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hellenhighwater · 6 months

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What's your decision making process like for thrifting pieces? I've started looking at thrifting more earnestly, and at antiques in particular to add a bit more character to my otherwise midcentury-influenced space, but I always struggle with envisioning if a piece will "go" with everything else. But you seem like you've got the mixing and matching of pieces down pat, do I'd love to hear your thoughts!

I've gotten a bunch of asks in this vein so I'm going to go a little broader than this ask to cover the general topic.

On a purely practical level, you need to know what you have. I keep what I call a house journal, which is a notebook where I've drawn out room layouts, with measurements for available space, lists of what I'm looking for, dimensions for things like doorways (do not buy anything larger than your doorways) and even fabric and paint swatches. I also keep a digital photo album of house pictures, so if I'm trying to see if something will go, I don't have to rely entirely on memory.

So, important note: my background is not in interior design--it's in set design, studio art, and graphic design, so for me, I fall back on narrative. When you're designing interior spaces for theater or film, the room is not primarily functional: it is, first and foremost, an extension of the character that inhabits it. The room exists to tell you about the person in it.

And often, that's the tack I take in my house--not using my home as a framing device for myself, but for imagined characters. For example, my living room is The Adventurer, or the Archaeologist. The character for that room is someone from decent money in the late Victorian period, the sort of person who spent their live traveling for no particular reason, and brought home all manner of oddities. The room is rich in color and texture; the furniture is mostly late 1800s, and it's both formal and lived in. Choosing things for this room, I ask if that character would own that object. I also used unifying wood tones, and a similar depth of color, to tie things in. Pick a color palette and stick to it.

My drawing room is the Alchemist. There are lots of celestial elements, but it's a workroom, so most of the furniture is very practical and simply designed. It's beaten and worn in, showing marks of use. There is lots of storage, and curious little things in jars, and plants and bones and the tools of my trade. The Alchemist uses this space to make impossible things.

The question then is not "does this match" but "would the character that embodies this space choose this? Why? What does it say about them?"

And what all of that tells you about me, is, well....I don't know, really?

#hellen highwater's house of horrors #this is just what I do

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thegnomelord · 5 months

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Ok, so I loved your dragon reader/ dragon price fic. The detailed courting rituals got me thinking about how different members of TF 141 react to a s/o who has different courting rituals than them.

The one rolling around in my mind rn is Gaz (which I'm pretty sure is a harpy or bird hybrid of some kind) with a dragon reader.

So Gaz tries to court reader through a more fancy version of pebbling. But, instead of giving cool rocks and sticks, it's gemstones and weapons. Yknow, expensive/fancy things that Gaz thinks the reader might want to add to his hoard.

Btw do you have an anon list? If so, is 👑 anon available?

I don't have an anon list yet but you're welcome to be 👑anon!

It's cool to think how they'd try to court you. I hc that werewolves, and Johnny by extension, are really straightforward. Like sitting way too close, hands roaming over your body, trying to lick into your mouth and going "Hey wanna make more of us?"

Ghost, the poor thing, is completely fucked bc he was human before becoming a wraith, how the Hell is he supposed to know? Que him going through Wikipedia articles and watching documentaries of your species courting and mating (having to rub one out imaging you and him in that position ofc) and just stumbling through the whole courting thing.

CW:NSFW

But Gaz? Oooh Gaz—

Safe to say he's fallen ass over tits for you.

It's the way you take care of them, of him, of the monstrous strength used to defend them turning velvet soft when Gaz needs emotional support that has his harpy hindmind demanding to lock you down before a competitor snatches you away.

Only problem — you're not a harpy. And Gaz has no idea how courtship works, as when he asks Price about it (under the guise of just being curious) the old fart just gives him an amused look and tells him to figure it out.

Though harpies and dragons are two different species, he figures there must be some similarities, so he figures to listen to the old fairy tales about your kind and looks for the shiniest thing he can find, because Harpies court by giving gifts and dragons like to hoard and both of them like shiny stuff right?

You're confused like Hell when one day you wake up to find a silver ring with a shiny amethyst sitting on your windowsill. You know for a fact it's not yours as the instinct to catalogue every item in your hoard is as old as the draconic blood running through your veins and you'd remember if you had it.

When you make sure it's not stolen and no owner can be found, (because who'd wear that type of ring in a military base?) you decide to keep it, failing to notice how the way Gaz's pupils get bigger when you put the ring in your pocket.

It is a nice ring, the shine of the gemstone tickling your brain in a pleasant way. The military doesn't allow dragons to have large hoards, most of the items you've gathered over the decades and centuries safely hidden in vaults, but it feels good to have a small hoard in your den.

You expect this to be a one off event. But. No. Every few weeks you find a new thing on your windowsill, from gems to guns to additions to weapons you've expressed you'd like to get. Each new thing leaves you scratching your head, annoyance growing bit by bit as there's never enough scent on the items to track the culprit down and it's not like you can turn the base upside down looking for them (again).

You're unsure how to feel; it's obvious someone is trying to court you, but it definitely can't be Price because no dragon would go about it like this. But you have to admit it's nice to be desired, regardless how odd the method may be.

Then you notice how Gaz has started acting. . . different. He'll ruffle his feathers and flutter his wings more than usual when you two are alone, purposely stretch more often to make your eyes naturally draw to him, sticking to your side as he talks about everything and anything under the sun.

You're also not a fool. You can figure out it's a harpy's way of trying to show off, but without any open hostility you can only assume he's trying to court you. And you let him, you like his presence and the sound of his voice, the way he gives you a lopsided smile and the way his dark feathers shine like onyx gems when the light hits them juuust right and the way he flushes and stutters when your tail wraps around his leg.

Then one late evening when you're doing paperwork you catch sight of something behind your window in the corner of your eye. Like a flash you're opening the window, your clawed hand gripping Gaz's hand before he can scatter.

Gaz's wings spread out wide, a surprised squawk leaving him as he looks into your slitted eyes. "Uh-, I, eh- Hi?" He says, gulping, his newest gift, a very shiny ruby, held in his hand. But what draws your eye are his dark feathers.

You let out an amused snort, "Hello." You purr, leaning in so your faces are close, enjoying the way he flushes from the proximity. "So you're the little thief that's been visiting me."

Gaz's feather puff up to make his silhouette twice as big, his eyes narrowing, a hurt and angry look spreading across his features. "I'm no thief!" He says, insulted that you'd suggest he can't get you gifts on his own. "I-"

"You are," You hum, reaching out your other hand to hold his jaw, and even with his anger he feels his mind croon at how softly you touch him. "You're in the process of stealing my heart."

"Oh." Is the most intelligent thing he can come up with, his pupils blowing wide like he'd just seen the shiniest thing in his life. "Oh."

"Yes," You shrug and pull your hand back to yank one of your scales out of your shoulder, giving it to him as you take the ruby. "Keep this safe for me, yeah?" You hum and then you let him go, going back to your work while he's left dumbstruck, clutching the scale close to his chest.

When it finally settles in his head that you'd just given him a gift, that you'd reciprocated, and given him a shiny gift, oh he's treating that scale like it's the most precious thing in his world. He keeps it close to him, cooing to it in the privacy of his room, keeping it on his pillow so he can fall asleep with your scent in his nose.

He also doubles down on the gifts, but now he's very open about it, to the point you'll have him randomly come into your office to give you something shiny or another weapon, preening so prettily when you praise the thing he's brought back, nuzzling into your neck and fluffing up his feathers. His heart swoons when you show him the small hoard you've made with all the things he's brought you, and you end up spending the entire evening with him cuddled up to you, chirping happily.

"Hey, can I see that scale I gave you?" You ask after a couple of weeks, curious to see how he's treated it.

"Uh, sure." Gaz can swear his heart's beating like a war drum as he watches you inspect your scale, checking for scratches or cracks.

But you find none, it's still as shiny as the day you'd given it to him. Maybe even shinier.

You smile and before he can do anything you pull him close to you by a hand on his hip. "Very well done, little thief." You hum, kissing him. Gaz melts against you, not even your lips able to muffle the happy chirps and croons that escape his chest.

You spend the next few months getting familiar with each other's bodies, lazy evenings spent with your clawed hands preening his wings, Gaz steadily melting into the bed with every brush of your fingers. Kyle taking a few extra minutes in the morning to rub his face between your wing, chirping and crooning.

Harpy mating season comes around and you're caught off guard when you come to your room to find your covers and pillows and entire wardrobe on the ground, turned into a makeshift nest with a very naked, and very horny, Gaz sitting in the middle of it.

His eyes are hazy but he knows you're there the second your scent hits his nose, the most desperate sound you've ever heard leaving his lips, bruised from how hard he'd been biting them to reign his noises in, to keep them only for you.

"Mate-" Kyle whines, shuffles in the nest that has the pretty gems he'd gifted you strewn amongst the fabric, "-need you, please- I-"

One more needy sound is all it takes to have you tumbling naked into the nest in record time, deep guttural purrs answering his pleased coos. He presses flush against you, seeking out your mouth, whole body burning up and his thighs shaking, his cock rock hard.

"I got you, pretty thief." You rumble, pulling him into your lap, his wings spreading out and feathers puffing up, as if he needs to make himself look even more desirable. "What do you need Kyle?"

"Need you," Kyle whines, pawing at your own erection, desperate fingers shaking as he strokes you, "Please- hurts, I need- mate."

You shush him with sweet kisses, your hand sliding down to very carefully stretch him open while avoiding injuring him with your claws, your mind purring at how willingly he opens up for you, wings and limbs shaking as he whimpers against your lips, his mind steadily leaking from his cock.

"You're alright," You calm him when you pull your fingers out, positioning him so your cock head rests against his entrance, not missing how Kyle preens at your strength. "Going to breed you right, gonna take care of you."

"Yes, yes, yes!" Kyle moans are loud as you steadily push your cock into him, his walls clamping down on every inch of your length. "Oh, thank you, thank you, thank- mate." His claws dig into your shoulders, clutching you tight as you bottom out in him, his hole clenching you in sync with his ragged breathing.

"I'm here," You hum, barely able to think, "Just relax, let me take care of you." You say, feeling him relax into you, and with deep purrs and lots of praise you begin to fuck him, moving him like a fleshlight on your cock, letting him moan and groan and scream his heart out uncaring who hears it, your ancient blood singing at the thought of his noises being a testament to your abilities as a mate.

Then the tight heat and the scent and just Kyle has your mind forgetting how to think, your body moving on it's own to show Kyle he'd picked a good mate.

#cod mw2 #gnome correspondence #x reader #Gnome's Spittballs #trinkets from the hoard #male reader #top male reader #kyle gaz garrick x reader #kyle garrick x male reader #kyle gaz garrick x male reader #kyle gaz garrick #cod mlm #cod modern warfare #monster cod au #cod smut #cod x male reader

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tarotwithavi · 7 months

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How do you inspire others?

How to choose a pile?

Close your eyes and take a deep breath and ask the angels to show you the right pile for you and open your eyes. The first pile that catches your attention is the right pile for you.

Keep in mind that this is a general reading, so this may or may not resonate with you. Take only what resonates and leave the rest.

Masterlist

Paid services

Pile 1

Greetings pile 1!It's clear that you've had quite a journey in life, and your vibe really motivates others to stay patient and committed to their paths. You're like a beacon of inspiration, encouraging people to fight for what they love and keep pushing forward. People see you as a well of knowledge and perhaps even as someone with abundance and wealth. Your carefree spirit is infectious, and your youthful energy is truly invigorating. It's as if you spark a spiritual awakening in those you meet, almost like you're an Earth Angel. You're a catalyst for creativity, motivating people to chase their dreams. There's a deep connection people feel with you, to the point where some might see you as a soulmate. Your influence on women is powerful; you radiate physical beauty, and when others meet you, they're inspired to put more effort into their appearance. It's not about competition, but rather a desire to emulate your style. I sense that some of you have long, flowing hair, and when women meet you, they might even consider growing out their own locks. Your grounded energy creates a magnetic pull, making people want to be around you all the time. Your presence is truly impactful.

Pile 2

Welcome pile 2! The vibes I'm picking up from you are intriguing! There's an undeniable innocence about you that draws people in, and they yearn to experience that same purity. Your influence seems to steer others towards the single life, perhaps because you inspire them to patiently wait for the perfect match. Many people around you may have had their dreams crushed, but your presence encourages kindness and a positive outlook on life. It's like you help them rediscover their souls. You motivate others to see despair as an opportunity, and your existence itself seems to cast a spell, radiating with magic. You're a catalyst for kindness and personal growth, and being around you is genuinely enlightening. You make people believe in the power of love, and you're like a sanctuary for lost souls. But it's not all sunshine and rainbows; you also inspire them to cut off toxic relationships, helping them realize their self-worth. I sense a perfect balance of fire and water energy in you, which gives you a unique ability to encourage others to step out of their comfort zones and be a little more impulsive.

Pile 3

Hey pile 3! It's clear that you lead by example and inspire others to do their best because you consistently give it your all. Your extensive list of hobbies and knowledge is like a magnet, attracting others who want to be just as well-rounded as you. You're a motivator for success, especially in work or academic settings, encouraging those around you to put their best foot forward. People feel a deep connection to you when they meet you, and it's not surprising, given your empathic abilities and your knack for sensing the energy in a room. But it's not all rainbows and sunshine; others can see the weight of responsibility you carry, and there's a sense that you're meant for some kind of generational healing. Your actions inspire people to embrace change in their lives. For instance, when you decide to chop off your long hair, it sparks a trend among the girls around you. Your willingness to try new things motivates others to take risks in their own lives. Moreover, you're a source of inspiration for a healthy lifestyle. Your dedication to eating well and taking care of your body encourages others to follow suit. You're truly a beacon of positive influence in various aspects of life.

#tarot reading #tarot cards #pick a card #free readings #free tarot #tarot #pick a pile #tarotblr #pick a picture #pick a photo #pick a card tarot #tarotwithavi #tarot wisdom #tarotcommunity #witch community #spiritual community

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updatingranboo · 8 months

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Ranboo’s boundaries

Since I know some people really like to have a specific thread of boundaries, I thought I'd throw some together for Ranboo just for quick reference!

Ranboo's boundaries are not on a rule by rule basis, they prefer people use common sense. This list is not exhaustive.

Ranboo’s overall ask is to be kind! When you are interacting with people inside and out of the community, be kind first. Be good people and be respectful.

Don't do anything that would hurt Ranboo or anyone else in the community. That means no racism, antisemitism, ableism, homophobia/transphobia, sexism, general bigotry etc.!

If there’s something that ranboo has done that makes you uncomfortable, please call it out. Ranboo encourages being corrected and wants to know when he’s made mistakes. He is a human and he WILL make mistakes. They will always apologize and try to do better.

Ranboo is an adult and can speak for himself. if he has an issue with the way something is being done in the community, he will speak on it. especially when it comes to fanart, don’t harass artists on the specific ways they draw ranboo. If they’d had a problem with it previously they would have said something.

Again, Ranboo is an adult. You don’t have to baby them. He can swear and drink and stay up late like any other adult can. He knows how to take care of himself.

Ranboo also doesn’t need to be defended. People are allowed to not like him, and trying to fight people who don’t like him is unhealthy, pointless, and paints the community in a bad light. Uplift the good instead!

If someone is being weird or makes a mistake, don’t dogpile them. Politely correct them, and if they continue to push things block and move on.

Don’t mention Ranboo in places they aren’t relevant. Don’t chat hop to ask their friends about him, DM his friends to try to get in contact with them, just in general don’t view his friends as extensions of him. They are all incredibly talented people and doing that just hurts Ranboo and his friends because it makes them not want to make content together!

Ranboo is fine with all compliments as long as they aren’t explicit. they are fine with all gendered terms. He uses he/they pronouns and is nonbinary and gay. They aren’t okay with shipping.

Ranboo is strictly against AI content, including AI generated art and voice covers. Support artists!!

If you are intentionally going against these restrictions it will result in a ban in chat, which means a ban from watching all streams, as well as crossbans to all of their friends chats. Ranboo doesn’t ban on genuine mistakes, but if it’s repeated behavior their mods have full authority issuing bans.

Again, be kind. If you are kind, patient, and respectful, and you listen to criticism and try to be the best person you can be you are doing everything right! Happy boobing ❤️

#ranboo #ranboo update #important update #i don’t want this to be like one of those “these boundaries are law” posts #but i do think it’s good for ppl who haven’t been to every stream to see #this is all off the top of my head so please lmk if anything’s wrong!#boundaries

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tripleyeeet · 5 months

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MY LOVE IS MINE, ALL MINE (15)

SUMMARY: Astarion insists that you rest.

PAIRING: Astarion & Female Reader

WORD COUNT: 2,987

WARNINGS: Brief mentions of death and dissociation, a whole lot of fluff and comfort as an apology for all the angsty chapters. :^)

AUTHOR'S NOTE: Ha-ha, hey do people still care about this fic? (Sorry I went MIA, my brain got bad)

CHAPTER LIST / MASTERLIST

It feels odd having Astarion around.

For days, his hands are almost always attached to you in some way. Gripping tightly onto your arm as he guides you out of the bed, drawing patterns into your back each night he quietly lays next to you —anything to make you feel like he’s some sort of extension of you. As if he’s another set of limbs there to help you heal.

It’s nice, at first. Comforting. And for a while, as you exhaustively lay amongst the sheets and pillows, tucked against the side of his torso, it helps you forget about the world around you. How just beyond this realm of soft looks and tender touches, there’s a war raging on, developing day by day as you tirelessly drift from bed to bath and back again, trying your best not to get too restless.

Which is easier some days than others.

For example, the first few felt like a breeze. Nothing more than a collection of hours that quickly whizzed by before you could even blink. With Astarion there to distract you, time seemed to slip from your grasp entirely. Exiting your mind in the form of lengthy naps spent latched onto your partner’s frame.

It was blissful. A much needed break from all the chaos but it was obvious it wouldn’t last. Nothing more than a blip in an otherwise more momentous event, you could feel the restlessness of the future seeping in. Taking hold of your mind, ripping through the cavernous well of missing information that occurred during your death. You couldn’t help but wonder what had happened. How the group managed without you —how Astarion managed.

Based on the lack of space given during the healing process, you assume badly. Considering he’s never touched you like this —like you’re the most fragile thing he’s ever placed his hands on as if at any moment one wrongful slip of his fingers might shatter you all over again— it’s apparent something within him changed. Shifting in a way that, even now, nearly a week later his presence is still stagnant.

And for the most part, it is nice. A welcomed change amongst all the bullshit. Having him there with you —seeing the lengths he’s willing to go to make sure that you’re safe is unparalleled to anything you’ve ever felt. A dream within a plague of nightmares lulling you to sleep each night he holds you close, telling you that everything’s fine. At least, until it isn’t. Then it feels like suffocation. Like his once-loving hands are now wrapped around your throat, reminding you of what little time you have left. Forcing you to realize that, instead of lying around living in ignorance of the task at hand, you should be helping —working alongside the rest of the party to complete your common goal.

“I need to move, Astarion,” you tell him. Almost angrily, you press your hands to either side of his face, narrowing your eyes, watching the way he rolls his own and frowns.

“Zamrie said—“

“Oh, my Gods, forget what Zamrie said!” Before he can even protest you’re on your feet and moving towards the door, ignoring the way he huffs in response. Blocking out the sounds of his angered protests as you begin to pull on your boots. “I swear, if I don’t get out of this room I’m going to go insane!”

Surprisingly, he doesn’t do anything other than try to talk you out of it. Relaying each point of criticism with facts to back up his claims, watching the way your face twists in annoyance the longer you realize he’s right.

Because despite mentally feeling alright aside from the lack of stimulus, you’re still exhausted. A feeling you hadn’t anticipated to take so long to recover from. Assuming you were under the hindrance of any other common illness, you figured you’d be back to normal in a few days tops. No longer feeling numb or shaky. But then again, you were dead. And for a while too, so unfortunately it makes sense as to why as you finish tying your first boot you’re already out of breath. Heavily panting against the warm air of the inn’s top floor as you glance to see Astarion’s smug look.

“You know I’m right,” he says, and all you do is awkwardly walk back to the bed with your boot still on, collapsing face-first into the mattress with a groan.

“I’m so bored.”

“And what do you want me to do about it?”

In response, you merely grumble, feeling him roll you over so that he can untie the laces of your shoe, kneeling at the edge of the bed for better access as you let out a huff, unsure what to say.

Because really, there aren’t very many options left. Already you’ve read every book your party has and then some thanks to Gale and his lengthy trip to Sorcerer’s Sundries, as well as exhausted all your conversation topics. At this point, there’s nothing left but card games and sleeping and Astarion frequently cheats which leaves you with the most boring option. The one you’d rather suffer through the pain of activity than submit to, prompting you to look at Astarion with pleading eyes, praying that just this once he’ll give in.

“Don’t look at me like that.”

You narrow your eyes and wiggle your foot as he eventually discards your boot, quickly moving to kick his face in annoyance only to have him catch it before you make contact.

“If you don’t stop I’ll cast hold person on you,” he threatens then, moving to grip your knee and pull you towards the edge of the bed. Smirking at the sound of you squealing in amusement at the sudden shift in position.

“You’d like that wouldn’t you?” you tease, but all he does is slowly maneuver himself above you, slotting his hips between your already spread legs. Ignoring the way your face contorts to showcase the sudden nerves that erupt.

“I would because then you’d actually rest.”

“But I am resting.”

“Hm, are you?”

“I’m laying down aren’t I?”

“That’s different than resting, my love.”

“Is it?”

Somehow he’s managed to distract you with conversation long enough for you not to notice he’s looming above you. Pressing his palms against the spaces next to your head —shifting the lower half of his body to lightly press against your own.

Upon noticing this, you swallow hard and try not to smile. Forcing down the anxiety of Astarion’s mischievous gaze exploring your features —taking in the obvious temptation that’s begun to surface.

“You don’t seem very tired,” he tells you. Teasing you in a way that has you rolling your eyes, allowing it to happen because, while you’ve exhausted a lot of options to entertain yourself, sex isn’t one of them. Considering the two of you have been too busy reuniting and making sure everything about your resurrection continued to go smoothly, the thought really hadn’t occurred to either of you.

Far too lost in the simple touches of each other’s company, up until now it felt more important just to coexist. To relax and monitor rather than jump into something that could only result in complications.

Which is a thought that sits at the back of your mind. Even as he leans down, nudging your nose with his —saying something flirtatious that you completely miss due to the passing thoughts that stroll through your head— you can’t help but wonder if it’s a good idea.

“Are you sure we—“

He cuts you off with a gentle kiss. One that lingers for a couple of seconds before it’s over and he’s grinning above you, moving to glide his thumb along your cheek. “We don’t have to if you don’t want to.“

“No, I just —is it right?”

He scrunches up his face, looking at you in confusion. Making you realize how offensive your words probably sound. “Sorry, I don’t mean it like that.”

“Then how did you mean it?”

You take a minute to put together your thoughts, ignoring the way he longs for your answer. Feeling him shift slightly backwards in anticipation of your inevitable rejection.

“Is this the right time to be doing this?”

He raises his brow and sort of laughs. “Do you mean that morally or?”

“Kind of?”

All you do is scoff in embarrassment, moving your hands to cover your face. “I just mean that… should we be having sex while the others are doing all the work?”

Astarion really laughs at that, his voice practically rising a full octave as he swats away your hands, watching your annoyance only increase at his actions. “Seriously? That’s what you’re concerned about?”

“I feel like it’s a valid concern.”

“Well, it’s not.”

“Okay but I think—”

He steals another kiss, ignoring the groan of protest that hits his lips. Opting to instead grab your cheek again, gliding his fingers against your skin. Feeling the way you almost immediately settle into his touch the moment he pulls away.

“Darling, you and I both know the other’s don’t give a shit what we do. So long as it’s somewhat legal and doesn’t disturb their sleep.”

Moving your hands to his torso, you practically sigh in defeat, pinching his hips with frustrated fingers as you lean up and kiss his chin. “I don’t know. I think Gale might be jealous if he comes back and sees us.”

As you fall back down he chases you instantly, enveloping your mouth in his a third time, knowing then that you’re surrendering. That instead of fighting the urge to make excuses, you’re allowing yourself to enjoy what he’s offering. To experience that connection without the added baggage of not knowing whether or not there’s feelings involved.

Because now that you’ve admitted it —now that both of you have said those three little words, it feels completely different. After travelling and talking and experiencing that unfortunate blip of separation there’s a whole other dynamic that takes place.

For example, somehow his touch is gentler. And not because of your current physical setbacks. No, there’s something tender about it. As if the care he has for you has extended from his heart to his palms, guiding them in ways that make your chest tighten with newfound anticipation. Against your flesh, his fingers are delicately placed, slipping to grip the back of your neck, sprawling out to cover as much surface area as possible.

Sighing into him, your thoughts wander to different positions. Imagining all of the ways the two of you might end up, you can feel your stomach twist with excitement. Your mouth curling up into an empty-minded smile, unaware of the joy that radiates between you. Too distracted by the happy sound he makes when you grip the waistline of his pants.

“Does this serve as a good enough distraction for your boredom?”

You hum and kiss him, eventually pulling back to nod. “Only if it’s okay.”

For a moment he pauses, his expression turning from playful to serious. His eyes softening at the weight of your words, realizing that you mean it. That for once in his life he’s in control of his own pleasure.

“I promise you, I wouldn’t offer if it wasn’t,” he eventually tells you, and all you do is beam. Moving your hands to his face, you look at him with affectionate pride, running your thumbs along the highpoint of his cheeks —pressing down as you pull him back to rest his forehead against yours.

“I love you so much,” you say, closing your eyes, hearing him softly hum in a way that rips the air right out of your lungs. Feeling the way he stiffens before he ultimately melts beneath your touch, allowing the full weight of his body to press against yours.

“You mean the world to me,” he responds, moving to kiss your cheek before moving to the other before you open your eyes again to see him hovering above. “When I lost you I—“

You don’t interrupt him. Instead, you just press your lips together and offer a nod, watching his mind work through the blockage.

“Losing you felt like losing hope. Like I was being shoved back into that blasted mausoleum all over again.” He pauses to swallow, watching you stare into his eyes, refusing to break the contact even though it’s obvious he wants to. “I don’t want to feel like that ever again. I can’t —I won’t.”

Your hands move towards his shoulders, slowly weaving their way around his neck to pull him close. To let him feel the pounding heart inside your chest and how its pace quickens because of him.

“I know it may seem like I’m ungrateful a lot of the time —that I’m brash or unkind but don’t think for a second I take for granted what you feel for me.” His lips press against yours for a second before they’re separate again. “I love you and I won’t let anything more happen to you.”

As soon as he finishes you can’t help but pull him against your chest, placing a kiss to the crown of his head before resting your chin on top of it. “Mm, you really have a way with words don’t you?”

All he does is chuckle. “I would hope so after all the mindless chatter I’ve done over the last two centuries.”

“I’m sure you’ve swept your fair share of feet with that beautiful voice of yours.”

He cranes his neck to look up at you. “My voice is pretty beautiful, isn’t it?”

“It’s like music to my ears, darling,” you tell him, partially mocking him as he scoffs in response and reaches for the nearest pillow to smother your already giggling face.

“Don’t mock me.”

Awkwardly moving to shove the pillow aside, you feel him shift against you as he sits up, grabbing both of your wrists and pinning them above your head. “Actually, you know what, I take back what I said —I actually hate you.”

“No you don’t.”

You scrunch up your face in fake annoyance as he leans down again, giving you a chastising look. “I do. So much so that I don’t want to have sex with you anymore.”

“Oh, really?”

While nodding your head, you try your best to get him to release your wrists but to no avail, eventually sighing in response. “Yeah, I’d rather take a bath instead, I think. Get you to wash my hair or something.”

Without even protesting he just kisses your nose and rises from the bed, readying the bath. Taking it upon himself to focus on the task at hand rather than your lingering eyes staring at his dishevelled hair and the way his clothes have shifted out of place thanks to your roaming hands. Something that shouldn’t annoy you but does as you crave his attention. Finding yourself wanting desperately to keep him connected any way you can.

Because despite knowing he’s here with you, sometimes he isn’t. Instead, sometimes he’s lost in far-off lands, travelling by himself in fear, trying desperately to get back. Behind his eyes, you can always tell when he’s absent because his eyes sort of shift out of focus, dismissing whatever’s directly in front of him in favour of relieving whatever awful memory’s been triggered.

It breaks your heart. Ultimately spurring you to stand and move behind, wrapping your arms around him as he finishes up the bath.

“C’mon, get it before it gets cold.”

Despite wanting to playfully protest, you listen. Taking a reluctant step back while releasing his frame, you slowly begin to peel off your clothes, feeling his fingertips reach for your stomach as you throw your tunic over your head.

“Can I help you?”

Looking down at his hand, you see his fingers draw patterns into your flesh. How they practically dance their way down to your waist before his other hand slips to the buttons of your trousers.

“Other way around.”

You look at him, confused, prompting him to laugh.

“Figured you could use a hand with these.” He tugs the button through the hole with one quick swipe, causing you to bite back a smirk and roll your eyes, allowing him to slowly drag the fabric down your legs. Watching as he moves to his knees along with it.

Once there, he motions for you to step out of each pant leg, discarding the fabric entirely. Grinning up at you once you’re left only in your underwear.

“Gods, you’re…” He doesn’t finish. Instead, he just kisses the inner portion of your thigh as he plays with the edge of the fabric, looking up at you with pleading eyes. The kind that you merely nod at, suddenly feeling nervous.

Because it’s been a while since he’s seen you like this. And even so, it continues to feel different. More intimate somehow as he moves at a leisurely pace, kissing your skin while exposing your sex. As it happens, you have to look away and take a breath, feeling everything shift past your thighs and knees, eventually moving to your calves and feet before there’s nothing against you. No fabric or hands or lips —only the suffocating air of the inn hitting your bare skin, forcing you to uncomfortably squirm as you look down.

“Beautiful,” he mutters, and suddenly it feels like your heart is bursting against your chest, watching as he leans forward to pepper a few kisses along your upper legs, reaching for the scars that line your stomach —ignoring the way they twitch beneath his fingertips as he traces over them. “How about we get you into the tub before the water gets cold, hm?”

Almost nervously you nod, feeling him grip your hips for support as he moves to stand before guiding you into the tub without another word.

TAGLIST:

@poohxlove @gaiasmight @sassy-stupid @novarex @v-gremlin @sapphiccloud @lipstickghoulie @kuroitsukyo @jjfchk @idiotsatan @bluestuesday @bloopthebat @art-by-greenie @heneralmoon @sukunababe @dreamingaboutyousworld @ranfithegood @haniscrying @liadamerondjarin @the-lake-is-calling @marina-and-the-memes @rookieoftheyear @zraloci-cpr @kaetmo @snickerdoodle-daydream @wowowwild @d1anna @raswiet @conniesbbymama @venus-wrts @demonicthorns @kihten @sanscas @spammypasta @leighsartworks216 @rose-gold-blue @p1ssmagg0t @hellish-writes @ghostinvenus @otayz @sexysquatch @sleepyeclair @colorful-anxieties @alina-exe @lillifer @girlwiththepapatattoo @acelin-ginsberg @pinkuranium @catrad0rable @scarletrosesposts @qwnamidala @itsrosebabe @bunnyperi @queenofcarrotflowers-s @tatumadams20 @spkyxszn @chlort @f3v3rs @awkwardwookie @joy-the-reader @warm-milk-with-honey-blog @vertigocrime @iyis @wildpiper @pebblethestone @tillywasneverhere @bex-03 @revemiya @staticspouse @itzagothamcitysiren

(taglist continued in reblogs)

#my love is mine all mine #astarion fan fic #astarion x female reader #astarion x reader #a lover's folly #summer writes

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coquelicoq · 11 months

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justice of toren collecting songs and one esk/breq constantly humming/singing them is such a good detail and ann leckie does so much with it. an incomplete list:

justice of toren's eager collection of songs is part and parcel of its violent destruction of cultures: these songs are cultural artifacts that it only learns because of its presence on those worlds during their conquest, and in many cases breq is the only one to remember them because their people have died out due to that violence. JoT preserves cultural artifacts for its own use at the same time it directly contributes to the need for that preservation in the first place.

the matter-of-fact way in which this is narrated to us gives us information about JoT's stance on respect and imperialism - that is, contrasted with other characters who look down on the conquered cultures, JoT does actually seem to appreciate their value. and yet it communicates to us no sense of remorse over its role in their genocide.

singing can be a communal activity. this allows us to feel the difference between one esk's multiple bodies singing together in harmony/in a round vs. breq singing alone. this has emotional weight, is an evocative image, and illustrates quite nicely some of the logistic considerations of having one vs. multiple bodies.

the constant humming/singing is extremely notable and idiosyncratic according to other characters, which is a dangerous combination for someone who's supposed to be undercover, so it adds a lil bit of fun suspense for us.

the fact that no one ever figures out breq's identity despite this giveaway tells us something about the other characters' attitudes towards artificial intelligences (though see below about seivarden).

the fact that it's so idiosyncratic also tells us something about the ability of individual AIs to have personalities that distinguish them from other AIs, and the fact that one esk sings constantly but two esk doesn't tells us something about the ability of different ancillary decades that are all part of the same AI to have distinguishing characteristics. this is very relevant to, and illustrative of, the series' thematic throughlines around identity, personality, continuity, etc.

the fact that breq personally has a bad voice also serves multiple purposes. because breq and seivarden both believe that the medic could have chosen a body with a good voice if she had wanted to, we can infer something about how ancillary bodies work, how much the AI (and, by extension, its medics) knows about the individual capabilities of those bodies while they're in suspension, and what kinds of things the AI can and can't control once it has unfrozen and taken over a body.

we can also draw conclusions about the medic that chose that body and about intracrew relations on that ship.

breq's bad voice creates moments of humor and irony in the narrative, such as when breq's constant singing - aka the most obvious clue that she is one esk - is precisely what makes seivarden so sure that breq can't be one esk, because no esk medic would use a body with a bad voice for an ancillary.

constant singing/humming imposes itself on the shared soundscape, meaning other people can't easily avoid it and it has the potential to annoy them, especially if the voice itself has annoying qualities. the reactions of other characters to the frequency and/or quality of this verbal tic tells us something about the level of affection those characters have for one esk or breq.

because singing involves words, the meaning of the lyrics being sung can be used to advance the plot, communicate things about specific characters, create irony in juxtaposition with what's happening on the page, etc.

i especially like what's done with the lyric "it all goes around". it's woven throughout the story in such a way as to manifest its own meaning (the repetition of "it all goes around" is, itself, an example of something going around). by repeating the lyric, breq is the one making it true, and i would argue that her repetition of this particular lyric about things orbiting other things contributes to, and/or is a sign of, her growing understanding of the necessity/reality of interdependence and her place in that framework/her role in constructing it, or in other words, the extent of her own agency and the rights and obligations it confers upon her.

because the singing/humming is a constant, background, automatic action, it only ceases when breq is experiencing a strong emotion. from this we are able to infer things about the emotional state of our famously-omits-details-about-her-emotional-state narrator based on other characters' comments about whether or not she is currently doing this thing.

we also aren't even aware that breq is doing it constantly until another character says so. on a narrative level, this serves the dual purpose of making sure we know about how much she hums AND of reminding us that she's not telling us everything.

the humming is not mentioned constantly even though it is happening constantly - this helps us forget in between mentions that it's going on while also simultaneously reinforcing just how constant it must be, so constant that to mention it every time it happens would be like narrating every time she breathes in or out. whenever someone brings it up, we are reminded anew that something has been happening all along that we forgot about. this means that ann leckie is able, by leaving information out, to hammer home to us how much we are not being told.

through this one character trait, ann leckie efficiently and elegantly communicates not just aspects of character but also of setting, plot, tone, theme, and narrative. there's no extraneous exposition just to tell us about the song collection or singing; everything that tells us about it is serving other functions in the narrative as well. the ways in which she manifests this one character trait in the universe and in the narrative contribute to and exemplify both the story itself and the method of its telling.

#and the singing/humming is only one example of how leckie is doing this!#the ubiquitous she/her usage that is actually radchaai-specific is another #imperial radch #storytelling #my posts #i have been writing sooo many drafts lately and it's stressing me out that i just keep making more without posting the old ones #so i'm posting this!!! probably i'll reread this tomorrow and be like girl have you heard of editing?#but i have to get something out the door or i will drive myself crazy #i hope this is at least somewhat coherent lol #f

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skyflyinginaction · 8 months

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Clamp Art Style Analysis: Part 1: Creation Process and Materials

Introduction

Clamp is a manga artist team of four women. They are a prominent distinguished manga artist team known in the West and in China. The thing they are most recognized for is their highly detailed art style many people may have known and many may not. They did several manga you might have known such as Card Captor Sakura, Chobits, and even Tsubasa.

Clamp is one of the artists whose art style I highly admire and want to imitate in my art. I created this post so I can understand and take apart their art style and better understand it. It is going to be difficult since there are four people with different specialties and years of professional experience in their belt. They are constantly changing and adapting to every genre.

I am going to analyze Clamps’ art style in this post and this may take a while to crack due to how extensive the Clamp style is. I am going to pile up everything and explain this in this post which is going to take time to explain in this post. I am going to take apart interviews from different sources while explaining their art style in this post.

I am going to examine their art style and the materials they use. I am going to split into sections talking about the art style and what they use for materials for the manga.

To understand the art style and how it is defined I need to understand Clamp themselves since they created an entirely individual style that is going to talk about other things, not about the art style there is going to be so much I might miss while explaining in this post. I could be wrong while explaining this is an analysis I am going to take my crack at understanding the art style.

Influences

Though the members of Clamp are largely self-taught they are inspired by many figures that influence their art. The list consists of Reiji Matsumoto, Osamu Tezuka, Go Nagai, Hirohiko Araki, and Moto Hagio. The other works that influenced Clamp are animated cartoons and Galaxy Express 999. Reiji Matsumoto and Osamu Tezuka are major influences in their works Clamp used Osamu Tetsuka’s star system in their works which is seen often in the crossing over of characters from their series into their other works. You can see this prevalently in Tsubasa, X, and Kobato where you would find characters from the different series crossover.

Nekoi's favorite cartoonist was Moto Hagio in high school and Mokona mimics pictures by Reiji Matsumoto when she was younger.

While working on manga Nekoi started copying Shinji Wada and Rumiko Takahashi, in which She copied her art in drawing legs. She drew them thick and big. She liked the legs Rumiko Takahashi drew since they seemed long until short feet. She took them to make them more delicate and feminine. Clamp used other artists to help them while drawing.

Go Negai influenced the creation of X, taking inspiration from his work of Devil Man featuring two main male characters, and the murder of the lead's sweetheart triggers the apocalypse. Devil Man is used in creating x The extreme levels of violence depicted in X came from Go Negai's works. Clamp knows about Devil Man. They did a doujinshi of Devil Man in their works as doujinshi artists a while back and even had a doujinshi about the lead character's relationship in their works.

X was inspired by Go Nagai the heavy violence in x inspired from Go Nageis works and the assembled cast of x is inspired by Kyokutei Bakin's Nansō Satomi Hakkenden, The fight sequences of x were inspired by the manga Dragon Ball specifically Akira Toriyama's use of white backgrounds.

Mokona influences are H.R Giger and gérard di-maccio are used for the RG veda backgrounds.

Mokona likes Alphonse Mucha who is a considerable influence in drawing XXXHolic art.

Hirohiko Araki is another influence of Clamp with JoJo's Bizarre Adventure fan manga back when they drew doujinshi and starred in Clamp in wonderland animation with Jojo animated.

They drew a doujinshi on Jojo a while back starring Josuke and Kakyon and even they drew Jolynn once.

There is a lot of Kakyoin and Josuke fanart with Yaoi art drawn by these two characters.

Jojo was used in drawing wish with Kohaku and Shuichiro strongly resembling Jotaro Kujo and Noriaki Kakyoin and Kohaku's hairstyle strongly identical to Kakyoin and Shuiichiro resembling Josuke.

Members

Nanase Ohkawa

The main leader of the group, the main writer of the scenario, is in charge of the original story, script, and design. The other three artists are Mokona, Nekoi, and Satsuki, who are in charge of the art.

Mokona

Mokona is the artist and designer in charge of drawing. Mokona is in charge of sketching out the construction of the characters by hand. Mokona draws the storyboards and sketches out the characters. Mokona is responsible for drawing female characters.

Tsubaki Nekoi

Nekoi is in charge of character design, background scenery, finishing touches, and charge of the foundation of the art in their works. Her booth has been painted for design and screens for finishing touches.Nekoi likes to doodle and throw pages. Nekoi is in charge of drawing male characters.

Satsuki Igarashi

Satsuki Igarashi is in charge of design and drawing and is in charge of the finishing touches. She is in charge of designing the cover of the book itself.

Bio

Three members of Clamp were classmates in high school who took art-focused classes in school; none of them studied at school for manga. Nekoi tried using colored pencils and opaque watercolor in school when she was young. Satsuki and Nekoi were in middle school when they first started drawing manga. Mokona was in an art club in middle school. In high school, she started drawing manga with proper frames and dialogues. Mokona, Nekoi, and Igarashi studied art in high school Nekoi, Mokona, and Igarashi met in high school as a kid She found a friend who loved manga, Satsuki went to an art-type highschool and Mokona high school and college had art-focused classes, Igarashi was at an art department in highschool then to computer graphics vocational school. Clamp started as doujinshi artists who first published doujinshi fanzines Back then they had more people it went down to four in the year of their commercial debut.

The group never worked as assistants with most of the members being self-taught with Tsubaki and Nekoi being more self-taught.

They never used assistants to help them with their work since they wouldn’t be able to understand the years of jargon they created among themselves They created work for years without any help from assistants since assistants would slow them down and wouldn’t understand when we would tell them to do the same thing as before disrupting the workflow they created for work.

For inspiration, Ohkawa gets her ideas from dreams or inspiration based on events she hears or sees on the news a lot of times its deadlines. Ohkawa doesn’t always take notes and she usually loses ideas.

Clamp’s daily work hours while working on manga is in the morning, get in the studio at about 10 or 11 in the morning and in the afternoon they eat dinner at 6 in the evening then stop working at midnight.

The members share a single workspace and are separated into three booths while they work.

There are four separate studios and the member's workspace accommodates all four of them. Clamp work requires complete perfection with members having their own space where they have to work to create one of their works

The art of Clamp is lush layered and amazingly detailed. It has a high-quality art style with extensive details. Due to this, it's almost difficult to adapt to animation.

Each of Clamp’s titles has a different art style depending on the genre or magazine they are running in; their art styles change to suit the work and magazine the manga will appear in. The art style of the work is based on Ohkawa’s decision in charge of the art direction of the work. The art styles and pictures have changed but not their methods.

There is a lot to talk about the Clamp art style which may not be enough to explain one segment

Creation process

Clamp's work process is similar to an animation production; they work like a small animation studio. if you look closely at the work process for creating works it's more like an animation with the director, playwright, character designer, painter, background artist, creator, and publicist treating the manga or story like a script for a movie or anime, the creative process for creating manga is similar to that of animation and movies.

Ohkawa is the storyteller and writes the scripts other three draw drafts and original design, Mokona is the chief character designer, and Tsubaki and Nekoi work for the background Sometimes they they take turns doing different jobs

Ohkawa writes then it goes to Mokona who draws out the outline of the storyboard and sketches the characters

They would normally go to Nekoi for the finishing touches Igarashi and Nekoi work on the final touches the team may shuffle roles. Clamp members do get outside work with computer graphics. For drawing sometimes the members do character backgrounds or may draw everything depending on the story. They have a work where one person designs the character and another draws the actual story. They make storyboards and start drawing. Sometimes they decide who is going to make storyboards and then start drawing. The art is drawn by Satsuki, Mokona, and Nekoi, Nekoi draws the rough draft and thinks about how the story is going forward to next month's script. The designs are handled by Satsuki and Mokona. Satsuki worked on the design for the cover page. In the beginning, they believed that everything in the comic from front to back was important to the story. They take turns completing the rough sketch depending on the story. They divide the story into frames; they mostly draw it on art board paper after they create characters and scripts. Ohkawa explains what in each frame props and the characters in they have how they turn around and include emotions in the panel. Ohkawa and Igarashi never drew manga with split frames. They Look like frames from a movie

When Ohkawa comes up with stories Ohkawa drafts the outline of the story and the story setting The ending for each story is determined from the last scene back to the first scene and the end last and deciding the thing and heading into this way makes way for change drags the reader along for the story Ohkawa drafts the outline the other three members formulate characters designs by creating character profile sheets to avoid confusion. Ohkawas style of writing is considered a color woodblock print in the way it conveys and portrays things the manga is close to picture books and elimination of everything unneeded. Ohkawa thinks about the setting of where the story takes place and Ohkawa constructs a visual image at least in their head then splits up panels in their manga. for the writing process, they come up with the story Ohkawa gets together to discuss the story with the members about the purpose of the story and the main characters when writing and drawing After the members get well used to the story they write it down when creating a story for a weekly magazine they first decide on a rough story from beginning to end Ohkawa works backward from the ending for the story to have an ending like this the members don’t always know how the story develops. Ohkawa's style of writing for stories is not telling anyone the progression of the storyline before it happens reason for that is that when the members of Clamp learn of Hokuto's death one of the members couldn’t draw Hokuto's smile the same way this is how badly shaken they were since that the way Ohkawa created her stories changed for most of the works it was until Chobits she could tell them again. Ohkawa kept using memos in the beginning when she wrote the stories where she kept track of the flow of the story.

Before they start drawing they decide the flow of the story up until the end as well as the materials used for color and monochromatic drawing and the direction of the illustration. The members consider the art style during the planning stage and the materials for the manga, for materials Clamp uses color samplers In the order of how they draw. They draw them the same size as manuscripts, they draw rough sketches, and the size of the manuscript is b4 size and genkou size. They seldom use computers to create manga but only to color pictures, sometimes Clamp uses the scanning method when they draw or draw the rough draft using tablets. They don’t use references for their designs except at one time for Ohkawa she drew inspiration from a perfume and drink package she gathered together she drew more influence from the business art and art from Alan Chai's design.

The amount of lines and the thickness of the lines in the manga depends on the work. When you look at the manga, there are a lot of lines in the characters, Clamps can make the lines, and the thickness of the lines depends on the nature of their work from the thicker lines shows how serious and heavy the story thicker lines match the nature of their work that fits with a heavy theme like works like Tokyo Babylon, which have a heavy atmosphere. Mokona draws with thicker lines and uses pens with strong pressure when drawing. Clamps drawing methods changed with Tsubasa and xxxholic.

In the process of launching a serialization first is to decide on the major storyline work out the details of the characters later and consider the number of chapters needed to tell a story, second Ohkawa has a meeting with Mokona and Nekoi to decide on the design of the main characters Ohkawa asks for designs once they are finished they go over one more time. They go about creating manga and have two processes, one creating a manga based on the request from a publisher The second Clamp decides on the story first and then thinks about the magazine to write it for. Clamp comes up with an outline for the story First after they create the outline they discuss who's going to draw pictures or if they all draw together. They turn the project into a movie telling how a story goes and who the main characters are among themselves. They talk about the rough story and how they should do it when they bring a story to the publisher, attach the rough story and characters, attach characters' settings to them and draw the appearance in the manga to the publisher. Then after they show the work to the editor if the editor thinks it's okay they start the story. After receiving approval from an editor, Ohkawa assigns roles to each group member and then chooses the visual styles depending on the factors such as the complexity of the story and chosen art style the artwork depends on the genre and magazine of the story. Ohkawa provides a rough draft for each chapter with things such as dialogue panel size props and movement and characters' emotions. Storyboarding takes 12 hours while the script takes 8 hours to write. To Mokona from rough draft to inking 10 pages per day, the average Mokona puts into how many pages of black and white manuscript draws in a day the number of pages they draw in a month to finish one installment For example if they're in two monthly publications like Tsubasa and xxxholic one is about 19 or 20 pages other takes one day to finish 6 pages for the foundations for the fishing touches and inking takes a couple of days every 2 weeks when it comes to two weekly series its 120 and 130 pages a week. xxxholic takes two days and x took four days

Ohkawa will specify the proper production for the story and character. After the story, they will choose a person to perform the character design. Clamp switches up who works on character design and the drawing. Igarashi and Ohkawa do it together. One of them directs the work for design and the person in charge of the drawing for that work will draw a rough sketch which is discussed. Mokona is one of the concept artists When the scenario is specified in detail, Mokona listens to the basic story and consults the original concept with Ohkawa Mokona will show what she designed on the spot of the drafting and period. Mokona and Clamp often decide on the design first, then Mokona draws the illustration from format, paper, and photoshopping specifications to color specification. Mokona does pencil drawing first then ink and color it the pencil stage first so Mokona can fix errors in the pencil stage. Ohkawa as the main scriptwriter Ohkawa determines the story and setting and tells the members about it and the rest give their thoughts on it Ohkawa maps out the location, ideas, and character design Ohkawa gives the character's figures hairstyles, and clothes she envisions to the designers or sometimes Ohkawa draws them herself only sketches the rest get the art close to Ohkawa original version. Ohakwa doesn’t talk about the characters until it's time to create their visual design, Ohkawa decides the design of the character and the group visualizes it She explains their appearance she sometimes brings sketches instead of explaining Ohkawa decides the characters they have long or short hair their style of clothes and complexity. Clamp discusses together and thinks about how to make characters, Ohkawa makes requests and discusses them with the other three Ohkawa gives concrete and specific thoughts on what she wants the main characters to be. Ohkawa is the one who decides on the details of the characters and Clamp crafts their characters. They explain the story in the works that include the drawing of the clothes of what the character wears. Ohkawa takes all the info she gathered and has them design the characters based on the descriptions she gave like body build, hair length, and small details, next decide who is going to design the characters either Nekoi or Mokona design them characters and pick one of them then make a character setting chart and decide on the character's height. After the story they choose a person to perform character design. When that is happening, they use specific proper proportions for the story and character. They come up with a story through a character design phase Clamp and choose different styles and proportions for the characters. When it comes to designing characters they determine the head and body ratios since the person drawing can change the proportions in their sketches without knowing. They reference the proportions of the characters in case the person drawing it gets it wrong. Igarashi and Ohkawa consult each other and ask for revisions so that the proportions don’t shift, so it can come in tandem when working for 4 people. Mokona had difficulties drawing Yuko's proportions; she considered drawing them constantly a nightmare. Mokona found it reassuring to have partners who can check your work. Sometimes they decide on the colors to get the approval of the publisher to work on the storyboard and then agree on the birthday and height of the characters. The height is important because it's for drawing proportions that are made to keep consistency when drawing characters. The character designs look like character sheets like the ones you would see in anime. When they first set out to draw the members consulted such things as whether or not thin lines mesh well in the manga. what color materials they would be using the members play it by ear as they go along when they draw. Before drawing the portraits of the characters, Nekoi takes special care of the characters by differentiating them with their hairstyles.

For creating the clothes for the characters, Clamp dresses their character in stuff based on their own or things their acquaintances wear. Clamp reads a lot of informational magazines and fashion magazines on a personal basis which serves as inspiration for characters. Some of the clothes and other items that characters in Clamp wear are inspired by real-life pieces but most of them are done initially by Mokona.

Once the main characters are completed, they decide on the detailed settings for those characters, The members decide on each character's birthday and height. The height is used for doing the proportions of the characters. for the character settings the group goes into detail about the characters like what food they eat, special skills, how and when they do things, how they grew up, when they were young, their hobbies, the type of house they live in whether its Japanese or western style, if they are sleeping wearing pajamas or negligees and whether they like sweets or not; for example if a character is eating sweets it means that a character grew up in an environment where sweets can be easily eaten and if a character has long hair it can be tied or untied these details reference the characters way of life and polices the reason Clamp focuses on what a character likes to eat is because what a person eats says a lot about a character in personality. There's a lot of thought that goes into making character settings. It's mostly to advance writing their characters or fleshing them out as individuals. The character settings are important when writing the characters in the story These details are important for them to write for the characters the character profile is used so they won’t get confused when writing a character for the story to keep the writing of the character to remain consistent throughout the story.

Materials

When drawing manga and illustrations the group often determines the materials they use to draw during the meetings

Once they set out drawing they first consult things like whether or not thin lines and colors. Clamp used different techniques, art materials, and paper when they did manga and color illustrations Clamp used different materials at their disposal. For drawing Rayearth, the materials they use to draw manga are used include other works as well. The heavy colors are used to suit the tone of the story. This goes to show that you can change the impression by changing the pen you use and the paper used.

You can change the impression based on the paper you use. The paper makes a great first impression on the manga. Paper is not the only thing that changes the impression of the manga they draw, also the materials they use are used to change the impression.

Clamp uses different paper sizes for each work, the manga paper is sorted for each one of the members to use. Clamp has strong drawing pressure for their strong drawing pressure they chose thick paper. They use paper made by Daieidou printing for manga drawings because the members have a strong drawing pressure so they chose a thick paper that's three times thicker than manga paper. For the paper that the members use for illustrations Igarashi, Nekoi, and Mokona use Watson paper, BB Kent back of manga paper of copy paper. Both Ohkawa and Igarashi like acid-free paper, they love the sandy texture and don't like smooth art-coated paper. The reason for that is that if the paper is too smooth the texture will not be the same. Clamp uses many materials for works such as Copic markers and alcohol-based products, They use Kaimei Indian ink, and for color inks, they use Holbein and Holbein special black The screentone they use Brans that Clamp uses is I.C. 's and Letraset.

When they first used computer equipment, they were instructed by Takeshi Okazaki and Katsuya Terada. satsuki was into photoshop so Takeshi Yamazaki gave satsuki lessons in photoshop.

For the materials that Clamp used in their past works, rg veda used color inks, aeroflash, Liquitex, and modeling paste, Rayearth used Copic markers, Mokona used color inks for Mask of 20 faces, Tokyo Babylon used color tones and angelic layer had them use thick fountain pen like liner markers for drawing the manga.

Mokona’s pen uses a Kabura and a Marupen. Depending on the weather she draws a line to see which is better. Her favorite pens are Zebras Maru pen and Kabura pen nibs. with lnks, her favorite is Kaimei Indian Ink and Holbein’s Grey or Nouvel’s Burnt Sienna. What she used to draw backgrounds is Pigma 0.05, Mokona has strong drawing pressure. The G pen is too soft for her. She tried using one but it is hard to adjust and prefers using a harder pen. She uses a magic marker with a pigment ink called Prokey she used to draw letters on paper and uses Pentels water-resistant brush pens for solid areas like hair. She uses a powder board for paper with larger pieces and Baron Kent paper stretched with water. For RG Veda backgrounds Mokona used a lot of airbrush techniques. Mokona draws with thicker lines, and her drawings have been drawn with thicker lines. In the beginning, like in the third volume of Tokyo Babylon, the character's faces are angular and have thicker lines which show that her art is changing. Syaoran was Mokona’s favorite character to draw in Tsubasa.

Nekoi uses different nibs for the maru pen and g pen; she uses the Kabura pen for concentrated and close straight lines, also Pigma 0.5 for backgrounds.

For paper Nekoi uses whatever paper they have at hand to the back of wrapping paper bits of cardboard that have fallen around the back of cosmetics box envelopes from the publisher, the wrapping paper from a cup of tea that is Japanese style. She uses an eraser to reduce the tones in the screentone and sandpaper to reduce the large areas of tone she uses. A fine grit sandpaper will decrease nicely but not allow for fine adjustment which she had to fix with an eraser later. Nekoi loved experimenting with new painting materials; she especially loved painting in color.

Step to Step in Creating Manga

When it comes to drawing manga there are steps taken to create manga. these are the materials they use for drawing manga The list of materials and things they use in the steps to create manga are listed as this

1.) plastic eraser, mechanical pencil 0.5 HB

2.) Pigma 0.5, magic marker

3.) brush pen

4.) screen tone, tone cutters round sand eraser

5.) pen white, liquid paper ink, Mython

lastly, for writing the script, they use a pc

For the steps they use to create manga Rayearth I think it might be the same steps they use to draw other manga that come after it might be the same steps they did for Tsubasa,xxxholic, and other manga that come after it, and the materials they use. I bet it's the same materials used for Tsubasa, Card Captor Sakura and xxxholic.

1.) The plot is written by Ohkawa on a personal computer with manuscript paper, For the rough they draw frames with a pencil and roughly insert characters and other elements, they draw the rough while paying attention to the composition and balance the draw the panel as to what you want to show most when you are doing a specific scene. The rough is a lot of lines and its way is less detailed. The rough is used for the placement to know the place of things to ink. You can see the same rough stage with Tsubasa and xxxholic.

Clamp pays attention to the distribution of lines in the panels, the reason why Clamp pays attention to the number of lines is because it's a manga and they are going to ink over and over again. The reason they pay attention to the number of lines in the rough is to calculate how much you ink while you draw. the number of lines you use while you ink is important because you are going to use it over again

the rough is drawn with a pencil, they used a regular pencil for the rough rather than a mechanical pencil since the mechanical pencil has fine lines

2.) Next is the sketching phase, in the sketching phase the characters are drawn with a mechanical pencil they check the drawing by looking through the rough manuscript and back. Once the sketch is finished the member will fix it until they are satisfied The background is only included briefly in the sketch.

3.) The inking stages for the steps of Magic Knight Rayearth are inked mainly using a Pigma 0.05 or Kaimuji marker or brush. When Mokona was drawing Rayearth Mokona had strong drawing pressure so her lines became thicker She changed pens as soon as she noticed it her strong drawing pressure caused Mokonas tip of her pen to break quickly they often used 4 to 5 bottles a day for inking.

4.) Next up the beta stage, after they are done with inking they erase and check it again After that the members add solids the tool used is a brush pen to fill in areas like hair and stuff. They use ink that is resistant to water because if it is water resistant the area will become thin when the eraser is applied.

The steps for rough and sketch are used in their other works only the materials that are used for inking change consistently Depending on the series

5.) Next is the toning stage when they add screentone traditionally to a manga page, when it comes to screen tone they make sure that no more appears in the overlapped areas Clamp use a circular blade type cut when they apply screentone traditionally to a manga and small areas might be scrapped with a sand eraser scrapping the tone can change the texture of the object. They consider the effect and carefully cut it and their grain to the tone and know in which its neatly scrapped directions are not scrapped.

In Rayearth tint and gradation tones are used, and a little gala for the screen tone of the manga.

6.) This is the last stage of Clamp creation in drawing manga. The last stage is to express light and create glamorous images white is used for it. when applying white fluid to the image which is done by flicking the brush on the correction fluid with the rim of the container the effect changes depending on the concentration of the liquid. You can add white to the toothbrush or flick it with your finger. It changes the effect of the image. If you add fine white dilute it with water to adjust for the white. Clamp uses quirk drawing because the pen can be put on the white later.

This technique was applied in other manga like Tsubasa, Card Captor Sakura, and their other works. They used the same white ink to make a beautiful panel.

#clamp #x/1999 #meta #card captor sakura #card captor clear #tsubasa reservoir chronicle #chobits #tsubaki nekoi #Nanase Ohkawa #Satsuki Igarashi #Mokona #magic knight rayearth #xxxholic #kobato #angelic layer #tokyo babylon #my meta

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uldahstreetrat · 2 months

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Im trying to take note of real world influences in XIV for some projects going forward, like languages used in areas (French names in Ishgard, Roman terms in Garlemald) or like in aesthetics I suppose (like Radz-at-han in particular reminds me of Istanbul), and I'd like to hear others' thoughts about those kinds of influences that they've noticed

(little more context on things im working on under the cut)

right now this has a lot to do with things like stamps lmao I have in fact gotten kinda into stamp collecting now and I'd like to design some for XIV areas based on similar irl counterpart countries? like regular stamps and stuff like a sort of Garlean version of US postal war savings stamps? so having irl countries to reference for stamp styles would be helpful to like figure that stuff out

and honestly all of this is just part of making a physical copy of Q'ihnn's journal more complicated than it needs to be but never let it be said that I dont have a love of unnecessarily dense world building

plus by having a list of reference countries I can also build out other kinds of like, souvenirs? in the journal from the places visited across msq - a lot of things I see people keep in journals, especially travel ones, are stuff like wrappers or other packaging, pieces of maps, receipts (that's its own rabbit hole ive gone down), ticket stubs, and other various little paper things along with photos and drawings (which are much easier to manage in comparison)

cause a lot of this shit doesnt extensively exist within the game often beyond a mention in a stray line of dialogue or two so there's advantages to having irl cultural and historical reference to make something that feels real - plus im often off in lala fantasy land in my head because im stuck at home a lot, im not exactly well traveled, so im sure its easy for me to miss especially like language use in certain areas (I didnt even notice how French Ishgardian names were until someone else made a joke about it, it just doesnt occur to me)

like some of these influences are fairly obvious, right, like Doma and Kugane being Japanese inspired and Greek influence around Sharlayan (which the Greek/Roman dichotomy that Sharlayan and Garlemald have going on is its own whole thing I could go into btw they're so similar yet different in such interesting ways) - but places like Ul'dah?? not a clue. Ala Mhigo? no idea. The Crystarium and Eulmore in the first??? oh I'd put my head through a wall trying to thing of a real world counterpart for reference

granted now having said that someone is going to point out something obvious that I just entirely missed some way or another lmao but like that's why im asking, right? anyway if you have nerd ass thoughts too just hit me up

#ffxiv #ff14 #most of this is rambling cause even i dont know where the fuck im going with this #not that I ever do but ya know #final fantasy xiv #final fantasy 14

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5ummit · 1 month

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HTP Fic Recs: Hidden Gems

Have you, like me, devoured everything in the Hydra Trash Party AO3 tag and are desperate for more? Well you may be in luck.

In honor of CATWS's 10th anniversary I’ve decided, yet again, to make a new rec list so that these gems don't get buried in my overwhelmingly extensive original rec list. This list features HTP and HTP-adjacent fics that are NOT tagged as HTP (either because the author didn't know the label existed or didn't believe it applied to their fic), making them particularly hard to find, and I think, deserving of more attention.

Many of these fics don’t have much, if any, explicit noncon, but noncon is often implied or referenced and they’re all rife with other types of dehumanization and abuse so the usual HTP warnings still apply. Read tags carefully etc.

The Making of the Winter Soldier [series] by CluckU & Mumble_Bee Relationship: Hydra Agents/WS, Zola/WS Words: 13,700

There are a small, precious collection of things he knows for certain each time he wakes in his chair: He is a weapon. A soldier. An asset. He is being molded into the Fist of Hydra. He must prove himself. Failure is not an option.

Muscle Memory by sparklingbinjuice Relationship: Rumlow & Bucky Words: 4500

It had taken five minutes of fumbling but he had eventually picked the lock. The soldier wouldn’t be back for hours. Coordinates provided by the remaining, somewhat rudimentary, tracking device installed in the titanium arm indicated that he wandered the streets on weekends – watching people, visiting libraries and museums, feeding the birds. It was all so horribly human.

Reconquer, regain, recover by werebird Relationship: Hydra Agents/WS (past) Words: 2300

Hydra had known his body better than he himself ever could. They had taken it, reshaped it, reprogrammed it. They had birthed the Winter Soldier although they had never given him life.

Taming Winter by Runlights Relationship: Rumlow & WS, Steve & Bucky Words: 91,000 Notes: terrifying bloodthirsty WS

Regardless of the intravenous set pumping warming fluids into those veins, regardless of the fact that a moment ago, the guy looked on the verge of death, the Winter Soldier was out of the chair and in front of him with two steps that happened so quickly he didn’t even have time to do more than inhale. He froze as he felt the press of his own combat knife against his throat, the bite of the blade causing blood to well and slip down his throat. This was the point where he suspected people felt fear, especially staring into those unfocused cold eyes. He only felt a twisted fascination.

The Soldier’s Kittens by exclamation Relationship: Sam & Bucky, Steve & Bucky Words: 11,300 Notes: animal abuse/death

"Sam's a really good guy," Steve said. "I think you'd like him if you spent more time with him." Bucky said nothing. He would not show any interest in Sam, just as he had not shown any interest when Steve had taken him to the animal shelter to try and get him to interact with the dogs there. He knew this trap and he wouldn't fall into it twice.

Flinching by Exorin Relationship: Steve/Bucky Words: 570

It might finally break what's left of him if Steve knew the way he's had to dig his nails into his palms hard enough to draw blood just to shape his breath into the sound of a moan.

I'm comin' up only to hold you under by anonymous Relationship: Hydra Agents/Bucky, Steve/Bucky (past) Words: 2100

They drag him out of his cell by his hair and toss him into a room full of identical guards. He lands hard on his knees, the force of the impact stuttering up his weak, tired body, and he glares up and them with all the hatred he can gather. He feels off-balance, like he does whenever he tries to carry himself now—the stump of his missing arm has a phantom weight he can't get used to, won't get used to.

Context is Everything by thedevilchicken Relationship: Hannibal/Bucky Words: 2600

"I don't understand," Bucky replied. "Recontextualize?" "Your memories of HYDRA seem…distant," Hannibal said. "The way you speak about them is as if they happened to someone else. In order to process your trauma, you must understand that they happened to you."

Never Letting the Blood Dry by BarrenPines Relationship: Rumlow & WS, Steve & Bucky Words: 2500 Notes: whipping

After the mission, there were pats on the back, expressions of congratulations and thanks, and a dozen other little niceties that made his skin crawl. He’d gotten lucky, that’s all. And he’d also defied orders, departed from his assigned task. Praise wasn’t what he deserved.

#quite a few of these have less than 1000 hits #it's such a tragedy because they're so good #please check them out and give them some love!#hydra trash party #winterbones #fic recs #bucky barnes #marvel #tenyearsoftrash #Happy CATWS Anniversary!

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snobgoblin · 1 month

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erm I've actually been nervous to post my Arcana theories here but I really like this one if you'll fuck with me on this

I think that like, the way the characters use magic? is actually based on the Minor Arcana. let me explain

the suit cards, to my understanding, have an elemental association and an overarching thing they relate to in a reading. I'll list out the elemental association of each suit and the traits associated with it, to the best of my ability, drawing from multiple sources including the official Arcana tarot guide, and then when I'm done with that I'll explain how this correlates to the magic systems present in the game

Cups ☕️💧

this one is associated with water, and it relates to matters of the heart, emotions. as well as connections to other people, spirituality and adaptability

Swords 🗡🌬

is associated with air, and deals with internal dialogues, logic, and intuition. it also has associations with decision making and intelligence

Wands 🪄🔥

this one is associated with fire and emphasizes willpower, self reliance, and the ability to take direct action. there's a lot of strong emotions associated with this one, it's a passionate suit

Pentacles ⭐️🍃

is associated with earth and deals with the tangible things in one's life, physical things. it also represents hard work, stability, and practicality

NOW THAT IVE EXPLAINED THAT let me explain how this fits into the way characters will use magic

Asra 💧

i dont think *matters of the heart* represents anyone better than Asra, how about you 😉? not to mention his magic is described as feeling like rain, he communicates through water, he can MAKE water in the desert, in the gladiator battle they can control it too iirc, AND his personal gate is full of pools of water. their teachings also seem extremely emotion based in a way that's hard for me to explain, a very "believe it will happen and it will happen" kind of way to using magic (God I wish I could articulate this better but luckily the others will be easier to explain) all of this would mean they would be operating under the Cups magic system

Nadia 🌬

Intuition is her whole thing! of course she'd be the swords (also notable that Nadia is great with a sword) intelligence also screams Nadia, she knows 12 languages and when she first met the High Priestess all she wanted to do was figure out how the realm worked because it wasn't scientifically accurate to her. decision making is also fitting considering she is the Countess

Lucio 🔥

Lucio is actually a little bit bad at magic according to Asra, so I won't be relying on him entirely for this (you'll see) however, it should be noted that when Lucio summons Vlastomil, he does so by setting a fire and then cutting open the bottoms of his feet. this mirrors how Morga uses magic, like once she cuts open her palm to catch her own spear on fire, and there is no hesitation in the way Morga uses magic, like rushing into portals (not for recklessness, but because she's so sure of herself) and another time she breaks the Devil's chains via extremely precise spear throw, something Asra is impressed by. so! I think the wands suit fits just perfectly when we consider direct action and self reliance in reference to Morga, and I suppose by extension Lucio, if he practiced a bit more

Muriel 🍃

his magic is actually described as feeling earthy at at least three different points, and the way he casts magic is very interesting as well. runecasting, which is described in the game as Muriel throwing a rock and interpreting the meaning. which is a very physical, grounded way to use magic. not to mention the myrrh and protection charms he uses- those are also extremely tangible things, naturey things so I think it aligns perfectly with the Pentacles. I would even argue that Mazelinka falls under this magic system, since she uses plants to make her potions- which is also a tangible way to do magic- pulling from your environment and such

so yeah I just thought that was interesting 🤔

#arcana spam #long post #i could yap about this SO much more but i tried to keep it concise lmao #the arcana theories #the arcana

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genericpuff · 2 months

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Genuinely I would give anything to hear your thoughts or read more critical analysis of yours on other webcomics writing (*slides you Marionetta* I like the webtoon but there are some things in the writing that I'd like to see be discussed critically more often but the fandom focuses way too much on shipping. sighs..)

Anyway, you probably have been asked this before but are there any webtoons in particular you would recommend? :D

Oh lord, you don't know how many times a week I get asks in my inbox asking for my opinions on webtoons they're reading. It's really sweet that people wanna hear me talk about other works outside of LO, but unfortunately I just don't have the time to read as much as I used to, even keeping up on LO lately is getting really difficult 😅 I'm definitely keeping a list though of works to check out!

That said, I try not to read series on the basis of criticizing them because frankly I just... don't want to spend time reading something if people are only looking for me to rag on it? 😆 Of course I know that's not the only reason, I know there's also just the element of seeing me talk extensively about other works the way that I do with LO, but it's not really something I can turn on and off like that, I have to get really into a series to want to talk about it to that extent. So it often comes down to just luck of the draw :'0

Right now the series I'm keeping up the most on (or have completed and would absolutely 100% re-read):

Alfie (18+, it's porn with plot but the plot is REALLY GOOD , I SWEAR LMAO the art is gorgeous, the characterization is IMMACULATE, and it ironically tackles the subject of purity culture way better than LO ever has lol)

Theia Mania (the creator is often in my comment section / neck of the woods, she's been working on an Abduction of Persephone retelling for a long while now and has also tackled other myth retellings in her style! I always love seeing new pages of her work in my feed :' ) <3)

Tales from Alderwood (if you like fantasy and comedy, this one's great, the plot's really starting to get interesting and it's just got this really great sense of humor about it)

The Black Parade (this one's REALLY interesting, it's a comic-stylized version of My Chemical Romance's The Black Parade, using the songs as narration and sometimes even dialogue to tell a visual story, it's really cool and the art matches beautifully with the lyrics and style of MCR!)

A Tale of Two Rulers (this is a Legend of Zelda fancomic that poses the question, "What if Zelda and Ganondorf got married to solve their political crisis?" It updates a lot slower than most of the other comics I follow but the art and writing is so worth it <3)

Dogs of Future Past (and p much all of Lynx's Undertale comics which can be found in the link, seriously, THESE are the comics you wanna read if you wanna get into Undertale fanworks, they are PEAK)

Tamberlane (this one's an anthro comic, I normally don't read anthro but this one actually gripped me by the throat, the art is gorgeous and the character arcs so far have been great!)

The Mafia Nanny (okay it's legit so funny that I'm including this one here but I've been reading it the last couple days after seeing it basically beat out LO at the top of the trending tab for a couple days, so I figured I'd give it a shot, at first I was like "great more tropey shit" but the more I read it the more it's actually started to get pretty good, I'm holding out and hoping to god it stays that way LOL it's not especially deep or anything like that, but it's really fun and cute to read and the shipping of the main character within the narrative isn't too self-absorbed which I can always appreciate, I'd honestly be 100% fine with it if it didn't turn into a romance)

City of Blank (I talk about this one a lot here, but it's one of my favorite Originals right now, the art is super polished and the writing has gotten INTENSE, go check it out if you want some fun action / sci-fi storytelling!)

Time and Time Again (a time-travelling vampire and his werewolf boyfriend get into all kinds of misadventures, what more could you ask for?)

Touch of Divinity (like the Mafia Nanny, this is one I just started reading, it's got a very interesting premise so far and I'm looking forward to seeing where it goes!)

#if i ever do read marionetta then y'all will definitely hear about it LOL #ask me anything #ama #anon ask me anything #anon ama #recommendations #reading reccs #reading recommendations

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shepscapades · 14 days

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MUMBO + CO.

This is an extension of the DBHC Masterpost.

The links below contain art relevant to these characters and their narrative, but it's possible they show up in posts in other character-specific sections or in posts that have many characters or collections of doodles (found in the "Other Drawings" section). I will do my best to update this part of these extensions of the Masterpost with every new major post I publish, so feel free to keep checking the original post (not reblogs, which will not retain edits) for new content!

As mentioned in the base Masterpost, the below links are organized in NARRATIVE CHRONOLOGICAL ORDER, not by the order in which they were posted/published. ♪ = This symbol next to any of the links below refers to posts or drawings that were made inspired by music (in most cases, music from dbhc characters’ playlists)!

POST LIST

[x] First Dbhc Post! Grian Ponders Mumbo [x] Grian and Scar Both Pondering Mumbo [x] Grian + Scar Have No Idea He’s Programmed Not To Kill Things [x] Mumbo On A Mission :] [x] Grian Tries Getting Mumbo to Hack Doc [x] Mumbo Deviates [x] Doc Realizes Mumbo is a Defibrillator. Or Something [x] Scar Can’t Believe Mumbo got called a Detergent! [x] A Dishwasher, Even! Oh. Well–

#NOW REBLOGGABLE #dbhc #dbhc ref #dbhc mumbo #dbhc grian #dbhc scar

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eliyips · 7 months

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HOW DO YOU MAKE X SO FRIENDSHAPED?!

But also genuinely curious about the design translation from the actual skins to your interpretations due to the small but mighty details added in

Infodump as hard as you want!

If i ever pass up an opportunity to talk about my X design, it will be because I am either dead, or dying!!! neither are true at time of posting, so here you go! I will be going over my ENTIRE design process for Xisuma, starting with my initial design:

My initial design for Xisuma wasn't anything special, in my opinion. Most of what I included was directly ripped from the classic Doomslayer. Though, the face scars were inherited from fanon, of course. :) The changes that I did make were in service of having things make more sense for Xisuma. Namely, the belt buckle, and the fabric covering the arms...

The belt buckle is simple - bullets didn't really make sense as a design motif, all considered - but the fabric is more complicated. I have a couple different ideas about why Xisuma wears the suit, but I haven't settled one way or the other on some of the specifics, so forgive me if I'm a bit vague. Ultimately, It is just my impression that X is not comfortable having his body visible more than it needs to be, whether that be for health-related reasons or for personal/emotional reasons. I don't intend to ever draw Xisuma with his helmet off, because of that. To me, it feels like a violation of boundaries. To be perfectly clear though, that's just for me - more power to other artists who draw him without the helmet/armor! :)

By the time I was full-on fixated on Xisuma, I realized I was unsatisfied with this first pass at his design. Mainly, in regards to the helmet. So I did more work on it!

I feel like my re-design process for the helmet is a good example of the importance of using reference. :) I did a lot of unsatisfactory sketches before pulling up pictures of real helmets, at which point I feel like I settled on something I was happy with very quickly.

Specifically, I referenced motocross helmets! My choice of reference was mostly driven by my passing interest in sports equipment design, though motocross helmets are similarly bulky and have the same distinct mouthpiece as X's helmet, so I think it was a good choice. I also feel like the pixels at the top of Xisuma's skin can be pretty easily read as the brim of a helmet, so it works out!

Other than the motocross helmet influence, I also made the choice to add tubing to the sides and back of the helmet. This rolls with my headcanons about the purpose of the helmet, connecting to air tanks on his back! I also think it helps to distinguish him from the doomslayer, in addition to the new helmet shape.

The only other changes I made were to the helmet's palette, added a few additional grey tones for contrast, and the positioning of his scars. I decided I wanted them to be a little off-center, leaning towards his left eye. I'm pretty inconsistent with how I draw the scars though, lol, so it changed again by the next time I drew him.

At this point my design is mostly settled for him, and I don't expect it to change very significantly any time soon. I don't have much else to say about it, but I listed the other iterative changes I made to the design above! I figure I will continue making small tweaks to his design every time I draw him :)

That said... I have yet to answer your initial question! So I will answer it now:

"HOW DO YOU MAKE X SO FRIENDSHAPED?!"

My answer is that it's (almost) all in the eyes!!! I have already talked pretty extensively about Xisuma's eyes. So I won't dwell for too long! In short, human facial recognition is very closely tied to the eyes. The ability to see the eyes of a character clearly affords you a lot of flexibility when it comes to making a design seem approachable, or "friend-shaped." I painted over a screenshot of doomguy to illustrate my point!

My drawings tend towards being a little cutesy, of course, so that helps :) but you can see that the bright, saturated color, big distinct eyes, and less harsh expression all contribute to making him seem like he is less of a threat, despite this literally just being the doomslayer.

Another thing that helps is, again, related to the style I draw in. My art is very "clean" looking, not gritty. I use a lot of soft shape language and don't texture things too heavily. With Xisuma specifically, I also make no effort to make him seem intimidating. I use very neutral angles when drawing him, I don't frame him in a way that makes him seem intimidating or imposing, I don't pose him too confidently or angrily. Because he's not that kind of guy! Though it would be an interesting challenge to try and make him look as intimidating as possible :) I certainly think he could be quite scary, if he wanted to be. Just a matter of what I'm trying to convey.

... I think that's all I have to say for now! Once again, blown away by all the nice things people have to say about my Xisuma design and my art. Everyone here has been so kind and encouraging, and I really appreciate that. Thanks for giving me the opportunity to yell about Xisuma! If you have follow up questions, by all means, I am ready to answer :)

#hermitcraft #hermitblr #xisumavoid #xisuma #character design #askeliyips #if you also can see the helmet brim on xisuma's skin please let me know #could be a mirage #mcyt

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f1crecs · 11 months

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Fic Rec List - Fernando/Lance

you might enjoy: Canadian Fest, eh - for more Lance content.

If your fic is on this list and you don’t want it to be, please let me know and I will remove it immediately, no questions asked. I have contacted most of the authors on this list, but sometimes people fall through the gaps - just pop me a message🤍

have a pairing you want me to do next? please read the faqs and then head to my inbox.

don’t forget to give the authors featured on this list some love in the form of kudos, bookmarks, and comments!

i won't lie to you, anon... I thought we'd agreed on Strollonso as the pairing name. 🤭 my vote still goes to Lando.

i hope you enjoy these ❗️🤍

nsfw: El Dick Plan by @waddlingpenguin | E | 800 Lawrence and Fernando have a misunderstanding at the dinner table. This fic is hilarious - unashamedly unhinged, just as Strollonso should be, and so unbelievably funny. This was one of the first Lance/Fernando fics I read. I think it rearranged my brain a little bit.

'In fact, Lance literally has his foot so far up Fernando’s pant leg that Stoffel is surprised he’s not choking on Canadian toes each time he opens his mouth to talk to the engineers.'

shatter my life apart (see me for somebody else) by @vicsy | M | 1.4k An exploration of Lance and Fernando's relationship. This is a stunning fic. This author has just the most beautiful writing style - it's like poetry, and flows in the most stunning way. This is as much a love letter to Lance as it is to Strollonso - I really, really loved this one.

'Fernando Alonso is a perpetual wildcard and Lance builds his attitude around this little image, prepared for some sort of psychological warfare but it never happens.'

nsfw: victor's spoil by venerat | E | 1.9k Following Fernando's first pole for Aston Martin, Lance is invited to his room - a Winner's Room AU. The vibes here are suitably unhinged/rancid/possessive. If I were to recommend a fic to help someone get Strollonso, to understand the essence of who they are together, I would recommend this one. I love everything this author writes.

'Imagining Fernando with them makes Lance want to chew through wire. Again: fucked up, truly and extensively. He’s just really fucked up about Fernando.'

nsfw: I make two grand an hour by @kritischetheologie | E | 3.1k Lance meets Fernando for the first time at a sponsor event. I adored this fic. It is so funny and well-characterised and hot. One thing that I really love about this author is their ability to weave in detail - you could read their fics over and over again, and still pick up something new each and every time. It just makes for the richest, most delicious stories that draw you in every last time.

'(Lance had almost just said fuck it and gone into banking when he graduated two years ago, like he’d always known he probably would eventually, ever since the day he showed up at St. Andrews and realized that the entire world economy ran on fake numbers on a half-dozen computer screens, but the whole point of trust funds was supposed to be not having to be boring. Who the fuck else was going to make art? Humanity needed him to be living dramatically, falling in love with a thousand beautiful men whose lips he could immortalize in poetry.)'

nsfw: green light, red wine (and i don't feel fine) by @vicsy | E | 9k (wip) Fernando is a crime boss caught in a long-standing feud with Lawrence Stroll - things get complicated when he meets Lance. This fic is fantastic. The vibes are unmatched. This author has such a beautiful, almost melodic writing style, which I love. Also. This is fucking hot. 10/10.

'There aren’t many opportunities Fernando deliberately missed in his life. He wouldn’t be on top if he did. Right next to him, clad in a tight white t-shirt, sits an opportunity for a power move, the one Fernando would take all the way.'

nsfw: silver platter by @wewentcarracing | E | 9.7k Lance and Fernando grow closer, much to Esteban's dismay. This is delicious. Full of unhinged and intense moments. Every word of this is perfection; something I particularly appreciate about this author is their ability to build tension - you won't be able to put this story down once you've started it. Perfection.

'Lance laughs, off-guard and delighted. Fernando has this way of deciding what's true in his own mind and then forcing it into reality with brute strength alone. He's decided that Lance will make it to the podium this year, and so he will. It feels so, so good to hear coming from another driver—any driver, really, but the fact that it’s Fernando. Two-time WDC. Veteran. It doesn't feel like he's being toyed with; it feels real.'

nsfw: Not Even Jail by @baldrmoon | E | 9.9k (wip) Lance is a rookie detective with a new partner - they've met before. This is such a fantastic start to what I know is going to be an incredible story. The world-building here is fantastic. A world away from F1, but with so many of the dynamics and relationships mirrored in a totally new setting that feels very organic and true-to-life. It's just very well done, and I am excited to see what the author does next!

'Lance was charmed almost despite himself. The guy – Fernando, Lance made a mental correction, – smiled, a bit sideways, narrowing his eyes. Lance immediately felt flustered under his intense stare.'

#strollonso #alonstroll #1814 #fals #f1 rpf #pairing:fernando/lance #driver:fernando #driver:lance

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