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#but both so good
beaulesbian · 7 months
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it was so interesting how the mihawk vs zoro fight was different in the manga than in the show.
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i feel it was much more sudden, no planning the duel for next day, just when zoro saw mihawk he already knew he has to try and fight him.
luffy doesn't say anything against if even if they had just seen mihawk split that ship with just his sword. he accepts it (because he already understands he can't stand in the way of zoro's dream), and stands close by without saying anythign almost the whole fight. watching it closely.
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and when zoro is having troubles, luffy still holds johnny and yosuku back so they don't interfere with the duel .
only after zoro is defeated and drops in the water, luffy loses it, and goes after mihawk with so much anger.
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it was a nice and interesting moment that mihawk saw luffy holding the others away from the fight.
lets luffy know that he didn't kill zoro.
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and then this whole thing sksajds
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"luffy, can you hear me?"
"i hear you."
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the way they showed it in the show was great - with how close luffy was by zoro's side, immediately checking up on him and hearing what zoro wanted to say to him directly.
but the way it's in the manga, it's almost heartbreaking because they're some distance away and luffy has to ask usopp if zoro is ok, and zoro isn't even sure if luffy is around, but he needs him to know!
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that we won't ever fail!
"got a problem with that, king of the pirates?"
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and same as in the show, luffy in different words say zoro could never fail him! he's so happy zoro survived that
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evansbby · 2 years
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alright everyone what do you prefer? buzzcut!Chris or long hair!Chris?
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divorcetual · 8 months
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I am actually so serious I think it really messes with a childs creativity and joy to tell them to never make a mary sue OC. Like that unbridaled form of joy where you make a self insert OC who super cool and everyone loves them and they have every superpower in the world SHOULD be something a kid makes, it nourishes their ability to create things for fun and not be stifled by "oh but what if my character is too overpowered and cringey...". whatever
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nipuni · 8 months
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They are so fun to draw 🥺 help
A speedpaint video of this will be available at my Patreon on sept 1st!
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autumn-may · 4 months
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Mostly spoiler free summary of my viewing experience
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lastoneout · 9 months
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the whole guilt-tripping language in posts about important topics paired with how I'm still getting bitches in my notes talking about why it's actually good to tell "bad" people to kill themselves continues to prove to me that a lot of people have absolutely no concept of social justice or activism outside of assuming the worst of and then viciously attacking strangers on the internet
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catmask · 6 months
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sometimes while i think about that while a lot of adults did not treat me very well as a kid i also get a lot of 'in hindsight this person was so good to me and i didnt even realize it until now' as an adult. today i was thinking about how the first anime convention i ever went to was when i was 10 and i asked the man working the manga cafe what manga was/what a good place to start was (because the con was very overstimulating for me and i had gotten lost) and he asked how old i was before recommending yotsuba and asking if i wanted any water or something to eat. its really simple but theres a lot of bad things that couldve happened or he could've been careless in his recommendation, but instead yotsuba has remained one of my favorite manga for years, and probably a large portion of why i continue to read manga as an adult... i think adults who try to involve kids in the world safely/kindly even in little ways make so much more of a difference than they ever really know.
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To the people saying "Jason wouldn't have jumped into tartarus for Piper, like Percy did for Annabeth" as a way to demean him. Jason, plunged into the sky from the grand canyon to catch Piper in the first few pages of the lost hero without even knowing who she was, and without the knowledge that he could fly. so he basically jumped to his death attempting to catch her. In the first few pages of his journey, he didn't mind dying to save Piper, and ironically, that's also what he did in the last few pages of his journey. Y'all just be making the most out of pocket claims abt jason fr
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7roaches · 7 months
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sorry that took like an hour i stopped to eat dinner heres my idea
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guardian-of-soho · 8 months
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The more I think about the last minutes the more I’m sure Crowley was saying goodbye from the minute Aziraphale told him he’d said yes to Heaven. He doesn’t confess his love like he’s hopeful, he confesses it like a eulogy. He doesn’t kiss him to make a beginning, he kisses him to seal the end. He watches him go like it’s the last time.
Crowley knows Heaven. He knows they’ll want to either make Aziraphale just like them, or destroy him. Either way I think he believes he’s seen his angel for the last time.
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catsharky · 11 months
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Presenting: King Sidon, his wife Queen Yona and his boyfriend Link.
Yona is very supportive of everything except Sidon forgetting his ceremony cues.
(I had an atrocious week and TotK has been coming in clutch for keeping me sane.)
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dailymanners · 2 months
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Always use "excuse me" if you have to get into someone else's personal space.
Someone at the store is standing in front of the shelf where there's a can you want to grab? Don't just reach into their personal space without warning, say "excuse me" or "pardon my reach" first so that they at least have a warning that someone is about to reach into their personal space, and most importantly, so that they have a chance to move before you get into their space.
Or if someone is standing on a walkway or in a doorway you need to get through, don't just silently shove past them or squeeze past them, say "excuse me" so that they have a warning that a someone is about to squeeze or shove into their personal space, and they have a chance to move out of the way before you do you.
People deserve a fair warning if someone is about to squeeze or shove or reach into their personal space. A lot of people are not okay with having someone, but especially a stranger, randomly shove or squeeze or reach into their personal space without warning. They also deserve a chance to move out of the way first for the sake of their comfort.
Try to avoid just staring at people who are in your way and expecting them to read your mind that you want them to move. Most people cannot, in fact, read minds, so having someone stand in front of them and stare at them often only leads to making them feel uncomfortable and frustrated.
But also more importantly, if you are standing somewhere someone needs to get to, and they say excuse me, you should move aside for them even if just temporarily, so they can avoid the discomfort of having to reach into your personal space or squeeze past you.
If someone is saying "excuse me" it's because they would like you to move because they don't want to have to get into your personal space, whether it's out of respect for you, or just because they themselves are not comfortable getting in your personal space.
All of this goes double for people with trauma and/or people who are neurodivergent. If someone has trauma related to abuse or assault they may find it more upsetting or possibly triggering to suddenly have someone shoving or reaching in their personal space without warning.
Or, many types of neurodivergence can make it especially disturbing and unpleasant to have someone else in your personal space, especially without warning.
You can never be 100% sure who is and isn't traumatized and/or neurodivergent, so always practice respecting other's personal space by giving them a fair warning with "excuse me" or "pardon my reach" before getting in their personal space, and moving aside when you hear those magic words. Or, even if someone isn't traumatized nor neurodivergent, it's still fair to not like someone in your personal space without warning and not being given the opportunity to move first.
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shrimplovercat · 1 month
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knight gfs…
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I'm re-reading the Discworld series for reasons, and honestly the most relatable part of reading these as an adult is how many of the protagonists start out being tired, used to their little routine and vaguely disgruntled by the interruption of the Plot. Sam Vimes wants to lie drunk in a gutter and absolutely doesn't want to be arresting dragons. Rincewind is yanked into every situation he's ever encountered, though he'd much rather be lying in a gutter too. (Minus the alcohol. Plus regretting everything he's ever done said witnessed or even heard about fourth-hand in his whole life.) Granny Weatherwax is deeply suspicious of foreign parts and that includes the next town over; Nanny has leaned into the armor of "nothing ever happens to jolly grannies who terrorize their daughters-in-law and make Saucy Jokes"
Only the young people don't seem to have picked up on this---and that's fortunate, because someone has to run around making things happen, if only so Vimes and Granny and Rincewind have a reason to get up (complaining bitterly the whole time) and put it all to rights. Without Carrot, Margrat, Eric, etc. these characters don't have that reason; they're likely to stay in the metaphorical gutter and keep wondering where it all went wrong or why anything has to change.
............well, that's not quite true. You get the sense that Vetinari knows how much certain people hate the Plot. And as the person sitting behind the metaphorical lighting board of Ankh-Morpork, he takes no small pleasure in forcing the Plot-haters specifically to stand up, and say some lines.
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wombywoo · 2 months
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retired 🩶
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nobie · 9 months
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#ineffable idiots
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