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#archives of american art
garadinervi · 21 days
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André Emmerich (photograph), A crew installing Helen Frankenthaler's painting 'Guiding Red' (1967), mezzanine of the World Trade Center II, New York, NY, 1977 [André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution, Washington, D.C.]
Bibl. ref.: «Guiding Red, 1967, measured 30 by 16 feet. The painting is no longer extant.», in E.A. Carmean, Jr., Helen Frankenthaler. A Paintings Retrospective, Harry N. Abrams, New York, NY, 1989, in association with the Modern Art Museum of Fort Worth, Fort Worth, TX, (note) p. 22 (pdf here)
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zurich-snows · 2 months
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Three bird cutouts, 19--. Joseph Cornell papers, 1804-1986. Archives of American Art, Smithsonian Institution.
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petsincollections · 1 year
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Pets, Lorser Feitelson and Helen Lundeberg papers, circa 1890s-2002. Archives of American Art, Smithsonian Institution
Lorser Feitelson and Helen Lundeberg papers
Lorser Feitelson and Helen Lundeberg papers / Series 10: Photographs
Archives of American Art
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cavegirl66 · 2 years
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Reiji Kimura Christmas card to Dorothy Canning Miller, 1966
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wow-oldaf · 1 year
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vague-humanoid · 1 year
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aaronjhill · 2 years
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virginiasuejones · 2 years
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Without the work of these curators and professors, tens of thousands of priceless works of art would have been lost to the world forever
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mimi-0007 · 2 years
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Diahann Carroll. Beautiful 🖤🖤🖤
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digitalnewberry · 5 months
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Silver Horn drawings, 1897-1921
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Silver Horn drawings, 1897-1921
“Silver Horn (1860-1940), a Kiowa artist from the early reservation period, may well have been the most prolific Plains Indian artist of all time. Known also as Haungooah, his Kiowa name, Silver Horn was a man of remarkable skill and talent. Working in graphite, colored pencil, crayon, pen and ink, and watercolor on hide, muslin, and paper, he produced more than one thousand illustrations between 1870 and 1920. Silver Horn created an unparalleled visual record of Kiowa culture, from traditional images of warfare and coup counting to sensitive depictions of the sun dance, early Peyote religion, and domestic daily life. At the turn of the century, he helped translate nearly the entire corpus of Kiowa shield designs into miniaturized forms on buckskin models for Smithsonian ethnologist James Mooney.”
-- Silver Horn: Master Illustrator of the Kiowas by Candace S. Greene
The artist Elbridge Ayer Burbank traveled to Indian reservations in the late nineteenth century to paint the portraits of Indigenous peoples. Burbank traveled to Fort Sill, Oklahoma, on three occasions; it was there that the Kiowa artist Silver Horn sat for him for at least two portraits.
Silver Horn had been an established artist among the Kiowa since the 1880s. In 1899, he became interested in Burbank’s “naturalist” technique, and he observed the American artist as he painted other subjects. With Burbank, Silver Horn studied the art of modeling faces and individual portraiture. He experimented with this style in a series of individual portraits of people and animals, most of which he sold to Edward E. Ayer, before abandoning the style in favor of work that was more stylistically Kiowa.
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Silver Horn drawings, 1897-1921
The 123 pieces by Silver Horn in the Newberry’s Ayer Collection demonstrate that his experimentation took him away from narratives about community to work that featured individuals. This makes the body of work held in the collection stylistically distinct from both the earlier and later periods of Silver Horn's work.
–former Ayer Reference Librarian Seonaid Valiant (abridged from original post)
View Silver Horn's drawings or all of the Edward E. Ayer Collection at Newberry Digital Collections
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dentistry2004 · 5 months
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Painting by moi of @sarahalice237
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garadinervi · 2 years
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Nancy Spero letter to Lucy R. Lippard, October 29, 1971 [Lucy R. Lippard papers, 1930s-2010, Archives of American Art, Smithsonian Institution, Washington, D.C.]
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toasted-buguette · 2 months
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She could gaslight gatekeep girlboss me any day...
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seventh-district · 2 months
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i’ve just finished season one of TMA, and being someone who’s okay with spoilers is fun because it means i can peruse the wiki and scroll through the tag and i get to become privy to all sorts of weird, wonderful, halfway-out-of-context information that i get to look forward to understanding in the future
like. what do you mean Leitner’s in the tunnels?
what do you mean Jon eats the extinguished sun??
what do you mean it’s spelled Gerard Keay???
#Jon‚ narrating a statement: '…whose passport had identified him as Gerard Keay.'#Me‚ an American‚ not yet in the habit of following along with the transcripts: 'Ah‚ yes. Jared Key.'#tma spoilers#the magnus archives#gerry keay#gerard keay#tma#i’m sorry but Why do british ppl apparently pronounce Gerard like that how do y’all audibly tell Gerard and Jared apart#anyways based on how i’ve glossed over the other two arguably much more shocking revelations i mentioned#i’m sure you can tell that i’ve latched onto Gerry and everything else is just background noise to me#okay that’s an exaggeration. i Do love the entire show and am invested in the entire cast to varying degrees but.#Gerry… my beloved… his role in Ep. 12 hooked me instantly#it’s bad‚ guys. ive already started making him a playlist. it’s safe to say there’s no hope for me. the fixation train has left the station#Gerry (and Michael) have moved in and will live rent free in my brain indefinitely#listen. you can’t just present to me a cryptic goth man with long poorly dyed black hair and mommy issues who’s covered in eye tattoos-#-and is frequently affiliated with the supernatural and then expect me to Not fall in love with him!!!#*looks at DoorKeay* …and i am also not immune to the opposites attract & human x supernatural entity tropes…#tbh looking at all this DoorKeay fan art has me suddenly remembering my EraserMic days#which is a wild thing to say i know but listen. it’s just the whole long-black-hair x long-blonde-hair similarity#and maybe a bit of the opposite personalities. idk why but i was just admiring one particular DoorKeay fanart and it suddenly hit me#i literally whispered to myself out loud ‘holy shit it’s EraserMic again…’ and it's not Really but also it kinda is and i think it's funny#but then i did More thinking and i think it goes beyond just them. i think i rlly just have a thing for Dark & Light coded character ships#Michael & Gerry… Navia & Chlorinde... Sun & Moon… Mic & Aizawa…#i think i’m learning smthn abt myself now i’ve gotta think if there’s more examples…#i'd almost say Alphonse and Seth but eeehhh not quite. and honestly i think the bigger-brain way to see their relationship through the-#-Dark x Light trope would be to take into account the resurgence of DM!Al and that kinds flips the dynamic#i think that if either of them are Moon-coded it'd be DM!Al. but they honestly just don't quite fit in that trope's box anyways#they're Pink/Black x Brown coded. not Yellow x Black#i do gotta say that i've pulled an Interesting number of songs off Seth's playlist while working on Gerry's... it's the mommy issues innit#i'd almost say PB x Marcy but once again we've got a character that's pink-coded‚ not yellow. i think they fall into a different category
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Hello! I'm taking commissions.
Please DM or email me for more info or price arrangements! At [email protected] or through instagram and tumblr DMs
Payment through Paypal only (exceptions for argentinians)
More of my artwork can be found on my insta and tumblr under the tag #digitalart
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gregdotorg · 1 month
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A 1970 photo by Gianfranco Gorgoni of Richard Serra and Robert Smithson fixing the soon-to-be-Spiral Jetty.
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