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#but I want to do something about it
inkskinned · 9 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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elodieunderglass · 7 months
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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cozylittleartblog · 1 year
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not that we didn't already Know belos was full of shit, but it's even funnier knowing the titan was still alive the whole time and probably judging him
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soldrawss · 1 year
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*holds face tenderly*
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seancefemme · 1 year
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ellie & joel
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The secret good ending for FNAF ruin,,
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neytui · 2 months
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BeholLD MY TINKER HICCUP FAIRY DESIGN!!
Been having this on my head for a whilee and really wanted to give the desing a go. Why? I don't know, but a Neverland au sure it's fucking cool
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slavhew · 28 days
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hm
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verflares · 1 month
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(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:
"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"
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ao3commentoftheday · 2 months
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Bear with me here because I might end up torturing this particular metaphor, but when it comes to trying to get the image of a scene onto the page in the form of descriptive narrative, it might be useful to approach it like a visual artist.
If you've ever watched an artist do their thing (or if you're an artist yourself), you know that they don't just start at the top left corner of the page and draw the entire scene in all its detail, all in one go. I'm going to use an example of digital drawing with the use of software like Photoshop here because I have no idea if this metaphor will work with pencil and paper.
You have an image in your head. It might be super clear. It might be more vague. When you're starting to describe it, just sketch it in. Create a layer of broad strokes information like what the location is, how many people are in it, and what activity is happening.
Then add in a layer - whichever one is easiest. Let's pretend it's the location. Read through the sketch that you currently have and see where you have opportunities to describe the location. You don't have to front load everything at the top of the chapter, for example. You can add in details about the location as the characters move through it.
Add another layer. Are the characters' appearances different from what they previous were? Are you just establishing them at the start of the story? Do they have a "uniform" that they wear in canon that you've opted not to change? You can add in whatever details here you want, and again don't feel like you have to put it all in the same place. You can talk about a ponytail falling loose partway through an action. Or wait until someone else comments on a character's new pair of shoes.
Add another layer. What are the characters doing? How are they moving? Interacting?
Another layer. What are they saying? How do they sound?
Another layer. What other sounds are in the room? What smells? Do these change? Appear or disappear?
Keep going back and forth, toggling your way through your layers, adding things in here and removing them there. Every artist knows that sometimes a line just doesn't go in the right place and you have to erase it and draw it again.
Remember that no amount of work will give your reader a perfect representation of the vision in your mind, but also please know that that's okay.
By the time you finish your scene, some of those early layers might not exist anymore, and that's okay too. They were the sketch that started your verbal drawing. The base you used to guide your inks. Your final render won't have every line or brush stroke in it, and it'll be all the better for it in the end.
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inkskinned · 1 year
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probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
#this is true#writeblr#warm up#relatedly for some reason one of our Favorite Jokes#amongst the Siblings#is like - ''this is so good u will love it''#while we are reacting to something we OBVIOUSLY find viscerally disgusting#like we will be actively retching and be like ''nooooo it's so good''#to the point that i sometimes get nervous if someone outside my family is like oh u should try it its good#(obvi we never force each other to eat anything. we are all just curious birds and#like. we're GONNA try the new thing.)#edit to answer why we had so much vanilla:#my mom is a very good cook and we LOVE to bake. so she just had a lot of staples in the house.#it's one of those things that's like. have u ever continuously thought ''ah i should get butter im probably out''#even tho u are not out of butter. so u end up with like 5 years of butter.#my mom would do that in a costco but like with vanilla extract#to be fair we WERE always using WAY TOO MUCH bc we were kids#so like she was right to stock up#ps. yes we were VERY sick after this lol i just didn't want to include it in the post in case ppl had an ick about that#u can tell it's real bc we knew "oh no we fucked up that's too much vanilla to waste'' but our reaction was to just. keep drinking it#> sibling understanding that vanilla extract isn't free > knowledge mother doesnt mind if we use it for milkshakes#> sibling choice to maybe get in a loophole of ''not wasting it'' if we drink it bc that's the same as using it (not throwing it out)#listen bud i was like 13 and my sister was like 9#when my mom discovered this we. got in. A LOT. of trouble. a lot of it. a LOT of it.#3rd edit bc i guess it isn't clear - i am 1 of my brother's 2 little sisters#i am the middle child#out of all the ways i have had to explain a post before being like ''did u forget a middle child can happen'' is my favorite
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toboldlymuppet · 24 days
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gripped by fear
my piece for dark waters, an op angst zine
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sidras-tak · 11 months
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lizkreates · 11 months
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Black Coffee & Donuts ☕ 🍩
~A Trigun fan comic~
(Image description under cut)
[ID: PAGE 1 Panel 1: Wolfwood and Vash sit at a bar counter just as they’re finishing breakfast. Wolfwood annoyed, is hunched over grasping his coffee mug as he pushes Vash’s face away, who is playfully waving a chocolate sprinkle around. Dialogue: Vash: “Try a donut? Come on, they have sprinkles on the today!” Wolfwood: “Forget it, Spikey!”
Panel 2: Close-up of Vash’s hands breaking the donut into a smaller piece, crumbs flying in the air.
PAGE 2: Panel 1: Vash, drawn in chibi style, reaches over and gently places the donut piece on Wolfwood’s empty plate, utensils resting on the side. Wolfwood, holding his hot black coffee, looks over his glasses annoyed. Dialogue: Vash: “Just a piece?”
Panel 2: Close-up of Vash with pleading eyes and an innocent smile asking “Do it for me?”
Panel 3: Dialogue: Wolfwood: “Okay, but only if you try black coffee.” Vash: “You got yourself a deal!” Wolfwood and Vash toast their coffee mugs in agreement.
PAGE 3 Panel 1: Wolfwood, eyes closed, begrudgingly puts the donut piece in his mouth and eats it. Dialogue: I don’t get what’s so great about this.
Panel 2: Wolfwood looks over to Vash, who is cartoonishly dumping the entire cup of hot coffee in his mouth. He snaps at him “What are you doing?!”
Panel 3: Vash yells, “HOT HOT HOT!!!” Steam rises out of his mouth, and tears stream down his face as he waves his mouth with both hands in an attempt to cool it down. Wolfwood shouts, “You idiot! You’re not supposed to drink it all at once.”
Panel 4: Wolfwood calms down, now concerned if Vash burned himself, and asks “Are you okay?” Vash leans over and chugs a pitcher of water and answers “Mm-mm.” (Which is uh-huh mumbled.)
PAGE 4: Panel 1: Close-up of Wolfwood’s lower face, as he takes off his glasses, no longer concealing part of himself. “Sorry, I should have warned you.”
Panel 2: Wolfwood looks down remorsefully and cradles his coffee mug with both hands. “You need to respect it. Nurse it slowly, let it cool down. Savor the bitter taste.”
Panel 3: Close-up of Wolfwood’s eye in surprise. “It sounds just like you,” Vash observes.
PAGE 5: Panel 1: Wolfwood lights up and laughs, “Ha it sure is!” Panel 2: Vash lightly blushes and smiles softly looking at Wolfwood’s contagious grin. He got him to smile, a win.
PAGE 6: Panel 1: A view from behind, we see Vash and Wolfwood from the back as they continue their banter. Vash sits like a gay, legs everywhere, and Wolfwood straight like a proper Catholic boy. Vash asks “How’s the donut?” Wolfwood responds, “It’s sickeningly sweet…actually it reminds me of you.” Vash blushes, “Aw, Wolfwood! You called me sweet~” Wolfwood denies it, “N-no I didn’t…!” Kuroneko, a black cat, sleeps at the foot of Wolfwood’s bar stool. End ID.]
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egophiliac · 8 months
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starting off with an amuse-bouche of some of my initial favorite bits! y'all, this update was WILD.
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chappelroans · 3 months
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missing someone bad for you
trista mateer / trista mateer / sue zhao / u.k / u.k / clementine von radics / trista mateer
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