Lovelies, I ain’t gonna lie and just say this bluntly, but I’m feeling absolutely miserable right now and probably will for the upcoming days because today we had to put the dog I grew up with to sleep.
Can anyone recommend one (or rather a few) good comfort fics? Bucky, Steve, Clint, Logan… I honestly don’t really care right now, I just need both comfort and simultaneously some distraction, I guess. Honestly, I might even not know what exactly I actually need but you know what I mean.
Would be great if you send me the fics or just mark me in a comment to the fic or whatever. I just… *sighs shrugging*. Thanks, one way or another.
hi sorry in advance if this is weird but i couldn't for the life of me figure out who machete was reminding me of and just now i figured it out - surku the dog from the moomins. can't remember enough to tell how accurate that is personality wise but something about the image of a distressed pointy-nosed dog shivering in a coat... plus ne on molemmat ahdistuneita queer ikoneita
I love Surku! Surku must be protected at all costs.
If you ask me, he's even more distressed in the comics.
I keep him on my fridge door as well.
But now that we're on the topic of Moomin characters, I must add that I see Machete in various Fillyjonks a lot. The short story Fillyjonk who believed in disasters is one of my favorite pieces of literature ever, when I first read it it shook me to my core, I still revisit it on yearly basis. For someone who seemed so wild and free spirited by nature, Tove Jansson did remarkable job at catching and depicting the essence of anxiety, uncertainty, vague sadness and irrational fears. At least in my opinion.
I'm so in love with everything about your art!! I wanted to ask something about your MLP human designs in particular. all of them have really lovely and interesting face shapes/details. even though all the pony designs have the same head molds (save for eye shape), all the unique characteristics you gave them just... look RIGHT. is there a particular method or design principle you used? thanks for your time!! I can't wait to see more of your work!
It's all about shape language and how they inform a person's read on the character.
I talked about this before, but each of the Main 6 were paired together so I could design them in contrast with each other. For RD, I wanted her short hair to have a wind-swept look, as if she's constantly running. So bare forehead and hair spiking out at the bottom. She contains lots and lots of sharp lines and shapes to give her the look of a speeding arrow.
Felice, on the other hand, droops down a lot to reflect her solemn, shy disposition. I didn't want her hair to be perfectly straight though, as that'd suggest she spends a lot of time fretting over it and isn't outdoorsy, so I made it a bit of a tangled mess too.
In short, RD's features are sharp and point upwards, Felice's features are round and droop downwards. (Think Joshua tree vs. weeping willow.)
For these two, I specifically wanted to include non-Western facial features, as I found I haven't really included them in my character designs up until now.
Pinkie's bold and loud, so I gave her bold eyes, bold eyebrows, a bold nose, etc. I worked on Thea's nose for quite a bit and ended up abstracting the shape a bit to look more cartoony, borrowing from Pixar's Soul's character design notes. In cases like these, I recommend finding ways to simplify features and break them down into easily-recognizable shapes and forms (Cartoon Saloon are masters at this). The less visual noise, the easier their expressions are to read! And it's generally more fun to draw.
In short, diversify, exaggerate, and simplify. Figure out what works for you and get a little wacky with it. Character design is all about finding a balance between maintaining your voice and vision and creating something unique and lively.
people have brought up the difference between "this piece of media is good" vs "i like this piece of media". i would also like to mention the third axis "i would easily recommend this piece of media to others"
One of the great things about fiber arts (at least to me) is that... you outright own the things you make. It's hard for me to comprehend actually owning something, and that's that. The item you have created doesn't need to come with strings attached (pun intended).
In a world where you are constantly buying things but not owning any of it, truly, it's such an odd experience to actually have ownership of your labour, time, and love like that.
I don’t think it makes sense to assume that Jason was mocking Mia’s past. At all. The thing that got jason painted as violent back in the 80s was his anger against rapists…how does that turn into mocking a victim? and that entire story was written by winick. Do we honestly think winick intended to communicate that? The same writer who made Jason’s first kill a man who was trafficking children? Who had Jason pause in his mission of madness to make sure those kids were found by the right people so they wouldn’t be in further danger?
I have a question because I am thinking of starting post Danganronpa art on Tumblr (I already post on Instagram, I just wanted to post in two places like cool artists do)
Are there anythings you have to say about posting art on Tumblr? Anything to look out for? Any advice? How's the fandom usually with artists?
tag well and correctly (no censoring words), if you reblog something you like you can talk either in the tags (like I do) or add text (but that's less subtle, and either way, mind that everyone can see it). Don't forget to open your ask box in settings so you can receive questions, and just like. Chat! I've made friends just by rambling in the tags or asking people what they think about xyz.
You curate your own dash, so follow what you like and block what you don't. Blocking is not treated as a personal thing, at least in my circles. If you start an argument, be aware that everyone can see and you might get dragged.
Idk about how it is with artists since everyones always so nice to me lol. In my opinion it's great! But again, follow and block at will and don't trash-talk and it's probably fine.
Advice: reblog a lot of stuff, more interactions that way.
Oh and change your icon right away if you make a blog so people know you're not a bot
The worst part about reading in a genre where you have low expectations (in this case, Christian historical fiction) is that when a book impresses you, you have no idea if it's actually good or if you're just overly impressed because it was a fraction of a degree better than the usual garbage.
have you perhaps a list of readings you would recommend to understand better disco elysium/sacred and terrible air? i wouldn't know where to start and your posts are interesting so worth trying to ask :)
aw thank you! Well, I feel like I’m not really that well-read, and the order I read philosophy/history/etc is all over the place lol
If I had to recommend some reading, there is this essay about the pale, that I think is essential to understanding Elysium. :
as for books, I would say Capitalist Realism by Mark Fisher could be a good starting point. And I think it would be worth to read something about these topics:
neoliberalism, capitalism
communism - marxism, history of socialist countries
russian nihilism
christianity - dispensationalism
The devs have said that they were influenced by Hegel, Marx, Slavoj Žižek, Lenin, & they also said they used to be anarchists so I would say reading some anarchist text could be interesting too if you want to really dive into it (idk, Emma Goldmann for example)
You can find a lot of these writings on these websites:
If you're not reading Boyfriend Material by Alexis Hall, you should be. I'm a 100 pages in and in absolute splits. Top-tier British queer comedy. 💀💀
(I'm also convinced the character the protag is trying to hook up with is autistic as hell.)
“No. God no. My mother’s French.”
“Ah. Lucien, then.” He said it perfectly, too, with the half-swallowed softness of the final syllable, smiling at me—the first full smile I’d seen from him, and shocking in its sweetness. “Vraiment? Vous parlez français?”
There’s really no excuse for what happened next. I think maybe I just wanted him to keep smiling at me. Because for some reason I said, “Oui oui. Un peu.”
And then, to my horror, he rattled off God knew what.
Leaving me to scrape the bottom of the barrel of my GCSE French, for which I’d received a D. “Um…um… Je voudrais aller au cinema avec mes amis? Ou est la salle de bain?”
Utterly perplexed, he pointed. So I was obliged to go the bathroom.
When I slunk back, he immediately confronted me with “You don’t speak French at all, do you?”
“No.” I hung my head. “I mean, my mother used both when I was growing up, but I still turned out stubbornly monolingual.”
“Then why didn’t you just say that?”
“I…don’t know. I guess I assumed you didn’t speak French either?”
“Why on earth would I imply I could speak French, when I couldn’t?”
I stuffed a teetering forkful of pie into my mouth. “You’re right. That would be a deranged thing to do.”