"i wanna see something other than the same edgy horror stuff when a beloved character becomes public domai-"
FUCKING MAKE IT, THEN.
the literal only difference between you and those horror directors who took mickey and winnie the pooh and made them into the horror you hate so much is that they made something and you didn't.
MAKE the romcom. MAKE the deep and existential meta horror you want to see. MAKE something cozy and child friendly. MAKE MAKE MAKE MAKE MAKE
don't just sit there and bemoan the things you don't want to see! MAKE THE THINGS YOU DO WANT TO SEE. BECAUSE NOW WE CAN MAKE ANYTHING. THAT'S THE FUCKING POINT!
YOU DON'T NEED PERMISSION. YOU DON'T NEED TO BE SOMETHING FIRST. JUST MAKE WHAT YOU WANT TO SEE.
YOU CAN'T STOP AN ARTIST FROM TAKING A CHILD FRIENDLY THING AND MAKING IT INTO HORROR. THE LITERAL ONLY PERSON YOU CAN STOP, AND ARE STOPPING, IS YOURSELF.
DON'T FUCKING WAIT FOR SOMEONE ELSE TO MAKE IT FOR YOU. PICK UP A DAMNED PENCIL/KEYBOARD/WHATEVER AND MAKE THAT THING YOU WANT TO SEE, GOD DAMMIT!!!
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I need Aziraphale learning very quickly that being kind and considerate gets him nowhere in Heaven, so he tucks away his goofy, big-hearted nature and just turns into a maliciously compliant Bitch™.
This is a man who canonically has "discouraged" multiple mobster groups threatening to burn his bookshop, who has successfully scared hundreds of customers away by being just unpleasant enough and who dropped down three octaves to correct Furfur when he messed up his name.
He swallows his pride, puts on a power suit and starts executing a Corporate Nightmare upon upper management in Heaven.
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I've seen a lot of people talk about how the game doesn't give you any leeway when you play The Dark Urge, how it makes it very clear that Durge was A Bad Person, but I haven't seen it pointed out that Sceleritas seems VERY well versed in gaslighting the hell out of them and steering Durge away from any doubt or guilt in regards to their actions. Makes me think that they've probably had those types of conversations before because Durge actually always had a soft spot, only it got smaller and smaller in time. I have not had the opportunity to see the Heal cutscene yet, but I've got the butler in my camp now and he had some interesting things to say, like
[Durge: Can you tell me the worst thing I ever did?
Sceleritas Fel: There was one time you gave a beggar some coin while we were en route to the Devil's Fee.
Sceleritas Fel: You didn't kick him or spot on him or anything! I was so shocked I almost fainted!
Sceleritas Fel: I still have nightmares about it to this day. But I'm sure you only did so to lower the suspicions of the Flaming Fist. Surely?]
and it struck me because tossing a coin to a beggar is a bit of a thoughtless act isn't it? You don't put much thought into it, you just see someone in need and you do it. Out of empathy, generosity, something The Murder Incarnate should not be capable of. Sceleritas' uncertainty of Durge's reasoning for it totally convinces me it was NOT intentional. A simple act of kindness that slipped out.
ALSO
[Sceleritas Fel: The only way for a Butler to die is if we are not of use to our Master. But you have always needed abundant assistance.]
They always needed abundant assistance. Why? Because they kept slipping out of Bhaal's grasp? We know they did at least once, with Gortash. Maybe it was not the first time, maybe there are more "Letters of Forgiveness" tucked away somewhere.
To me pre-tadpole Durge is just terribly mindbroken and indoctrinated person hooked onto the sense of safety, purpose and acceptance of their dark side that the cultists and their father give them. Yeah they enjoy murder, gore and all that. That's the curse of their blood, but I don't think they were ever entirely consumed by it. Morality, guilt and empathy have always been there on the edge of their mind. Losing their memories (depending on player choices I know, but bear with me) was what they needed for them to be finally brought forward.
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y’all ever stop to think about how lucky the good omens fandom is in terms of fanwork? cuz i do. all the time.
this fandom is overrun with fanart (spanning everything from breathtaking paintings to silly doodles, all of which is wonderful), there’s so much fan fiction, and endless meta analysis to be found.
there’s something so beautiful about watching this vast online community of people come together and just create. the fact that one story has managed to instill creative inspiration into so many people is just so amazing to me.
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So if you follow me (and aren't just stopping by because you saw one of my funney viralposts), you probably know that I've been writing a bunch of fanfiction for Stranger Things, which is set in rural Indiana in the early- to mid-eighties. I've been working on an AU where (among other things) Robin, a character confirmed queer in canon, gets integrated into a friend group made up of a number of main characters. And I got a comment that has been following me around in the back of my mind for a while. Amidst fairly usual talk about the show and the AU and what happens next, the commenter asked, apparently in genuine confusion, "why wouldn't Robin just come out to the rest of the group yet? They would be okay with it."
I did kind of assume, for a second or two, that this was a classic case of somebody confusing what the character knows with what the author/audience knows. But the more I think about it, the more I feel like it embodies a real generational shift in thinking that I hadn't even managed to fully comprehend until this comment threw it into sharp perspective.
Because, my knee-jerk reaction was to reply to the comment, "She hasn't come out to these people she's only sort-of known for less than a year because it's rural Indiana. In the nineteen-eighties." and let that speak for itself. Because for me and my peers, that would speak for itself. That would be an easy and obvious leap of logic. Because I grew up in a world where you assumed, until proven otherwise, that the general society and everyone around you was homophobic. That it was unsafe to be known to be queer, and to deliberately out yourself required intention and forethought and courage, because you would get negative reactions and you had to be prepared for the fallout. Not from everybody! There were always exceptions! But they were exceptions. And this wasn't something you consciously decided, it wasn't an individual choice, it wasn't an individual response to trauma, it wasn't individual. It was everybody. It was baked in, and you didn't question it because it was so inherently, demonstrably obvious. It was Just The Way The World Is. Everybody can safely be assumed to be homophobic until proven otherwise.
And what this comment really clarified for me, but I've seen in a million tiny clashing assumptions and disconnects and confusions I've run into with The Kids These Days, is that a lot of them have grown up into a world that is...the opposite. There are a lot of queer kids out there who are assuming, by default, that everybody is not homophobic, until proven otherwise. And by and large, the world is not punishing them harshly for making that assumption, the way it once would have.
The whole entire world I knew changed, somehow, very slowly and then all at once. And yes, it does make me feel like a complete space alien just arrived to Earth some days. But also, it makes me feel very hopeful. This is what we wanted for ourselves when we were young and raw and angrily shoving ourselves in everyone's faces to dare them to prove themselves the exception, and this is what I want for The Kids These Days.
(But also please, please, Kids These Days, do try to remember that it has only been this way since extremely recently, and no it is not crazy or pathetic or irrational or whatever to still want to protect yourself and be choosy about who you share important parts of yourself with.)
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Thinking about how, at the end of the day, at the fatal moment, the sunset of the Republic, it wasn’t Yoda, or Obi-Wan, or even the Chosen One himself standing in the way of Palpatine. It was Mace Windu.
Mace Windu, the inventor of Vaapad and Master of Form VII, the Jedi's strongest duelist, the only person to ever defeat Palpatine in combat. Mace Windu, Master of the Jedi Council and the youngest Master ever appointed to it, the revered leader of the Order. Mace Windu, who forgave even those who tried to kill him, who risked his life over and over again for his troops, who, after 3 years of desperate war, tried to negotiate with battle droids. Mace Windu, who knew the clones were created by the Sith and chose to trust them, who saw every Shatterpoint in the Republic, and loved it still, and fought for it until his last breath, until he was betrayed by Anakin, who he believed in and trusted despite everything.
Mace Windu, High General and hero of the Republic, the embodiment of the Light, the last and greatest champion of the Order, the best Jedi to ever live.
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