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#and can't wait for part 2!
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Oh man, it was so good to see them all again!! I'm going to have to rewatch at some point, but Caleb is definitely in a weird, emotional in-between place.
Like, you're in your early 30s, all of your friends have careers, and Significant Others, and even families, and there’s just you. Who had a traumatic childhood that delayed your start on adulthood and maybe means you're "behind the curve." The only time you've ever lived on your own you were starving on the streets, homeless and penniless and sunk so deep into a depression you didn't feel human. Now you have a house, and a Tower, all your own, but it is so. Empty. Your friends visit, and you're just a Sending or a Teleport away, but . . . They have their own lives. And that depression maybe starts to sink back in. And you finally have some closure on the biggest quest of your life since it became your own, but all that means is you're kind of directionless. What now? What next? What if I choose wrong?
And yes, on top of that you're falling more and more in love with your Kryn Friend who visits you, but always on his terms. And that's okay, he has his own problems and his own priorities, and you can't imagine you would be worth more risk than he is already taking. You have the life you deserve . . . The life you earned . . . So why does it not feel like enough?
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poorly-drawn-mdzs · 2 months
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You keep telling yourself that Namari.
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egophiliac · 10 months
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IT'S BUNNY TIME EVERYBODY
(feat. Dilla)
(bugle accompaniment by Yuu)
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stevebabey · 1 year
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no one asked but this is the post that inspired this! thank u immensely for the luv <3 number 1 comment was wondering what steve’s bids were & from his pov, so without further ado...enjoy — part one here!
Begrudgingly, Eddie has to admit that Robin might be right.
It’s impossible not to be looking for the bids since he brought them up to her. Even though Eddie was fully expecting to tell Robin to suck it, maybe even wager what little money he had against this working out, Eddie can’t help but watch for them in every interaction. And fuck, she’s right.
They’re little, but they’re there.
The first one Eddie would’ve missed if he wasn’t looking for it. Actually, that’s a lie; Eddie does miss it, until Robin points it out, the nosy bitch. It’s minuscule and honestly, it just seems like Steve asking his opinion — which friends do all the time! It’s why Eddie brushes right over it.
“Okay, be honest,“ Steve had said, walking and talking as he entered the living room where Robin and Eddie were sprawled across the couches. They were both waiting on him, the three of them set on heading out to the drive-in to catch a film.
Eddie can’t fathom why Steve felt the need to change his outfit for it, but when he returns, he gets it. It’s not quite the usual polo Eddie had grown to like on Steve, this one hanging a little looser, the colour a bit darker than Steve’s usual choice, the sleeves a little shorter — almost midway to a muscle tee.
Steve’s fingers fiddle with the distressed collar of the shirt, smoothing invisible wrinkles and fussing over nothing. He swishes back his floppy hair with a flick of his head. “It’s a new shirt, I know it’s a little different - but what do we think?”
He says we but he’s looking at Eddie.
Eddie, who has taken to trying to reel in his gawp because what the fuck Steve? It’s like he’s well aware of what drives Eddie insane and has specifically leaned into it. Some evil goblin in Eddie’s brain whispers think how good he’d look in your shirt and he squashes it, giving a visible twitch to shut down that train of thought.
From the other couch, Robin clears her throat loudly and smiles sweetly at her best friend. “It looks great, Steve.”
It’s sincere and Steve’s mouth tugs up, nearly a smile but his gaze fast-tracks back to Eddie. Eddie nods in agreement, a bit sluggish from his distracting thoughts and god dammit, the extra exposed skin of Steve’s arms are so not helping. “Yeah, looks... looks good, man.”
Steve smiles, lips pressed together but his shoulders curl in just a bit, deflating just a tad. From where Steve can’t see her, Robin waves her hands wildly and catches Eddie’s attention. He watches as she gestures wildly and it takes a moment to realise what’s she mouthing — ‘A bid! That’s a bid, you idiot!’
Oh fuck, Eddie thinks. Cos it totally was; the question, the focus on Eddie. He doesn’t even think about the logistics of it, of the fact Robin was right, just jumps right into picking up the bid.
“You trying a new style?” Eddie asks and then thanks whatever god invented the whole fake-it-to-you-make-it schtick because he’s feeling so far from casual or confident. “Going metal on me, big boy?”
Eddie just manages to catch the grin that breaks across Steve’s face as he turns away, giving a scoff — it comes out too soft though, giving away his complete lack of annoyance. He pulls that usual Steve Harrington pose, hands sliding onto his hips, and screws his face into some melted smiley-grimace. “Shut up, Munson.”
Eddie grins and goads on the blush that’s beginning on Steve’s neck, a glorious tinged pink colour. “If this shirt is any indication, you’d pull it off just fine.”
Eddie watches the blush climb higher as Steve ignores the comment, his smile still giving him away. He grabs his coat and pats down his jeans — ridiculous tight acid wash jeans that Eddie hates he’s somehow become attracted to — ensuring he has his keys and wallet. Once assured, he looks up at his two friends again, brows raised, and says, “Ready to rock and roll?”
That comment alone has Eddie seriously reconsidering his type in men.
There’s only a brief moment to talk about it when Eddie and Robin cajole Steve into going and getting them both popcorn to get a moment alone. Steve had scoffed, face twitching in the way it did whenever he tried to hold back a bitchy comment, but he still stomped off in the direction of the snack stand.
The moment he’s out of earshot, both voices explode in the back of Eddie’s van.
“What did I say—”
“Jesus H Christ, you were right—”
“Literally how many times do I have—”
“Oh my god, you were right—”
“ —before you realise I’m always—”
“Robin.” He cuts her off, hands landing on her shoulders. Robin eyes them warily, lips still parted from how her rant had been cut off. “Robin, I’m gonna kill you.”
“What?” Robin’s nose scrunches up. “What the hell are you—”
“Oh Christ, I can’t believe- how long have you noticed those bids?” Eddie’s aware he sounds a bit estranged, eyes probably wide and it doesn’t help when he softly shakes Robin back and forth. She lets herself be shaken, hair flying back in forth. “I can’t believe you didn’t tell me! You are such a bad gay friend!”
Robin smacks his hands off her shoulders with a frown, her freckly face perturbed at Eddie’s outburst. “Dude, it’s not my fault! May I remind you that until very very recently you were seeing someone else? What difference would it have made?”
Eddie waves his hand, disregarding the point with a shake of his head. His unkempt curls cover his face and Eddie sweeps them back in one motion, “What difference would it have made? Oh my, Jesus—“
Whatever long-winded sentence Eddie was about to spit out is lost by the sound of Steve’s approaching footsteps, effectively shutting both of them up.
Eddie flings himself to the other side of the van, putting an unusual amount of distance between Robin and him like they were being caught doing something they shouldn’t.
Robin frowns at him and gestures wildly with her hands in a way that means what the fuck man? Eddie gestures back, though he’s not entirely sure what his fast hand motions are supposed to mean when Steve rounds the door.
He’s got two buckets of popcorn tucked under each arm and Eddie quickly crosses his arms, tucking his hands into his armpits like his stupid hand motions will somehow give him away. 
Steve looks up, stopping just a way from the edge of the van, and looks at the pair of them. His eyes track from Robin still sitting on one of the old cushions and looking two seconds from burying her face in her hands, across to Eddie. He huffs a laugh and kneels on the edge of the van.
“I know he’s gross Robin,” He begins, tone light, as he holds out one of the buckets for Robin to take. “But c’mon, is the distance really necessary?”
Robin snickers as Eddie makes an appalled noise, both of which make Steve smirk. He holds out the other for Eddie to take and Eddie snatches it, glaring at him over the buttery rim for his comment. Then takes a handful and shovels it in because he can’t think of a witty comment to retaliate. Steve crawls into the van and plops himself between them with a content sigh.
“See? Gross.” He teases, shoving his hand into Eddie’s popcorn bucket to grab a handful. Eddie scowls and chews a little faster when the flavour on his tongue seems to register in his brain.
His eyes stare at the popcorn bucket as he chews, then swallows — up the front of the van, the radio that’s tuned into the correct frequency begins playing the opening credits song as the screen changes. Silence sweeps across the drive-in but despite the sudden hush, Eddie has no qualms about breaking it.
“Sweet n’ salty flavour?” He asks Steve, only half attempting a whisper. Robin shushes him instantly, her focus already on the movie that’s beginning. Steve smiles, looking a bit sheepish beneath the glow of the drive-in screen, but he nods.
“I know you like it.” He whispers with a small shrug of his shoulders. Like it wasn’t a big deal. Fuck, Eddie thinks again and hastily feeds himself another handful of popcorn before he says anything majorly stupid in response to that, like: Oh, amazing- have you noticed the big fat crush I have on you as well?
He doesn’t even need to look at Robin to know she’s smiling, smug as ever.
Steve, God bless his oblivious little heart, doesn’t even realise he’s doing it.
Steve likes Eddie. Eddie is— god, Eddie is different but he’s good.
He’s this strange amalgamation of traits that Steve can’t comprehend how they fit together in one body or how Eddie manages to pull it all off completely charmingly.
He’s loud, he says rude things, he’s fucking dorky, and far too sweet on the kids — he likes to tease Steve, and yet somehow, when Eddie calls him ‘pretty boy’, Steve knows he’s not actually making fun of him.
Steve likes Eddie, likes his boyishly endearing charm, likes his touchiness towards Steve that no other boy his age is like, likes his messy curls and his ‘holier than thou’ attitude about metal music even though Steve doesn’t get it, like at all. And fuck, Steve really wants Eddie to like him.
It reminds him faintly of when he first started working alongside Robin at Scoops. That thought tickles in the back of his mind, something along the lines of how he had wanted Robin to like him for other reasons, but he doesn’t delve into it.
To Steve, it’s simple: he just wants Eddie to like him.
After the night at the drive-in, between Eddie acting strangely skittish and Robin giving more amused snorts than usual, Steve knows something is up.
He knows they must have discussed something when they sent him on popcorn duty, the bastards. He tries his best to not feel left out; god knows Robin and he have more than a dozen secrets they’ve sworn not to tell anyone but each other.
Besides, Steve trusts Robin to come and tell him if he really needs to know, even if it does worry him a bit. He bites down his anxious thoughts, even trying for a moment to see if there’s a pattern he’s been missing.
That train of thought gets derailed when Steve recalls instead Eddie’s delightful reaction to his new shirt — that Steve definitely hadn’t bought for that specific reason.
Even though Robin had given him that look when he’d first shown it to her — her bright eyes had narrowed, her smile turning a little more coy, and Steve had felt his ears get a little hotter. She hadn’t said anything though, just suggested that he should wear it tomorrow night when they were going out with Eddie.
God, he was glad she suggested it.
Rewinding over Eddie’s parted lips, the way his brown eyes had drank in the details as they trailed up his body and lingered on his arms— Steve had the sudden thought to flex the muscle, just to elicit some reaction, but it had gone out the window at Eddie’s original dismal reaction.
‘Yeah, looks... looks good, man’. Said all aloof, like he hadn’t really thought it. It was like bursting a balloon hidden behind Steve’s ribs, one he wasn’t even aware was there until it was deflating pathetically, making his shoulders sag.
Then— ‘You trying a new style? Going metal on me, big boy?’ And dammit, it’s like Eddie had clocked exactly what calling him ‘big boy’ had done the first time in the Winnebago.
Eddie had then grinned, done another once over of the new shirt, even as Steve pretended to search for his keys and wallet while saying something snarky to try to cover up the heat crawling up his neck. Yet, Steve found himself smiling too because, fuck yes, Eddie liked it too.
But, apparently, whatever Eddie and Robin had discussed wasn’t considered important enough because Robin never brought it up.
The thought and worry about it melt away in Steve’s mind until the memory of that night is about Eddie’s compliment, about his cat-like grin over the popcorn bucket, and how he had leaned over to whisper every bad joke into Steve’s ear all through the movie.
Some of them had been down-right filthy jokes which Eddie only seemed to enjoy more when Steve screwed his face up and nudged Eddie in the ribs, yet unable to hide his smile.
After the third vulgar joke and subsequent nudge, Steve had chided ‘dude’ with a poorly hidden grin. Eddie, smile all cheeky, had nudged him back with a ‘dude’ of his own.
Which, of course, ensued a nudge competition til Robin had given a shush that librarians all over the world would be jealous of. But Steve didn’t even care because he and Eddie were arm to arm, pressed close together and Eddie…didn’t move. Stayed close, like he wanted the closeness the same way Steve did.
Steve only remembers the strange drive-in moment when Robin brings it up finally, on one interesting Saturday night.
It’s not the usual routine; it’s not very often that the whole group gets together to share drinks and get rowdy.
But it was for Robin’s birthday and she’d been persuasive enough to get even the introverts, like Jonathan, to come along. Though, she was aware he’d probably spend the night on a pool lounger, stoned to high heaven. Whatever floats your boat, she’d said, happy for the company in any form.
There’s enough of them there that it almost resembles some sort of party— and makes Steve try not to think about the last small party he threw here. He can tell Nancy notices it too, eyeing the pool a bit too long in a way he’s very familiar with, then taking a swig of beer.
So, Steve heckles them inside — doing a fantastic mothering impression as he waves the group indoors with a promise of pizza, and that has both Jonathan and Argyle perking up and beginning a fast discussion on the best pizza toppings.
Eddie makes a fuss, because of course he does, and moans terribly when Steve tries to roll him off the pool lounger he’s on. He’s had a bit of a joint and some beer, and Steve’s learned that he gets adorably stubborn after some substances.
“Stevie, this is mean,” he had pouted, gripping the edges of the lounger and staring up at Steve with those big brown eyes. “You telling me I did all that bonding with you for nothing? Can’t even lounge by the pool! I’ve got a couch at homeeeee.”
Steve had sent him an amused look of disbelief, hands on his hips after his first round of flicks against Eddie’s arm were apparently fruitless to get him to move. “Really? Didn’t peg you for a gold-digger, Eds.”
Eddie had snorted at that, one hand coming to slap over his mouth. Steve couldn’t quite hear what he had said but the words pegging and anytime slipped through and Steve thinks he could get the gist of that.
“Oh for Christ’s sake,” Steve muttered, feeling the tips of his ears turn warm. He didn’t know how Eddie could be such a menace— or why he enjoyed it so much when he was. Steve waved a hand in the direction of the doors, ignoring Eddie’s delighted snickering. “If you go inside now, you can be on music, alright?”
And that had finally got them all indoors, Eddie whooping and skedaddling through the doors in an instant, with a call of ‘no take backsies!’ echoing behind him.
Inside was much cozier, the whole group a little more connected when squished up on the couches together. Eddie had taken Steve’s word and was jamming a cassette into one of the speakers when Steve made it back inside after scouting around the pool for leftover cans and butts to throw out.
He’s just been thinking about what playful jab he could make at Eddie’s music, like Eddie always did to him when Robin hollered at him from the kitchen.
“Steve!” She’d yelled excitedly and he come to find her quick, brows raised as he entered the kitchen. She was grinning, already a bit jumpy as she got when she had a bit of liquor — but apparently not enough because when Steve saw what she’d called him in for, she’d announced, “Tequila shots!”
Which lead to now. A hazy combination of beer, tequila, and a bit of weed, and Steve is feeling good. Robin had managed to hijack the music not too long ago, with a hiccup of ‘it’s my birthday’ that had Eddie surrendering with a pout.
She’d since put on a bit of everything: some Blondie for Nance, Talking Heads for Jonathan, and some Bowie, just so she and Steve could dance along to ‘Magic Dance’ and she could do all the silly little goblin voices that made them both cackle.
Steve realised at some point that Robin was playing their mixtape, the one she’d made for driving in the morning, and nearly tripped stumbling over to her in his excitement. He grabbed her shoulders, not too hard, and squeezed.
“Is it- is this our mixtape?” Steve asked, words slurring only a bit. Robin gleamed, hair bouncing with her excited nod.
“Yes!” She was already dancing, even though the tape was between songs — because she knew what song was coming. “It’s Springsteen time, Steve!”
Right as the drums to Born to Run filtered out the speaker.
And oh, Steve loves Robin so much. He loves having a best friend that knows his favourite song and gets jittery and excited because she knows it’s about to play— that she put it on this mix for him.
“You’re my best friend!” Steve says, the words bursting out like he can’t control them. He doesn’t even feel embarrassed, just happy, just drunk, and overwhelming happy to be able to have this.
And even though Robin knows this, she still beams, feet dancing along and just begins to sing along with the song, “In the days, we sweat it out on the streets of a runaway American dream…”
It’s a brazen drunken performance from the both of them. Steve’s chest is heaving after just one chorus that he’s pretty sure he put his whole soul into and he’s so fucking happy —and it feels like pure instinct to seek out Eddie, his eyes scouring the room for him.
Eddie’s leaned up against the wall, hiding his smile behind a can and Steve doesn’t think twice about it— doesn’t think about why he’s so drawn to Eddie, why he wants to include him in this happiness — just extends his hand out and grins.
Eddie sees the bid coming this time.
Part Three.
— 
yes i saw all ur lovely tags and MAYBE cried about it. but thats none of ur business.
@orangeandthefairroadkill @swimmingbirdrunningrock @sadcanadianwinter @phantypurple @omg-elledubs-things @henderdads @farfaras @mixsethaddams @prismandblue @kerlypride @bushbees @legitcookie @temporalcoffin @callmesirkay @beautifully-useless @millyditty @cinnamon-mushroomabomination @ninjapirateunicorns @darkwitchoferie @vi-the-best-you-can @psychosnowfox @desert-fern @scarletzgo @cr0w-culture @softpink-candlelight @livingforfictionalcharacters @makewavesandwar @kozuuji @rhapsodyinalto @eddiethesexy @cassaloopa @lightwoodbanethings @qu33rcommunist @moonlitkilljoy @starkdusk @theysherobinbuckley @sanguineterrain @loganwright @sillysparrow @hotcocoaharrington @eddie-munson-is-my-wife @she-is-tim @steddiehearts @sideblogofthcentury @sidebarre @corrodedcoughin @stevieclaus
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sherrymagic · 6 months
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not P'Jojo saying he had to beg Neo and Mark to stop while shooting their first sex scene on Neo's very first day on set 'cause they are competitive little shits and they just kept going after he called for the cut 😭😭😭
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emotional-emotion · 1 year
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finally a ship i can get behind on YOU
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Joe x Rhys babeyyyy
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aterfish · 1 year
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Being ace is an opposite of fuck around and find out:
Fuck nobody and never know for sure
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elliespuns · 8 months
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Seattle Ellie, all the fucking way! [art by: rougemochi, comparison by me]
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stardustinthesky · 10 months
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It's my first time in Venice. Mine too.
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chirpsythismorning · 8 months
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Mike's character regression can be explained in large part by one emotion in particular: guilt
Just want to preface this by saying that, this is not Mike slander. I love this dude. In fact, I think what makes Mike such an interesting character is that a lot of his behavior throughout the series can be explained in part by previous moments, and after really looking at all these moments together, what you end up with is a pretty fucked up story.
So while some might want to take this as Mike slander, these points I'm making are a part of Mike and things he has done and said and whether they were intentionally harmful or not, it's Mike. It's all shaped him and his role in the story. The fact that we're seeing a visible shift in his behavior at all, with plenty of moments from the show to back up what brought us here, makes it compelling enough to talk about.
So, without further ado, back to our roots:
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Ah yes, the infamous canon proof disputing Mike's I think my life started that day we found you in the woods, claim during his monologue. Not only that, but in this original scene from 1x02, it turns out Mike actually intended to send her away the next day (all of which El could hear Mike saying from the open bathroom door).
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Mike outright calling El a weapon, again telling the others they need her because they stand no chance at getting Will back otherwise.
I wont elaborate on this now, because there is way too much to unpack that'll honestly be more worthwhile discussing further on.
For now, this is a secret tool that will help us later.
These next couple scenes right here though, are pretty painful if I'm being completely honest. The way its shot, specifically El's very visible exhaustion, accompanied by the varying priorities of others around her, leaves me feeling pretty unsettled upon rewatches.
I obviously can't remember how I felt when I watched these scenes for the first time, but I imagine I viewed them as this huge romantic moment for Mike and El (I was tricked by heteronormativity, okay?). But, again, upon rewatching them since then, I've realized I get this sort of sad feeling by the end. You'll see what I mean.
El obviously just went through something extremely traumatic. She tried to go find Will and Barb in the void, only to find Barb dead and Will presumably alive, but then slipping through her fingers at the last second (no, literally).
We then got a moment where Joyce held El while the others sat by quietly because she clearly needed a moment of comfort given what she just endured.
Then in this scene shortly after, everyone is leaving to get ready for their final attempt at saving Will.
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Now, notice how not only Lucas, but also Dustin make the effort to reach out to El to comfort her affectionately after that traumatic event, with those twos' actions specifically being showcased in sequence?
Lucas, who spent the better part of the season being critical of El, is now ending the season rubbing El's shoulder to warm her up, literally soothing her to make her feel better.
Then there's Dustin, who right after Lucas' gesture makes a gesture of his own, putting his hand on her knee reassuringly, to show her he's there and he's happy she's okay.
And lastly there's Mike, who is so kindly allowing El to rest her head on his shoulder. This placement of Mike and El here is definitely a testament to the fact that Mike has vouched for El this whole time in contrast to the others and so, understandably, she put her head on his shoulder for reassurance, because out of the three of them, he's the one whose been looking out for her the most. (Right?)
Now you might be thinking that this sequence's only purpose was to show Lucas and Dustin's development with El, and that it wasn't intentional that they focused on Lucas and Dustins' priorities in this moment in contrast to Mikes'. And I raise you, this next scene.
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Here we have a focus on Mike looking on to where everyone left, while the others beside him are presumably just processing what went down and taking a rest (and boy oh boy do they (El) need one).
Mike on the other-hand decides to take this moment of rest to display the most cliche and universal forms of distracted unrest known to man: he checks his watch.
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Mike then stands up abruptly, causing El to fall without his shoulder there for her to rest on anymore, all while her and Dustin are looking on after him, sort of like... Okay?
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It's small. It might seem insignificant. But if you actually pay attention to what this scene is trying to make you feel, after really looking at it for what it is, it's kind of sad.
In a moment that chooses to highlight the other boys' acknowledgment of El after what just happened, and not only that, but at the tale end of their final battle of the season, Mike is... distracted?
Mike, who has been presumably looking out for El more than the others in the party this whole time, is conveniently out of commission? And right now when El is looking for his reassurance the most? Mike doesn't even have a moment to say, 'Hey I'll be right back, I just want to check something. Can one of you?--', asking Lucas or Dustin to sit next to her in his place. No. Dude just stands up without even acknowledging her.
If it was any other moment in the show, under less post-traumatic circumstances for El, then I wouldn't even think much of it. But it's at this point in the story when El is essentially at her most exhausted and quite literally seeking out support from others, specifically Mike, that makes his distractedness so eery.
Again, you might still be thinking that this isn't that deep. However, I think based on the events leading up to this, and what follows right here, could quite literally hold the answer to the guilt Mike is still keeping to himself to this day.
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So... How are we feeling?
Are we feeling like Mike None of you are thinking about El's wellbeing right now! She could get brain damage from using her powers too much! She's not a weapon!* Wheeler is a little bit of a hypocrite? (I told you that tool would come in handy!)
It's actually quite terrifying how similar this scene is framed to the scene in Hopper's cabin in s3, where Mike pretty much says the exact opposite. In s1 Mike goes from being one of the first people to refer to El as a weapon within the context of them using her powers to find Will, with him being completely un-attuned to the fact that she is exhausted in this moment while the others are saying El's rest and safety is the most important, to then in s3 completely flipping script and saying El was using her powers for nothing, blaming the others for treating her like a weapon and not taking her wellbeing into consideration.
It would be one thing if Mike had a little arc where he acknowledged this script flip. Because that's what it is. It is them having Mike use a word in s1 to describe El, that being weapon, only to say the others are treating her like that with that same word being used. It is them having Mike not agknowledge El's well being after overusing her powers, only to say the others aren't taking her wellbeing into consideration for overusing her powers.
And it would be one thing if Mike had spoke to El or literally anyone about how he felt like he wronged El for planning on sending her away the next day after they found her so that they could go back to looking for Will, or how he said she was a weapon that they needed in order to find Will, essentially being no better than the people she just escaped from, who also used her for her powers. But we don't get that (actually we do.. but it's not acknowledged for what it is aka survivor's guilt. It's instead seen as romantic... another tool for later...)
Now, don't get me wrong, I don't think any of Mike's behavior takes away from what Mike did do for El, because yes he was kind and accepting when the others weren't. But even despite all of that, at the end of the day, he was often at the forefront of expecting El to risk her life for them, even if he wasn't outright asking that of her.
Before you freak out, No. I don't think Mike, a literal child, was capable of fathoming that El was going into these situations risking her life. She's a superhero. El's alternative was literally going back to the lab, running, or staying with Mike. This was her safest option.
After a bunch of rewatches and putting together a lot of these moments as a whole, I've come to a point where I believe that Mike's behavior throughout s1 was him thinking that because of who El was, she's already in danger at all times. That is a constant reality for her. And so why not have her help them find Will, because she is able to, all while he can also help her. And El clearly wanted to help them, because she wanted to help good people and finally do something meaningful with her powers for a change. Unfortunately, she also had to endure PTSD flashbacks almost every single time Mike and the boys had her use her powers to help find Will.
Speaking of Will, he is currently missing and possibly dead. Will also, in contrast to El (for now...), does not have any sort of superpowers.
Mike's concern over the threat of Will's livelihood is much greater than Mike's acknowledgement to the true risks El is exposing herself to each time she uses her powers to help them. That is s1 canon.
Is there times when Mike is focused on El and her well being. Absolutely! But is there also times when Mike is not showing any display of concern to El's well being in the moment, in complete contrast to the other characters around him... Also yes.
And so the events happening the way they did, with Mike himself not fully comprehending the severity of what's been going on during these high stake situations going on around him, makes sense.
And that's what makes it all the more sad that when Mike finally does realize what he's truly been asking of El this whole time, which is to risk her life for them, it's too late.
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This whole scene is obviously very emotional. All of the boys are crying, but the focus on Mike calling out for El painfully is heartbreaking.
But what's even more sad to me, is that El has been sort of used to mistreatment her whole life. She's used to having to find any comfort she could get from people in her life, all the while they were using her for her powers. I mean even despite Brenner being who he was and doing what he did, she still showed these signs of wanting to love him despite it. Which is very very fucked up. But knowing what she's gone through, makes sense.
Mike on the other-hand does greatly contrast Brenner because he was one of the first people to actually treat her with genuine kindness right from the start (before he even knew she had powers), making it a lot easier for her to care for him even despite that pesky trait of using her for her powers being almost synonymous with Brenner's very similar trait.
So when she looks back at Mike, and points him out specifically before sacrificing herself, it feels like a few things at once.
It feels like her acknowledging the fact that she appreciated him specifically for taking her in and supporting her more genuinely than anyone has in her entire life.
And yet it also feels like her, either intentionally or unintentionally, acknowledging the unfortunate side affect caused by days of Mike leading the efforts to find Will, with the expectation of her to do things to achieve that, which could have all lead to her demise technically. And so now when it all comes down to it and the stakes are at their highest yet, same as the risk, she's got to a point where she believes there is no other choice but to do just that, risk her life, especially if it means saving them.
While this is happening, Mike is backtracking in real time. He is trying to get El to stop and it's because he doesn't want her to die. Obviously.
But that's the fucked up part isn't it? When he finally realized what he's been asking of her this whole time, it's too late.
Which takes us to S2 Mike Wheeler, known by many for being a boy whose been calling his true love everyday for almost a year now because he's just so in love, but is actually in fact a boy suffering the most intense form of survivors guilt, one that involves a person who genuinely feels responsible for the persons death...
But that will probably take at least another 2,000 words so I'm thinking maybe I better split this into multiple parts.
I will tease that the next part involves one specific detail in particular that I never see anyone talk about, a detail that I think, in combination with what's discussed in this post, is so important to understanding Mike's breakdown for what it truly was at the end of season 2. I will also probably do more posts beyond that for s3-4, to delve into the impacts these moments from the first two seasons have basically put in place a perfect recipe for what is currently going down.
So feel free to stay tuned for those nonsense updates.
Continued
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Feel free to delete this if you aren’t comfortable with asks but your thoughts on Caleb are so good and its very subtle (as compared to other points in the C2 lmao) but he is truly not doing so well. And I know a lot of it is his isolation from the nein (a bit of it self imposed, I feel? He was so hesitant to call Beau outside of “working hours” but she was instantly like “yeah!! come over!! we have dinner and wine we are so happy to see you!!”) but what are your thoughts (if any) on like…Caleb finally being actually safe. Trent is locked away and no one is looking for him and he has a home to go to and no imminent danger to distract him like he did with the Nein. And now he has nothing to do but sit and process that fact, and that’s a really hard thing to do. Certainly not as dangerous as running off to fight a storm giant, but for our wizard friend probably way less enjoyable.
Agh. I just want him to be ok but he’s not quite there yet.
Hi there, nonnie! Sorry this took me ages to respond to, I definitely don't mind answering asks and appreciate your question and kind words!
I don't know that Caleb isn't doing *well*, exactly, it's just that he could be doing *better*. Like you said, he's at the very least safer than he's been in a very long time. He's confronted his abuser and won. He has a home, and friends he can call on almost whenever he wants (*almost*: it's clearly not the first time he's interrupted Beau and Yasha, and he and Veth have a signal for Do Not Interrupt; the boy has terrible timing lol). But he's on the edge of a precipice.
So yeah, I do think he's hovering in a liminal place. He's in the doorway, so to speak. Does he trust his ability to make choices? Does he trust his own judgement? He's suddenly confronted with a future he's never had the privilege of imagining.
Much of this hinges on if this is pre- or post-T-Dock destruction. It was clear that deciding *not* to go back and save his parents was the decision that determined the most prominent fork in his branching future. Either scenario, Caleb does feel like he's holding his breath, in the moment before the plunge.
The boy's brain has been swimming in stress hormones for ~18 years. That isn't something you can put away in six months. But it's actually a *good thing* that he's allowing himself to feel lonely. It means he's allowing himself to want, to dream, to hope, beyond the single-minded focus he's had for years.
He's standing at the edge of the rest of his life, and the thing is that we know it's going to be *so good*. He just needs to step out and get there.
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Milady de Winter + costume design in The Three Musketeers: D'Artagnan 2023
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past-the-comfortzone · 5 months
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I came here briefly to cry about how Illumi didn't bow the first time around and he just stood there menacingly
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and good old papa Zoldyck had to teach him later on
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I wanna gnaw on him
source of photos
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kirby-the-gorb · 1 year
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alwayzraven · 1 year
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THE GLORY (2022 - 2023)
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gooperts-gunk · 2 months
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im so crazy over the tragedy of everything q!bbh does being under a demon pretense even though he's a fallen angel.
do u think he just accepts the demon label because it's easier. do u think he believes it too, and catches himself in his thoughts with "oh, right. im not exactly that". and maybe he believes that he did this to himself? do u think what he did was to protect himself or someone? no matter the fall, he still has so much kindness to give and his brain just isn't wired the way a natural-born demon would be, he can't hold back instincts when time demands it, maybe that's why he fell in the first place.
and when he's finally bad, not good, it's treated like the end of the world, without empathy on why he would act out. do you think this keeps happening? the same scenario, multiple times, every timeline? he has to be used to it. so he has to take it in stride. he's good until he lashes out under extreme pressure, and suddenly he's called demon. and once again he's what heaven made him out to be. what he made himself to be, his brain would ruthlessly provide...
i don't think he wants to be that, though he hides secrets behind secrets of which neither identity is a home... but i don't think he wants to have to change, either. and i don't think that's wrong of him.
...you collapse atlantis ONE TIME and all of a sudden YOU'RE the bad guy and SURE it was FUN but REALLY now,--
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