#anns meta

[queerly-autistic]

One of my favourite things about S2 was that we got to see so much in terms of Ed's relationships with women, and it just made me love him even more (if that's humanly possible). We didn't see him interact with many women at all in S1 (I think it was only the posh ladies at the fancy party which was...yeah, not a good experience), so S2 actually giving us a glimpse into his friendships with all these (very different) kickass women was so, so special.

I love that, as messy and fucked up as they all are, and even with the 'well we're pirates, we're not normal and we will fuck with each other' threat that hangs over everything, Ed's relationship with Mary and Anne is still so affectionate, and they both thrown their arms around him the moment they see him. Even though Ed is incredibly tactile, I don't think we've actually ever seen him be hugged like this, and it's just so lovely to watch him be embraced and clearly feel very safe being embraced by these women (and I can't with the way he clings to them, as well). I also love that this is a wlw/mlm friendship; yeah it falls apart later and turns into delicious gay-on-gay violence (and I wouldn't alter a note of it), but I love seeing this sort of affection between queer women and queer men, there's not nearly enough of it.

Don't even get me started on the BFF handshake he has with Anne - I want all the history there, give me six spin-off films about their adventures please.

And then we finally get a glimpse of his relationship with Jackie, which is similarly just lovely, but in a different way? You get the sense that they could sit there for hours, talking shit about the world, all whilst casually ripping the shit out of each other (but affectionately). You also know full well these two have talked extensively about men and know pretty much everything about each other's sex lives - we didn't see it, but I'm absolutely certain that Ed went into full gushing details about sleeping with Stede, just like Jackie did when she talked about The Swede fucking like a jackhammer (historical accuracy ftw).

And, again, whilst they're still pirates, and it's messy, the entire thing feels incredibly...safe, particularly from Ed's perspective? He feels more comfortable around Jackie than he is around most other characters (apart from Stede), just like he was with Anne and Mary.

And then, just to hammer the point home even further that Ed has, generally, fantastic relationships with women, and connects with them, and feels relaxed and safe with them, you have Ed and Zheng becoming instant BFFs literally minutes after meeting each other. Ed goes 'ooh, very cool woman kicking ass and killing people, she shall be my best friend, immediately', and Zheng is automatically incredibly relaxed and open with him, too (suggesting she feels as safe and comfortable with him as he does with her).

All I want in life is to see Ed and Zheng get silly-drunk with each other (and this is why we urgently need a S3).

And none of Ed's relationships with these women are a fetishistic 'I love women because they're fabulous' thing, or an overly patronising paternalistic 'I love the women and I must protect them' thing - all the relationships he has with women are very equal, very comfortable, fully believable, just fantastic friendships to watch play out. I feel like, given everything we see on screen, Ed generally feels a lot more comfortable and safe and open with the women he knows than the men he knows (Stede is the only other person he is this physically affectionate and comfortable with). Which is probably very understandable? Yes, the women he's friends with are all violent pirates too (that's part of the joy of it - none of them are lovely demure morally pure women, they're all violent pirates), but Ed has a lot of experience with specifically overtly abusive men - right back to watching his dad abuse his mum. And that's a distinction that matters: the show treats the violence of normal piracy and the violence of abuse very, very differently. Ed is not used to being treated softly or affectionately by men, as we saw in his shocked reaction to Stede holding his hand. I don't think it's any wonder that he gravitates more towards friendships with women (or that the men he feels the most open and safe with, such as Stede, Fang, even Frenchie, are very pointedly the opposite of the abusive men he has experience with). I just love love love that being friends with women is such a core part of Ed's character, and that we got to see all of these fantastic relationships in the show.

#ofmd #our flag means death #edward teach #anne bonny ofmd #mary read ofmd #spanish jackie #zheng yi sao ofmd #ofmd s2 ep4 #episode: fun and games #ofmd s2 ep7 #episode: man on fire #ofmd s2 ep8 #episode: mermen #ed x stede #blackbonnet #ofmd meta #erin waffles

[thekingofwinterblog]

So one thing i like about the Amphibia ending is how each of the girls became, not what they could have become, but what they WANTED to be.

Sasha who was horribly emotionally scarred by her parents divorce and the subsequent complete breakdown of their relationship, ultimately decided to become a therapist to help kids like her through therapy, something she never got as a child.

The girl could have become pretty much anything she wanted, given her wealth, smarts, charisma and beauty. Instead she choose to help emotionally damaged children, because she wants to prevent other kids from becoming like she was.

Marcy, with her incredible intellect could probably have become one of the greatest scientists of all time. Instead, she became an independent comic book creator specializing in fantasy, finally finding a healthy outlet for her love of the genre.

Anne, who had no direction in her life, whose only real talent was her amazing, natural sports skills, instead found a calling in life through her time in Amphibia, and now became an expert in Amphibian life on Earth. The girl could probably have become the greatest female athlete of all time, and if not could probably have coasted by on her fame as the savior of L.A for the rest of her life through an acting career if she wanted.

Instead, she, just like Sasha and Marcy, chose a career that made her happy.

#amphibia #anne boonchuy #sasha waybright #marcy wu #meta #the hardest thing #ending #careers

[celluloidbroomcloset]

Ah, but there is that really interesting throughline between Jack’s “buggery” conversation to Anne’s “have you guys even had sex yet?” Jack makes it purely physical and even violent - “buggering each other, anything goes at sea” - while Anne’s is more in the context of a relationship she knows they’re in, but both highlight that in the pirate world, sex comes before emotions (if the emotions ever exist at all).

Ed never openly discusses his sex life. We never even hear him hint about it, except in his own mind in the gravy basket. When Anne asks directly, his response is that their private lives are their private lives. This does again speak to Ed’s desire for those softer things; that sex has made him feel ashamed, not something he talks about, and what he wants is connection (intercourse, not just orgasm). Which makes sense if the primary understanding of gay sex is “buggering each other.”

So this leads into his asking Stede to take things slow. As @quarterblindsocialworker pointed out, Ed wants softer things with Stede. He wants to be loved. There’s also that element of fear—that if they sleep together, Stede might do what Ed’s other partners have done and either hurt him or leave.

Stede, meanwhile, is coming from a culture where the primary purpose of sex is to procreate and sex and love are just as disconnected from each other (especially for him) but in a different and more frigid way. He’s feeling sexual desire for perhaps the first time in his life, and it comes with the secure knowledge that he loves Ed and Ed loves him. To him, it’s another step that will only deepen their relationship, taking them down the road to marrying for love; to Ed, it’s a step that’s usually taken first and never with love.

#ofmd #our flag means death #stede bonnet #edward teach #anne bonny #mary read #calico jack #gif #ofmd meta #gentlebeard #blackbonnet

[bloodyshadow1]

so if the bad kids do the classic, switch to defeat your doppleganger move that happens a lot when facing the rat grinders, I think this is how it should go down. (note this was written last week before ep 18, where they used a lot of their resources) This is a purely hypothetical party vs party combat

Ruben-Fabian or Adaine. Fabian with his eyepatch is immune to fear which a lot of college of whispers does really well, as a half-elf he gets wisdom saving throws on charm which is also the bard's bread and butter. He's a fast fighter bard with spellslots to use basically as smites. so he could really blast down Ruben before things start. Adiane as an elf is another good choice like fabian she has advantage against charm affects and while she is not immune to fear like fabian she has a better wisdom save than he does since she is proficient. I would put Fabian over her though mechanically, and he is also a fan of Ruben's so it would be funny to watch them fight

Ivy- Gorgug. He's not the best option, but he's probably the bad kids best counter to her. as a ranger and fighter, she can do a lot of damage to the others with her range, having to deal with a barbarian who can keep hitting you from range. attacking recklessly would negate a lot of the benefit of Shadowy dodge and as a barbarian he would be able to shrug off most of her ranged attacks. He probably has some artificer item that would let him create a light thing like the solar lasso so she wouldn't always be able to hide in the darkness. For the lesser affects of her arcane arrows and ranger abilities, Gorgug has pretty decent saves, and for the dangerous ones like Banishing Arrow, he can at least use flash of genius on himself to bolster those saves. The Ranger part is kind of lost on me, the spells seems decent but nothing that can really stop Gorgug since he's a barbarian, but could mess up someone else in the party. Ranger spells are decent, but he has a pretty strong counter and I can't see Ivy being higher than level 9 in ranger since it seems like fighter was her base class and it has to split somehow.

Oisin- Fig. As a lore bard/paladin/warlock I think it would be best for her to get into Oisin's face and smite the hell out of him. You can't counterspell a smite. As a wizard he is probably the squishiest member of his party so taking him out would be very important. Additionally, she has counterspell which could leave him in trouble in close range. With Shield, Oisin can have a decent ac so there's that, but he's still a wizard who rolled a d6 each level.

Kipperlily-Kristen. While it surprisingly works president versus president, it also works as a cleric with heavy armor. It's not great as a defense against a high level rogue, but it's better than most of her friends have. Not to mention Kristen can do aoe none dex spells that are good against rogues as they won't get evasion from them. it's not great to have your healer dealing with the parties rogue, but sometimes you don't really have another choice. Lots of dangerous cleric spells don't have a dex saving throw so it could be useful once Kristen can see her

Buddy- Adaine. Not a particularly important match up story wise, it has potential but nothing juicy. still a wizard like adaine wouldn't be the worst match against buddy, spell caster vs spell caster, arcane vs divine. Not to mention I think that Buddy doesn't have a lot of HP and probably isn't expecting a melee wizard like Adaine. Adaine can counterspell Buddy's spells while he can impose disadvantage as a light domain cleric, but Wizards don't just make attack rolls, they have saves. Also I think it would be a good contrast in their thoughts, Buddy believing he doesn't cast spells, that Helio/unnamed rage god works through him to cast spells vs Adaine who as a wizard has learned all of her spells. It's also a good contrast between the Bad Kids and the Rat grinders about the theme of this season, hard work vs taking the easy way out.

Mary-Ann - Riz. This is probably one of the worst match ups, no one wants to go up against a high level barbarian 1v1. This isnt' an anime where the fast sneaky person can just lure the big strong bad guy away and keep them distracted. It's dnd where Mary-Ann might just ignore any physical damage because she can at the start.

I think the key to dealing with Mary-Ann is to not fight her. The Bad girls can get around her barbarian resistances with their spells but will go down in a few hits. Fabian can't do enough damage even with all his attacks, Fandragor doesn't do anything about the damage type Fabian does I believe, it works like smites but just increases the Piercing Damage instead of dealing Radiant damage. Gorgug is another Barbarian, but as cool as his new subclass is, I wouldn't put it up against a full also high level barbarian 1v1. Which leaves Riz

However, I think he's the only one who could survive a few rounds with her, he can keep sneaking with his bonus action, disengage (unless she has sentinel), or misty stepping with the Sword of Shadows to get away from her and out of sight and while she will keep halving any damage he does from sneak attack, it's still a decent chuck that even a high level barbarian can't ignore forever. Leaving Riz who can do a decent amount of damage each turn with his sneak attack and not be close to her, he can also halve one of her three attacks. Riz can also do a lot of tricky stuff as an Arcane trickster, Mary-Ann might be immune to fear and charm affects, but she isn't immune to all illusions and enchantments. He could trick her and keep her busy with his spells, with magical ambush she would be rolling her saves with disadvantage. A smart player like Murph could do a lot with his spell list to a Barbarian.

Now obviously, like I said under Mary-Ann/Riz, dnd is not an anime/show/comic book/etc where you can just switch against your doppleganger and win. I think the Bad Kids would beat the Rat Grinders because they know their shit more and they are a party that genuinely cares for each other so their team work has to be better than the party of their dark mirrors who were literally handed xp to power level. That being said I do think the Bad Kids could take their counterpart in 1v1 (with the exception of Gorgug)

Also with the Preview of the next ep(19) the Bad Kids will have to deal with Jace, a high level Sorcerer, and Porter a legendary Barbarian/Paladin, who are definitely more dangerous than a bunch of high schoolers who never really had to fight another party.

Still this was just fun to think about. If you have any thoughts let me know. If you think of your own matchups that you want to discuss also let me know.

#fantasy high #fantasy high spoilers #fantasy high junior year #fantasy high junior year spoilers #fhjy #fhjy spoilers #long post #fantasy high meta #riz gukgak #kristen applebees #adaine abernant #fabian seacaster #fig faeth #gorgug thistlespring #kipperlilly copperkettle #oisin hakinvar #mary ann skuttle #buddy dawn #ivy embra #ruben hopclap #the bad kids #the rat grinders

[bonesandpoemsandflowers]

There's just something about how Lestat starts off his vampirism so morally uncomplicated, so easy to root for, comically good natured. what a good boy! what an upstanding young man! he's only killing cutthroats and murderers! he's dressing Like That so that highwaymen try to kill him first! he's sending money home to ma!! and the family! IMMEDIATELY! he doesn't even like his family and they don't love him! he pays off his old boss's debts! he pays his boyfriend's nicer rent! buys him violin lessons! does all this at a distance because he doesn't want it to be emotionally awful for them. he's constantly contemplating the nature of goodness and what that might mean!

and then he has one (1) kinda shitty day night and he's killing and eating a mother and child on the sacred grounds of Notre Dame. not because he has to. he does not. not because he isn't in control of his actions. he is. not for the sadistic pleasure of it--there is none--and not to be evil for the sake of evil. a poor woman checks on him, sees his bloody clothes and tries to drag him to safety and get him medical care, because she thinks he's hurt and she wants to help, and Lestat kills her. not out of evil or malice or sadism, but because he chooses to, because he's fully swapped out good vs. evil for aesthetic judgements, because the nature of vampirism itself changes him so fundamentally.

and that's horror. even a man who is pure in heart and says his prayers by night, to steal from another monster genre. there is a fundamental loss there, a change against his will that's nothing to do with superpowers, a change so wide and deep that even as he is aware of it, he isn't really alarmed. he just reasons his way through it. and the audience cheers for him, of course. but nothing he does is justified. and that's the horror of it, too, that a monster could be so likable and yet so fundamentally alien.

#the vampire lestat #the vampire chronicles #lestat de lioncourt #horror #meta #anne rice #text post #renfield (the movie) could NEVER #most authors today wouldn't dare. would NEVER. they'd make you wade knee deep for the therapy speak justifications #about why what the character did was actually totally okay and morally correct

[vashtijoy]

I've been wondering about this since I played for the first time, but do you happen to know if in Ann's rank 9, is Joker's platonic dialogue option ("You have the others.") the same in Japanese? did a weird translation happen here or is this line strange no matter what? 😂

Sincerely, I ask you. Look at Ann crying, then look at this boy. What an insensitive clod. What a total muppet. Have you ever seen the like?

You won't be surprised to hear that this appears to be a translation boo-boo.

みんながいる minna ga iru You have the others. We're all here for you.

minna means "everyone", and often excludes the speaker—but just like the English "everyone", it can also include the speaker, depending on context. Here are a few examples from the P5 script:

Futaba (telling Ryuji everyone present will tell Sojiro on him) ここにいるみんなが証人だ。 koko ni iru minna ga shounin da Everyone here is a witness. Maruki (after his awakening to Adam Kadmon) みんなが望む⋯現実を⋯ minna ga nozomu... genjitsu o... The reality… we wish for… Gentle-Looking Mother (in Maruki's reality, after the revival of Kotaro, their formerly-dead dog) 今のまま、みんなが幸せに暮らせるの。 ima no mama, minna ga shiawase ni kuraseru no All of us can live happily together here…

In the first example, Futaba uses minna to include herself, but exclude Ryuji. In the second, we know Maruki presumably wishes for his own reality, so his minna includes him. In the third, the Gentle Mother is talking about how their family can all live together now—including her.

So while minna ga doesn't always exclude the speaker, Joker's response has been translated as if it did. Of course he doesn't brush crying Ann off with "well, I can't stand you, but everyone else likes you just fine"! He was supposed to say that she had the whole group, their entire friend group, including him.

This is why Ann goes on to talk about that group—which certainly includes Joker:

Ann 今の私には、仲間がいる。 ima no watashi ni wa, nakama ga iru I have our team now.

How would I translate it? Probably, as up at the top, "we're all here for you". Joker's often not actually a dick, he's just translated that way. C'est la vie.

revision history

Click here for the latest version.

v1.0 (2023/10/20)—first published.

#asks #persona 5 #p5 meta #japanese language #ann takamaki #ren amamiya

[paintaboveyourbones]

Everybody wants Armand

I know I’ve talked about it before, but the way Khayman shows up in the midst of one of the most chaotic and tense scenes in the whole book and then just immediately starts to THIRST after Armand is pure gold.

My man has spent the last few centuries in the dirt and he is ready to get Dicked Down

“Gee, Daniel sure is lucky to have that cutie pie by his side. Wish I were that lucky! 🤭🤭”

“We’re like, sooooooo similar!”

“He’s sooo much cooler than Mael 🙄”

Meanwhile, back on planet earth, poor Mael is sweating mother fucking BULLETS about the shit show that’s supposed to go down. What I love so much about this part is that, even after Khayman realizes Jesse is his great-granddaughter and gives his vow of help to Mael, he still fucks right off.

Khayman JESSE IS IN tHE LOBBY WITH A BROKEN NECK????? YOU TOLD MAEL YOU WOULD HELP THEM!

Twink thirst is destroying his life!

#Armand #tvc #anne rice #iwtv #Khayman #queen of the damned #Armand/khayman #armand - Aphrodite of the grave #tvc reread #vc meta

[max-nolastname]

types of story that different black sails characters think they're in:

jack: typical underdog overcoming unbeatable odds story; he is the main character and the show is 100% about him and his joseph campbell hero's journey. he is like achilles seeking eternal glory. he is also like gilgamesh, seeking immortality because he's afraid of death

flint: one of those fairytale retelling stories from the villain's pov; he is the fire-breathing dragon/big bad wolf/wicked witch that his village has ostracized, chased out of his home with pitchforks and torches because they feared him and what he is and what he stands for. he knows that in another show, a more popular show, the story would be told from the pov of the villagers about the dangers that lie beyond the village walls and into the forest...but this is HIS show and in HIS show HE is the one that survived the villagers not the other way around and HE is the one that has been wronged and he WILL see them pay for it

miranda: at first she thinks she is the witty and cunning heroine of a regency period romance novel. she is critical of high society and it's archaic and sexist traditions, turns her nose up at the institution of marriage and yet against all odds finds a true partner in thomas. she thinks herself happier and smarter than her peers, for finding a way to explore her sexuality freely and still keep her high status. she is caught in a whirlwind romance with a handsome naval officer and well....then her story turns into a tragedy and a decade caught in lifeless loveless joyless limbo where she is sidelined into the background of someone else's story

max: overly aware that she is in A Story and that she is Not The Main Character; the spotlight is never on her, she will never take centre stage. in fact, she is in the wings, or perhaps watching the show from the back of the theatre as the stage manager, setting the scene and directing others to pull ropes, shine lights, open and close the curtains so that other actors can strut and fret their way around the stage

billy: revenge quest story! thinks he is the good guy, there to protect his friends and get revenge on the tyrant who killed his father. gains some genre awareness and realizes that he is not, in fact, the main character, but rather a side character caught in a romance between his captain and quartermaster and if he really wants to survive he's really gotta break them up

madi: a story of hope told around a campfire, passed on from generation to generation so people don't forget about the time that an island of maroons stood up to a seemingly eternal and unbeatable empire. some days, it's a cautionary tale, on how volatile solidarity can be with divisions like class, race and gender .... or how revolution necessitates violence that people who are comfortable in their oppression rather not pay... but no empire lasts forever and nothing is inevitable. the story sticks in the hearts and minds of future revolutionaries and someday someone somewhere will pick up the torch and continue the fight

season 1 walrus crew: workplace comedy

silver: [redacted]

#black sails #black sails meta #rare black sails meta text posts where i look back on it like....yeah my takes could be wrong here #i was like “huh i wonder what genre of show the black sails characters think they're in” and then blacked out #but the inherent tragedy of characters in a story IS that they dont know what genre of story theyre in #so realistically i dont think any of them would actually think this stuff through except maybe jack max and flint #anyways if it helps i did take a media literacy class in university <- things that are embarassing to admit when my takes end up being wron #charles and anne: you guys live in a story? well we live in the moment so

[anneapocalypse]

Why Vivienne Needs the Inquisition

No one 'winds up' at Court, my dear. It takes a great deal of effort to arrive there.

–Enchanter Vivienne to the Inquisitor

An ask I received (referring, I think, to something I said in this post, though I've alluded to it at other points as well):

How/why is Vivienne's position at court shakier than it seems? (Please publish this anonymously.)

Thank you for asking! I’ve wanted to write something on this subject for a while, so I appreciate the push to get it all down. It’s something I find really interesting about Vivienne, because it's something she doesn't want the Inquisitor, or anyone, to know, so it's all subtext in the game. Vivienne is a character who always holds the player character at arms' length--a bit less so when she likes them, but there is always some distance there. As such, she's a difficult character to get to know.

And while I do have some issues with the way Vivienne is handled in the game, particularly with narrative and quest design, I won’t be touching on those heavily here. For this post I want to focus on what can be determined about her motivations from the character as written.

Vivienne can be recruited to the Inquisition after the Inquisitor's first trip to Val Royeaux. Notably, she seeks out the Inquisitor's attention herself, inviting them to a gala at the Duke of Ghislain's estate, and also notably, once recruited she will not leave the Inquisition and cannot be forced to leave, no matter how low her approval of the Inquisitor. This is also something I have seen people question: why can't you kick Vivienne out, and why won't she simply leave if she disapproves of your choices? I hope this post will answer that question as well.

The most critical aspect of Vivienne's character to understand, I think, is that she has no stable institutional power. She is not a noble. She has no familial connections of the sort that can help even a mage to keep their head above water. She is a woman who was taken from her family at a young age and raised in an institution, and who has used all her wit and charisma to make the very best of that situation for herself.

Vivienne's position as First Enchanter of Montsimmard is mostly an achievement within the Circle itself. Montsimmard itself, however, was also a stepping stone to influence outside the Circle. Personally, I think the fact that Vivienne declined to join any fraternity when she became a full Enchanter, a shocking move at the time, indicates that she held ambitions outside the Circle from a young age. And Montsimmard was the perfect proving ground for her, a major Orlesian city whose ruling family maintain close relations with the Circle. In The Masked Empire, the Marquise de Montsimmard boasts about dining at the Circle, and she and her husband wear masks adorned with lyrium crystals which we are told were a gift from the First Enchanter. It seems likely, though not confirmed, that this was Vivienne herself.

(Incidentally, it is a real shame that Vivienne’s character seems to have solidified so late in the game’s development, because in retrospect I really feel her absence in the novels. She gets a brief mention in The Masked Empire as Madame de Fer, and absolutely nothing in Asunder, which we'll come back to.)

It seems that the Montsimmard mages were called upon with some regularity to entertain the court, and this is how Vivienne first caught the attention of Duke Bastien in 9:16 Dragon. Within a year, she had moved into a suite in his estate. Her position came under attack for the next few years, but nonetheless, after a single meeting with Empress Celene in 9:20 Dragon, she became the newly-crowned Empress's Court Enchanter.

(Edited to add: It seems to be sometime after this that Vivienne became First Enchanter of Montsimmard, at "an age young enough to cause scandal," though the date is never confirmed that I can find. Incidentally, as @shrovetidecat brought to my attention in the notes, Fiona is also supposed to have been Grand Enchanter of Montsimmard, which given that may be a lore inconsistency, unless Vivienne is only meant to have taken the position after Fiona rose to Grand Enchanter&mdash;and I'm not sure why a 40-year-old First Enchanter would be scandalous.)

By the time she meets the Inquisitor, she is likely somewhere in her 40s, and has been the Enchanter to the Imperial Court and the Mistress to the Duke de Ghislain for twenty years. She regularly mingles with the court and has built a practically unprecedented influence for herself in Orlesian high society.

And it's all about to fall apart, for three critical reasons.

First, the obvious: the mage rebellion. One cannot be First Enchanter of a Circle that no longer exists, though Vivienne certainly tries. A majority of mages, even if by a razor-thin margin, have declared that they do not recognize the Circle's authority—and therefore Vivienne's authority as a loyal Enchanter within that system.

I think Vivienne's dialogue with the Inquisitor and her remarks if taken to Redcliffe reveal a deep frustration and resentment of Grand Enchanter Fiona, who called for the vote to leave the Circle and now leads the rebel mages. Vivienne of course handles this in the manner to which she is accustomed, the culture of the Imperial Court, in which trading in verbal jabs and barely-veiled insults is a standard matter of social one-upsmanship. Outside of that environment, she comes across as petty and rude, which is an interesting point of characterization in itself: Vivienne has thrived in the court environment, but she does seem to have a bit of trouble adapting her manner to different circumstances, where that sort of thing might not benefit her. But what she's trying to do is frame herself before the Inquisitor as the reasonable and respectable mage, and Fiona as misguided and pitiable. How well this goes for her, of course, depends on who the Inquisitor is. But the effort itself kind of reveals the shaky ground she's standing on.

In her dialogue with the Inquisitor, Vivienne claims that as the rebel mages follow Fiona, the loyal mages follow her. But where are these loyal mages? There's maybe one or two mages we meet in the game (Enchanter Ellendra comes to mind) who seem to respect Vivienne's word. But if the loyal mages look to her as a leader, why is Ellendra alone in a cave in the Hinterlands to begin with? Why doesn't Vivienne bring a group of these loyal mages with her to Skyhold?

I think it's because Vivienne doesn't truly have followers among the mages, the way Fiona does. This is the story she's telling the Inquisitor, to capitalize on the idea that the rebel position is not a consensus, and also that she still has influence among a significant number of mages. The truth is, she doesn't. She’s spent most of her life courting influence outside the Circle, not in it. She has presided over a Circle where she doesn’t even live day-to-day. I can’t imagine that has particularly endeared her to many of her fellow mages, even the ones who are loyalists or moderates.

Contrast this with Wynne, a pro-Circle Aequitarian who is deeply involved in Circle life despite undertaking sanctioned work outside the tower, and is also deeply involved in the events leading up to the vote for independence. Whatever the Doylist reasons for Vivienne's absense from Asunder, the fact remains: she's just not there. She has no presence in the events leading up to the rebellion. When speaking critically of Fiona's vote, she discusses it in the context of Anders' attack on the Kirkwall Chantry, and says nothing of the circumstances surrounding Fiona's push for a vote—not the revelations about Tranquility, not the conclave (no not that Conclave, the conclave of mages at which Fiona called for the vote for independence), not the subsequent massacre by the templars and the remaining mages' decision to stand and fight. And perhaps most notably, no one mentions Vivienne, positively or negatively, during the events of Asunder. Not once. We are left with the conclusion that Vivienne is simply not heavily involved in Circle politics, no matter what impression she may wish to give the Inquisitor. Her influence does not lie within the Circle.

And I think Vivienne knows this, and realizes that it's suddenly become a big problem for her.

The second big problem is Morrigan.

Vivienne has had the favor of the Empress herself for twenty years. She has, by others' accounts, managed to turn the position of Court Enchanter from "little more than court jester" to a position of influence and respect. And then the Grand Duke attempts a coup, and the Empress's elven lover runs away with a dangerous secret, and suddenly the Empress is enlisting the services of some unwashed swamp witch while Vivienne is standing right there!

Like I cannot overstate what a absolutely galling slap in the face it would be to Vivienne that even as she is attempting to uphold the legitimacy of the Circle and thus of her own authority within it, Celene effectively creates the "Arcane Advisor" position as "Court Mage 2: Apostate Boogaloo" just so she can get advice on non-Circle-approved magics. Advice that Vivienne could not give even if she wanted to, even if the Empress asked, because she has no knowledge of eluvians and ancient elven magic.

Both Dorian and Cole needle Vivienne about her jealousy of Morrigan, and I think quite accurately, no matter how quick Vivienne is to deny it.

Her influence over the Empress is fast eroding. She has been replaced in all but name.

And the third and most personal big problem is Bastien's illness.

Vivienne has enjoyed a romance with one of the empire's most influential nobles for twenty years. She has lived in his home and been on good terms with his wife until her passing. Her influence in the Imperial Court owes a lot to Bastien's affections. Bastien is not only a Duke but a member of the Council of Heralds, the political body responsible for overseeing matters of titles and inheritance in Orlais. They are quite literally the most powerful group in the country; even the Empress rules at their favor, without which she would never have gained the throne in the first place.

And now Bastien is dying, something Vivienne takes care not to mention to the Inquisitor at first. It's not until after the ball at the Winter Palace that Vivienne asks the Inquisitor for help with her potion in a last-ditch attempt to prolong his life—and even then she does not reveal her true purpose until after the Inquisitor has returned with the wyvern's heart. And while it's possible to interpret multiple ways, I personally believe from her response to his death that she did care for Bastien. She didn't need to bring the Inquisitor to his deathbed at all, if she wanted to continue concealing his illness, something she's taken care to do up until that point. It bespeaks a measure of trust that she allows the Inquisitor to see her so—in her grief, as well as in her loss of position.

Because Bastien's death is a terrible loss for Vivienne socially as well as personally. Bastien's son will inherit his estate, and whether Vivienne is allowed to go on living there will be entirely at his discretion. Perhaps he will permit her to stay, but she cannot count upon his grace, nor upon the protection she enjoyed with Bastien any longer; and furthermore if she is allowed to stay, it will be a favor to her, making her beholden rather than granting her greater influence. She won't have the dignity of being Bastien's widow; she is his mistress, and respected as that position may be in the Orlesian court, it gives her no true claim to his family.

Vivienne is about to lose everything she has built for herself.

Without Bastien, without Celene, she will be left with… what? The position of First Enchanter to a Circle that no longer exists? If her own best-case scenario occurs and the rebellion is halted and the Circles are reinstated, then she still loses all the freedom she has gained and is forced to return to a Circle tower herself—a sphere in which, as previously discussed, she holds less influence than she would like the Inquisitor to believe. Even if she remains First Enchanter, it's hard to see this as anything but a massive step down in the social hierarchy, the beginning of a long slide into what the Fade reveals as her greatest fear: irrelevance.

It's a humiliation that Vivienne cannot bear.

This is why she won't leave the Inquisition, no matter how much she may despise the Inquisitor. Vivienne needs the Inquisition far more than she lets on. This even puts the petty low-approval furniture-moving scene into context. Yes, she’s doing it to snub the Inquisitor, but that doesn’t actually gain her anything. I think it’s deeper than that. The Inquisition was Vivienne’s fallback plan, and it’s not going well. The Inquisitor is making her look bad, she is finding no avenue to further advancement here, but she can’t leave. So, her response is to try to reclaim some sense of control over her life, asserting a kind of power she had at Bastien’s estate and was likely denied in the Circle: control over her own space.

Even if Bastien were to live a bit longer, Vivienne really has nowhere higher she can climb in the Imperial Court. She can't become a noble herself. She can't marry Bastien, or any other noble for that matter, because she is a mage. And I'm sure she's highly aware of this fact. Bastien is several years a widower himself; it is not his former marriage that prevents him from marrying her, now. It is her status as a mage which bars her from entering a noble family, legally, socially, politically. That Bastien never seems to have raised the question at all speaks to the fact that no matter how much he may have stuck his neck out for Vivienne, there was a line even he was not interested in crossing.

So where does she have to go from here?

Along comes the nascent Inquisition. Shaking things up. If any organization could rattle the gilded walls of the Chantry, it's this one.

Why not take a stab at the Chantry, at this point? What does she have to lose?

It didn’t really sink in for me for several playthroughs because she isn't wearing cleric's garb, but Bastien's sister Marcelline, who visits Skyhold after his death with Bastien’s son? She's a grand cleric. One of the surviving grand clerics who will decide the next Divine. Vivienne involves the Inquisitor in her plan to save Bastien, a plan she likely knows will fail—but she puts in the effort. She then introduces the Inquisitor to Grand Cleric Marcelline, having told her how the Inquisitor came to her aid. Marcelline expresses gratitude: “Madame de Fer has told us what great trials you faced, trying to save my poor brother’s life.” Bastien’s son Laurent is a powerful ally in his own right, now a member of the Council of Heralds, but also likely the one who will decide whether Vivienne keeps her suite in the Ghislain estate.

And if the conversation goes well, Vivienne tells the Inquisitor that it was "quite the triumph." If the Inquisitor expresses confusion, she patiently explains the influence that both Laurent and Marcelline wield, and that they have now secured the trust of both. If Vivienne becomes Divine, Marcelline’s favor no doubt goes a long way in getting her there.

Of course Vivienne will continue to take a conservative position on the mage question. A mage looking to insinuate herself into the Chantry hierarchy would have to, just as a mage seeking the freedom to consort with the court would have to. In the same way that a Hawke with aspirations of seizing the vacant seat of Kirkwall's Viscount must side with the templars at the end to show the nobility that they represent stability and order, the Chantry's first mage cleric must be pro-Circle, pro-templar, conservative to the bone. Vivienne seems to recognize this as far more important than actually appearing devout. It's also fascinating to me how little she bothers to make any pretense of a personal faith, instead always discussing the Chantry as an important social institution and political body. And this attitude doesn't seem to impede her chances at the Sunburst Throne very much, no more so than being a mage already would.

Vivienne knows exactly what she's doing. She always has.

Vivienne comes to the Inquisition seeking power and influence in the Chantry because her position among the nobility is falling apart. Whether she comes in with the intention to reach for the Sunburst throne itself is debatable, and I personally think it might have been the intent that she does have that ambition but seeks to let the Inquisitor think it was their own idea, though I'm iffy on how successful that is if it was the intent. Nonetheless, I do believe that Vivienne comes to the Inquisition with the intent to seek influence within the Chantry, realizing that the recent upheaval may offer her a unique opportunity to do so. And depending on how closely the Inquisitor aligns with her goals, she may succeed quite dramatically.

References

Codex Entry: Madame de Fer

Talking with Vivienne at Haven and Skyhold

Vivienne's high disapproval scene

After Bastien's death

Banter with Cole

Banter with Dorian

The World of Thedas vol. 2, pp. 235-239 (hardcover edition)

Dragon Age: The Masked Empire, p. 31 (paperback edition)

#vivienne #madame de fer #dragon age meta #dragon age inquisition #the masked empire #asunder #bastien de ghislain #blunders of thedas #ask anne #thedas politics

[saccharineomens]

You know, watching the anime made me realize something, so I went looking.

We (manga readers, anime-onlies beware spoilers later on) already know Senshi’s tragic backstory and that the reason why he stays in the dungeon is to take care of it.

Early on in the manga, Senshi behaved with a complete disregard to Chilchuck’s orders to keep them safe. It’s possible Senshi behaved this way because he didn’t respect Chilchuck’s skills, or he thought that none of the traps would be able to harm him (due to being a dwarf). When he offered up his life to the orcs (before his vegetables, even), maybe he was simply trusting that Zon wasn’t actually going to kill them (despite them brutally murdering an entire pub in front of their eyes). But what if he simply…doesn’t care whether he lives or dies?

Senshi shows no interest in returning to society, preferring to keep to himself. He lives only for tending to the dungeon and cooking his next meal. He behaves recklessly with his own safety, and he hasn’t moved on from the trauma he experienced almost eighty years prior. He also believes that resurrection is unnatural, and accepts his own death with relative ease.

I think his survivor’s guilt left him passively suicidal, just waiting for his inevitable death to come to him, and holds fiercely onto Gillin’s final wishes that Senshi lives on as a reason to not seek it out.

#Dungeon meshi #senshi of izganda #I’ve been in this fandom on tumblr for a year but even with all the Griffin Soup posts I’ve seen #I’ve never seen anyone say Senshi might be depressed #Anyway while watching the anime I was kind of shocked with how much disregard Senshi showed for his own life. #And with him basically offering up Laios’ party’s lives as well to the orcs. #I mean I ASSUME it’s because he trusted that Zon wouldn’t kill them or thought making bread would #endear them enough to get them out of that situation but?? #Op #There’s just a lot about senshi that ties to his trauma. A lot. Anne’s name. His desire to properly feed future generations. #He wears Gillin’s helmet constantly including putting a sunhat OVER the helmet while gardening. #dm meta #dm senshi

[lifeismarvelous]

The fate of the world is in your hands, young heroes!

#deltarune #amphibia #kris dreemurr #anne boonchuy #crossover #my art #deltarune fanart #amphibia fanart #Meta⚡️ art

[mzminola]

Dragonflight was published in 1968.

The Environmental Protection Agency, tasked with such things as making rivers in the US stop catching on fire, clearing up smog, and so on, was not formed until 1970, and they had a lot of work ahead of them.

The Equal Credit Opportunity Act, which finally let women open lines of credit in their own name, was passed in 1974.

Roe v. Wade was 1973.

Pern is a fascinating look at how speculative fiction is shaped, both in the constraints and rebellions, of the time it's written.

#Pern #Anne McCaffrey #feminism #science fiction #misc meta #there is a lot about Pern that makes more sense to me #when I learn more about recent history

[aphel1on]

not sure how to phrase this but something i have been ruminating on recently is that xue yang is strangely fragile. obviously he is also incredibly resilient. he survived, and continues to survive, impossible things. he has a million barriers between himself and the world, but none of this actually matters when it comes to what he feels. everything is personal to him. everything pierces straight through all that armor and goes right to his battered heart, the heart that no one else believes he has. that even he is not fully cognizant of. the world strikes and strikes and strikes and so he strikes and strikes and strikes back, even (especially) when the wound is something other people would not think worthy of retribution.

xue yang would never realize this- would be outraged at the concept of it- but the way everything, everything is something to rally a defense against is in itself a form of fragility. he does not know how to let go of things, or let them pass him by. passivity is death. so he is ruthlessly cruel and violent. he projects himself as a lunatic untouchable by anything you might possibly do to him, and on some level he even believes this. but in actuality he is one raw emotional wound. he never learned to separate himself from his emotions, much less process them. the volatility is not so much insanity as it is the constant lashing out of an animal in a trap, and the trap is the world, and the trap is himself, and he is never going to get out. and like so much else, this pain is just part of the background radiation of his life. it hardly registers. to be able to register the hurt, you would have to be able to register a time in which you were not hurt.

i feel like it is a fragility that could blossom into such tenderness, given exactly the right set of circumstances. how at the very first touch of softness in his life he fell into a domesticity from which he never recovered. how much was there, still, to be salvaged from the cruelty. on some level i am always thinking about the little apple bunnies. about the meal for daozhang and the straw in a-qing's bed.

it was too little, too late. it shattered like glass when the world intruded back in. but the tenderness was there. no one, least of all xue yang, knows what might have happened had it been unearthed in him any sooner.

#he is easy to hurt. this is a fact. it is also anathema to his own self conception as well as the model of him in anyone elses minds. #xue yang #yi city #mdzs #aphelion.txt #xy #Contact is crisis; every touch is a modified blow #<- xycore anne carson quote. if you even care #meta #i guess? idk #it is always character analysis hour in my head #with a disclaimer that whether or not someone experiences empathy is NOT correlated to their morality #i dont think its necessarily that xy is incapable of empathy it's that any empathy that might exist in him is deeply deeply repressed #bc he views it as a death warrant. he (at every moment in his head and really quite often in reality) is on trial for his life #and it would be suicidal to give a shit about anyone who is not him. #especially since he knows- down to his bones- that no one is ever going to give a shit about him EXCEPT FOR him #the one chance he ever got to escape this cycle of brutality came with an expiration date built in by consequence of his past atrocities #and he only first started to comprehend anything about his own emotions after it was all already irrevocably fucked #in canon he is doomed. in fandom i am always picking him up and putting him somewhere kinder #shakes you by the shoulders do you understand what he does to me. do you. do you #if you tell me im excusing his crimes i will kill you w my lazer beam. #this isnt ABOUT THAT. this is ME BEING UNHINGED ABT HIS PSYCHOLOGY in a moral vaccuum. #i'm not saying 'hes sensitive uwu' but like i kind of am. unfortunately it mostly just motivates him to murder people #OH and when i connect the fragility to the tenderness i dont mean that i believe hes like. secretly soft #i mean that being as he is so deeply impacted by people's slights against him. he is just as deeply impacted by people's kindnesses #and he's not incapable of reciprocating it. he is INCREDIBLY fucking bad at it. but not incapable #ok i have to post this before i feel compelled to ramble any longer in the tags. jesus #got consumed by my a-yang feelings on a sunday morning sorry #not sure why i worded it as 'continues to survive' other than a constant subconscious denial that xue yang is dead

[celluloidbroomcloset]

Y'know what is starting to bug me a good bit? I've seen way more discussion (and contributed to it myself, aplenty) about how Calico Jack is really Ed's friend and Ed likes him and likes partying with him and isn't their relationship fascinating and important and complicated than anything to do with Anne Bonny and Mary Read, with whom he has a clear past that doesn't seem completely tinged with loathing and toxicity and attempts at fucked-up sexual domination. Ed is actually fucking thrilled to see them and they are legitimately thrilled to see him. Before they figure out what's going on with him and Stede, those women are excited about Ed Teach, and I don't think any of that has to do with them just being bored or wanting to mess with him. And he is way happier and more himself than he ever is with Jack.

In fact, a lot of what I've seen discussed about their past is how Anne and he were totes in a polycule with Calico Jack, for some reason that has no basis in what's actually shown.

I dunno, man. The women get very short shrift sometimes, so let's change that.

#ofmd #our flag means death #edward teach #anne bonny #mary read #calico jack #gif #ofmd meta

[yea-baiyi]

i’m so fucking mad i just realised that the final confrontation between he xuan, shi wudu, and shi qingxuan is perfectly framed like a traditional greek tragedy—it has the three actors, the character between two extremes, the recognition, the reversal, the pity and fear, the catharsis. you can pretty much take the scenes—starting and ending with xie lian performing the soul shifting spell—and directly stage them as a play and they could conform to the Tragic structure. what the fuck man what do i do with this information.

#he xuan #shi wudu #shi qingxuan #tgcf #beefleaf #tgcf meta #????? sort of??? #sqx #hx #swd #meta stuff #i am clutching my head i read aristotle for this. #i need you people to know that i read aristotles poetics and anne carson’s oresteia #because i noticed this and i wanted to do my research before saying anything #i am a wreck. can someone smarter than me tell me what to think #there’s a chorus there’s a fucking greek chorus present #rereading tgcf

[the-knight-of-destiny]

On Fantasy High, Redemption, and Agency (General Spoilers for Junior Year, sort of?) Also this post about FHJY is long as fuck, as all of mine are getting. In short it's my understanding of how Brennan Lee Mulligan sets up the teenage villains of Fantasy High.

Fair warning, this is LOOOONG below the cut.

Y'know when I said I wasn't going to talk about Ratgrinder discourse? I lied.

So Brennan as a DM has a very specific narrative language for how a villain is 'redeemable' and it primarily has to do with the level of agency a villain has in their actions. This isn't particularly hard to notice when you look at our very own (and fan favorite) reformed villain squad.

Starting with Ragh, while he was in his right mind for most of his villainy in Freshman Year, he really didn't do too much other than beat people up and be a bully? While he worked with Daybreak on some level, he wasn't anything more than muscle and not very in on most of the plans. There was also some implication of grooming and manipulation from Daybreak to Ragh.

Zayn as an example also helps build this thesis, while he also hasn't done a TON evil he's generally a bit more discerning than Ragh. However he builds the understanding of how Fantasy High looks at it's redeemed teenage villains, when Zayn is found as a ghost he explicitly calls out Daybreak as being the only reason he's still housed, were he not to go along with the Freshman Year scheme he'd have been sent back to his abusive parents, the foster system, or homeless as like, a fifteen year old boy.

But the actual silver bullet to understanding this is Aelwyn, to preface. Aelwyn fucking sucks in freshman year, way worse than Ragh or Zayn. She's also responsible for way worse than any other teenage villain in the series. She's arguably committed worse than Dayne Blayde or Penelope Everpetal, but there's an important component to her redemption in Sophmore Year, something Brennan has her stay conscious despite making death saves to explain.

In tears Aelwyn notes that Kalina was actively threatening to kill her had she not complied with the Kalvaxus plan.

So there's a running theme here, Ragh didn't seem to have much of an idea of what the wider plan even was and was just muscle, Zayn was under significant threat to his personal safety (and unbeknownst to him, also under threat of death, a threat that actually gets carried out), and Aelwyn was literally convinced she'd be murdered for not complying.

This tracks with the teen villains who DON'T get redeemed by the way, Dayne had no qualms about casually murdering his classmates with a great sword, Penelope didn't seem to mind the idea of throwing her best friend Kalvaxus for a power play. They both get killed because they don't seem to really care what happened, were fully complicit, and had no form of remorse at all.

This leaves us with our code to cracking if Brennan sees the Ratgrinders as possibly worthy of redemption (IMO, signs point to yes, but it's complicated.) We know the Ratgrinders are being manipulated heavily by Porter (I have so many more thoughts about Jace's place in this but that's for a whole other post,) however they don't have Ragh's excuse of being mostly in the dark.

Kipperlilly and Oisin for sure know exactly what's going on, and the rest (sans Buddy) probably do too. The actual question is how much does Ankarna rage affect one's reasoning, and the thing that's interesting about how the Ratgrinders have been set up is that question is sincerely ambiguous.

Signs point to the corruption needing some sort of genuine anger or frustration to latch onto, but this is my first hot take here. This isn't really that damning? Pre-Rage Kipperlilly said some concerning things, in private confidential counseling. She (at the time) understood her fixation on Riz was a problem and perhaps not fair. Oisin probably was mildly frustrated or saddened a girl he had a crush on didn't notice him, but to cast Pre-Rage Oisin as a full on Biz Glitterdew incel is, in my opinion, unlikely. Ruben was already seeking attention but wasn't anything worse than a mildly annoying teenage boy, etc.

These aren't exactly 'good' feelings but they are pretty normal for 14-15 year olds. Pre-Rage Ratgrinders really aren't that much worse than Pre-Character Development Bad Kids, let's not forget that they too definitely act out in really mean, unfair ways at around the same time as Pre-Rage Ratgrinders (Fig and Fabian, most notably.)

As for agency though, they clearly have a bit more of it than previous teenage villains, and are a bit more aware of their actions. They're not under direct threat of violence like Aelwyn or Zayn (though the way Porter and Jace act around them may make that threat implicit.) and they don't have Ragh's excuse of being seemingly largely in the dark.

The Ratgrinders I feel are an intentional test for the Bad Kids (and the Intrepid Heroes as players) because they're significantly more antagonistic than previous teenage villains. Heck, even ones that turned out totally evil. Dayne's kinda chill to the Bad Kids initially, Penelope is a bit backhanded but she isn't outright mean. If you count him, even Johnny Spells humors Riz and is relatively lax to him. Ragh's honestly way more harsh for most of the first half of Freshman Year, Zayn's initially more rude and confrontational to them too.

That said they're both being influenced by a much worse adult (Like everyone in the Reformed Villain Squad) and have a rage god clouding their judgement to an unknown degree. If we follow previously established patterns, they're salvageable by the story's own logic.

The test is for the party, it's easy to forgive Zayn when he openly cries and apologizes immediately when finally confronted about his place in the villain plot, it's easier to forgive Aelwyn when she openly puts herself in harm's way and almost dies to save Adaine.

It's going to be harder, emotionally, for both the player characters and the players themselves to forgive the Ratgrinders and recognize they're also victims in some sense when the Ratgrinders have been actively fucking with the Bad Kids for the whole season, and taking an obvious amount of satisfaction in it.

The challenge Brennan has set up for the party, I feel, is a test of their character. Fighting a possibly ascended god Porter is gonna be a lot easier without a whole other party of enemies in the fight (and even much easier if you can convince some to fight alongside you as a part of heroes.)

#fhjy #fhjy spoilers #fhjy meta #dimension 20 #rat grinders #brennan lee mulligan #i just think there is a good discussion about the line between us as viewers and the players at the table to be had #like we haven't been immersing ourselves AS characters getting toyed with by the ratgrinders for over 20 hours of playtime #the reason they seemed to want to recruit mary ann was because shes funny and hasnt actively antagonized anyone #there's something to be said about how PC morality towards NPCs often stems from how fun the NPC is for the player to interact with #like the bad kids hated kipperlilly and treated her terribly way before she did anything mean or evil to them #mostly just because they thought she was annoying this is how npc treatment goes in most dnd campaigns d20 or not