the rest of the cast got their new song covers, so i wanted to try putting the others in a band :>
i did want to make it look a bit like an album cover but i have no idea how those are designed so eh?? i also couldn't think of any band or album/song names so. if anyone has any ideas...
the possible future of the hatchetfield series: hatchetfield halloween party livestream full rundown
again apologies if someone has already done something like this, but I’m procrastinating doing my coursework and just want to talk about hatchetfield I want everyone to be aware of this exciting stuff that was announced in the stream so here you go:
the next starkid musical to be released will not be in the hatchetfield universe.
the guy who didn’t like musicals will soon be ready to license.
nightmare time 3 was originally planned to be released in the same year as nightmare time 2 and will wrap up the overarching nightmare time stories (which seem to be miss holloway and the foster sisters respectively).
if they did a fourth hatchetfield musical, it would be about miss holloway and her backstory. it is already written. I am very very extremely normal about this fact 😃
there is a possibility of a hatchetfield movie, and workin’ boys was sort of a test for this concept. it would be a slasher murder mystery centering around the hatchetfield community players (zoey chambers and the cast of workin’ girls, possibly also with ruth, hidgens, alice and any other theatre-oriented characters but that part’s just my speculation). the transcription of the teaser description can be found below the nmt descriptions.
ok so here are the transcriptions of the nmt3 episode descriptions:
Story #1: Bottle Imps
Bill Woodward has been chosen to test CCRP’s latest and greatest product; Bottle Imps. These reality-bending buddies will bring their owner the one thing they desire most. When his new imp, Lovely, leads him to his soulmate, Bill decides to use his magical companion to play matchmaker. But to help Charlotte find the man of her dreams, Bill will have to bend the Imp’s rules. Rules he’s been warned, must never be broken…
Story #2: Frankenruth
Desperate to see a naked body, Ruth Fleming and Richie Lipschitz volunteer at the morgue of St. Damien’s Hospital. Their terrible plan becomes exponentially more terrible, when they become unwitting subjects in the experiments of the body-snatching madman, Doctor Laszlo, who claims to have conquered death itself. If Hatchetfield thought Ruth was bad before, then they will cower before the unspeakable horror of… Frankenruth!
Story #3: Becky Barnes Climbed a Tree
Becky Barnes is on top of the world! Not in a literal sense, of course. She’s deathly afraid of heights. After years of struggle, Becky’s life is finally everything she dreamed it would be. She’s engaged to her high school sweetheart, Tom Houston, and the two have a surprise baby on the way! But, as the couple prepare for the arrival of baby Marie, a shadow from Becky’s past returns to haunt them.
Story #4: Devil’s Night
Tim Houston has a crush. Unfortunately, it’s on his older, mature and totally cool babysitter, Grace Chasity, who he fears will never see him as anything but a snot-nosed little kid. But when a devilish maniac with murderous designs on Grace attacks Hatchetfield the night before Halloween, Tim must protect his beloved, or join the killer’s growing body count. It’s another slashing adventure on the night HE came home… Devil’s Night.
Story #5: (long special episode) Miss Holloween
It’s Halloween in Hatchetfield once again, and Miss Holloway is celebrating the same way she’s done for decades, staving off the horrors that go bump in the night. But when Duke gives her an invitation to his wedding, the dejected Miss Holloway begins to chafe under the terms of a contract forged many years ago. She strikes a new bargain, but unfortunately her creditors are known for their tricks, not treats. Just as Miss Holloway gives up her powers in exchange for a mortal life, a monstrous new threat rears its ugly head. As All Hallows Eve descends, and all Hell breaks loose, Miss Holloway must save the town or die trying… for real this time.
Story #6: (long special episode / season finale) Orb Weaver
Lex Foster had a life once. A home. A boyfriend. Now there is only the road, and her sister, and the fear of the men who are hunting them. As Hannah Foster watched Lex sink deeper into despair, she is certain of only three things: Webby is gone. She cannot help them. They are alone. Elsewhere, an old soldier awakens from a catatonic state. Returned from some unimaginable Hell with a mission. He knows that somewhere, two magical girls require immediate evac… then maybe some coffee.
very important: if you want nightmare time 3, WATCH NIGHTMARE TIME 2. BUY A TICKET TO THE LIVESTREAM. SHOW THAT THERE IS LOVE AND DEMAND AND IT’S WORTH THEIR TIME AND MONEY I AM BEGGING YOU
hatchetfield movie: Cast Party Massacre
The Hatchetfield Community Players. You will never find a cattier troupe of two-faced thespians. But when the blood begins to flow at their latest show’s cast party, they must consider: is there a secret murderer in their midst? And more importantly, who amongst them is a good enough actor to pull off such a performance? Can they set aside their petty squabbles and tangled romances, or is it curtains for this ensemble? Who will survive… the Cast Party Massacre!
all the news going around with unity's really got me worried for games that are already several years into development like Hollow Knight Silksong and Billie Bust up.
Just rough because I don't suppose a whole lot of games are going to be able to pivot game engines, let alone so late in development. Like it is easier said than done to pivot early in development but i've been following the development of several games that are years in at this point and the fact that they're grandfathering older titles into this is just... it's just bad.
The potential loss of games in terms of archival on such a massive scale....
Okay so I've always been really intrigued by the kind of music Sam might like, since we seemingly didn't get much information about it in the show. So I did a deep dive, and this is everything I could find/remember in relation to Sam and his taste in music:
Kripke, interview from 2007
From the Supernatural Wiki - There's a small mistake here. I checked the video and Jared said "Jack Johnson", not "Jackson"
Good catch, thanks anon whoever you are! - I checked and yep there it is! I added a pic of the poster so you could see what it looks like
11x04 Baby - Sam knows the lyrics to the song "Night Moves" and sings it enthusiastically, like he did with "Dead or Alive" in 3x16
Sooooo y’all see the latest @somerandomdudelmao comic update? Because once again it is living in my head, which means once again my brain has generated fic. This one’s ~1200 words and slightly less tragic, depending on whether or not you take dramatic irony into account.
~~~~~~~
It starts fairly innocuously.
One of the surviving technicians monitors a computer as it finally, finally boots up successfully, whooping when the Genius Tech loading screen pops up. He grins and pats the power cable. "Thanks, Raph!"
It catches on.
A water purifier, disconnected to save a struggling power supply, gets plugged back in. It chugs back to life, and the kids responsible for its upkeep cheer and high five. One of them waves at the ceiling, where a power conduit runs overhead. "Thanks, Mister Raph!"
And it spreads like wildfire.
Every time something works the way it's supposed to - every time a much-needed device pops back to life, or the emergency doors close correctly, or a dying lightbulb flickers on one more time - they thank Raph. In gleeful shouts and careful whispers, they show gratitude for the person who gave up his life - and his second chance at life, at that - to keep them safe. It makes the emergency base, ramshackle and barely held together as it is, feel a little more like a home. A little more alive.
It doesn't take long for a few unspoken rules to develop.
They never say it in front of the metal shell. It's one thing to say it to the walls, the cables, the electricity; it's something else to say it to a figure with a face, seated against the wall like a sentinel that will awaken and protect them when danger arises.
(Nevermind that they've been in danger, constant and unending, for decades, and that this sentinel is already protecting them in smaller, everyday ways.)
They learn very quickly never to say it in front of Raph's surviving family, either. Master Leonardo gets angry when he hears it. It's an anger born of grief and loss, painful but not dangerous to allies, but given how terrifying Master Leonardo can be on the battlefield or a bad day, nobody really wants that anger directed at them. Master Michaelangelo just stops when he hears it, lips curling up in an expression too devoid of life to truly be called a smile. It's almost worse to witness than Master Leonardo's anger. No, they learn to watch themselves in front of the family, carefully taking their gratitude towards a dead man elsewhere.
Until the day someone forgets and says it in front of Casey Junior.
The kid looks up at Roger with wide, almost hopeful eyes. "Why did you- is he here? Can you feel him?"
Roger stares back at him with equally wide eyes. He'd just been grateful the computer had booted correctly for his monitor shift, and he hadn't been looking, and now he has to try to explain this to a kid who's never known a life outside the apocalypse. Oh boy. "No, uh- I mean- I don't have magic like your dads do, Casey, I couldn't-" He sighs. "It's just...a thing people do, when things work. Before the Krang, we had all sorts of machines that made life easier, and...we'd talk to 'em. Thank 'em when they worked, yell or beg when they didn't...I remember threatening a fax machine once, not that that made any difference. I think that just...kinda carried over here." Wait. "Not that your uncle was a machine or anything-"
"His body was a machine," Casey says simply, with a pragmatism that Roger hadn't been expecting. Apocalypse-raised kid. Right. "That wasn't what made him Uncle Raph. He was- it's-" Casey falters, expression starting to crumble. Pragmatism be damned, the kid is still grieving-
Rem, just coming off her shift, steps in smoothly. It's not the first time she's saved Roger's ass, both on and off the battlefield, and it won't be the last. "We know," she says gently, putting an arm around Casey's shoulders. "What Roger means is that we're grateful he's keeping us going, and that people like to bond with machines even when they're too simple to bond back. We all used to name our cars - can you believe it?"
"I named mine Red Rider," Roger says wistfully. He still misses that car.
"And I used to sneak out of the Hidden City with my cloaking brooch and go joyriding outside of human cities," Rem says, a grin splitting her feline muzzle. "I named every car I stole Phantom, like I thought I was cool."
Casey smiles - small and watery, but there nonetheless - and Roger breathes a sigh of relief. "What else did you name?"
"I mean, it was mostly cars, but some people named their computers."
"I had a friend who named her phone and just kept adding numbers when she had to replace it. It was Duchess O'Brien the eighth last I'd heard."
"I know some Yokai named their weapons, but I never really kept track of those. It was more of a Battle Nexus fandom thing."
Another Yokai leans in - a four eyed lizard whose name Roger could never remember no matter how hard he tried - and Roger shuts up. She's in charge of security now, and honestly she intimidates him. She looks around - at him, at Rem, at Casey - and then intones seriously, "I once named a kitchen appliance Toasty McToastFace."
There's a beat of silence. Casey has a lopsided grin growing on his face, like he doesn't get the joke but he knows it is one, and that's enough to lift his mood.
And then Rem doubles over, cracking up, and Bob smiles carefully. "Really loved that toaster, huh?"
"It was my closest friend," the lizard Yokai replies, deadpan as hell, before leaving the conversation.
Casey turns that confused grin on Roger. "Was she serious?"
"Kid, I have no idea. Some people are just really into this kinda thing."
Rem finally straightens up, wiping a tear from her eye with a paw. "Ohhhh boy. Oh, I needed that." She turns her smile back on Casey. "Point being, naming something makes it a little more real, and makes you a little more likely to take care of it. The system here...already has a name. We're just saying thank you, you know?"
The grin on Casey's face settles down into consideration. "Yeah, I think I do. I- Thanks. I'm gonna-" He waves at the door to finish his sentence.
"Go for it, kid." Roger waves him off as he departs, then sighs once he's gone. "God, that kid is just hemmhorraging family, isn't he."
"We all are, Roger, it's the fucking apocalypse." Rem flicks an ear.
"Yeah, but still. It's rough." There's a second or two of silence. "Also, if he says it in front of Master Leonardo, I'm denying all knowledge of this conversation."
"Spirits, same."
Roger learns a few days later - from Rem, of course - that Casey has named his chainsaw hockey stick Killer, because it's what his mom used to call him. Well damn, if kids like him are gonna be the future, then maybe they have some hope after all. He raps on a wall lightly, just below where the power conduit is mounted. "I know you didn't have a lot of time with the kid, but you did a good job." He can't help but smile. "Thanks, Raph."
deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao
not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad
Fit: I don't think – we were not meant to win that fight. They wanted to kill an Egg today. They probably tried to do the same to Ramon, but I just happened to teleport to the secret Ramon way stone on accident. I was trying to go to his house.
Fit: I'm almost positive that, like– I think Ramon was supposed to die today.
[ Full Transcript ↓ ]
-
Fit: Yeah, stream chat, I don't think we were meant to win that fight.
[From a moment earlier on stream]
Fit: It's not your fault, Bagi. There was– We did everything we could.
Bagi: No– I told her multiple times to go back to the room!
[End of old clip]
Fit: I don't think – we were not meant to win that fight. They literally– They wanted to kill an egg today.
[From a moment earlier on stream]
Fit: [Jumping off The Wall as he rushes to save Empanada, but is ultimately too late] NO!!!!!
[End of old clip]
Fit: No, I'm almost positive that– They probably tried to do the same to Ramon, but I just happened to teleport – I'll be honest. I teleported to the secret Ramon way stone on accident. I was trying to go to his house.
[From a moment earlier on stream]
Fit: Stay here. STAY. HERE.
[End of old clip]
Fit: I'm almost positive that, like– I think Ramon was supposed to die today.
[From a moment earlier on stream]
Fit: I ain't fcking leaving. I ain't taking an eye off my boy!
Ramon: i was downed on two hearts
Fit: Yeah, I know. A lot of close calls, Ramon, a lot of close calls.
Ramon: my heart is pounding
Fit: I know. But you did good though, Ramon. You did what you had to do to survive.
okay very preliminary thoughts on mitski's new album BUT i think there's something with how "laurel hell" felt like a goodbye to the music industry (can't find the source but i remember reading that it was intended to be her last album under her contract) like i'm sorry anthony fantano but if you interpret the back half of "laurel hell" as being generic breakup songs you're missing like 80% of the context. to me TO ME it feels so clearly about her negotiating her relationship with fame, how she can't love her fans the way they love her, and how she feels like she sold her soul to her job, so the only thing to do is step away. but THEN "the land is inhospitable and so are we" was created after mitski decided to renegotiate her contract, specifically because she loved making music enough to deal with the negative aspects of the work. and then all the songs are about the ghost of love she can leave behind, despite the present pain or emptiness, and like. do you see it. do you see it.