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#Which seriously feels impossible to animate because it's just not something that can translate well visually
sskk-manifesto · 1 year
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Delusional take: season 5 is 6 episodes of Stormbringer and 6 episodes of manga adaptation
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alexeiadrae · 1 year
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Blaster Interview with Hajime Kanzaka vol 13, translated
Original Japanese here. And this is the final Blaster volume. I found the translation QPDiana did of the full one of volume 12 (previous one) and was comparing it yesterday and unfortunately as you can see these online ones leave quite a bit out. Tokitama also had snippets from parts not online, and that lives on as a word document on my computer. Anyway, I’m going to continue to work on the Mega Brand stuff, and there’s a lot of that, and try to track down more interviews.
Also, last but not least, this is a good one for us Gourrina fans, so buckle in! 
Tamiki: Oh, and this time, we did not intentionally organize the questions by content.
Therefore, the same question may appear several times. Also, questions that have been asked in the past have been left as they are. Please understand that I have my reasons for doing so, and I did not just skip them.
KANZAKA: That's what you call an editorial policy, isn't it? I understand.
Tamiki: I'll start with the first question, which has already been asked. “When and why did Gourry’s brother die? And is the rest of his family still alive?”
KANZAKA: Gourry's brother died because of various circumstances in the past. The other family members live on in the hearts of each and every one of you.
Tamiki .......
KANZAKA: To answer seriously, some family members are dead and some are alive, but I haven't thought of a proper setting or anything.
Tamiki: You said last time that at least his brother and grandmother are already dead. Who manages the money when Lina and Gourry travel together?
KANZAKA: Lina, of course, but she also secretly sews things into Gourry's clothes in case something happens to him.
Tamiki: Gourry doesn't even know it's there.
KANZAKA: He probably says, "I feel kind of heavy today.”
 Tamiki: "In the afterword to the new edition of "Hatred in Selentia," you said that there were parts you wanted to rewrite. Is it the part about the runaway Luke?
KANZAKA: No, I'd like to rewrite here and there. No, it's all over the place. In some cases, it starts at the composition level.
Tamiki: Do you mean everything from the first volume? Or do you feel particularly strongly about "Selentia"?
KANZAKA: No, I wrote the afterword for each of the three new editions together, and it just happened to be that volume, so it was not limited to "Selentia".
Tamiki: Did you digest all of Zuma's past settings that you gave to the animation staff? Also, as far as you can tell, can you tell us where you got your ideas from?
KANZAKA: Well, it was a setting that was difficult to incorporate into the work, so it was rearranged. The "Reading" contains a description of how Zuma was set up, so if you compare that with the anime version, you can see how things were changed.
Tamiki: So, everyone should buy and read "Slayers Reading", which should be on sale by the time this is released, and watch the anime "Slayers EVOLUTION-R", which is also being released on DVD. So, that's it.
KANZAKA: Wow, what an advertising slogan. Is he a dog? Are you a manufacturer's dog?
Tamiki Tell him I've grown up (laughs).
 Tamiki: Are there demons outside the wards?
It seems that Lesser Demons or so are naturally occurring, but are there any demons that can materialize on their own that are intermediate level demons or above (Zolom class or above?)? Are there demons that can materialize on their own?
If there were, I have a feeling they would be beaten to a pulp by the gods.
KANZAKA: There are demons outside of the warding. They are much rarer than those inside the wards. Outside of the wards, they are probably treated as a big boss like Seigram (laughs).
However, there are only the remaining three dragon kings, and there are no lower class demons, so it's not like the demons are going to beat you to a pulp.
Tamiki: It seems that the effect on the east side of the "Mazoku Barrier" has been removed.
I think there was a statement in a huge afterword or something that it is currently impossible for humans to go outside, but what about the other way around?
Even if they do come, are the demon tribe working hard (?) behind the scenes to prevent them? What about the other way around?
KANZAKA: No one would immediately notice that the warding has lost its effect, and even if the warding were to disappear, the area is surrounded by desert and ocean and is not an easy place to come and go, so I meant that there would be no sudden impact.
As I mentioned in my earlier question, there are only three dragon kings who are Gods, and it is not as if they would come out saying "Do~re~" just because the wards are broken (laughs).
However, since we are able to use the spells of the Gods, Milgazia actually uses them a little bit in the second part of the book. This area is also mentioned in the addition to the super huge afterword in volume 4 of "Select," so please read it.
Tamiki: "In the original feature, is Xellos damaged by the raw anthem?"
This similar question has been asked several times in the past.
KANZAKA: No, he is not damaged.
Tamiki: "Was Gourry's long hair something you had in mind from the beginning? Or was it based on the drawing by Mr. Araizumi?"
KANZAKA: It was always the image of long hair.
Tamiki: "Do you plan to write the Xellos + Luna short story you mentioned in the past?"
KANZAKA: Not at the moment.
Tamiki: There have been many of these in the past, haven't there?
 There is also a theory floating around that Lina = Shabranigdu.
KANZAKA: No, she’s not.
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specialability · 1 year
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AI: The Somnium Files
Rambling thoughts. Lots of spoilers for most of the storylines but not the "true" endings.
There are a couple places where the writing in this game is genuinely touching. Oda's ending is one of them.
The game tells you when there is a branching choice coming up, which means it's impossible to somehow miss anything. It doesn't matter what background stuff you click on or which dialogue choices you choose or even what order you travel to different places in. This is kind of disappointing. Especially when most of the side dialogue is either puns that don't translate well (seriously my condolences to the localizers), perverted jokes along the lines of "hee hee boobs", and bland observations. I want to click on everything and read everything but unfortunately it is not actually that rewarding to do so. If something is an important plot point it will be shoved in your face five hundred times to make sure you notice. It is impossible to fail in a conversation or interview. Even if you fail in a Somnium you can always do it over again no problem.
I think it's also a weird decision to make the Somnium sections timed. Normally you want to reward the player for checking things out and trying every option. Instead, this directly penalizes it. With the exception of some tricks you can do with Timies to make the best use of your time (e.g. if you get a black/bad 2x timie that you are forced to use on your next turn, find a move that is only like 5secs long and do that to use it up), there is only one correct thing to click on and if you just click on the correct things one at a time you will unlock the Somnium with loads of time to spare. If you want to click around and read other stuff, you have to intentionally fail a few times.
All that said, I do think the mystery itself is very well written. Red herrings are carefully placed. There are lots of little hints that make it satisfying when they pay off. Since you get to do different branches you end up with more information than the characters most of the time so it's possible to pick up clues or nuance that Date and Aiba are missing. But that also means you can't make Date act on information that you the player have. I do find it frustrating when occasionally Date comes out with some information that hasn't been shared with the player. That always feels like playing unfair. But for the most part the clues are all there.
Date in general is a frustrating protagonist. Not just because he's not very likeable. He's a walking anime stereotype, using constant jokes about porn to disguise his caring personality and whatever. Pervert with a heart of gold! Puke. What's more annoying than that, though, is his unbelievable level of credulousness. Like, he's supposed to be a police DETECTIVE but at no point does he question the vast number of suspicious things going on around him. He is being dosed with drugs without his knowledge and Aiba brings it up multiple times. Why does he have Aiba in the first place instead of a normal eyepatch or fake eye? Is she meant to keep an eye on him? Why is he in the only person in this setting with a magic super revolver? Pewter and the Boss clearly know who he was before he lost his memory but aren't telling him even when he asks. He's a part of a secret research extrajudicial policing unit that coerces people into signing consent agreements and then drugs them to go rummage through their dreams. These are the people he trusts unconditionally. His best friend, Okiura, confesses that he was part of a series of cons that got old people to put yakuza in their wills and then kill them, and his reaction is like "wow that's heavy bud, but you didn't kill them with your own hands so it's fine I guess". Most of the time he is just doing what Aiba suggests he do. And then we're supposed to believe he is capable of figuring out these murder cases. It is not even a Harry Dubois level of incompetence because everybody in-game and the narrative itself all agree that Harry is both a fuckup and very good at his job. In this, the narrative keeps telling me he is this cool competent detective and yet none of his decisions or behaviour actually make me think that is true.
So far I have finished Mitsuki and Ota's routes. I've hit a locked route on two occasions and so have been forced to go back to do Iris' delusional branch. I am not a fan of how they handled her delusions, but at least it is acknowledged in-game that Date handles it particularly poorly. I just don't trust the author enough to handle it better even if he wasn't an idiot. I like "is it real or is it a delusion or is it supernatural" a lot, I just do not like being reminded of how society views people who experiences hallucinations and delusions.
Each of the routes end really abruptly without any resolution of the murders and I kinda understand that thematically the game is about these relationships between people and not really the murders themselves, but at the same time I am playing this game FOR the mystery. And the story remains interesting so long as it sticks to the mystery. At least after each route officially ends we get a short clip of a really jaw-dropping clue that hopefully will pull things together in the end. I still want to know what happens. I just also want to hit Date in the head like a fritzy TV so his brain resets.
If I am permitted one more complaint: WHY are there mandatory gun aiming mini-games in the middle of this VN. I am playing a VN because I am BAD at SHOOTING GAMES. Not to mention the game only does this a handful of times so it's not like you get practise. It's genuinely difficult to do and takes me many tries and much pain to do each one. Yes, physical RSI tendon pain. Which makes me very irritable.
I am frustrated because parts of this game are really good and parts are really crap.
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w2beastars · 3 years
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Waezi2′s thoughts on “Beast Complex” chapter 18.(for real this time)
Seriously, no BS this time!
So, it is impossible to read chap 18 online atm since there is some trouble with the site where it is originally posted. But I'm in a group where I watch as people translate the series, so I can tell you about the chapter that this time is about Airdo the Lion and Ako the Rabbit.
Remember those guys?
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Yep, its the two idiots who Haru met. Their relationship went… sour, after they made out and that resulted in the normally gentle Airdo attacking Ako, leaving her with big scars on her head.
But whatever happened to those two?
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This chapter takes place about a year after the incident. Airdo sees a poster that says that Ako is part of a beauty contest. She has been given the nickname “The Scar-Faced Angel.” Airdo had no idea she had returned to college and that she seems to be as social as she used to be. Airdo haven’t seen her since they were in court, and he decides to go see her so he can try apologize to her and see if she is okay. This makes sense since they are at the same college, so Airdo might as well go see her instead of accidentally bumping into her which would be painfully awkward.
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Airdo expects to be kicked in the groin or something… But Ako is actually happy to see him. She hugs him and says she had hoped he would go look for her since she thought it would be too much for him if she called him.
She declarers how good it is to see him loudly and she even presents him to her friends, telling them that they used to date but that Airdo gave her the scars on her head.
... Yeah, I’m smelling a fish-sandwich.
The two of them leave the tennis club’s court, confusing Ako’s friends since they find it odd she would have anything to do with the lion who almost ate her.
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But not as confused as Airdo when Ako starts lecturing him. She says that his timing is bad, that he should have waited to come to see her till Monday since this day is a holiday. It is easier to start rumors on a normal school day like Monday.
Yep, Ako haven’t changed at all, she is still very fixated when it comes to her reputation. She is good at seizing an opportunity when she spots one, so she is surprised when Airdo drops by to visit her at her club but also quick to turn it into an opportunity by telling her friends first that he attacked her AND that she has to visit him to talk things out.
But here is the thing.
Why not just make a scene? Why not yell and act like she is panicking when the teen lion comes to talk to her? Airdo knows how Ako thinks, and that would be the logical thing to do for someone who is part of a beauty contest by winning “pity points” as the Scar-Faced Angel.
The two of them decides to go to Airdo’s place and get a drink.
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Okay, two things about this panel.
First of all, we get some world building as we see that Mugi’s new macho image is apparently a huge success. His “handsome uncle” photo book has sold over a million copies. Nice to know his change of image actually worked and that he can hopefully inspire a new generation of more confident shiba inu dogs.
Also, its a nice touch that Airdo uses an computer screen for television. Recall my friend Lasse doing that years ago while he lived in a smaller apartment.
As they sit with each their can of beer and watch TV, Airdo realizes that I can’t recall them ever being alone in a room. Ako almost always wanted them to be outside or in a public room so people saw them together since she liked the attention she got from being in a cross-species relationship. airdo once claimed that their relationship was kinda phony, that they were just fooling around. But he sees this moment as the chance for the two of them to talk for real, to get to actually know each other better.
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Buuuuut Ako is wasted. She is apparently a lightweight when it comes to drinking.
(There have been no panels of Ako actually drinking beer. Keep that in mind for what happens next.)
But as Airdo looks at the sleeping rabbit with a bit of sadness, Ako reveals to not be asleep as she accuses him of pitying her and she storms out of the room. airdo is confused, and he decides to run after her.
As the teen lion chases after his rabbit ex, Ako begins to yell that she hates her scars but that she intent to make the most out of her situation, like getting a ton of followers on twitter as the “Scar-Faced Angel” as well as writing an autobiography about her trauma. But the last thing she wants is Airdo’s pity or him feeling guilty.
And then she makes one heck of a statement.
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Well... she is not wrong.
Back in chapter 119 of Beastars where we first met these two idiots, Airdo tells Ako that they don’t have a serious relationship, that he is mostly Ako’s arm-candy. And that he is okay with that. But Ako then says that she wants Airdo to take her serious, to think of her as a female first instead of a small rabbit. So they passionately kiss... And Airdo then attacks her by accident because of his predator instincts.
Airdo was the one attacking Ako. But Ako was the one who unintentionally awakened Airdo’s killer instinct by underestimating how much of a slave animals are to their nature. So in a matter of speaking, yes, she DID “make” those scars.
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Seeing Ako this honest and vulnerable makes Airdo confess his true feelings for the rabbit. He tells her that he loves her and that he wants more than just being a trendy woke couple, he wants them to actually date and know each other for real.
... And then Ako does this:
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Yep, Ako is not drunk at all. She played Airdo like a fiddle so he would declare his love for her.
... AHAHHAHAHAHAHAHAHHAHAHAHAHAHA! DAMN, BITCH! XD
Airdo laughes. After all, he loves Ako for being a smartass who seizes an opportunity when she spots it. He never had any ill feelings toward Ako being “scary” and almost manipulative. Heck, you could argue that he is a bit of a “bottom” as he was okay with Ako bossing him around both in this chapter and chapter 119 of Beastars. Why should he be pissed at her for doing her thing and basically manipulating him into confessing by pretending to be drunk and hysterical?
And besides, she was most likely telling the truth. She tells Airdo that she is vain and tries to milk her unfortunate situation. And she has not shown any signs of ill feelings toward Airdo in this chapter at all, so she doesn’t blame him for what happened.
I would say that this is a win for the both of them. Paru doesn’t let us have happy endings, not without at least a couple of catches. This is as close as the rabbit and lion will get to a joyful conclusion to their little tale :)
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holycow99 · 3 years
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石田お寿司 12/9/21 stream translation Part 7
This is not the full translation of the stream. I only translated the parts I could understand & interpret or parts I found interesting/important. I’m still a beginner in Japanese, so the translations may not be accurate. If you want to repost, please repost at your own risk.
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(t/n: ** means translation may not be accurate.)
I: Any other suggestion for the project?
C: I want you to create Choujin X first chapter with assistants.
I: I wanna see what’ll happen if I hire 100 people. I wanna try draw them with 100 assistants. It’ll probably take an excessive amount of time.
C: Having the viewers as your assistants.
I: That’s a bit interesting. A manga just for that. If it’s the side story’s one shot, then it’s okay. It’d look like a prank if I let you guys draw the real thing.
C: How about playing with Rod?
I: That’s a good idea.
*He’s talking about Saito Naoki again.
C: an overseas fan wrote that you’re gonna eat 1 million fan letters to celebrate 30, 000 subscribers.
I: It’s getting weird. Not 1 million fan letters. It’s head hunting 100 assistants and eating 10 years’ worth of fan letters.
C: How about becoming Fukuoka’s Banksy? (t/n: Banksy is a slang for people who do street arts.)
I: I wanna scribble on the wall too.
*Ishida trying to avoid people shooting at him while escaping from the place after killing the target.
I: They (the guards) remember who I am. Forget me, forget me. This is the opposite of unravel (TG op). Forget me 2x. Please forget me!
*Ishida trying to knock people out but ended up killing them.
I: Ah, I accidentally killed him. Whatever, people will one day die either way.
I: Reverse of unravel will be ravel. (TMI: According to Merriam-Webster, both unravel and ravel mean the same thing.)
I: The assistant head hunting suggestion is a good idea for the 30,000 commemoration. Goubaru probably can do it, though he’s working elsewhere. He’s working someplace else, where he gets sexually harassed. People touched his butt everyday. So pitiful. “I hate it!” (t/n: Ishida imitating Goubaru.) He receives body check from people.
Y****: Please do a career consultation.
I: I’m okay with that. Well, we’ve known each other for a year already. It’s because I was able to distinguish between you and S******. I’ve got to considerably know what you guys are like. Y****is in the theatre club, while S****** is the one who addresses Hikakin (a Japanese youtuber) as ‘that guy’. S****** has a sharp tongue.
I: Y****, where do you wanna go to in the future?
*Ishida reading this person’s comment.
I: You’re in the theatre club, but you wanna be a musician?! Lots of dreams you got there. You have so many dreams. You’re 16, 17 years old, right? You can just be anything, then. How about trying it out? Which one do you wanna do?
C: You can still become a musician even if you’re in the theatre club.
I: That’s true. Hoshino gen also did theatre before, if I’m not mistaken. I’m not sure though. It’s okay if you haven’t decided yet. There are still many possibilities for you.
(t/n: Hoshino Gen is an actor & singer)
C: Theatre requires high ability to express yourself, so I think it’s applicable to music as well.
I: That’s right. That applies to both. You can use the ability to express yourself that you’ve gained from theatre in music. Likewise, since music has various genre, I think it offers a lot of things to theatre. Just like you said. I think either way is good.
I: I think it’s just a matter of where you’ll end up eventually. It’s not like I’ve been writing manga all this while. I dreamed of becoming a mangaka because I didn’t want to get a job. I didn’t want to work, so I wanted to become a mangaka.
C: Well, you can learn anything.
I: Exactly.
C: I wanna quit being a member of society.
I: I didn’t say anything about that.
C: I’m 21, but I wanna be a high-schooler.
I: That’s impossible. Turning back time is impossible. Let’s focus on the real world.
C: Can I decide on my future dream based on impure motives?
I: I think it’s okay. It’s not a bad thing to have that kind of reasons. It’s okay to wanna be popular or wanting money. I think just having that is enough. But what happen after you achieve that is gonna be another story.
C: Sometimes, you can be happy just by drawing and playing games.
I: That is important.
C: My beloved dog that I’ve had for 14 years died recently. What should I do with this lingering affection that I have?
I: I understand how you feel. This is a difficult topic. I think it’s good to have a lingering affection. You can’t help but to have that kind of feelings when you lose a life. Time is the only way to heal wounds.
I: in the end, which one did Y**** choose? Did it end with him saying he’ll do his best? He’s having a trouble deciding whether to go to a vocational school or enter university. I see. Vocational school or university… You’ll spend 4 years in university and you need to manage your own time, so if you don’t have any confidence you’ll be able to manage yourself, it’ll be hard for you. But university is a good place for you if you wanna experience various things and obtain various knowledge.
* Ishida then continued giving a super long speech about Y****’s worries without knowing that he’s already slept.
C: Y**** already said good night.
I: Seriously?! He’s gone to bed?! You’re kidding me! Eh? He’s already sleeping?
*Scrolling for the guy’s comment.
I: “I feel much better now. Good night.” Hahaha. That guy’s gone to sleep. So irritating! What’s up with him? Even though I did my best to give him advice.
MM: On the contrary, don’t you have any worries, sensei?
I: MM’s here again. I’m gonna pin this.
I: My worries? I do have though, but I won’t tell you guys. It’s not really a worry, just something I should think about. Even if it was something serious, I’ll solve it by myself.
*Ishida continued answering the fans’ worries related to school and work. (t’n: I didn’t translate this part because I feel like I’d be disclosing personal info, so I refrained from doing that. I only translated if it’s related to manga or mangaka’s questions.)
C: My relative told me that it’s hard to make a living as a mangaka. As expected, am I dreaming too much? What do you think?
I: I don’t know. It depends on your ability and the effort you put in. Your relative might’ve seen your work and gave some comment. Even for me, people wanted me to quickly give up pursuing this path. I heard about it later though. So, no one knows what will happen in the future.
I: It’s hard to make a living as a mangaka? If it was before, I can understand that. On the contrary, this notion is now no longer applicable. Now, whatever jobs you do is hard. If you were to say you wanna work in a restaurant, people will be opposed to it, but you wanna be a chef no matter what. Anything you do is gonna be tough, after all. First of all, you’re allowed to choose what you wanna be no matter if it’s tough or whatever. And relatively, being a mangaka has a wide scope of jobs. It’s just that people don’t know about it. I think when there’s a will, there’s a way. If you wanna pursue that because you want it to be made into an anime or drama, then it might be difficult for you since that depends on luck.** Well, I’m able to manage my life better than other professions, especially in this period since I can just do my work at home.** Also, if you think it’s okay for you even if it’s tough, then I think you can just do whatever you wanna do. I’m not talking about you putting effort. Even if it’s tough, just by aiming for it is fun. Something like that. If you can live in such manner, then you can just go for it no matter if it’s tough or not.
C: I don’t wanna be a mangaka. I just wanna write manga.
I: That’s good. Let’s write one.
*He continued giving advice to fans.
Part 8
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worldsover · 3 years
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Dal Segno ft. Chuu
length ✦ 3570
genres ✧ music making; oral fixation; facefuck; subby!Chuu
✦✧✦✧✦✧
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Composition is only fifty percent of the process, you've heard, but it's closer to ten for you. For the importance of a solid melody and chord progression with the right instruments and singer, a song becomes less than the sum of its parts with bad mixing because all that effort goes to waste when you can’t hear something, or when something is too loud, or when a certain je ne sais quoi is wrong. But you do know. You don't have to be a chef to be a food critic but it certainly helps. Avoid muddling the lows as it waters down the soup. Carve space in the highs to prevent too much salt from killing the taste buds. Have at most five sounds at a time or else the flavors clash. Focus on these basic techniques to guide you as repetition wears down your mind. Funny. Repetition legitimizes especially in music yet here you are fatigued by repetition as though you weren't down four cups of black coffee. Repetition legitimizes. “From the sign,” the translation reads. Notation, simply instructing a musician to return to a certain point in a piece. You recognize it as an intro song you wrote years ago.
Glass and foam separate the undersized room. Cheap ramen and dampness in the hot air contribute to the odor. You would keep the fan on, if it were worth the extra time filtering out faint noise from recordings. The only scent that keeps you sane is a slight strawberry flavor lingering in the room. Jiwoo. Your muse. A large clock holds both of its hands near one with the lack of natural light muddling whether it’s AM or PM. Studios were always underground man-caves whether they were discount rooms or the signature workspace of the biggest producers. Here you are in the former. Look down at the Macbook and all the wires, sliders, and knobs. Deep breath. “Take 63,” you say into the cheap control room microphone.
“Not good enough.”
“Again.”
“One more.”
Look up. Jiwoo sucks on a grape lollipop. You stare. Watching her fixated on getting all flavor out of the purple sweet derails your flow state. See, work had a rhythm. Listen, volume up, hotkey to copy this clip, volume down. The obvious innuendo sends you offbeat. That perky butt bending over to get a notebook filled with lyrics entrenches the folds of your brain. She didn’t have to wear that skirt. You’ve seen that skirt already and you wish she weren’t wearing it. Oh, you really wish she weren’t wearing that skirt. Guilt sets in. You’re a trusted coworker, she, a naive girl. It takes a while to find your groove again. Your stare has yet to cease until she finally returns the eye contact with candy still in mouth. Her pink tongue laps to secure all the sugar and red pillows engulf the ever-shrinking circle. Pop. Anyone else and it would be calculated action.
“Oppa." Her voice resounds in your monitor headphones. "I don’t know if these harmonies really make sense. Why did you write the second voice to cross down below the main line? Plus it goes so low."
“To be fair, you wrote both of those melodies and you said you wanted them in the same song. Tell me anywhere else they’d work.”
“Ugh, let’s figure this out later. Next song.“
Dozens of takes later and Jiwoo’s frustration causes her to make mistakes. Sometimes she even tries to start singing with the sucker in her mouth. For the character she plays, you know she’s a professional and that she can be better. Yet hours later, she still could not get the vocal runs right. Incomplete songs bloat your project folder: "Jiwoo - Mania", "Jiwoo - Look Closer", "Jiwoo - Untitled Idea 21". Just a small side project that the company approved during another ample period of break time between comebacks. That’s why the director didn’t even let you use the company’s facilities, instead opting to rent out this cheap closet of a studio. At least no one would be mad about the amount of time you spent recording together.
You shift seats from the leather office chair to the white lovechair, the only two pieces of furniture that fit comfortably in the room. Jiwoo follows suit and leaves the recording booth, really more of a phone booth in square footage, while she huffs and puffs on her candy.
“I’m tired, oppa,” she says.
“Me too, Jiwoo. May I remind you that I’m not getting paid extra for this. Are you gonna focus or what?” your voice just a few cents down, just a bit harsher.
“I, I’m sorry.” A lick anyway. Her meek tone disappears, “Ya! You know how good your royalties are gonna be. Sole producer and all that. Plus, here you are still doing all this work for me." Why were you working so hard on this? "You know, if you just taught me how to use Ableton-”
“Then I’d be out of a job.”
Jiwoo frowns, “Wow, selfish much? You could’ve joined me as a trainee.”
“Nah, no way. Fish dance better.”
“Shut up, oppa. You would’ve easily made it with your, um, musical talent.” She clamps down on the lollipop with her mouth.
“You good? What was that?”
“Let’s," she stands promptly, "get back to recording.”
Crack. Jiwoo bites down on the lollipop and throws the stick in the trash. In ten minutes, she nails the verse she spent hours trying to get right. It'd be really nice to know what catalyzed that rally. You'd ask but driving Jiwoo back to her dorm is quiet as usual.
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Make a good impression on someone, anyone, on your first day as a mixing engineer. That’s why you returned to the Blockberry Creative building with an extra bar of Melona in hand. A simple bribery. Light beamed down between two skyscrapers on a short girl with long hair and strands of bangs adorning her forehead. She stood outside the lobby, introducing herself to every passerby. You had to pinch her cheeks, the intrusive thought screamed.
She scurried up to you. “Hi! I’m Kim Jiwoo and I’m going to become an idol!”
Ah, a trainee. You already knew she was destined to become one. Well, not literally, you weren’t in charge of that. But her overflowing charm was impossible to ignore. You had to tease her though, “Are you sure?”
“Hey! What would you know about that, mister?” she said.
You bit down on your mango. “Mister? First of all, I’m only a high school senior,” her lips rounded in surprise, “And second, I’m your new audio guy, and I know for a fact they’re debuting you girls in order of talent.”
“Woooow. Well, I’ll have you know, I have a great voice!” She certainly spoke lyrically.  “Wait a minute, I didn’t know they hired people that young.” You pointed at her. “Okay, I’m in high school too. But that’s different, idols start this age.”
“I guess. I’ve been making music ever since I was a kid, and they liked what I had,” you said and Jiwoo nodded in understanding.
She fluttered her eyebrows. “Sooo, is that mango ice cream for me? Oppa?” A little surprised she already called you that, but it sounded right.
“No, I have this unopened strawberry-” Jiwoo snatched the half-eaten cold treat from your hand, and started licking it. Trouble she would be.
You spent many recording sessions together, alone after all the other members left. She cozied up to you because her little musical snippets had to become full-fledged tracks and you helped her out every time.
Something changed over the years however. Your interactions became colder. It felt like you were the only one who she would respond to in a deeper voice. Jiwoo wouldn't pepper you with silly acts or mess around. Maybe she took you more seriously which is how you managed to make more songs together regardless. Then, you stood idly by and watched her debut. Who didn't love her? But when she was with you, you missed the playfulness, the ice cream and her riffing over your playful guitar strums. It turned less of a hobby and more of a job though you never regretted any second with Jiwoo regardless.
Under the Earth's largest natural satellite, you shared a simple meal in black bean noodles. She was still in her hippie outfit from the comeback, and you handed her your jacket since it was cold. You realized, there was something else there that you were too inexperienced to notice. Your bodies' radiation replace the chill in the air, a bubble with just the two of you eating on the grass in a park near your dorm. A cliche slurping on one noodle and Jiwoo pulled away. In embarrassment, like a damn anime character, she hiccuped. Good thing you didn't close your eyes when you leaned in.
“Wanna make an album together?” Jiwoo says.
“Sure.”
You threw away the noodles’ package and escorted her home. That was all you expected anyway. Fine.
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“That’s enough!”
Three goddamn weeks. It's been three goddamn weeks and you've barely made any progress.
Barge into the booth, slam the door shut and raise your tone, just below a shout, “I've had it up to here! You know how many of my songs have been mashed together in some unholy quest for your perfection? Just one unknown something is missing and either you start complaining or we move on to the next."
She backs up from the mic to the insulated wall but you continue, paying no heed to her, as you spout your piece to the artificially cold air, "You know how much time I’ve spent outside working on these songs? These are songs I’ve saved up over years. And you trash them like they’re nothing. How do you even manage to record LOONA tracks?”
Regret sinks in. This was your passion project as much as hers. Was it frustration from the recordings? Weeks of the same routine and it took until now for you to give in to your temper.
"It wouldn't even be that bad! If you could just one time, you could be cute or cheerful again with me, or,” Fuck. So stupid. You don’t have to take your friendships for granted like this. You’re lucky enough she treats you as much. “Hold on. Wait, I'm-"
Examine her face. It’s not sour and she hasn’t stormed out or even slapped you.
“No, no. You don’t have to say it. I’m. I’m sorry oppa.” She looks down. “I'm the one messing up after all." Her heartbeat a harsh snare drum. "And you. You're. Different. Looking at you always made me feel some, something funny. Not funny but? Ugh. I wish I could explain it.”
You hold in your confusion.
She blabbers on, “Like, are. Are you mad? I promise you, I,” A nervous breath, ”I like you. Okay?"
Your confusion grows like the length of your silence.
"I’m just acting how I really am with you. Do you want to maybe, I don't know, like," her voice decrescendos, "Um. Punish me?”
Your heart, your brain are deprived of blood as it all rushes down. Did you hear that right? Not an apology, not retribution, but a call to punishment? Misinterpreting her, the consequences would be dire but that damned demure tone for such an erotic request. Was Jiwoo the exact type of slut constructed in your mind? The one that made you feel sinful for even imagining. No, no, there's no way.
Too late. Jiwoo must have noticed the absurd bulge now. It had to be these Adidas pants today. Fuck it. Life can’t be lived fully without risk. Hopefully, the same switch turned in her mind. You remove all ire from your face and say in earnest, “Do you like games?"
She lights up a little. You sigh relieved.
"Let’s try…”, you say, ”Strip recording.” She lights up a little more, so you go on, ”If I mess up anything, the mix, the composition, the arrangement, I’ll take off a piece of clothing. Your choice. And every time you mess up-”
Jiwoo unbuttons her denim shorts and brings them down her tight legs.
“D- did I say now?”
However, with her resolve steeled, she continues pulling them. "So what? I did mess up, right?" she says coquettish. Deliberate the turn she makes when she bows down to remove the shorts from her legs, Jiwoo reveals a hint of her innie pussy on that same little ass that ran through your mind earlier. A small trace of her thighs glistens, the only thing reflecting the single lightbulb’s glow in the microphone’s abode. She turns back to face you. "Please. Punish me."
Step closer until Jiwoo backs up to the soundproofing. She’s an eighth note away from your face, flashing her beady eyes and a coy smile, ”Where's your underwear?" A little drop spills out onto the floor, "And why are you so wet, Jiwoo-ah?”
Red on her cheeks, like she only now realized her dishevelment in front of you. “You just… Something about you snapping at me. I don’t get it either. I knew you'd do it, some day, I wanted you to," she mumbles in her best efforts to answer you.
“Have you ever worn underwear to the recordings?”
Those efforts continue to fail.
"Oh, Kim Jiwoo. What do I do with you?" One of your hands grabs her cheek. The other crawls down her back to grab her cheek.
“Oppa… Do I have to say it?”
“I want to hear every." Smack. "Word." Smack. She slips a moan.
“Can you," she says, "can you use my mouth?”
You disguise your long pause as thought, teasing the bare skin of her ass with your exploratory fingers to bide time, but it's an expression of your shock. The interruption helps you come up with a more suitable punishment however.
“How about this then. Every time you mess up, you have to give me a blowjob. Call?”
“Call!” Once more, unprompted, she kneels down in front of you and claws away your track pants. You roll with the punches.
"Oppaa," with an pronounced pop and in a sing-songy rhythm, "I've always wanted to know, if your dick-" It certainly didn't need Jiwoo's dainty hands pulling on your boxers, as it would've sprang out on its own with how like diamond your cock is getting.
"Fuuuck," the first profanity you ever hear her utter, she lilts. "Please. Oppa. Fuck my face?"
After all she said, she could still surprise you. Bring your hips forward and just as you would've her pussy, tease Jiwoo’s lips with the head of your dick. She parts them open, starved, anxious.
Hold her by the chin. "Wait."
She freezes at the command. Again, like foreplay, rub her lips with that head making them turn redder and more plump. You sweep aside her bangs to see her begging eyes. More importantly, slide your dick up to her nude forehead to slap as a first act of retribution. “A-ah!” Jiwoo stutters as you slap her face with your manhood again and again. Bring your cock back down and she's already a mess without you even having entered her mouth. A little drool from her shut lips gently massages your balls while a bit of precum drools from your slit to meet those lips.
Jiwoo mumbles as best as she can with you holding her jaw shut and your dick on her lips, "Please. Please. Shove your dick in me. I need you in my mouth."
You squint your rough eyes to command her.
Muffled still, "Oppa. Please. I. I need to taste you. You just, you're so thick and you're so long and cock is perfect and please I just-"  Loosen the grip on her chin to let her envelop the entire tip with her warm lips. "Mmmmm..." the moan resonates a saw wave and your stern resolve fades away on your first entrance into her face but it returns as her teeth rub against you. She quickly readjusts her jaw but it takes multiple attempts of you pulling out and her sucking you back until only silken lips hold your cock's head. Finally. A focused glint in her eyes. She endeavours to keep your tip in her mouth as long as possible.
You were mad at her earlier, weren't you?
Recall this anger and press yourself into her with all your hips' strength, working against the force of her lip's airtight suction. Saliva leaks to betray the seal. Jiwoo's prying tongue explores the underside of your cock but you reach an impasse while she's not even halfway down the shaft. You shove your dick deeper but to no avail and tears roll down her eyes joining the fluids coating her lips. Thus you exit back out. And back in you go to repeat and repeat and slowly increase your rate, becoming rough sex with her diligent mouth. All the positions you’ve imagined fucking her little pussy, you picture using her throat instead. Even in this compact studio, the couch, chair and desk would provide ample support for you to use her in many ways. The dirty thoughts inspire your speed right now. She slurps and gulps at every quick plunge but you realize her moans and rumbles aren't just incoherent reactions. You decelerate.
“Ah, ahhh, ahhhhhh… Ah’ve ahways- Hmph.” She slurs as she tries her hardest to communicate while her airway is blocked.
She slides up your cock to catch some air, “Thought about it- Mmm.”
“Your dick in my mouth and it’s just so pew, fect- Ahhh.” Jiwoo's lips let go gently then her tongue sticks out to lick up your cock and she shows off a trail of spit leading to your tip. A less patient man would’ve jerked himself off right there to grant her eyes and open mouth's unison request to feed on your cum.
Instead you retort, “You think you’ve earned it? Not even halfway down. Going nowhere, just like our recording sessions, huh?”
“Shut up!”
“Oof.” You’re already weak in the knees so Jiwoo's one handed shove sends your tailbone to the floor. Since you’re still dazed by her confounding strength, she takes initiative and kowtows her head into your lap to crawl down your cock with her tiny lips. Fondling your balls, Jiwoo starts from the furthest point she could muster on your shaft up to your cock head. Her tongue follows back and she starts playing under your tip to swirl that tongue around the most sensitive parts until it explores your slit. You buckle and groan. Jiwoo sucks and spits and sucks while she circles only the most minimal twisting motion of her lips on your head. This is the Jiwoo you know. Relentless. Only now your load is her magnus opus.
Her right hand strays downwards and her face on your dick blocks a full view but you can tell that hand is working as intensely as her mouth. As she strokes herself with more vigor, she starts humming a satisfied melody on your tip. In kind, your subtle grunts turn into full-bodied moans. You're a single measure away from your coda so you reach down and pull her off your cock by grabbing her neck.
You glare into her. “Desperate little girl, aren't you?”
Her breath is stilted and she's nearly shaking. “Please…” she sobs, ”You, you want it as bad as I do right?” Of course. “Won't you just cum for me?” Not now. Not when you have putty in your hands.
“You're making a mess. You can't take me all the way down. And I see that it’s not just your saliva coating the floor.” Point to the spot where she kneels, her drool joins a stain growing ever larger with a strand of juice from her pussy flowing as you continue to berate her. Then you point to her hand. Ha. “Were you playing with yourself using my pencil?”
“No… Wait!”
You back off. “Your top’s a mess too. Anyone can tell I just fucked your face.” You take off your black hoodie and give it to her. “I’ll see you tomorrow for our next session.”
“Wait, we didn’t book tomorrow, did we? Also, you can’t just leave me like this! Oppa!”
"I said, I'll see you tomorrow. I have to go,“ you remind her, ”Ha Rin’s picking you up. And give me back that pencil.”
She hands it to you, unable to meet your eyes despite hers lusting over your cock. You'll definitely use the alluring musk on it for later to save you from your self-induced blue balls. Exit the booth. Of course she barely waits to use your hoodie the same way since she doesn’t notice you lingering in the room. Instead of hiding the grey long sleeve that soaks her neck, your used sweatshirt covers Jiwoo’s face as her fingers make the mess on the floor larger.
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AFF, AO3
Swear to god I’m not just writing the cutest idols to write for. I mean maybe I am but also this answer from @nsfwtwicecatcher​ and all the subsequent pictures that I found of Chuu pouting inspired me. Also, this was a longer piece but I kept spinning my tires on it and decided to split it up, so look out for more.
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Fermata, the aforementioned sequel
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warrioreowynofrohan · 2 years
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Thanks for the tag, @phoenixrisesoncemore ! (BTW, I decided to stay at my parents’ a while longer due to the pandemic, so I haven’t seen your card yet, but thank you so much - I look forward to seeing it when I’m home!)
Favourite colour: A nice deep violet-blue.
Currently reading:
The Face of Water: A Translator on Beauty and Meaning in the Bible by Sarah Rudin (very good!)
Metazoa: Animal Life and the Birth of the Mind by Peter Godfrey-Smith (Christmas gift, interesting so far)
Underland by Robert MacFarlane (travel-style book about various caves, tunnels, and passageways around the world; very highly recommended by my dad; I’ve read his The Old Ways, about various walking trails, and it was good; he’s got a very rich vocabulary, a love of synonyms, and a writing style that is impossible to read quickly - not because it’s hard, but because it’s very deliberately paced. That’s exactly what my dad loves about it; it makes me feel impatient, like I’m walking behind someone who’s walking slowly. But the places he goes to are fascinating and he does write beautifully.)
The Disappearing Spoon: and other true tales of madness, love, and the history of the world from the periodic table of the elements by Sam Kean (an all-time favourite and a reread; I have bought it no less than four times for myself and others. Fantastic popular history/science, loads of fascinating stories and personalities.)
Ninety-Three by Victor Hugo (I’m just one chapter in so far)
Paradiso by Dante Alighieri (Dorothy L. Sayers translations)
Honourable mention: Found the entire Chronicles of Narnia except LWW at a used bookstore for $2-3 each! Not reading any at the moment, but have already reread The Horse and His Boy!
Last series: Hawkeye (MCU). Had its good points, but ultimately frustrating because Marvel seems unable to truly grapple with the concept of personal responsibility for its heroes. Displaces the blame for Hawkeye having straight-up murdered one (sympathtic) antagonist’s father and then focuses its emotional finale on Black Window’s death which he can’t nearly as reasonably be blamed for. (Marvel can be fairly blamed for its decision to kill off her rather than him, which is what I think most of the fans who say they’re angry at him for her death actually mean; but I think if they’d killed him off instead in Endgame it would have been derided as another Quicksilver moment, conveniently offing the character no one was attached to.) It’s a classic character stanning trick - focus on someone unfairly over-blaming them for one thing to distract from addressing their guilt in something else.
What I wanted to see was Hawkeye surrender himself to Maya, unconditionally; someone willing to kill an enemy for revenge may be much less willing to kill a person who is penitent, unarmed, and surrendered. That’s what taking responsibility would look like. If she did choose to kill him - well, if you’re not willing to be accountable to a justice system, then that’s what justice looks like. Otherwise we’re just saying that self-declared ‘heroes’ have carte blanche to murder people as long as they’ve saved the world a couple times.
Coming after the failure to have Wanda to take real responsibility for the harm she did to others in WandaVision, it indicates that Marvel isn’t willing to seriously look at what true accountability for wrongs committed by their heroes would look like.
Last movie: Muppet Treasure Island. An absolute classic; introduced my parents to this one when they said they hadn’t seen it. Last time I watched it, about a month ago, it inspired me to read the actual Treasure Island for the first time.
Sweet, savoury, or spicy? Sweet! I have a major sweet tooth, have baked three batches of cookies in the last week or so, and am currently working my way (disgracefully quickly) through a truly massive haul of Christmas chocolates.
Currently working on: Not much!
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blu-joons · 3 years
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DATING SUPER JUNIOR HEADCANON A⇴Z ⇴ Kim Heechul
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A ⇴ AFFECTION
He is very affectionate with you, no matter the situation. You knew from the moment you met him how flirty he was, and that often translates with how often he likes being as close to you as possible so he can tease you.
B ⇴ BEFORE DATING
You were very aware of how popular he was when you first met him, you brushed his behaviour aside as him just trying to be nice. It was only when he began to call you and ask you out for coffee you began to think that maybe there was something more to the two of you. Heechul tried to be subtle and play it cool, but everyone knew he was into you.
C ⇴ CONFESSION
Most of his previous relationships hadn’t worked out, so Heechul knew to confess to you with the confidence that he saw this one working out. He invited you out to dinner one night, a lot fancier than the places that the two of you usually met at. From the moment you sat down that night you had the feeling that was something was going on, only for it to be confirmed when Heechul began to tell you exactly how he felt.
D ⇴ DATES
He tried to protect you from the outside a lot, which meant plenty of dates ended up at his place. He’d usually order food in, to protect his kitchen getting messy, and find a good movie or sitcom for the two of you to watch. Dates in public always worried him as he didn’t know who was watching, he’d usually take you out on anniversaries or birthdays, or if you’d had a rough day. It never bothered you though where the two of you were, Heechul always made a date exciting regardless of where you both were.
E ⇴ EXPERIENCE
It’s no secret that he’s been on several dates and been in several relationships, but none of them tended to last. He’d never allowed it do discourage him as he always held out for the one, who he felt like he’d found with you. There was something between the two of you that felt different from all his previous relationships, you stood up to him and didn’t always give him what he wanted, which he loved. He loved how you pushed him to the limit and made him work for his relationship like no one ever had done before.
F ⇴ FIGHTING
At times it felt like Heechul was too busy for there even to be time for the two of you to argue. If you do, it’ll take time to get over it. He tries not to let them effect his work, but there’s been several times when he’s arrived at a broadcast and had to fake a smile. The whole journey home is clouded by thoughts of going home to you, and when he does, that’s when the two of you sort things out. Neither of you ever argue over anything massive, but you certainly have your moments, just like every other relationship does too. He’s hot tempered at times, but he works hard to always have control around you.
G ⇴ GETTING TO KNOW HIS FAMILY
The most important thing to Heechul is his family, he was more nervous than you to introduce you to them. If anything, it helped you bond with his family quicker as you joined in with their teasing and made sure he knew how stupid he was for ever fretting. He tried to convince you it was his plan all along, but you all knew better than that.
H ⇴ HOME
He’s very comfortable at home, things are done exactly the way he likes them. It would take him along time to build the bond that would invite you to move in with him, it was a very gradual process. Little steps were best for you both, slowly he began to move you in and get comfortable with the changes before eventually moving you in properly.
I ⇴ “I LOVE YOU”
Of course, he was the first to say, ‘I love you,’ he’s a bit of a romantic at heart. He’d come back after a long day to see you’d sorted everything out at the apartment, and his heart just swelled. His arms wrapped around you, twirling you around as he whispered those three words into your ear as just a small token of his appreciation for what you’d done.
J ⇴ JEALOUSY
He never really got jealous in your relationship, he enjoyed seeing you happy and getting on with all his friends. That was also something you tried hard to do, you knew it was in his character to be flirty and confident, but sometimes you wondered if he did cross the line. Heechul would always be able to tell when you were beginning to feel uncomfortable, which was where his affection came in, pulling you away from the group or the situation and giving you a huge reassuring hug.
K ⇴ KIDS
It was a subject that Heechul hadn’t given much thought to over the years as he was so focussed on his career. Only when you mentioned it one night did Heechul really begin to think about it. He’d been a dad to animals for years, but kids were a whole new challenge. But they were also a challenge he knew he wanted to embrace with you, he wasn’t getting any younger, and a family definitely was something he wanted to start thinking about.
L ⇴ LAUGHTER
It was impossible for you not to spend your days laughing away when Heechul had such a loud laugh. The sound of his cackle would often fill the house, bringing a smile to your face. He was prepared to do anything to make you smile, he never judged himself too seriously, no matter who was watching. His sarcastic and witty remarks would always take you by surprise when you least expected them, unable to stop yourself from laughing at him. He’d spend all day making you laugh if he could, it was his favourite thing to do.
M ⇴ MISSING
He’d spent enough years travelling to adapt to being away from home, but that all changed when he met you. He felt like he was making his debut again, with a heavy heart and fogged mind as always, his days were spent thinking of you. He’d try and make things easier by sending you plenty of videos on tour, but his schedule was always so busy it was hard to find the time. Even if he went away for a day or two because of filming he struggled, he’d become so used to having you around, that it felt strange not having you around. He never thought he’d go back to the stage of yearning for someone, but then he met you.
N ⇴ NICKNAMES
The two of you never really settled on nicknames for each other, Heechul will come up with anything to address you by. A lot of it depends on you, but he tends to switch between something romantic and something he knows he’ll end up paying for later.
O ⇴ OBSESSION
He’s obsessed with your hands, he’s always taken great care of his, but the feeling of being able to hold onto someone else’s is a whole new, exciting feeling for him.
P ⇴ PDA
Heechul never cares who’s watching, if he wants to hug you or kiss you, then he will. He’s a little more reserved in front of cameras, but day to day he doesn’t mind. He’s happy to have you nice and close to him and make sure you feel loved and supported. If anyone says anything, he’s not afraid to put them in their place.
Q ⇴ QUESTIONS
The question he asks the most is always, ‘what are you laughing at?’ He’s not even aware of what he does half the time to make you laugh, he’ll just look around and see you sniggering, trying to work out what you found so funny.
R ⇴ RANDOM FACTS
To most, it’s random, but not to Heechul. He’s very meticulous about his home, and yours and his things. It’s well known that he invites guests to write their initials on their water bottles, and he encourages you to do the same with most of your things around the house. Whilst he wants you to feel welcome, he has a bit of a habit to place all of your things on the left, and his on the right, so that he can never get confused.
S ⇴ SEX
Playful. That’s the best way to describe Heechul, nothing is ever serious with him, and sex is included. The two of you have shared many intimate moments when suddenly he’ll tickle your sides or poke your cheek to make you laugh. Don’t think that doesn’t make him attentive though, he’ll still sing your praises and make sure you know that he loves you, even if he does always end up doing it with a wide smile.
T ⇴ TEXTS
Texts are handy for him in amongst his busy schedules, so he’ll text you quite often throughout his day. Whenever you glance down at your phone it’s typical that you’ll see at least three or four texts from him.
U ⇴ UNIVERSE
You were his best friend, even if he were comfortable around most people, you were the one he could really be himself around. He could let go and not think about a thing when he was with you, the whole world just felt right.
V ⇴ VACATION
With Heechul’s schedule it would be a bit of a miracle for the two of you to find the time to go on vacation, so he liked to get creative. He loved setting up his house with different items to make it feel like the two of you were on holiday, even though it wasn’t the real thing, the amount of effort he went to always meant the world to you.
W ⇴ WHINING
If you didn’t pay him attention when he wanted it, he would definitely whine. His pout would grow and grow until you eventually paid attention to him.
X ⇴ XXXXX
He’s very affectionate, which mean kisses are often yours. He’ll love to sneak up on you and press a kiss to your cheek or kiss the top of your head when he hugs you to remind you that he’s taller. His kisses are a very telling way of letting you know how he feels, sometimes they’ll be quick, other times they’ll be longer, but you can always read them perfectly and gauge what’s going on in his mind.
Y ⇴ YOU
You were his number one supporter, no one knew Kim Heechul quite like you did.
Z ⇴ ZZZ
It took him a while to get comfortable with having another person in his bed, over time he’d eventually learn to cuddle you and hold you whilst still be able to sleep comfortably. Once he was comfortable, he never, ever, let you go.
---
Masterlist
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opbackgrounds · 4 years
Text
So I read the Ace Novel (Part 1)
As promised, I have looked into some of the One Piece novels, but sadly the only one I was able to find was the Ace novel, which has an official translation through Viz. This is as shame as I was morbidly curious about Law’s and genuinely interested in what they came up with for the Heroines series, but I guess those will have to wait for another time. 
For those who aren’t aware, the Ace novel was published in two parts in the One Piece magazine and was written by Sho Hinata, with some bonus art of Ace’s crew by Oda. Part 1 (which is all that I’ve read so far) tells the story of Ace’s journey from East Blue to Sabaody Archipelago, whereas Part 2 presumably goes into his induction to the Whitebeard Pirates.
My tl;dr opinion is that it’s not bad but pretty rushed. Go ahead and give it a read if you’re an Ace stan, but otherwise it’s not exactly breaking any new ground for the series.
The biggest difficulty when writing something for a magazine will always be word count. Part 1 is only 118 pages of actual story—an infinitesimal amount for an ebook—and divided into 3 chapters that read less like an interconnected narrative and more like 3 different installments in a one shot series. Chapter 1 establishes Ace’s firstmate Deuce and tells of how they met, chapter 2 intrudices a marine Nami clone rival for Ace, and chapter 3 is the big climatic showdown that ties all the themes of the novel into one neat little bow before sending Ace off to the New World.
There’s a little connective tissue there where you can see what the author was trying to accomplish, but it’s bare bones storytelling. Anything that has to tell a coherent narrative that covers a long period of time in not a lot of words would. 
For example, Deuce finding out who Ace’s father is and hating him for it, then realizing he’s actually a good guy and deciding that judging people by the reputations of others is wrong happens over the course of like 5 pages, which doubles as the scene explaining how Ace got his Devil Fruit. Chapter 2 sets up Nami Clone Marine as a powerful fighter that Ace and co., were lucky to escape from, only to immediately turn her into a laughing stock at the beginning of chapter 3
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And I know that wasn’t the intention, but you can’t develop a Smoker-Luffy or Garp-Roger style rivalry over the course of one scene. It’s impossible. The end result is a lot of telling over showing and some bizarre contrivances (Nami Clone Marine randomly telling Ace her tragic backstory while on top of the Ferris wheel at Sabaody Archipelago five minutes before she learns the marines were the bad guys all along is the most anime thing I have ever read) which is a shame, because during the more extended scenes, there was some interesting writing and character development. 
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I feel like the writing is at its strongest at the very beginning and the end. Unsurprisingly, it’s not difficult to get through (I’d put it about middle grade as far as reading level) and the style reminds me a little of a watered down version of the Rick Rioden novels—self aware, with just a touch of irreverence that keeps it from taking itself too seriously
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The translation seems to favor accuracy to the text over what I would call a fluid reading experience, so you’ll get sentences here and there that feel wooden or just a little off. 
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And Viz must be more lenient with its novels than its manga, because it was a little more liberal with its swearing than what I’ve seen in the manga. I don’t remember any egreigious darns or dangs, and they even slipped in one instance of someone calling another a bastard.
But enough about the writing. As far as themes go, the author did a good job of tying in themes from the manga, the biggest one I noticed early on during Deuces monologue where he brings up living life without regrets. Sun imagry abounds for Ace, which I found especially interesting because it’s pretty common in fanfiction to turn Luffy into the good sunshine lad, whereas Ace was portrayed somewhat differently 
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And those last paragraphs are the point of Part 1. Ace takes in degenerates unwanted by even other degenerates. There’s even a nice scene where he offers a home for his marine rival after her entire worldview gets shattered because that’s the kind of guy he is. Ace gives others a place and a purpose...but his crew isn’t the family he seeks. There is a sense where they aren’t really peers or equals, and in that sense he is very, very different from Luffy.
Early on, we learn that Deuce’s real name isn’t really Deuce, and he wears a mask so that no one else knows who he is. Well, as much as he hates it, Ace wasn’t born with the last name Portgas, and he’s got a mask of his own, and it’ll take the likes of Whitebeard himself to tear it down. 
But that’s a story for another time. 
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blackcloverdatabase · 4 years
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English Translation of Novel 3: Chapter 2 – The Man Known as Julius (Part 1 of 2)
Here’s the first half of the last untranslated chapter from Book of Yuno! This one features Julius, Yuno, and Bell taking care of an orphaned baby boar. It’s adorable and also a little heartbreaking! Charlotte and Jack also get to meet the lil’ guy!
Also, aside from a few tweaks at the beginning, this translation is appended to the translation of the first few pages that the Black Clover discord was kind enough to supply to me. I didn’t see any translation errors when I scanned through it and I liked the writing style of whoever did those first few pages, so a part of this translation also comes from the generous soul who had started this translation before me. 
--- The Man Known as Julius (Part 1) ---
Julius Novachrono.
He is a man who needs no introduction, reigning over the Order of Magic Knights as the Wizard King. The entire Order moves at his command, protecting the peace of Clover Kingdom both day and night.
He himself possesses no small degree of combat ability, stationed at the top of the Order as he is, and he has led his troops to victory through countless battles. Even after ascending to his current position as the Wizard King, he continues to find his way to the battlefield, demonstrating impressive skills in all areas.
He is the hero of the Clover Kingdom, a source of inspiration for all Magic Knights – No, for all the Kingdom’s citizens.
That's just the sort of person Julius is.
And yet, despite all of that......
"All right, all right!! Sorry I'm late~ I brought plenty of feed for you!"
At this very moment, that inspirational figurehead to all the Kingdom was – Julius was…..
"C'mon, you gotta eat up! I got lotsa food for you! A ha ha! Now now, no shoving! Take your time!"
......grinning from ear to ear and speaking in baby-talk with a soft, sweet tone......
"Oh gosh, you're TOO cute! Seriously, you're way too cute, Graham! I feel like when I'm talking to you, my manner of speaking just becomes shamefully bad...... Well, whatever! Not like there's anyone else around to hear, huh?"
…….to a baby boar as he delivered its feed.
Staying hidden as he watched, Yuno managed to keep a straight face on the outside, but internally, he was shaking. Bell, clearly shaken as well, was thinking exactly the same thing as him: They weren’t quite sure what they were looking at, but they knew they had just witnessed something pretty damn crazy.
How did they stumble across such a crazy sight? Fret not, it won't take long to explain.
 That day, Yuno and Bell had been on patrol near the outskirts of Tonan, a town in the Common Realm. A group of bandits had been staging raids in the area as of late, and it was rumored that one of the bandits possessed an "Original Sin" grimoire. Thus, Magic Knights were being sent out in pairs to patrol the area in shifts.
Yuno and Bell found themselves on duty that day, and after finishing up their patrol with a Knight from another squad, they traded off with the pair who had come to relieve them and slipped away into a forest just a short walk from the town's borders.
They were here to train in preparation for the Royal Knights Selection Exam, which would be held a few days from now.
After the "hot springs training camp" put on by Mereoleona Vermillion (which was one heck of a euphemism for forced mountain climbing and attempted murder), Yuno had mastered "Mana Skin", the technique wherein the user continuously channels a fixed amount of magical energy and uses it to protect their body or increase their physical ability.
However, if he wanted to pass the Selection Exam, if he wanted to demonstrate his skill over Asta, he needed to take his abilities up another notch... no, another two notches if he could manage it.
And so, at every opportunity he could find between missions, Yuno slipped away in search of a secluded little enclave to train.
On this particular day, while on the hunt for a bit of privacy, he came across a hut standing beside a small pond. From the outside, it looked like a long-abandoned cabin, but the footprints he found near the entrance were fresh. Was this the bandits' hideout......? Only one way to find out. Taking care not to be noticed, Yuno silently approached the cabin.
However, it was then that he noticed a young boar with its body and legs wrapped in gauze. This, he found quite suspicious, but before he could move any closer to inspect, he caught sight of someone heading straight for the cabin using Flight Magic.
Panicking, Yuno dove into the bushes to hide, peeking out to see just who had arrived…...
"Gra~~~ham~~~ Were you a good little boy? Were you? Were you??"
Speaking in the most babyish voice Yuno had ever heard, it was none other than Julius Novachrono who came descending from the heavens. Upon landing, he approached the cabin, bearing feed for the boar, and removed his dirty bandages while stroking him gently......
 Which brings us back to the present.
 "Theeeeere there there! Now, let's get your bandages changed!"
Tearing their gazes from the sight of Julius letting loose with even more heinous baby talk, Yuno and Bell glanced at one another. Evidently, Julius was out here taking care of this boar. That much was obvious, but......
Bell dropped her voice, whispering softly to Yuno,
"…...Wh-what do we do, Yuno?"
"There's nothing for us to do," he returned shortly. "Because we didn't see anything, got it? Let's just head back."
That was best for all parties involved. Yuno had absolutely no desire to see Julius acting like that, and Julius probably wouldn't have wanted anyone to spot him out here either. Thankfully, Julius didn't seem to have noticed he was being watched, probably as much to do with the fact that Yuno had disguised their presence as the fact that Julius was absolutely enthralled with playing with the little boar and was paying little attention to his surroundings.
If he was going to make a break for it, it needed to be now. However, Bell leered with squinted eyes,
"...But, you know, that poor little thing really doesn't seem like he's enjoying the attention..."
This much Yuno could see. Actually, it was impossible not to notice. The little boar was squirming and squealing up a storm as Julius attempted to change his bandages, desperately attempting to flee. There was no mistaking that attitude as one of a fond pet.
"…...Neither one of us knows what's going on here. It's not our place to say anything."
"Yeah, I guess you're right…..."
"Plus......"
Yuno glanced back to Julius, who, despite the boar's fierce attempts to escape, was doing his best to see to its needs, and even looked happy doing so. Julius looked like he was having the time of his life, eyes bright with elation - just as he seemed to when he was talking about magic or chatting with the squad Captains he trusted so much. It was true that Yuno didn't want to get involved in whatever was going on here, but he also didn’t want to interrupt Julius when he was so utterly enthralled.
"Plus what?"
"Forget it. Let's go." With that, Yuno was about to stand up, but then......
"SQUEEEEEEAAAAAL!!"
The boar let out a particularly shrill scream, and Julius instantly drew back just as the boar released a huge burst of flame.
"W-what the heck is THAT?!"
"That boar...it must be a Flame Boar! They're a special breed that can use Fire Magic!"
A normal boar was one thing, but keeping an animal of this nature as a pet was forbidden…… though, that hardly mattered right now.
Yuno leapt from the bush, rushing to Julius's side. "Your Majesty! Are you all right?"
In retrospect, that had been rather stupid of him. After all, what could a Flame Boar possibly do that could in any way harm the Wizard King? It was patently clear he didn’t have a single scratch on him, no burns of any sort, and even the cabin itself remained safe from any flying sparks.
"......Yu-Yuno-kun........!?"
Julius's face was so red, he could have started spitting fire himself.
"H-h-how...how long--how long h-h-have you...been w-watching...me...?"
"I didn't see anything I didn't hear anything PLEASE EXCUSE ME, SIR!"
Yuno sputtered before promptly turning on his heel and darting off. It was a rather forcible retreat, admittedly, but he was convinced it was the best course of action. What had just transpired would only reflect badly on the both of them, so pretending it had never happened at all was for the best.
“W-wait! P-please hear me out!”
However, Julius chased after him, his expression desperate.
"W-wait! Please wait! There's something I'd like your help with!"
……And when the Wizard King said that to you...well, you really had to stop, didn't you?
 “……So, this little one’s parents died, which is why you decided to take care of it here for the time being?”
After all that, Yuno and Bell were invited to sit on the bench in front of the cabin as Julius served them some tea and snacks. Both the tea and snacks looked rather extravagant, so Yuno couldn’t help but wonder if they were meant to bribe him to keep quiet. At the same time, Julius explained his circumstances to them.
“Yes. Well, in short, that is correct.”
As he watched Graham run around chasing butterflies, Julius continued,
“Not too long ago, I was passing by this area when I found two flame boars being attacked by bandits. Those were Graham’s parents.”
Bell grabbed a macaroon with both hands and stuffed it into her mouth as she asked Julius,
“Why did those bandits attack them? Were they hungry or something?”
“Flame boar fur has excellent heat resistance, so it’s sometimes used to make magic tools and the like. Because of that, it can be sold for a high price. Of course, that doesn’t make it right to kill them indiscriminately, so I rushed in to save them. I managed to capture the bandits, but…… it was already too late for Graham’s parents.”
On the outside, Yuno was expressionless as he nodded in agreement, but on the inside, he felt bitter. This was not an uncommon occurrence in areas that have been plagued by bandits. They indiscriminately kill, eat, and sell any animals unfortunate enough to live in their territory.
“Although he was injured, I at least managed to save Graham. However, I couldn’t just leave him, so I was going to drop him off at an animal shelter…... but no matter which shelter I tried, they all refused to take him.”
“Because it’s forbidden to keep a dangerous animal like a flame boar as a pet.”
Technically, if he made full use of his authority as the Wizard King, he would be able to force any facility to keep Graham. However, that would surely cause trouble for the breeders and the other animals they kept at the facility. As Yuno knew, Julius was not the sort of man who would do that. Julius shrugged lightly before replying,
“Right. That’s why I started taking care of him in secret. I’d like to keep him until he recovers from his injuries, at least.”  
Julius replied as if to substantiate the explanation that Yuno reached.
“I see…...”
Yuno said as he nodded. Although Yuno came to agree with him, Julius felt a small pang of guilt. His story wasn’t a lie, but it was not the whole truth, either. That’s because if Julius had used his time magic, he could have cured Graham’s injuries in an instant. However, if he did that, then Graham would grow up with the mistaken assumption that injuries can be cured easily. Julius wanted to avoid clouding Graham’s worldview for the convenience of humans any more than it already has.
Coming back from that tangent, Julius continued,
“That’s why I was wondering if you could keep this a secret for me? If it became known that the leader of the Magic Knights broke the rules, there would be a lot of trouble.”
Particularly from Marx. If Marx found out, there was no telling what Marx might say to him. It was easy to imagine what awaited in his future……
“You were raising an unusual pet, huh……? That’s the kind of thing an extravagant bachelor with too much time and money on his hands would do! Stop playing around and get back to work!”
……And he would continue on and on like that.
Yuno lightly tilted his head, completely unaware of Julius’s troubles.
“Of course. It was never my intention to tell anyone, but…… wouldn’t it be better to take care of Graham somewhere else? Bandits might go after him again, and Magic Knights take turns coming here almost every day, so you might get spotted again.”
“……That’s true, but……”
Julius pointed to a large rock a short distance from the cabin. Placed in front of that rock were two bouquets of flowers. Sometimes, Graham would sit at that rock and squeal in a very particular way. Yuno has heard these squeals before. It was the sound flame boars make when they are trying to get their parents’ attention. In other words, that was where……
Julius saw that Yuno understood and nodded.
“That was where Graham’s parents were killed. I think that’s why…... Graham refuses to leave this place.”
For the second time that day, Yuno felt a bitterness in his heart.
“…...I was raised in a village, so I’ve seen animals like that before. Some baby animals won’t leave their parents’ side, even after their parents have died. That’s probably happening here, too.”
Even if you pull that baby animal away from its parents’ bodies by force, it will likely return. In the end, it will probably die, either from being targeted by other animals or from illness caused by being near a corpse. If Julius wasn’t protecting him, that’s probably what would have happened to Graham.
“I thought about using magic to move his parents’ corpses, but…… it would be a problem if Graham thought I was playing with them. In the end, I decided to bury them here.”
“……I see.”
Bell said, looking sorrowfully at Graham. She then clenched her hand into a little fist and said,
“Wizard King! You’re really something! It’s really cool that you’re willing to go so far for a single wild boar!”
“……Hey, Bell. You’re being rude.”
“Ha ha, I don’t mind, Yuno-kun. Miss Wind Spirit, I’m happy to hear you say that. By the way, can I try mixing your magic with mine? Just for a bit?”
“I’m Yuno’s, so no way! However, I kinda like you, so you’re allowed to call me Bell!”
Bell was being incredibly impertinent as she said this, but Julius’s response was simply to smile gently and say,
“That’s too bad. Well, I’m happy that I can call you by your name!”
He possesses great power, he shows tolerance toward anyone, and he holds compassion even for animals. That’s the kind of person Julius is. The kind of person Yuno - and Asta - were aiming to become was as grand as ever. Moreover, Yuno was only looking at a small part of the Wizard King. Despite this, he understood that the Wizard King was a grand existence. If he could see everything, just how grand would he be……? Even trying to imagine it made him feel overwhelmed.
‘Even so, someday I’ll…..!’
As such thoughts reignited in Yuno’s chest, Julius cleared his throat as if to move on to a new subject.
“This brings me to what I wanted to ask you…… Just as you said, this is not a good place to be raising an animal, and I’m also too busy to take care of Graham by myself……”
He appeared rather uncomfortable as he looked at Yuno and Bell.
“That is…… I know this is a selfish request, but you seem like you wouldn’t spill a secret, so…… could you maybe…… help me take care of Graham?”
‘I knew this was coming……,’ Yuno thought as he weighed his options. For Julius, it would make things quicker and easier if Yuno and Bell cooperate now that they’ve seen this place. However, keeping it a secret from the Order of Magic Knights was definitely going to be troublesome.
“Of course, I’m not asking you this as the Wizard King. I’m asking you as a person, so there’s nothing wrong with saying no. You’ll end up breaking the rules, too…… it would be troublesome for you if you get discovered, and you could run into trouble here, too.”
That’s right. If something were to happen here, he wouldn’t be able to get here in time to help Yuno. This was not a task one should carelessly take on.
“Of course. If you’re alright with us helping you, we would love to.”
“Right, of course you’d say no…… the Royal Knights Selection Exam is coming up and you have your own duties to…... WAIT, REALLY!?”
Julius had crestfallenly lowered his head, but then he raised his head back up in surprise and sputtered,
“Huh, a-are you sure!? You’re going to take on this task, just like that……?”
“Yes. I can do my duties as a Magic Knight here…... Plus, if I let a thought like “something bad might happen” stop me, then I’d never get anything done.”
The second half of what he said came from his own experiences as a child. In life, if you don’t do anything, then nothing will happen. He didn’t want that. If you find yourself unable to move because of all your negative thoughts, it’s sometimes necessary to just try doing whatever you want before thinking about what you should do. This was something he learned from watching that guy live his life. He wasn’t sure if this was one of those times, but, at the very least…...
“Also, you said that I would be breaking the rules, but I’m just helping you because I think that’s the right thing to do. I think that for most people, doing what they think is right would be the correct thing to do.”
……Yuno knew that he liked what Julius was doing. That’s why he was going to help him without worrying about problems that may or may not happen later. Wanting to support that idea, Bell whirled around Julius and said,
“That’s right! That’s absolutely right! Actually, it’s weird that you’re doing something so cool so sneakily by yourself! At the very least, you should let us help you!”
“You guys……”
Julius appeared a little surprised as he said this, but then,
“……I see. William truly is blessed with some good kids.”
He nodded as if he came to understand something before calmly smiling once more.
“Thank you, really! Well then, I’ll be counting on you two!”
Yuno bowed his head with a smile before looking around at his surroundings.
“Even so, it really is dangerous to be raising an animal here. If we don’t take measures soon, then……”
“Y-yeah…… You really are a good kid. You’re able to look at things pragmatically so quickly……”
Julius wanted to bask in the warm, snug atmosphere they just created for a little longer, but…… now wasn’t really the time for that. Julius grabbed a large sack that was left at a corner of the cabin and brought it to Yuno and Bell.
“I’ve already done something about that. I bought all sorts of magic tools for dealing with bandits or other Magic Knights.”
Julius pulled out one expensive-looking magic tool after another from the bag.
“Umm, this one is a jewel that keeps evil away. I’m pretty sure this one is a collar that seals away magical power. And this one is a magic tool that keeps others from being able to sense your mana, even if they use mana perception. Also, this one is…...”
As he pulled each tool out, he explained in detail what each one of them did with a huge grin on his face. Yuno and Bell, who felt nothing but respect for Julius just moments ago, started to think ‘This guy is kind of scary…….’. Just how much money and effort is he sinking into one wild boar? Bell whispered into Yuno’s ear,
“……Hey, Yuno. Is he one of those? He gave us all those reasons earlier, but…... maybe he’s just an old guy who wants to secretly raise a pet……?”
“Please don’t say that……. Just don’t.”
He may have sounded a little unconfident in his reply, but that’s not because he was starting to think the same thing Bell was thinking. Absolutely not.
“I read this in a book once, but unmarried bachelors in their 40’s tend to have a lot of money, and they want something to spend their money on, so they buy a pet. Then, that causes their paternal instincts to explode forth, so they end up spending even more money on it.”
“You’re talking about a normal unmarried bachelor in his 40’s. This man is the Wizard King. Don’t lump them together.”
“Hm? Yuno-kun, did you say something?”
“Nothing.”
And so, despite all his doubts and unease, his days taking care of Graham with Julius began.
 ----- The following morning -----
“Oh, Yuno-kun! Bell-kun! Thank you for taking care of him so early in the morning~”
Julius swooped down from the sky toward Yuno and Bell, who were training near the lake.
“Good morning. You’re up early too, your highness.”
“Yeah, I have a meeting to attend just before noon today, so I figured I’d stay here until then. What about you?”
“We have the day off today, so I’ve been training my magic by reinforcing the cabin and changing Graham’s bedding. Also, I think he’s still fine for now, but I was thinking that we should make a fence in preparation for when Graham becomes independent from his parents. It would be troublesome if he accidently wandered into one of the villages.
“……Y-yeah. You sure work fast. Adaptable, too.”
Julius said in surprise. From the start, Yuno was meticulous and diligent. He wanted to do as much as he could while he was here.
“Look, Graham! Your Daddy’s here!”
Bell said as she flew toward Graham, who was eating his feed in front of the hut. Julius had a questioning, but also happy expression on his face as he asked,
“……D-daddy?”
“Bell. Don’t call him weird names. It’s rude.”
“It’s fine, right? He’s practically acting like a surrogate dad!”
“Even so, calling him ‘Daddy’ is a little…...”
As Yuno and Bell continued, Julius’s face steadily became redder until he cleared his throat and interrupted,
“W-well, it’s fine, isn’t it? It feels a little uncomfortable to be called that, but it might be good for Graham. I’m not sure how I feel about it, though…..”
“Oh, well then I won’t call you that. I’m not going to force you to-
“Ah, no! Never mind! Let’s go with that!”
Julius interrupted before crouching down in front of Graham.
“Even so, you two are amazing for being able to feed Graham already. It took a lot of struggling on my part to get him to trust me enough to do that……”
Julius sounded a bit woeful as he said this. Yuno responded as he walked toward the hut,
“I’m not sure why, but animals have always liked me. Also, Bell is a wind spirit, so it might be easier for Graham to trust her over a human being. Actually……”
Yuno glanced at the tombstone for Graham’s parents as he continued,
“You began taking care of Graham right after his parents were killed. That would be the time when Graham would hate humans the most. The fact you managed to feed him and tend to his wounds despite that makes you even more amazing.”
It looked like Graham was putting up a lot of resistance yesterday when the Wizard King was changing his bandages, but that was probably just because his wounds still hurt. It’s not like Graham hasn’t opened his heart to him.
“The reason we’re able to get along with Graham right now is because of you, your highness. Isn’t the fact that Graham knows that not all humans are bad because you poured so much love into him?”
“Y-you think so? That would make me very happy, but……”
Julius sounded embarrassed as he replied before extending his hand toward Graham’s head.
“Graham~ It’s……. It’s Daddy. Daddy’s he-
“SQEEEA, SQEAAAL!”
CRUNCH
With full force, Graham chomped down on Julius’s fingers.
“……………”
A terribly awkward atmosphere arose between Julius and Yuno. In the meantime, Bell, who is incabable of reading the mood, tried her best to open Graham’s mouth as she reprimanded him.
“Hey, Graham! Stop that! You wouldn’t do that to me or Yuno, right!? It’s almost as if you don’t trust the Wizard King after all!”
Yuno went pale when he heard Bell utter the worst thing she could have possibly said, but Julius chided Bell with a stiff smile on his face.
“Ah, Ah ha ha! It’s fine, Bell-kun! I’m sure Graham’s just hungry!”
“What are you talking about!? Graham literally just ate!”
“Then, he’s probably just trying to play! Yeah! I’m sure he just wants to play with me!”
“Even so, he looks serious! It’s like he’s trying to bite your fingers off!”
“Bell! BELL! Just stop talking! Just stop!”
Unusually for him, Yuno raised his voice as he interrupted Bell, stopping her from uttering another word and gently pulling Julius’s fingers away from Graham. After that, Graham trotted away toward the lake to drink some water. Those hellish couple of seconds were finally over, but tears started to pool in Julius’s eyes.
‘Should I say something…..?’ Yuno thought, maybe about how Bell has a tendency to air-headedly stab people in the heart…… No, it was too late to say anything about that now, so he decided to change the subject as quickly as he could.  
“……Could you explain to me what all the magic tools you bought do again?”
Yuno truly did want to hear his explanation again. Julius explained everything so quickly yesterday that he didn’t get all the details.
“S-sure…… There’s a lot of them, but I think this one’s the most important one.”
Julius said, returning back to his usual self as he led Yuno inside the cabin. There, a sparkling red jewel was hidden under Graham’s bedding.
“This is a high-grade magic tool that wards away evil. It creates a barrier with this jewel at the center, and people with evil souls can’t cross through its barrier. That’s the only thing I bought the first day I decided to raise Graham, and I’ve kept this tool active this whole time.”
Bell, who returned to Yuno’s shoulder, gasped in admiration as she looked at the jewel and said,
“That’s a high-grade magic tool for ya! It would be great if every household…… or at least every village had one of these!”
“Ha ha, if we could do that, it would make our jobs as Magic Knights a lot easier. However, this jewel’s range is not very large, and this isn’t widely distributed. Moreover, one strong attack is enough to break this jewel’s barrier, so it’s not so omnipotent as one might think.”
“However, it’s more than enough to protect Graham from those bandits, right?”
Julius nodded at Yuno’s words and turned toward Graham, who was currently bathing in the lake. Around Graham’s neck was a collar with a nameplate attached.
“The next important tool is the collar I bought yesterday. That collar seals away magic. As long as he wears that, Graham won’t be able to use magic, so even if another Magic Knight finds us, they would think that he’s just an ordinary boar.”
Julius’s expression stiffened a bit before continuing.
“Well, not being found at all would be the best outcome, and hardly anyone would have any reason to come here, but…... just like you did, it’s possible that somebody could wander here by chance.”
After the three of them reflected on the “major accident” that happened yesterday, Yuno swiftly returned to the main subject and asked,
“……I see. What about the other tools?”
Following Yuno’s train of thought, Julius quickly began to explain the other tools.
“The other ones are magic tools which conceal our presence, make our mana less perceptible, and other things of that nature. Well, I’ll go ahead and explain what they all do in detail, and…… hm?”
Before he could finish talking, his expression suddenly became grim, and his gaze sharpened as he looked toward the direction of the village. Yuno looked in the same direction.
“……Somebody’s coming.”
“Yeah. I feel two sources of mana heading towards us. For now, let’s hide in the cabin.”
The two swiftly moved toward the cabin, but Bell looked at Graham and exclaimed,
“Wait! Is it alright to leave Graham like this!? We should all hide together!”
“No. We wouldn’t be able to make it in time. For the time being, let’s observe the situation. If something happens, we’ll all leave.”
Julius countered as they slipped into the cabin. Before long, two figures emerged from the forest……
“Kah kah! Look~ There’s nothing here. There’s nobody!”
The Captain of the Green Mantis, Jack the Ripper……
“How strange. I definitely felt powerful mana coming from here earlier……”
……And the Captain of the Blue Roses, Charlotte Roselei.
Two Magic Knights…... two Magic Knight Captains, no less, set foot on the lake shore. Judging by what they were saying, they must have sensed either Yuno’s or Julius’s presence. They probably noticed Julius’s mana when he flew here.
‘To think two bigshots like these would show up,’ Yuno thought, cold sweat dripping from his forehead.
“Why are Captains doing a mundane task like patrolling……?”
“…….Because the Royal Knights Selection Exam will be held soon. Even if it only helps a bit, Captains and Vice-Captains have been handling some of the routine tasks so that their squad members can focus on training for it.”
Julius explained calmly, but internally, his heart was pounding. It would be bad if they were found out by ordinary Magic Knights, but there was no mistaking that being found out by a Captain would be even worse. They nervously held their breaths in the cabin as they heard Charlotte say in a commanding tone of voice,
“Just in case, let’s split up and search the area.”
“Are you kidding me~ Damn, I was planning to get wasted at a bar until our shift ended.”
After that brief exchange, Charlotte began to trace the perimeter of the lake while Jack began investigating inside the forest, appearing very bored as he did so. Seeing this, Yuno frowned as he turned toward Julius.
“……What should we do? At this rate, we’ll be found any moment now.”
“We’re okay. Like I was saying earlier, I have a magic tool running that dulls other people’s mana perception abilities, so they won’t be able to sense our mana. I also have another tool running right now that inhibits other people’s ability to notice our presence. In other words, right now, they won’t be able to sense our presence nor our mana.”
‘If you have that much money to spend on magic tools, maybe you should put some of that money toward the Magic Knights,’ Yuno thought. In any case, if that’s all true, then their presence probably won’t be discovered. The problem was……
“……Hm? What’s this? A baby boar? What is it doing in a place like this……?”
Just as Yuno feared, Charlotte spotted Graham, and began to slowly make her way toward him. Surprised by her presence, Graham froze stiff. While he remained frozen, Charlotte crouched down to meet Graham at eye level.
“……So, you’re getting your wounds treated? You have a collar, too. Is someone feeding you here…..?”
She said as she extended her hand toward Graham’s collar.
‘Please don’t take his collar off…….!’ all three of them prayed as they watched her from inside the cabin.
“……..Graham? That’s what is carved here…… I see. So, your name is Graham?”
She muttered before looking around at her surroundings. It looked like she made particular note of whether Jack was still deep in the forest. After confirming that nobody else was around, she turned toward Graham once more, and……
“……Graham, come here. I won’t hurt you, so go ahead and sit on my lap~”
With great difficulty, but also great tenderness, she raised Graham up and placed him on her lap. Then with an innocent smile, much like the smile of a young girl, she hugged Graham’s body.
“Wow…… this is amazing. I though boar fur would be rough and scratchy, but it’s actually really fluffy. I wonder if it’s because you’re a baby. Tee hee, this feels nice. You’re so cute……”
“…………”
“You’re so small. Are you eating properly? I know, I’ll find something good for you to eat! What would you like to eat? Hm? I’ll buy anything you want~”
“…………”
The three inside the cabin continued to watch Charlotte dote on Graham, stiffly turning their heads toward each other. It was a different outcome then what they were expecting, but it was a crazy sight indeed.
“H-hey…… Yuno-kun……?”
This wasn’t the time to be asking this, but Julius couldn’t help but ask.
“……D-did I…… look like that when you found me……?”
“Quiet, your highness. It looks like Captain Jack has returned.”
Yuno brushed off Julius’s question and turned his gaze toward the forest. There, Jack was lumbering his way back. Charlotte noticed his presence, putting Graham down and standing back up on her feet. Her face was a bit red, so she tried to hide this with her hand as she asked him,
“……H-how was it, Jack? Did you find anyone?”
“Nope~ Not a single soul. Kah kah. It must’ve been your imagination.”
“……Maybe. It’s possible that Grah……. No, it’s possible that this injured boar’s owner came to check on him, and then headed home soon after.”
Charlotte left it at that and promptly started back toward the village.
“Anyway, we now know that no one else is here. Let’s return to the village and buy some feed…… no, let’s just go back to the village.”
“Huh? Ah, hey!”
She didn’t respond to Jack’s voice, opting instead to hurry into the forest as if she had some great mission to fulfill.
“Damn, what’s with her……? Anyway, I feel tired just being here. I feel like my physical strength and magical power is withering away. I wonder if some weird magic was cast here.”
Hearing Jack talk to himself, Yuno tilted his head in confusion.
‘What is he talking about? At the very least, I don’t feel any symptoms like that…...”
He turned toward Julius, searching for an answer from him. Julius’s reply was a little awkward as he explained,
“It’s probably the jewel that repels people with evil souls. Maybe that’s what happens when it only affects you halfway……?”
‘……I see. That Magic Knights Captain is recognized as a “halfway evil soul” by the jewel.’
Not knowing that this was the cause, Jack looked around as he muttered,
“Come to think of it, she mentioned there was a boar, but I don’t see it…… Ah, there it is.”
His eyes sharpened with a glint as they lowered toward Graham. Graham jumped in surprise as the three in the cabin watched the situation closely, feeling very different from when they were watching Charlotte. They were pretty sure that Jack wouldn’t get violent with Graham, but he might treat him roughly. That would be unpardonable. If it came to that, they would have no choice but to come out of hiding and stop him. They tensely watched over the situation to see which way it would go, but…...
“……What is he doing? Neither of them have moved an inch……”
Just as Yuno said, Jack was looking Graham in the eye with what seemed like no intention to move whatsoever. Because he was afraid, Graham also didn’t move, so it looked as if time had stopped for them both.
Bell hummed as she pretended to push up imaginary glasses,
“…...It’s just like when a bad wolf happens upon an abandoned puppy and the two come to a mutual understanding. Like, “So, you’re on your own, too…..?”, or something.”
“But he’s not on his own. He has a collar and bandages, so that much should be obvious.”
Yuno’s rebuttal was immediate, but Bell continued to dub over the other two with a hushed voice.
“I could save you, take you in as my henchman, but that would be too easy. If I do that, you’re gonna think that life is easy for as long as you live. It ain’t easy. Life is…… never easy.”
“That’s the kind of conversation two human beings would have. Also, don’t you think your image of Captain Jack is a little off?”
Yuno shot Bell down again, but then Jack headed toward the shoals of the lake and caught a fish using his Slash Magic. After that, he threw it next to Graham. Without skipping a beat, Bell continued,
“Whoops, my mistake…… I accidentally caught too many fish. Throwing them away would surely anger the gods, so I’ll give some to you. Now, young lad…… live, and grow up to be strong…….”
“Okay, that whole “gods” thing is really out of character for him. Just stop……”
“Well, I don’t know if he’d say it quite like that, but it looks like she more or less got it right…... At the very least, it appears that he won’t get rough with Graham.”
While the three of them were talking, Jack left the vicinity. After watching Jack’s figure disappear into the forest, Julius let out a huge sigh of relief.
“Whew, that scared me….. From now on, we should use magic tools that hide our magic power when we come here.”
“……You’re right. Actually, if you could find a magic tool that makes us invisible, that would be great.”
‘If we had that, we would’ve been able to escape before seeing all that,’ Yuno thought to himself as he came out of the hut with Julius.
“Are you okay, Graham? You must’ve been so scared!”
Bell said as he flew toward Graham. Graham squealed happily and started skipping about. Watching Graham behave so cheerfully, Julius had a wry smile on his face.
“Ah ha ha. I thought he’d be afraid, but he’s surprisingly okay. Have you gotten used to being around humans?”
“He might be able to relax around people who seem to hold good intentions.”
……Of course, those two seemed a little too interested in Graham, so there was another problem they had to worry about – the possibility that they may return. However, there was nothing for them to do about that other than take appropriate measures when the time comes. As Yuno came to this conclusion, Julius squatted in front of Graham and extended his hand toward the fish Jack caught.
“Isn’t this great, Graham? You have a fish! Daddy will cut it into pieces to make it easier for you to-
“SQUEAL! SQUEAAAL!”
CRUNCH!
At that moment, Graham chomped down on Julius’s fingers with all his might.
“………….”
 — To be continued in Part 2 —
Julius is such a softie and I love every minute of it. Spoil that baby boar!
Charlotte’s reaction was expected (and perfectly understandable as I would love to hug Graham too), but I can’t say I saw Jack’s coming. It was…... interesting. It’s funny that his soul is considered half-evil, though.
I’m glad to be back to translating Book of Yuno again. The Black Bulls are fun, but there’s something refreshing about having the focus on a character outside of their group. Maybe it’s because he’s so introverted, but Yuno feels very natural as a book protagonist. It’s also funny to see how often the novel essentially says “he had a neutral expression on the outside, but inside he felt *insert intense emotion here*”.  
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randomnameless · 3 years
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what annoys you the most with 3H? The fandom or the missed opportunities from the game?
Oh.
The fandom takes the first place, because while it was funny to craugh seeing those bad takes, 2 years after the release of the game those takes are still endorsed and built upon and it’s just impossible to discuss about FE16 without being sure that the person you’re talking to is talking about the game, or the redshit takes.
Still, I firmly believe fandom wouldn’t be that cesspool of incessant drama if the localised version (especially NoA?) didn’t take wild directions with the game. It’s incomprehensible how a game in its OG version can be saying green but the localised version everyone talks about “corrected” it to “blue”. 
Scripts are more or less the same, but the directions given to the VAs?
rant under the cut about directions, voice acting and people arbitrarly pushing an agenda despite the media they’re supposed to translate/bring to non-jp crowds.
I pointed it in an earlier post (or earlier posts?) but as a french person I grew up with the 4Kids dub, which was infamous for, uh, “translating” things for western audiences, even at the cost of coherency and let’s not even talk about the source material this thing doesn’t exist. Remember the Shadow Realm from YGO? .
I watched a short anime a few years ago about the anime industry (Shirobako?) and I remember a character trying to become hired as a voice actor/seiyuu - she had to learn and to feel the character - she has to know the character as much as the author who created them. 
A few years ago, I didn’t feel as if the dubbing cast worked on their characters as much as the OG!voice actors. For a recet exemples I was rewatching a certain anime with the fr dub - basically a former underling fights against his superior who became a traitor, and even if his superior doesn’t regret turning into a traitor and ultimately became a giant fly, the underling always respected his superior and treated him with proper forms of adress. In the “early 2010 dub” I watched yesterday? Yeah no, guy’s talking to him as if he is talking to his friend in a pub.
Even now, while the quality of the voice acting has improved (and I feel like people take their jobs way more seriously for the dubbing industry) - i was the first surprised with SoV’s VA - we have now directions. Because the manga/anime/game isn’t, uh, good enough or whatever, the dubbing team decides to go off and do its own thing, regardless of coherence or, worse, what was the intent/core of the og game.
I am playing MH:Rise, the game is set up in a more or less traditional “ninja” village, with a lot of old japanese (? feudal? idk) aesthetics. The devs said they wanted to return to the roots of the saga and based new monsters on Yokais, mythological monsters from the japanese folklore. When you meet a new giant monster to hunt, you have small cutscenes to introduce said monster sung with a Noh theater aesthetic (i just looked up on wikipedia i thought it was kabuki but kabuki isn’t the only form of theater whatever the more you know). 
NPCs in the MH series speak their own language, often called the MHese (a bit like the sim language). IDK if it is because this opus has a japanese aesthetic, but you can pick a jp voice acting instead of the MHese (same voice actors but talking in a different language). Or you can pick the US/ENG dub, with, I suppose, US VAs. I’m not complaing about the lack of FR dub, I’m rather happy with it tbf. But, for some reason, despite the aesthetic, the yokais, the pagodas in the background, the samurai flagship cat, the katanas and whatever, I thought the Noh style cutscenes weren’t going to change, or maybe someone would try to sing in English. But it isn’t the case, the US/ENG version of those cutscenes aren’t Noh style sung, they were completely revamped, so no traditionnal songs and instruments in the background, instead have a dude describing the monster you’re about to face in a cheap National Geographic imitation.
Why remove this? Was it because US!Capcom thought the western world wouldn’t understand the Noh references (but could still understand the general “aesthetic”, just, ban on the songs?) or some shit? They couldn’t remove the flagship cat’s samurai armor to swap it for a GI uniform, so they banned the Noh cutscenes? Why?
It is the same shit NoA pulled out with the Fates localisation, Suzukaze became Kaze because... reasons?
Maybe I’m biased because I’m french, and apparently Wonder France is one of the biggest consumer of anime/manga outside japan, but the mere idea that something can be changed because it’s not “western enough so the audience wouldn’t get it” pisses me to no end, and this is why, in the beginnings of Internet (YT videos with 4 parts, megaupload etc etc) everyone I knew who watched anime ditched everything dubbed to watch the very same episode but subbed (one of my friends even worked on her english with subs!).
Back to FE16 because this is your question and I ranted enough, I cannot stress it enough regarding Rhea, but while I do not doubt Cherami Leigh made a great effort and worked her best with the tools given to her (to this day I still cannot fathom how she managed to dub Mae and Rhea, they’re so different or not seiros is genki!rhea if only leigh was given that script) Leigh!Rhea isn’t Inoue!Rhea. NoA (I harp on NoA but I suppose NoA oversaw the dubbint process/effort, NoE is inexistent) had an agenda and a reading of Rhea that isn’t the same as NoJ.
“You worthless piece of garbage” doesn’t exist in the og!script - but more importantly, delivering this, Inoue!Rhea isn’t furious, she is upset and desperate. Leigh!Rhea is furious, Cherami Leigh does an admirable job at conveying NoA!Rhea’s fury - but this is not the same character NoJ wrote. If NoA gave the same directions NoJ gave Kikuko Inoue to Cherami Leigh, I’m pretty sure the “Rhea BaD” crowd, the eating babies takes and whatever shit redshit comes up everyday would be way reduced.
Maybe @nilsh13 has redshit take saved talking about this, but if we’re not talking about the same character, what kind of discussion can even happen? (I’m sure someone someday pulled the “well i played the localised game so i’m not talking about the og script with you but with the localised script” to defend some smelly take)
Missed opportunities can be fuel for fanfics.
Discourse based on fandom drama (at this point NoA itself is part of the fandom with their “religious extremis/zealot” take)? Nothing can salvage it. I genuinely like to talk about FE16 (especially lizards), but since every topic became a landmind because of the fandom drama, even making posts in good faith can be used as a fuel for drama, or completely diverted from their original goal to suit, again, some faction war between lizards and a certain someone.
Tl; dr : Fandom.
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tosikoarts · 4 years
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SFW Alphabet | Shiraishi Yoshitake
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Long live the King! You can check tosikowrites tag for more. Warning: there’s a lot under the cut.
A = Affection (How affectionate are they? How do they show affection?)
Relationship for Shiraishi is more about friendship with intimacy than a long tradition-based order of courtship and conventions. His affection does not manifest in standard gestures like buying flowers or singing serenades, acting all gentlemanly and saving the day pompously like a romantic novel protagonist. If he ever does anything from list above, it is his daydreaming that he doesn’t try to bring to life.
One of Shiraishi’s main goal in the relationship is to keep his partner happy, and the main sign that they are happy is their shrill laughter. It doesn’t matter if they are laughing because stray toothy animal bit his head or because the joke was funny (yay!), mission accomplished and he is satisfied.  Seeing them cry is worse than being hit hundred times with a baton.
Every single soul in the one kilometer radius know whom Shiraishi loves and why he loves them and how amazing, adorable, lovely, cool they are. Sugimoto and Asirpa are making earplugs because Shiraishi can’t shut the hell up. He managed to piss off the men who kidnapped him with bragging about his loved one. Kiroranke puts maximum effort not to bury him in the nearest snowdrift. His admiration doesn’t die down through years.
B = Best friend (What would they be like as a best friend? How would the friendship start?)
The best friend to get dumb with. Sing inappropriate songs, prank others, annoy boring elders and all this jazz. His jokes are never offensive because Shiraishi wants to have good time only but they are unpredictable and never repetitive. His instinct of self-preservation goes m.i.a. in the process so it’s literally life-saving to have a reliable person by the side.
If you need a friend to gossip with Shiraishi is you best choice. He got hot tea on everyone, I mean e v e r y o n e, from old man Hijikata to naïve Koito and he needs best friend to spill it. Damn, Shiraishi is definitely that bih with neon acrylics and golden hoops.
Probably the friend that introduce you to people and brings you into new circles. Wide range of characters, social statuses, affiliations gives a chance to meet potential partners. There is one unspoken rule though: you come here as Shiraishi’s bff, you leave this place as Shiraishi’s bff.
Speaking of which, he comes across as possessive friend. Restriction of other’s social circle and constant need in validation aren’t his behavior traits, but Shiraishi is sensitive to subtle changes in communication. Sole possibility of losing the established connection gives him extreme anxiety. To avoid it he can make concessions and sacrifice his own interests for them.
C = Cuddles (Do they like to cuddle? How would they cuddle?)
Eeh, indifferent? He doesn’t seem like a big fan of cuddling but will do it on occasions. When lights are down and they are in a private of the room, Shiraishi may spoon them to feel the comfort of another person and a little bit of safety he finds in their touch. He doesn’t have a preferred position as well: whatever his loved one wants he will do without hesitation.
D = Domestic (Do they want to settle down? How are they at cooking and cleaning?)
The closest home equivalent that Shiraishi knows is a dark prison cell and this is how he sees the stability in its best light. Yep, same food every day, funny inadequacies behind the adjacent wall, and a guy in not-so-sexy uniform who checks his asshole now and then. What a paradise. Seriously, he needs time to get used to concept of comfort zone. Maybe, after few years Shiraishi himself will offer to find a cozy place for both of them. Average cook. Doesn’t know how to hold a broom.
E = Ending (If they had to break up with their partner, how would they do it?)
Breaking up with Shiraishi is a whole three-ring circus because he is hot and then cold, yes and then no. Get ready to prepare sad clown look for both you and him because it will be a long story: as soon as the idea settles in his head, Shiraishi will turn into giant wreck. Everybody around notices him walking in circles as well as asking Sugimoto how to properly show person that he is not interested. Of course, he ignores rational “just tell them, set a record straight”. Of course, Shiraishi plays dumb and tries to distance himself in all ways possible and impossible. The only way to end this agony is to break the relationship yourself before the mutual sympathy and respect turn into disgust and tension.
F = Fiance(e) (How do they feel about commitment? How quick would they want to get married?)
Doesn’t experience a burning passion to get married but doesn’t completely discards this possibility either. If person seems to be the only one, the meant one, Shiraishi will pop a question after 3-4 years of stable relationship. Cruel push and pull game, sudden break ups and get backs together kill his will to settle down. He may stay with them but Shiraishi will never bring up thought of marriage, wedding bells, and family.
G = Gentle (How gentle are they, both physically and emotionally?)
Even the prison could not knock softness out of Shiraishi: he is utterly gentle with his partner, dreading hurting them or jeopardize their life with the hunt of tattooed skins. Choosing the right words is a little more complicated so translation of an emotional mess in his head does not always convey implied sentiment. That’s the reason why Shiraishi may be unintentionally harsh when it comes to serious conversations: he is torn between being tender and showing firm character.
H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)
Somehow, loves hugs but rarely initiate them. He is almost always cold, his skin feels cold and rough like papyrus paper, therefore, his partner frequently serves as a living heater. When they are busy with work or chores, Shiraishi catches their hand and embraces their arm, practically immobilizing it. Hints fly left and right when Shiraishi wants a hug: he really comes to the partner with puppy eyes and  index finger pointing towards one another because no, he won’t go for it himself, he want his loved one to do it.
I = I love you (How fast do they say the L-word?)
Mentally, he already did it when they met for first time but it takes at least a month for Shiraishi to say three magic words aloud. Two would be even better. He's not serious enough to wait for the friendly phase of a romantic relationship when people have already got used to each other. The longer the relationship lasts, the more serious Shiraishi gets though. You can hear it in the changing of his voice when his playful “I love you so so much” shifts to calm and earnest confession.
J = Jealousy (How jealous do they get? What do they do when they’re jealous?)
Easily jealoused walking disaster that will follow his partner like a poodle if they give him a reason to doubt their faithfulness. Sometimes Shiraishi overreacts, he even thought Sugimoto was looking at his loved one somehow weirdly but quickly brushed this idea off just for it to come back to him next day. Shiraishi gets extremely needy and tries to show everybody that this is HIS person. He is NOT sharing. They love ME. He gives them extra kisses, hugs, grabs their hand and squeezes it few times, smiles at them as much as he physically can.
If his loved one is the one being overly flirtatious, Shiraishi feels awful. Wave of insecurity knocks him off the feet and he doesn’t know what to do. He is overthinker so without proper explanation Shiraishi comes up with the worst scenarios possible. In this case he distance himself until person reassures him in their relationship.
K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)
In the beginning, Shiraishi seems the worst kisser in the world. He has little experience, almost no experience to be honest: yujo do not have time to teach clients the art of kissing. So, yeah, he is pretty average, goofy, sloppy and eager. Wants to kiss everywhere anyhow.  
After a little bit of training his kisses become more sophisticated, and Shiraishi himself doesn’t try to jump on his partner with smooches. He is still impatient when they put their hands on him and tends to get touchy even in public places. When Shiraishi gets in the mood for kissing session, he is unstoppable.
There is a sweet spot right under the earlobe kissing which send Shiraishi on the cloud nine. One kiss and he surrounds to the will of the partner. Ask whatever you want. Besides that he doesn’t care where to be kissed. Likes to give his partner gentle pecks on the nose and cheeks.
L = Little ones (How are they around children?)
If you remember chart going around the Tumblr with categories like “wine aunt, great at babysitting, mediocre at babysitting” Shiraishi would fall both in “God is dead, house is on fire” and “Is a baby”. Kids absolutely love him because they are on the same level *cough cough* and he is overall funny guy unlike the most adults around. Shiraishi likes active games and never sits still. For every crying child he got a candy and few tricks in his sleeve. He would love to be a father one day so he has few more minions to annoy grumpy people.
M = Morning (How are mornings spent with them?)
People who sleep in together stay together. This is the rule of Yoshitake house. No matter what time his partner wakes up Shiraishi wakes up later. Nine in the morning? He is in the bed until noon. Three in the afternoon? He is still sleeping, squeezing his partner tightly in his arms. Even after waking up Shiraishi stays under the blanket. He playfully asks the loved one if they want to keep him company and cuddle too but if they are in hurry, he will lazily crawl out of bed and cook something for them.
N = Night (How are nights spent with them?)
Prefers to spend night outside gambling or drinking, skinny-dipping, lying in the grass and telling fables with varying percentage of truth. In the cold season Shiraishi still likes to go downtown but mainly to meet old friends and have dinner with them and his loved one. Rarely he chooses to stay in the comfort of home. Shiraishi teaches his partner different board games, and soon playing turns into a competition. From time to time Shiraishi loses on purpose, gifting sweet victory in shogi/igo/karuta to the most significant person in his life.
O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?)
You don’t have to ask anything unless you want to spend next hour listening to Shiraishi’s biography. He will tell you about the relationship with parents, about childhood scar on the knee, about search of Sister Miyazawa, and what a bastards his cellmates were. The list is endless, and every day Shiraishi remembers one more story he forgot to tell. There are only two things that can stop him: firm “no, not now, Shiraishi” from the partner and lack of mutual openness on their part.
P = Patience (How easily angered are they?)
It is impossible to piss Shiraishi off. His ability to reduce everything to a joke does not help only in advanced cases where person wanted to break his neck from the beginning. Even when his patience runs out, Shiraishi cannot explode in anger, he just grimaces, stomps, and spits sarcasm. In everyday life, he avoids conflicts as much as possible and does everything to find a convenient compromise so you won’t catch him slipping. He would rather go for a walk and leave another person to cool down than get involved in heated argument.
Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?)
He doesn’t remember shit if his partner doesn’t indicate that it is important information. Worth remembering. Shiraishi, please, listen. At the same time he notices slight changes in their appearance, from new haircut to ring, and keeps in mind such details like eye color, favorite clothes, maybe, particular qualities like never buttoning shirt up completely or writing notes on the wrist. Anniversaries? Baby, he doesn’t remember what day it is today. Just give up.
R = Remember (What is their favorite moment in your relationship?)
The first kiss. Not only did it happen completely by accident due to a bet, but it was so awkward and unexpected that Shiraishi forgot how kissing works. Yep, he froze feeling their warm lips on his, only eyebrows slightly raised up in disbelief. After this incident, Shiraishi could not stop thinking about them. God, he is disgrace, to embarrass yourself in front of the person you like. It could not be otherwise. To remedy the situation, Shiraishi pulled himself together, remembered the cheesiest lines in the reserve, and suggested to try again because he was astonished by their daring attitude. He has no idea what happened after that but that spontaneous kiss with a touch of childishness and innocence stayed with him forever.
Oh, one more moment! Meeting them after coming back from Karafuto. Honestly, Shiraishi didn’t believe he will make it out alive. Ogata or Kiroranke could slice his throat, hide the body, and tell Asirpa he left with his tail between his legs. Therefore, it is miracle to see their adorable face again.
S = Security (How protective are they? How would they protect you? How would they like to be protected?)
Let’s be real, he is the one who needs protection. He also needs some ass-whooping for getting in troubles regularly too but that is not the point. Shiraishi rarely stands up against obviously strong opponents and chooses famous Joestar backup plan – run for his life with loved one under his arm. Another option includes involvement of threatening allies, mostly Sugimoto, to save them both. Sometimes courage overwhelms him, and Shiraishi comes up with risky but bold plan how to save them without outside help but it happens much less often.
T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?)
Most of the time, Shiraishi hopes that everything will be fine by itself, every event will run like clockwork without excessive effort. Dates are unpretentious: no fancy restaurants, exquisite gifts, long intricate confessions of endless love, etc. To his credit, Shiraishi takes chores more or less seriously and does his best. For the anniversaries he transforms in person you've never seen before: dressed immaculately Shiraishi holds a small bouquet of bright moss phlox and box of sweet sakuramochis, his face glows with happiness and love, however, you can sense a nervousness behind the wide smile. On days so special, he is afraid to ruin the mood with usual tomfoolery.
U = Ugly (What would be some bad habits of theirs?)
Canonically, Shiraishi is not the tidiest person around. For some it may be stumbling block because constant battle with desire to throw him in hot springs and scrub ingrained dirt with the hardest sponge can be too tiresome. Also Shiraishi bites his nails until they bleed as well as pulls the hangnails until his fingers start to hurt.
A sense of proportion leaves Shiraishi as soon as a bottle of sake appears on the horizon. Even though he is funny and harmless drinker, he goes overboard with alcohol to end up throwing out behind the nearest pine.
Little lies always slip through the conversation no matter what it is about. When the truth is revealed, it is too late to blame him.
V = Vanity (How concerned are they with their looks?)
Shiraishi doesn’t care about his appearance but likes to get compliments on it. He knows bunch of tricks how to remove different stains from clothes in the wild and doesn't know how to avoid them. One look is enough for Shiraishi: he could wear his old prison uniform for life time because it is strangely comfortable and universal for any event. Except the pursuit by guards, of course.
Has mixed feelings about his tattoos. Living with them is to sit on a powder keg: you never know when the new man with the gold rush will try to scalp you alive.
W = Whole (Would they feel incomplete without you?)
Gets very, very attached to the friends and loved ones so break up feels like punch in the gut. Unlike the rest, Shiraishi basically refuses to let go. He gets clingy, keeps acting like nothing happened, like they are still the best friends, just to cover up growing emptiness inside. No matter how hard he ignores it, Shiraishi can feel how part of him fades. Sometimes even abrupt refusal doesn’t work, but it’s simply his way to deal with sadness.  After few weeks, he has an insight that things will never be the same and that when it hits him. Shiraishi tries to distance himself and it takes all of his strength since by this time he becomes easily distracted, irritated, and whiny. He needs months to get over it.
If they died or were killed, Shiraishi puts effort to maintain his clown image. Only closest people can notice small detail that give away his sorrow and melancholy. Doesn't attempt to get revenge. The time to recover increases to year.
X = Xtra (A random headcanon for them.)
Do you think Shiraishi went to jail so often because of negligence? Partially, yes. Besides the fact Shiraishi is being hopeless fool, he finds prison cell a great place to take a break from fleeting life. If you think about it time slows down behind bars. There’s no point to worry what tomorrow will bring, how to survive and make it through another scuffle, and his impressive skills guarantee him easy escape.
Shiraishi has joint hypermobility syndrome which helps him bend joints at unusual angles and even pull bones out of the fossae. Prolonged arthralgia is a side effect that Shiraishi had to deal with from the first conscious days. There are days when the pain becomes so excruciating that he just wants to lie still and stare at the sky for 24 hours.
Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)
Continuous scolding when there is a reason and when there is not. Yes, with his behavior it is difficult to resist the urge to say a couple of strong words or raise your voice, and Shiraishi is totally okay with it until rebuke becomes daily tradition.
Shiraishi's thoughts are always in motion, usually Brownian motion, his body twitches even when he tries to sit calmly in one place so stagnation in any form would be the death of him. This includes repetitive thoughts, boring behavior, and general passivity.
Shiraishi is genuinely upset if his partner doesn't like children. This is an inexplicable feeling, he really hurts if they ignore little ones or, worse, openly express dislike for kids.
Z = Zzz (What is a sleep habit of theirs?)
Prepare yourself to unexpected awakening in the middle of the night, you will have a lot of them. Shiraishi keeps running from guardians of the law even in his sleep: he kicks, turns, throws his arms out to the sides for the most part of the night. Accidental elbow blow to the nose is not uncommon either. Worst of all, he does not wake up after that!
In the morning Shiraishi likes to sneak closer to his loved one and just presses him onto them. Like, completely. He throws his leg over them, hugs them, presses his cheek to their back, and if it feels just right in winter, in summer such cuddle can be a real test.
Abrupt sleep schedule changes do not bother Shiraishi at all. His organism is so adapted to the crazy lifestyle that he stays fresh even after sleepless night, after waking up at 3 a.m. and going to bed at 3 p.m.
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oldtypenewtype · 4 years
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7 years ago I had this article professionally translated. 1986 is considered to be one of if not THE defining years of the medium. In this article Newtype intervies 21 anime industry leaders to discuss what’s wrong with the industry, ways it can be fixed or just their gripes with with it all. A true snapshot of some of our anime heroes while they were younger.
*reposting article altogether in one post.*
アニメの予言者21人
21 Prophets of Anime アニメ大予言'86 Grand prophecy of Anime ‘86 今、アニメ界に求められているのは、こんな企画だ!私はこんな企画を出す!1986年のアニメ界をリードする21人が業界の問題点と自らの解決策を語る。これを読めばアニメの未来が見える。 This is the project needed by Anime world now! I propose this project! 21 leading personnel in Anime world in 1986 talk about problems in the industry and their solutions. You can see the future of Anime by reading this.
Page 46 & 47
(Article Title)
1985 was a flat year in the animation world.  Let’s ask the hit makers who hit the home runs on how to put an end to this situation.
HAYAO MIYAZAKI (writer and director of “Laputa: Castle in the Sky”)
(Blurb)
What are the animated works that the young ones, the ten year olds to fifteen year olds want to watch? Doors will surely open if you keep them in mind.
It’s unthinkable that new hope can come out of TV when one episode from a TV series needs 3500 cells to be drawn. On the other hand, in movie theaters as well, there are no films that will mobilize moviegoers other than anime fans. I think that filmmakers have forgotten the basics of selling movies.  Collaboration films intended for overseas markets are all the rage,  and even though I want the fans who are in Japan to see these films, they can’t and all I’m left with is frustration.  Only deterioration can come out of this situation.  Actually, there isn’t even one anime today that is aimed at older kids in elementary school to kids in middle-school - the very kids who should be watching anime.  (The anime available now) is aimed at younger kids at elementary school and then jumps straight into anime for college kid anime maniacs. It’s a tough time for fifteen year olds who are put aside by society.  Twelve year olds to fifteen year olds are the kids who need the most comfort and yet the situation now is that they get their comfort from handheld video games.  Those who produce animation are losing sight of their targeted audience.  The remaining anime fans are making anime that they want to watch, and this is a symptom (of the present situation) that is beyond redemption. This is why video animation is still backward in terms of its production, and only its format is new.
If one has an earnest approach, children will definitely react.  This is a real example - in a run-down middle school, in his morning greeting, a new principal said, “I don’t determine a person’s value by his or her grades or appearance”.  Miraculously, all misbehavior was gone from that day’s afternoon onwards.  What children want has always had just one theme - an adventure that saves the mind and heart.
(Caption for illustration at the top of the page)
The hero “Pazu” and heroine “Sheeta” from “Laputa: Castle in the Sky”.  Mr. Miyasaki comments that “For a young lad, living at all times in itself is an adventure.  The reason why Japanese adventure novels are boring is that the hero (in these novels) makes a living out of going on an adventure.”
SUGII GISABURO (executive director of “Touch”)
(Blurb)
What people want nowadays can’t be found in data.  What is the secret of the hits “Night on the Galactic Railroad” and “Touch”?
Honestly speaking, if anything, I genuinely make animation to match my desires, not thinking that today’s animation is trending towards this way, or future animation should be this way.  In other words, I think a great deal about my daily life, figuring out what is lacking and coming up with desires felt by everyone else.  I just happen to be a person who creates, so I vent out those accumulated desires and discontent and let them combust in my work.  
My works are quite heavy in terms of cycle and tempo, whether it be “Night on the Galactic Railroad” or “Touch”.  I sometimes think if this kind of heaviness is ok or not.  But that is because I have a desire for this heaviness, and also because I have this easy pleasure within me.  Instead of work that is borne out of being hung up just on data, I think work that is borne out of my inner natural desires is more acceptable to people.  In the meantime, “Touch” will be shown as an hour and a half movie in the spring so please look forward it.
ISAO TAKAHATA (producer of “Laputa”)
(Blurb)
Movies that make the mind and body come alive are what’s important.  As for me, I am trying my hand at my first live action film.  I am shooting a documentary.
I think nowadays, the thing that a lot of people working in anime has forgotten is the excitement they felt watching adventure movies when they were kids, the kind of excitement that even your body moved spontaneously.  In that sense, I think that works such as Hayao Miyazaki’s films should be brought out to the rest of the world and after (producing his) “Nausicaa”, I am still producing.  When kids’ minds are liberated, there’s no reason to think that they won’t spontaneously move.  In this day and age dominated by computer games, a lot of kids’ play involve just using the brain and nerves so I’d like them to experience things that energizes the blood and makes the body dance. The difficulty is, I think it’s a difficult time now to have a situation in place wherein you let them experience adventure.  If you can’t make people believe in the world portrayed onscreen, you can’t pull viewers into the adventure onscreen.
It’s not that I’m not doing my real job as a producer.  I am now producing a live action documentary movie set in Yanagawa in Kyushu.  It is about how our Japanese ancestors developed towns which utilized waterways.  There is also a part in the movie that has graphic illustrations using anime.  It’s less than 2 hours and is slated to be shown after the summer.
MAMORU OSHII (scriptwriter and director of “Angel’s Egg”)
(Blurb)
This is a warning!! Please reduce the number of collaboration animes before Japanese animation is annihilated.
If I’m going to be severe about it, I’d say that I want all collaboration animes gone.
Those who work in big studios and places with systems in place may not feel a sense of crisis yet.  But in the case of freelance animators like us who work together and put together a workplace and disperse once our anime is done, a part of our actual work is outsourced.   Recently however, the small video studios and finishing studios that we outsource to are loaded with collaboration work.  Japanese animes can’t compete with collaboration animes in terms of profit so when that happens, we just have to rely on the goodwill of the studio bosses, or make them feel the same way we do with regards to the contents of our work, or by chance see an opening and aim for that, or appease them or plead with them.  We can’t work in just that kind of a situation.  That’s why it’s almost impossible to make highly compact and solid animes in Japan now.  Even without going that far, it’s almost impossible to make even decent animes in the country today.  In fact, anime TV series are almost all in shambles, and I can’t even be optimistic about the video quality of the anime we have now.  In this kind of situation, I can’t help but seriously think if next year, our ideas can be made into anime.
(Caption for illustration at the left side of the page)
A girl from Mamoru Oshii’s original video anime “Angel’s Egg” (drawn by Seikou Nakura).  Mr. Oshii revealed that he is having a hard time because there aren’t enough animators to make even just one anime video.
YOSHIKAZU YASUHIKO (director and screen director of “Arion”)
(Blurb)
I haven’t decided yet on what I will make after “Arion”.  I will not take part in the new Gundam series.
I am very busy now with screen work for the anime “Arion” which will be shown in theaters on March 8th.  But as far as I’m concerned, I’m conscious  of the fact that this is my anime for 1985.  Therefore, I haven’t decided yet on what my anime will be for 1986.  I feel like I want to take a break for a year.
“Arion” is quite restrained for an anime to be shown in movie theaters.  I’m happy that this movie is being touted as “the” main animation movie this spring but conversely, it’s a shame that there aren’t a lot of big anime movies for theaters.  It’s already been decided that “Arion” is going to be shown in top-class movie theaters throughout Japan.  It just shows how much anime has received recognition.  I’d like to wait for animes that will pick up on this trend.
With regards to anime TV series, I was in charge of character design for “Z Gundam” this past year but I’ve decided not to be involved at all in the sequel’s new series.  I think it’s better to relegate “Gundam” to the younger animators, starting with Hiroyuki Kitazume, who have grown so much in their craft.  Now I sincerely think, if only someone as good as Kitazume were around eight years ago to help with “Gundam”, I would’ve been saved…
(Caption for illustration at the bottom of the page)
The heroine “Lesfina” from “Arion”, which was produced, character designed and screen directed by Yoshikazu Yasuhiko.  This is the drawing touched-up by Mr. Yasuhiko.  As we have discussed in a series of character designers in last month’s issue, he breathes life into his anime characters, showing genius capabilities.
(Box at the lower left side of the page)
If there were animes like this I’d watch it!
MASAMI YUUKI (manga artist)
As a rule, the three things I’d like to see are: “something that isn’t originally from manga”; “robot animation that isn’t dark”; and “in one year, a collaborative anime by Osamu Dezaki and Akio Sugino for release in Japan”.  I can watch TV anime while casually lying around but I’d like anime that I wouldn’t be able to take my eyes off of the screen, something that is both easy to watch and amusing.  And as written in other magazines before, I’d like to see Mr. Hayao Miyazaki’s version of “Atragon”! (Translator’s note: “Undersea Warship” in Japan)
YUUKI KUDOU (actress and singer)
I’d definitely watch anime that’s fun to watch, anime that will make me happy.  At any rate, I’d like a hero on the side of justice who will beat the hell out of the bad guys and put them in a bind.
RYOKO YAMAGISHI (manga artist)
If there were an anime like Disney’s “Fantasia”, I’d watch it!
Pages 48 & 49
(Article Title)
Major producers from each of the anime/production companies talk about their hits for 1986 and foresee what their companies will be producing
KENJI YOKOYAMA (Toei Animation Co.)
(Blurb)
The new hit TV show Gegege no Kitaro from the fall of 1985 which received top ratings reflects modern times.
This is what I’ve been thinking with the third conversion of Gegege no Kitaro into animation.  One is the change in children’s thinking with regards to ghosts/monsters.  Of course “Ghostbusters” and “E.T.” have influenced this change, and now kids consider ghosts almost as pets.  So in this way I think that if you match the present mood and go in the direction of lighter anime, you’ll be able to create different things from before.  Children’s lives are too managed now, so they’d want an outlet to vent too. And in a society that has too many things and where, if you have the money, you can buy anything, things like the Toyoda Company fraud scandal and shady investment journals can also be construed as monstrosities. This anime has this overall theme: In the ideal world of Kitaro, monsters, people, animals, grass and trees should all co-exist so I thought I’d have various new approaches within the anime.
As a new endeavor, our company is going into video anime.  It’s called “Amon Saga” and we’re not just going to sell it in video format, (I’m also hoping) we can show it in any movie theater even for just one week otherwise it’ll just be too sad.   Especially with regards to original works with names that aren’t well known, I think it’s dangerous to rely on just one production studio. After “Konpora Kid” ends, beginning February, we’re planning on animating “Kinka”, a serialized manga in the weekly magazine Shonen Jump.
(Caption for illustration on the left side of the page)
A figure from the very popular “Kitaro”.  They can’t keep up with the demand for a ghost eraser that they’ve produced and now it is a hit product.  It’s also been decided that there will be new movie releases for this anime in the New Year and in the spring.
EIJI YAMAURA (Nihon Sunrise Co.)
(Blurb)
Find common ground with your viewers and defeat this lethargic mood!
Sunrise has now expanded into six studios and at any given point in time, we plan to work simultaneously on two to three anime TV series, video anime, anime for movie theaters and collaboration anime.  Overall, anime today is manga magazine-driven, so our question is how far can we go in staying on an original anime track. Robot animes have vastly decreased in number, so conversely, I think this is a chance for us to come out with epoch-making anime.  I’d like to make anime that will allow us to seriously converse with our child viewers.
TOSHIMITSU SUZUKI (Artmic Co.)
(Blurb)
Making anime that will be understood by the whole world!  The robot anime boom is shifting from transformation-type robots to robots that merge into one.
Speaking of Japanese products in the international market today, mechanical products come to mind.  This is also true in the animation world since Japanese robot animes are extremely in vogue.  Especially in the American market, they already have transformation-type robot animes, so animes that have robots that merge into one are new to them.  We’ve already exported “Beast King GoLion”, following that, (we’re going to export) “Dancouga Super Beast Machine God”.
We at Artmic plan to make animation that can be exported to foreign markets and we also are also keeping in mind to configure these anime with universal values.  The video anime “Gall Force” is the first step in that direction.
NOBUO INADA (Tokyo Movie Shinsha Co.)
(Blurb)
Our track remains the same - making collaboration animes for foreign countries but we also have new anime.
I can’t necessarily say that the present state of anime is good.  But the passion for anime during the anime boom of “Gundam” and the like was an anomaly so I feel that the state of anime now is the real one.
As you may know, not only do we make anime for Japan but we also produce anime for foreign countries.  It’s a difficult situation for us now to concentrate on anime just for Japan because of production costs.  It can be said that Japanese anime should be improved from the very basic level.
In 1986, we plan to have “Little Nemo” and in the fall, an anime for movie theater release by the duo Desaki and Sugino.  At any rate, we’re doing our best.
JUNZOU NAKAJIMA (Nihon Animation Co.)
(Blurb)
We’re aiming for improving the quality of our masterpieces and we’re also trying our hand at new anime!
As you may know, our company has mainly been making masterpiece animes for more than fifteen years but I think we’ve made a habit of making similar anime.  But we’ve been able to improve on our animes’ degree of perfection precisely because of the buildup of our experience in animation.  We’re also working hard on our technology, and on the authenticity of our masterpieces.  At any rate, we’re trying to make anime that is still interesting to watch even after five or six years have passed.  Next year, we plan on making “Pollyanna” after “A Little Princess Sara” ends, and a new SF series called “Space Sagittarius”.  We’re also going to have one TV special around May.
HIROMICHI MOGAKI (Tsuchida Production Co.)
(Blurb)
Just like what we did in “Tsubasa” and “Kimengumi”, we’re adding our original flavor to animation adapted from manga!
Even with regards to animating manga, the time when you aren’t creative when adapting something is over - just like our approach to our anime “High School! Kimen”.  In manga, the fun is enclosed in a comic cell.  Differing from that, we were able to bring out fun that moves freely (in the anime format).  (Our decision to) put two episodes in one anime has also been well-received.  We are also planning to have an anime TV series next year but all will depend on how long “Captain Tsubasa” will last.  Captain Tsubasa’s storyline is that the finals will end in March, and the European leg will begin.  This will catch up with the manga version’s storyline so I’m thinking of making a new one or taking a temporary break.
MASAYASU SAGISU (Eiken Co., Ltd.)
(Blurb)
Please watch the cooking scenes in the manga  “Oishinbo” animated in a live-action format.
The anime “Sazae-san” is going to be seventeen years old.  I think that the things that last for a long time are not manga for boys or manga for girls but manga for adults such as “Sazae-san” that has a family theme.  But there aren’t many of this kind of anime today.
There has been a lot of SF space anime but nowadays it’s quite possible for kids to go to space someday.  But the world of “Sazae-san” where the grandma, the grandpa, the old maid and the troubles they encounter while living together is farther than space in today’s world of nuclear families.  Conversely, this makes Sazae-san’s storyline fresh.
For next year’s anime, we are developing our plans to animate Mr. Shinji Wada’s manga “Pigmalio”.  We’d also like to do SF action animes, and a totally new genre -  animating Big Comic Spirit’s serialized manga “Oishinbo”.  Following a ten-year cycle, monster animes might come out next year but we’d like to try out new genres.
HIROSHI KATO (Ashi Production Co.)
We are developing original videos for the anime “Dancouga”
Our company has concentrated mainly on original anime and we are continuing with this direction in 1986 and beyond.  Even though our animes are popular, I don’t know why we are edited a lot.  Even “Dancouga” which originally had fifty-two episodes was reduced to thirty-eight and the final story was changed.  We are going to sell a one and a half hour video in March and we’d like to include the real final story in it.  Seventy percent of animators in Japan today are working on collaboration anime. The pay (for collaboration anime) is more than double, so we have to do something about it.  
TOSHIHIRO NAGAO (Kaname Production Co.)
I’d like to see different kinds of SF anime.  “Windaria (Once Upon a Time)” is the first step in that direction.
Generally speaking, I’d like to go with polar opposites - simplistic anime that has funny gags and anime that explores heavy themes.  I think our company would like to take a short break after “Windaria” ends and then we’re going to do a lighter anime.  We’ve also talked little by little about producing an anime TV series, but can we really do it with the present situation?  Companies we outsource to are doing a lot of collaboration anime and we don’t have the confidence that we will win the price war and if we dabble in (anime TV series) incorrectly, it will be a death blow.  With this situation, it seems like we will be concentrating on video anime for now.  With regards to the direction of our anime, we’d like to consider doing SF anime with our own touch and foray into different parts, for example, making modern anime like “Radio City Fantasy (Machikado no Marchen)” that merges footage and music.
(Caption for illustration on the left side)
“Mujigen Hunter Fandora”, one of the original video anime from Kaname Production Co..It is said that the second part will be released in March.
YUUJI NUNOKAWA (Studio Pierrot)
(Blurb)
“Magical Emi, the Magic Star” will end in February.  We’re working on the anime that will follow this.
Ever since our “Dallos” anime, anime in the video anime genre have increased, and it’s becoming more and more difficult to foresee what’s ahead.  But I feel our viewer base will return to children after the continuous increase in anime fans.
In our animes’ genres, it seems that we foray into unprincipled things but through trial and error, we are at that stage where we are aiming for our own style.  In 1986, we plan to stop producing transformation-style anime after “Emi” and we are now working on an anime with a witch theme, with a nod to our very first anime.  We have also decided that we will make a sequel to “Rumic World”.
(Box at the lower left side of the page)
If there were animes like this I’d watch it!
MIKI TORI (manga artist)
And yet there are only a few animes wherein you can feel each anime’s distinct character.  I understand that anime is a group effort, but like manga, the director’s tastes dominate.   If the time comes when the writer can say “that is good but this is also good”, I think that anime will become more vibrant.
AKIO YOSHIDA (manga artist)
If I’m going to watch, I might change the channel if they’d revive anime like the long adventure animes of Toei.  It would feel just like watching the movie “Mothra”.
YUKI SAITO (actress and singer)
I was in a manga research group when I was in high school so all I watched were anime from Sunrise.  I like “Gundam” and “Ideon”.  If there were anime in that vein, I think I’d be obsessed again.
Pages 50 & 51
(Title)
A Glance at the Anime World: The Hit men and their Predictions
SHOJI KAWAMORI
(Blurb)
It’s important to have interesting anime that will be universally accepted!
I haven’t really watched TV anime these past two years.  Once you get rid of a habit, it’s not good.  Once you distance yourself from anime, you won’t even be able tell which anime is good and which is bad.  It’s scary to think that I’ve been watching anime by force of habit.
I also haven’t watched that many video animes to be fussy about it but I feel that video animes have become closer in form to manga.   I can’t say though that it’s already at the serialized manga level, but it’s just a matter of time.  But if you’re going to make video anime and you don’t make it differently from TV anime, it will be a waste.  Probably change the design a bit…just like what Mr. Oshii is doing.  Once your attempts go beyond the realm of attempting things and once you’ve achieved something basic, I think we’d probably be able to see the direction of video anime for the first time.  If I were to create video anime, I’d like to make a short sixty minute one, something that is highly concentrated and can’t be fully “digested” in a TV anime format.  Sixty minutes is too short for a movie and too long for TV, and I think it is a length that is untapped and put aside.
Compared to video, TV’s strong point is that you can make serialized anime on TV.  Nicely put, TV is a medium wherein if you don’t have “ordinariness” (badly put, “mass appeal”) you won’t succeed so in this sense TV is a more demanding form of media than video.  I also don’t like the trend wherein anime that don’t appeal to the masses are turned into video anime.  I think that video anime should also have universal appeal.
For 1986, if there are proposals that come my way, I’ll do them.  I still don’t know exactly what I’m going to do.
TOMOKO KONPARU
(Blurb)
With regards to video anime, I have “The Super Girl” and I’d like to try my hand at a new kind of animal anime.
Anime is said to be on a low note right now but I think that the number of anime being produced now is just right because there was a time when the anime that was being produced went over the production capabilities of those in the anime world.  I even think that the number should be reduced by just a little bit more, but only if the quality is improved.  It seems that 30 animes will be released in 1986, but I think that in terms of quality, (those that aren’t good) will be culled.
I don’t have any children yet but as a housewife I don’t think that anime has a bad influence on children.  Since I was little, I myself grew up watching anime.  Even now, from the standpoint of someone making anime, I don’t want to forget about the children.  But on the other hand, I also think that mothers who just park their kids in front of the TV to watch anime isn’t good either.
The anime following “Hai Step Jun” will be “Maple Town”, an animal anime but I don’t want it to be anime with just “good” characters in it.  I want to try making anime for young girls, which will be a new thing for me.
ICHIRO ITANO
(Blurb)
There must be anime that only young animators can do!
I think that mass media has a very strong influence on children.  I want people to be more conscious of that.  I feel that anime that is being made today just to make money is overly increasing - animators don’t question things, or assert themselves.  An extreme example is the Lolita complex boom of late.  If a person is being shown something like (a Lolita anime) from way back (from childhood), that person’s imagination takes precedence instead of the ability to adapt to another human being, and stress builds up as a result.  I think we should oppose this current reality, and as for myself, I plan to try different things.  I wonder what I’d be able to do before I turn thirty-five, and I also think that you can learn from failure.
MITSURU KANEKO (MK Productions)
(Blurb)
The computer is absolutely infiltrating the anime world.
It’s possible to think that in the future, the possibilities of computer graphics will first be used in the industrial fields.   For example, the depth maps of the Japan Coast Guard just have numbers on them now but if you input these numbers into a computer, you’ll be able to see valleys (under the sea) that continue for miles as video images.  And if this (technology) presses forward, for example, there is an (American) masterpiece special effects movie called “Fantastic Voyage” wherein they (physically) made the sets and then shot the film but in the future, you can make the movie set by inputting data in a computer.
Speaking of another side (of this technology), take the example of video images shown on large screens that have been demonstrated at an expo.  Just like what was shown in the expo, video images and 3D images shown on dome-like screens can only be made using a computer.
In this way, the spotlight is now aimed at anime as a means to (showcase technology).  Animation’s possibilities will also become limitless as it will need to respond to the diversification of people’s demands.
(Caption for illustration on the right side of the page)
This is Cindy, a young girl from a biker gang in the anime “Megazone 23 Part 2”.  Mr. Yasuomi Umetsu’s character design is original, as personified in this drawing.  This anime has a different kind of appeal compared to Part 1.
KEISUKE FUJIKAWA (scriptwriter of the anime “Once Upon a Time” or “Legend of Fabulous Battle Windaria”)
I researched and compared the recent trends, the trend in fans’ consciousness about anime and anime programs and from around last year, it seems like the age of wanting “salvation” has come.  I think that in so many ways, we are being stifled and we are seeking breakthroughs.  I think that how anime as a medium is going to lift this issue up is going to be important.   Even “Once Upon a Time”, which we will show in 1986, takes up issues of the present times.  I’m putting emphasis on what I will say to the youth of today through SF that has stories of people in it instead of just hardcore SF.  For this year and the next, I’d like to dig into aspects of the youth in different ways.  I’d like to make anime that makes viewers think that there is something out there that matches their present selves perfectly.
(Caption for illustration on the left side of the page)
This is Anasu, the heroine of “Windaria”.  Illustrated by Ms. Mutsumi Inomata, this character personifies the pure themes of Mr. Fujikawa’s anime.
YOSHINOBU NISHIZAKI (producer)
(Blurb)
I’d like to make a video anime that will be a preview of a movie theater anime
With regards to “Odin: Photon Sailor Starlight”, I didn’t make excuses and I haven’t commented on it but there are clear reasons why that movie ended in failure.  That anime was originally a one-hour program, twelve episode TV anime - in other words, it was an anime made to be aired for twelve hours.  I think there was a big mistake in the producers’ thinking that they could digest this into a two and a half hour movie.
I used to say that after 1955, there wouldn’t be a hit anime made for movie theaters.   The same thing is about to happen in the video anime world.  If the overproduction of low-quality anime continues, there will definitely be a backlash.  It seems that the most basic idea during planning anime has been forgotten.  And this basic idea is this: things expressed through anime must rouse people’s imaginations.
We’re planning on releasing an anime for movie theaters on July 9, 1986 based on “Desler”*.  But before that we’re planning on selling a promotion video about the movie in April.  In making this video, budgetary issues, which have always been a concern in video animes, have been set aside so I’m planning on making it in the same high-quality as the movie.  I’m also thinking of releasing a trailer of the movie at the same time.
*Translator’s note: Desler is a character in the anime “Space Battleship Yamato”.
(Box at the lower left side of the page)
If there were animes like this I’d watch them!
FUJIHIKO HOSONO (manga artist)
I like the works of Mr. Hayao Miyazaki.  I heard that he said that he wanted to make an anime about the Period of Warring States (in Japanese history) so if that anime is made, I’d definitely want to watch it.  Personally, I’d also like Mr. Miyazaki to make ninja anime.  With regards to other animators, I like Mr. Mamoru Oshii, the one who made “Beautiful Dreamer.
SHOJOTAI (a singer/actress trio)
Reiko: Among animated characters, I like Peter Rabbit.  I’d like Peter to guide me into a dreamy nature scene.
Miho: I really like Phillips. I’d like to plunge into a world adventure with a kitty cat.
Tomo: More than anything, I like Snoopy.  I’d watch any number of animes with Snoopy in it.  I’d like to watch happy animes.
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kittymaverick · 4 years
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Mystery Case Files 21: The Harbinger commentary and review, part 2.
outSpoiler free review first: Holy SHIT GRANDMA studios, talk about knocking the ball out of the park. Not only was that a solid good MCF game to start off with, you’ve now set up the expectation for the next game so high, I’m honestly a little afraid for you. Like... do you know how high the bar is now that you’ve hinted about the content of the next game? Right, coming back to Harbinger for a second. Barring one tiny little slip up which I think was just something that got lost in translation (English is like that), the lore of MCF managed to stay intact, which needs to be applauded. At one point, I almost questioned if there might be almost too many references, especially with that happens to the references in the game itself. (Yes, I, the MCF nerd and fanatic, actually had that thought). I still flip-flop a bit on whether this was a good execution, or a good but shaky execution. For one thing, the way it’s executed... wow, that’s some heavy stuff emotionally. Which is why I’m questioning if that’s “good”, because I suppose there was a line of emotional heaviness I didn’t expect we’ll cross in MCF, but GRANDMA took it there. And so far... part of me is guiltily okay with it, but wow... The studio’s art style does suggest that a detraction from from MCF’s usual Elizabethan English Horror Story with a side of Soul Steampunk and Celtic Druidism would not necessarily be a bad thing. That GRANDMA chose otherwise though, and stuck with a very, very MCF story (albeit more limited to the Celtic legends part), takes guts. What I do wish we’ll get, after the next game, is a story line that’s a GRANDMA original, sort of like Eipex’s the Black Veil, because I think the studio has potential in creating something that’s more them without pulling away too much from MCF. Anyway, that’s the spoiler free review part. Back to my spoiler filled commentary!
Aisling: I know I act suspicious, but I’m just a psychic! MD: I know I’m just a detective, but people keep dying around me, so hey, we’ve got that in common. Aisling: James gave me this cube by the way-- huh? *Emblem of MD appears* ...I’m sorry, that ancient celtic emblem... has a bloody hat. It has a bloody hat. I’m DYING.
Realized I jumped back too far to do this retroactive commentary. Oops.
MD: Okay, well, maybe he isn’t dead yet. We could probably dig him out-- *Nigel turns to bone* MD: ...Never mind. He’s beyond saving. Someone get the coroner!
Six thousand mirrors in the room, and not one shows your face. MD: A technique I have perfected over the two decades of my career. Didn’t save you from getting married to a homicidal madman though. MD: ...I don’t think he picked me because of my looks to begin with.
...Hey MD, I know paper work wasn’t exactly involved and all, but did you actually divorce Charles, or did you just betray him? MD: *DEATH GLARE* You know what, pretend I never asked. MD: You’d better.
MD: Let’s see what skeletons Nigel has in his closet. You know, the last time you found skeletons in a closet, quite literally... MD: Shut up, I was trying not to think about that! (This happened in Key to Ravenhearst. The Skeleton was Charles and Victor.)
Okay, so James was a MCF fanboy, Marge you met on one of your American trips, Nigel was a Fate Carney, John worked on a restored Ravenhearst. I don’t want to say her Majesty might have under exaggerated the number of keywords there were going on here... MD: Oh no, she definitely made it out to be less important than it seemed. She also definitely sent me in because the report she’s going to get out of this is going to be spectacular. The idea that HRM might be the ultimate MCF fan in-universe tickles me with delight. MD: And fills me with utter dread.
Nigel’s shadow puppet theatre: I got fired from the carnival! Boo! MD: Nigel, getting fired from Fate’s Carnival probably saved your ass. Temporarily, until whatever is going on here got you. MD: .................... What? Oh... MD: Yeah. Oh geez I’m looking forward to the case after this now! 8D MD: Why is it that the more I’m tortured, the more gleeful you are?
*Telephone rings* MD: Hello? Marge: HELP ME SOMETHING IS HERE AAAAHHH Well shit. MD: Yeah, she’s done for. Let’s go see the body.
*Gibs collects collectibles before going to body* *I die laughing because that’s my priority too*
MD: Oh no Marge I’m so sorry I couldn’t save you in time... ...Yeah right, says the person who doesn’t want to get their hand on the black stuff. MD: Look, my sorrow doesn’t in anyway override my desire for hygiene, okay? Reminds me of that one time I called some detectives from the last century dandies for refusing to stick their hand into a barrel of rainwater...
MD can I point out how you’re making detailed sketches of MARGE’S BODY in your journal? MD: Look it’s this or pyromania, okay? Don’t judge me. Also, I’m starting to think people that meet you on your cases shouldn’t bother locking their diaries. You always manage to crack them open.
Marge: Oh James is such a darling, I should get him to marry my daughter, then I’ll be such a happy mother-in-law. .............................. MD: ...................... Well, um, I guess Marge was a cougar on the inside, maybe? MD: Yeah, let’s phrase it like that (Restrain desire to make crude NSFW jokes...)
Marge: DAMN THAT GIRL FOR STEALING MY BOY. Marge, seriously, there’s officer Davis. I’m sure he’s just as nice! MD: And not on anyone’s death list. For now. MD: Don’t say that...
Davis: Well, I guess that’s one more evidence against Aisling. HOLD IT! MD: This note here shows clearly that Marge intended to frame Aisling for an attack on her! And the diary entries clearly document how much she hates the suspect. Therefore, the evidence shouldn’t be permissible-- Davis: Yeah, but Marge is dead, and there really isn’t anyone else in town left. *Record scratch* MD: ....It could be... you? Davis: Harhar, look here’s the evidence, go talk to Aisling. MD: Urgh, fine. It’s okay, MD, I was rooting for you there at least!
Aisling: Death, death is all around us! *Flees* MD: Okay, Aisling, that’s really not helping and only making you more suspicious! But since you’re away, I’m going to rifle through your trailer. Um, now who’s suspicious???
Hm, you know, this place would have been great for a holiday spot. MD: I don’t know, given my records with holidays... ...True, you’ll probably end up doing exactly what you are doing now. MD: That said, I think I’ll take a slice of apple pie since no one’s looking. Does the agency pay for your food on your cases? MD: They’d better because I’m giving the recipes to Her Majesty if they don’t...
Aisling: I came here to save John but he’s locked upstairs, please help! MD: Um, if you had let me come with you... maybe some time could have been saved? Aisling: But what if I get killed first then? MD:........ She’s got a point. MD: Dammit, fine...
Hm, so John’s ancestor worked on the original Ravenhearst... We’ll probably need to open up the original game to see if that was the guy that fell from the construction site. (My guess is it’s not, because that carpenter was originally meant to be Rose Summerset’s husband, so it should have been Summerset. Plus Rose’s kids were the twins and Victor.)
Oh damn, a model of Ravenhearst-- MD: Hm, it’s missing a weather vane. ........... MD: Look, just because I burn the place down several times, doesn’t mean I don’t care what it looks like, okay? Can you point out the window that you escaped out of by any chance? 8D MD: *sighs* This one...
Aisling: John, NOOOOOO. MD: Right, gotta cut him down quick! He might still be alive. *Proceed to spend over minutes solving puzzles* MD: I swear, this happened very fast in actuality... Never as fast as the plot demanded though...
*Puts weather vane on model* *Model turns into a raven* MD: ???????????????? Okay, I need to take points off for THAT ridiculous transformation and animation. XD
Aisling: I can’t take this anymore! MD: I know this is hard, Aisling-- Aisling: Here’s the next slab, btw. ....This mood whiplash... I’m dying.
Um, so apparently the banshee wasn’t trying to destroy the world, but was trying to restore herself, which... you disrupted. MD: Look, Allison and her friends needed rescuing okay? I couldn’t just sit idling by. ...If that was disrupted, then how DID Aisling turn human then??? MD: .....Let’s save that mystery for another time because I feel a headache incoming... (Fix edit: It seems to imply that the ritual was only disrupted, not failed, so Aisling did get her skin back, though now she doesn’t remember being a banshee...)
Aisling: I’m a banshee? That’s... That’s impossible. MD: Well, I’ve been through a lot to say most impossible things are actually probable in reality, though if you somehow don’t remember me shoving you back into the cave, um, then I’m grateful. Once you do, please don’t kill me. BTW, your turn on the cube of mystery!
Aisling: Well, if I’m a banshee, I guess I should go back to Dire Grove. We can catch the next ferry. MD: You know that’s a really long trip right? It might take us the better half of a day-- Or a single puzzle’s worth of time. MD: ...Where was THAT kind of fast travel all these years??? I do like how it’s implied that you guys had a huge detour with picking people up and dropping them off though.
Ais: Okay, we’re here in Dire Grove-- AH! MD: Wow, even nature is saying NO to you. Ooooooor it could be a certain immortal druid-- MD: Please don’t. It’s fine! We have a banshee. MD: All she does is predict death! Oh yeah, forgot about that...
*Aisling gets “kidnapped” by green energy* Gibs: That can’t be healthy. MD: That’s honestly pretty normal at this point for us. At least she didn’t get dropped down a tube.
Um, what’s with the Chinese incense in a Druid’s domain? X’D (I’m going to pretend they traded that...)
(I honestly don’t have a lot of stuff to comment on in the section in Dire Grove, because there isn’t much to snark about. Which, I guess, comes to show that 99% of silliness comes from MD dealing with PEOPLE, alive, dead, revived, or otherwise not really a human.)
*Aisling goes back to banshee form* MD: First, no hard feelings about last time, right? Aisling: *stares* MD: Please, thank you, and I’m sorry??? Aisling: You did help me out, so I guess it’s fine. MD: *sigh of relief* BTW, four people technically did DIE though in the process. Aisling: Um, that wasn’t me, if you recall your lore correctly. MD: True enough, but STILL. Just pointing it out. You want her to scream in your ear? She’s still got time for that.
Aisling: BTW, this energy is still floating about. And I think I know why. Will you accept this energy and use it to save the world? MD: Oh hold ON a minute. You want ME to do WHAT? Aisling: Save the world. You heard what I said. MD: Okay, listen. I started this detective job mostly because I thought it was cool... (MD’s going to be at this for a while. Are you going to listen, Aisling? A: To be honest, I’ll probably stop around the part where MD apologized for shoving me back into the cave... By the way, want to hear my part of the story on how I turned back into a banshee? Sure!) *****************************************************************
HOW AISLING BECAME A BANSHEE, AGAIN. Aisling: To make a long story short, there was a lot of puzzles Puzzles which you had to personally solve, without MD’s help? Aisling: It really makes you appreciate how hard MD has had it for the last 21 years...
Did... did you just KILL four people to restore your spirit? Aisling: I just helped their soul cross over! I swear! Aisling, you’re being really SUS right now and I’ve practice how to spot a liar lately! Aisling: I only predict deaths! And then find the souls and tell them where to go. I swear that’s my task. EVERYONE VOTE AISLING AISLING IS THE IMPOSTER
Is one of your abilities literally “summon joyride”???? Aisling: it’s a carriage A carriage can be an awesome joyride if you use it irresponsibly Aisling: How does MD tolerate you? They don’t, they’ve just had worse company and I’m a lesser evil. 8D
Aisling (actually Gibs): *suffers through the last giant super puzzle* ...Yeah, REALLY makes you appreciate what MD goes through. Aisling: Is it always this bad??? Sometimes. I’ve seen worse.
Gibs: THAT CARRIAGE IS BADASS. See, I told you it was a joyride. Aisling: You know, I think I’ll float back to the MD. No joyrides. Awwwwwwwwwwww... Okay, now let’s rewind back to when MD started their rant. **************************************************
Aisling: BTW, this energy is still floating about. And I think I know why. Will you accept this energy and use it to save the world? MD: Oh hold ON a minute. You want ME to do WHAT? Aisling: Save the world. You heard what I said. MD: Okay, listen. I started this detective job mostly because I thought it was cool, and it was for the first couple of cases where all I had to deal with was bust the criminal organization STAIN and recover the Hope diamond for the Queen. But then that’s where all my trouble started because she sent me to this creepy manor which turned out to be a prison to not one, not two, but FOUR ghosts. What’s even worse is the first time I went, I thought I only had to rescue Emma. I was wrong, and for the longest time, I thought Fate Carnival folks were dying from my mistake. Turns out later it was completely personal. This was everything that happened before I met YOU. (Again, really sorry about kicking you back into the cave and getting you stuck in the situation you were in in the last who knows how many years...) Afterwards, I went to the Louisiana which got me on the bad side of a certain ghost pirate, who turned out to be the grandfather of the guy killing the carney folks from his mother’s side. Which was why he was killing them by the way. She sold him to Fate’s Carnival. Anyway, after figuring out that I’ve dun goofed, I went back to Ravenhearst manor, which turned out there was a WHOLE OTHER SECTION I didn’t discover last time, which was somehow a very personalized and twisted marriage proposal that I didn’t notice until too late. I burned THAT down for good measure before taking a break in some place near a lake. But then that guy’s FATHER took up issue with what I did, which I didn’t even started, to be honest. He tried to kill me for whatever grudge it was that he had. I had to stab his horocrux with my badge to get him to stop that time. But then it turns out that father ALSO has some offspring here in Dire Grove, and I had to come back to prevent THAT from going down in flames as well. Thankfully, I think they remained sane. I can’t say the same for the twins, who turned out to be the evil guy’s kids. They most definitely went insane, and REMADE Ravenhearst, which I had to burn down for THE THIRD TIME. All that plus the jump I took landed me in an asylum, which turned out to be the one where both the evil bald guy and his dad was imprisoned once upon a time. Of course, the guy’s father tried to kill me, AGAIN. Took care of that, and also removed the shard that was driving me bonkers. It only gets worse from here though. I got chased around by an woman with a clock for her heart who I had to defenestrate out a clock tower. She didn’t stab me, but then the guy who probably ENGINEERED MY ENTIRE LIFE did, because apparently he wanted to use my soul’s virtue to anchor death to the mortal world or something. I got an immortality feather out of that, I guess, so it wasn’t too bad, but I basically DIED. And then afterwards there was that undead guy who was really hung up about his biker jacket. Next was the evil guy’s ancient youngest son nearly destroying the world (4th wall break: THIS IS VERY IMPORTANT) trying to revive him which thankfully DIDN’T HAPPEN BECAUSE OH GODS I WOULD HAVE DIED FOR REAL ON THE SPOT IF IT DID, FEATHER OR NOT. Then a creepy woman in a mirror had to be locked back into the mirror dimension. And that’s when my agency had a fucking SECURITY BREACH which turned out to have been in the making for YEARS. And then the pirate guy came back and nearly enslaved me. I had to blow up his ship and exorcise him from this world. And AFTER all of that, I was finally sent to Blackmoor, where I met YOU, and also saw a bunch of people marginally related to me die from a cause we still don’t have any answers for. *DEEP INHALE*
Aisling: Okay, so your point is.... MD: My POINT is.... out of ALL the sane and wholesome people in the world who don’t have ANY BAGGAGE whatsoever, why do I, the Master Detective, have to be the one to save the world here-- Charles: Hello. MD: *SCREEEEEEECH*
CHARLES IT’S BEEN FOREVER-- wait, you’re not here to serve the divorce papers are you? Charles: Of course not. I’m asking MD to come back home with me. MD: WHAT?! Charles: Where else would I welcome you back to? *Evil cackle* ......... 8D8D8D8D8D8D8D8D Aisling: ........... :| :| :| :| :| :| :| :| :| MD: .................D:< D:< D:< D:< D:< D:< D:< MD: Aisling, hand that energy over, I’ve a WORLD TO BURN.
I have to point this out... the last time we saw Charles IN THE FLESH in game, was Escape from Ravenhearst, which was NINE YEARS AGO, likely TEN by the time Crossfade comes out. Happy Tenth Anniversary of your wedding, Master Detective? 8D
MD: AS IF.
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aqvarius · 4 years
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Masquerade Kiss: Do Bad Girls Like to Self-pleasure? Kazuomi Shido - otona love - chapter 3 summary/translation
welcome to chapter 3! we left off when kazuomi was at masquerade trying to ask yuzu and kei for advice and naturally they were being dicks. you can read the previous chapter here or  check out my translations page to read from the start.
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“so... how to make that “special woman” surrender*...”
*literally raise the white flag
he thinks that if his lovemaking is inadequate to the point where you have to masturbate, it’s completely his responsibility. 
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“i had intended to convey in full detail the extent of my overflowing love for her, but it seems that i didn’t do enough”
he thought he knew what you were looking for without having to ask and that maybe it wasn’t a possibility like he expected without having a conversation about it. 
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kei: “it’s not that your technique got worse?”
(lmao these guys really say anything to each other, huh)
kei asks him directly while kazuomi is thinking of a strategy for how to make you weak for him** again. 
**literally 骨抜き “debone” lol
kazu: no way. not a chance
kei: you don’t know that. the only way to ascertain that is to confirm it with mc-san herself. plus she’s an agent who can wrap any man she chooses around her finger... acting must be her specialty
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“i’m not a man who can’t see through a woman’s acting”
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yuzuru: “you couldn’t get it up?” (💀)
kazu: it’s not that. it’s just that she gets sexually frustrated/pent up because we don’t see each other often enough. 
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kei: “so you can get it up, but is the problem to do with hardness?”
basically yuzu asked him if he had erectile dysfunction, and then kei is asking if he can get it up but not get hard enough. these dudes literally have zero filter lmao, meanwhile i’m here reading and translating this like
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“of course there’s no problem there. who do you think i am?”
i can’t believe yuzu and kei are just sat here questioning kazuomi’s virility lmao ;sldkfsdldjsls
kei: then... could you be stuck in a rut? (basically i think he’s asking if things are getting stale)
kazu: impossible
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kazuomi: “... are you guys enjoying this [making fun of me]?” 
yuzuru: “yeah”
kei: “of course”
yuzu and kei have the same pleased smiles on their faces. 
kei: well, speaking seriously, sometimes it’s good to have a change of pace, isn’t it?
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kei: “look, there are lots of things like this”
“kei lined up items that “make the night more fun” in a row on the table.”
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“eye mask, whip, collar, handcuffs...”
“where did you hide*** this stuff?”
*** 隠し持つ: carrying something undercover 
bruh he literally pulled it out of nowhere like he had all these things on him the whole time they were at the club... 
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yuzu: “also, why do you have this stuff on you now...”
kei: i don’t know what’s going to happen. i have to be prepared for everything
kazuomi: as far as i know, situations where you need these don’t occur everyday... 
kei: look, i recommend this one. i just got it recently...
kazuomi: “...no thanks****”
****he’s basically saying something that means something like “i appreciate the sentiment [but no]”, “your feelings [intentions] are enough”
after that, no helpful advice came up in the conversation. but kazuomi notes that both of them seem to be worried. they didn’t gross him out, but he politely refused kei’s favourite goods. 
a few days later, he invites you over for dinner. 
you tell him that you were just thinking of contacting him when the phone call came, which surprised you. kazuomi says “well well, that was good timing.” “aside from that diamond, you didn’t set up wiretap devices or GPS anywhere else, right?” you ask. kazu says if he gets jealous, he might do it sooner or later. 
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“after all, my darling lover is in high demand from every direction” 
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you: “oh my, i’d be happy if the world’s shido kazuomi got jealous”
basically, i think she’s trying to say here that it makes her happy that the great shido kazuomi would get jealous over her - she’s being a bit cheeky tho. he keeps an eye on your appearance/state while going back and forth with the usual conversation. there’s nothing special/particular about it... he doesn’t feel awkward this time. you’re eating as usual, and laughing at the silly conversations you’re having with him. it seems like there’s nothing strange... 
he says your name. you respond, “eh?” and then:
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“with a heavy noise, a wad of bills falls from my hands and lands on the table.” 
at the mountain of bundles of bills that appeared suddenly in front of your eyes, you look taken aback and freeze. “wha...?” you say. 
“what do you want to do with this?” kazu asks. 
you, whose eyes widened for an instant, laugh as you immediately understood that he means it as a challenge. then, you peek into his face, eyes glimmering with mischief. 
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you: “okay... i’ll spend [the money] on time with you”
oh? kazuomi says. so, just an hour maybe? you say. even though you’re together like this, you still want his time (time with him). 
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“really, what a cutie. you know very well what to say to make me happy”
falskfjls kazuomi is literally LOVESTRUCK he’s so crazy for you. like sure he’s charming and charismatic and smooth but he’s basically a lovestruck Softe teenage boy on the inside for you. 
kazuomi thinks that it’s not just about what words you think will make him happy. when you speak your true feelings, they’re revealed by the expression displayed on your face. that’s why he can’t get enough of you. time spent with him? that might be just what you need. 
at the moment that kazuomi tries to make a date suggestion - 
“but at this rate, is it even possible to buy you for an hour? you’ve been especially busy lately, your time must be pricey, no?” 
you show a lonely expression for just a moment, but before kazuomi could understand the meaning, you laugh and shrug. 
“or whatever. it’s a joke”
“a joke, huh...” kazuomi says. 
“yeah, i don’t think i could buy your time for any amount of money,” you say. “by the way, what is this actually about? a new game?”
“...yeah, something like that,” kazuomi says. 
you immediately withdraw your lonely expression, but on the contrary it shows that there’s “something” up. 
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“you're better than anyone at becoming someone else, so when you show me your true face for just a moment, it stirs up my heart” 
;laskjflsd kazuomi why you so cute!!!
kazuomi wonders what the reason was for your lonely face and “that act”. just now, you said you’ll “buy my [kazuomi’s] time” and “my time is expensive because i’ve been so busy lately”. those must be your true feelings, but you’ve had to hide your true face immediately. 
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“are you holding back from me?”
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“i’ll take in all of your selfishness”
he’s basically saying he’ll indulge her in anything she wants 🥰
“when’s your next holiday?” kazuomi asks. 
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“a complete off day. give me a day where you won’t be disturbed neither by work nor your owner*****”
*****owner = the boss. the word used is the word you’d use for like a dog owner/animal keeper lmao
“umm... next week,” you answer. “so... what's the deal?”
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“i’m giving you one of my days as a present”
your hand that’s holding a wine glass stops moving as you’re taken aback. 
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“you get the right to monnopolise me for the whole day. it’s pretty attractive, right?” 
i love how cocky kazu sounds about all this as if he hasn’t literally been stressing about this for DAYS lmao!!
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you: “can you say that about yourself?”
“but why so suddenly... aren’t you busy? you can’t just take a break,” you say. 
“山は越えた“ replies kazuomi, which i think means he’s basically saying that the worst of it has passed already? (literally he’s crossed the mountain). “if the other party is my dear lover, i can adjust my schedule as much as i’d like. and spending a whole day with you won’t cost me, right?”
“...really?” you say. 
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“yeah. i swear i’ll make you satisfied with the time.” 
you set the glass down and a happy smile spreads across your face. “i’m looking forward to it,” you say. 
“yeah,” kazuomi agrees. 
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“after only just now seeing you smile from the bottom of your heart, i breathed a sigh of relief” 
--
and that’s the end of chapter 3! ;laksdfjl he’s so WORRIED he’ll literally do anything to make you happy~ i’m crying. i love that kazu always pretends he’s so chill and cocky but he’s actually like frantically paddling under the calm surface to make sure you’re satisfied with him and feeling genuinely content and happy, even going as far as to deal with yuzu and kei questioning whether or not he can get erections/get hard enough lmao!!
i’ve set up a ko-fi page here and would be incredibly grateful if you would like to support me for translations and being able to purchase more routes to recap in english!
click here for chapter 4
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gabbykinncy · 4 years
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i’m more than just a copy.
basics —
NAME: gabrielle ‘gabby’ kinney FACECLAIM: giorgia whigham ALIAS: honey badger AGE: 18 HEIGHT: 5’2” SPECIES: mutant EYE COLOR: green HAIR COLOR: black UNUSUAL FEATURES: facial scarring (one extending from her hairline down over her left eye to the middle of her left cheek and another under her right eye extending down her right cheek to her jawline) MBTI: estp-a OCCUPATION: unemployed RESIDENCE: lives with laura and jonathan in district x AFFILIATIONS: snikt family and x-men FAMILY: james howlett (father), sarah kinney (mother, deceased), deborah kinney (aunt), laura kinney (older sister), akihiro (older half-brother),  jonathan (pet wolverine), megan kinney (cousin), bellona (older sister), zelda (older sister, deceased), x23_3par (older sister, deceased), six unnamed older sisters (all deceased)
powers/special abilities —
RETRACTABLE BONE CLAWS: she has two retractable foot-long bone claws. one in each arm. they stay under the skin and muscle of her forearms. they’re naturally sharp and tougher than human bone. they can penetrate most flesh and other materials. these claws come out of the knuckles of each hand.
REGENERATIVE HEALING FACTOR: naturally regenerates damaged or destroyed tissue and organs at a rate that exceeds anything a human can do. this ability however doesn’t heal her facial scarring.
DECELERATED AGING: inherited her father’s lifespan.
SUPERHUMAN ACUTE SENSES: her most improved senses are sight, smell, and hearing.
INSENSITIVITY TO PAIN: as a result of experiments growing up gabby is unable to feel any pain.
EXPERT COVERT OPS TRAINING: she’s a well trained assassin and bodyguard. she can also make it impossible for every wolverine to track her.
EXPERT MARKSMAN: she carried a pair of MAC-10 machine pistols.
EXPERT ACROBAT.
three headcanons —
I. Gabby is a lesbian, but still in the closet. She doesn’t know how to tell her family and friends. She had suspicions about these feelings from a young age, but it took some time for her to really figure out what they meant. It was all new for her to realize that she was allowed to feel this way. Gabby will probably end up confusing in Bobby for advice on coming out officially in the future when she feels that she’s ready.
II. She has a pet wolverine who is absolutely spoiled by her. Gabby will make sure there are several beds around the apartment and will bring some to her brother’s place too.  There’s no expense too much  when it comes to Jonathan. She wants them to have matching outfits too, whether it’s for casual wear or something suited for battle. It’s important to preserve his identity too! She always makes sure that he’s included. He’s very protective and has the ability to speak English as he was given a universal translator from Rocket. Gabby will take him on walks around the city and doesn’t care about any strange looks from people who are concerned. She will stab anyone who tries taking him away if Jonathan doesn’t bite them first as he’s picky about who to trust.
III. Her mood swings can be intense. They can go from threatening someone with anger radiating off her expressions to smiling and being happy again in an instant. This all depends on who she’s talking to, but these moods are also random. You never know when they’ll happen or what will trigger it. She can be far more sensitive than her siblings are when it comes to civilian casualties too. She’ll start crying and has to be pulled or carried away from the situation.
four personality traits —
- impulsive (once an idea is put in her head she often feels like she has the ability to handle it on her own. which isn’t always the case, she does need to wait for help sometimes depending on the situation. if gabby is told no she doesn’t always take well to that and will pout or do it anyway at a later point. she’s working on this! but maybe feels comfort in knowing she has people who can bail her out of trouble.)
- silly (she loves bright colors, joking around, and having fun with whatever can be found in the room she’s currently in. sometimes she will even listen to pop music instead of paying attention to the stakeout. she likes to sing and make ridiculous faces. she is often seen as lighthearted, but this can be used against her. she doesn’t always take things seriously as a result of this trait.)
+ caring (gabby always wants to try helping everyone whether it’s a person or an animal. she helped a bunch of turkeys escape once, never wanting to leave any living creature behind. this goes along with being charming and cheerful. she believes everyone deserves a second chance just as she got.)
+ adventurous (always looks for something to occupy her time, particularly fond of missions that involve dressing up as someone else because it means creating a backstory. maybe it’s something that has to do with finally getting to be a child that meant embracing her playful side. even when all the other members of her family don’t want to encourage her mindset if something important is going on or being discussed. she continues anyway!)  
some history —
Gabby was only eleven years old when the ban originally started, but that didn’t matter for what Alchemax Genetics had planned for her. She was one of ten clones of Laura Kinney, the youngest of them actually. Their purpose in this world was to trained to serve as bodyguards. They were basically created to be assassins who would look after important personnel or work on what was called humanitarian missions. Gabby and the other clones who she considered her sisters were abused by their handlers. Since she was the baby, being the youngest and all, she was protected by her sisters from Mooney and whoever else raised a hand to them.
So when the ban was starting out Gabby was still working as an assassin. She didn’t know any better than what she was groomed to be. Six of her sisters would die on their missions, and eventually Gabby escaped with the three who were still alive. Two of them would end up passing away, and only Bellona stays alive too. However after meeting Laura, who they were cloned from, Gabby stayed with her almost clinging to her new older sister while Bellona left to pursue a life of her own. Gabby doesn’t know what happened to her, but focused on following Laura around wherever she would go. She didn’t care where they went just as long as they were together.
Gabby brought Jonathan with her and traveled the world with Laura for a while. She would soon begin looking up to not just her sister, but her brother Daken after meeting him too. Although she grows up to be five foot two and ends up looking up at everyone quite literally.
In recent months has been doing some exploring around the county with her pet wolverine, but realized being on her own isn’t much fun. She misses being close to her family and seeing that they’re all in Star City brought her to the place. She made sure to call her brother and sister first, so they’d be aware of her arrival. She doesn’t know what to expect, but even Jonathan seems excited to see the ‘angry one and the loud one’ again as he calls her siblings.
Gabby is trying to be a good person now despite the reason for why Alchemax created her. She has grown to her own person with interests, likes, and dislikes that make her far different than what her handlers wanted her to be. She pretty much has a heart of gold, and might put too much trust into Star City.
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