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#Mutantkind
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bloodyironmask · 10 months
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Just saw someone say emma and tony makes more sense than emma and scott, i might be bias because i hate tony at this point and prefer scott with emma. But the idea of emma being better off with an avenger just because he's a rich douche bag don't sit right with me
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sneakymystique · 3 months
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A quacking disguise
Art by rubberduckworld
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siderains · 2 years
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just rewatched logan with my aunt last night and we really were the whole movie saying “oh but if MAGNETO were there…”
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clochanam · 1 month
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but the diner also being very popular among heroes is smth that i'm speaking into existence rn, bc why wouldn't they want to go to a local diner that seems to solve a lot of shite that happens in the neighborhood? why can't i have aisling and stanley arguing about what to have for family dinner while tony st.ark and th.or have a bafflingly intense argument about hammers and technology? yk?
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scarletwix · 1 year
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The Weight of Living
Fandom: X-Men (comics-adjacent) | 329 Words
A/N: Long time, no see!
Here's a ficlet from an au that I don't know if I'll ever fully flesh out. Very introspective, featuring Brotherhood-aligned Quicksilver and Scarlet Witch. Enjoy!
In the past five years, no one outside of the Brotherhood's inner circle has seen Magneto up close. In the end, that's what saves Pietro. Saves Pietro and the whole damned fool operation.
Pietro feels uncharacteristically out of his depth. His usual cocky steps are weighed down by the metal in the soles of his father's boots. He has to fight to keep his back ramrod straight under the weight of the cape Magneto is known for.
No wonder his father walks like he's always on his way to an execution.
Pietro catches sight of his own reflection out of the corner of his eye, and for a moment he has to look again. It takes him a worryingly long time to find something that makes him him under the gear he's outfitted in. He looks like their father. He's always known this, of course, in the most abstract of ways. He looks like their father, and Wanda looks like their mother. Nevermind that, of the two of them, it's Wanda that got their father's disposition. He's seen more of Magneto's expressions on her face than he has ever seen on his when he tries to recreate them in the mirror.
In the end, it's the line of his jaw that gives him the least concern, and it's his nose that reminds him that it's only the clothes that have changed, not the man beneath. His nose has been broken enough to leave it uneven where his accelerated healing hadn't left enough time to try and set it. It's crooked in a way his father's isn't.
Wasn't.
He's lucky that his father is was a dramatic bastard. No one blinks twice at him as he stomps his way down the halls, projecting his grief as rage as he goes so that no one will stop him and ask questions.
He doesn't feel lucky. In fact, he thinks it counts as a personal triumph that he feels anything at all.
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wintercosmickillsx · 6 months
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💡(for Abe, if that's all right!)
send me a 💡 and i'll tell you my muse's first impression of your muse.
Abe's first impression of Beast, curiosity/intrigue, he always is when meeting someone who is "different" and perhaps even viewed as monstrous, which a lot of mutants are. Big blue furry guy meets that criteria.
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Sebastian Shaw resents people who claim he’d sell his own mother
“Of course I wouldn’t
I’d never be able to get a decent price for her”
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comic-book-archives · 9 months
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fouralignments · 2 years
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If Charles needed anything it was a hug.
Hank: Hey Erik doesn't it just kill you that your son loves Charles more than you?
Erik: Why? I like Charles more than me.
Charles: Erik love...we talked about this!
I blame finals. Lovely, I do enjoy getting your questions. Its one of those things in my life that which is a consent. That and Dadneto.
Erik needs all the hugs. And he needs to be protected at all cost!!!
But, Erik and Charles love their son, Peter. Erik just has a hard time being vulnerable and soft around his adult son, its a bit hard for him because he hasn't had a child that has lived until adulthood. So, its a brave new world for Erik to fully comprehend and its going to take time to get used to. However, Peter only needs to look into his father's eyes to know the depth of his father's love for him. Erik's love comes from his inner most soul. Erik will do anything in his power to protect his son and build a better world for him that's who he's fighting for as Magneto.
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"MUTANTKIND DOES NOT NEED YOUR PERMISSION TO LIVE"
YAAAAASSSS QUEEN!!!
HELL YES!!! DAMN RIGHT!!!
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seconds-2-midnight · 2 hours
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If Geiger was a supervillain, she'd actually be SO fucking scary.
Like, there's not much that could be done to stop her by the time she makes up her mind, unless she goes around telling everyone what she's about to do.
I imagine her finding a spot she likes. Maybe it's the apartment where she and Toad lived for a while with the Brotherhood, or the overgrown ruins of the building where the MRD almost caught them, or the old warehouse where he taught her how to skip stones. She turns her radio on and listens to one of her favorite songs and looks out at the view of the city, and then just...self-destructs and takes everything with her.
And the worst part is, she would be so relaxed and at ease when it happens. 10/10 supervillain.
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artbyblastweave · 5 months
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There's a question which the west coast Fallout games are quietly litigating, which is that age-old gotcha about what you do with the remaining orcs once you've deposed Sauron. In the original Fallout, the Super Mutants are basically universally aligned against the quote-unquote "good guys," for whatever value of that term is applicable to the wasteland at large, but subsequent games make it clear that this was an ideological thing, and a product of the political moment of the mutants creation rather than an ontological quality that they have. The game is very aware that this is something that was done to them, and the tragedy of that; the first mutant you're likely to run into is dying scared and alone.
Fallout 2 presents super mutants who've broken in every direction ideologically in the aftermath of the Unity's collapse; the peacemakers under Marcus at Broken Hills, Gond as a member of the abolitionist NCR rangers, reactionary remnants of the original mutant army, genocidal self-hating fascists like Frank Horrigan. Fallout: New Vegas iterates on this beautifully. The mutants dovetail perfectly with the theme of how every faction in the wasteland is trying and oftentimes failing to reckon with the weight of history. Their utopian movement imploded outside of living memory, closer to the apocalypse than to the present day. The survivors- who can only dwindle in number due to their sterility- have been left to reckon with that in whatever way they can. And they have their backs to about a hundred and twenty years of that reckoning not going particularly well, of being the bugbear and boogeymen for bullies and ideologues whose grandparents weren't even alive to suffer from the Unity's actions. The lack of a collective future for mutantkind casts a pall over even the best ending for Jacobstown; humans are collectively resilient within this setting, but through violence, and accidents, dementia and senility, the day will inevitably come when there are no mutants left. And worse still will be the day before that, when there's only one mutant left. Finding some form of satisfaction or contentment within that dwindling window, with the world against you, is a task that falls to the individual mutant. (Take Mean Sonovabitch, for example. He seems to be doing alright for himself.)
Then we slide on over to the east coast games, where the mutants are.... morons. Cannibals. Marauders. And when you meet one who isn't, the game throws itself a ticker-tape parade for containing such an audacious twist. To go back to the orc thing, it's like if The Hobbit had contained a lengthy, empathetic subplot about the rich internality and fleshed-out-if-deeply-flawed ideology of the orcs, and then there was a pivot to treating them like a monolithic block of ontologically evil marauders in LOTR. While staring you straight in the eye the whole time, unblinking. Daring you to say something
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In light of Resurrection of Magneto's latest issue and blunder of the Jewish belief that "if you save one life it's as if you saved an entire world"....
It doesn't mean that Jews are all saintly protectors who must save everyone and never kill anyone. It doesn't mean that all. In fact, there's an equally as important belief that goes along with the aforementioned one which is that "if you allow a murderer to escape, the blood of their victims is on your hands." We Jews are not naive. The life of a murderer is not worth more than their victim- if you had a chance to stop a murderer and didn't, yes, even if it means killing them, the blood of their victims is on your hands.
Which is why Magneto saying "to save one life is to save the world" about Tony freakin' Stark is not only out of character, but also not what the phrase is about. Tony Stark has proven numerous times that his actions have led to disastrous things. Magneto is under no theological or moral obligation to help him. And Magneto himself as a character wouldn't *want* to help him.
"oh but he's had his redemption arc, Magneto is good now uwu"
Magneto doesn't have to be a doormat to have a redemption arc. Him not killing Tony for his actions inadvertantly causing the destruction of mutantkind by Orchis is enough of a "redemption". He doesn't have to save Tony to prove he's "good" now, and in fact, helping him would statistically most likely end up with more destruction in the future. Magneto can just. Not do anything. That would be more in-character.
Jews are not naive doormats. *Magneto* is not a naive doormat.
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sbd-laytall · 20 days
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Magneto: I am taking over the world because it is so horrible to mutantkind, and there is nothing that you could possibly do to stop me or slow me down.
Magneto, a second later: Bestie, you gotta spill the tea 💅
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Uncanny X-Men (1963) #150
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