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minty364 · 27 days

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DPXDC Prompt #58 Part 4

The living room and kitchen were deserted, neither Danny nor Jazz expected anyone as it was normal for their parents to essentially live in the basement only coming up for meals once or twice a month to ‘eat as a family’, these would consist mostly of fast food as no one trusted anything cooked in their kitchen.

They shared a glance as they opened the basement door and headed down. The dimly lit basement held the giant hole in the wall, the so-called portal, a massive metal spectacle with wires and interconnected circuitry met together to create an unholy abomination of science. Or at least that’s what Jazz called it once when they were in her room venting about the situation.

“JAZZ!! DANNY!!” their overzealous father yelled as he bounded over.

Their mom walked over too, seeming to be happy for their return, “your father and I could barely contain our excitement all day!! Go on put on your hazmat suits.” their mom gestured over to the lockers that held the suits. Both of their parents' lockers tended to be quite empty since they practically lived in them, to the point where they had several copies of the same suits that they’d wash and reuse. Danny and Jazz only had the ones, Jazz had a nice dark violet color with black gloves and boots. Danny had black gloves and boots too but his was white to make it look like he was an astronaut, something that he had mixed feelings on. Both of these used to have a giant picture of Jack’s head on it but it was quickly removed by both siblings.

They quickly put the suits on over their uniforms and joined their parents behind some glass near the portal. It wasn’t closed off or anything and Danny didn’t think it would be able to prevent something like an explosion from charing all of them but it’s hard to have faith in parents who've missed so much because of the stupid portal, or at least that’s how Danny felt.

Jazz and Danny huddled together behind their parents as their mom did some final checks on a clipboard, “alrighty we should be all good, Hun you ready to throw the switch?” their mom asked their dad. “As ready as I’ll ever be!” Jack yelled as he threw down the switch.

…

A few sparks erupted from the portal but other than that nothing happened.

Their dad, frustrated at this angrily tried turning it off and on again but nothing but another smaller spark and then truly nothing.

Another low frustrated growl left their dad as he and mom walked back up the steps, “alright I’m taking a break.” Jack said, almost defeated, sounding, “I’m sorry but I really thought we had it this time.”

“Oh come on, Jack, let’s go out, I’m sure the kids were probably going over to the Wayne’s again anyways. Let’s go out and have a fun night then sleep on it.” their mom said, patting dad on the shoulder. They shared a fond look and then went upstairs probably to get ready.

Danny and Jazz stood at the bottom of the stairs and shared a look.

“They gave up too fast again…” Jazz noted.

“I guess, what do we do now?” Danny asked.

“I’m still a little curious about the portal but I don’t want to keep Damian, Tim or Alfred waiting,” Jazz said with a hand on her cheek.

“We could invite them in, I know we haven’t before but maybe Tim would know how to get it working, he is pretty good with technology.” Danny reasoned. Neither of them really wanted to involve the Wayne’s in their family’s shenanigans but at this point they were all friends and Damian and Tim were bound to find out how weird their family was at some point anyways.

Jazz stood there seeming to think things over before she nodded, “alright I trust your judgment but we’ll have to be careful okay?”

Danny smiled at her, “of course, what’s the worst that could happen?”

This is what led to the four of them standing at the bottom of the stairs. Their parents had left about an hour ago. Danny and Jazz were still in their suits with Tim without one and made to sit with Jazz behind the glass and Damian and Danny planning to explore the actual tube.

“I don’t want to chance you getting hurt,” he said to her as he made her stand next to Tim.

Damian and Danny shared a look and nodded before heading into the tube.

They looked around for a while but didn’t see much besides the interconnected wires on the floor of the lab. Damian took the right side while Danny took the left. They worked their way up and down the tube. Damian was a little ahead of Danny on their way out. Nothing seemed to be out of the ordinary.

When they were almost out Danny lost his footing, his hand flying out in front of him. A soft click was heard and time seemed to crawl to a stand still.

Danny couldn’t stand the thought of his friend getting hurt because of him and he felt a rush of adrenaline. He ran as he felt a swirl of energy and electricity surround his body.

“DANNY!! DAMIAN!!” he heard both Tim and Jazz shout as he reached Damian who was at the mouth of the portal.

A quick shove was all it took to get Damian, who had turned towards him at the sound of the shout, out of the portal.

“DANIEL!!” he heard Damian shout as the portal activated on top of him, surrounding his body with swirling green.

Blinding pain shot through Danny, feeling as if he was being torn apart and put back together again and again.

He figured he was dying but at least he could protect those he cared about. He was able to shove Damian out of the portal in time, and Tim and Jazz were safely behind the blast glass.

He wouldn’t ever be able to fly among the stars as an astronaut but he was able to protect. His family and friends were safe and that’s all that mattered.

He could allow himself to succumb to the darkness as the electricity and pain consumed him whole.

#dp x dc prompt #danny fenton #danny phantom #dp x dc #dc x dp #poor danny #Main character death #Danny died #Jazz Fenton is traumatized #Tim Drake is traumatized #Damian Wayne is traumatized #Everyone gets traumatized #Danny himself gets majorly traumatized #Character Trauma #Depictions of death #Described death scene #Everyone is going to struggle with this #I bought a new chromebook and it's easier to type so I should be getting these out sooner #It'll probably get worse for Danny before it get's better but that's how these things go #Tim was thinking it was safe to let them search in the tube because Damian was with Danny #Damian thought it was safe because he's an ex-assassin and robin #Jazz trusted his brother to know how to be careful #Whoops Danny tripped and now he's dead #my asks are open #all my prompts are free to use #no beta we die like Danny #Google Docs is my beta

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wigglebox · 2 months

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Reminders 💚💙🌈

#spn fanart #destiel #spn art #castiel #dean winchester #spnfanart #spn #wiggleart #April and May are struggle months for me #mostly because of my allergies just affecting my appetite and my poor head and its sinuses and I don’t wanna look at screens #plus we just came off of a volatile month at work #and things are just all over the place so I draw these two to try and ground myself again lol #if they are struggle months for you as well remember to be gentle with yourself!

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lord-squiggletits · 1 year

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With all due respect IDW Megatron is the kind of dad that would go out to get cigarettes and then never see his kids again considering that's what he did to all of the Decepticons leaving on the Lost Light + he groomed Tarn into worshipping him as a mentor/authority figure and then basically stopped caring about him.

#squiggposting #a meme was posted in a discord chat and we discussed #i think all dad comparisons should be purely for memes and not lik #textually interpreting characters as being parentz #but still come on megs would be a horrible dad ksfjaidjsj #at the very least he's so full of personal issues that i would see him seriously struggling #idk idw megs can be like an AUTHORITY FIGURE or someone who lays down the rules #but he's like 0 percent nurturing or emotionally communicative #he has almost no ability to be vulnerable and is overall very cutting in the way he speaks #idk like i'm not gonna say YOUR HEADCANON IS WRONG if people like dadly megatron #but this is just one of those things i dont agree with the fandom memes and jokes

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mewtwo24 · 5 months

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I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.

Turns out that was a perilous mistake.

Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me

What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:

LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"

The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--

How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls

And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:

Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.

Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)

Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:

Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me

Unrelated, but I physically can't hold this information in anymore:

I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.

And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...

I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.

How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.

Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.

#svsss #bingqiu #moshang #i swear to god this series is just 'gay man who doesn't know shit inflicting his delusional reality on everyone else and inciting chaos'#and literally it's slapstick levels of hilarious every single time; mxtx never change #also i fully agree that we did not get NEARLY enough mobei-jun and sqh/airplane content #the amount of mental illness to mental illness communication going on there was astonishing #mobei-jun being afraid of his uncle and bringing sqh because that's the only person he trusts fully (WAILING NOISES)#sqh having a tantrum but running away because for the first time he was honest about his needs + his dissatisfaction with catering to other #how that reflects his narrative compulsions and how he felt forced to warp more creative story paths for the sake of survival as a writer #how sqq's restoration of much of his original intent--as well as mobei-jun's acceptance of his needs--helps airplane begin to heal #how his happiness begins; how just like sqq he wanders in such confusion and denial before he's forced to realize what truly matters to him #SHREK VOICE: STORIES HAVE. L A Y E R S #it feels like modern day shakespeare and when i say that i don't mean it in a hollow elevating sense i mean it more like #mxtx just hits that perfect balance of poignance but also hilarious concentric circles of botched communication and brainworms #okay but real talk for a minute? .........;-;#the way lbh constantly struggles with such a crushing feeling that he'll be abandoned over any little mishap/thing/problem #really hit me where it hurts??? if only because its so clearly an anxiety that stems from original goods' upbringing #the way it becomes even more heartrending when you think back to all the sect leaders clamoring that he should have been killed as an infan #that he should have been aborted as a fetus--insisting right in front of him that his birth was a mistake and a disgrace #over having demon blood in his veins. like my god that scene is so viscerally upsetting i struggle to read it #the way its so easy to see the demons as a manifestation of otherness in precipitated form #how both sqq and sqh are influenced by human rhetoric without evening meaning to--assuming the worst against their better judgment #how both sqq and sqh both struggle with their own otherness in different ways and only find solace when they begin to accept who they are #how their lovers (lbh and mbj respectively) both are willing to navigate those confusing waters with them #how both demons love them as they are--accept them as they are despite how difficult forgiveness of perceived betrayal is for them #ty mxtx for changing my brain chemistry #as i get older i have such a fondness for the messiness of thematic queer self-discovery and growth into self-acceptance #that and how youth can so easily be defined by perfectionistic self-harm and the violence of repression

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unganseylike · 3 months

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“Love Like Ghosts" // The Raven Cycle

When your true love is destined to die, is already dead, or will always be leaving. And other moments of ghostliness.

#finally this post that has been in the working for so long is up. Not perfect but its up #yes we have now escalated to full songs #a song about ghosts for which i have used no quotes about the canon ghosts #overall goal here was a section for each relationship #which made me realize blue has had a canonical thing with everyone but ronan lol #ignore the fact that i could only get good angsty pynch quotes from greywaren i was struggling to find what i wanted in trc #last part is intentional repetition of different versions of blue kiss me like we have the vision of the first hurt me baby and the actual #obviously huge bias here toward bluesey but thats bc. Well. its all for them <3 #overall happy with this because i feel like it actually encapsulates song and vice versa in terms of the love and ghost metaphor #anyway bluesey car scene said absent presence #lordhuroncycle #perhaps my last lordhuroncycle unless they release new song or i get inspired lol #long post #web weaving

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angelsdean · 6 months

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I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

#long post #LONG-ass post #but it needed to be said!#i'm sorry if you think every creative involved with spn was a braindead asshole but the thing is.#even the most mediocre of writers understands a thing or two abt symbolism and writers working in TV are plagued by S&P #countless writers have talked abt the S&P bullshit and having to tweak and edit down their work to get past censors #it's a reality of writing for television #and the people who understand all this and understand the context of making TV in the early 2000s (to present tbh!) aren't 'delusional'#i'm sorry but it's naive to think that queer stories and queer characters are free to be told even nowadays. it's still a constant battle #times have changed but unfortunately not as much as you'd think #the confession !!!!! the confession still struggled to air and what we got was so obviously hacked down to bits!!!!!!#how can anyone think getting destiel content into the show was ever easy?#how can anyone think the pro-destiel writers weren't constantly having to be careful and underhanded in their writing?#there's a reason queercoding and subtext exist and it's this!!! it's censorship from TPTB #anyways. people much older than me have been talking abt this for ages. younger fans who are used to more open queer rep need to understand #it hasn't always been that easy and even nowadays SO many networks are still not willing to take a risk on queer stories #so creators do what they can #vic.txt

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aroaceleovaldez · 5 months

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i stand by that a better, more sensible, and more intriguing plot for TSATS would have been, instead of retconning literally everything:

Bob is dead (because he was very explicitly absorbed/killed by Tartarus Himself in House of Hades, alongside Damasen), and nobody is going into Tartarus to save him. He made his sacrifice and is gone. However. Remember how the Titans, including Bob, were just kind of kicking around for several years? Particularly. On a cruise ship full of mortals. And Bob happened to be kicking around in general for an extra year versus all the other Titans. And he mythologically sometimes has a mortal demigod son who partook in the Calydonian Boar Hunt (Dryas of Calydon). Yeah.

So turns out, Bob/Iapetus leaves behind a demigod (demititan?) child. And because Nico was pretty much his only friend, he named Nico his child's godfather. And while he's not being left in charge of the child, as a son of Hades and godfather to this kid, Nico is duty-bound to fulfill Bob's last will and go find this like 2 year old to make sure they're safe. So Nico has to undertake this very unusual quest (that raises many questions, such as "demititans are a thing?" and "DOES THIS MEAN THERE'S POTENTIALLY MORE-?!" and "SHOULD WE BE CONCERNED ABOUT THIS?") and is kind of freaking out because. He's the son of Hades! He's notoriously bad with living things, and animals, and definitely small children! Even if he does find this kid and assure they're safe, he is the last person who should be undergoing any kind of quest involving even potentially having to babysit. Fortunately, his boyfriend is the human embodiment of sunshine and calmness and good vibes, and also once helped a nymph give birth, so he feels Marginally More Confident in theoretical demititan babysitting and offers to come along on this Epic Journey of Figuring Out What In Hades' Name Is Up With This Demititan Baby Business.

Proceed with wholesome epic shenanigans quest of Nico and Will scurrying around trying to locate this random OP baby while Nico has an existential crisis about the nature of his powers because he doesn't want to let Bob down! Both for Hades Kid Honor Reasons and because Bob was his friend! But what if he's destined to fail this quest just because of who he is? Because he's simply not built for hanging out with the living/mortals? And Will reassuring him that He Will Probably Not Traumatize The Weird OP Titan Baby And It'll Be Fine, and simultaneously getting a peek into the weird other life Nico leads hanging out with immortals much more than the average demigod, which Nico considers his norm. Bonus shenanigans of both of them getting caught off-guard and culture shocked from where each other's respective worlds (Nico's mostly-immortal versus Will's mostly-mortal) cross over and learning to navigate those for each other - Nico finally starting to make some mortal connections and get glimpses at modern mortal American life, and Will trying not to get his brain literally incinerated while Nico's happily casually catching up with some of his old friends who happen to be literal gods.

#pjo #riordanverse #nico di angelo #will solace #solangelo #long post //#LISTEN I JUST THINK WE DONT NEED TO BE RETCONNING THINGS WHEN THERE IS A HIGHLY INTRIGUING MYTH RIGHT THERE #listen. *listen.* Iapetus in myth has a demigod child? and we're in the series? that's all about demigods?#and had titans running around for 4 years? some primarily on a giant ship mostly full of mortals?#and Iapetus himself was running around for closer to like 5 years?#I AM JUST SAYING. that is enough time. and the right conditions. that there are perhaps demititans now.#that alone is a fascinating plot set-up that ties in basically all previous series inherently and has a reasonable starting point #of *course* Nico would be named Bob's child's godfather!#of *course* Nico would consider it a very important personal duty to see out Bob's final will and go on some quest about it!#and under those conditions it makes *perfect sense* for Nico to want to bring Will along! and that he would be very helpful on said quest!#bringing along a lot of skills and abilities in areas that Nico lacks! that are crucial for a quest like that!#also then immediately the plot becomes Will reassuring Nico about his powers being cool and not evil and him being spooky is okay #while Will is also trying to not literally have his brain melt cause Nico's casually introducing him to a trio of death gods or something #forgetting that Will cannot look upon a god's true form #and Will's dragging Nico across the US while Nico is struggling to keep up cause Will forgot that Nico's not American and not from that era #its cute! it's interesting! it immediately begs the question of a next-gen series focusing on a main cast of demititan kids #dont go back to Tartarus that's lame and overdone and ruins a ton of stuff. dont retcon everything that also ruins a ton #give us the fluffy roadtrip comedy that they clearly wanted to write instead anyways #you can even keep the elements of Nico feeling out of his depth and Will constantly on the verge of death. except it makes sense this time.#and it's kind of funny cause Nico's just freaking out over babysitting and it highlights how much tankier Nico is vs Will #even just in casual interactions. yeah Nico can casually look upon a god's true form. dont worry about it #meanwhile Will is slowly collecting sunglasses the entire trip and layering them up for whenever Nico introduces him to another deity

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