This is Part 10.
Other parts:
1) https://chileanon.tumblr.com/post/662224203415748608/
2) https://chileanon.tumblr.com/post/663590773264154624/
3) https://chileanon.tumblr.com/post/664588065075052544/
4) https://chileanon.tumblr.com/post/666021530640203776/
5) https://chileanon.tumblr.com/post/667286402156888064/
6) https://chileanon.tumblr.com/post/669648270029619200/
7) https://chileanon.tumblr.com/post/671099167919276032/
8) https://chileanon.tumblr.com/post/673544153749225472/
9) https://chileanon.tumblr.com/post/678616871495450624/
This is a localization I did.
Author:
Shibaharamaki (しばはらまき)
Link to original source in Japanese:
https://twitter.com/shibaharamaki/status/1529780497923989504
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A young Afghan girl works with her family on the Shibar Pass in Northern Afghanistan.
Ric Ergenbright
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i think i’m off my game right now…….ough fixer you kill me….
damg i think i jinxed u somehow oops
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GirlsOnlyPorn - Petite Blonde Bernie and Hot Redhead Sheryl X Make 69 Until They Cum - S3:E4
creampie, gozando dentro, gozada, latina
Teen peach anal Dont Say You Love Me
Bbw wife Bj and cum on face
Unfathomable hardcore delights for pleasant chicks wet fuck hole
Candid Girlfriend Amateur Camgirl Flashing Tits
Mi esposa dormida le pongo la verga en la boca
Dirty
Pretty transsexual is not against some intense ass pounding
Porn tube huge curved dick and boy teen group gay sex Check out the
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♪ throws one back
SHANTI by wotaku, the Chogukasei cover here its about mafia and such
fav lines is the 2nd lot of repeating words. its super catchy
damare suware damare
(Shut up Sit down Shut up)
nagure nagure nagure
(Beat up Beat up Beat up)
shibare shibare shibare
(Tie down Tie down Tie down)
barase barase barase
(Dismember Dismember Dismember)
barase barase barase
(Dismember Dismember Dismember)
barase barase barase
(Dismember Dismember Dismember)
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Assignment 3
Mariam Sayed
900211473
Photography is a visual art. Through the artist’s lens, the artist is able to convey certain meanings and connotations through their photographs. To interpret these meanings, photographs are typically categorized as one of these four options: representation, myth, ideology, and image icons. At the World Press Photo exhibition, all the photographs there fell into at least one of these categories.
Representation:
Representation uses language, markers, and images to construct meaning. With representation, the photographer will typically “construct” the image himself, whether that’s by choosing certain camera angles, placing objects a certain way, or by choosing to focus on certain elements of a scene. The image is not necessarily “organically” found in nature; it’s staged to convey a specific meaning.
The photograph above is titled “Blood is a Seed”, photographed by Isadora Romero in Ecuador. This photo is an example of representation because you can see that the photographer carefully placed the seeds and the model’s hand in a way that shows the model trying to catch or grab the seeds as they’re falling. The photographer created this image as a way to visualize the declining agrodiversity in Ecuador, which is taking place to “force” farmers into growing high yield, more profitable crops. The photographer actually made a video surrounding this issue, showcasing different photographs on the declining agrodiversity in Ecuador, however I chose to focus on this one as it was the one that caught my eye the most. As I researched more on this photograph, I found that the video was narrated by the photographer’s father, as he traced his ancestral roots to learn more about his history. The photograph has a dull but nostalgic feel to it, because of the photographer’s choice in using muted colors and focusing on the shadows the subjects of the photograph created. I also think that only showing the model’s hands in this photograph helps create a sense of detachment and change which is what the people of Ecuador feel towards the changing agricultural economy of Ecuador due to migration and colonization.
Myth of Photographic Truth:
The myth of photographic truth argues that there are a hidden set of rules and connotations that are only specific to certain groups of people. In other words, you can see a photograph and assume something about it, only for it to hold the complete opposite meaning. It’s constructed in a way that requires previous knowledge for you to be able to actually decipher the photograph’s meaning.
The photograph above is titled “Palestinian Children in Gaza”, and was taken by photographer Fatima Shibar. At first glance, this photograph looks like a cozy campfire in an underprivileged area. However, once you read the information that’s written on the photograph, it’s actually a photo of children trying to stay warm amidst Israeli-Palestinian conflicts in Sheikh Jarrah. This photo was taken following the 11-day conflict, and features Palestinian children gathering around candles, as they sit in ruins of explosions and attacks. Even though the photo has a sad, but cozy, undertone to it, the real story is much more upsetting. The photographer’s choice in photographing the bright fire contrasts with the blue sky, making it a very visually appealing photo. The fire is the focus point of the photograph, as our eyes gravitate towards it and dulls everything else out. The fire could also represent the idea of hope. Even though the children sit in the ruins of their town, they’re gathered around a fire, almost as though they still believe in a glimpse of hope that things will get better. This was actually my favorite photograph in the exhibition, because it’s so visually striking and still holds a powerful message that not everyone would understand at first.
Ideology
As the name suggests, ideology in photography is when the photograph upholds certain values or concepts, such as freedom, love, good and evil, oppression, and religion. Photographs that show ideology are made to seem natural; the photo isn’t staged or curated by the photographer. Ideology photographs are often used to spread awareness or shed light on certain issues that aren’t heard of. Based on the examples I’ve seen at the World Photo Press exhibition, ideology photographs are most similar to photojournalism and documentary-style photography; they shoot the action that’s happening.
The photo above is titled “San Isidoro Settlement Eviction”, and was taken by Colombian photographer Vladimir Encina. This photograph can be an example of ideology because it showcases police brutality, resistance, and displacement, something the community of San Isidoro has been struggling with. The government had decided to evict the people living here to build a new railroad, and almost all the evicted residents have yet to be housed in new homes, only temporary shelters. The photograph features a man being arrested by the police, as his wife and family try to resist the arrest. Ideology photographs can be used as a form of protest and visibility; the photographer wants to spread awareness on what the people of San Isidoro are going through. While this photograph is obviously showcasing a specific issue in Colombia, I think that people from all over the world can resonate with it to some extent, particularly here in Egypt, where displacement and police brutality has increased within the past couple of years.
Image Icons
Image icons refers to the type of photography that’s reminiscent of iconic paintings or other iconic photographs. Image icons take inspiration from these iconic paintings/photographs to convey a similar feel or look as them, while still maintaining the photographer’s personal message. This can be done through using similar poses, angles, and facial expressions of the original iconic image/painting.
An example of an image icon would be the “Ukraine Crisis”, photographed by Guillame Herbaut, which is shown above. Herbaut is a French photographer that photographs places of historical importance. The photograph features a statue of Lenin that was decapitated; his upper body is no longer there This photograph was taken after nationalists in Ukraine destroyed the statue on December 19th, 2013. The photo is reminiscent of Rene Magriette’s “The Son of Man”, as this painting also features a man in a suit without a face. Both of these artworks give a sense of loss of leadership and direction, which is done by the lack of facial features on the subjects of the artworks. At first glance, I thought this was a photograph that can fit into the “ideology” category, but I felt that it was more representative of an image icon, because you don’t necessarily see the ideology being represented if you don’t know the backstory of this photograph. I think the photo can fit into both the “ideology” and the “image icons” category, however I think that it’s a better match for the image icons category.
Works Cited:
Magritte, Rene. “The Son of Man”.ReneMagritte, 1946
World Press Photo. "Blood is a Seed." World Press Photo, 2022, www.worldpressphoto.org/collection/photo-contest/2022/Isadora-Romero/1.
World Press Photo. "Palestinian Children in Gaza." World Press Photo, 2022, www.worldpressphoto.org/collection/photo-contest/2022/Fatima-Shbair/1.
World Press Photo, "San Isidro Settlement Eviction." World Press Photo, 2022, www.worldpressphoto.org/collection/photo-contest/2022/Vladimir-Encina/1.
World Press Photo. "Ukraine Crisis." World Press Photo, 2022, www.worldpressphoto.org/collection/photo-contest/2022/Guillaume-Herbaut/1.
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מִגְדַּל בָּבֶל
Tower of Babel, in biblical literature, structure built in the land of Shinar (Babylonia) some time after the Deluge. The story of its construction, given in Genesis 11:1–9, appears to be an attempt to explain the existence of diversehuman languages. According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower“ with its top in the heavens. ”
God disrupted the work by so confusing the language of the workers that they could no longer understand one another. The city was never completed, and the people were dispersed over the face of the earth.
The Tower of Babel is an origin myth and parable in the Book of Genesis meant to explain why the world's peoples speak different languages.
According to the story, a united human race speaking a single language and migrating eastward, comes to the land of Shinar (שִׁנְעָר; Σενναάρ).
There they agree to build a city and a tower with its top in the sky. Yahweh, observing their city and tower, confounds their speech so that they can no longer understand each other, and scatters them around the world.
Some modern scholars have associated the Tower of Babel with known structures, notably Etemenanki, a ziggurat dedicated to the Mesopotamian god Marduk in Babylon. A Sumerian story with some similar elements is told in Enmerkar and the Lord of Aratta.
Wiki
The Tower of Shibar, Hermetic Library >
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(translation+lyrics) 革命のヴィラネス by BΣretta Crossrain
Yeah another one I had tled a while ago but had no time to post. Lyrics down below the cut and see you all next time.
-------------------------------------
革命のヴィラネス
Kakumei no Viranesu (Revolutionary Villainess)
Composer: Yoda Takeru
Vocalist: BΣretta Crossrain
Shinzuru seigi ga tame
Saa ima kakumei no noroshi wo
For the justice we believe in
Light the fire of this revolution
Throw away useless emotions
I have to endure it
Trust only my both hands
Don't look back. Just move on
Osore mo urei sae mo
Kono ayumi wo tomeru kase to shite amari ni karuku
My fear and my grief
Are like brittle shackles unable to stop me
Kaze ni mau you na usui kotoba de wa
Daremo watashi shibare wa shinai
Faint words are carried by the wind
I won’t let anyone bind me
Saa takaraka ni hanki wo hiragaeshite
Kinou made no zokushiki wo sugu ni uchiotose
Sendatsusha usopuku kousetsu kansei de ima mogaki keshita nara
Kakumei no hibuta wa sude ni kirareteiru
Now proudly raise the banner of revolution even higher
And overthrow the vulgarities of the past
Drown away our predecessor’s dogma
The flare of revolution has been ignited
Mayoi wa tou no mukashi ni sutesatta
Migite ni wa seigi wo hidarite ni wa kakugo wo
I’ve long since discarded my doubts
All I hold now is justice in my right hand and resolve on my left hand
Kizutsuku koto mo kizutsukeru koto mo
itowanai to chikatta
Even if hurt I'll continue to hurt them
Such is the oath I’ve taken
Onore no hinkaku kagasanu tame ni
Shitoyakayori shitataka ni are
So as not to taint your dignity
I’ll be tough rather than graceful
Saa takaraka ni shouri wo ten ni hoe yo
Kaburi wo tareta orokamono ni jihi wa nashi
Chou no you ni hachi no you ni karei ni dorokusaku tatakae
Now proclaim your victory loudly towards the heavens
No mercy for the fools who bow their heads
Like a butterfly, like a bee, fight gracefully yet deadly
Kagi wo kaketa torikago no naka ni etsukeru te
Wasure wa shinai darou
Saredo watashi wa nidoto furikaeranai
Tatoe katsute no tomo wo kono te de yakiharau koto ni nattemo
Being hand fed within a locked birdcage
I will not forget
Yet I won’t go back to those days
I’ve prepared to burn anything with these hands, even past friends
Aa motometa no wa tada jiyuu dake datta
Hirogaru sora takaku kakeru yume wo miru
Hitori no itami mo kizanda kizu mo
Jiki ni ieru darou
All that I yearn for now is freedom
To see my dreams rise higher than the skies
The pain of loneliness and that of my wounds
It’ll fade away soon
Saa takaraka ni shouka wo utai age yo
Nozomi kogareta shouri wa ima kono te ni ari
Onore wo tataeyo sono ashi de susume jishin de hiraita michi
Kakumei no eiyuu tsune ni kodoku de are
Now chant our hymn loudly
The victory we’ve yearned for is within our grasp
Praise yourself and march on this path
For the hero of the revolution is always in solitude
kako ni wa somukete daremo shiranu villain
an unknown villain turning away from the past
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you unatareteru sono nii-chan
nan ka tsurai koto atta nka?
ore de yokerya hanashitekun nai?
chikara ni naruze
ittai donna koto ga atta?
sorya hidoe hanashi da kyoudai
kore o yaru kara genki dashi na
kane nara mata nando de ii sa
Shanti Shanti Shanti Shanti
Shanti Happy Candy
Happy Happy Happy Candy
Many Many Money
nemuranai yoru no chaina taun
sono subete ga nawabari
rounakunannyo towazu okyaku
tsukai owattara suterya ii
konya mo kita no kai
oki ni meshitakai
daikin wa kore kurai
e? e? e?
haraenai no kai
naraba shouganai
kimi ni pittari no shigoto ga aru kara kocchi ni tsuite ki na
kocchi ni tsuite ki na
kocchi ni tsuite ki na
yakareta sakaba ka hagareta onna
shagareta kanban kakageta oonaa
dakadaka naifu de sasareta you ja
hana kara aitsu no omowaku doori da
ki kurutteru me sanpochuu
chi urutte omae nattoku
chouchin to rindou sakaseta hate
moushin no shin o kanadeta mahe
damare suware damare
nagure nagure nagure
shibare shibare shibare
barase barase barase
barase barase barase
barase barase barase
konya no wa doudai
oki ni meshitakai
daikin wa kore kurai
ikitereba okyaku
shindereba shouzai
sotsu naku muda naku korogasu bijinesu
docchi o muite nda
docchi o muite nda
docchi o muite nda
yaa unatareteru sono jou-chan
ore de yokerya hanashite kunnai
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Crossing Borders: Journal Entry, 1998, El Minya, Egpyt
While researching material for Cue The Camels, I came across this old journal entry from a shoot I did in Egypt. Which was included in my book Cue the Camels.
Assorted images from my years in the Middle East
Northern Alliance, Afghanistan
Saqqara, Egypt
High Atlas Mountain Range, Morocco
Northern Alliance, Shibar, Afghanistan
Sahara Desert, Morocco
Sahara Desert
Bedouin Girl, outskirts of…
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A young nomad girl glances at her sister with smiling eyes, on Afghanistan's Shibar Pass.
Ric Ergenbright
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BREAKING | ETH MERGE GOING TO SEND SHIBA INU TO $2.00 OVERNIGHT | SHIBAR...
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Happy Valentine days, dear!
My character Oni is handsome with heart Shibari! X3
thank you, dear! ^3^)/
Character and Art © Me
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Representation:
Representation uses language, markers, and images to construct meaning. With representation, the photographer will typically “construct” the image himself, whether that’s by choosing certain camera angles, placing objects a certain way, or by choosing to focus on certain elements of a scene. The image is not necessarily “organically” found in nature; it’s staged to convey a specific meaning.
The photograph below is titled “Blood is a Seed”, photographed by Isadora Romero in Ecuador. This photo is an example of representation because you can see that the photographer carefully placed the seeds and the model’s hand in a way that shows the model trying to catch or grab the seeds as they’re falling. The photographer created this image as a way to visualize the declining agrodiversity in Ecuador, which is taking place to “force” farmers into growing high yield, more profitable crops. The photographer actually made a video surrounding this issue, showcasing different photographs on the declining agrodiversity in Ecuador, however I chose to focus on this one as it was the one that caught my eye the most. As I researched more on this photograph, I found that the video was narrated by the photographer’s father, as he traced his ancestral roots to learn more about his history. The photograph has a dull but nostalgic feel to it, because of the photographer’s choice in using muted colors and focusing on the shadows the subjects of the photograph created. I also think that only showing the model’s hands in this photograph helps create a sense of detachment and change which is what the people of Ecuador feel towards the changing agricultural economy of Ecuador due to migration and colonization.
Myth of Photographic Truth:
The myth of photographic truth argues that there are a hidden set of rules and connotations that are only specific to certain groups of people. In other words, you can see a photograph and assume something about it, only for it to hold the complete opposite meaning. It’s constructed in a way that requires previous knowledge for you to be able to actually decipher the photograph’s meaning.
The photograph below is titled “Palestinian Children in Gaza”, and was taken by photographer Fatima Shibar. At first glance, this photograph looks like a cozy campfire in an underprivileged area. However, once you read the information that’s written on the photograph, it’s actually a photo of children trying to stay warm amidst Israeli-Palestinian conflicts in Sheikh Jarrah. This photo was taken following the 11-day conflict, and features Palestinian children gathering around candles, as they sit in ruins of explosions and attacks. Even though the photo has a sad, but cozy, undertone to it, the real story is much more upsetting. The photographer’s choice in photographing the bright fire contrasts with the blue sky, making it a very visually appealing photo. The fire is the focus point of the photograph, as our eyes gravitate towards it and dulls everything else out. The fire could also represent the idea of hope. Even though the children sit in the ruins of their town, they’re gathered around a fire, almost as though they still believe in a glimpse of hope that things will get better. This was actually my favorite photograph in the exhibition, because it’s so visually striking and still holds a powerful message that not everyone would understand at first.
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is that a motherfucking Ace Attorney reference???
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