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#Jack Schiff
evilhorse · 1 year
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The twin guardians of the sleeping town leap into dynamic action!
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WC: ACTION COMICS #317
We’re getting down to the end in my summations of my Windfall Comics purchase of 1988, which means that we’re going to start to see the same titles show up again and again, issue after issue. These were the books which were a part of that purchase in some bulk, the ones whose demand on the back issue market at that time was slim. Given the huge circulation of the Mort Weisinger Superman titles…
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onlylonelylatino · 1 year
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"Old Glory Corner" by Chuck Winter
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newtodcui · 7 months
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ADVENTURE COMICS (1935-1983) #283 [Apr 5, 1961]
A box of dangerous Kryptonian weapons cast out into space by Jor-El are opened on Earth by Superboy, among them the Phantom Zone projector. First appearance of General Zod and the Phantom Zone.
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eliah · 1 year
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mikelogan · 10 months
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LAW & ORDER 5x14 PERFORMANCE
SAM WATERSTON as JACK MCCOY and STEVEN HILL as ADAM SCHIFF
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choicescreen · 1 year
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@beneviolencia 
steady goes. easy does it. from his vantage point, leaned back in his seat in the same way miss carpenter told him in third grade would cause him to bust his head open and need stitches, he’s got the ideal straight-shot to the back of many-a head. 
bow! right to the fold where the neck becomes the head goes his latest projectile: hornets, just like he’d once made out of paper and spit. nine years old had been the heyday for those, too.
when his target turns, irritation and bewilderment furrowing his brow, murdock’s fingers wiggle-waggle innocently. “ what’s on your mind, jacky-boy? “
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rewatched "virtue" in s5 of l&o tonight and i DIED at the little side look claire threw jack when schiff commented on how male employees fantasized about sleeping with their female coworkers
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theantonian · 4 months
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The Antonian Reading List
Mark Antony: A Life by Patricia Southern (Highly recommended!)
Mark Antony: A Biography by Eleanor Goltz Huzar (Highly recommended!)
The Life and Times of Marc Antony by Arthur Weigall (Recommended)
Marc Antony: His Life and Times by Allan Roberts (Recommended)
Marc Antony by Mary Kittredge
Antony & Cleopatra by Patricia Southern
Antony & Cleopatra by Adrian Goldsworthy (By far the most negative book on Antony by a modern historian, the Cleopatra portion is better)
Mark Antony: A Plain Blunt Man by Paolo de Ruggiero (Recommended)
Mark Antony and Popular Culture: Masculinity and the Construction of an Icon by Rachael Kelly
Mark Antony's Heroes: How the Third Gallica Legion Saved an Apostle and Created an Emperor by Stephen Dando-Collins
A Noble Ruin: Mark Antony, Civil War and the Collapse of the Roman Republic by W. Jeffrey Tatum (Highly recommend!)
Mark Antony & Cleopatra: Cleopatra's Proxy War to Conquer Rome & Restore the Empire of the Greeks by Martin Armstrong
Actium and Augustus: The Politics and Emotions of Civil War by Robert Alan Gurval
The Roman Revolution by Ronald Syme (Recommended)
Octavian, Antony and Cleopatra by W. W. Tarn
Fulvia: Playing for Power at the End of the Roman Republic by Celia E. Schultz
Cleopatra: Last Queen of Egypt by Joyce Tyldesley (Highly Recommended!)
Cleopatra by Michael Grant (Highly Recommanded!)
Cleopatra: A Life by Stacy Schiff (Highly Recommended!)
Cleopatra - A Biography by D. Roller
Cleopatra and Antony by Diana Preston
Cleopatra by Alberto Angela (Recommended)
Cleopatra by Jacob Abbott
Cleopatra the Great by Joann Fletcher
Cleopatra and Egypt by Sally-Ann Ashton
Cleopatra and Rome by Diana E. E. Kleiner
Cleopatra Her History Her Myth by Francine Prose
Cleopatra Histories, Dreams, and Distortions by Lucy Hughes Hallett (Recommended)
Cleopatra’s Daughter Egyptian Princess by Jane Draycott
The Storm Before the Storm by Mike Duncan
SPQR: A History of Ancient Rome by Mary Beard (Good for beginners)
The Last Assassin: The Hunt for the Killers of Julius Caesar by Peter Stothard
Robicon by Tom Holland
Alesia 52 BC: The final struggle for Gaul (Campaign) by Nic Fields
Actium 31 BC: Downfall of Antony and Cleopatra (Campaign) by Si Sheppard
Pharsalus 48 BC: Caesar and Pompey – Clash of the Titans (Campaign) by Si Sheppard
Philippi 42 BC: The death of the Roman Republic (Campaign) by Si Sheppard
Mutina 43 BC: Mark Antony's struggle for survival (Campaign) by Nic Fields
The War That Made the Roman Empire: Antony, Cleopatra, and Octavian at Actium by Barry Strauss
The Battle of Actium 31 BC: War for the World by Lee Fratantuono
Rome and Parthia: Empires at War: Ventidius, Antony and the Second Romano-Parthian War, 40–20 BC by Gareth C Sampson
Rivalling Rome: Parthian Coins and Culture by Vesta Curtis
Classical sources:
Plutarch’s Lives
Cicero: Philippics, Ad Brutum, Ad Familiares
Appian, The Civil Wars
Dio Cassius, The Roman History
Suetonius, The Twelve Caesars
Flavius Josephus, The Jewish War
Livy, The Early History of Rome
Tacitus, Annals and Histories
Friction:
The Tragedy of Julius Caesar by William Shakespeare
The Tragedy of Antony and Cleopatra by Willian Shakespeare
All For Love or The World Well Lost by John Dryden
The Siren and the Roman – A Tragedy by Lucyl
Caesar and Cleopatra by George Berbard Shaw
Cleopatra (play) by Sardou
Antony by Allan Massie
I, Claudius by Robert Graves
I, Cleopatra by William Bostock
Cleopatra by H. Rider Haggard
Cleopatra by Georg Ebers
Kleopatra (Vol I & II) by Karen Essex
Last Days with Cleopatra by Jack Lindsay
The Memoirs of Cleopatra by Margaret George
When We Were Gods by Colin Falconer
The Masters of Rome series by Colleen McCullough
Caesar's Soldier: Mark Antony Book I by Alex Gough (Ongoing series)
The Antonius Trilogy by Brook Allen
The Last Pharaoh series by Jay Penner
Throne of Isis by Juith Tarr
Hand of Isis by Jo Graham
Woman of Egypt by Kevin Methews
The Ides of Blood 01-06 (Comics)
Terror - Antonius En Cleopatra (Erotic yet pure love, Dutch comics)
Cleopatra - Geschiedenisstrip (Dutch comics)
Les Grands Personnages de l Histoire en Bandes Dessinees – Marc Antonie (French comics)
Les Grands Personnages de l Histoire en Bandes Dessinees – Cleopatre (French comics)
Les Grands Personnages de l Histoire en Bandes Dessinees – Julius Caesar (French comics)
Cléopâtre (French Manga)
 Ils Ont Fait L'histoire - Cléopâtre (French Graphic Novel)
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ego-osbourne · 7 months
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The Dez Illusion / Salt in the Wound Voice Claims
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THE VOICE CLAIMS ARE FINISHED FINALLY
This has been in the works for a loooong time. The hardest part was finding these DAMNED VOICES. By FAR the hardest voice to find was Rakell’s, but his game out very nicely!
Here’s some general notes I have for everyone, if you wanna read.
Erandur (Keith Szarabajka) - (TDI / SITW) No issues with his original VA. Gruff but very sweet and comforting.
Serana (Laura Bailey) - (TDI / SITW) Again, no issues with her original VA. Blunt and sassy, very capable of dry humor.
Miraak (Peter Jessop) - (TDI / SITW) I couldn’t not use his original voice, it’s just so dramatic and grumpy.
Sanguine (William Salyers) - (TDI / SITW) Originally went looking for a more smooth-talking, charming voice, but nothing I found could quite keep the same level of mischief that his og voice had. So, while I think the perfect voice is out there somewhere, og voice is still wonderful.
Ancano (Alexander Brandon) - (TDI / SITW) Love his og voice, it’s so pompous and entitled. In a perfect world I would be able to find something like this with a sailor/pirate accent, but this is pretty close.
Ego (Dan Avidan) - (TDI / SITW) When first starting this project, a bunch of buddies told me that Dan Avidan fit their voice, and it just kinda stuck lol. I think Dan’s voice works especially well in SITW, the only thing I could ask more from it is if it matched Erandur’s accent a little. But, it still adds a lovely charm and goofiness that Ego definitely needs!
Rakell (Grahame Fox) - (TDI / SITW) Like I said, my buddies and I went through a LOT of grief trying to find the right voice for him. He probably went through the most changes, from Stoic (HTTYD) to Sir Gideon Ofnir (Elden Ring). Eygon ended up being the perfect fit, with as low and growls as he was.
Iren (Richard Schiff) - (pre-TDI) What a wonderfully soothing voice, made specially to lull you into a false sense of security, but bleeding with wisdom.
Velehk Sain (Josh Keaton) - (TDI / SITW) A good commanding voice, though aired with a type of softness that he can’t seem to loose, like he’s trained his voice to be authoritative but it doesn’t always hit the mark. When it’s soft, it sounds the most natural. My only wishes are that his voice was a tad bit higher and had a pirate inflection.
Caspian (Johnny Depp) - (SITW) Wild, loud, and slurred, Captain Jack just worked so very well for Caspian.
Kyrahk (Scott Porter) - (SITW) The perfect level of arrogance, perfect vocabulary, perfect speed. His voice only throws me off because I wish it sounded a bit older or lower.
Molag Bal (Graham McTavish) - (TDI / SITW) Ironic that a vampire would voice the father of all vampires. Perfect all around, being dark, broody, and ever-intimidating, and sounds damn good when annoyed!
Mehrunes Dagon (Christopher Judge) - (TDI / SITW) Low, wise, blunt, and intimidating, very perfect for Dagon. I only wish he had a better yelling voice. While Kratos’ yells are short and change his tone, I always imagined Dagon’s yells as long and rumbly.
Hermaeus Mora (Dee Bradley Baker) - (TDI / SITW) This voice is the stuff of nightmares. Glorious.
Sheogorath (Wes Johnson) - (TDI / SITW) HE’S SHEOGORATH BABY!!
Vaermina (Ellen McLain) - (TDI) Proper and highly sassy, cruel and cold, but always sounding lovely. My only wish was to get rid of the robotic effect a little—not fully.
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cantsayidont · 6 months
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March 1985. Whatever else one may say about the Crisis on Infinite Earths, it was a triumph for truth in advertising: Worlds lived, worlds died, and the DC Universe was never the same. A cynic might add, "And nothing ever made sense again," since the event kicked off almost 40 years of retcons, revisions, and successive reboots, which DC used to internally describe as "white events," after the cataclysmic moment in CRISIS ON INFINITE EARTHS #10 where the original multiverse was shattered and recreated:
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Even before the Crisis event was ever conceived, DC had a long history of fairly dramatic editorial and creative shifts, some of which hung on specific story events (like the de-powering of Wonder Woman in 1968) and some of which did not (like the inauguration of Batman's "New Look" in 1964). With the benefit of hindsight, it's possible to make some general observations about editorial revisionism and efforts to tear down and rebuild internal continuity:
It's ultimately easier (and more effective) to ignore than to change. When Julius Schwartz became Batman editor in 1964, he dispensed with many characters and concepts that had been staples under his predecessor, Jack Schiff, such as Batwoman and Bat-Mite. With one exception, there was no story explanation of where they'd gone — they just stopped showing up and were soon forgotten. The exception was Alfred the butler, who was killed off dramatically in DETECTIVE COMICS #328. When the producers of the 1966 Batman TV show decided to incorporate Alfred into that series, Schwartz was obliged to resurrect him, in a singularly preposterous way, after which he was regarded as indispensable. By contrast, while most of the characters who'd simply been ignored also returned, it was much later and generally in quite minor ways; their long absence reduced them to marginalia that could be incorporated or not, as seemed most useful.
Crossovers are the most serious and persistent enemy of change. The nature of company-owned comics is that the characters will inevitably show up in crossovers, team-ups, and events of various kinds, often written, drawn, and edited by people who aren't familiar with the finer points of the characters' history, inevitably resulting in troublesome contradictions, up to and including characters who were previously supposed to be dead inexplicably popping up alive. The more convoluted a change to a character or their history, the more likely that it will misrepresented, accidentally undone, or just ignored the next time the character shows up in a series other than their own.
A true line-wide reboot is commercially infeasible. A publisher like DC or Marvel has many different titles at once, and at any given time, some of them are selling better than others. If a title isn't selling well, there may be nothing to lose by rebooting it or making drastic changes to its characters and direction, but doing that to a series that's currently a hot seller is foolhardy. So, the bestsellers will generally stroll through a "white event" with only minor cosmetic adjustments, while weaker titles may undergo a whole series of radical reinventions. If the former bestseller goes into a slump and one of those radical reinventions transforms an underdog into a hit, the situation will be reversed. Surely this won't backfire later …
Timing is everything. A lot of the confusion that resulted at DC in the wake of the Crisis stemmed from the fact that different revisions happened at different times. For instance, the headaches surrounding Hawkman began in large part because of the editorial decision in 1990 not to treat the Tim Truman HAWKWORLD series as a kind of "Hawkman: Year One" (which is how it was conceived), but rather as a reboot, even though that threatened to retroactively remove the Hawks from books like JUSTICE LEAGUE, which had become very popular following its most recent revamp. This kind of thing creates situations where creative teams have to come up with desperate contrivances to explain retroactive changes to very recent stories. Having Hawkman and Hawkwoman stop showing for Justice League adventures for a while wouldn't have been a big deal, but trying to assert that the Hawkman and Hawkwoman who'd previously appeared were either never really there or were actually somebody else was another matter, and the problems this created were never fully resolved.
Continuity-tidying for its own sake is almost always a creative dead end. This is a lesson that Nelson Bridwell and Roy Thomas demonstrated over and over throughout the Bronze Age: It's one thing to have some flashbacks, if it serves the story, or maybe to retell a character's origin with a few nips and tucks, but if your main purpose is to explain, e.g., why Namor once wore the wrong shorts, the results are likely to be either silly or tedious. This hasn't stopped DC and Marvel from wasting a lot of ink and paper on specials and miniseries that exist to retell earlier stories in an updated, continuity-compliant manner, usually to no good end. The fundamental problem with such things is that their main object is to regurgitate familiar older stories (if they weren't familiar, there would be no point in retelling them) while urging readers who have read the original version (who are the most likely audience) to ignore their lying eyes. This is, with very, very few exceptions, a dismal exercise that routinely defeats even usually reliable creators like John Ostrander (see for example the tiresome 2001–2002 JLA: INCARNATIONS), and frequently results in yet more contradictions to explain or ignore.
The bottom line is that while you can blow things up all you want, the likelihood that they can be reassembled in a clearer, more cohesive way is really quite low, and diminishes the more frequently you try.
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I want to be clear here that this isn't a criticism of the CRISIS ON INFINITE EARTHS series (which has many virtues, along with some significant flaws), or even any of the individual revisions and retcons that have followed, some of which are, in their own right, perfectly fine. The dilemma is that the project that an event like this represents is ultimately a doomed one. It might spark some commercial interest, at least briefly (which is of course at least half the point), but simplification and unity are just not in the cards and probably never will be.
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evilhorse · 11 months
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Take a letter!
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WC: DETECTIVE COMICS #329
It’s been well covered over the years that in 1964, with sales flagging thanks to editor Jack Schiff clinging to an outdated approach to the character as the Silver Age blossomed, the reins of the Caped Crusader’s two titles were handed over to editor Julie Schwartz, in the hopes that Schwartz, who’d had a lot of recent success in reinvigorating defunct super hero properties, might be able to…
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onlylonelylatino · 1 year
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Introduction of Tommy Tomorrow by Howard Sherman
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quantumgroovytime · 1 year
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i’m in dincobb adjacent hell rn and i wanna drag more people down here with me >:]
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dio morriessy (nypd blue) and dennis schiff (the broken hearts club)
this one is purely for the aesthetics of camp gay man falls in love with standoffish alt guy (idk what subculture dio actually is please don’t crucify me /lh)
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frankie morales (triple frontier) and nick bennett (a perfect getaway)
they were both in the army. that’s it. that and all of their fics are incredibly sweet and i love them a lot
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max phillips (bloodsucking bastards) and mickey altieri (scream 2)
dude who kills people because he needs to eat and dude who kills people because he’s batshit crazy. i won’t read any of the fics for them because they’re all nsfw and i don’t read that, so someone PLEASE write sfw fics about them 🙏🙏 /nf
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jack daniels (kingsman: the golden circle) and raylan givens (justified)
gay cowboys. i don’t need to say any more
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dieter bravo (the bubble) and joel hammond (santa clarita diet)
this pairing came to me in a vision (an incredibly boring graphic design lesson) the whole reason i’m so attached to it is the idea of dieter hating being a celebrity because no one sees him for him and joel being extremely behind on current media so has no idea who he is and he’s just happy to have another buddy to get high with
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joel miller (the last of us) and david dutton (the crazies)
as much as i love joel miller+joel hammond i’m also incredibly attached to the idea of these two ‘zombie’ fighting badasses falling in love
idk man i love them a lot
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buckybarnesss · 7 months
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tagged by @dear-massacre
i am primarily a non-fiction girlie. i like reading about historical things. you could say i have a niche. can you guess what it is?
102 minutes that changed america by jim dwyer and kevin flynn. i consider this a must read about 9/11. it's an engaging read and i promise you will come out of it infuriated about new york real estate codes but also it humanizes the event. there were real heroes that day. the history channel also did a documentary of the same name.
the invention of murder: how the victorians revelled in death and detection and created modern crime by judith fanders. this one of not for the faint of heart. it's a beast of a book. but it's incredibly interesting and full of information. we've always been weird freaks.
stiff: the curious lives of human cadavers by mary roach. i will not lie i got this book due to a sterek fanfic and i did not regret it. if you ever wanted to know how cadavers have contributed to science and human safety this is the book to read.
this republic of suffering: death and the american civil war by drew gilpin faust. this is one of my incredibly niche interests. the american civil war fundamentally changed the american relationship with death (and religion) which is fascinating. men died far away from home and americans had to learn to cope with mass death.
working stiff: two years, 262 bodies, and the making of a medical examiner by judy melinek and t.j mitchell. dr judy melinek started working as a pathologist for new york city two months before 9/11 and a few other big events. i found this super compelling.
plague (black death & pestilence in europe) by william g. naphy and andrew spicer. i just want y'all to know i was reading this book in feburary 2020 (☞゚ヮ゚)☞. it's also super informative. who doesn't like reading about the black death and societal changes because of it?
assassination vacation by sarah vowell. i discovered this book due to the incredibles dvd giving sarah vowell a spotlight on it. she is the voice of violet parr and an essayist. i recommend any book by her and she was a semi-frequent guest on the daily show during jon stewart's tenure. by this one? it's about presidential assassinations -- a favorite topic of mine.
how to fight presidents: defending yourself against the badasses who ran this country by daniel o'brien. this is written by cracked alumn and now writer for the late late show daniel o'brien. he liked my tweet about it. pour one out for him not only having to read about mallard filmore but he also was spoken to by the secret service and not allowed to include any living presidents (at the time) in the book.
the witches: suspicion, betrayal, and hysteria in 1692 salem by stacy schiff. a really in depth look at the salem witch trials that i considered quite the page turner. i consider it a god forbid woman do anything tale. her book on cleopatra was also riveting.
tagging @janiedean @jamiesugah @jack-whiskey-daniels @sarcasticassian @frostysfrenzy
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