotaur. hannibal is simultaneously daedalus (the labyrinth's creator), his person suit, the minotaur, his monster, and ariadne, a lover who allows theseus to not get lost in the labyrinth. the ravenstag and hannibal and will's psychological connection and deep understanding of e/o could also be compared to ariadne's thread. the center of a labyrinth is commonly something that is protected; hannibal says his home is at the center of his mind — hannibal's mind palace protects mischa at the center. even when will leaves the labyrinth and finds hannibal, there is not much higher knowledge gained from the journey, as would be expected. that is because we are still in the labyrinth, such is life. the absurdity and chaos of the hannibal plot, the repeating themes, plotlines, and endless parallels exacerbate this point, and emphasizes the inextricability of life, and the fact that there is no one correct path in the winding maze of life.
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foodsies4me · 10 months
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The Elders: Shadowhunters are forbidden from entering the Spiral Labyrinth!!!!
The Spiral: bring me the cute blushing Shadowhunter boy again that Magnus is obsessed with
Magnus’ magic: ✨💘🌈🥰🙈🤩🫶🏼👬👑♾️🐱🌞✨
Magnus: 🫣
The Spiral: 🙃👀😌
Magnus: 🙄🤷🏻‍♂️👨‍❤️‍👨
aka the Alec + Spiral brotop nobody asked for but here we are 🫢
I mean that’s basically what happens in the second part of AWG that I’m writing.🤣
The Spiral is intrigued by this warlock that isn’t a warlock and holds magic it does and doesn’t recognize. It also loves how that magic is just very nice and soothing and how Alec is leaking it all over the place. The other warlocks generally don’t dare do it because it is considered « rude » or « childish » and shows « a lack of control », which the Spiral finds rather silly to be honest. Even the tiny warlocks are quickly discouraged from doing it and told how to keep their magic on a tight leash. So this new not-warlock is intriguing and interesting all at once. (Which is to say: Yes, the Spiral sees Alec the way we would a cute puppy and Magnus’s magic is not complaining.
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babymagi · 6 months
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been having a kinda shitty day so far so here’s a headcanon that makes me happy
Oftentimes Judar will give Alibaba half-eaten food that he ate and really liked because his logic is that food that is really good should be shared with the person he loves the most
Alibaba always eats the food because he hates wasting food and also at this point he understands that this is just a love language to Judar, it makes Judar happy to see that Alibaba is enjoying something that he enjoys as well and that’s why Alibaba will always eat the food that Judar gives him even if it’s partially eaten (and also usually the food is genuinely really really delicious)
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