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#Jacopo Zucchi
twirld · 1 year
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Jacopo Zucchi (detail)
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peaceinthestorm · 8 months
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Jacopo Zucchi (1541-1590, Florentine) ~ Amor and Psyche, 1589
[Source: collezionegalleriaborghese.it]
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oncanvas · 6 months
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Portrait of a Woman, possibly Jacopo Zucchi, mid-16th century
Oil on wood 38 ½ x 30 in. (97.8 x 76.2 cm) The Metropolitan Museum of Art, New York City, NY, USA
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hornyforpoetry · 1 year
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”Allegory of the Immaculate Conception” // Giorgio Vasari
”Self-portrait” // Anthony van Dyck
”Pallas and the Centaur” // Sandro Botticelli
”Madonna and the Child” // Fra Filippo Lippi
”Immaculate Conception with Saints” // Piero di Cosimo
”Rest on the Flight into Egypt” // Jacopo Zucchi
Paintings from Galleria degli Uffizi // Florence, Italy
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Florentine Painter (possibly Jacopo Zucchi, Italian, 1541–1590) Portrait of a Woman, mid-16th century
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tratadista · 8 months
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Jacopo Zucchi, Pesca nos Corais (1585)
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canterai · 1 year
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novi tormenti e novi tormentati mi veggio intorno, come ch'io mi muova e ch'io mi volga, e come che io gusti
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negreabsolut · 2 years
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L'Edat d'Or, de Jacopo Zucchi. Tinta ocre i bruna sobre paper; 1565.
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Details: Portrait of a Lady, Jacopo Zucchi, 1560
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molly-bloom · 29 days
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Jacopo Zucchi: Eros e Psiche, 1589
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joseandrestabarnia · 3 months
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Los olímpicos con Hércules y las musas Jacopo Zucchi (Florencia 1541- Roma 1590) Fecha: 1570-1577 Museo: Los Uffizi Técnica: óleo sobre cobre Dimensiones: 50x39 cm Inventario: 1890 n. 1509
Durante mucho tiempo se creyó que este pequeño cuadro representaba La Edad del Hierro y que formaba parte de un único ciclo junto con otras dos obras del mismo autor y de formato similar que representaban respectivamente La Edad de Oro y La Edad de Plata.
En cambio, estudios recientes han demostrado que este cuadro no puede relacionarse con los otros dos, no sólo porque fue pintado sobre un soporte diferente, cobre y no madera, sino sobre todo porque el tema había sido identificado erróneamente.
En realidad, se trata de una representación de los dioses del Olimpo con Hércules y las Musas. El tema iconográfico está tomado de un pasaje de la Teogonía de Hesíodo en el que el poeta griego dice que Júpiter, después de haber destronado a su padre Saturno, se convirtió en señor de los dioses. Zucchi lo representa entronizado en el cielo mientras le otorga a Juno los atributos que la identifican como la reina del Olimpo. A ambos lados de la pareja están la diosa de la Justicia Astrea y Mercurio, mensajero y copero de los dioses.
A continuación, como en una especie de enciclopedia mitológica, tema especialmente agradable para el pintor, que poseía un profundo conocimiento de la mitología, las demás divinidades olímpicas hacen alarde de sus respectivos atributos.
La inscripción en la escalinata del trono "A cada uno lo suyo", extraída de un pasaje de De natura deorum de Cicerón, proporciona la clave para comprender el cuadro que alude al principio fundamental que subyace a la justicia divina.
La pequeña obra, tal vez destinada a la puerta de un gabinete o de un estudio, probablemente fue encargada a Jacopo Zucchi por Ferdinando I de' Medici en la época de su cardenalato.
Alumno de Vasari, Zucchi se convirtió en su principal colaborador, participando en la decoración del Salone dei Cinquecento y del Studiolo de Francesco I en el Palazzo Vecchio. En 1572 se instaló en Roma, convirtiéndose en el artista favorito de Fernando, quien le confió numerosos encargos, entre ellos la decoración de su villa en el Pincio.
Texto por Mónica Alderotti
Información de la web de la Gallerie degli Uffizi, fotografía de mi autoría.
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simena · 2 years
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 Jacopo Zucchi - The Three Graces (detail)
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gogmstuff · 1 year
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Touring the 1500s -
Top left  1525 Laura Pisani by Gabriele Cappellini (location ?). From tumblr.com/eirene; partially fixed.
Top right  Diane de France, princess of France and daughter king Henry II of Valois by François Clouet (location ?). From tumblr.com/roehenstart/695196156597256192/portrait-of-diane-de-france-princess-of-france; fixed spots, but not cracks w Pshop 2048X2894.
Second row left  Woman by ? Musée des Beaux-Arts de Dijon - Dijon, Côte-d'Or, Bourgogne-Franche-Comté, France). From tumblr.com/blog/view/history-of-fashion 597X800 @72 208kj.
Second row right  1550s Laura Battiferri by Agnolo Bronzino (location ?). From tumblr.com/blog/view/papered-in-rose-toile 1370X1795 @72 677kj.
Third row  Woman by Florentine painter, possibly Jacopo Zucchi (Metropolitan Museum of Art). From tumblr.com/historical-fashion-devotee/700705910778216448/artthatgivesmefeelings-florentine-painter; fixed spots & cracks w Pshop 2015X2615 @72 1.5Mj.
Fourth row left  1545-1550 Lady, probably Philippine Welser, probably by Corneille de Lyon (Veste Coburg - Coburg, Bayern, Germany). From tumblr.com/blog/view/lenkaastrelenkaa fixed spots $ some cracks w Pshop 828X1200 @72 482kj.
Fourth row right  ca. 1565 French Princess by the school of François Clouet (Morgan Library & Museum - New York City, New York, USA). From tumblr.com/dashboard 1078X1445 @72 665kj.
Fifth row lef.  1570 Probably Camilla Martelli by Alessandro Allori (St. Louis Art Museum - St. Louis, Missouri, USA). From tumblr.com/pipouch/696978340783030272/alessandro-allori-portrait-dune-dame 1741X2048 @72 1.3Mj.
Fifth row right  Jungen Frau by Nicholas Hilliard (Bassenge - 1Dec22 auction Lot 6038). From their Web site 1070X2498 @144 7.6Mp.
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eauverdose · 1 year
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Jacopo Zucchi - Psyché et Cupidon - 1589 - (Galleria Borghese)
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Psyche et Amor
Silence, in the almost empty museum, at closing time, was incredibly loud. She was standing there, looking at the painting, absorbing all the details, not knowing someone or something was watching her. She was too busy wandering around with her eyes, searching for hidden meanings, admiring the colors, her mind like an untamed storm, always daydreaming.
An almost inaudible sound like the sound of pearly white feathers made by the most delicate bird made her turn away her attention from the painting. She had goosebumps, feeling a rush of adrenaline moving up to her spine. Her chestnut hair, straight and soft, was covering the sides of her face, like a dark frame that made her caramel eyes look even more stunning in the light beam of sun piercing thru the big window at her left.
— Sorry… there’s someone there? she searched with her eyes someone to whom apologize for staying over the closing time. It wasn’t the first time that she got caught admiring the painting.
Nobody answered her. She was all alone there, in the small room, crowded with figures, all of them looking at her with all kind of expressions. All of a sudden she felt overwhelmed, she needed to go, but her heart kept pinning her in her spot, like a possessive lover ready to keep her there no matter what, yet still she managed to move her foot, to push her body away from the painting. She felt like Psyche waiting for her Amor; doomed to wait, doomed to never be able to see him, doomed to feel his touch but never see his loving sight, yet she was still hopping that one day she will meet him, like sun shining under the same sky with its beloved moon.
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Psyche finding out the identity of his lover [Jacopo Zucchi - Galleria Borghese, Rome]
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DAILY MASS READINGS – Friday, August 5, 2022
DAILY MASS READINGS – Friday, August 5, 2022
III class-White Dedication of Our Lady of the Snows (First Friday) Jacopo Zucchi’s painting(Vatican Museum). Photo:Lawrence OP daily-mass-readings_8-5-2022Download INTROITHail, holy Mother, who in childbirth brought forth the King Who rules heaven and earth world without end.Ps 44:2My heart overflows with a goodly theme; as I sing my ode to the King.V. Glory be to the Father, and to the Son,…
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