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#but I love comedy and like interesting drama
emomeishibot · 2 days
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First of all, I’m a proshipper; secondly, this post has no ships in it.
I drew kuro characters as a 2000s Chinese drama costume sitcom 武林外传 My Own Swordsman (no idea why is it translate to this name, the direct translation should be Wulin Anecdotes) Why I did this crossover: it’s just hilarious for me!! To help you understand my casting read further. I was like I want to send these sketches for tumblr but you can’t get this crossover so I might as well introduce it to you. I mean you might be intrigued by the referenced show, who knows? 🤭
Let me give you an analogy if you are not familiar with Chinese Kong fu themes novels: this show is a comedy kong fu drama, and a western narrative analogy for it could be if you have a team of DND characters but they never leave the tavern but instead they are the staff trying to make the tavern successful and solve all the crazy problems in this chaotic world and become family members(I hope this works)
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The male lead character is a former Robin-hood-like legend burglar but now settled down working as the waiter; the female lead is an unmarried widow who came all the way to her fiancé only to find him dead and left her his mischievous little sister to look after, so she wiped off her tears and decided to buy the inn and start her business as the landlady right there and then. As for the little niece, rumors are that she’d grow up to be a murderous fiend…! But they don’t know yet…
So I drew Sebastian, Madame Red and Ciel as these roles🤲
y’all couldn’t have known how adorable it is for me without growing up with the show… btw the show goes for a relationship for the waiter and landlady eventually in the show but I drew them as work partners and friends^^Regarding how Madame Red teased Sebastian canonically makes me laugh remembering those early kuro shenanigans 😂I always hoped Madame stayed longer with us in canon, she so lovely. Imagine her running a tavern is such fun, the vibe of this show is crazy… just look at them
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There’s a reckless, chivalrous former swordswoman as waitress, another former constable girl who is amiable but has no dating luck as waitress as well. I casted Jane and Mey-Rin (I really want to see Jane join the Phantomhive manor(if possible after the Breton arc)??she slays and I want to see her working with Sebastian! Also Mey-Rin is both clumsier and deadlier than her character)
And more: a fusty, nerdy moderate scholar who sold the family inn to the now landlady and now working for her as an accountant, for which I casted Grelle (her butler persona when she’s undercover is really close to how this character usually is lol but she would definitely hate how nerdy this character is, as she is working for Madame Red again in this crossover)
For the hot-headed, ambitious yet bad cook who was a constable, I cast Bard (I might redo him because I wanted to fit Finny in but I run out of the inn staff; Bard and him could be the constable master and apprentice duo from the show; Diedrich could step up as chef)
The setting is a fictional ancient China so the kong fu element is very overdramatic; also, there's a lot of modern references to the 2000s. If you watch the show's op you'll get it) And it’s a nationally beloved show of my generation^^ I hope my explanation got you interested instead of confused😳but I love this crossover and hope my kuro ppl on tumblr enjoy it😌Such long explanations for them little sketches; Thank you for coming to my ted talk???
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Was having a conversation with a friend about how Badly Helluva boss effed up its Premise.
Only having 5/15 (or 8/16 if you include the pilot and the episode s i marked as "kinda") as actually being what the show was supposed to be... IMP, a group of hitmen assassin demons going to the human realm to kill humans.
If a THIRD up to a HALF of your episodes (especially the "big" and "impressive" eps DON'T EVEN BELONG IN THE SHOW, that shows a MASSIVE writing and world building issue in your story.)
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i remember being so exited for Helluva due to the pilot. I myself am A MASSIVE geek for action comedy episodic cartoons. One that has a twinge of violence and swearing and somewhat offensive humour? Are you kidding!?? That sounds great! And i loved the series while it was JUST that. I loved it when it was what it PROMISED. Until it decided to become a stolas romance drama tragedy sob story, gay man noncon fetishy melodrama that had NOTHING to do with... I.MP.?? like. One episode from the 5 is from season 2. ONE. Almost every episode is more interested in shipping material THAN ACTUALLY HAVING A COOL SHOW ABOUT ASSASSINS. i feel scammed, for caring about this stupid show. And these characters. And god awful world building. Cause what we were given is not what they had offered.
Had we wanted a shipping material melodrama (which i know a lot do love) make THAT the pilot. Make THAT season 1. Dont throw the fans that liked what you offered under the bus for catering to the shippers.
I thinks its pathetic, as an artist myself. Changing your visions, characters and world-building with every episode to cater to a group of fans rather than your own vision for a show.
But hey thats just me! Thats how i feel about it lol
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My memory is terrible so I wanted to do a breakdown of my stuff every once in a while. Might be monthly, might be whenever I feel like it.
QL - Currently Watching
🇹🇭1000 Years Old [11/12] - I know some of you are enjoying this one and I'm glad. And I have no idea what the finale has in store for us but this is just not the show for me. One episode to go and I honestly can't remember the last time I was this unenthusiastic about a finale. It's not even that it's that bad, it's just incredibly boring to me. I'll update this tomorrow with my thoughts on the finale.
🇹🇭23.5 [8/12] - The main couple lost me but I love Aylin and Luna. View is a delight to watch and whenever they're on screen together I'm in heaven. Also... THE TEACHERS!!! THEY ARE GIVING THEM TO US! We are blessed.
🇯🇵25 Ji, Akasaka de [2/10] - I like it a lot. I'm doing my best to not compare it to 'I Became the Lead in a BL Drama' for obvious reasons, but the tone seems different enough. I like the aesthetic a lot and I really like their dynamic, at the beginning it reminded me of Kabe Koji a bit. I'm mildly obsessed with Shirasaki's eyes and facial expressions. And a 'secret' crush is usually a win with me.
🇰🇷Boys Be Brave [2/8] - So far so good. Gi Seop is obvisouly not the best boy but there's something about his energy on screen that is compelling to me. I really liked that Jin Woo was honest about his feelings and I like the 'I love you but I don't like you' dynamic a lot. The second couple gave me some ODS vibes so I'm bracing for some angst.
🇯🇵Living with him [3/8] - It's great. Much like what I said above, I love that things are out in the open so soon and honestly Natsukawa reaction to the confession being basically 'how can I help?' was amazing to me. Also for anyone interested, this one is being fansubbed which is good cause according to my dear @colourme-feral the subs are not good at all.
🇰🇷Love Is Like a Cat [2/12] - I'm waiting to binge this one. Didn't like how this started and the rhythm just isn't working for me.
🇹🇭My Stand-In [1/12] - Pretty is pretty. But I don't trust Thailand with high concept so I have reservations. I hope I'm wrong. I liked the first episode so we'll see.
🇹🇭Only Boo! [4/12] - Moo is my child and he must be protected at all costs. I'm fighting myself with the singing and dancing because I should not be enjoying it at all and yet he's so charming. I hope Book's character is not here to do what I think it is because that would seriously damper my enjoyment of this otherwise bright spot in my week.
🇹🇭We Are [2/12] - I like the group scenes. They all seem very comfortable with each other. The main couple is the least compelling to me, just nothing new or interesting to see there. Aou is great at the comedy and I'm enjoying Poon a lot. Overall this show just doesn't flow, it keeps jumping from scene to scene/couple to couple without much of a threat and so I'm not really connecting. @bengiyo said it best here when he said it's like watching the actors ig reels.
🇹🇼Unknown [11/12] - I still think it's an incredible show, the best one airing right now probably, but I have to admit that the sex scene was a blemish in my overall enjoyment of it. I saw both versions, and although the reedited one is better is still not good. I don't think it was the right tone for the moment nor for the characters. Also it just doesn't flow well and the sound drove me crazy.
QL - Finished
🇹🇭Deep Night - This one surprised me a bit. There was a refreshing amount of good communication and they gave the people what they wanted, poly and older lesbians. I wish there were more acrobatics and the editing was weird in places but overall it's an entertaining show.
🇰🇷Gray Shelter - This is weird one. Because I feel like I have to fill in the gaps myself and that just shouldn't be the case. I enjoyed the actors a lot, and Lee Jae Bin presence on screen kept me engaged for most of it. There is definitely potential here if they had the time to explore all the different elements. But this runtime it's just not enough to fully flesh out these characters and the complex issues it wants to tackle.
🇯🇵Love is Better The Second Time Around - Started great but lost itself by the end. I don't think it needed that external conflict by the end with the brother and the mother because they weren't on firm ground to begin with. If I were to make a list like this one by @lurkingshan I don't think Myiata and Iwanaga would make it there. Iwanaga was amazing to watch though. He pretty.
🇯🇵My Strawberry Film - One pining gay boy does not a bl make. With that said, even as a drama there's nothing interesting here.
🇹🇭To Be Continued - Meh. It was fine. I wish I had more of the side couple because Gumbie is adorable. Midway this was getting into The Promise territory, and while it's not that bad, and I guess the reason for the separation is a valid one, I don't think Achi being the 'bad guy' for most of the show actually makes sense.
Rose Watches OJBL
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Junjou (2010) - Second chance romance. I liked it. It's a nice watch, nothing particularly outstanding or new about this one, although that's not really fair considering it's more than a decade old, but alas I've seen other versions of this particular type of bl. Nevertheless I liked the characters, specially Tozaki,
Athlete (2019) - The visuals were the best part for me. There are several things I like in this, the main actor does a really good job imo and I truly enjoyed the bar scenes. But it doesn't all come together for me. I don't have a problem with the ending as much as how we got there.
Other - Watched
This was a slow month for me. I started a new job and some other stuff happened so I haven't really been in the mood to watch new stuff. Mostly comfort watches and rewatches. Oh I did watch Heartbreak High S2. It was good.
That's it for right now. My ask box is always open. Wishing you all a wonderful holiday tomorrow💜
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freshlypeeled · 22 days
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Gf and I got crunchyroll, guess I’ll enter my weeb phase now lol
Prior to this I’ve just casually watched a handful of animes, any recommendations?
What I’m watching now is in the tags lol
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ultramarine-spirit · 2 years
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I was reading the novel and this time something caught my attention that I don't know why I had overlooked it before, and that is how Athy talks about her life in the orphanage. Athy says that the children in the orphanage knew things that the children should not know, that she had to fight for what she wanted and that when she left that place she felt a kind of freedom.
To me, that screams abuse.
It bothers me that the fandom so overlooked the fact that Athy was abused not only in her first life (neglect) but also in her second life and I'm sure it must have been hell. I wish the manhwa had put more emphasis on this because many fans overlook Athy's trauma when she is literally the character who suffered the most.
Yes, to me it's canon that Athy was heavily abused in her second life. Adding to what you said, I remember her mentioning having to literally fight for food (a bowl of rice), or how they got a single sad birthday celebration per month. That's also where her initial fixiations with candy, money and her genuine love for studying come from, as Athy herself admits, she never had those kinds of luxuries (she mentions having to eat expired food in a "haha funny" way, but if you think about it for two seconds, it's just tragic. Like, she died from overdosing on sleeping pills to deal with the cold). I know a thing or two about how orphanages operate from my field of work and acquaintances, and kids in those institutions suffer from abuse in all sorts of ways while being completely ignored by society. I'm not from Korea, but going by what Plutus wrote and reading about the subject, the situation seems to be similar or even worse.
If I want to get overanalytical, part of her depression while living alone could be a consequence of the treatment she received at the orphanage. It's super common for kids in those situations to end up with depression, PTSD, having issues forming emotional connections, facing prejudice, etc. It's also canon that she was verbally and physically abused at her workplace. Athy treats her death as an accident, but in my opinion it's implied that it was a suicide, perhaps not in an "active way", but her behavior was edging the line. Which is again, common for people with that background. I think this plot point is interesting, as to my knowledge suicide is a taboo subject in East Asia. Most manhwas don't have their FL reincarnate after that.
I get what you mean, that part of Athy's trauma is often overlooked, but it probably has to do with most people not reading the novel and with Athy herself not really acknowledging it. She mentions her life as Lee Jihye at the beginning of the story, and then very rarely brings it up. But if anything, that's pretty consistent with how Athy deals with her trauma and negative emotions, refusing to acknowledge they exist until their weight is too heavy for her to endure. I like this piece of characterization a lot, but it leaves us with many questions that are hard to answer when Athy herself doesn't remember or actively tries to forget the trauma from her past lives. You could draw some parallels with Lucas and Claude's respective ways of dealing with trauma, loss and trying to forget (but Athy's mindset is more healthy and not so self-destructive lol).
Also yes, to me Athy is the character that has suffered the most by far. Not like this is a competition, but *gestures at LP* and the fact that she was a working class woman in Korea while the other characters (sans Lucas and Diana, I guess) are and always have been rich aristocrats in pseudo-France says enough /hj.
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dashiellqvverty · 4 months
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TED LASSO EMMY LOSER 🎉🎉🎉
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mummer · 2 years
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succession starts dead bleak like pits of hell bleak you want to kill your self watching s1 because the world is a black hole nightmare. wins emmys for drama etc. but by s3 theres a new humanity to all these characters and by the end you get to that finale where against all odds the sibs come together and youre waiting for the shoe to drop and the betrayal to happen but it never does and youre screaming crying throwing up because uhh fucking love? and meanwhile barry starts with silly little snl man doing goofy gags in an acting class but wait he’s also a hitman! wuh oh! Shenanigans! wins comedy emmys! and then when s3 rolls around it’s easily 10x bleaker and feels like an evil torture pit.
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driftwooddestiel · 11 months
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JUST REMMEBERED MY DREAM LAST NIGHT OH MY GOD
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ghostsontelevision · 4 months
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obsessed w clems prison arc tbh. people keep being like heyyyyy clem do u want a redemption arc? and she keeps saying what on earth do i need to be redeemed from. love a bitch who responds to "why are you like this" with "what else could i possibly be"
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abyssruler · 8 months
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roses are red, violets are blue, lynette is so done with the two of you
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lyney x gn!reader
lynette thinks fontaine’s worst kept secret isn’t how neuvillette wears blue underwear or how the hydro archon loves a good drama, no, fontaine’s worst kept secret is lyney’s massive crush on you and how everyone and their grandmother know except you.
comedy, pining lyney, lynette being so done
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Lyney’s frowning.
Most people would find it an odd expression on him, used to having him direct dazzling smiles and playful laughter their way. But Lynette isn’t just anyone, and the sight of Lyney frowning is hardly a rare phenomenon within the privacy of their household.
Freminet’s usually Lyney’s choice of victim for whatever nonsense he’s managed to build himself up in that head of his, but Freminet’s busy doing errands and Lynette is unfortunately the only person within vicinity that Lyney trusts with his secret—which isn’t even a secret by this point, people have been making bets on how long it would take you to realize that Lyney’s been pining over you since forever.
Case in point: Lyney frowning over two identical flowers. She doesn’t need to be a mind reader to know that her brother is having a midlife crisis over which flower to give you.
Lynette thinks he should just man up and confess. Preferably within the next week or so, otherwise she’d lose her bet.
“Lynette, which one is more eye-catching, the crimson one,” he holds up the flower in his right hand, then he raises the other one, “or the maroon one?”
Lynette gives him the deadest stare she can muster. “They’re the same color.”
“Oh, sister, have you no taste?” Lyney tuts, pouting at her for a moment before returning to that constipated look as he squinted at the ‘crimson’ and ‘maroon’ flowers. Talk about being delusional.
“(Y/N)’s not gonna care whether the rose is crimson or maroon or red,” she tells him. You’d probably accept a dead flower if it came from Lyney, with that starry-eyed look you always got whenever he so much as glances your way. Lynette’s not one to judge other people’s taste too harshly, but she does wonder what you see in her overdramatic and annoying brother.
Ah, well. They do say love makes people blind. Hopefully not literally though, Lynette’s not looking forward to performing shows alone because Lyney got blinded by his love for you—though if you asked Lynette, she’d tell you it wasn’t love so much as obsession. Only someone insane would spend hours picking out flowers and calling them ‘maroon’ and ‘crimson’. It’s just red.
Lynette squints at him. “And since when were you interested in the meaning of flowers?”
“Well, I suppose you could say I like to dabble in other pursuits.” Lyney gives her a cheeky grin.
“Right…” He’s clearly losing his mind.
“Red roses symbolize true love, though rainbow roses in particular pertain to passion, and…” He trails off, eyes blinking in astonishment. She can practically see the lightbulb appearing on top of his head.
With a flick of his wrists, the ‘crimson’ and ‘maroon’ roses disappear. Lynette watches him warily, wondering what kind of outlandish idea has formed in that head of his.
But he doesn’t elaborate more, only shoots a wink at her and says, “I’ve got a great idea.”
His great idea, as it turns out, is to corner you in an alleyway and make it rain rainbow roses around you as he asked you out on a date, all while Lynette is crouched on the roof, dumping sacks of rainbow roses and vindictively hoping one of them stabs Lyney in the eye. No such luck.
You, as the ever-crazy romantic that you are, are awestruck and amazed by what he’s done instead of weirded out like how a normal person would be. With an eager smile and a twinkle in your eye, you accept the rose in Lyney’s hand and say yes when he asks you to meet him for dinner tomorrow. Lynette wants to barf, but settles for dumping another sack of flowers on top of the two of you.
And if she uses a little bit of anemo to direct a few petals to Lyney’s face? Well, you removing a petal sticking to his cheek and having your fingers linger there for a few moments wasn’t part of the plan (the plan being: embarrass her brother by having him choke on a petal while he’s speaking), but she can’t entirely begrudge the result. Not when Lyney looks like he’s about to have a meltdown with just one touch from you. Good blackmail material right there.
Lynette’s happy that the two of you have finally gotten your heads off your asses and are actually going on a date. Though mostly she’s happy about the amount of mora heading her way soon.
She’ll have to thank Freminet for telling her about the bet about you and Lyney. Maybe she can start a new bet on when the two of you are getting married—probably soon, if the lovestruck look on Lyney’s face is anything to go by. She hopes he won’t be crazy enough to propose on the second date, because you’d certainly be crazy enough to accept if he did.
Oh, well. Lynette will put a bet on one month just in case.
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magickedhat · 2 years
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INHALES.
actor au but they have a part in a movie / teen drama WHEN 
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fuckyeahgoodomens · 2 months
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The Radio Times magazine from the 29 July-04 August 2023 :)
THE SECOND COMING
How did Terry Pratchett and Neil gaiman overcome the small matter of Pratchett's death to make another series of their acclaimed divine comedy?
For all the dead authors in the world,” legendary comedy producer John Lloyd once said, “Terry Pratchett is the most alive.” And he’s right. Sir Terry is having an extremely busy 2023… for someone who died in 2015.
This week sees the release of Good Omens 2, the second series of Amazon’s fantasy comedy drama based on the cult novel Pratchett co-wrote with Neil Gaiman in the late 1980s. This will be followed in the autumn by a new spin-off book from Pratchett’s Discworld series, Tiffany Aching’s Guide to Being a Witch, co-written by Pratchett’s daughter Rhianna and children’s author Gabrielle Kent. The same month, we’ll also get A Stroke of the Pen, a collection of “lost” short stories written by Sir Terry for local newspapers in the 70s and 80s and recently rediscovered. Clearly, while there are no more books coming from Pratchett – a hard drive containing all drafts and unpublished work was crushed by a vintage steamroller shortly after the author’s death, as per his specific wishes – people still want to visit his vivid and addictive worlds in new ways.
Good Omens 2 will be the first test of how this can work. The original book started life as a 5,000-word short story by Gaiman, titled William the Antichrist and envisioned as a bit of a mashup of Richmal Crompton’s Just William books and the 70s horror classic The Omen. What would happen, Gaiman had mused, if the spawn of Satan had been raised, not by a powerful American diplomat, but by an extremely normal couple in an idyllic English village, far from the influence of hellish forces? He’d sent the first draft to bestselling fantasy author Pratchett, a friend of many years, and then forgotten about it as he busied himself with continuing to write his massively popular comic books, including Violent Cases, Black Orchid and The Sandman, which became a Netflix series last year.
Pratchett loved the idea, offering to either buy the concept from Gaiman or co-write it. It was, as Gaiman later said, “like Michelangelo phoning and asking if you want to paint a ceiling” The pair worked on the book together from that point on, rewriting each other as they went and communicating via long phone calls and mailed floppy discs. “The actual mechanics worked like this: I would do a bit, then Neil would take it away and do a bit more and give it back to me,” Pratchett told Locus magazine in 1991. “We’d mess about with each other’s bits and pieces.”
Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch – to give it its full title –was published in 1990 to huge acclaim. It was one of, astonishingly, five Terry Pratchett novels to be published that year (he averaged two a year, including 41 Discworld novels and many other standalone works and collaborations).
It was also, clearly, extremely filmable, and studios came knocking — though getting it made took a while. rnvo decades on from its writing, four years after Pratchett's death from Alzheimer's disease aged 66, and after several doomed attempts to get a movie version off the ground, Good Omens finally made it to TV screens in 2019, scripted and show-run by Gaiman himself. "Terry was egging me on to make it into television. He knew he was dying, and he knew that I wouldn't start it without him," Gaiman revealed in a 2019 Radio Times interview. Amazon and the BBC co-produced with Pratchett's company Narrativia and Gaiman's Blank Corporation production studios, with Michael Sheen and David Tennant cast in the central roles of Aziraphale the angel and Crowley the demon. The show was a hit, not just with fans of its two creators, but with a whole new young audience, many of whom had no interest in Discworld or Sandman. Social media networks like Tumblr and TikTok were soon awash with cosplay, artwork and fan fiction. The original novel became, for the first time, a New York Times bestseller.
A follow up was, on one level, a no-brainer. The world Pratchett and Gaiman had created was vivid, funny and accessible, and Tennant and Sheen had found an intriguing romantic spark in their chemistry not present in the novel.
There was, however, a huge problem. There wasn't a second Good Omens book to base it on. But there was the ghost of an idea.
In 1989, after the book had been sold but before it had come out, the two authors had laid on fivin beds in a hotel room at a convention in Seattle and, jet-lagged and unable to sleep, plotted out, in some detail, what would happen in a sequel, provisionally titled 668, The II Neighbour of the Beast.
"It was a good one, too" Gaiman wrote in a 2021 blog. "We fully intended to write it, whenever we next had three or four months free. Only I went to live in America and Terry stayed in the UK, and after Good Omens was published, Sandman became SANDMAN and Discworld became DISCWORLD(TM) and there wasn't a good time."
Back in 1991, Pratchett elaborated, "We even know some of the main characters in it. But there's a huge difference between sitting there chatting away, saying, 'Hey, we could do this, we could do that,' and actually physically getting down and doing it all again." In 2019, Gaiman pillaged some of those ideas for Good Omens series one (for example, its final episode wasn't in the book at all), and had left enough threads dangling to give him an opening for a sequel. This is the well he's returned to for Good Omens 2, co-writing with comic John Finnemore - drafted in, presumably, to plug the gap left Pratchett's unparalleled comedic mind. No small task.
Projects like Good Omens 2 are an important proving ground for Pratchett's legacy: can the universes he conjured endure without their creator? And can they stay true to his spirit? Sir Terry was famously protective of his creations, and there have been remarkably few adaptations of his work considering how prolific he was. "What would be in it for me?" he asked in 2003. "Money? I've got money."
He wanted his work treated reverently and not butchered for the screen. It's why Good Omens and projects like Tiffany Aching's Guide to Being a Witch are made with trusted members of the inner circle like Neil Gaiman and Rhianna Pratchett at the helm. It's also why the author's estate, run by Pratchett's former assistant and business manager Rob Wilkins, keeps a tight rein on any licensed Pratchett material — it's a multi-million dollar media empire still run like a cottage industry.
And that's heartening. Anyone who saw BBC America's panned 2021 Pratchett adaptation The Watch will know how badly these things can go when a studio is allowed to run amok with the material without oversight. These stories deserve to be told, and these worlds deserve to be explored — properly. And there are, apparently, many plans afoot for more Pratchett on the screen. You can only hope that, somewhere, he'll be proud of the results.
After all, as he wrote himself, "No one is finally dead until the ripples they cause in the world die away, until the clock wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone's life is only the core of their actual existence."
While those ripples continue to spread, Sir Terry Pratchett remains very much alive. MARC BURROWS
DIVINE DUO
An angel and a demon walk into a pub... Michael Sheen and David Tennant on family, friendship and Morecambe & Wise
Outside it's cold winter's day and we're in a Scottish studio, somewhere between Edinburgh and Glasgow. But inside it's lunchtime in The Dirty Donkey pub in the heart of London, with both Michael Sheen and David Tennant surveying the scene appreciatively. "This is a great pub," says Sheen eagerly, while Tennant calls it "the best Soho there can be. A slightly heightened, immaculate, perfect, dreamy Soho."
Here, a painting of the absent landlord — the late Terry Pratchett, co-creator, with Neil Gaiman, of the series' source novel — looms over punters. Around the corner is AZ Fell and Co Antiquarian and Unusual Books. It's the bookshop owned by Sheen's character, the angel Aziraphale, and the place to where Tennant's demon Crowley is inevitably drawn.
It's day 74 of an 80-day shoot for a series that no one, least of all the leading actors, ever thought would happen, due to the fact that Pratchett and Gaiman hadn't ever published any sequel to their 1990 fantasy satire. Tennant explains, "What we didn't know was that Neil and Terry had had plots and plans..."
Still, lots of good things are in Good Omens 2, which expands on the millennia-spanning multiverse of the first series. These include a surprisingly naked side of John Hamm, and roles for both Tennant's father-in-law (Peter Davison) and 21-year-old son Ty. At its heart, though, remains the brilliant banter between the two leading men — as Sheen puts it, "very Eric and Ernie !" — whose chemistry on the first series led to one of the more surprising saviours of lockdown telly.
Good Omens is back — but you've worked together a lot in the meantime. Was there a connective tissue between series one of Good Omens and Staged, your lockdown sitcom?
David: Only in as much as the first series went out, then a few months later, we were all locked in our houses. And because of the work we'd done on Good Omens, it occurred that we might do something else. I mean, Neil Gaiman takes full responsibility for Staged. Which, to some extent, he's probably right to do!
Michael: We've got to know each other through doing this. Our lives have gotten more entwined in all kinds of ways — we have children who've now become friends, and our families know each other.
There have been hints of a romantic storyline between the two characters. How much of an undercurrent is that in this series.
David: Nothing's explicit.
Michael: I felt from the very beginning that part of what would be interesting to explore is that Aziraphale is a character, a being, who just loves. How does that manifest itself in a very specific relationship with another being? Inevitably, as there is with everything in this story, there's a grey area. The fact that people see potentially a "romantic relationship", I thought that was interesting and something to explore.
There was a petition to have the first series banned because of its irreverent take on Christian tropes. Series two digs even more deeply into the Bible with the story of Job. How much of a badge of honour is it that the show riles the people who like to ban things?
David: It's not an irreligious show at all. It's actually very respectful of the structure of that sort of religious belief. The idea that it promotes Satanism [is nonsense]. None of the characters from hell are to be aspired to at all! They're a dreadful bunch of non-entities. People are very keen to be offended, aren't they? They're often looking for something to glom on to without possibly really examining what they think they're complaining about.
Michael, you're known as an activist, and you're in the middle of Making BBC drama The Way, which "taps into the social and political chaos of today's world". Is it important for you to use your plaform to discuss causes you believe in?
Michael: The Way is not a political tract, it's just set in the area that I come from. But it has to matter to you, doesn't it? More and more as I get older, [I find] it can be a real slog doing this stuff. You've got to enjoy it. And if it doesn't matter to you, then it's just going to be depressing.
David, Michael has declared himself a "not-for-profit" actor. Has he tried to persuade you to give up all your money too?
David: What an extraordinary question! One is always aware that one has a certain responsibility if one is fortunate and gets to do a job that often doesn't feel like a job. You want to do your bit whenever you can. But at the same time, I'm an actor. I'm not about to give that up to go into politics or anything. But I'll do what I can from where I live.
Well, your son and your father-in-law are also starring in this series. How about that, jobs for the boys!
David: I know! It was a delight to get to be on set with them. And certainly an unexpected one for me. Neil, on two occasions, got to bowl up to me and say, "Guess who we've cast?!"
How do you feel about your US peers going on strike?
David: It's happening because there are issues that need to be addressed. Nobody's doing this lightly. These are important issues, and they've got to be sorted out for the future of our industry. There's this idea that writers and actors are all living high on the hog. For huge swathes of our industry, that's just not the case. These people have got to be protected.
Michael: We have to be really careful that things don't slide back to the way they were pre the 1950s, when the stories that we told were all coming from one point of view and the stories of certain people, or communities within our society, weren't represented. There's a sense that now that's changed for ever and it'll never go back. But you worry when people can't afford to have the opportunities that other people have. We don't want the story that we tell about ourselves to be myopic. You want it to be as inclusive as possible
Staged series 3 recently broadcast. It felt like the show's last hurrah — or is there more mileage? Sheen and Tennant go on holiday?
David: That's the Christmas special! One Foot in the Algarve! On the Buses Go to Spain!
Michael: I don't think we were thinking beyond three, were we?
So is it time for a conscious uncoupling for you two — Eric and Ernie say goodbye?
David: Oh, never say never, will we?
Michael: And it's more Hinge and Bracket.
David: Maybe that's what we do next — The Hinge and Bracket Story. CRAIG McLEAN
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hotvintagepoll · 2 months
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Propaganda
Angela Lansbury (The Harvey Girls, The Court Jester, The Manchurian Candidate)—The babe, the myth, the legend. In her own words her early hollywood roles were "a series of venal bitches" and they were all glorious. Half of them wanted to kill you and you probably would have thanked them. She even goes toe to toe with Judy Garland in The Harvey Girls! That said, she was chronically underused and misused during this era - she was just 36 when she was cast as Elvis Presley's mother in Blue Hawaii and a few years later commented that she'd played so many 'old hags' that most people thought she was in her 60s. She thought she was "all talent, no looks" but she was the full package! Post-1970 I hope we all know what an incredibly talented and compassionate badass she was, but I feel like not enough people know her early roles as a hot (often villainous) young thing.
Angie Dickinson (Rio Bravo, Point Blank, Ocean's Eleven)—Though it could be argued that overall her career leans more to TV, during this time period she was splitting movie title credits with the very top names in the business.
This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Propaganda for Angie Dickinson:
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Propaganda for Angela Lansbury:
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"Angela Lansbury might not be where your mind goes first when you think of hot leading women, because she had a later career revival. But she began acting in the early 1940s after leaving London due to the Blitz. In the first couple decades of her film career she has an openness about her. She said she never really fit in with the Hollywood crowd and to me she gives off a friendly, untarnished vibe."
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"Most of us know Angela Lansbury as old lady sleuth Jessica Fletcher, but it's important to know that she was smoking hot in her younger days as well as a damned fine actress. Although she didn't get lead roles until her early 40s, at 17 she was a supporting actress in films such as Gaslight (1944), National Velvet (1944), and The Picture of Dorian Grey, for which she won the Golden Globe for best supporting actress and was nominated for the Oscar. Even in her memorable performance as the manipulative mother in The Manchurian Candidate, she is listed as a supporting actress as she does not play the love interest. She was successful both on stage and screen, and won the Tony for her lead role in the musical Mame on Broadway in 1966. TL;DR While Angela Lansbury mostly played supporting roles in films before 1970, she had what it takes to be a leading actress, which we know from her success on stage and tv from the mid 60s onward"
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"She looked like a princess but bit like a viper"
"Is there anything this woman couldn't do? Act in comedy and drama, sing, dance, be a wonderful human being - quite simply a true and wonderful lady."
"god she had such an incredible career all throughout her life really but as a young lady she was just as incredible as she was in her later years. enchanting voice, amazing personality, and absolutely GORGEOUS. she lamented not having the looks to play leads in romance but that idea is so batshit because look at her??? she's one of the most terrific women of all time. also she's my grandmother's favorite actress and i truly get it"
"she is the fairytale princess of my dreams in court jester"
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tossawary · 6 months
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When writing fanfiction, there are a lot of unknowns surrounding Mobei-Jun that I answer based on what I think is compelling, funny, and/or contrasts well against SQH | Airplane Bro. (Sometimes, based on what contrasts interestingly and/or hilariously against Luo Binghe or Shen Qingqiu.) The choices I make for MBJ also depend on what suits that particular story.
An interesting question: "What kind of literature does Mobei-Jun like?" He's Airplane Bro's Ideal Man / Dream Guy! It's fun to think about what Mobei-Jun's relationship might be to fiction.
One choice that I've pulled a few times now is having Mobei-Jun be functionally illiterate, mostly because I think that situation is an interesting / amusing contrast to the guy who technically wrote the world into existence. Airplane Bro was cranking out thousands of words per day to eat, selling out his honest passion for literature, and Mobei-Jun can't / doesn't read.
There are lots of different potential reasons for this! Maybe Mobei-Jun is dyslexic. Maybe he desperately needs reading glasses and doesn't realize it. (Yes, maybe half of his glaring is just squinting.) Maybe his education was really bad because his family tried to murder him too many times. Maybe he just doesn't have any interest in fiction or in reading as a hobby in general, because paper / writing is rare in the Demon Realm for a variety of reasons and he's been busy building more relevant skills.
(Airplane Bro is shocked and offended, yes, but mostly because Mobei-Jun somehow successfully hid being unable to read from him for two or more decades. All of those "you read it" and "you write it" orders suddenly make so much sense.)
Another direction for "Mobei-Jun's relationship to media" that I've been enjoying lately as a premise is that Mobei-Jun is the sort of person who would have genuinely enjoyed "Proud Immortal Demon Way". But, like, in a weird way. Like, maybe Mobei-Jun isn't there for the women or the power fantasy, but he's fascinated by the cage of dissatisfaction, misery, and cruelty that the protagonist is building around himself using empty pleasures and merciless vengeance. Mobei-Jun is there for the tragedy. Everyone else in the comments section would think that he's a weirdo for different reasons, including Airplane Bro, but Mobei-Jun is (by accident) operating on a level where he sees the vision.
Alternate direction on "Mobei-Jun would like PIDW, actually": maybe he would like it because he actually loves trashy drama and stupid catfights. He's there for the comedy. He grew up in an environment where his father stole his uncle's wife and his own uncle tried to kill him multiple times, after all. In PIDW itself, right-hand man Mobei-Jun somehow successfully suffered years upon years of Luo Binghe's harem nonsense, and maybe Mobei-Jun was having the time of his life watching Sha Hualing start shit in the harem, actually!
Maybe in a Modern AU, Airplane Bro would try to sound intelligent and cultured by talking to his rich boss / boyfriend about classy literature, only to find out that Mobei-Jun basically only watches reality television competitions where people are constantly trying to tear each other's hair out for money. If people aren't screaming in each other's faces over a spilled glass of wine, throwing plates at each other over a stolen boyfriend or a ruined wedding, or backstabbing each other via wardrobe sabotage to get ahead, then Mobei-Jun is bored. Fighting matches or extremely dangerous sports are also fine, though, sure. (Airplane Bro doesn't like any of this stuff. He's a fantasy novel guy. He has no idea how to react to this.)
Another funny direction for "Mobei-Jun's relationship to media" is that maybe "Proud Immortal Demon Way" wouldn't actually be weird ENOUGH for Mobei-Jun's tastes. Maybe Mobei-Jun would be like that guy who claims "if I can guess the twist, then it's not suspense - suspense is when I don't know what's going to happen next, period" and reads long-running, amateur, foreign, abstract web-novels that he has to put through an online translator himself. Maybe in a Modern AU with this opinion, Mobei-Jun loyally watches telenovelas and Bollywood soap operas. Airplane Bro comes into the room and says, "Wow, not even any subtitles? You can understand what they're saying?" and Mobei-Jun says sincerely, "No. You have to figure out what's happening without them. This is the intended viewing experience."
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request!!: peter parker who has a huge crush on reader and one day r just accidently friendzones themself without even realising that they did? (i hope that makes sense?) then after that u can take it anywhere u want to honestly!! ly <333
ily anon, you answered my pleas. also you know that tt prank where couples kiss and then say “thanks brother” or “love you sis”… couldn’t help but add it for some comedy.
mcu!peter parker x fem!reader
masterlist
you need to learn when to shut your mouth. tripping your foot into your mouth has gotten you into too many situations before, but this one is absolutely the worst one. you might as well be taken to the grave already.
your just a girl. sometimes you say your crush is “like a brother to you” when getting hounded by mr. delmar. it’s a panic move, mouth speaking before mind catches up. and it landed you in the dog house when you saw the way peter’s face dropped at the implication. but you thought he was smart enough to know that wasn’t true, you were touchy and teasing with him. you wouldn’t do that with a sibling, you’re not one of those people.
“mj, i’m a fucking idiot.” groaning into your pillow, trying to suffocate yourself.
she gave an exasperated sigh that you knew was followed by an eye roll. “yes you are, but you don’t need parker.” you heard the flip of a page.
you whined in your throat, “but i want parker!” acting like a tantrum kid. even adding a kick to your feet, your bed springs creaking.
mj groaned, “then clear the air! it’s not that hard!” over your peter parker drama.
you rolled from your stomach to your back, arms flipping to your sides as you stared up at your white ceiling. “but what if-“ your sentence was cut short by a knock at your window.
“say his name and he appears.”
peeking at the tips of your toes you saw peter squatting on your terrace, a hesitant smile with an awkward wave. welp, now’s a good time to clear the air.
crawling off your bed you pushed the window up and were greeted by a cool breeze. bits of peter’s baby curls swaying with the touch, a angelic glow surrounding him. you feel yourself melt just at the sight of him.
“h- hey peter, whatcha-“ “can we talk? alone?”
your eyes zeroed in on mj who was blantanly staring at the two of you, book of no interest at the moment. “oh, i’m fine over here.”
“mj…” “fine. fine. i’ll see you both at school.” packing up and leaving your home with a wiggle of her brows.
“so what did-“ “do you really think of my as a brother?”
you couldn’t help a small chuckle, “kinda funny how you’ve interrupted me three times, but uh, no. i- i don’t see you as a brother, that thought feels gross. mr. delmar was making me anxious.” looking to your fingers as you drummed them along your windowsill.
“oh thank god.” peter declared while cupping his hands on your cheeks to bring your head up. both of you smiling brightly at each other
two months later
“so what do i do?” “just sit there and look pretty.”
a shy smile at peter’s lovely words. he finished setting up his camera and pressed record, you just stared at his side profile.
“you wanna get to her, well you gotta go through me.” and peter turned to kiss you on the lips. a shiny haze covered your eyes then- “love you sis.”
“peter!”
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briarcrawford · 7 months
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Is This How You Write Romance?
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I have never written a romance; not even once. That does not mean there is anything wrong with romance stories, just that I typically am drawn to writing stories that focus on other aspects. Now, that might sound like I am being a snob, but what I really mean is that I am a simple soul; I crave action scenes. Media that is majority romance just tends to bore me.
I do want to improve as a writer, though, and that does include writing romance(as a sub-plot). It is something most people expect in stories, and, if I am honest, a part of the reason I continue to avoid it is that I have no experience writing it. So, to help me get started, I have been doing what I do best: researching.
I have been (halfheartedly, with my phone in hand) watching the odd romance movie when my mom has them on(those ultra cheesy Hallmark ones), and it seems like most romances can break down into a simple formula.
The formula is:
1. The Meet-Cute
After the viewers have had a look into the life of the main character, the meet-cute happens. This scene is most likely funny or overly dramatic.
“In film and television, a meet cute is a scene in which the two people who will form a future romantic couple meet for the first time, typically under unusual, humorous, or cute circumstances. This type of scene is a staple of romantic comedies, though it can also occur in sitcoms and even soap operas.” Wikipedia
2. Building a Connection
Scenes that gradually bring them closer; typically do to coincidences or circumstances that force them to keep meeting. These scenes are when your readers will decide if they have chemistry or not.
3. Turning to Feelings
They continue having scenes together, and show signs of mutual interest. These scenes are when readers decide if they would make a healthy couple, and romance fans start looking forward to what could happen.
4. Feelings Confirmed
Something happens (such as a rescue, or a near kiss) that makes them realize or suspect that the feelings are mutual.
5. The Test
Their relationship is tested, and they realize how much they need each other. This is normally when one side runs off, and the other chases.
Without some sort of conflict and character building, the romance may come off feeling like filler content or fan service.
6. End
All is resolved, and they are together now.
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Obvious, right? Well, the trick is to weave these into your main plot without them standing out too much.
Once you know what readers want in romance, the tricky part starts.
1. Confirm your genre.
What scenes are most important to you? If it is the romance scenes, you may want to rethink how you classify your genre. For example, there is a difference between writing a fantasy with a romance subplot, and a romance with a fantasy subplot. Deciding if you need to shift your main focus will change how much of each content makes up the percentage of your book.
2. Decide Your Goals.
What are your goals for the relationship? Sometimes, the plot points above stretch through just one book, while other times it can stretch for a whole series. If your goal is to have them get together in one book, know that you will have to deal with continuing that romance throughout the rest of the series(and adding in enough drama to keep it worth the subplot time).
3. They Should Amplify Your Main Plot.
If you have your characters become a couple in the middle of your main-plot’s climax, you risk ruining what tension you have built. Some writers do fight this and go with it anyway, though that is often because one of the love interests is almost guaranteed to die in the next scene.
Instead, consider having the relationship build at the same speed of the main plot. This is why end-of-series kisses are so popular to write.
Another popular option is to have them get together early on, but separated. That way, the hero is fighting not only to survive, but also to get back to their love.
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This is, of course, all written by someone learning, so if any of you have any tips for writing romance, please let me know! I am not planning on watching any more of those movies(sorry, mom haha), so I will take all the help I can get.
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