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smaeemo · 22 days
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It’s crazy to see how people interpret dean and sam’s brother dynamic as “wincest”
Some people have clearly never trauma bonded with their parentified older sibling. Then you take into account the degree of trauma that they have been through and continue to go through. Their codependency stems from their childhood and current traumas, their mental states due to that, the way they grew up with their father obsessing over the importance of “family is everything,” and the deep parentification of Dean, AKA Dean having to be a CHILD while raising his little brother, and taking care of his insane father. It’s not “wincest”/incestuous in anyway, it’s called trauma, parentification and general unstable family dynamics.
I think that a lot of “wincest” shippers don’t actually see what trauma can do to a person and their dynamics, specifically the people that endured that trauma with you. Dean, who was the older one that had to in HIS WORDS “be the mother, father, and brother” of his younger brother since the age of !4! is obviously going to be extremely protective/codependant of/with Sam, both because of the parentification and the words of his father carved into his very being. As for Sam, having Dean be all those things for him, means that more than anything, Dean is it for him because Dean RAISED HIM. Which is why, for so many reasons, what John said to Dean (killing Sam), was one of the most cruel things he could have done. John if not straight out, on some level knows that Dean and Sam will forever have a different dynamic because Dean raised Sam, ergo, Dean being more of a Parent to Sam than he ever was.
That’s not to say I think Dean was a “perfect parent” to Sam when he was raising him. No one can be “perfect” especially not a teenager raising his baby brother. What it means is that Dean had to sacrifice his childhood and grow up quickly for Sam to be not only Alive, but also so that Sam could -have- a childhood. All of this while Dean was still actively growing up, enduring his father, hunting, and having to come to terms with monsters. But he couldn’t allow himself to mess up, and going back to the idea of “perfect parenting” we see that no, he in fact was never “perfect” specifically when he leaves so that he can play games, and he sees that Sam’s safety is (extremely unfairly) placed on his shoulders. All of this, yet again along side with never having a stable home, having an unreliable source of income, and having to basically learn how to be an adult at 7, was the start of their dynamic.
As for Sam, we see that he got to play on soccer teams, go to school, and exist (while still having to endure all of the nightmares that is his homelife) outside of the hunting. Whereas Dean was the one who gave him this chance. This is not to say that Sam should ever feel guilt over this, or that Dean needed to do this. This is to show just how different their sibling relationship is, due to the trauma.
Dean treats Sam like a brother many times, but underneath it (or on top) you will always see that he is a parent to him more than anything.
“Wincest” is talking about their “strange/codependant relationship” in a romantic or purely sexual manner. This in itself just shows how many people don’t understand what it means to either have a kid or be a parentified older sibling. (I personally am not a parentified older sibling, but my sister who practically raised me is) and because of MY family dynamic I can speak from experience (definitely not to Dean and Sam’s extent) of having a parentified older sibling, and how that differs from regular sibling relationships.
Ok, this was a ramble, but as a whole “wincest” is extremely disturbing to me as a whole. And I don’t know what the rules are on this specific topic, so Idk how much I should say. But I definitely don’t condone inc*st to any degree, but to each their own ig.
Alright, I have SO much more to say on this topic. But I will hold back for now, just because I am sleepy.
XOXO
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autisticrosewilson · 22 days
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Just saw someone get pissy because "people in Gotham would have PTSD from Red Hood killing their family members just for being criminals".
Are you fucking stupid? I'm not joking do you have a brain eating parasite lodged in your skull?
When he's written correctly he's explicitly only targeting the people at the top. The crime lords, people who lace their drugs, traffickers, rogues. He isn't just breaking the necks of random crooks. We're talking about a kid who grew up stealing to survive, whose father died doing crimes to provide for them.
To call Jason being compassionate for small scale criminals and not a trigger happy psycho "fanon" or a "headcanon" puts your literacy into question at best and makes you look like an asshole at worst, especially when you put it in the main tag and don't bother to put it in the "Anti Jason Todd" or "Jason Todd critical" or "Jason Todd salt" or even "Jason Todd bashing". See that collection of easily blockable tags so I don't have to see your utter fucking nonsense on my dash?
They also said they don't think Jason cares about crime prevention at all and was just an angsty teen rebelling. Like tell me you didn't even fucking read Under the Red Hood without telling me.
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sexy-sapphic-sorcerer · 6 months
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BBC Merlin being about 'magic' for 7 minutes gay
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steddieas-shegoes · 3 months
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Steve and Eddie go through the whole adoption process in 1996, despite how difficult it was to find somewhere willing to help them at all and despite their conflicted feelings on adoption.
The way they saw it though, providing a loving home for a child who needed one was better than the alternative. Eddie had enough experience with temporary foster homes to know stability was better than constant moving and questionable foster parents.
They get a foster placement almost immediately, a six year old girl named Amelia. She’s quiet, but not in a way that worries them. She’s very focused, and enjoys going to school more than any regular children’s hobbies. Neither of them know what to do with that other than keep encouraging it.
She stays for months, months turn into a year, and the agency finally gives them the go ahead to complete the adoption process.
But they don’t do anything without talking to Amelia.
She’s happy there, her therapist signs off on it immediately and explains that Amelia has shown more personality development and less signs of trauma with them than she had even living at home. Not to mention they actually brought her to appointments, unlike her previous guardians.
To celebrate, they throw a party with all their friends and family and tell Amelia she can invite anyone from school she wants. She invites everyone.
Turns out their daughter is a social butterfly and is friends with everyone.
At the party, Eddie pulls out his guitar, plays a bunch of popular kid-friendly songs after a very scathing look from Steve as a reminder to behave.
Amelia walks over to him after a few songs, on a sugar high like he’d never seen on her before, and asks to play the guitar.
He’s hesitant, but not because he’s still protective of his guitars, more because he doesn’t want her to embarrass herself in front of her friends. Kids are cruel, even and especially at seven, and the last thing he wants is this to be the thing that kids talk about for the next ten years.
She sits on the couch and holds it, arranging her fingers…correctly. Eddie watches.
Steve is watching from across the room.
She starts strumming, very quietly at first, not as confident as she’d been a moment ago. And then she starts really playing.
It’s one of the songs Eddie wrote. He played it for the last four months nonstop as he perfected it, and she’d apparently been watching.
Eddie’s jaw is on the floor and he quickly looks over to Steve, who has a similar look of surprise on his face.
He doesn’t interrupt her. She makes it through the entire song.
She looks up.
“When did you learn to play guitar?” Eddie asks.
“When I was watching you.”
“But have you played before tonight?”
Amelia shook her head, looking down. “Didn’t wanna touch it without asking.”
Eddie pulls the guitar from her hands and sets it aside, then pulls her into his lap and hugs her. Steve sits down on the couch next to them, hand on her back.
“You can always ask, sweetie. And if you’re this interested and this natural, we can buy you your own guitar if you want. I didn’t think you were interested in playing.”
“I wanna be like you,” Amelia admitted against his shoulder.
Eddie was done for. He looked at Steve, half-panicked, trying not to cry in front of these people, but Steve wasn’t faring any better.
“Then we can go get you a guitar tomorrow. You can get your own picks, too. They might even have purple ones.”
“Can I have red? Like yours?”
“Of course, sweetie.”
It only took them two days after that to realize she could play by ear, just like Eddie.
And then it only took another day after that to realize she had taught herself to read music too.
They spent hours and hours every week playing together while Steve cooked dinner or checked her homework or just watched them.
When Eddie’s band decided to record another album and go on tour when Amelia was 12, Eddie insisted that she get to be on it.
She ended up helping write one of their songs, played on the track on the album, and with a lot of work, convinced Steve to let them homeschool her for the entire 8 months they’d be on tour so she could perform on stage with her dad.
“Can’t believe she’s not even genetically yours. Are you sure you didn’t have an affair?” Steve asked the night before they were leaving for Europe.
“When would I have had an affair? I came back to the tour bus or hotel with you every single night,” Eddie kissed him softly. “She’s amazing, huh?”
“She is. What happens when she wants to be a full blown rockstar like her dad too?”
“Then we make sure she’s protected and has good people around her like I have. She could be a rockstar easily. She’s got the talent and the presence,” Eddie smiled. “And she’s got me to make sure no one takes advantage of her. But she’s only 12. We’ve got time to worry about that later.”
“You’re bringing her onstage every single night all over the world for the next eight months, baby. I think later is now.”
Eddie sighed. “She’s gonna blow them all away. I’m proud of her. Let’s focus on that for now.”
And she did blow everyone away. The fans and the media had nothing but good things to say, and Steve didn’t have to go into overprotective mom mode at all until she was 15 and signing a record deal of her own.
But between Eddie and him, the entire industry knew better than to fuck with her or them.
They made rules, of course. School still came first, she still had required family events to be at, she still had regular friends at home. She wasn’t allowed at any parties, not even the events for award ceremonies.
But she didn’t really need those rules. She had no interest in parties or abandoning her friends or family, and she was a straight A student who still had hopes of getting into Brown for Journalism like her Aunt Nancy. She had a passion for music and wanted to share it, but not at the cost of the rest of her life.
And Eddie and Steve did everything they could to make sure she got to have everything. That’s what they’d promised her from day one.
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noodles-and-tea · 1 month
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Hey there! I've said something before but now I want to say that your art is great and that you are responsible for getting me into Sherlock & co. But I have a burning question regarding your thoughts on Guy Richtie's Sherlock. Do you like it?
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I actually do like it!!!
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horrorlesbians · 1 year
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if the main selling point of a piece of media is “it has gay people in it!!!” it’s probably not that good
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gael-garcia · 7 months
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Vanessa Redgrave's on Palestine, her Oscars speech, and The Palestinian (1977)
Links:
this interview
1978 Best Supporting Actress (Julia) win and speech
The Palestinian (1977)
and here she is in 2008 NYC Ethical Culture speaking for Palestine
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noa-ciharu · 1 year
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Some people on this site are unironically like
"When I consume fucked up fiction it's alright because I'm doing it with 100% critical thinking, law books beside me to remind this is all morally wrong and 1k disclaimers how I don't condone this but when YOU do it you're a sicko who romanticizes fetishes normalizes xyz cuz I just know you're not doing it in intellectual way like I am"
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morganbritton132 · 1 year
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Dustin set up a continuous live-stream to his aquarium a while back because he likes to play it on his computer when he’s stressed out at work and doesn’t want an aquarium screensaver because he’ll catch where it loops. Once he does that, it’s all he’ll notice and it will drive him crazy.
Plus, he likes his fish. They’re curated.
For the most part, his aquarium is in his office and the microphone on it isn’t great so you don’t pick up a lot of sound. It’s a big hit with people. It’s a bigger hit if any of his fans know that he has quasi-famous friends over but very rarely do you end up seeing or hearing anything on the fish stream.
Unless you’re as close as Eddie currently is to the fish tank.
You can’t actually see Eddie, just his reflection in part of the glass from where he’s leaned in close to watch the fish. You can definitely hear him though.
Dustin must’ve said something that prompts him to reply with, “It’s actually kinda important that I have my phone so, I’m not doing that.”
There’s a short pause where Dustin must be talking because Eddie scoffs next, “I’m not always filming things for Tiktok.”
Another pause and then Eddie says more seriously, “Let’s be real, Henderson. Realistically, there very likely is going to be a day when Steve is not going to be able to remember anything and I know for a fact that the bad memories stick with you the longest. I don’t want all of his memories to be demogorgans, and bats, and Nancy Wheeler dumping him on Halloween. I want him to be able to see that we were happy and that he makes people happy.”
There’s a longer pause and then you hear a loud snort and Eddie says, “Dude, I’m not Fifty First Date-ing him!”
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thecruel · 6 months
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NEW AEMOND CONTENT FKBSKEJSKSNEKSJ
THEY'RE CRAZY....... i'm sick to my stomach. i need to break into hbo's and wbd's headquarters to get all the unreleased footage they have bc what the fuck do you mean they're just NOW releasing this
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bisexualfagdyke · 8 months
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Adventure time fans when you enjoyed the Fionna and Cake finale and don't want their miserable unnecessary nitpicky opinions on a silly happy cartoon ruining ur joy and love for the show:
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alexkablob · 7 months
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not to wade into discourse about shows online which I swore to stop doing but I think some of you need to recognize that not every piece of media is about you, and that focusing only on the themes that you personally identify with while erasing the ones you don't is Not Great
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angelsdean · 7 days
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I know it's a bitter pill to swallow in this fandom for many reasons but, the phrase "open to interpretation" IS inherently a positive phrase that good creators use to affirm to their audiences that stories and art belong to the fans, and that every fan is able to find their own meaning through their own interpretive lens. It's not up to creators or actors to tell people what something--especially ambiguous or subtextual moments--mean. Everyone will come to a different understanding, some views might be more supported by canon than others, but it's still within every viewer's right to see things how they see them.
All "open to interpretation" means is: you get to interpret it! And you! And you! This is a key tenant of any creative work. It can be interpreted. And that is what literary analysis is all about. You build a case for your interpretation. You go into the text and find supporting evidence for your view, your thesis. And some interpretations are argued better than others. But everyone's still allowed to have their interpretation. (Also, literary analysis is fun).
I say all this because I've seen posts about Jensen going from "open to interpretation" to "clear text" as if he's now against the fact that things can and will be interpreted by fans. In terms of Cas's declaration of love? Yes, that is "clear text." It's romantic in nature, that's not up for debate, and Dean processed and understood it as romantic on the dungeon floor. But for stuff that is still ambiguous, still subtextual in some ways, like Dean's own feelings? Those are still open to interpretation by all sides, whether we like it or not. Until we get to see more of Dean and Cas's story in the basically guaranteed reboot, Jensen is not going to speculate about Dean's feelings or Destiel's reunion. He's never going to word-of-god confirm anything about this on stage at a convention. We have to wait to see it play out on screen.
As an actor, it's also not his place to confirm or deny these things. He leaves it up to the fans to read into his performance whatever they want. And yes, that sentiment IS affirming to a Destiel interpretation. We can read reciprocation into his performance. We can read romantic love into his words about Dean wishing he'd said "I love you back." We can look back on the years of queercoding and subtext and Jacting Joices and read Dean as being in love with Cas for years. And, well, the other side can read what they want into it, and we don't need to care what they think, tbqh.
This, IMO, is also part of the reason Jensen tends to give "vague" answers or use language that can be perceived in different ways by either side. As an actor, at a fan convention where fans of all sides of the fandom have paid to be there to have a good time, it's not his job to personally validate specific headcanons and interpretations. Jensen may have his own personal beliefs about Dean's feelings, but he's not going to divulge them in full if they close off one side's interpretation. So he will weave his way through answers. He will use terms like "brother in arms" which one side will hear as simply "brother" and think "platonic" and Destiel shippers will hear as the full meaning, a strong bond between men, and see the queer history associated with these warrior bonds.
He does this, IMO, to keep all lanes open for every fan, because first and foremost he's an actor at a convention being paid to entertain. He's also not a writer, he's not someone who can definitively say what was intended. Personally, I feel that his metaphor about being in an art gallery that he gave back in 2020 is incredibly apt. People come to the gallery and look at the art and find their own meaning. And the artist isn't standing there beside them confirming or denying their interpretations. That's not the artist's job. Once it's out there, it's for others to find meaning in what the artist made.
And again, it's not his place to speculate or write fanfiction for anyone on stage and personally confirm or deny headcanons. He's pretty adamant about the reboot, so I think for some things we'll just have to wait and see.
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justepilepsy · 1 year
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Because of current frustration
Happy fuck spiderverse year.
The art direction is in part ableist.
You can enjoy the movie and still say that.
Note: it's ableist because it's using common animation and color choices KNOWN to cause seizures (and death) in audiences. This includes people who don't have epilepsy.
I will never not be bitter about this because the first movie message was about "anyone can wear the mask" when it clearly was excluding people by simply making it impossible to watch this film in a safe manner.
If you got a headache after watching that film. That's a photosensitive reaction and it means you're not immune to these effects. A movie you love should not give you a headache or dizziness or disorientation. It should not give an above average amount of people seizures.
And those effects causing these symptoms should not be hailed as the reason the film is good.
Spiderverse utilises other aspects of comic art to already stick out.
Rapid Glitch effects, large bright high contrast red and blue areas covering the screen, prolonged moving patterns, and flashing lights are not what make this film look good.
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writeouswriter · 2 months
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People out here like oooh I shouldn't be relating to this villainous character, this character who does bad things, this character who has questionable morals; yes, you should be! You should be looking at the warped funhouse mirror and analyzing what you see there! That is not an accident! The world is not black and white, good and bad, us and them; if you start thinking there's a clear dividing line, that you could never possibly relate or end up like them or they could never have ended up like you, that's how they get you!
You and the rest of humanity are a swirling pool of grey and these characters are, in many instances, a way to reflect on yourself... because recognizing the self through the other not only gives valuable insight into you and those around you in general, but also lets you see how you can avoid making the same mistakes or how you could, given differing and worse circumstances, see exactly where they're coming from and become just like them if the tables were turned, making you more mindful, more empathetic, more open to questioning or accepting your own flaws, and just... so much more.
That's inevitably worded fuzzily, and I've said it before, but the point is, it's not a bad thing to relate to these characters, it's an (often) *intended* and invariably human thing because humans are messy and complex and shaped by all kinds of simultaneously unique and yet universal shared experiences, and in the end, people are people are people, bound by the laws of chaos.
And yes, there may be some exceptions in how you may approach this, but not without nuance.
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mrwilliewonka · 4 months
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Lily Orchard: "SU is garbage!" SU: "Who is garbage?"
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