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luxaofhesperides · 3 months

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For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?

He has no idea how his parents did it.

Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so.

Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.

That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that.

This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts.

So here they are. Standing in the empty living room of their new apartment in Gotham.

Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal.

Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.

It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?

Ellie smacks a small palm against his cheek and babbles lightly.

“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”

He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car.

“Can you be good for five minutes?” he asks Ellie.

She babbles again and smacks his shoulder.

“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”

Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it.

He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it.

This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny.

He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.

He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.

Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief.

“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.

It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around.

A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge.

It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food.

Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall.

Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly.

Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.

He’s finally feeling more settled, energized from sleep and food.

In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all.

. . .

Four months ago, Danny had hope. He was optimistic.

Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.

He had just gotten Ellie to sleep. She was actually peacefully taking a nap.

And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.

They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that.

“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.”

Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by.

“I know it was scary, but you’re alright. You’re always safe with me, El.”

Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.

The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down.

“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”

“Hey, you alright?”

Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him.

The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”

Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”

“I’m Duke, by the way. I don’t think I’ve seen you around here before.”

“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”

“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”

Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”

“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.

“I’m so sorry. That drive by woke her up and it’s really rattled her.”

“Hey, no need to apologize. I get it, Gotham is rough to kids.”

Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.

Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”

“Thanks. Um, actually, I might need help opening mine?”

Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment.

“If I could just get my keys,” he starts.

“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over.

Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her.

“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”

Ellie babbles lightly, and Duke turns his head to futilely hide his grin.

He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms.

“I can’t believe this. Betrayed by my own blood.”

Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”

“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”

“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”

“Family,” Danny says in a tired, fond tone.

“Family,” Duke agrees.

With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.

The key word being tries.

Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.

“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”

Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny.

She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers.

“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.

Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”

“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”

“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”

“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”

Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief.

As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead.

It should make him nervous, but Duke is calm and easy going and kind.

He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before.

Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.

All he needs to do is take that first step, reach his hand out, ask Duke to stick around.

He can do this.

#ghostlights #dc x dp #dp x dc #dcxdp #dpxdc #dc x dp fic #prompt fill #my writing #i really love writing about characters struggling to be parents v suddenly and thru unconventional means #so here's danny a year out of high school living on his own for the first time w baby ellie #and duke who needed some space and independence while he's in college. bruce pays for the apartment while duke works part time for grocerie #and ellie who had been fully developed but unstable is now a halfa baby who remembers stuff but is also. yknow. a baby.#she absolutely latched onto duke to force danny to have a life outside of her. but also she can sense that hes kind and calm #which danny needs bc he is Stressed (tm)#this leads to duke bringing over food for them and looking after ellie while danny goes shopping or naps #both of them ignoring how duke has to leave suddenly for Hero Related Reasons and how danny and ellie have Powers #it's a v delicate balance they keep for the sake of keeping ellie safe #yeah they're gonna co-parent and realize they're basically dating after MONTHS of pining #the bats have bets on who gives bruce a grandkid first and literally no one bet on duke but here he is lol :)#thanks for the prompt!!

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illuminatedferret · 4 months

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Rereading the start of Book 2 is fucking fascinating because 1. how Mu Qing is treated by everyone but Xie Lian boils my blood, but also 2. I cannot believe there are people who think Xie Lian is naive and ignorant of the world after reading what he says and thinks during those first few chapters alone. He is so persistently considerate and sensitive to power imbalances and the abuse of power even before he """stops being naive""".

#how mu qing was treated was wrong but xie lian is literally the only person who DOESN'T treat him like garbage #so where do people get off accusing him of ignorance and classism #tgcf #xie lian #mu qing #tian guan ci fu #tgcf meta #remember: xie lian never needed to grow as a person in tgcf #his whole thing is his constancy. mxtx doesnt write heroes journeys she writes fully-realized characters #illuspeaks

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sivsii · 11 months

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Quick prism doodle. emily is iconic as usual

#critical role #critical role fanart #cr spoilers #prism grimpoppy #character sketch #original art 2023.#”quick” I say as if it didn’t actually take me hours lmao #i was gonna fully color it in and then I realized I actually hate working with purple and that much black :’)

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arte072 · 11 months

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you ever think about how the asoiaf fandom will go on and on about Arya’s “traditionally masculine” journey and then you read her chapters and it’s like

being criticized by adult women for not sufficiently excelling in useless gender roles

getting a puppy!! 🐶

losing the puppy 😿

picking flowers for her dad 💐🥰

being victim blamed for the actions of a guy 😑

being bullied for her appearance 😞

becomes homeless

takes care of a bunch of kids

gets engaged to men she doesn’t know

becomes a prisoner of war

forced to cook and clean under extremely violent and abusive circumstances

witnessing and experiencing war crimes

female rage 🤬😡💢👿

gets a crush on a boy with shaggy hair and blue eyes~~ 😳💙🔨

talks to god 🌲

gets kidnapped by a loser 🙄🔥

worry that her mother will reject her for getting dirty 😭

gets depression

learns blood magic

becomes an academic 🏫🎓🤓

becomes a theater kid 🎭

awakening the magic from within ✨🐺🌕🌙✨

if all of these are inherently masculine then I do wonder what is considered acceptably “feminine” in these people’s eyes. crying in a dress? because she does that too... but y’know this fandom and their desperation to separate Arya from her girlhood lol

#arya stark #house stark #though to be very clear #arya's story transcends gender boundaries #cause she's a fully realized character who isn't limited by the constraints of tradfem or 90s tomboy cliches #asoiaf

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fractangle · 2 months

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Behold, The Meme Jacket

This jacket arrangement position is called "LOOK AT MY ARMPITS."

Here's a close-up of the collar and lapels with the jacket laying normally:

The snaps on the lapels hold them open, but can also be snapped closed, which is nice on windy days.

Here's the front of the jacket as it's intended to be seen:

I was very particular about how I designed and arranged these: much like how the back only has color in the middle, I wanted to keep the bright colors to the center. The two brightly colored patches are meant to read like a two-panel comic, or some sort of call-response thing, whatever. The patches along the bottom are meant to read left to right, almost like a four-panel comic. (The Awesome Face patch is just there because it fit.)

What's not obvious from these pictures is that there are inside pockets, which connect to the zippered side pockets! I don't tend to actually use this feature very much, but it does make the pocket space hugely tall in there.

Another feature I don't tend to use very much is the zip-off sleeves. I think I've only ever taken the sleeves off once (plus a few times when sewing patches on, to make it easier to reach where I was working).

The googly eye buttons are holding up moderately well - I might need to replace one of the eyes by next year. If you're gonna do this yourself, you gotta put a metal keyring of the same size behind the googly eye! Wrap the keyring in a piece of fabric (I used the tubular bit from the bottom edge of a t-shirt), and sew it to the button band. Then, glue the googly eye onto the fabric with enough glue to also glue the fabric to the keyring. (I used superglue for this.)

All in all, it's been an incredibly fun project, and one that I get lots and lots of use out of! I'm sure I'll add to it at some point, but I'm calling its current state "done (v1.0)".

#meme jacket #diy #sewing #battle jacket #diy punk #originally the among us patch was going to be fully saturated colors: red killed green in front of blue #and i actually made that patch #but then i realized i wanted a much paler patch so i started redoing it (thankfully the among us characters were linocuts)#so i printed the scene again in white (the way i did the colors was to paint over the linoprint)#and once it dried i started painting the colors onto them. first light blue. then pink.#as i'm shaking the bottle of green paint i realize i've made a trans pride among us murder scene patch completely by accident #i'm okay with this. hell yeah

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inkerii · 1 year

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So I couldn't help but browse the THG tag bc those books own my whole heart. I actually check it now and again, and it's been interesting see how opinions have changed over the years, especially in regards to Gale and Peeta. Going through the evolution of them as just potential love interests to being far more complex than I could have expected has been a wild ride. Crazy how this reads different than from when I was a preteen.

That said, I wanted to give my unsolicited two cents on my boys, because though I have been enjoying the discussion on Peeta and Gale and what they mean to the story, I also feel like reducing them to Peeta = peace and Gale = war is far too simplistic... and oftentimes unfair to one or both of them.

See, I don't think Peeta and Gale are peace and war/destruction. They're compassion and indignation.

Peeta worries about the other tributes, or their families, or how to repay people like Rue and Thresh for what they did.

Gale is indignation at how the Capitol treats its citizens, it's anger at the injustice of inequality and brutality.

Both are needed in a story like THG. You can't have people like even Peeta not say something like "maybe we're wrong about keeping things quiet in the districts", you can't have him not drop the baby bomb, you can't start a revolution without Gale's indignation at the status quo. At deserving a better life but being denied it, at having your kids be mercilessly killed for literal sport.

However, if you start a rebellion and loose sight of your compassion, you end up no better than the people you're fighting against. Gale wasn't a bad person, imo. His heart was in the right place. He was flawed, yes, but so is everyone in this series. Gale, most importantly, lost sight of the line between fighting for the people he cared about and fighting against the people who hurt him.

Reducing Gale's indignation to just revenge and hatred ignores so much of what he stands for. Who hasn't seen laws passed that dehumanize people, who hasn't been angry and furious when someone is elected who fundamentally hates everything you are, who doesn't think some people need to pay for the atrocities they committed? There's a little bit of Gale in every single one of us - and it's important that it's there, because that's what gives us strength to challenge the status quo and make life better for the future generations.

But. You can't let it take over. You can't loose sight of your compassion or your empathy.

That's where Peeta comes in. Peeta is the voice in your head that worries about how many good lives will be lost when they give themselves up for this cause. Peeta is the worry about the people caught in the crossfire. Peeta is rebuilding when it's over and believing that the next generation will have a better life than your own. Peeta is being kind, even to people who may not deserve it.

And Gale... Gale looses sight of his compassion, and he doesn't realize it until it smacks him in the face when the bombs go off and Prim is gone and he's too far gone. Meanwhile, Peeta advocates for the end of the war even though it means the status quo remains - and regardless of what he believes himself, I don't think Suzanne chose him to say those lines by chance. It means both mindsets have their flaws: too kind and things that shouldn't remain will never be challenged and changed, too angry and you may loose sight of what you're fighting for.

And that's just how Suzanne uses her characters, both of them, all of them. Just look at who is with Katniss depending on the situation:

- Katniss chooses to "rebel" after Gale is brutally whipped. She kisses him.

- Katniss realizes that in order for D12 to rebel, everyone would need to be in on it, and she realizes most of them are not like her, that they're scared and she understands, emphasises with them. Peeta walks by her side.

- Katniss finally does it though, shoots the arrow at the force field, and Peeta is taken from her, it's now Gale by her side.

(You can't start a rebellion without indignation, and sometimes you HAVE to do it or things will never change, regardless of the inevitable pain that will come along.)

- Katniss is righteously angry at the Capitol bombing a hospital full of innocents to make a point. Gale remains there.

- Coin twists people's compassion into an army to fight for her own personal gain. Peeta is hijacked and looses his sense of self.

- Katniss and Gale go to District 2 and even though she tries to be like Peeta, she's still shot- reinforcing Gale's views, the person who was with her during that sequence.

- Katniss is angry at Snow, Katniss goes to the Capitol to kill him. Gale is there.

- Katniss gets in way over her head and realizes she is responsible for the death of most of her squad. She shares the lamb stew with Peeta, and later cleans his wounds.

- Finnick dies and she's at her lowest up until that point and all she wants to do is give up and give in to the anger. She kisses Peeta and begs him to stay with her.

... Claiming that Gale is destruction ignores the fact that he's with Katniss through her own moments of strength. Her desire to change things, to fight back, is as important as her compassion. Mockingjay just brutally shows you what war does to your indignation, to your compassion. How easy it is to cross a line between righteous anger and revenge, or how your sense of empathy and compassion can be manipulated into something monstrous by others, or by all the terrible, brutal, painful things you see.

How easy it is to loose yourself- and that goes for both of them.

Peeta and Gale aren't static characters, they go from representations of sentiments regarding an injust government to what happens to those feelings when an extreme situation such as war breaks out. All of that, by the way, while dealing with this duality themselves, because they are still characters who think and feel and struggle and have flaws of their own- and while I love what they stand for, I've seen too many comments that pin everything into what they mean, that they forget that Peeta and Gale are still people, they aren't perfect metaphors. They're human.

Ultimately, Katniss doesn't really choose peace. She wants peace, yes. But what she chooses is compassion. empathy. hope. There's a time and place for anger at injustice. There's a time when fighting back is the right thing to do. There are even times when you wanna give in to your despair and lash out. But if you want peace, then you have to choose Peeta, because Peeta represents what you need to focus on to achieve that peace. You have to let go of the anger or you won't ever rest. So Gale leaves, and does not come back... And yet, Katniss still has her moments of indignation, of making a stand, even as he goes - she still casts her vote at that meeting, she still shoots Coin. Katniss does not abandon that part of who she is. It's just not her main drive anymore.

So then she goes on to make the choice, every single day, to be compassionate to others. To have hope. To rebuild. Of course she chooses Peeta.

... Idk, man. These boys are so much more than what I see them so often reduced to. They're in all of us. There will be times to stand and fight, and times to show mercy and be kind. We just need to find that balance, as Katniss eventually did.

#the hunger games #thg #katniss everdeen #peeta mellark #gale hawthorne #it took me over a decade but I finally bit the bullet and decided to talk about this series #I love it so much #there's so much more I could say I had to hold myself back #like how BOTH Gale and Peeta are never fully gone even tho most people only focus on Peeta #But Gale knew what he did was wrong #It's not as clear bc he's not a pov character and katniss is too tired to try and read him but #prim's death touched him #he didn't brush it off he didnt see it as justified bc at least now its over #regardless of his reasons he still has enough sense of self to realize this #unlike y'know. characters like coriolanus who makes up so many excuses for what he did #including indirectly killing the character who is the personification of innocence and hope #like prim was #(side note I dont think any of the tbosas characters are direct parallels to the thg ones)#(theres little bits of katniss peeta AND gale in characters like snow)#(bc they're all representative of indignation and anger / compassion / fear and the need to feel safe)#(which every human being in the world has - even that bastard)#(he just chooses a different path)#(tbosas is very good btw)#(y'all should read it before the movie makes it about romance like I'm terrified it will)#ps if anyone knows how to put a read more on mobile can you let me know thx ily

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cosmobrain00 · 5 months

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I think mike not reaching out to will is important actually. btw

#listen I rmber seeing all the phonegate shit n being like “yeah yeah ok I see..” but never being fully convinced for a few reasons #1. there's no actual evidence to support it. its speculation at the end of the day #2. if we're going w the “mike totally realizes hes in love w will” thing at the end of s3 it would make much more sense for him NOT-#-to reach out. do u feel me?#3. its a way for character apologists to point at smthing n say “see! look! he rlly isnt tht bad!” bc theyre allergic to their faves-#-fucking up/ being hurtful #anyways #mike wheeler #byler

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church-of-lilith · 1 year

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there’s something so special about ava deciding to go back to school, especially because jacob of all people made her start to love learning. probably the last person we would ever expect to give her that realization.

of course it’s really the topic of black history that sparked her interest, but I think that the way jacob taught so candidly also really contributed. and then zach came in and helped her fully realize her own growth, which was such a beautiful scene. and the way jacob’s face lit up when she told them she would be taking night classes?? the writers did so good with this aspect of the episode.

#ava’s character development and growth just continues to blow me away #she’s going to night classes!!#she wants to learn!!#and then bringing jacob and zach in to help her fully realize it?#perfection #abbott elementary #abbott elementary spoilers #ava coleman #jacob hill

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candycatstuffs · 8 days

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Will never understand how people can care about a pairing while also just making them accessories to each other

#lik girl no... the flavor #the spice #where did it go #why are you shoving two fully realized and nuanced characters into a little tiny fandom archetype box

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candiedfright · 2 months

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what's funny to me about the whole "oh dazai was definitely leaving sigma behind" thing is. even if you were to say that dazai has no care for anyone ever (he very much does regardless of the depth of his bond with a person but that's a whole different conversation that gets me heated so i won't go there here) do you sincerely think he wouldn't at least TRY to wake up the one person in the decay of angels who has the info he needs (which he might not even be aware of because he wasn't in the ROOM when sigma took fyodor's hand and passed out) and who he has formed a fairly civil relationship with. "oh but he already defeated fyodor—" you don't know that. none of us know that. and even if it's the case dazai is SET on finding out what fyodor's ability is/was. he literally told sigma that his plan was to kill him and have sigma take the information from his corpse. and let's say that he hasn't guessed that sigma took fyodor's memories and that finding out what his ability is/was after the explotion is impossible— why would he fucking abandon sigma like that. dazai is a lot of bad things, but he's not that cruel. and if you think he is then you've been manipulated by a fictional character i don't know what to tell you

#out-of-nowhere rant but i had to let it out #like sorry man but i refuse to believe that dazai is that irredeemable. he literally is not #“oh but he doesn't care about either good or evil” well no. do you not realize it goes both ways #just like he doesn't mind hurting others for his schemes he's not beyond being compassionate in his own way #sure it's not conventional by any means and he can have ulterior motives. but he's not EVIL.#mori literally asked what the purpose of going to rescue oda was #and dazai literally said that it's because he was his friend.#he was HURT when it came to ango's betrayal. legitimately hurt.#i'm going to start eating my walls. HE IS A COMPLICATED CHARACTER HE IS NOT FULLY ONE THING OR THE OTHER !!! DAMN !!!!!!!!!#ough #i probably made zero sense but whatever #bsd #bungou stray dogs #bsd dazai #dazai osamu #bsd 113 #bsd spoilers #bsd 113 spoilers #bsd manga spoilers #the blabbering

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wavebiders · 4 months

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The thing that really gets me about Wyll and Karlach is just how their bond is allowed to have the importance in their narratives that it has

I mean, in games like these the cast is always going to be centered around the pc. Sure, the relationships between other companions can be developed through party banter, commentary, or even cinematics, but at the end of the day everyone's most significant relationship is always going to be the player. That's the person who most affects them and where their story is going

With these two, it's not even that Tav isn't vitally important to them both, but it's meeting Karlach that changes Wyll's life one way or another. It's Wyll that's the first person to stick out his neck for Karlach, and sends her reeling. Their bond alone is enough to convince Karlach to go to Avernus and stay alive

It's a very bold choice to risk limiting the player's importance in order to drive home the connection between two characters, and I really appreciate Larian for going there

#and that bond is significant whether you see it as platonic or romantic #but this is very much why I do find myself shipping it despite not really caring about originxorigin ships as a whole #wyll ravengard #karlach cliffgate #wyllach #bg3 #gonna get a lil gushy about my own pt here but #it's fully Wyll who saved Karlach's life there #my Tav's character arc in large part about accepting death #she went from being unable to cope with the loss of her family to processing it and accepting it #she convinced Mayrina to let go of her husband #she didn't argue when Shadowheart let go of her parents and was even relieved at her choice #she was not going to stop Karlach from nlowing up in the end #she and I both accepted that Karlach was going to die #and then at the last moment Wyll comes in and he doesn't accept it #he offers to go to Avernus with her and protect her #and I just realized this wasn't about my Tav #this was about them #*chefs kiss*

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anyoldfandom · 3 months

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I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.

A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.

But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.

And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.

And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.

He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.

We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.

We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.

The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.

And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.

And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.

It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.

#This is also. Why I dislike the 'Rex was secretly made for the nanite experiments the accident was a lie' theory so much #Bc it assigns malice where the show says over and over again there was only love.#That this was only ever a tragedy of good people whose good intentions were manipulated and twisted.#And I think giving them something shitty to have done in the past especially goes against the message of the show's perspective on adoption #The family we choose is not always stronger than the family we are born to. Sometimes they are equal in different ways.#Rex's bio parents are gone but not replaced. They have also shaped who he is #Six and Holiday are just picking up where they left off. Because they have to.#Also I don't like the theory that Rex's parents are EVOs somewhere bc I think it diminishes the impact of the tragedy too.#I get. Wanting them to have a happy ending. But I think it's important to realize that this is the closest they can have to a happy ending.#Some things cannot be replaced. Or fixed. Sometimes life takes what we love and what loves us. And that is okay.#It is okay to be upset at that and it is okay to never fully move on.#'What about Caesar?' I have. Another post's worth of thoughts about him.#But I think he's also a character who is defined more by Rex by their relation and defined by the story by his guilt #I think he is the closest thing Rex has to a shitty bio family member and he is shitty in plenty of ways #But he's also a parallel to Rex in a lot of ways. He fails where Rex succeeds bc of it.#generator rex #genrex #Anyways. Sorry for the big post.

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