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#angry and bitter post
xshinina · 1 year
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*Married life playing in the background
This idea was probably funnier in my head
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runningmunson · 6 months
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Can we just talk about the stark contrast between these two clips? The persona is so different
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(GIF by @aegonx )
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thunderboltfire · 3 months
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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.
It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.
The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.
What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.
But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.
There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.
On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.
But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.
My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.
The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.
I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.
And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.
It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.
And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?
There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.
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mimikyuno · 6 months
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homura (after a whole movie dedicated to the mechanisms of her inner psyche and set in a world that is literally her subconscious, populated by little dolls that are the manifestation of her emotions and self-hatred, after a whole movie where we get to see that she loves and cares for her friends and above all she deeply loves madoka, after the most heartbreaking scene in the history of anime where she realises madoka never wanted to sacrifice herself, after sacrificing herself to try and keep madoka’s wish alive anyway and keep her safe from the incubators, after being saved by madoka and feeling undeserving of it yet again, after finally giving up on trying to preserve madoka’s wish and creating a universe in which madoka can be happy and her friends too and the incubators eat shit, after showing how much she hates herself for it): i’m evil! i’m a demon! i’m evil incarnate!
people: yeah that checks out, homura is evil.
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yergink · 2 months
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re: the definitive cancellation. i hadn't been holding out too much hope because i didn't want to get devastated all over again, but man i think i really was expecting to be pleasantly surprised. everything else about this show has been so goddamn miraculous.
i'm just one guy in this fandom, and i don't have a particularly loud voice or anything, but i want to get it on record that this show really did have a profound effect on me. i was literally a different person pre march 2022.
ofmd's sheer earnest portrayal, love, and celebration of queer identity is groundbreaking. it's a good show. it displays an expectation of quality that's been getting harder and harder to find in the current media climate (when it comes to mainstream media, anyway).
this show and the discussion it has about queer identity, masculinity, societal expectations, had a hand in me getting closer to actualizing my own identity. it ignited in me a profound desire for more portrayals of genuine expression, and felt like a breath of fresh air in our irony-poisoned culture.
ofmd is funny. and it's loving. and it's honest. and it's obvious why it was able to form such a community around it.
it sucks that we won't get to see the proper end of it the way it was originally intended. it really sucks. but the show still exists and we all got to see it and i'm serious when i say appreciating that fact is going to be better than mourning what could have been at this point.
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khattikeri · 25 days
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maybe a controversial opinion but while i really love jiang cheng as a character he is deeply self-centered as a person. and seeing people fight tooth and nail claiming he isn't, or is just misunderstood, or that he has genuine valid reasons to be selfish when plenty of other characters make the difficult choice to forego status and opportunities for what they believe is genuinely right to do (read: wei wuxian, wen ning, wen qing, lan wangji, jiang yanli, mianmian, etc.)
it's just odd to me. especially if they're talking about the novels.
mxtx didn't give jiang cheng the name "sandu shengshou" as a quirky coincidence. there's a REASON she named him & his sword after the 3 poisons of Buddhism (specifically ignorance, greed, and hatred). it's crucial to the story that jiang cheng is NOT selfless and that wei wuxian IS.
it's important to accept that wei wuxian is, by their society's standards, not morally gray; he represents several Buddhist ideals in direct contrast of jiang cheng and multiple people attest to wei wuxian's strong moral character, which is a lot of why jiang cheng even feels bitter about him to begin with.
it's crucial, because by the end of the novel jiang cheng realizes the extent of this and begins to let go!
the twin prides thing wasn't jiang cheng wanting them to 100% mirror the twin jades. he does care about wei wuxian, but he wanted wei wuxian to stay his right hand man, in part the way wei changze was for jiang fengmian.
and if there's one thing you can notice about wei changze in the novels, it's that literally nobody talks about him. he is only ever mentioned when his cool mysterious mountain sect wife cangse-sanren is mentioned, or (even more rarely) when they discuss him as a servant to jiang fengmian. regardless of jiang fengmian's own feelings, wei changze was considered lesser to him and didn't seem to outdo him, since nobody's out there years later still waxing poetry about wei changze's skills.
it may not be the only thing jiang cheng wants out of a twin pride dynamic, but it is a big part of it. regardless of his parents' intentions in taking wei wuxian in and treating him certain ways, this twin pride right-hand man thing is what jiang cheng has felt owed since childhood. he gave up his dogs for wei wuxian, people gossip about his sect heir position with wei wuxian there... jiang cheng wants the reciprocation of what he views as personal sacrifices.
he is ignorant to the depth of what wei wuxian must've suffered for over 6 years as a malnourished orphan child on the streets. he hates how wei wuxian's intelligence, witty charm, and cultivation abilities are naturally stronger than his own. he does care about wei wuxian a lot and want them to be together as sort of-brothers, sort of-friends, sort of-young master and sect servant...
...but if it's between that unclear (yet still caring) relationship and being able to save himself just a little bit more, jiang cheng nearly always manages to clam up in the face of danger and choose the latter, which ultimately benefits himself most. maybe it's a stretch to call that sort of thing greed, but it certainly isn't selfless.
there are of course plenty of justifications for this. it's his duty as sect heir. his home and sect was severely damaged by the wen attack and subsequent war; he had to protect himself, etc.
but doesn't that prove the point?
wei wuxian may be charming, but in terms of pure social standing, he is lower and far more susceptible to being punished or placed in harm's way by people who have more power and money. to protect wei wuxian, yunmeng jiang's long-term head disciple and semi-family member, even in the face of backlash and public scrutiny would've been the selfless thing to do. this is what wei wuxian does for the wen remnants in the burial mounds.
jiang cheng does not choose this. it's not even an unreasonable choice for him to make! nobody else in the great clans is doing such a thing, stepping out of line to take on a burden that could weaken them in the long-run. wei wuxian himself doesn't hate jiang cheng for it; he lets go of these things and focuses on what good he can do in the present.
jiang cheng thinks further into the future - what would happen to him if he continued vouching for wei wuxian and taking his side? what about jiang cheng's face, his sect's face? would wei wuxian even care to reciprocate somehow? everyone expects him to cut off wei wuxian for being dangerous, for threatening his position, for...
do you see what i mean? to call jiang cheng selfless for falling in line with exactly what people expected him to do after the war is not only wrong, it's foolish.
"but they faked their falling-out!" okay. why fake it to begin with, except to protect jiang cheng and the jiang sect's own face? is that selfless? who does it ultimately serve to protect? wei wuxian canonically internalizes the idea that he stains all that he touches, including lan wangji, and agrees to the fake fight because he doesn't want to cause the jiang sect harm. regardless, it eventually slides into a true falling-out, and in the end jiang cheng is more or less unscathed reputation-wise while wei wuxian falls.
that isn't selfless. it's many things! it's respecting his clan and his ancestors, it's making a good plan for the future of his sect and cultivation... but it isn't a truly selfless in the interest of what's right rather than in the interest of duty and what's good for him and his family lineage.
that brings me to my next point: even though wei wuxian hid the truth of the golden core transfer, jiang cheng spent nearly 20 years believing that the golden core "renewal" he was given was a birthright gift of wei wuxian's from baoshan-sanren, an immortal sect teacher of wei wuxian's mother's and a martial elder to wei wuxian.
of course we all know that's a big fat lie, but jiang cheng believed that wei wuxian gave up a critical emergency use gift to him for decades! he was lied to, yes, but jiang cheng immediately agreed without even needing to be convinced. the light in his dead eyes came back with hope the moment wei wuxian even said baoshan-sanren's name. he accepted wei wuxian's offer to give that up to him and take it via identity theft without missing a beat.
with how mysterious and revered baoshan-sanren is, that's obviously not a light sacrifice to just give up to anyone, no matter how close they might be to you. pretending to be wei wuxian to take the gift could even be considered dangerous. what if she found out and got offended? could wei wuxian be hurt by that?
jiang cheng doesn't even hesitate. wei wuxian is the one who mentions that if jiang cheng doesn't pretend to be him, the immortal master could get angry and they'd both be goners. and funnily enough, the day they do go to "the mountain", jiang cheng is the one worried and suspiciously wondering if wei wuxian was lying to him or had misremembered.
of course they've both been traumatized like hell prior to this point. but still: it speaks to how broken he was at the moment as well as to his character overall.
i digress: jiang cheng "gets his golden core back" via what he believed was a gift that should've been wei wuxian's to use in serious emergencies. rather than use it for himself, wei wuxian risked his own safety and gave it to jiang cheng... and jiang cheng still ends up embittered and angry, believing that wei wuxian is arrogant and selfish.
if he truly views them as 100% brothers and equals with no caveats, why would he think that way? it's not like he needs to grovel before wei wuxian for doing that, or to reciprocate... but this is what i mean when i say jiang cheng feels he is owed things by wei wuxian. wei wuxian's actions hold a very different weight in jiang cheng's mind, and jiang cheng himself doesn't ever act the same way, except once.
is it wrong for him to feel like he is owed something? it depends. many asian cultures, including my own, feel that a person owes their family in ways that may not make sense to westerners. for example, it's considered normal for a child to owe their parents for giving birth to them, or to other caretakers for feeding, clothing, sheltering, educating them, etc.
however, something like verbally saying "thank you" or "i'm sorry" to family is considered crazy- why would you owe that? you're supposed to inconvenience your family; saying thank you or sorry is the sort of thing you say to a stranger or acquaintance. i get half-seriously lectured by my elders on this a lot even now, even though they know such phrases are just considered good manners in the US.
this muddies up the idea of wei wuxian being jiang cheng's family vs his family's charge or servant even more. jiang cheng wants wei wuxian to be close... but ultimately doesn't really choose to use what power he DOES have to protect wei wuxian. he considers himself still owed something that in his mind wei wuxian flagrantly never repays.
this isn't even getting into how despite spending a majority of his time with the yiling patriarch he never once noticed that wei wuxian stopped using any spiritual power-based cultivation. even lan wangji, who met them far more rarely, realized that something was wrong and that wei wuxian had taken some sort of spiritual damage, hence the "come with me to gusu".
of course manpain is fun and i'm not immune to the juicy idea of them reconciling and talking things out... but jiang cheng is deeply mired in his own desire to be "above" wei wuxian in multiple ways, and doesn't realize the extent of wei wuxian's actions, the intentions behind them, and the consequences wei wuxian knowingly faced for them.
to not recognize this about jiang cheng, especially in the novels, is really revisionist if you ask me. i reiterate that i really do like him a lot. he's flawed, angry, traumatized and has poor coping mechanisms, an overall fascinating character... but he is not selfless nor ideal, and i seriously draw the line at people saying he is.
wen ning shoves this all into his face at lotus pier to disastrous results. it is the reason why jiang cheng's a total mess at guanyin temple, and the reason jiang cheng ultimately doesn't tell wei wuxian about the fact that he ran towards the wens on purpose.
for that one last act of his to have really been selfless, he needs to not seek anything in return. he did it purely because it was right to do to protect someone else. if that means wei wuxian never finds out about it, so be it.
that moment that ended up causing jiang cheng irreversible harm is not a debt that wei wuxian owes him. it hurts, but no matter how bitter it is, that realization is so important to him changing in the future.
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truthsinwhispers · 10 months
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Man I'm still seeing posts like "oh remember how quarantine showed us what life was supposed to be like bc we were all dancing and baking bread" it's great that quarantine was fun for you susan but some of us were working thankless exploitative "essential" jobs for your ass to get your stupid fucking bread ingredients so no. Not all of us got to enjoy quarantine
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kaeyapilled · 11 months
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wheres that post thats like. ragbros reconciliation content needs more screaming and yelling at each other. whoever said that you are SO right
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lucindasthighs · 1 year
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hmmgh thinking about laurance but his shadow knight powers connect him to the environment. And he HATES it.
He wants to pretend that he's not changed, that he can go back to a normal life- But he can hear the tremble of the earth as the memories of old gods vibrate through it; he can sense the withering of plants, the decay of corpses in his vicinity.
The feeling he hates the most is the burning, vicious hatred in the back of his consciousness. It's not his - it's old and faded, like the imprints of letters in a worn book. Sometimes, he can't even tell it's there. But he's quickly reminded when he gazes at Irene Aphmau, and it flares with intensity, like an old wound that never healed.
It's not his...right?
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qcomicsy · 5 days
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Lately I've only been wishing to grab a comic about my favorite character and just have a genuinely good time reading it.
#I can't remember the last time I took a Deadpool comic and genuinely had a good time about it#I hate the direction they took with his character and it's so disrespectful that I don't even talk about I don't even think *any* Deadpool#fan genuinely talk about it because were so tired of his kids characterization we all just collectively decided to ignore whatever hell#marvel through at him#but rant aside#it's just–#I am not sure if comic books are fun anymore I don't even know who I am making content for half of the people on my notes haven't touched#comic book and aren't pretending to do so#people who read the comics tend to be so mean or bitter about it that even if you follow most will be angry about something#comic or fan related and I don't know if I can blame them but following that is draining#and as much as I was trying to be a good sport about it you make a post about comic book characters and#and the overwhelming response is 'I don't read the comics but'– following up by a take about them that doesn't even recognize any core#aspect of their personality that you can't even grasp you can't even recognize them#you can't recognize them on tue cannon you can't recognize them on the fannon#and no matter how engaging you try to make content about the fandom people just–*refuse* to read it. And then– they *refuse* to tag fannon#content as fannon#and *refuse* to leave either#Yes we are all having fun but how can a character tag be so so filled with people who have no idea of who they are#how can a character can be properly loved and take care of and have content that respect them if no one makes any attempt to *know them*#and it's disheartening because *comics* are supposed to be fun *fannon are supposed to be fun*#but for aome reason it's really *really* hard to have fun here anymore#I created this page to share my love for the characters I care about and see more content of people who care about them too#but I can't even *find* people who care about them any more and when I do they're all so angry and upset– And I *cant even blame them*#I just... I don't know why I am doing this anymore or for who I am doing this anymore#sorry to vent but it's been a while since I haven't been had a genuinely good time™ enjoying comics#I don't think even people who write those comics enjoy those comics or care about those characters#Sometimes feels like everyone is projecting on those characters rather than *writing about them*. And I can't find them anymore#fanfics used to be about love petters to characters who you love#nowadays seems like a competition to see who makes more funny words with tropes pre-written since 2007#vent
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ruegarding · 7 months
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imagine meeting someone and only seeing them in their worst moments. and instead of resenting them, instead of thinking less of them, you find only their best qualities. that's bianca, nico, and percy.
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just read the new hatchling skin rules and am having Some Type Of Initial Emotional Reaction and am now writing down said Initial Emotional Reaction uncensored as i currently Strongly Feel A Type Of Way and Require Venting. i cannot word this more politely. i do not have the capability to render this rage into polite borderline corporate-speak for the sake of the damn rules that act like anything short of apologizing for being alive to make up for having even the most constructive understanding friendly criticism or even personal mild non-critical dislike of something like a color or a breed is tantamount to personal targeted hatemail. i cannot wait until i cool into calm bitterness later because if i think about this enough to write about it again i will just go right back to being furious and the fact that everyone ielse who's complaining is focusing entirely on the lolita fashion thing and not on in my opinion the far more significant and offensive part is pissing me off even more. extremely angry unedited ranting ahead
fr having it's own "female presenting nipples" moment right now, not that i'm particularly surprised, they've been a prime example of "conservative protestantism in a lefty-language veneer" for a long while now.
"don't adultify" is such a fucking vague and easily selectively interpreted rule, not to mention insulting for a number of reasons,
but putting that part aside the whole idea of "nothing that suggests that the dragon is an adult in a young body" is. look, i'm not exactly fond of the "adult who looks like an anime schoolgirl" trope myself, but i fail to see how in the absolute FUCK having it be canon in-universe that it is both possible and legal for someone to be forced to stay as a child permanently, is somehow LESS creepy than just saying eternal youth dragons have dwarfism. also, fuck you to anyone with dwarfism apparently i guess?
and "no zombie baby dragons" is just stupid. even fucking minecraft has baby zombies, and microsoft has steadily butchered that game into one of the most t for toddler babymode things on earth this side of cocomelon.
and "no scars on hatchlings" so fuck you to any kids with scars too apparently, even though that's way more common than anyone seems to realize. you hear that, kids? if you're under 18 and have scars your very existence is too obscene for public view. 13+ year olds will be irreparably traumatized if they have to know you exist at all! fuck you disabled kids and fuck you amputee kids and fuck you any kids that have suffered anything ever at all for not appearing as a perfect unspoiled image of conservative christian child-doll innocent purity. flight rising staff says your body and existence is inherently too nsfw to even be acknowledged as existing much less visually seen. everyone knows REAL children don't get damaged at all, and if they do then they're too horrifying and defective at their job of Being A Child Properly to exist in public spaces! how dare ugly things that might make us uncomfortable with their existence by contradicting out ideals about aesthetic moral purity be allowed where good respectable normal people can see them!
i don't say any of these words lightly, and i'm very much not the type to go around calling people whatever-ists and in fact find that kind of thing extremely annoying, useless, reductive, and more or less only ever see it used as a blunt cudgel to shame people into line so they don't question you, and have historically found it especially annoying when people pull out the accusations-of-ism card on fr staff over things that are far more likely just completely understandable (if dubiously competent) issues of certain things simply not occurring to someone on code and design level due to lack of sufficient exposure to the idea, and have always been of the belief of giving them the benefit of doubt (even if often that just means i think they either most likely made an understandable mistake that i would likely also make, or, when i'm feeling less kind, that they're simply not particularly competent rather than actively hostile) so understand how much it means coming from me when i say- flight rising staff, sincerely, from the bottom of my heart, fuck you, you ableist batch of pricks, so far up your own asses with your performative veneer of vaguely lefty-flavored language that you don't realize how fundamentally extremely conservative all of your actual beliefs underlying them are. for every update you make that i approve of there's another that does twice as much damage as the good update fixed (and i'm starting to wonder if you maybe know what you're doing with that too-always batching the fucked up shit on the tail end of some big thing you know people will be excited about, always hiding these controversial moderation changes under something shiny and new, to the point that now i dread any new good update that genuinely seems a step in the right direction and/or is something we've been wanting for awhile because i'm just constantly expecting the knife hidden behind the footnotes afterwards, the fucking "ban tiktok/gay marriage/strip rights from this population/end net neutrality/whatever/ect" clause stapled onto the end of a bill about something entirely unrelated functionally holding a change people want hostage until they allow the fucked up part through. i've been here most of the site's 10+ years and i've seen this sort of thing happen far, far too often.) and every year the shit that gets pulled on the management and moderation end of things makes me more and more almost glad i've never had an income to spend on this, and the fact that apparently the moderation behind every single other petsite in existence is somehow significantly worse fucking astounds me. the only reason i stay around here is because It's Free Dragon Pictures, because it's literally the only actually good petsite game i've ever played and not gotten sick of within a week or so (and really the only good low-energy game i've ever played in general, which i'm increasingly convinced is in spite of it's management), and because somehow, despite all of this shit, i still genuinely love the game itself, because unfortunately by some accident of creation it seems they apparently stumbled purely by coincidence into making an actually good game idea no one else quite has. and after all the fuckery that gets constantly pulled, i refuse to believe the game being good is anything other than, much like many of the of the incidents i think they're unfairly accused of malice and -ism over, an accident.
Disabled children too obscene to fucking exist. fuck you. good to know half the child population's existence requires a trigger warning to even be allowed to be acknowledged as existing to you. good to know if the heart surgery i had when i was 11 had left any visible external scars i would be considered inherently too obscene to exist to you. good to know if the overhealed and benignly potentially cancerous scar on my back from whatever actually happened when i was a toddler (i don't trust either of my parents to ever be accurate about something like that) was in a more visible spot you would demand i have a trigger warning to post selfies online. good to know if any of the shit that's broken me emotionally left visible physical marks you would think it was good and right for me to be forcibly hidden from good normal people's view and considered too taboo for even the slightest discussion without hiding it with makeup and lies, just so i don't make good, lucky, undamaged, normal people uncomfortable, god fucking forbid. should we hide the gays too, since they also make so many people uncomfy? i imagine it won't be long before disabled adults are too obscene for your polite societytm sensibilities too. i've had the feeling for a long time that amputee and disabled skins were living on borrowed time with your rules, kept technically not explicitly dissalowed where all other forms of injury and ""body horror"" are banned simply out of fear of the backlash it would cause to include them, and well. the doomsday clock on that one just got a little bit closer to midnight, huh?
the only reason i wasn't a (physically, visibly, externally) scarred kid was pure sheer fucking luck. the only reason you weren't a physically scarred kid too is pure sheer fucking luck. the only reason you're not some type of disfigured or ugly or amputated or visibly injured or whatnot is pure sheer fucking luck. you're lucky. nothing more. if having to contend with that fact-the fact of how easily it could have gone a different way and there is nothing they would be able to do about it- makes good normal tm people uncomfortable, then well, get the fuck used to it, other people children very much fucking included don't exist to cater to the aesthetic sensibilities of a lucky perfect few. the only thing that separates you from the damaged ones you find too obscene is a bad day and an unlucky hand. and one day, even if you were lucky enough to escape being damaged when you were young, you and i will both be just like them too.
more festival skin winners slots is good. elemental swords sound fun.
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crimeronan · 5 months
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cons of having a pretty princess soprano voice: that's not very gender of you :///
pros of having a pretty princess soprano voice: no children by the mountain goats is Even Funnier an octave higher.....
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radicalit · 1 year
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'Classic radblr authors' and not just 'radfem authors' because not all of them are/were radfems, but they are feminist authors popular here :) If you've read feminist literature before reading any of the authors mentioned, pick the first radfem reading. If not, pick the first 'general' / second wave feminist reading!
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midethefangirl · 10 months
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it’s been long since I made a pro Tony Stark post but seeing someone try to blame the events of Civil War going south on him had me heated. look, I will admit that some of Tony’s actions in the movie where not okay at all like wanting to kill Bucky for killing his mother while under HYDRA’s influence but maybe Steve stans and a lot of pro team cap folks should realize that Steve’s actions also played a huge role in the movie as well.
for one, maybe Steve should have realized that 119 countries banding together to make a document, you feel is threatening your rights, is a serious matter. 119 countries is almost two-thirds of the countries in the UN and the world, if a great part of the world thinks you are doing more harm than good, maybe as a superhero, you should try to reason with them.
two, Steve chose to do nothing when he thought his rights were threatened by the accords. I do think there were some human rights violations in the accords that should not have been avoided, however, Steve chose to do nothing. anyone who has done a bit of activism know how ineffective that strategy is.
three, Steve’s actions were proving to the UN even more reasons why they felt the accords were necessary. interfering with law enforcement when they were out for Bucky who was potentially dangerous was a bad idea. sure, Bucky was his best friend and I don’t blame Steve for wanting to save him. however, let us remember that Bucky had killed people while he was the Winter Soldier and the Romanian government didn’t have the perspective we have and they had every reason to see him as a huge threat.
four, infantilizing Wanda by calling her a kid because Tony decided to put her on house arrest. and yes, I agree that Tony not telling Wanda was a very bad idea but let us not forget that the Avengers were still under public scrutiny after a disaster of a mission in Lagos and the accords. Wanda could have been attacked by outsiders who could have gone the Zemo route because a family member was in Lagos and that would have caused her to try to defend herself which could get twisted by the media and turn more of the public against her and the avengers as a whole. mind you, the Avengers were facing enough mistrust from the public.
also, Steve, calling a huge comfortable compound with a swimming pool an internment is a bit tonedeaf to those whose ancestors have been to actual interments. as someone who had an Asian American on his team, I’d expect he know better.
five, accords or not, maybe the Russian government has the right to know about a man controlling dangerously brainwashed men within their country. sure, it latter turned out to be a false alarm but considering the fact that this was a security threat which many countries would take seriously, Steve for some reason never considered the fact that the Russian government should be alerted to something like that. if this didn’t scream arrogance, I don’t know what else did.
six, resisting arrest and trashing public property while on international borders in the bid of resisting arrest would piss off the very people who are already pissed at you and your American passport would not bail you out of that one. even international passports come with a warning about their holders committing a crime in other countries. the fact that Steve acknowledged that his team could get arrested for that made it even worse.
this one is actually addressed to the whole of team cap, not just Steve, but seven, you cannot commit a crime on international soil with full knowledge that it is a crime and then blame somebody else for why you ended up in jail. sure, the rift and Thaddeus Ross are sketchy in nature but Scott and Clint blaming Tony for why they ended up there was funny to me because they made the informed decision to commit a crime.
eight, which is a major part being that it was the climax of Civil War, hmmm, maybe keeping the secret of the death of the parents of your rich teammate whose money was funding the search of their killer from him is a very bad idea. idk, man, I would be angry too if it were me. sure, wanting to kill Bucky was wrong but if we didn’t fault the Mayonnaise twins, T’Challa, Peter Parker and later Shuri for going after their parents’ (perceived, in T’Challa’s case) killers, maybe we could give Tony too some grace because brainwashed or not, I would have gone after Bucky too.
nine, the apology letter was the shittiest letter ever and I don’t blame Tony for not wanting to speak to Steve during the events of Infinity War. like how can you even write that type of letter to someone you offended and expect the relationship to still be intact?
there was one part I almost forgot but that quote that emboldened Steve is also dumb the more I look at it. oh yeah, plant yourself in front of the 119 countries you didn’t even bother to address at all and tell them “no, you move” is the ultimate height of hubris. when you are already on thin ice with the public? and Steve thought this was a good idea? yikes 😬
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Look, I didn't want to be "that" person
who criticizes something just because "it was different in the books".
But I love PJO just way too much to not feel frustrated at the tendencies of modern adaptations that I think new series is suffering from. And I feel much more frustrated because in others aspects the new show is great.
First of all, what's with this downplayed brutality of PJO world? The moment Sally started her speech about Perseus I smelled trouble. In her story, in her reasoning she named him after Perseus because of this beautiful story where happy ending is just something that happens. While in the books thats a huge deal that Percy is named after THE ONLY HALF-BLOOD HERO that had that happy ending. That fact is supposed to highlight the mortality rates and that for most of these demigods happy ending is pretty much NOT IN PROSPECT. Like, despite that rambling post I'm usually fine with some differences that are made in adaptations, most of them I usually can understand. But why do you need change the message of "I named you that way because I hope you will live happily ever after despite being in constant danger" to "I named you that way because it's a beautiful story about a mother and a son"? Especially when they absolutely could do both?
Secondly, the Gabe issue. You see, Percy Jackson books were great because they were able to discuss with children some pretty heavy themes without downplaying them - like domestic abuse. And that scene with poker players and Gabe getting from Percy money was brilliant because it showed that Gabe was so awful that he took everything he could even from a 12 y.o. There were also heavy implications that he beat Percy. But now Gabe is just your usual jerk who is lazy and doesn't have a good relationship with his stepson and argues with his wife all the time. Look, I know, that is awful too, I know that. But the point of Gabe that he was absolutely the worst. That he's the worst of the worst that's why he smells on this metaphysical level and is able to hide Percy. That he kinda deserved what happened to him in the end. And now I sure that we won't get that end because apparently that stuff is too brutal for kids. If they're afraid that much younger audience would get shocked by it they could at least do that in hints, you know. Old shows were great with things that you didn't understand as a child and then later while rewatching them you finally could get the message.
And what's with this Grover thing? Okay, I understand they probably didn't have the time for establishing why Percy would feel betrayed by his teacher but wanted to save this "low point" for Percy's character. But why? Why? How Percy as a character and we as viewers are supposed to feel that amazing friendship if it started for us with betrayal? That just sucked.
Also, personal flaw - they really could insert "This is a pen" line when Brunner gave Percy the pen. They really could and that would be so awesome. But they didn't.
And the sad part is that now I understand that there was no way they could include this important stuff in the series. Because Disney is too afraid to show domestic abuse. They afraid to show Sally Jackson that put up with heavy abuse just to keep her son safe. They afraid to show that literal children die in PJO world. That that half-blood stuff is no game - as Percy said in the very first minute of the series. For fuck's sake they didn't even mention him having ADHD! They implied that by saying that he was being weird! That was so so so so important that those things that kids with ADHD are struggling make them so special and strong in their own way. And now that message is gone too.
And all of that is because Disney doesn't have any balls left. It's like they sanitize everything they make into that 0+ versions of stories while sometimes the point of the story is in discussing something from a real, sad and unsanitized world.
The stuff I listed is just from the first episode and I don't know if the show will go that way, if this tendency of sanitizing the story will continue or not. I'm just really afraid that all of that means that they decided to leave out all the brutality that made Percy Jackson so iconic. It is like watching this new version of Harry Potter where he doesn't live under the stairs - that maybe doesn't change much story-wise but it's just not the same Harry Potter that way.
I want to like the show, I really do. Walker is so amazing is this role. Other actors are really great. I see the effort, I see how people tried to make this adaptation as close to books as they could. The show looks truly amazing. The fight with minotaur was absolutely stunning. Ending sequence is a masterpiece. I have so many good things I can say about it. But those little things they changed - they weren't little at all. A huge chunk of what made those books so special at least for me is gone (especially in comparison with Harry Potter books). And I can't help feeling sad.
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