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arielluva · 7 months

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so back in april i had the idea to draw ace attorney characters as if they were in fantasy life (so essentially combining two of my favorite games) but only finished phoenix then. tonight i finished up the page with some more, and since we know what the new lives in fantasy life i will be, i got the excuse to include vera as an artist :))

id under cut

[image ID: 5 digital drawings of some ace attorney characters drawn in the fantasy life art style, which is a very expressive, stylized chibi style. they are drawn in the outfits for different lives as if they were in fantasy life. in the top left, phoenix wright is drawn as a paladin, with text next to his head that says "Phoenix Paladin". he is wearing silver armor with gold trim, the trim forming a 'P' on his chest. the 'P' has a red gemstone in the center of it. his shoulder guards also have red gems on them. he has a long blue cape fluttering behind him, as he stands confidently, holding a sword in his left hand and holding up a shield with his right. the sword and shield are also silver with gold and red accents like his armor. next to phoenix, in the top middle, apollo justice is drawn as a blacksmith. he has text next to his head that reads "Apollo Blacksmith". he is wearing a teal apron on top of a white shirt and pants. his sleeves are rolled up, and he has a red piece of fabric tied around his waist. he is wiping sweat off his forehead with his right hand, and holding a hammer in his left. next to apollo on the top right, is vera misham. she is drawn as an artist, with text next to her head that reads "Vera Artist" she is wearing a pink beret that resembles her bandana, and has a paint brush with pink paint on the very top. she is holding her sketchbook in her right hand, and a paint brush in her left. she is wearing brown gloves that are stained with various colors of paint. she is wearing a pink dress with a darker pink collar and bow, and the skirt of the dress has a darker pink line going horizontally across it. she has a white apron tied around her waist that is also stained with various colors of paint. she is wearing brown sandals. on the bottom left of the drawing is trucy wright drawn as a wizard, with text next to her head that reads "Trucy Wizard". she is in an excited pose, running while holding her staff, a tall wand with a glittering green gem on top. she is wearing a light blue pointy witch hat with a white ribbon wrapped around it. the inside of her hat is pink. she is wearing a medium length black dress with a white belt, and she is wearing pointy white shoes. she is wearing a light blue cloak, with the hood on her shoulders, that has her green diamond brooch hanging where the ends of her hood meet. her cloak is fluttering behind her and trimmed with white and gold, the insides if her sleeves being pink. on the bottom right of the image, ema skye is drawn as an alchemist, with text next to her head that reads "Ema Alchemist". she is wearing gold goggles with pink lenses, and her hair is drawn more poofy than usual. she is wearing a white coat over a light green dress. she has a pink tie loosely around her neck, and she is wearing a darker green corset with gold buttons. her shoes are plain black. she is holding a potion bottle filled with a yellow liquid in her right hand, and is looking at it calmly, with the left hand in her white coat's pocket. end ID].

#my art #ace attorney #fantasy life #fantasy life 3ds #phoenix wright #apollo justice #trucy wright #ema skye #vera misham #i tried my best to replicate the fl art style so hopefully that comes across to the like. 2 people that recognize it VBDBDND #i think phoenix and vera turned out the best but i also like ema too.. shes very shaped :3 #kinda glad it took me so long to finish this bc otherwise i probably wouldve drawn vera as a tailor but. theres an artist life now #also accidentally discarded this post the first time i typed it up but thankfully i had the image id copied so i didnt lose all of that text #i think i wouldve lost it if i had to type all that again but alls well that ends well i supposr #also gave me the opportunity to go back and color in apollos hammer bc i forgot the first time and. since the post was gone #i might as well fix it #anyways i had a bit of autism moment while drawing vera but im normal now. maybe #2023

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polysyndetonaddictsupportgroup · 3 months

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Just finished reading Pez Dispenser Debris (I don’t even go there but I am fueled by Wiki articles and a love for your storytelling) and first of all—amazing!!! 10/10, I think I need to watch this series now.

Second, I noticed that (while very much distinct) Yuuta & Izuku have a lot of similarities in the voice you gave them—maybe it’s the constant panic attacks or perhaps both of them placing blame for everything squarely on their own shoulders, but ough it makes for the perfect blend of gut-punching angst. I’d love to hear any ramblings you currently have about either of them. I am currently obsessed with both of them now and am placing the blame on you <3

I’m gonna pretty heavily discuss some spoilers for my hero academia in this. I figured that was okay since you’d already read my fanfic and the wiki so the cat is out of the metaphorical bag. That being said, maybe wait to read this answer if you want to not be spoiled for more details in my hero.

Yuuta and Izuku absolutely have the most similar voices out of all of my narrators and it is 90% because they are both completely insane and in violent need of a Xanax and a nice soothing cup of chamomile tea. God I love them both so much. They should each be heavily medicated.

My hero academia is a pretty great watch through the Shie Hassaikai arc. The concept is entertaining, the characters are GREAT, and the world building is really cool.

Then the story sort of. Went to shit.

I tried for a while after that, but eventually had to stop watching. My friends and I have a group chat named “horikoshi just call us” because we got so despondent at the writing decisions after that arc.

Horikoshi. If you’re out there. If you’re reading this. Just call us. We just want to help.

That being said, my love for the characters maintains its death grip on me. I simply adore them. They’re delights.

Yuuta and Izuku, on their face, have a lot of similarities as protagonists. The aforementioned insanity and need of Xanax, of course, but the skeleton of the stories has a lot of common touchstones and themes, like:

Both characters have some kind of history with suicidal ideation or tendencies. In the second scene of JJK0, it’s established that Yuuta canonically tried to kill himself. In the first episode of BNHA, Izuku is told to kill himself by his bullies, in an act which appears to be common to izuku’s life, and the only reason Izuku comes up with to not do it is “then you’d get in trouble for telling me to do it.”

Both characters have severe self worth issues. Yuuta’s looking for a reason to be alive at the start of JJK0. He’s looking for a right to be alive. In a way, Izuku is too at the start of BNHA. At the open of action, he is told by everyone in his life that he is useless. His nickname is “Deku,” which uses some of the same kanji as “Dekunobo,” meaning blockhead. The most direct translation were given is that this is a way of calling him useless. He’s the powerless member of a society choked with superpower, and he’s been told his entire life that he can do nothing, that his dreams are pointless, and that he’s a burden who would be better off dead.

They’re both saddled with power they can’t fully control. Yuuta with Rika, and Izuku with One for All, a transferable power that’s too strong to be contained in his body.

They both have a close relationship with an impossibly strong mentor that they are implied to be the successor of. Yuuta with Gojo, as he’s second only to Gojo in the modern age, and Izuku with All Might (aka Toshinori Yaga), who he is more literally taking on the mantle of One for All from.

They both are chugging that Loving Their Friends Juice and have tried to kill grown men with their bare hands as a result

That all being said, they could not be more different characters and honestly aren’t all that similar.

I have this sort of lasting grievance with literary analysis when people take a list of common plot points or events and use them to make the argument that characters are similar or parallel one another. Like, that’s all facial. The real question is how do they substantively handle those events. How do their story arcs treat those things? How does their character react to them?

Yuuta and Izuku’s actual substantive characters don’t really react to those events in the same way at all. The analysis could go on all day in this respect, really, but the biggest difference is how their respective story arcs treat the cornerstone of their original conflicts.

Yuuta opens action with Rika as the cornerstone of his conflict. She’s who he wants to free, she’s who he’s chained to, and it’s her protection of him that makes him think he deserves to die. Izuku’s cornerstone, meanwhile, is his own Quirklessness. He desperately wants to be a hero, and everyone in his life tells him he can’t be because he is Quirkless. He’s useless because he’s Quirkless. He should kill himself because he’s Quirkless. He’s a burden and always will be because he’s Quirkless.

And while Yuuta’s arc reconciles him with his cornerstone, Izuku’s forgoes it entirely.

The story just. Forgets. That he’s Quirkless. They stop talking about it. It never comes up again. It doesn’t make any real big impact on his character or decisions. It’s one of my biggest axes to grind with how the story developed, and it’s actually one of the biggest reasons why I wrote pez dispenser debris.

Pez dispenser debris was actually inspired by this one piece of my hero academia art where Izuku is hugging his younger self. I don’t know if it was official art or fan art, and I have no idea where it is or where to find it because by god have I tried so I can find it and link it for credit/to boost it. I saw it literally years ago, thought ��oh that’s cool,” wrote the original first scene of the fic (where Midoriya stops the bus and is hit by the Quirk), wasn’t feeling it, got distracted by other projects, went to law school, graduated law school, signed up to take the bar exam, and was suddenly electrified in the last fucking month of studying with this fugue state of feverish artistic inspiration. I have never written so easily or so compulsively in my life. I’d write for eight unbroken hours and it would be fucking magic every time. It was like an addiction. I was writhing with a need to create and had so much fucking anxiety about the test I was not studying for instead. The words could not be restrained.

Anyway I taught myself three subjects on the plane ride to the state I was taking it in and passed anyway so it’s fine we’re fine

The moral of the story is that this story has been cooking long enough for me to get two more diplomas than I had when I started it and I have no idea where to find that fucking piece of art that inspired it, but if I find it, I’ll reblog it so y’all can see it too.

The thing is, the narrative sort of forcibly excluding Izuku’s past as Quirkless would make total sense to me if it was used as something Izuku himself was doing.

Izuku necessarily had to hide the truth of his former Quirkless status at the start of action—he needed to keep the secret of One for All. Like, he could not let people find out that a Quirk was transferrable, but you know, just the most powerful one, and also he had it, please come torture it out of him.

But as the narrative goes on, that rationale becomes less important. He has people he can trust with it. And yeah, eventually One for All becomes more known, but the discussion is all about him being all might’s successor. Him being Quirkless and how that affected him and still affects him isn’t really discussed or treated as important. And Izuku doesn’t act like it’s important to him either. He never really thinks about it.

And I just hated that. Like. He spent almost his entire life as a member of society who was spit on. He’s had a Quirk for less than a year. How are his experiences with Quirklessness not important to how he interacts with the world?

The other point of contention I had was Mirio.

Mirio is this superstar of a senpai who takes Izuku under his wing. He has an extremely powerful quirk that’s only as effective as it is because he put in the work and learned how to handle it. He’s a perfect, eternally smiling paragon of heroism. He’s flagged early as the one out of everyone, including heroes with established careers, who is most likely to replace All Might.

He’s also the one who was supposed to get One for All.

His mentor had found him and trained him to be All Might’s successor. Before All Might could meet him, however, he found this feral raccoon child in a sewer and said “oh my god I can’t not offer him incomprehensible power within the first three hours of meeting him” and tripped face first into fatherhood.

During a rescue mission, Mirio loses his Quirk in a way that’s borderline irreversible. There’s no known cure, and the only possible one is dependent on a little girl learning how to control an extremely volatile and dangerous quirk and using it in a way she never has before.

So surely, they’re going to commit to that writing decision, right? He’s Quirkless. We’re bringing back having Quirkless characters. It’s going to be this sick as hell juxtaposition between Izuku and Mirio. We are at least going to force Izuku to reflect on his own times as Quirkless or have some kind of discussion about how Mirio is treated differently now that he is Quirkless.

But no. He gets his Quirk back by the next season. We don’t talk about it much. It’s more of a minor inconvenience than anything.

It’s almost as if the show accepted as an actual rule that you couldn’t be a hero without a Quirk. And then just. Forgot. Everything it had to do with its literal protagonist.

Anyway, I hated it.

In contrast, I fucking loved how yuuta’s storyline with Rika ends. That scene where Yuuta’s turning back to Rika, thanking her for loving him, telling him they can die together? I’m obsessed with it. I recently moved across the country and listened to that theme song on loop during the drive.

Yuuta and Rika’s love was unhealthy. They hurt each other. But it wasn’t malicious.

They just didn’t know how to love each other in a way that didn’t hurt.

They were in shit circumstances. But the love was there.

Yuuta felt guilty for Rika’s love for him and his for her almost the entire narrative. He thought he cursed her with his love. He wanted to kill himself because of how she hurt people out of love for him. It’s why I have moments in sea glass gardens where Yuuta talks about begging Rika to stop loving him—he didn’t know why love had to hurt so goddamn bad, and he’s sorry for that, he really is. He wishes he was better at it than he was.

At the end of JJK0, Yuuta truly is the last person who remembers Rika as she was and still loves her for who she is. He’s faced with Geto, who wants to use her as a weapon. Everyone treats her as a threat or a tool, except for Yuuta.

Like. Just that moment. Of loving someone so genuinely, and being the last one who does, and knowing that everyone else will just use them. I’m obsessed with it.

Yuuta reconciles with his love for Rika and her love for him, and they’re both finally freed. It’s this perfect moment of acceptance that I adore. He comes to terms with his past. It doesn’t hurt him so much anymore.

I wrote pez dispenser debris to sort of force Izuku to have that kind of reconciliation. As it is, he hasn’t reconciled with his own Quirklessness and how that affected him. I wanted to give him something he couldn’t physically escape and had to face.

#tw canon typical discussion of suicide #tw suicide #tw suicide baiting #pez dispenser debris #sea glass gardens #from a narrative voice perspective you are so so right #I tend to change my writing style a bit depending on who I’m writing #and Yuuta and Izuku I use VERY SIMILAR STYLES WITH #to the point where I reuse a lot of sentences between the two stories #I do shift my writing a bit #with Yuuta I tend to use shorter simpler sentences and have a lot of ‘distance’ in the sentences #I use a lot of ‘Yuuta thinks’ and ‘Yuuta feels’ when normally I would just cut to what he actually thinks and feels #like those are a lot of fucking words that aren’t the point. they’re dead weight in the sentence. most of the time they’re unnecessary #but I /want/ there to be that distance between the start of the sentence and the point because it gives more of a detached feel to the #writing and I think of Yuuta as a very detached narrator. he spent most of his life isolated and traumatised. the distance protects him.#he’s got space between him and the rest of the world.#I go off on way more asides with Izuku but that’s less because of a mindset I’m trying to build and more because it’s my silly fun story. I #wanted to write it ‘badly’ and break rules. I wanted the silly asides that have no affect on the story but existed in my head. I don’t let #myself do the same in sea glass gardens.#pez dispenser debris isn’t abandoned by the way I’m just burning myself out on sea glass gardens before I go back to it. I have to take #periodic breaks with stories and I’m trying to get through this one arc before I take one with sgg. that arcs the entire reason why I wrote #sgg to begin with actually. I have a LOT of stories that I /love/ that I never post because I know I only have so much time and there won’t #enough to finish them all. a story has to have something I really want to do for me to actually post it. sgg wouldn’t have made the cut if #it weren’t for this one arc that I found so damn funny that I decided to write the entire thing for the sake of one scene in it. it’s not #that I don’t like sgg to be clear. I love it. it’s just one of my much softer stories?#it doesn’t have a big climactic or intricate narrative. it’s softer and about healing.#its less narratively dynamic and more introspective and probably wouldnt have made the cut were it not for one scene ngl #ill probably finish toy rosaries next once i do that arc like im so close

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