Manuel Álvarez Bravo (1902 - 2002) ~ Cuaderno de la mañana (Morning Notebook), 1939 | src Getty Museum
Alvarez Bravo produced a series of nude photographs depicting this model. He called the series Morning Notebook, suggesting that the female body was a construction that could be documented and then read like words on a page. (text quoted from Getty Museum)
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Flor Garduño (Mexican b. 1957), Venus Terrae, Suiza, 2001.
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Autorretrato (self portrait), Desierto de Sonora, Mexico, 1979
Mexican photographer Graciela Iturbide turns 80 this year. She is still taking pictures, and a new exhibition will showcase some of her work from the 1970s to the present day.
Mexico’s poetic gaze: Graciela Iturbide at 80 – in pictures
From portraits of the Seri people to depictions of LA gangs, this major figure of Latin American photography has always looked for ‘surprise in the ordinary’
Nuestra Señora de las Iguanas, Juchitán, Oaxaca, 1979
Mujer zapoteca, Tonalá, Oaxaca, 1974
Magnolia, Juchitán, Oaxaca, Mexico, 1986
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Mexico City, Mexico
Mexican salamanders walk on grass during a media presentation of a conservation project to preserve the species in Xochimilco
Photograph: Toya Sarno Jordan/Reuters
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Mexican fire barrel. At Tohono Chul, Tucson, Arizona.
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Sunlight catching the flower mast of a Sotol (Dasylirion wheeleri) in a shaded canyon, Huachuca Mountains, Coronado National Memorial, Arizona.
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Torito, Coyoacán, Mexico, 1983
Mexican photographer Graciela Iturbide turns 80 this year. She is still taking pictures, and a new exhibition will showcase some of her work from the 1970s to the present day.
Mexico’s poetic gaze: Graciela Iturbide at 80 – in pictures
From portraits of the Seri people to depictions of LA gangs, this major figure of Latin American photography has always looked for ‘surprise in the ordinary’
Khajuraho, India, 1998
Caballito para Gerzso, Aldea Acadia, Lafayette, Louisiana, Estados Unidos, 1997
Pájaros en el poste de luz, Carretera a Guanajuato, México, 1990
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