#but still I just feel like with all the people dissecting the episode over the years the overarching theme was kind of missed | Explore Tumblr Posts and Blogs

nohaijiachi · 8 months

Text

I've been seeing just about all moments of GO S2 being put under a microscope and absolutely dissected frame by frame

And still I am yet to see anyone mention a moment that might be small in the grand scheme of things, perhaps not as character defining as many other that have been (rightfully) analyzed a thousand times over, but which was *so* important to me, and every single time I watch it I'm just filled with so many feelings and jhaghagha

(putting this under a read more to not spam y'all with a ginormous post clogging your dashes)

The moment in question is this (my apologies for the pics, I currently don't have a proper way to take screenshots of S2 and had to snap photos of my tv screen lol)

It's such a quick moment, a small blip in the entirety of episode 5, but let me tell you why it absolutely destroys my heart every single time.

First of all let's refresh our memory on Aziraphale's relationship with Heaven and Gabriel specifically, shall we?

The very first time we see Gabriel in S1, he surprises Aziraphale at a sushi restaurant. Aziraphale looks to his left, because that's the side where Crowley usually appears when approaching him, but instead of his boyfriend the familiar Demon, he sees the reflection of Gabriel at his other side, and he turns around with what reads to me as very much an "oh shit" expression.

In episode 2 we see Gabriel again, along with Sandalphon; they are flanking Aziraphale and leaving him no way to escape in what to me seems a blatant intimidation tactic, especially with Gabriel being all "hey you remember Sandalphon, right :)" and Aziraphale being like "Oh yeah, likes smiting and turning people into salt, I sure do! *nervous laugh". There's literally no reason for them to be acting like this if not to (un)subtly remind Aziraphale what his place is, and that he is NOT safe, not even in his bookshop.

Whenever we see Aziraphale in Heaven he is constantly standing ramrod straight, hands kept caged behind him, none of his usual mannerism to be seen. He always smiles like a hare being stared at by a hawk and the cinematography very much underlines that tenseness by both showing the impossible, cold and sterile expanse of Heaven in contrast to the camera being shoved right in the characters' face to make the viewer feel just as uncomfortable as Aziraphale is.

When Gabriel and Aziraphale speak in the park there's this moment after it looks like Gabriel is leaving, but he pops right back up in Aziraphale's space in an instant, causing the reaction we see in these screenshots. Aziraphale is clearly taken aback and tense, eyes widening which is like, fair considering Gabriel pretty much jump scared him, but that's rather the point, isn't it? Gabriel pretty much jump scared him. He didn't just turn around and jog back to Aziraphale to ask him about the sword, he purposefully moved himself up to him without any warning. Like sheesh, talk about terrifying bosses.

No Gabriel here, but just another example of how much Aziraphale does NOT like being in Heaven. When he gets discorporated and finally manages to stand up for himself, saying he refuses to fight a war, he still looks like *this*. Like he's one step away from just discorporating a second time and without an actual body out of sheer anxiety.

When all it's said and done at the Tadfield airbase and the four horsemen are gone, Gabriel and Beelzebub decide to go check what the heck is going on, at which point Aziraphale pretty much seems to be bracing himself, straightening his back, adjusting his clothes nervously and then holding his hand in front of him in a show of dignified quietness I definitely read as him doing his best to hide just how anxious he truly is.

Of course we don't see Aziraphale's reaction at being told to shut his stupid mouth and die already by Gabriel due to the body swap, and at this point is pretty safe to say Crowley has never shared with Aziraphale that little tidbit of information, but even not knowing the extent of the cruelty Gabriel showed toward him at the end, he still knows that Gabriel and, by extension, Heaven was more than willing and ready to murder him.

Even at the start of S2, when an amnesiac Gabriel arrives at the bookshop and then hugs him (awkwaaaard), Aziraphale looks like he's entirely frozen and unable to react to the improbability of what is happening, and when Gabriel asks him if he can go inside the bookshop Aziraphale's immediate reaction is to pretty much recoil with an immediate "No!".

Of course he is then forced to let him in because there's a naked man on his steps while the whole neighborhood is watching, and we get some many more little moments of Aziraphale anxiety emerging through his body language: The pacing, the way he sits ramrod straight in front of Gabriel, and him literally backing away multiple steps when Gabriel asks him "You know how it's like, when you don't know anything at all, and yet you're totally certain that everything will be better if you were just near one particular person?"

(Because of course Aziraphale knows how that feels, and that's exactly the same reason why he's been so scared of Heaven for-fucking-ever!) (Also as an aside let me just bless Michael 'Acting Choices' Sheen for that smile that lasts a shard of a second after Gabriel asks that. You can pretty much see the word "CROWLEY" stamped in big bold letters on his forehead in that moment lmao)

(Also as an aside to the aside. Jon Hamm is just fantastic. Gabriel comes across as such an asshole in S1, but Amnesiac!Gabriel is a fucking cinnamon roll and he pulls it off so well ajahjahja)

Then of course we get the whole exchange about the 'something terrible' that sends Aziraphale into more anxious frenzy until another tiny, kinda overlooked moment hits us in the shins, in which Gabriel says "You're funny. I love you." And like, can't blame anybody for not looking at that moment without much thought, I know that that sentence had me crying laughing multiple times on multiple rewatches, but also... God, you can see the way some of that fear instantly leaves Aziraphale, the way he relaxes ever so slightly and ??? Aziraphale??? Is that all you need to instantly start trusting someone who wanted you dead? Who treated you like shit for who knows how long? (Why am I even asking this, of course that'd be enough, it's Aziraphale we're talking about, here.) Then of course the rest of season 2, he and Crowley having a row about what to do with Gabriel with Aziraphale insisting that he needs them, as his friends, yada yada, we get back to the initial moment that sparked this post.

We get there, Aziraphale's (eldritch) Ball and the romantic moment he's been working himself up for ruined, murderous Demons at his steps putting both he and all the humans inside in peril, and all he would need to do to avoid any harm coming to them is to give Gabriel up, and... "You came to me. I said I would protect you. And I will." Not just the words, but the way Aziraphale says them; voice lowered and serious, that hint of hesitation and fear at the start that melts away into full blown confidence at the 'And I will'.

It isn't just Aziraphale being scared by Gabriel mentioning the 'something terrible' at the beginning, nor the brief moments of cryptic recollection that he witnesses Gabriel going through-- It's that Aziraphale sincerely accepted to protect him, and he wasn't going to give that up. He is a Guardian and a Principality, after all.

And like, I see this and how am I supposed not to get my heart utterly shattered by it? If Aziraphale had rejected Gabriel, or treated him unkindly in any way, I hardly doubt anybody would be hard pressed to say Aziraphale did not have the right to do so, not after the way he's been treated by Gabriel and Heaven his whole life. But he doesn't. He is kind to him, if a tad long-suffering at times. The protection he extended over Gabriel is utterly sincere and unwavering.

And ngggggggh I don't even know where I'm going with this. I just. Love Aziraphale so much. Stupid, clever, anxious, brave man-shaped thing that he is, recklessly throwing himself into the line of fire for somebody that, by any means, did not have any right to ask something of that magnitude from him. He is my scrungly, and by God am I ever so excited to see how everything will play out in season 3. I want him to fully grasp that bravery and raise absolute -metaphorical- hell with it. Shine bright, you crazy bastard.

#good omens #aziraphale #meta #i suppose #idk i just wanted to throw my two cents and talk about this specific moment #cuz it gives me ALL of the feels #my angel blorbo ilu

968 notes · View notes

ruija · 2 years

Photo

Full comic under read more

The Shredder Strikes Back episodes are so raw. I still remember seeing them for the first time as a 9 year old, and being completely stunned by the relentless beating Leonardo gets. Even after almost 20 years I can't get enough of that arc. And as an adult, I find it even more fascinating to dissect.

I'm enthralled by the fact, that in the 2003 series we get to see Leo go through two traumatic experiences and how he handles them both differently.

The ambush is bit of a loss of innocence -kinda situation. At that time Leo is still younger, overconfident and somewhat naive. Then the ambush rips that all away from him. It’s so ruthless and utterly merciless. It’s a demonstration from Shredder, “You’re only alive, because I’ve let you, but now I’m done playing with you.” He sends in the Elite guard just to humiliate him. He doesn’t come down to fight himself, because Leonardo is so beneath him, utterly worthless.

I really wanted to dive deep and explore Leo’s headspace during those events. The desperation, raw adrenaline and fear. The harrowing experience of being hunted down and shown you are nothing.

Post Exodus -Leo is already familiar with failure and he's angry in a way of "I should be better by now." but I feel Post Ambush -Leo is more of a "Oh, I was not aware I could fail this way." and he's honestly just really scared, sad and feeling all kinds of vulnerable and lost. I wanted to portray sorrow and mourning over knowing that your world has changed.

(I'd love to see present day fanworks of this topic. The way people interpret source material has changed overtime and it's really fascinating. Like it used to be " a hero has lost his path and needs to get his confidence back" and now we're like bringing actual mental illness diagnosis to the table and discussing that haha.)

#tmnt #tmnt 2003 #tmnt 2k3 #leonardo #leo #teenage mutant ninja turtles #comic #long post

3K notes · View notes

crooked-wasteland · 4 months

Text

Stolen from @pinkandpurple360 anonymous ask.

"Blitz still has a long way to go with character development”

That's great. I can't wait to never see it.

This was an issue I tried working into my Fizzarolli Dissection but it kept feeling less about the character and more an overarching writing issue, so let's just take it here.

Every bit of character development in the series is inconsistent or entirely spontaneous. Stolas being in love with Blitz seemed like a slow burn until out of nowhere in Ozzie's he is so head over heels for Blitz in specific. Asking why Blitz only now is asking him out "after all this time", like he has been waiting on and expecting it despite that never being a thought towards their dynamic before. Going from being entirely obsessed with their sexual contract and seeing Blitz as a sex object to suddenly wanting cuddles on the couch with no strings attached?

That change was never shown in the series. It was never developed. There is no character growth, they merely are different to suit the new direction to the plot.

So again, I'm so glad Blitz has more character development to go through, can't wait for it all to be implied off screen like every other ounce of character we've been gaslight into believing has "grown".

If you never show it on screen, the dynamic, the relationship, the change, it never happened. Loona at the end of Queen Bee seems to get closer to Blitz but the next time we see her she's trying to assault him. We never saw any moment of change following the end of Queen Bee where we felt her character actually develop. Even after calling Blitz dad in the episode, she ignores him in favor of strangers at the party. She expressed clear disgust with Blitz before leaving with him, and her mild softening towards him at the end could just as easily be seen as nothing at all as it could be a character growth.

However growth requires reinforcement. If you never reinforce that moment meant something, it isn't growth, it's a cheap emotional scene to get a reaction from an audience. A short scene of Loona simply telling Blitz good morning to show some kind of change was all that was needed, but it was not as important to establish change in the characters as it was to have the most cringe scene in existence. Priorities.

One of the biggest issues with the series is how blatant the meta agenda of the writing is. They never allow the space to establish characters or change, instead citing these one off moments as “proof” of story when they do not amount to anything at all. There is unfortunately a distinct difference between a story and a scene, and it is painfully obvious by how Medrano and Nylan utilize these scenes that it is entirely for a superficial effect.

The relationship between Fizzarolli and Blitz similarly is extremely vapid and has no foundation to establish what their dynamic actually was growing up. Additionally, the two scenes of them being younger are fundamentally contradictory. Younger Fizz from The Circus is assertive and confrontational. He threatens to punch Blitz for being annoying and not playing the way he wants to play. He's bossy without necessarily being mean and not only knows he's popular, but also how to utilize it as manipulation, seen in how he draws attention to himself to spare Blitz the embarrassment of his failed joke. This Fizzarolli actually lines up also with the Fizz from Ozzie's. It's hard to claim that Ozzie's Fizz was "just an act" when as a literal child he has all the same traits

Then in the Special he is insecure, timid, has very little self esteem and is an anxious people pleaser with a mousy voice. There is nothing to establish this as the same person at all, and all the narrative context clues around his popularity does not support the direction of change this character has experienced. Fizzarolli has only gotten bigger between being what appears to be six years old and what I can only assume to be thirteen based on his cracking pubescent voice and gangly limbs. All we can go on is context clues and extrapolation, but arguing of a non-existent event that humbled Fizzarolli to this extent, while maintaining his stardom prior to ever meeting Mammon, is founded on nothing, when there is a much simpler answer.

His whole personality has taken a 180 turn for the sole purpose of the episode’s narrative. Fizzarolli being the pathetic whump he is in the episode is not founded anywhere else in the show, but we need that so people feel bad for him. There is no confidence in this writing. It shows that instead of believing the character is likeable as a whole for a complex personality, the only way anyone will like him is if he is just the softest jellybean in the bunch.

It is only this way because it suits the episode right here and now. And when his character changes, it isn't founded on any concrete narrative of growth and actions having consequences, but on what the writers need to get the audience to feel a certain way. So I say it again:

That's nice, I can't wait to never see it.

#helluva boss critical #helluva boss critique #helluva boss criticism #vivziepop critical #vivziepop #vivienne medrano #spindlehorse critical #spindlehorse criticism #helluva boss #vivziepop criticism #writing criticism

142 notes · View notes

raelle-writing · 3 months

Text

Was it even Jin's video that got posted???

I've been staring and trying to make sense of the angles in Keng's office for the past hour so I decided to do a write up and see if I can make sense of it... something is WEIRD.

WARNING: this post contains screenshots of SA, all those will be below the cut:

So when we as the audience are shown the shots of Keng and Non, we're shown two different angles. The first one, when Jin first opens the door, is of Keng and Non's legs. The second is of their heads/faces.

In earlier episodes we're shown a bit more of the layout of Keng's office, shown here:

But the angles just... don't make sense? When you analyze them. Like for example, here's what we see in episode 6 when Non comes to see Keng. The angle shown is of Non leaning decently far into the room, and then still only being able to see Keng above the barrier

When the video is uploaded to social media, we see this as the thumbnail, which appears to be shot at a low angle BETWEEN the two barriers. But that angle doesn't make sense when shot from the door.

You can see it in this shot of Jin recording, it looks like the extruding corner is in the way of whatever he's shooting.

Not to mention, in the shot of Non showing up to that office, the book shelf is pretty obtrusive of the view of what's happening. It seems like, in order for the shot of their heads to be what's shown in the thumbnail, the person would've had to be further into the room

Add on to that, the couch itself is way too small for someone to be able to see around the barrier one way AND the other way. So basically it was impossible for someone at Jin's angle to see BOTH the legs around one end of the barrier AND the heads around the other.

With the corners, the bookshelf, and the angle in mind, it seems to me that the only angle it makes sense for Jin to have seen and recorded without going further into the room is that of the legs, not their faces...

Especially since he records low, but the thumbnail picture is basically the same height as the couch... which to me, looks lower than where Jin is holding the camera

Conclusion: ????

Honestly I'm not sure. Maybe this was just BOC getting clever with their angles and shooting and they didn't think people would dissect the layout of the room this hard. I AM sure that Jin could only reasonably see the legs or the faces and not both.

And as I said above, the angle of the door and bookshelf and barriers lead me to believe that Jin could've only really seen their legs But then that brings up the question of how did Jin even know it was Non? He's angry enough that it seems like he did... unless he's angry in a completely different direction and is mad that a teacher is taking advantage of a student, but that doesn't seem to fit either, since the anger on his face seems personal...

Plus I want to bring this back. Top saw Keng and Non together and texted Tee that he knew where Non got the money. They could've guessed or spied on them to guess what Keng asked for in exchange. And who has the money to set up a hidden camera JUST to screw over Non? Por. I'm not saying that's definitely what happened, but Por HATES Non and wanted to get rid of him. I don't doubt Por/Top/Tee would hesitate to release that tape of Non if they got the opportunity...

I'm definitely grasping at straws, but something about this whole situation doesn't feel right. Jin isn't shown to post the video himself, in fast there's discrepancies from what's shown on his computer screen vs what's shown of the person uploading the video.

Changing a computer from light mode to dark mode is incredibly easy so I don't know why they would've left a mistake like that instead of fixing it in post-production. Plus it looks to me like Jin is looking at the already-posted video and crying over it, not that he's posting it himself (first screenshot is from the BTS for this episode btw).

I've been on the "Jin didn't post the video" train the entire time for a couple of reasons:

Jin isn't shown to click the button, only sit at his laptop, cry, and then eventually spill alcohol on it and short it out. If the writers wanted us to hate Jin then they would've just shown him posting it so that we could deal with the fact that he's a shit person. They didn't do that, so I don't think that Jin posted the video.

Because in episode 4, Flukes yells at Tee that he knows what they did, and he names both the broken camera AND the released video... but Jin wasn't present in this scene. Why yell it at Tee if Jin is the one who both took the video and posted it?

But with the question of all the angles shown and the doorway and bookshelf it makes me wonder... was the video even Jin's?

#This is probably just BOC assuming people won't analyze all these angles this closely tbh #it was likely Jin's video and he just didn't upload it #but I still wonder why show Top finding out about Keng and Non if not?#And why Top suddenly being nice to him? And saying he had a plan?#I think those mean girls are at fault for this #they hate Non and want to destroy him after Non got them arrested #idk just some thoughts #DFF meta #dead friend forever #dff the series #dff #Jin DFF #Non DFF #Keng DFF

107 notes · View notes

fernsnailz · 3 months

Text

January 2024 Review Roundup

hello everypony‼️ something i want to do through 2024 is a mini review series where i recap some of the media i watched/played/read at the end of every month. this was inspired by tumblr user ponett’s 2023 media wrap-up, it's a great collection of quick reviews so go check it out!

i’m doing this partially as writing/analysis practice, but mostly because my memory is really bad and i want to keep track of what i've seen this year. with that said, my thoughts on everything i finished in january 2024 is under the cut :]

Portal 1 + 2

yyyup i beat Portal and it only took me (checks watch) 13 years

the first time i played Portal 2 was at a friend’s house when i was in middle school, and i had a fuckin blast. but after all that time... it still holds up! i don’t think anything i have to say about Portal will be particularly new since people have been praising this series since it came out. the writing, the level design, even the controls feel tight and engaging the whole way through. i played on switch and expected a bit of jank, but i was pleasantly surprised at how smooth it felt to play. the only part that dragged for me were the levels through the old aperture labs, but i think i would like them a lot more on a second replay. Portal 2 is fantastic and one of my new favorite games, the artistry behind it is truly incredible and i’m really glad i finally finished it. while i was playing Portal 2, i described Glados and Wheatly to a friend and said “they’re like if a ceiling fan could be passive aggressive and if Fozzie Bear was an evil golf ball”

I Think You Should Leave

finally. i can truly understand and appreciate Subspace Dubbed Over

i think one of my favorite things about I Think You Should Leave is how it utilizes horror. beyond sitting slack-jawed in disbelief at the crazy events unfolding before my eyes, a number of the sketches dipped into bits that genuinely kinda scared me. like the one sketch that circulates on here where the guy (pig?) in a mask crawls through a dog door, which is. genuinely terrifying. but so many of the other sketches have slow, nerve-racking pacing leading to crazy shit that would be perfect in a horror film were the context different. idk i like dissecting how horror and comedy are essentially the same thing and I Think You Should Leave was very good at enabling that <3 favorite sketches are probably “then let my wife eat the damn receipt” and “55 BURGERS 55 HOTDOGS 100 FRIES 100 TATER TOTS”

Sonic Prime Season 3

man. ohhhh man. i didn’t go into this with high expectations and i still feel let down. Sonic Prime Season 3 was definitely my least favorite “season” of the batch - abysmal pacing, very few character moments i actually enjoyed, and the things i praised about the show felt very underutilized through these episodes. Nine is the shining star of Sonic Prime and i was looking forward to seeing his more villainous side, but his character took such a sharp turn into pure evil and it felt like he spent the entire season repeating the same three lines. and as much as i praise Shadow’s writing in Prime, it doesn’t really matter when he spends half of the season trapped in a hole that he just… runs out of later.

lastly, i cannot stop thinking about how bad the pacing of this season is. three episodes for a repetitive final battle feels like such a waste of time when you see just how much they rush the emotional resolutions in the last episode. however, there is one thing i truly love about Sonic Prime Season 3 - i love the Sails and Mangey fakeout death. it's so fucking funny. like you really expect me to believe that two cartoon animals in this Y-7 rated show EXPLODED?????? absolute comedy gold.

overall, i just… don’t really know what to think of Sonic Prime. anything i enjoyed in the show was often fleeting, and much of it felt like its only purpose was to waste my time. also Rouge i can’t believe they did you so dirty oh my god

Ghost Trick

i was so proud that i figured out the secret behind Sissel’s memory loss like halfway through the game. however i also kept getting caught during the prison escape sequence like an idiot

Ghost Trick is in a similar situation as Portal where 1. it’s incredible and one of my new favorite games, and 2. there’s nothing i can really say about it that hasn’t already been said or just. shouldn’t be said. Ghost Trick is a fantastic mystery game, and because of that i think it’s best to go into its story as blind as possible. the narrative unfolds in such fascinating ways - even though the actual object manipulation gameplay isn’t directly about solving the mystery (like in Ace Attorney or other mystery games), it still ties wonderfully into the story in some incredibly unique ways.

i also really love the artstyle of Ghost Trick - i love 2D character artwork with that sharp lineweight, it reminded me a lot of Sonic Battle (another game with an artstyle i love). i was also really impressed by the 3D character models and animation - despite the limitations of the camera, you get a wonderful sense of everyone’s personality from the limited body language expressed in the overworld (even though the models lack much facial expression which. i guess they don’t really need? idk that was the only thing that threw me off). anyways yeah everyone should play Ghost Trick so Ghost Trick fans can be freed from their curse and talk about it without having to tag like 10 different spoiler tags. and for Missile

Scott Pilgrim Takes Off

ok bear with me. i went into Scott Pilgrim Takes Off without reading the comics first. and i fuckin loved it

my understanding of Scott Pilgrim before SPTO was mostly from the movie (I KNOW I’M SORRY), but even with my base understanding of the series i really enjoyed this show for what it was. i found myself appreciating the time they dedicated to further develop every single character in the show - especially Ramona. she’s fantastic as the lead, i really loved watching her reconcile with her exes and seeing all of them grow instead of exploding into coins. my favorite episode was probably the one with her and Roxie - not only did i adore the movie-jumping set pieces, but you really understand the weight of Ramona’s mistakes in their past relationship and how much it hurt Roxie. despite the big climactic fight, the flashbacks are quiet, subtle, heartbreaking. Ramona’s apology is genuine, and it feels so wonderful to watch her confront her past throughout the show. also i think it’s really funny that for all these characters to become the best versions of themselves, they had to kill off Scott for most of the story

and holy shit the artstyle and animation. oh my god. i love watching something that makes me immediately go “i need to see the storyboards for this RIGHT NOW.” SPTO is such a visual delight to watch, it elevates the artstyle of the comics while also keeping what makes that style so appealing - i love the line weight on the characters, i love how much forward energy the animation has, i love the fucking. virtual boy section. as soon as i found out Science Saru was also behind Keep Your Hands Off Eizouken, everything made immediate sense. i was destined to love this show.

another worry i had going into SPTO (besides the fact that i hadn’t read the comics lol) is that the original cast from the movie was returning. i think the movie cast is fine, but i wasn’t sure how some of them would fare with voice acting for animation. however, i thought they all did a good job - i think the whole cast loves these characters and would be able to fit into them fairly easily no matter what form their performance takes, and they definitely had a good voice director in the studio with them. the only thing that felt off about the voice performances to me was that sometimes it sounded like some of their mics kept peaking?? idk some of these episodes i watched high as balls and i felt like i could hear and see every single sound and frame of the show. so that might have just been me.

god i did not. expect to have this much to say about Scott Pilgrim. i really loved this show and i’m currently reading the comics to fully catch up on the general Scott Pilgrim experience - i think reading the comics AFTER Takes Off is making me appreciate even more of the character work that went into the show. like they do so much with Mathew Patel in SPTO, a character that was. not originally around for a long time from what i’ve gathered? also i like the funny little robot. oh my GOD i cannot talk about this show anymore whatever it’s good get me out of here

Sword AF Season 1

i put on the Smosh cast’s D&D series to play in the background while i was drawing. i did not expect to think much of it. instead, i had one of the most enjoyable D&D podcast experiences since i listened to The Adventure Zone Balance???

i haven’t really enjoyed other D&D podcasts since i dropped off of The Adventure Zone, and i wasn’t expecting much from Sword AF of all things. then i saw that Shayne was playing as a druid warforged made of plants and his name was fucking Fernie and i sat my ass down and LISTENED. while i think Sword AF is currently lacking in its world and larger story, those things just. aren’t really what Sword AF is really trying to provide at the moment. it’s main focus is comedy, and the players are genuinely such a delight to watch play together and build off of each other. they mostly focus on bits and goofs for the sake of she show's comedic tone, but i still found it thoroughly enjoyable because every player embodies and performs their characters really well. idk Sword AF was an unexpected hit for me this month, i thought it was fun. and i love Fernie so much

Plastic Death - Glass Beach

so originally i wasn’t going to include music reviews in these roundups at all, but then i was entirely surprised by a new Glass Beach album and oh my god. holy shit. oh my fucking god jesus christ. holy shit. its preddy good

Plastic Death gets the low point of the album out of the way immediately. it starts with the “phone call/conversation audio” trope that i don’t particularly enjoy - HOWEVER despite me disliking this opening, 1. it sets up the overall themes of Plastic Death very quickly, and 2. the rest of the album blows this 40 second opening completely out of the water. from there, the album grows into something beautiful and uncontained, and i just. i really like it

Plastic Death captures the beauty of the temporary, asks what it means to be created for a cause you can’t fulfill, questions if you can reclaim yourself from cycles and constraints designed to destroy you. and is also about being transgender. the lyrics are abstract in a way that requires a conversation with the listener, many of the vocals obscured and smooth like waves - this album is definitely one that needs to be listened to a few times. i wasn’t sure how i felt about the vocal style at first before realizing the vocals were the main reason i was relistening to this album, allowing myself to find even more that i loved about it. the instrumentation is also incredible, i love the use of marimba in a number of songs - distant, eerie, almost skeletal. and the fucking. 8-bit section?? which kinda rules???? and that’s the only point in the album it ever shows up??????? incredible. a fleeting, somewhat silly moment that i love every time.

this album left my heart aching, in part from my connection to it and in part from the pure love and joy emanating from this music. i can feel just how much fun this music was to perform and create, a cohesion of time and sound that just clicked for me. Plastic Death made me miss playing music, which is something i haven’t felt in years. all from an album that starts with a conversation about CrankGameplay’s dead youtube channel. good lord

i like this album a normal amount. go listen to it a few times. my favorite tracks are cul-de-sac and commatose

Wish

i watched Wish with a couple of friends and knew i probably wasn't going to like it. with that in mind, i gave myself a challenge: i wanted to find one thing about this movie that i genuinely really loved. it could be anything, and loving it for ironic reasons was allowed.

here's the complete list of things i loved about Disney's Wish (2023):

i love the one shot where King Magnifico stirs an evil caldron evily. i thought it was hilarious. what was he cooking

i loved that the end credits included a reference to Dinosaur 2001 at all, and i loved that they paid homage to Big Hero 6 by showing the forgettable villain of that movie instead of their Baymax cashcow for some reason. my friends and i saw him show up in the credits and were like "who's the trenchcoat guy??"

you may notice that this list is very short and 50% of it is about the movie's credits. so yeah this movie is not very good

Wish is an empty husk of a movie. everything about it feels so, so hollow - lifeless town squares, uninspired character designs (to quote a friend: "i have all of these characters' hairstyles in The Sims"), characters whose existence is only justified to fill empty space or an overused archetype, and an "evil" villain who lacks charisma and spine in a futile effort to remind the audience of previous disney villains with actual character. even the artstyle lacks any sort of sauce, the watercolor effect they were trying to go for only makes the backgrounds and character textures run together, and the dull lighting makes things look even more faded. it's like disney was scared of making a movie that made its audience feel... anything. all to celebrate 100 years of Disney slop, baby!!!

Some YouTube videos I liked in January: 💥 An Exhaustive Look at Pokemon Brilliant Diamond 💥 TomSka's Guide to Plagiarism 💥 Paradise Bombed (this video is a great piece of journalism and i’m definitely not doing it justice by throwing it into the youtube vid list) 💥 Surprising Our Friends with Zoo Animals 💥 Did FNAF Ever Have a Good Story?

thanks for reading! next month’s roundup will be wild because i’ll likely be reviewing House of Leaves and Hazbin Hotel. can you guess which cursed house gives me a worse headache? WHO KNOWS! (hint: it's Hazbin Hotel)

#under the readmore is pretty long! oh boy i love having opinions about media #most stuff in january i liked a lot though :] good month of stuff!!#review roundup #<- oh boy new tag for this series #long post

60 notes · View notes

shortpplfedup · 7 months

Text

Only Friends Character Rankings Episode 7

Listen, I didn't know how badly I wanted Mew/Ray until there was a legit chance of Mew/Ray and now IT'S ALL I CAN THINK ABOUT. Another killer episode as all the shit gets laid bare, Nick and Sand cement their bond over being pathetic simps for men who do not love them, Top sits in the loser feeling and DOES NOT LIKE IT and...OH YEAH MEW AND RAY ARE DATING NOW I GUESS. Last week Top ran away with the audience poll as I learned the valuable lesson that y'all actually pay attention to the poll question and I should probably think about it a bit more...lol. Here's my rankings for this week

🔹1. Ray (1)

It’s never too late, Mew. I love you no matter what. It’s all up to you whether you want to open your heart to me.

I almost gave it to Mew because FUCKING EPIC but Ray actually got everything he ever wanted by the end of this episode: Mew has decided to give him a chance, even if it's as a rebound. And y'all, I am INTO IT. They're never gonna have sex, obvi, because Mew high key isn't interested and Ray is #1 simp so dumb obsessed he'll never push it, but I'm still enjoying the flavour. Besides, when Ray gets horny or needs actual affection, he'll just call Sand anyway...OOP. So yeah, Ray wins the week.

🔺2. Mew (3)

I stopped being a good guy. I got no shit from that. To deal with nasty people, I must be as nasty as them.

Wasn't it fascinating that when it was time to break bad Mew a) looked to Ray for style inspo, b) decided to let Ray sniff it one time and c) is leaning into the Ray Life? I wanna dissect Mew like a lab specimen. He's like 'I'm gonna be shitty too' and then just...becomes Ray. Then he Boston-style mansplains manipulates manwhores his way into possessing Boston's sex tape. And THEN in what has to be a 100% Mew move (because neither Ray nor Boston would EVER) threatens to out Boston to his dad, but then Uno reverses it like OF COURSE I WOULD NEVER DO THAT BECAUSE I'M BETTER THAN YOU. And he looked like he REALLY fucking enjoyed that vantage point from the moral high ground. He really looks down on those friends of his huh. And his destiny for always having to 'win' his friendships and relationships is being betrayed and cheated on...don't @ me it's canon. I WANT TO STUDY MEW SO BAD, because from one angle he looks righteous and from another he looks like the living fucking worst. Amy Elliot-Dunne, here's looking at you kid.

🔺3. Boston (6)

Okay. I’m here to get yelled at. Yell at me all you want. Get it over with. Come on. I don’t expect it to be over. I just want you to vent. Fine. I’m sorry. I didn’t mean to. It was unintentional. It was so nice of me to introduce Mew to something new. I just borrowed him for a bit. What’s a big deal? Let’s be honest here. Without my help, there was no way Mew got his hands on a top-tier like that.

Boston sashaying into the hostel totally unrepentant is a top 5 Only Friends MOMENT and I LIVED for it. He decided the 'brazen' part of 'brazen slut' was the part to lean into and honestly, as one of the few people this ep actually owning their shit I respected the hell out of that. YEAH I FUCKED HIM, I FUCKED HIM BEFORE YOU DID, AND I FUCKED HIM AGAIN AND SO WHAT? In Boston's mind, everybody wins here: Ray wins, because Mew is single again, Mew wins because he knows Top's an untrustworthy cheater, and he wins because he wanted to fuck Top and he fucked Top. Everybody wins, let's just move on. I love the simplicity of Boston's worldview, and how internally consistent and oddly pure it is. He has the morals of an alley cat, but he never LIES. He'll manipulate, but he never actually deceives. In some ways you can trust him absolutely, he's unwavering. Fascinating.

🔹4. Nick (4)

I love him. He doesn’t have to care about me. I don’t have to be his number one. But he must not hate me. Do you get it?

Man, Nick and Sand were almost tied because equally pathetic this week, but at least Nick got a teensy bit of a kick in by telling Mew about the sex tape. Also interesting how he didn't rat Sand out to Boston despite Sand clearly not thinking or really caring about how sharing the audio clip would blow back on Nick. Nick's a creep, but he has a little bit of a code. Do I feel sorry for him, no I don't, but maybe a teeny tiny bit.

🔻5. Sand (2)

I’m your emergency staff anyway. I’ve always been since the first day we met.

I cannot believe that in episode 7 of Only Friends we got a scene where Sand and Nick hug each other and cry together over how pathetically they simp for shitty men who will never love them. WHOMST is doing it like Jojo n'em, I ask you? THAT MAN CALLED YOU A WHORE IN FRONT OF PEOPLE and then did it again while flinging you to the ground and in return you rescued him from a car crash, fed, bathed and shaved him. Sand has a degradation kink, that's the only thing that makes sense here I swear, because how can one human be down THIS atrocious? I wanna see how low he can go, and I also wanna see if we're getting that baseball bat and WHOM FOR. All the things I wished for Nick before the show aired, I now wish for Sand. Boil that bunny baby.

🔺6. Top (7)

I will make you fall in love with me again.

Top really stunned that he's lost. Look, I know my read on Top isn't the consensus read on Top, and yeah maybe I'm wrong, but to me this is only incidentally about Mew, because for Top Mew is a means of self-actualization. Getting Mew to be his boyfriend was awesome, because it means TOP is awesome. Losing Mew over a rookie fucking mistake is a tragedy because it means Top is a loser. Getting Mew back would reaffirm Top's awesomeness to himself. TOP LOVES THE IDEA OF MEW, NOT MEW. I wish I could show you guys the parade of Tops that my peeps and I have met in life so you could understand why I cannot stand this man and want to see him in ruins. But yeah, he's on the rise, because Mew is totally gonna take him back after his disaster run with Ray.

🔺7. Gap (8)

That look you gave. Was it intended to lure me to come after you?

Drake is back yet again, my favourite guest star. They totally cheated by not letting Gap and Mew actually touch lips, although that's probably character accurate. But Mew gets somebody else to look down on and feel morally superior to, and that's his version of an orgasm so Gap totally got SPIRITUALLY laid.

🔻8. Cheum (5)

I was rooting for Top. I thought he was a good guy.

At least she's keeping the group project afloat so they don't fail this damn class, but literally NOBODY ELSE thought Top was a good guy, NOT EVEN MEW. Jesus fix it girl.

#only friends the series #bless this mess #only friends weekly character rankings #i support gay wrongs #only friends #only friends series #bl meta series

96 notes · View notes

unlikely-gravestones · 2 years

Text

We’re going to talk about the 1889 meeting. Why? because I’m back on my bullshit after drawing this, and am not done dissecting the episode quite yet.

I want to begin where it all starts going wrong, which in my opinion, is when Dream tells Hob Lushing Lou’s real name. By doing this, Dream inadvertently reveals more of his inhuman nature (knowing the real name and backstory of a person he’s never met). Hob looks at him and says “How do you know all that?”, and Dream deflects by looking down at Hob’s cup and responding with “Your cup is empty, you need more wine.”

Hob doesn’t take the bait. Instead he continues, “You knew Lady Johanna, you know Lushing Lou, you know everyone, don’t you?”. He pushes Dream, because Hob only has scraps of information after centuries of meeting with the man and he wants to know more. Every time they meet he shares his whole being with His Stranger, shares entire lives he’s lived and names hes taken. He’s seen Hob at his best and his worst, and what does Hob know in turn? that he’s immortal like him? that he has some weird sand that subdues people? and now, apparently, that he knows everyone and the life they’ve lived? Still, Dream deflects; “Saw her again, you know.”

And Hob gives in.

I love how he just looks at Dream for a second, then smiles almost bitterly at the table and puts his cigar down before looking back up and indulging Dream. He see’s that this line of conversation will get him no where, that His Stranger is avoiding this subject and will continue to do so whether Hob joins him in that or not. So Hob looks down at the table in acceptance, as if he didn’t expect to get anywhere with his statements but was disappointed nonetheless, and looks back up with a small smile to indulge Dreams avoidance.

But Hob doesn’t let go of it.

When Dream tells him that Lady Johanna undertook a task for him and succeeded, Hob again highlights the fact that he knows practically nothing about His Stranger- albeit in a more straightforward way.

“That might be the only thing I’ve learnt after 500 years.”

To me it feels like Hob doesn’t care about the information itself- Lady Johanna doing anything some 100, 50, 20 years ago means nothing to Hob right now. Its who the information is coming from, what it represents. Dream might have avoided divulging why he knew so many people’s names and stories, and Hob might have temporarily allowed him to, but he had never truly dropped the subject. And the way he looks- Hob naturally smiles a lot, and even now he can’t stop the way his lips quirk despite it being at his own self-deprecation. You can see it written all over his face here and in the above sequence when he puts his cigar down; the humourless way he smiles at his own misfortune.

But Hob is nothing if not persevering, so he brightens up the mood, talks about how people are almost always better than you think they are.

(i just thought this was a nice pic, sorry)

We could also read him opening up to Dream (talking about his mistakes, learning from them even though it feels like it doesn’t stop him from making them- perhaps a little foreshadowing for whats about to come next) as a way of trying to get Dream himself to open up. He is honest with Dream, as he always has been, in the hopes that tonight is the night His Stranger becomes a little more honest with him (though with our current track record of the night, this doesn’t seem likely, but as Hob says...he cant seem to stop making mistakes, and i wonder if this is something he thinks often of himself when Dream fails to meet him in 1989).

Dream looks at him like this:

And maybe its that not-quite smile he gives Hob after his honesty, that emboldens him to say “I think it’s you that’s changed,”. And this, my friends, is where shit well and truly hits the fan. Because suddenly that small smile is gone, though not in anger yet, and Dream asks “How so?”

We all know what happens next. Hob, correctly, supplies the idea that the reason Dream continues to meet him every century, despite them both knowing at this point that Hob will never give up on life, is because His Stranger seeks friendship. Hob understands, of course he does; Dream is the only living constant Hob has, he’s already referred to Dream as his friend because to Hob, that’s what he is- regardless of how much he does or doesn’t know about the man. This is of course when the iconic “YyOUU dAAREREeee,,.,..1..1.1....,,,,.” scene happens, and Hob briefly tries to backtrack. He averts his eyes immediately and looks at the table (a recurring staple in avoidance tonight), gesturing with his hand as he says “No, look, I’m not saying-”, as if trying to explain it any better would make Dream accept it. I like that he seems to backtrack just a little bit, only to double down on it a few moments later. He put himself out there a bit by boldly stating that Dream sought companionship with him, that His Stranger was lonely, and it was evidently ill-received so he backpedals to reduce the damage of his words.

Yet when Dream says “You dare suggest one such as i might need your companionship?”, Hob simply looks at him and says yes. Yes, because he does, and this night has been a sequence of Hob pushing and relenting on what he actually wants to talk about so of course this is the moment he pushes.

And when Dream stands up? When Hob stands? When Hob moves forward?

I don’t know why he moved forward, why he took that step closer to Dream- what was he planning on doing? reaching out and touching him? simply standing closer as if it might keep His Stranger with him for just a few minutes? give him just enough time to talk some sense into the man? I don’t know, but i love it nonetheless.

And when Dream leaves, when Hob chases him. When he doesn’t tell His Stranger that he didn’t need him anyway, doesn’t say good luck finding someone else who understands- but instead says that he’ll wait. That he’ll still be there, 100 years later, because they’re friends and because Hob has faith in him, in them. That if Dream shows up, it’ll be because they are friends.

When he stands there, and quietly but with feeling says “...Fuck.”

Yeah. Good episode.

883 notes · View notes

7grandmel · 2 months

Text

Todays rip: 02/03/2024

One-Winged DJ

Season 7 Featured on: The Year of Grand Dad Sound Selection [Side A]

Ripped by duuzu, digboye, COCONABE, l4ureleye, Netyasha Roozi, Jiko Music Performed by Chase Beck

youtube

You may have noticed that I try to keep an air of suspense when doing posts on the King for Another Day tournament such as Thank You, Everybody!. That is, of course, to not spoil the victor of Season 4 Episode 1's year-defining event - but at this point, it's a bit of a fruitless endeavor to try and uphold. Because DJ Professor K's victory celebrations haven't just been contained to his awarded day-long takeover during Season 4 Episode 2 - the takeover that gave us incredible rips like AIN'T NOTHIN' LIKE A CHUNKY BEAT, 88811, Ska Cha Cha (Rotten Mix) at an absolute breakneck pace during the SiIvaSummer All-Star Festival. Because during that takeover, a new flame was kindled - a flame by the name of Jet Set Radio Evolution.

Hideki Naganuma's style of sample-filled funk music is DJ Professor K's headlining ripping source, the one most closely associated with the game that the character originates from. Yet its a style that can be expressed in so many ways, not needing to be derivative of any prior existing songs from the two Jet Set Radio games - September, for instance, is able to sound authentically Naganuma-esque whilst being built off of a song as far away from his style as possible. Jet Set Radio Evolution, then, is an entirely made-up game - its name and logo deriving from a declined proof-of-concept, but its "soundtrack" completely made up by the SiIvaGunner team. This is far from the first fake game on the channel, and not the first one to be done without much of a shred of irony (Kirby Rip Attack is due for coverage on here) - but, notably, its a fake game born specifically to keep DJ Professor K's impact on the channel alive in the Seasons past his takeover. And, well, it took a few Seasons, but during Season 7, the team started going truly ham in utilizing its true potential.

There are a number of these Jet Set Radio Evolution rips I want to cover on here, both ones from DJ Professor K's takeover and from its revitalized usage during Season 7 - but to me, it was One-Winged DJ that really showed just how much flexibility rippers have with Naganuma's style of music. One-Winged Angel has long been seen as a sort of legendary track to rip due just how extensive of a song it is, a song that has a distinctly menacing feel to it that I can't imagine is easy to translate into a rip. Rips like One Winged PSYcho - V.S. Sepsyrop feel like absolutely herculean endeavors, and during Season 7 in particular we saw an absolute tidal wave of rips using it, as if it were just any other meme source in the channel's backlog and not this legendary 7-minute long work of art. Hen'yoku no Piraman was the first of these I covered, and while One-Winged DJ is likely far from the last, it still manages to feel like it sticks out from the crowd in just how dense of a sound it has - likely a result of how many people contributed to its creation.

There's the obvious highlight, of course: Chase Beck, the voice of DJ Professor K himself, returns to the role with new lines to supplement the original choir in latin of the original song, and it immediately gives the rip a charm to it, especially all these years after the original event and after Chase Beck's last "needed" performance as the character had long since passed. Before that even gets to kick in, though, its hard not to notice just how many different parts of Jet Set Radio's soundtracks are utilized right from the beginning: a bassline and voicelines echoing That's Enough, samples and pacing from Sneakman, the interlude's melody broken by the noise and chaos of The Concept of Love, and all throughout using small little sound effects and one-second samples from all over the games' soundscapes.

This is the kind of rip I could sit here and dissect for pages on end, yet I believe the point has been made abundantly clear already. In a Season already FILLED with celebration of every part of SiIvaGunner's life, One-Winged DJ is an absolute flex of a celebration, reminding us all of why DJ Professor K truly earned his win whilst showing just how much there is to still be done within the ever-appealing Naganuma style. I'm beyond proud of the rippers involved in how this rip turned out, and hope that the Jet Set Radio Evolution rips continue to impress into Season 8.

44 notes · View notes

cowboyinternist · 10 months

Text

hello and welcome to the post where i finally talk about some of my favorite wtnv episode art, because it’s a thing they do that i absolutely adore.

and i think it’s severely under appreciated/untalked about

starting with this one because i think it’s really lovely both in concept and execution. i have the print of it :)

i enjoy this work a lot for a same reason that i love room scenes: story told through subtlety. using the fridge as a canvas, including esteban’s drawings and letter magnets, gives us a window into the lives of these characters that we don’t really see in the typical format of this show. it’s also just really cute??

the subtle references to the past, the constant, and the current really tie the themes of the episode (and the show as a whole) together.

other things of note:

the star tarot card is representative of hope and new beginning.

the exes on the community calendar match up to the day of the month (the 15th).

i really really really like the references to the wtnv novel, because i think the novels are neglected a lot when it comes to the podcast and merchandising.

it knows with a certainty that the people seeing it will understand the niche references on it, and thus does not feel a need to explain itself.

it works really great as episode art, but also wonderfully as a 10th anniversary piece. unlike the poster. which i hate.

like the above, i love this one for several reasons. the composition, the colors, the lettering.

but above all i am a big enjoyer of flower imagery and symbolism.

lavender is pretty well known to symbolize calm, and tranquility. i think most people know that. and i think that reflects the kind of levelheaded and methodical way that carlos finally deals with his problems in this episode.

and i’m hoping the it’s representative of carlos’ mindset in the year to come? representative of him finding peace with his past.

him having his back turned to the viewer gives a sense of withdrawal or running away, but the lavender and calm atmosphere portray an aura is resignation. he’s done running.

other things:

old woman josie says in an early episode that carlos smells like lavender chewing gum

lavender is drought resilient and does very well in desert climates :)

i love this one for the same reason that i have issues with the most recent arc.

the magnifying glass both casts a shadow over and a beaming light into the community that you see in the illustration. it can be assumed that it’s only a matter of time before it bursts into flames and is destroyed under the prying eye. symbolism that is pretty easy to dissect. it tells us exactly what the danger is and exactly what is in danger in a very easy to interpret way.

welcome to night vale has always had a very heavy emphasis on community, but for me that isn’t really shown in this arc.

allegorical meaning aside, it ended up being framed in this way that ended up m very cecil & carlos vs. the night vale community + the uowii. rather than it being cecil, carlos, and the night vale community vs. the uowii. which was so

i think both of those concepts exist within the arc, but the latter is less believable because there’s so much less community detail. characters motives are not described. characters reactions to certain events are brushed past, often with little emotion to them. oh josh is missing? that sucks. anyways. dana is completely innocent? woohoo! anyways. they don’t allow room to for us, and the characters, to just FEEL? which is a stark contrast to the writing of previous years.

night vale as a community is what was at stake at this arc. but the lack of focus on characters and the relationships between them really took the stakes and emotion out of the situation. and, for me, took some impact and comedic value out of the ending.

i remember being really excited upon seeing this episode art because this piece did a really good job at setting an expectation for what the themes of this year would be. the themes were still there, but the writing didn’t do them justice and didn’t give them enough push to make them feel as impactful as they should have been.

this is all that i have the energy to talk about for now, but if there’s other episode art you’d like me to talk about, send me an ask! i’m also happy to talk about my opinions on other merch pieces that they have in their store! :)

#wtnv #welcome to night vale #this was super fun to talk about agh #there’s also a bunch of episodes that don’t have ep art that i would REALLY love ep art for #part one of convincing myself i will NOT be shot in the head for talking about things i like

141 notes · View notes

asherisgone · 9 months

Text

GOOD OMENS 2 SPOILERS DEAR SATAN SCROLL AWAY DON'T PRESS SEE MORE.

I've had major whiplash from the last 15 minutes of episode 6, so I'm here to analyse because it's eating me alive.

So I know a lot of people have theories that Aziraphale's been manipulated or miracled or the coffee is suspicious: whatever. I'm not here to fully push any theories, I'm just here to provide evidence and things for people to make their own conclusions.

First part of this is analysing Aziraphale himself:

Before we can even begin to dissect his statements, let's talk about who he is.

This angel hasn't changed his outfit in a century, forget the damn hair that has been the same since the universe even began.

He loves humanity and being humans because he is, even if he can't accept that, never has. All the way back in the aftermath of Jobe's story, their conversation, aziraphale doesn't find his peace during it, he desperately holds onto 'heaven = good' even though we've proven that isn't true. Even in Edinburgh, he's adament what they're doing is wrong (heaven's ideals) until Crowley shows him the truth of humanity; EVEN THEN he still can't accept the grey area of it all ("the side of truth... of good"), where Crowley is comfortable with his humanity, aziraphale clutches onto the "light grey" because he still craves heaven's approval.

*quick aside, I am aware Crowley does say "dark grey" but I read his tone as mocking and playful, plus he says it himself in the argument that he doesn't need hell or heaven.

But to sum that part up, that explains why Aziraphale takes the job, why he wants Crowley to be an angel again: he never got the closure he needed from heaven, he can't accept that it's just as corrupt as hell (if not more so since at least hell are doing it on purpose). He is sick of being worried and scared for Crowley, he wants to change everything so they can be together safely...

So onto the argument then..

Aziraphale says he may have misjudged the Metatron, why? because the Metatron praises him deeply to gain his trust "you're a leader, you're honest, you don't just tell people what they want to hear."

and honestly it's mostly exaggeration.

He's a lousy leader, Crowley walked all over him during the battle of the bookshop, he even says himself that they just have to do whatever Crowley says; he steps up to his potential at the last minute with the halo. He's not only a people pleaser (cause he thinks that's what angels are), but he also knows how to say things people want to hear to get his way, especially Crowley.

THE WHOLE JOBE MINI EPISODE IS ABOUT AZIRAPHALE UNDERMINING AND LYING TO HEAVEN FOR HEAVEN'S SAKE.

So we cannot trust the Metatron - he just needs someone who he can influence and control to rule heaven, that's why Gabriel was thrown out the minute he began to make his own decisions. It's why he uses Crowley as a bargaining tool to get Azi on his side after he says "I don't want to go back to heaven"

This entices Aziraphale because as someone who doesn't like change, he'd be able to be with Crowley "like the old times" without disrupting their dynamic of unspoken partnership.

Crowley immediately feels something is off "You're better than that", after all, what happened to "we're on our side" or "we carved it out for ourselves". Crowley is entirely comfortable in being human or on his own side... until aziraphale comes along to show him he doesn't need to be alone

Crowley repeats "tell me you said no": at first in disbelief, thinking he knows aziraphale wouldn't be that rash, his face immediately falls, in complete and utter disbelief at the possibility he's losing his angel.

So he repeats the question, this time it's a plea, he's practically begging for Aziraphale to correct him even though he knows it's not possible. His eyes widen, his fear is true and he's panicking as he knows what Aziraphale just signed up for. He shows so much betrayal in this one look too it's insane how well-done this scene is...

His last minute declaration of love is wholly an attempt to convince Azi to stay, the panic in his voice is unmistakeable "I think I'd better say it now." he's rushed, he's desperate.

*another aside, Michaels delivery of "come with me" in the softest voice and puppy eyes known to man is the absolute death of me. But it speaks to his innocence and sheer ignorance of what's going on.

Crowley knows his angel, "you can't leave the bookshop" which, as far as I'm concerned, is a euphemism for himself and their relationship. (of course literally as well, I mean aziraphale would die with their shop) and with the response being "nothing lasts forever. That's an insane line, ineffable husbands? nah sorry. But it's simply untrue, he doesn't like change, he hasn't ever sold a book, he doesn't change his hair and his style simply doesn't waver. This isn't something Aziraphale would say and mean. (which is also something people are using as evidence of Azi not being himself). Although, it also shows that he's willing to give up the bookshop and earth and everything he worked for if it means he and Crowley may have a safe future in heaven.

Everyone's noticed that Crowley shows his eyes more in season 2, but only when he and aziraphale are alone, he has them off the entire conversation until after aziraphale says that nothing lasts. He puts them back on. His facial expressions and body language are all so insecure all of a sudden; they can't even look at the angel they've been pining for since the beginning of time.

Aziraphale is unwavering, which is so confusing, he has smile still plastered on his face - an incredibly forced and frankly naive smile, but he absolutely cannot grasp the concept that crowley likes and actively accepts being human, but Azi is desperate to be an angel, once thinking he lost his way and now clawing back because otherwise he isn't good. "We could be together... Angels! doing good...".

I'm entirely convinced that considering only Crowley knows about Gabriel being thrown out for thwarting heaven's plans, he knows that aziraphale and him couldn't make a difference if they tried, the reason the Metatron even suggests the two of them can work together is to control them: afterall they're the ones who prevented armaggadont the first time, and also almost declared a war between heaven and hell. If you were the Metatron you'd seek to stop them too.

This seems to be why Crowley immediately fucks off the minute he senses Aziraphale can't understand what's going on "I think I understand a whole lot better than you do". Crowley laid his heart out to the one person he thought understood him, but Aziraphale gets ahead of himself and insisting Crowley joins him in heaven signifies something utterly world shattering as they were grey together, and he thought aziraphale understood that (again I call you back to the story of Jobe). "I could always rely on you"

Aziraphale stops him for obvious reasons, but that's why when Crowley says "no nightingales" it's more than just a metaphor. Obviously they reach an impasse in the conversation, it's Crowley's way of saying they're done, but what it signifies a new shift: this isn't his angel anymore. especially when you follow this with "you idiot-" because all I can think of is "how can someone as clever as you be so stupid" back from season 1. Crowley at this point has given up. he's done.

(*aside, this is an observation if you take it as a way to say that Azi is under a miracle or manipulated that's for you to decide.)

Aziraphale tries desperately to hide his emotions, the fake smiles and the depth of regret and sadness in his eyes, he looks at Crowley like he doesn't recognise him anymore even though it's not him who's changed.

and then...

EVERY - their kiss for those who did not have the misfortune of it being spoiled for them.

Is it only me who feels physically nauseous watching this? And I don't mean because I didn't want this to happen, of course not, but it's the amount of emotion charged behind it that makes it so devastating. The anger, pure desperation and DAMN IT IM SO SORRY I CAN'T BE CALM BUT AZIRAPHALE'S FACE AND REACTION GENUINELY MAKES ME UNCOMFORTABLY SAD.

two sides of this I'll analyse now.

Crowley - this is his absolute last chance and card he can play, he's done with words, "Well then... there's nothing else to say". He is heartbroken at this point, filled with desperation and pure longing for the one thing he's always been certain of: he needs this to work out. He literally runs to save their relationship, and fucking yanks aziraphale (love the parallel to season 1) but look at his determination in the furrowed brows... This isn't a loving and sentimental kiss, this is life or death as far as he's concerned.

Aziraphale - dear lord, where do I begin... He's caught off guard but something looks so wrong, it's not the look of a welcome surprise, it almost angry. He's upset that it's happening now, not that it's happening at all. He wants Crowley from 5 minutes ago, before their world crumbled in on them, but now he's hurt and he won't let himself have this Crowley that won't be with him as an angel, supporting him as supreme archangel... My only evidence for Aziraphale wanting to kiss Crowley just not in that moment is purely his hands. Granted, Crowley was holding that fucker tight, like goddamn- but he didn't stop it by any means, not for a whole 12 seconds. He wavers, holding him gently for only a moment with the most amount of trepidation, before reeling back as if he'd be burnt if he lingered, holding his hands away.

Afterwards?

that's the most betrayed look I've seen in my life... It's a "what the hell did you just do, you've only made this harder for me and yourself" Aziraphale has made his mind up and knows exactly what his plan is, he wants to make peace with leaving crowley, giving up on taking him with him, but this has proven how dedicated Crowley is to this, only making separating that much more painful.

That's why he doesn't say anything. Settling for "I forgive you." The very same words he echoed in season 1. A demon, the unforgivable fallen angels. Aziraphale is giving him another chance almost, saying "you were never fallen in my eyes" but also allowing him to leave, forgiving him for throwing away the opportunity Aziraphale is giving to him (I'm not saying that as in I think that's a good option I mean it from Aziraphale's perspective.)

Crowley immediately picks up on that, his voice defeated upon realising that aziraphale wasn't receptive to his efforts "don't bother". His lasts words to the angel that he no longer recognises and who doesn't recognise him. His angel basically admitted that he doesn't love him as a demon, only as an angel...

And that's the most poignant part I think. Nina is right, they don't communicate, and although a lot was said, it wasn't enough...

Aziraphale's touch of the lips shows so much. It's almost as though he feels violated or robbed of what was meant to be pure and special, but soured by their own inability to talk. Not only that, it's clearly a lingering feeling, he doesn't fully understand what just happened, still trying to catch up with his own feelings, it's the last thing from Crowley that he's got now, their relationship in total tatters.

right if you made it this far, I'm sorry for rambling on but I do sincerely hope you all found this interesting and can add to my observations!! I love this fandom and don't forget to keep watching, we need that season 3.

#good omens #good omens 2 #good omens season 2 #go2 spoilers #good omens spoilers #aziracrow #ineffable husbands #good omens episode 6 #aziraphale #crowley #beezlebub #archangel gabriel #neil gaiman #muriel #uriel #david tennant #michael sheen

122 notes · View notes

faelapis · 8 months

Text

so i watch wwdits. and i gotta say. that was the worst episode i've ever seen of not just this show, but maybe any show. ever. wow. i'm actually impressed with how bad it was.

i'm considering doing a more serious dissection of how Not to do a character arc or narrative framing. but for now, let me just share some general thoughts:

undoing guillermos vampirism totally shits on his character arc of standing up for himself and taking what he wants regardless of the morality of it. i hate it and it sucks.

also, the reasons make no sense. guillermo has had zero problem killing people until now. the roundabout way they try to explain it, like wow, he could smell someone's shampoo and imagined him picking it out and felt their mutual humanity... why would that not apply to any of the other people he's killed? he's even had somewhat of a relationship with some of them. yet all he's ever done when they die is give a distressed frown AT MOST.

guillermo is a killer and always has been. lately, he's even proud of it. that has, metaphorically, been part of him "embracing who he is."

but what bothered me even more was nandor. we all know this situation (guillermo being turned by someone else) is his fault for neglecting turning guillermo for 13 years... but instead, everything is framed as guillermos own fault for having someone else turn him. like - look at how mad you made nandor, guillermo. look what you've caused, guillermo. look what you made him do.

which, yikes. i feel like i dont need to say how bad that is.

even worse than nandors jealous rage.... i really hate the stupid condescending "forgiveness" afterwards. thats actually worse. like guillermo was right to be meek and apologetic for this, like it IS something he needs to be forgiven for. but its "okay" now because nandor "forgave" him. lets just move on. no need to interrogate nandors entitlement over guillermo.

you can argue theres the unstated idea that nandor is overreacting. sure. we, the audience, dont want guillermo to die, and thats part of the irreverent way the show treats death and killing.

but still, yknow?

i feel like i'm taking crazy pills, because the real question isnt whether nandor should "forgive" guillermo. in this context, guillermo has done nothing wrong. nandor totally reneged on their agreement as vampire-familiar. guillermo is supposed to serve nandor, and in return, nandor is supposed to turn guillermo. but he keeps not doing it, and in general being shitty towards guillermo. so guillermo takes matters into his own hands.

that COULD be a great character beat. it could confront nandor with his selfishness, and this uneven power relationship where he gets guillermo to stay by not fulfilling his promise.

but the question of whether guillermo should forgive nandor for not turning him, or for throwing a fit when someone else does? not even brought up. even though that really seems like the most pressing question. its crazy how subservient and apologetic guillermo suddenly is, like its S1 all over again. he does some token yelling at nandor, but his primary emotion is clearly guilt. its not enough to remotely change the shitty framing.

look. this show doesnt exactly have much "morality", and i dont want it to. i dont want any of these guys to become upstanding citizens. i like the irreverent tone and how theyre all killers.

but i do care about character arcs and agency.

guillermo has been treated like hes inferior the whole time hes been a familiar. and hes put up with it because he wanted to be a vampire. so by becoming a vampire, he forces the relationship to become equal. he also finally gets what he wants. which is ESPECIALLY poignant when it happens regardless of what nandor wants. it takes back his own agency over the situation, because nandor CAN'T hold it over his head anymore.

and then nandor doesnt like it. and goes into a murderous rage because of own entitlement at being the one to turn guillermo. thats fine as a starting point to a character arc, but guillermo doesn't even stand up for himself. he doesnt fight back as he should - or really, would, given how he's evolved to be more assertive. and then its reinforced by the stupid "forgiveness", like nandor has any right to forgive someone who did nothing wrong. it sets up this convenient scenario where nandor is not confronted for being a shitty master, but guillermo IS confronted for taking control of his own life.

and now, just as conveniently, guillermo just... doesnt like being a vampire, either. so nandor gets to further be a "good friend" making amends by helping "unturn" him. all framed like its about guillermo finding out what he "really" wants.

this is lame and it sucks. not only because guillermos reasons make no sense (again, he's been a killer this whole time? if anything, his arc is more accepting his own lack of morality), but because it resets the chessboard in a way where nandor doesnt have to learn anything.

nandor doesnt have to confront the sting of guillermo having agency to make this choice without him. he doesnt have to deal with the fact that it never got to be him who turns guillermo. he doesnt have to be forcibly confronted with the fact that he now has to treat guillermo as an equal, because guillermo now doesn't need anything from him.

and it sucks because all that could actually be a great jumping off point for them to, despite everything, start a real relationship. maybe even a romantic one. they could mutually realize they actually care about each other. regardless of this pact.

and you can say that by guillermo deciding to be human (as extremely lame and deeply uncool as that is), it also gives them this "equality." because he would stay with the vampires because he wants to, not because he needs something from nandor.

but you're missing the point - its NANDOR who needs to learn. its HE who needs to be confronted by guillermo making his own choices.

so guillermo just... conveniently changing his mind because he was a full vampire for one (1) fucking day and suddenly decided he's too good to kill people?

it robs nandor of that entire arc. and no, i'm not counting his stupid "forgiving" guillermo as learning to treat him like an equal. that would require a lot more introspection about his own entitlement. that would require him to actually say with his chest that guillermo had every right to make this choice, and its not on nandor to forgive him, its on guillermo whether he would forgive nandor.

that doesn't happen. what actually happens is nandor decides to show guillermo "mercy," which, again, firmly places the agency in nandor's hands. at no point does he have to be vulnerable and accept that guillermo might not want to be with him. at no point does he have to introspect about how he's treated him this whole time.

also. there is a long, proud line in patriarchal thinking of husbands "forgiving" their wives for perceived "disobedience," which only reinforces the husband as the head of the household and that said wives "should" have been more obedient. forgiveness is not always an act of kindness. sometimes it's very condescending. which it is here.

(same for the interpretation i've seen from some, that nandor "always knew" guillermo wasn't cut out to be a vampire. like that's why he didn't turn him. what a horrible, condescending idea. i don't know how you can look at nandor being like "i'm not going to give you what you want, because i know better than you" and not think it's shit.)

yes, i'm aware of the cheating metaphor. but its a bad metaphor. at least, not without acknowledging that its been an unequal relationship for 13 years where one partner has been neglecting the other constantly. at that point, the nuance should really come out and maybe the partner "cheating" isnt the worst here.

but that doesn't happen.

also... it's just a bad episode. like. in general. like the whole thing with the guide, where you think she actually gets to assert herself? sounds great. too bad its totally undone by gaslighting her into thinking they do like her and are nice to her. like the problem is they just didnt verbalize that "enough." thats yet another bullied or ignored character whose arc of standing up for themselves (even by immoral means, because its an immoral fantasy show) is undercut.

it sucks. guillermo sucks for losing his defiant streak (and metaphorical empowerment through vampirism), nandor sucks for being entitled. this whole show sucks. i suck for bothering to stick with it so long. i'm done. i'm out.

#wwdits #what we do in the shadows #wwdits spoilers #i've mostly just been in that fandom on twitter but consider this a formal goodbye on all platforms because wowww #what a shitfest #guillermo de la cruz #nandor the relentless

65 notes · View notes

unhappy-day-in-hell · 3 months

Text

The Dissection of Hazbin Hotel, Episode One: part 4

Onto the end part, Charlie meeting with the angels and... Vaggie's advertisement.

Let's finish this!

Part 1:

Part 2:

Part 3:

Part 4: //

--Uh. The fuck is this building and why is it in Hell? Are we not going to explain? (Trick question, there’s already so much exposition that it wraps right back around to leaving us in the dark!!)

--Ohhh. That's Adam’s voice? Someone as important as him does not sound like that.

...Stupid thought I just had: Adam has the first Adam's Apple in all of history too... because it's that little saying, that Adam got a piece of the forbidden fruit stuck in his throat to remind him of eating it. So Adam, really, should either sound like he's constantly choking on something/has a stuffed up scratchy throat, or he should have a super deep voice to indicate his adam's apple.

--Heck is wrong with your mouth girl?

--B Plot is them filming an advertisement. I know I tried to re-write this in the review earlier (and will offer an alternative near the end of the review), but this is the kind of smaller-time plot we need to do in these early episodes BEFORE we get to Charlie's stuff. It's not very good tonal whiplash to pair these two plots up.

Also Vaggie’s doing this on Charlie’s behalf. This is, once again, something Charlie should be doing.

--Why doesn’t Charlie know the leader of the Exterminators is Adam? Does that mean she doesn’t know anything important about her world in general? Or is Adam’s presence a secret to the world? Does Lucifer know Adam is here?

--Good god, Adam really IS just Mammon. He's even a performer who is like a rockstar. Viv has zero new ideas.

--We're cutting between Charlie’s "important" meeting with Adam and the filming for the advertisement. We really are. I guess this episode and Western Energy spring from the same source.

--“How were you this weekend” is at least a little amusing. If Adam was more airheaded like that and not *gestures* all this, I’d probably hate his presence less.

--There it is. The Vagina joke for Vaggie’s name. They… they really did that. They just couldn’t help themselves. Viv just can’t help herself.

Because really, what are you supposed to do with this name? People having to say “Vaggie” out loud or print it on merch is embarrassing. They could have called her anything. Maggie. Aggie. Naggie. Saggy. Haggy.

--Vaggie: We’ll fix it in post. Angel: Do you even know what that means?

Well you see Angel! Vaggie’s origin can be split!

For a long time, Vaggie was thought to be a sinner who died very recently, so of course she’d know about editing, because she had grown up in the era of that kind of tech.

Except now she’s been changed to be a fallen exterminator! This means there are a lot of implications. Are we going to use this moment to hint how ANCIENT Vaggie is as a former angel, by showing her as not knowing how to work technology? No, no of course not -- Vaggie seems competent with the camera, it’s just that her actors are dumb fucks.

This criticism spreads over to Adam, who talks just like a “normal guy” and he’s a modern rocker and all that shit. Adam, the first human, who is incomprehensibly ancient… doesn’t show any signs of being as ancient as he is. They couldn't even write him using outdated slang? Make him a disco lover or something and have him say "Groovy?" No? (He IS a thing made of light, he could shine like a disco ball!)

--Vaggie: I’LL FIGURE IT OUT.

Godddd Vaggie can’t have one single line with any life in it. How does she scream in anger with no anger.

--Hi Al. This shot reminds me of why I used to like you, because I DID like your design and your mannerisms once upon a time. I still feel an echo of the enjoyment I used to get from you, and it makes me sad how far you’ve fallen, to being Rosie’s lapdog. You do look good with this muted blue tinting your color scheme. I wish Hell was more of this color, it’s much softer on the eyes.

(Even when I was still a fan, I hated how overused red was. It was one of the first complaints I had. Then the show doubled down and removed even more of the colors from the color pallet to make it even redder.)

--Vaggie to Alastor: Why are you even here? Alastor: For the entertainment!

Actually you’re here because LilithRosie asked you to. She filed down your fangs. You are a toothless character.

--Alastor: I came here because I love seeing wasteful souls struggle to accomplish something meaningful and fail spectacularly!

This is almost exactly a line from the Pilot where Alastor said “I want to watch the scum of the world struggle to climb up the hill of betterment! Only to repeatedly trip, and tumble down to the fiery pit of failure." Except it just. Lacks. Any of the danger. Or the manic insanity boiling just under Alastor’s surface. The delivery is so deflated.

The words are stilted, like they were with Vaggie a while back.

--Much better qualified people than I have spoken about the use of vodou symbols around Alastor. All I can say is this: Practitioners of vodou have spoken about how harmful it is, and therefore, the symbols should not be in the show. It's that simple. It would have cost the team literally nothing to refrain from using them. In fact, we’re in Hell, and we’ve already used the Ars Goetia in Helluva Boss; why don’t they use the symbols of the Ars Goetia? Or other demonic Christian symbols? Or Lovecraftian symbols from the fictional Lovecraft universe? Or make up their own??? There were a million other options besides digging in your heels. It shows the crew and Viv’s inability to just learn or just be nice.

“This face was made for radio!” that shot, bleck, they made a discount of that scary shot from the pilot. Why is every line they reuse for Alastor worse than it was in the pilot? The pilot where Alastor said “I would have done so already” let Alastor be a little aggressive and threatening, but here, it's just him equating it to “this face can’t be captured on video” instead of him being allowed to flex his power and scare Vaggie and Charlie a little bit….

It makes me sad.

--AND AGAIN, THIS IS VAGGIE HAVING THIS IMPORTANT CONVERSATION WITH ALASTOR. Why is it Vaggie who is getting Alastor’s motivation speech and seeing his Scary Face and not CHARLIE!? The Hotel is CHARLIE’S! Charlie is the main character, she’s the one who has to face these moral battles! Alastor’s motivation and his scorn for her Hotel are CHARLIE’S obstacles to deal with; she has to be the one to face them, consider them, debate them, and find a way to overcome them. But Vaggie is the one here, again, in Charlie’s place. (And Vaggie doesn’t even seem to have any enjoyment or passion for the Hotel either, so SHE doesn’t offer anything in return when she’s facing these opposing ideas.)

--So Alastor is going to make a good advertisement for the Hazbin Hotel, in exchange for never having to work with television ever again.

God, it’s so… WHINY. This isn’t a powerful Overlord of Hell, who is able to manipulate the Hotel behind the scenes and everyone has to watch out for his power because they both need his power but also fear it. This is a dude bargaining over what chores he has to do. It’s depressing.

--And it ends with Alastor giving everyone new outfits. Like the pilot. Because of course. Viv has no new ideas in her head at all. Also Charlie's not here.

--I feel like this scene COULD have been a standout moment in another universe, where someone else wrote this story. The colors are very nice, and Alastor is genuinely one of the only sources of ANYTHING you might consider fun in this episode, even if he’s a pale shadow of what he used to be.

Imagine this as a rewrite for this Episode, and how it could have ended:

At the beginning of the episode, the Hotel staff is still figuring things out. They have a meeting and decide they want to make an advertisement to get people to come to the Hotel, but Al refused to take part, because he hates TV. Charlie then tries to film her own advertisement with Vaggie’s help, but fails to make anything good.

As she starts feeling discouraged in the blue room while cutting up tapes, Alastor walks in to taunt her for a little while. After a back and forth where Charlie asks what he even wants here, he gives his motivation speech, so Charlie can have her goal challenged. But eventually, Charlie asks him to use his power to help her with this, by getting the word out to the people of Hell; and Al agrees, because an empty Hotel is no fun… in exchange for something Al wants: he’ll be allowed to observe any part of the Hotel and give commentary over it whenever he feels like it, and he’s allowed to say anything he wants, positive or negative. Charlie reluctantly agrees to these terms.

Then Alastor uses his power and creates a huge radio tower out of the back of the Hotel. The rest of the Crew feel the Hotel shaking and run outside, and watch in confusion as the tower reaches up into the sky. Al then floats up to the top room, where an old radio station is set up inside. Taking his seat in the booth, Alastor uses his power to broadcasts a spectacular old-timey radio show all across the radio waves of Hell, which are impossible for people to turn off, so it reaches millions of them.

(This also marks his grand return to Hell after his time away…… I guess. Since they're going with that.)

Boom, now Alastor has a radio tower that he hangs out in for the rest of the series, and he’s often giving SCATHING commentary about what goes on inside the Hotel in its quest for redemption. It’s usually making fun of everyone, or damning criticism -- but every so often he compliments something or someone, or gives a bravo for a job well done if a character does manage to accomplish something (but it's always with this HINT that he doesn’t expect their victory to last.)

There.

I provided a better hook for Episode One to end on, something fun to look at -- AND it has Alastor being in total control, while still helping the Hotel, but clearly primed to fuck with it. It also gives the show its first stakes -- small ones, but a status quo is established and we know Charlie will be butting heads with Alastor for the foreseeable future.

--Back with Adam and Charlie, it has become an argument that sinners have earned eternal damnation by making mistakes, and angels and the souls in heaven are not the same; and that angels have never made mistakes. Adam even says he’s never made a mistake.

Why doesn’t Charlie bring up the fact that Adam ate the fruit of knowledge that damned humanity, literally the first sin ever committed alongside Eve? Would that require too much thought, because Adam could just say “hey Eve was the one who did that, then she forced me!” and Charlie would have no rebuttal, because this show doesn’t seem to care about logical or moral battles. (Honestly, I can bet Viv would genuinely believe that for Adam.)

Why don’t they also bring up the fact that all human souls are descended from Adam too? It would force Adam to say: “yeah I don’t care, they may be my grandkids but they made their choice and as the original father it’s my job to whoop their asses when they get out of line,” which would show off how horrible he is. (Or, just not have Adam act this way. The next point elaborates on that:)

--I keep asking myself WHY Heaven and the angels have to be depicted this way. Not "why they’re corrupt" -- but why they’re *gestures vaguely* like this, and so cartoonishly.

Some shows take themselves too seriously and need to lighten up, but a show like Hazbin Hotel has the opposite problem, where it won’t be serious when it needs to be serious.

Adam acts exactly like a demon. There is no distinction between demons and angels. They’re as foul-mouthed, raunchy, and gross. Why?

Is it supposed to be “commentary” or “satire” about real world issues, where authority/radical Christians think they’re better than everyone else just by virtue of being Christian? That’s my first guess.

But just like with Helluva Boss’s commentary on cartoonishly evil abusers: it’s not saying anything we don’t already know, and it hits you with all the subtlety of a sledgehammer to the face.

When Hazbin uses Adam to say “See? Heaven is hypocritical! It does the exact same bad shit as Hell, but gives ITSELF a pass!” it makes Hazbin Hotel worse for it, because of how one-note it makes literally everything in the universe, and how it sacrifices any actual clever worldbuilding, storycrafting, or realism for the sake of shock value.

Hazbin Hotel is supposed to have a serious storyline meant for adults. It was meant to explore a serious moral question, and the angels are supposed to be one of the serious threats that Charlie has to change the mind of. You want us to take your show SERIOUSLY? Then you need to make villains we can TAKE seriously.

Think of it like this. If Heaven was allowed to have a different personality from Hell (if angels were allowed to act differently than demons), you’d be so much better for it.

First of all, it would give the show variety. Hell already has all the sex jokes, curses, and gore you could ever ask for – that’s Hell’s atmosphere. So let Heaven have a different atmosphere -- let its people has "serious" personality traits. Let them take themselves TOO seriously. That way, there’s some variety when characters go from one place to the next.

Second of all, it would give you way more personality types to play around with! (How boring must it get, writing the same screaming, cursing, sex-spewing archetypes over and over?) AND it would let different temperaments clash! Imagine Angel Dust meeting an Exterminator; Angel Dust makes everything a joke, and the Exterminator takes everything way too seriously, aaaaaand their personalities slam into each other. Imagine the possibilities.

But we can’t have that.

We can’t have anything because Viv can’t let herself be sincere or think this far ahead.

Instead we’re just stuck with Adam, who is Mammon.

--Lute says Charlie was “pardoned by daddy”? Who?? Lucifer? If Lucifer has the ability to blacklist souls from being killed, why can’t he just tell the exterminators to fuck off? Or are they referring to “God” as daddy, for which, I thought they weren’t going to touch God in this show?

The dialogue for this show is confusing. There was clearly no editing or rewriting to make anything make sense.

In the old pilot continuity, only an angel of higher rank had the ability to kill Lucifer, which means the exterminators were unable to kill him. Charlie, as his daughter, was directly below him in power, meaning Charlie would also be immune to them because she's stronger than them. But here apparently she's weak enough that the exterminators not only COULD kill her if given the chance, they WANT to kill her but have to hold back by some... law.

--Another song. Okay.

My opinion is that Brightman is a good singer, and this song definitely has more going on than the first one did. So… not terrible… but there’s also something missing in these lyrics. The way the music flows isn’t interesting and it goes by so fast. And Adam’s voice isn’t grating or terrible to listen to, but his dumb rockstar voice just kind of clashes into Brightman’s singing voice every so often, and makes it sound weird to me.

I could do without.

--OOH LAWD SHE ABOUT TO GO OFF. (That meme will never stop being funny. The shot is so tame. She doesn't even get to do any flexing or anything?)

--They’ll be back in six months?? Oh right, ahem, ahem: We’re putting this into EPISODE ONE? (I’m getting tired of saying that.)

Side note: they better not blame Charlie for this one, or try to make it out like she did something to cause this. Because... She literally didn’t. She didn’t get a word in edge-wise. (If they blame Charlie for making Hell worse, not only is it another Potential Dramatic Plot Moment they waste here, where Charlie would legitimately do a fuckup and have to face the consequences of her actions and it’s Oooh Drama -- it’s also totally unearned here, because Charlie Didn’t Do Anything. Literally if this is supposed to be “Charlie’s Mistake”, she didn’t do anything to MAKE A MISTAKE. )

--Alastor: I pulled a few LIMBS too, Hah hah hah!

Now you sound dead Alastor. I miss your fast-paced deranged laughter.

--To hear Blitzo’s voice coming out of Katie. Not even for a joke. I just. Vomit.

--(Quick question, is it just me or does it feel WEIRD to see Hell freaking out about the exterminations happening sooner, the way it is now? I mean, it’s a bad thing of course – but at the same time, it’s 6 WHOLE months away. That’s still a very long time; it’s not like the angels said they’d be coming in 1 WEEK or anything.

And again, moving the Extermination up to the mid-point of the year COULD have been a good plot punch a few episodes in – if the show had established itself as having a one year time limit before the next extermination, for instance, and for the first season we watch the weeks or months go by. The cast think they’re safe because they always have more time; “the year isn’t even half over yet.” But THEN, Charlie fucks up a few months in, and suddenly the date of the extermination is moved up!! WE ONLY HAVE A MONTH LEFT!! SHOCK AND HORROR. THERE IS MUCH LESS TIME NOW. HOW CAN WE DO THIS IN TIME!? PANIC! STAKES! DRAMA.

Makes my poor writer heart sad.

Imagine if we lingered on the Exterminations for a while before all this, and we learn that every single year, it takes about 3 months worth of planning in order for Sinners to secure hiding spots away from the Angels (a play on the three big holidays, Halloween, Thanksgiving, and Christmas). This is CRITICAL for Sinner survival; those who can't or don't are the ones who die, and spots are so competitive that it takes all that time for anyone to secure themselves. So when Charlie fucks up midway through the year and causes the Extermination to be moved up to just 1 month away, NO ONE IS SAFE, and there isn't enough time for three months of prep, which is why everyone flips their ever-loving shit: they know they're going to die and now there's a hysterical scramble all throughout Hell trying to secure safe spots.

--The ending shot shows an exterminator dead, and the angels out for blood about it.

Again, ahem-hem: EPISODE ONE.

And now, the Exterminators don’t even feel threatening -- because we know they can be killed.

What made the angels scary, originally, is that they were virtually untouchable. Demons could not defeat them, and angels could kill any demon they wanted to by default. (Even Alastor seemed to be weaker than the angels.)

The angels should have been a looming, impossible-to-defeat threat (at least for a while). This would have given the story tension, because the audience would know the sinners stood no chance if they ran out of time or failed to convince the Angels – it was a battle of MORALITY. It was a challenge for sinners to prove to Heaven they were redeemable, because Heaven held all the power.

They de-clawed their villains in their introductory episode.

…

Do Adam and the Exterminators even HAVE the authority to enact a full genocide??? Wasn’t there a “council of Angel Elders” mentioned in the beginning? Aren’t the exterminators just assigned to this post, and meant to keep the population low??? Won’t they get in trouble for overstepping their bounds!? ARE WE GOING TO GET ANY EXPLANATION AS TO HOW THE HIERARCHY WORKS OR HOW HEAVEN WORKS FIRST!? BEFORE WE GET INTO THIS!?!?

AAAAAAAAAAAAND ~CURTAINS!~

………………………………………………………………………

And that was the end of Hazbin Hotel Episode One.

…

So! What have we learned here today?

My personal takeaway is that, even though it’s cathartic to see this all start to go down in flames, I still feel disappointed and frustrated because of how much time I invested in it, even defended it to other people for a time. I'm frustrated because none of it had to be this bad. Viv didn't have to be evil. There was promise and potential, once upon a time.

Quite frankly, we were lied to. The premise that everyone fell in love with was dumped in the trash. For over four years, we were told this would be a story about redeeming sinners -- that’s what fans put so much of their time and money into. But that premise was discarded immediately, in favor of a generic War Against Heaven. Viv LIED to us, knowing from the start that the redemption storyline was never going to go anywhere.

I just wonder how many resources were wasted creating this, how many people Viv hurt, how many opportunities were handed to Viv that could have gone to anyone else more deserving of it.

There wasn’t a single worthwhile thing in this episode. A handful of individual shots here and there were passable, but nothing enough to sit through it. Abysmal animation, pacing, storytelling, dialogue, voices, songs; characters that were flat and unmemorable, or stripped of what made them unique.

Charlie wasn’t the main character in her own show -- Vaggie was the one dealing with the morality of the other characters. (And frankly, Charlie didn’t NEED to meet with Adam. It accomplished nothing. If the angels had already decided to do the extermination in 6 months; they could have just done it, they didn’t necessarily NEED to meet with Charlie to enact it.)

Somehow, Hazbin found a way to do everything wrong!

This show should be taken as a lesson on what not to as an artist. (Any kind of artist, really.)

In my opinion, the greatest weakness of this show is its inability to write anything sincere.

(And there’s a difference between something having sincere emotion, and melodrama, which Viv dumps in boatloads in her writing.)

I won’t re-write it all, but I basically mean what happened with Adam and the angels, where they aren’t allowed to be any different from the demons. They aren’t allowed to be serious, wise, ancient; because Viv CAN’T write them as sincere. (But this also includes so many other aspects of this show and this world as a whole.)

(And its genre doesn’t shield it. Hazbin Hotel is trying to tell a STORY, so it doesn’t get to hide behind the genre of being an “episodic adult comedy”. It HAS to follow the rules of storytelling, and when it doesn’t, it is failing.)

And Hazbin Hotel is just one giant failure.

With that, I’ll wrap this up. I think I’ve said all I want to.

I don’t know if I’ll review any other episodes like this (or, if they’ll be this long), because they get worse and worse; and Episode 4 is such a serious, disgusting episode that I don't know if it's even worth it -- but I REALLY wanted to get my thoughts down for this one.

If you read it all, thanks for sticking around! It was fun to rip it apart.

If you have any thoughts you want to add onto this, I’d love to hear!

#Hazbin Hotel Critical #Vivziepop Critical #The Dissection of Hazbin Hotel #Episode 1

42 notes · View notes