Steddie Upside-Down AU Part 87
Part 1 Part 86
Mom’s hovering in front of the door, a knife in her hand, trying to get the rest of them to get away from the window. It’s not working. If anything, Max’s nose only presses more firmly to the glass with every request she makes.
Will’s hovering just behind her, desperate to keep Steve and Eddie in his line of sight. He can just barely see the wisp of a curl through the side window of the van, bouncing as Eddie moves around inside.
He squints, trying to keep the hair in sight as the movement becomes more erratic.
Will hears glass breaking just as he loses sight of Eddie entirely, wisps and all.
He rushes past his Mom, using the weight of his body to open the door, even as she stands in the way. It’s almost involuntary, a compulsion to follow the thread that Eddie’d pulled him by.
“Will, don’t!” she cries, but it’s too late. He’s out, and through.
Mike calls after him, too, and there’s the sound of tennis shoes stampeding out of the house behind him. Will only hopes he’s not leading them all to their impending doom.
Bodies slump into the driveway, none of them human. They’re like if the Demogorgon had followed a different evolutionary chain. Dustin would find it fascinating. Will just wants Eddie and Steve back.
Wayne’s still standing sentry, looking out across the street, waiting for more monsters to creep in from the darkness, Barbara by his side.
Shielding the entrance to the van, is El.
“El!” It’s Mike, because it always is. He sounds so genuinely elated that something curdles and dies in his throat. He swallows it down, hopes it decomposes in his stomach, so he never has to look directly at it. “You came!”
El smiles, happily at Mike, then around to all of them. “Of course.” She looks over at Max, and she’s frowning now, that way she does when she doesn’t understand something. It used to happen all the time. Now, it’s rare.
Will doesn’t care, can’t when Eddie’s too quiet in the van somewhere Will can’t see. He pushes past her, too.
There’s a misshapen, monstrous foot sticking out of the broken window. He stares at it for a second before swinging the door open. It wrenches the foot strangely, makes it crack and tear with the resistance of the door before it breaks free, black blood flowing like the thing’s still alive.
It stays still.
Will looks past it, and finds Eddie’s pale face.
There’s glass in his hair, and his palms are bleeding where they’re held in front of him, but he’s breathing. Alive. And he’s looking up at El like she’s answered all his prayers. Will and Eddie have been sharing the same prayers from the same broken pews for so long that for a second, Will thinks Steve is back.
He scrambles over the dead thing blocking his entrance. It’s cold against his palms, flesh barely giving as he crawls hand over feet atop it. But, Steve’s still just sitting there, blinking, Carol huddled into his side like he can protect her, even like this.
“Steve needs your help,” Eddie says, plaintive. Begging with both voice and unblinking eyes, gaze locked on El’s own until she breaks it to look at where Steve still sits, unbothered.
Her brow furrows, eyes squinting like she’s peeling off layers of skin and meat to get to whatever’s underneath. “He’s lost?” she asks.
Carol is squinting at El like the words aren’t clicking for her. She looks back to Steve, then back to El, brow furrowing with anger.
Eddie nods. Will clears his throat. “Not like last time,” he clarifies. “He’s here, but his mind isn’t.”
El nods, decisive. “I will help.”
“What the hell are you all talking about!” Carol demands, even as people scatter around her, setting up for El’s latest rescue mission. “He’s right there!”
She’s not looking at Will, though. She’s looking at Eddie like it’s all his fault. Still, when Steve doesn’t say anything, her lip wobbles as she turns and asks, “right Steve?”
He doesn’t answer, even as she calls again. Will looks away when she bites her lips, eyes wide.
It’s easier this time. They don’t have to break into the school, don’t have to find a pool. El just sits cross-legged in front of Steve on the carpet, careful to stay away from the broken glass and the dead thing. Mike covers her eyes with Wayne’s flannel while the man himself switches the radio dial until he finds one with enough white noise to satisfy.
He can’t quite tune out the murmured conversation between Eddie and Carol, though, no matter how hard he tries. Eddie explains, in clipped, emotionless words, that something, one of the monsters from the other place she’d just gotten a taste of, has taken over Steve.
“But we’re getting him back?” she asks, voice shrill and breaking, contrasting with Eddie’s own even tone. A veteran to the newbie in the warzone.
Will, suddenly, feels terribly old.
“Quiet now,” El demands.
Eddie looks away from Carol without answering. There is no answer to that question when they’re all subsisting off hope, and not much else.
“Tell him we’re coming, okay?” Eddie asks. He’s looking down at his own bloody palms now, like he can’t bear to look at their last bastion of hope and wait for it to flame and go out.
“Ask ‘im how to stop the thing taking ‘im over,” Wayne interjects.
Eddie’s lip wobbles. Will knows how he feels. He doesn’t want Steve to know, if he’s in there at all, that they don’t know what to do. Neither does Will. He wants to save Steve. He always wants to save Steve.
But, Eddie finally looks up, meeting Will’s eyes before nodding. The movement knocks a tear free, but his voice sounds clear when he says, “Ask him how we kill the fucker.”
El nods, shoulders settling as she reaches out to take Steve’s hand. The white noise blankets them all. Will settles down to wait.
That’s what they always do, when Steve is dying: they wait. This time is no different.
Part 88
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I NEEEED people—especially those with unfathomably large platforms???—to start doing just a tiny bit of internal evaluation before they log onto a blue website and say “I don’t want these queer characters to fuck in canon” or “I’d be fine if these characters never kissed again” or whatever.
This is a post about Good Omens and the prospect of Aziraphale and Crowley potentially having sex in season 3. It's a response to a tweet that I'm crossposting, but let it be known the above statement and this topic applies broadly across multiple fandoms too.
But anyway, in regards to Good Omens specifically:
I am seeing this take that essentially boils down to "Canon has now made it clear that these characters want to have sex with each other through subtext (i.e. Aziraphale and the ox), but I don’t want that to reach narrative completion because the idea of them having sex makes me uncomfortable or isn’t my personal preference” and it is, to put it mildly and delicately, A Very Bad Take.
This is rhetorical (and I do not expect or particularly want an answer), but: explain to me how and why queer characters who are unavoidably visibly queer (aka 2 "man-shaped beings") fucking on screen wouldn’t be a net positive, especially when you can indicate how canon has set it up.
Presumably, some people say things like this because ~they want to see them as visibly ace.~ Okay. But by some of these people’s own admission, there IS more evidence in canon now to indicate these characters crave sex with each other (vs arguing otherwise)... yet people would rather that be ignored/erased all for the sake of them feeling comfortable or feeling better about what canon shows or doesn’t show explicitly??
I’m sorry, but—speaking as an ace person, to be clear—your personal preferences for the story shouldn’t / don’t affect anything here. There’s too much in this.
Yeah, I understand on a personal level not having “representation.” I almost never see myself or my unique experiences and identity reflected in stories. And yet, I also understand that that doesn’t change any story or the world in which we live. Things like this are not said in a vacuum.
Any queer characters having sex on screen IS a net positive. It is rare and impactful, and openly calling for or hoping for otherwise when canon points to its potential is a detrimental alliance with purity culture, whether intentionally or accidentally. Because we live in a Goddamn society!
Who knows (other than Neil Gaiman) whether Aziraphale and Crowley ARE going to fuck on international TV. None of us do! But the subtext right now blatantly says they’re starving for it. And you don’t have to like the prospect of that, but honestly? We SHOULD get to see it play out. There’s no truly legitimate reason we shouldn’t ¯\_(ツ)_/¯ Whether you "prefer" it or not.
And my ultimate hot take is… if someone balks at the idea of that or doesn’t understand the importance of it, despite even seeing the subtext… then they should perhaps unpack that? Just a thought.
Truly the way fandoms are managing to hit either “subtext doesn’t count :/ ” or “let’s keep it to subtext so it’s ‘open to interpretation’ :) ” nowadays depending on what corner one visits is MADDENING. Whiplash-inducing. Surreal. And so much nonsense you can’t pick where to start.
So! I do genuinely hope I'm not kicking off discourse but I felt this Needed To Be Said (and on more than one site). Because posts like “even if they never kiss again, we’ve won <3 “ make me want to be like…
These characters are YEARNING. Do not doom them and us to it. For once, we can reach for the stars and maybe–against all odds–pull them down. Embrace it!
---
[Update: after more discourse has occurred, I have somewhat elaborated on this further, from the POV of the significance of the queer themes in Good Omens and more specifically how they center illicit pleasure/desire]
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