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#but don't take my word for it
adampknave · 7 months
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For spooky season why doesn't this place rename itself Tomblr?
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dunkelzahn · 1 year
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One of the things I think a lot of people don't really get about writing is that it doesn't necessarily have to be fiction.
Like, fiction writing. Good, excellent, create your worlds, tell your stories, may it be popular and lead to success. But it's so easy to crush your writing under the weight of your own expectations, isn't it? It's so dreadfully easy. You can write a first draft, or just an opening, and give up because you feel there's no way that it'll ever be good enough to show to anyone and that just taints your feelings about the work, your skills, and writing in general.
But what if you didn't seep all of that into your fiction? Just... write something. Doesn't have to be fiction. Like a diary entry. Your thoughts on the news. Conversations you want to have. Events in your life. A paragraph or so on that nice meal you had. Non-fiction stuff, things no one will read. Something with an audience of one person, totally personal and private.
Still, it's writing. I've written furious screeds about topics I don't think anyone else cares about, so I don't bore folks with posting them. I've written tutorials about subjects that've undoubtedly been covered, and in a more comprehensive way than I could manage. I've written love letters to someone that'll never read them. Sometimes what I write is just transcriptions from another source. (No one I know is interested in recipes from 14th century England.) I've written political rants aching with frustration. I've written reviews of canons and products. I've written apologies that will never cross the bridges I've already burned. Even, embarrassingly, a few bits of poetry. They were awful.
And, yes, I've written fiction, both original and fan fiction.
Sometimes it's experiments. Sometimes it's just to get my emotions straight. But writing about the real stuff, the stuff that isn't fiction, the stuff that doesn't have the expectation of readership.
Some of it's saved onto an external. A lot of it, I just delete once I've done it, after I let it sit for a day or four. Then I'll come back to reread it and feel satisfied that I've got it out of my system. So I clear out the text document and start on something new.
But the thing was, I wrote it. And it was freeing because, since I knew I'd be the only one to ever see it, I had no expectations and felt no pressure to make it good.
And, honestly, I feel like doing that frees up some of the pressure for when I do write something that's intended for others. It's like singing in the shower.
Anyway. This got overlong. The short of it is just this: When someone says 'just write something,' they don't necessarily mean to follow it with 'and show it to everyone.' I think a lot of people get caught up on that silent adder and it makes them shrivel up when they do keep writing and never manage to meet their own expectations.
So write, but write for yourself. If you happen to think it's good enough to share, do it. Otherwise, just treat it as private practice, a way to vent out those ideas and feelings until you either find the diamond you want to polish and show off or you decide that you're ready to show off the diamonds you've already got.
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dweemeister · 10 months
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July 11, 2023
By Jonathan Taylor
(Los Angeles Times) — Jet-lagged and exhausted, LeVar Burton rallied his youthful energy as he exited customs at New York’s JFK airport and climbed into a waiting limo. He had just traveled from the Zambezi River in Zambia, where he had filmed a segment for the April 4, 1982, episode of ABC’s “The American Sportsman.”
The car made its way from Queens to Manhattan, dropping him off at Central Park. He was there to shoot the pilot for a new public television show aimed at encouraging early learners to love books.
The show was to be called “Reading Rainbow.”
He was not entirely sure what the job was, and certainly not aware that it would become one of his signature roles. It didn’t matter. The son of a former teacher and a passionate believer in learning, reading, exploring and growing, Burton was all-in on this new adventure.
“Everything about it just made sense,” Burton says, more than 40 years later. “It was about literature and the written word, it was about kids, it was about having kids discover the power of literature through the medium of television and that was why ‘Reading Rainbow’ was such a radical departure from other shows of its era.”
From the moment he first met the “Reading Rainbow”crew, Burton demonstrated not one iota of star attitude.
“He showed up, got out of the limo, and I said, ‘Hey, how are you?’” Cecily Truett, co-creator, head writer and producer on the show for most of its run, recalls. “He said, ‘Well, I just got off the red-eye, so…’ I said, ‘Well, what can we do for you? How can we make you comfortable?’ He said, ‘You know, I’d love to have a glass of orange juice and a toothbrush.’ And that was it.
“He walked right on to the set, he ran through his lines and for the next 25 years he was on the set, on time, with his lines memorized....”
“For 155 shows,” her husband, Larry Lancit, another of the show’s creators, producers and directors, added.
Burton had to hurry back from Africa to New York because a skeleton crew was waiting to shoot the pilot episode, including anxious documentarians Truett and Lancit and fellow creator and executive producer Twila C. Liggett, a onetime elementary school teacher who had realized TV was the ideal medium to reach and influence young children. If “Reading Rainbow” delivered on its promise that a children’s show focused on the joy and value of reading could be set in the real America rather than on Sesame Street or in Mister Rogers’ neighborhood, it would get the blessing from PBS.
It did the trick. This month marks the 40th anniversary of the national premiere of one of the longest-running children’s shows in the history of public television.
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modernwivestales · 1 year
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If you follow a orange cat behind a dumpster you will get lost in another universe
But if you follow a GREY cat behind a dumpster then you'll find where you were meant to be
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mokeonn · 9 months
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"But if college was free, then people would abuse that and get useless degrees" hell yeah I would! If I could go to college without debt I would make it my job to get a degree in every little thing that interested me. I'd get a doctorate in film studies. I'd have a bachelor's degree for every science I like. I'd try to learn at least 5 languages with varying results. I would learn something "useful" like coding and then follow it up with a ""useless"" degree like art history. I'd be the world record speed run holder for getting every degree possible.
But I can't afford college without going into massive debt, so instead I spent the last 5 years trying to figure out what I am passionate enough about to consider going into debt over, because unfortunately being passionate about everything is extremely expensive to pursue.
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counting-stars-gayly · 3 months
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Book: "I don't know what my mom will do. I just know I'll fight next to you." "Why?" "Because you're my friend, Seaweed Brain."
Show: "You've done more for me in the past few days than my dad's done for me in my entire life. If I have to stick with someone, I—" "Careful. I think you were about to call me your friend."
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5ummit · 4 months
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AO3 Ship Stats: Year In Bad Data
You may have seen this AO3 Year In Review.
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It hasn’t crossed my tumblr dash but it sure is circulating on twitter with 3.5M views, 10K likes, 17K retweets and counting. Normally this would be great! I love data and charts and comparisons!
Except this data is GARBAGE and belongs in the TRASH.
I first noticed something fishy when I realized that Steve/Bucky – the 5th largest ship on AO3 by total fic count – wasn’t on this Top 100 list anywhere. I know Marvel’s popularity has fallen in recent years, but not that much. Especially considering some of the other ships that made it on the list. You mean to tell me a femslash HP ship (Mary MacDonald/Lily Potter) in which one half of the pairing was so minor I had to look up her name because she was only mentioned once in a single flashback scene beat fandom juggernaut Stucky? I call bullshit.
Now obviously jumping to conclusions based on gut instinct alone is horrible practice... but it is a good place to start. So let’s look at the actual numbers and discover why this entire dataset sits on a throne of lies.
Here are the results of filtering the Steve/Bucky tag for all works created between Jan 1, 2023 and Dec 31, 2023:
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Not only would that place Steve/Bucky at #23 on this list, if the other counts are correct (hint: they're not), it’s also well above the 1520-new-work cutoff of the #100 spot. So how the fuck is it not on the list? Let’s check out the author’s FAQ to see if there’s some important factor we’re missing.
The first thing you’ll probably notice in the FAQ is that the data is being scraped from publicly available works. That means anything privated and only accessible to logged-in users isn’t counted. This is Sin #1. Already the data is inaccurate because we’re not actually counting all of the published fics, but the bots needed to do data collection on this scale can't easily scrape privated fics so I kinda get it. We’ll roll with this for now and see if it at least makes the numbers make more sense:
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Nope. Logging out only reduced the total by a couple hundred. Even if one were to choose the most restrictive possible definition of "new works" and filter out all crossovers and incomplete fics, Steve/Bucky would still have a yearly total of 2,305. Yet the list claims their total is somewhere below 1,500? What the fuck is going on here?
Let’s look at another ship for comparison. This time one that’s very recent and popular enough to make it on the list so we have an actual reference value for comparison: Nick/Charlie (Heartstopper). According to the list, this ship sits at #34 this year with a total of 2630 new works. But what’s AO3 say?
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Off by a hundred or so but the values are much closer at least!
If we dig further into the FAQ though we discover Sin #2 (and the most egregious): the counting method. The yearly fic counts are NOT determined by filtering for a certain time period, they’re determined by simply taking a snapshot of the total number of fics in a ship tag at the end of the year and subtracting the previous end-of-year total. For example, if you check a ship tag on Jan 1, 2023 and it has 10,000 fics and check it again on Jan 1, 2024 and it now has 12,000 fics, the difference (2,000) would be the number of "new works" on this chart.
At first glance this subtraction method might seem like a perfectly valid way to count fics, and it’s certainly the easiest way, but it can and did have major consequences to the point of making the entire dataset functionally meaningless. Why? If any older works are deleted or privated, every single one of those will be subtracted from the current year fic count. And to make the problem even worse, beginning at the end of last year there was a big scare about AI scraping fics from AO3, which caused hundreds, if not thousands, of users to lock down their fics or delete them.
The magnitude of this fuck up may not be immediately obvious so let’s look at an example to see how this works in practice.
Say we have two ships. Ship A is more than a decade old with a large fanbase. Ship B is only a couple years old but gaining traction. On Jan 1, 2023, Ship A had a catalog of 50,000 fics and ship B had 5,000. Both ships have 3,000 new works published in 2023. However, 4% of the older works in each fandom were either privated or deleted during that same time (this percentage is was just chosen to make the math easy but it’s close to reality).
Ship A: 50,000 x 4% = 2,000 removed works Ship B: 5,000 x 4% = 200 removed works
Ship A: 3,000 - 2,000 = 1,000 "new" works Ship B: 3,000 - 200 = 2,800 "new" works
This gives Ship A a net gain of 1,000 and Ship B a net gain of 2,800 despite both fandoms producing the exact same number of new works that year. And neither one of these reported counts are the actual new works count (3,000). THIS explains the drastic difference in ranking between a ship like Steve/Bucky and Nick/Charlie.
How is this a useful measure of anything? You can't draw any conclusions about the current size and popularity of a fandom based on this data.
With this system, not only is the reported "new works" count incorrect, the older, larger fandom will always be punished and it’s count disproportionately reduced simply for the sin of being an older, larger fandom. This example doesn’t even take into account that people are going to be way more likely to delete an old fic they're no longer proud of in a fandom they no longer care about than a fic that was just written, so the deletion percentage for the older fandom should theoretically be even larger in comparison.
And if that wasn't bad enough, the author of this "study" KNEW the data was tainted and chose to present it as meaningful anyway. You will only find this if you click through to the FAQ and read about the author’s methodology, something 99.99% of people will NOT do (and even those who do may not understand the true significance of this problem):
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The author may try to argue their post states that the tags "which had the greatest gain in total public fanworks” are shown on the chart, which makes it not a lie, but a error on the viewer’s part in not interpreting their data correctly. This is bullshit. Their chart CLEARLY titles the fic count column “New Works” which it explicitly is NOT, by their own admission! It should be titled “Net Gain in Works” or something similar.
Even if it were correctly titled though, the general public would not understand the difference, would interpret the numbers as new works anyway (because net gain is functionally meaningless as we've just discovered), and would base conclusions on their incorrect assumptions. There’s no getting around that… other than doing the counts correctly in the first place. This would be a much larger task but I strongly believe you shouldn’t take on a project like this if you can’t do it right.
To sum up, just because someone put a lot of work into gathering data and making a nice color-coded chart, doesn’t mean the data is GOOD or VALUABLE.
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clown-owo · 9 months
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🤨
bonus:
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ratuszarsenal · 7 months
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so there's this thing which I've dubbed academic fiction, where I write a long, precise academic paper, confirming to your citation model of choice and everything, except every single thing in there is made up. anyway if I made a zine that was a pretend-academic journal full of only that would anyone be interested in reading it
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koshercosplay · 2 months
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Neil gaiman is a Zionist :(
this is so funny because if you google "neil gaiman zionist" nearly all of the links are to unsourced tumblr posts or responses to a single tweet from 2015 that just acknowledges Israel's existence
I see gaiman has once again committed the heinous crime of Being Jewish When Israel Is In The News
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raetttriestowrite · 1 year
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Me, an author, side eyeing my WIP: you're not going to do anything weird, are you? We've discussed this. There's a plan. We're going to stick to the plan, aren't we?
The WIP: *presents subplot, presents additional conflicts, presents character development, laughs in my fucking face*
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puppetmaster13u · 5 months
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Prompt 89
 The young justice team is in a bit of a pickle. It had been a usual mission, Klarion causing mischief again, before someone had mentioned the date. 
 The literal chaos lord had shrieked, stopping his attack, and asked for clarification. Maybe that wasn’t a good idea because one moment they were in Happy Harbour, and the next they’re somewhere else with green everywhere and floating islands. 
 And Klarion doesn’t explain- not that they were expecting him to- and just bolts into a… wow that is a very big and scary looking castle. Keep? Honestly it’s if someone combined a gothic citadel with a clocktower of some sort. 
 Not important, because they had chased after Klarion who uh… Oh no, that is a Very big entity, that is two Very Big entities that could crush them in their fingers. And they are now stuck in this place seeing as the portal closed behind them. 
 Honestly Klarion is happy he made it home before curfew! Even if he had to bring his sort-of-friends with him to make it in time. It’s not his fault, he’s not used to having a guardian, nevermind two! Not to mention siblings, which he’s now the oldest of too, so he has to be a positive influence. Like teaching them how to properly do chaos without destroying a world. 
 Oh, but this is perfect anyway, one of his dads has been wanting to talk to the speedsters anyway, and his other dad is still under house arrest for the whole, trying to take over the living realm thing. But that’s not important, he has little siblings to introduce! 
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Time & Space pages 1-2 ( This is the start || ao3 (not yet!) || next ) Starts less than 24 hours after the death of Willy Stampler. With the job done, there's finally time to sort some things out. They just need the right amount of space.
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star-born-mars · 5 months
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Soft Jason Todd
"Jason, baby, come to bed," you muttered, stumbling into the Cave in nothing but some boxers and one of Jason's shirts. You plastered yourself to his back, wrapping your arms around his torso, resting your head between his shoulderblades.
"I swear I'm almost finished with this, doll, it's right there, I can sense it," he muttered, placing his hands over yours instinctively.
"Come sleep on it. You've been down here for hours. Come back to it fresh tomorrow," you told him. "Please?"
"Doll, really I---"
"Jason, it will still be here tomorrow," you promised as he turned to look at you. "You're too tired to make the connection clearly. Come to bed, get some sleep, eat something nutritious, then come back to it."
He looked at you, brushing some hair from your face, then cupping your cheek and leaning your foreheads together.
"Okay, doll, I'll come to bed. Just let me clean up down here, okay?"
"Okay," you replied, leaning further into him.
"Or I can leave it here for Bruce," Jason decided, sweeping you up into his arms.
"Jason! Oh my god!" you yelped, grabbing onto him in shock.
He chuckled, pressing a kiss to your temple in apology.
"Thank you," he murmured. "For looking out for me."
"'Course, I love you, why wouldn't I?" you asked, leaning your head against his shoulder, eyes drifting shut in exhaustion.
"I would die for you," Jason swore quietly.
"I'd rather you lived, and lived well."
"I'll work on it."
"Good."
"Go to sleep, doll, I'll be here in the morning."
"Promise?"
"Promise."
"Love you."
"I love you too."
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modernwivestales · 1 year
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Cats are just as, if not more, superstitious as humans. If you see them avoid walking over a specific part of the sidewalk, you should avoid it too.
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camellcat · 7 months
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lose my mind every time the doctor takes rose's last name in fics. brilliant, amazing, splendid, absolutely perfect.
like, what do you MEAN she'd be the one to change her last name? he doesn't even HAVE a bloody name like us! plus, she's rose tyler. you think he's going to want that to be different? it's the doctor and rose tyler in the tardis (or I suppose whatever they do in pete's world, but that's still the doctor and rose tyler having their new adventure)!!
she's rose tyler and he is whatever-he-wants tyler. end of discussion. the whole pond diabolical should've been clue enough imo
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