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graythegreyt · 20 hours

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AU details now I am very interested (you don’t have to)

HI ILLY THANK YOU FOR THE ASK I AM GLAD TO OBLIGE. I'M ASSUMING THIS IS ABOUT MY BUG NOIRE AU LET ME KNOW IF IT'S NOT

So basically. Cracks knuckles. The set-up of the AU is based nearly entirely on two concepts: 1. In the show, Bug Noire cannot stop grinning when she first unifies the Miraculous which I have capitalized on completely and taken to be a consequence of a power rush, and 2. Marinette in this scenario is the only one given both Miraculous, as Master Fu (or perhaps another, more strict order of guardians?) thought that entrusting the two most powerful Miraculous to multiple people was too dangerous.

(GIF taken from the Wiki!)

So in this AU, Mari is Paris' only magic defender, and she is SCARY. She has all the same incredible forward thinking that Ladybug does in canon, but without anyone to support her or protect her, she's gotten used to absolutely tanking damage and pressing on regardless with a wild air of enthusiasm. The unity of the two Miraculous of creation and destruction in this AU are nearly unbearable for mortals to handle; because they, unified, are Gimmi, representation of all of existence, wielding both at one causes interesting consequences.

(Screenshot also from the Wiki :3)

For Mari, that means she's full of a powerful joy and elation to be participating as an active agent of Existence (or Balance) in the universe, but she also revels in destruction and chaos, and every time she transforms she finds it harder to adjust to the more limited understanding that mortals possess. Tikki and Plagg are very worried about her, and Marinette is too, but under careful watch Mari cannot part with the Miraculous and instead presses on-- to her own detriment.

Alya and Adrien, on the other hand, have never met Mari. They're both newcomers to the school, but Marinette as a full-time hero never makes an appearance there. Instead, both Alya and Adrien befriend Nino who is their guiding light. He mitigates Alya's relentless drive to investigate akumas and vouches for Adrien's goodness to the class when Chloe puts it into question. The three grow close, but something's missing.

Alya meets Bug Noire when she's put herself into the battlefield, eager to film the mystery of the akuma and record it to the public on her BugBlog, since Noire herself seldom interacts with the public. Adrien, on the other hand, meets Bug Noire when he's being targeted by the akuma, and his inner desire to help recognizes that Noire, as wild and energetic as she is, seems to be struggling in a way that others don't see.

Noire, drunk on power but still fighting tooth and nail to retain a sense of her identity and her desire for companionship, is ecstatic to speak with Adrien and Alya but tries to keep them away from the fights as much as possible. Adrien and Alya, being themselves, of course don't let this stand and repeatedly put themselves in positions where Bug Noire would be a fool not to rely on them to help wear down an akuma, or evacuate the area, or break an object, or make shaky banter to. This grounds Bug Noire in a way she clings to, and she begins visiting Alya and Adrien not as a Miraculous user but as their friend.

In my head I feel like Alya and Adrien would convince Bug in the end to give them her Miraculous "to inspect" (can we see them!! They're so cool and you can use a break), and Marinette, Tikki, and Plagg would finally be able to speak to Alya and Adrien (and Nathalie and Alya's parents and Nino, presumably) to try to seek out the support they've been lacking after being out in this position. Perhaps this would be the catalyst for convincing the guardians that having multiple Miraculous active is a blessing rather than a needless risk?

Anyways that's all I've got for now!! Thank you for the ask Illy I am giving you a hug

#gray's soapbox #asks #illy 🌠#star emoji for you!!#solitary hero au #miraculous ladybug #bug noire #marinette dupain cheng #adrien agreste #alya cesaire #ml tikki #ml plagg #ml gimmi #So many image IDs dies to death #gray draws #long post

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rikeijo · 1 day

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Today's translation #617

Newtype 01/2017, Otsuka Manabu interview

Part 1.

-- Please tell us about the circumstances, in which this project started moving?

Otsuka: I first got to know about this project, when I was told about it by the Director, Yamamoto Sayo, when we were working together on a different project. At first, I was very uncertain, if I and the studio have enough power to keep up with Yamamoto Director's TV series, because she always has been known as being very particular about quality. But inspired by the charming characters created by Kubo (Mitsurou)-san that I saw later, and Yamamoto Director insatiable love for figure skating, I decided 'let's try to do it!" and accepted the offer to work on this project.

-- When was it that you started to be sure that this project would be fine?

Otsuka: Maybe it wasn't that I was 'sure', but after we showed the second PV at 'TV Asahi Natsu Matsuri' event, I was able to think that I would trust Yamamoto Director's intuition and just run with what she feels is right. The last cut in that PV was the scene, where Victor puts his finger on Yuuri's lip and the two look at each other. When I saw it for the first time, I thought "[if we are going to show this scene in the PV] won't men not want to watch the show?" and I was considering removing that one scene from the PV. But I've talked about it with female staff members, who thought it would be a shame to not include it and I decided 'Let's [with force] put it in then!". People at the 'TV Asahi Natsu Matsuri' event venue cheered when that scene was shown. In this show, there is a lot of things that my senses did not cover, but at that time, I was able to think that [working on the project] I would realize all those ideas that Yamamoto Director and Kubo-san come up with without fear.

[Notes: It's really interesting how in almost all his interviews, Otsuka mentions this idea that including in an anime what your average otaku perceives as 'fujoshi fan-service scenes' (regardless of the creator's intentions - like, in even in YoI, a huge number of people in Jp fandom still sees those scenes as nothing more but fan-service, because that's the default) will give the anime reputation of pandering to fujoshis, and men (anybody other than fujoshis really) simply won't even consider it worth checking out. Otsuka doesn't even try to hide it here or in his other interviews, and like I've mentioned in the past, the way they were promoting Yurio so much, when Otsuka himself was claiming that thanks to Yurio, men could watch the show and enjoy it, shows, imo, what was the committee's real problem with YoI and why it may seem like they fumbled the bag and failed to capitalize on its potential so much (very little official side content, very few Y&V official arts etc...) - they wanted YoI to not be a 'fujoshi-pandering anime', but 'a serious sport anime for everyone'.]

#yuri on ice #yoi translations #yuri on ice translation

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brainrotcharacters · 8 months

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Sanji a stronger man than me because if I was him I'd tease the fuck out of fruit ninja

#watch me gatekeep the plate like 'not until you admit I saved you 😗'#'admit you like the food I make and maybe MAYBE I'll let you have seconds'#I'd be so annoying #also sanji you little shit you're bickering with him WHILE refilling his plate regardless? bro #ZOSAN #zosan #my keyboard auto capitalized the first one lmao #one piece live action #one piece #zoro #roronoa zoro #one piece sanji #sanji vinsmoke #sanji #zoro x sanji

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martyrbat · 4 months

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my secret confession is i think a lot of current art in comics is pretty but sometimes way too glossy and lifeless... it kinda feels like a sticker sheet where they just swap out generic stock poses that they have on hand for that character rather than the art being reflective of the actual story and moment the character is currently in

#does this make sense #like its generic 'heres this character with a hand on their hip. this is their idle position. their arms are stiffly raised now to talk.#theyre back to their idle pose (2nd version). heres them suddenly springing to life (aka arms over head as they fly abruptly and stiffly).#they land the exact same way everytime regardless of where theyre at (fist clenched by their sides)'#like it feels like different poses you can alternate between in a dress up game rather than being present in the story #wheres the expressions! the body language! the moment! the way they differently carry themselves!#i know im biased for older styles but :// idk it sometimes feels lifeless in a sense #but im not an artist so. cant complain too much. gorgeous art but it's like you can see where capitalism and demand to be sellable #kills any creative input or fun twist that makes that artist or that arc remarkable and rememberable #but whatever.... 70s and 80s comics save me.....#ransom note

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brookheimer · 1 year

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if your takeaway from this episode is that roman is an evil alt-right fascist and shiv is a suffering liberal hero feminist and kendall is a poor little sad man pressured into following evil roman's evil plan you are insane and do not understand succession at all

#sorry to whomever this offends but it must be said.#this is not a defense of roman do not be fooled by my obvious love for rome. this is straight up saying that they are all fascists and none #of them are good whatsoever. they simply represent different manifestations of and responses to fascism found in capitalist #idealogues (not really in rome's case bc he's not actually a believer in capitalism bc he isn't really a believer in anything but he is ver #much a product of capitalism regardless)#succession #succession spoilers #literally why are you watching the show if you think this. what are you getting out of it #100

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larsnicklas · 3 months

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🌟 thats two-time nhl all star tom wilson to you 🌟

#tom wilson #washington capitals #capitals #all star game 2024 #nhl #nhledit #hockey #asg24 #meg.caps #meg.gif #meg.all #ham...some........#ok. im done. i will leave you people alone <3 thanks for bearing with me as i gifed my way through all star week.#there may be more idk we'll see!!#thanks for sticking with me regardless!!

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frogndtoad · 6 months

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#random little poll bc i had a convo with some strangers last week that baffled me #for the record whenever possible if i'm going to see live music i go as early as possible and stay as late as i can regardless #of when whatever artist i care abt is playing #capital stuff

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vyeoh · 1 year

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The actively created scarcity of lives in last life vs the passive inevitability of depletion in limited life

#vio.txt #like in last life the thing was minus the boogeyman the supply of life was stable #the only way to lose it was if someone actively took the steps to take it #but in limited life the timer dictates your life and theres no way to pausing it #sure you can steal time from others but the communal supply is gradually decreasing regardless #so why not steal it away from others yunno. like we're all doomed in the end either way so nothing matters #trafficblr #limited life #limited life smp #capitalism vs nihilism

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teawiththegods · 5 months

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I think a nice end of year tradition I’m going to implement is taking inventory of all my witchy/devotional supplies so I can go into the New Year knowing what I already have so I don’t buy more.

You can also do this for Arts & Crafts supplies, clothes, jewelry, makeup, books, whatever you tend to accumulate a lot of.

It’s a good time to kick Capitalism in the teeth and use what you already have instead of consuming more more more. 👍🏻

#I’m going to be doing a low buy year in 2024 #i was thinking of sharing my process preparations and overall journey with that if anyone is interested #but regardless taking stock of what you already have is a good habit to get into #the majestic life of Jess #witchcraft #fuck capitalism #witchy advice #witchy tips #witchy supplies

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sparksinthenight · 5 months

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I’m thinking about The Hunger Games. It … it somehow manages to represent the world we live in and more specifically the Global North - Global South power dynamics and oppression systems in a truthful and insightful way that no other media does, and yet it completely mischaracterizes the power dynamics within the Global South and the class and race hierarchies that characterize the internal power structures in the Global South. The prequel also horrifically mischaracterizes immigration, the immigrant experience, and what immigrants are like. To the point where that book literally psychologically triggered me and I had to stop reading it because it was such terrible representation, dear gods.

So like, the thing is, there is not and never has been and never will be solidarity between the poor and the comfortable in the Global South. Yes, the North oppresses the South and the North exploits and profits from and metaphorically and often literally enslaves the South. But the well-off in the South do all of these things too. And from what I’ve seen and experienced in my personal life and what I’ve heard from other people who grew up in or live in the South, the well-off Southerners are probably worse than the North when it comes to oppressing and exploiting and profiting off of the poor people of the South. You can say that America is the Big Bad and everything bad happens because of it. But the fact of the matter is that without comfortable Southerners doing all the direct things required to keep the poor in line, the international and intranational hierarchies of the world would fall apart. Global Southern police officers and military members and government and businesspeople and employers and bosses and moneyed people are directly the reason the poor people in the Global South are being exploited, even if the North benefits from this all a whole lot too.

And … what the hell was the mountain scene in District Two? Those guys were peacekeepers. They were COPS. The poor people of the Global South don’t need to and should not feel any sense of solidarity with the COPS that keep them held down. And I’m not only saying this because I’m anti cop but because the people in that mountain benefitted from harming and oppressing the poor people, they benefitted from keeping the poor people from gaining power, and they benefitted from the system that kept the poor people poor. Those peacekeepers and peacekeeper-adjacent were not oppressed in any way, despite being from the Districts (aka Global South). They were the oppressors. You could argue that actually they were oppressed because their kids could be reaped. But two kids get reaped a year and there’s thousands of kids in the district. But even ignoring that fact, the point is that the mountain scene was meant to parallel real-world dynamics. And no real world cops are oppressed. Even ones in the Global South, or perhaps especially them to be honest.

And we need to talk about TBOSAS and the way it paints immigrants. Immigrants are not worse than non-immigrants, but they’re not better either. They are not would-be rebels full of empathy and compassion for the poor people they left behind. They are not brave heroes who will die for the Global South. I’m saying this from experience, I have moved in immigrant circles all my life. Immigrants are no better than anyone else in the Global North, they are only tied to their homelands in the most superficial and shallow ways possible, and they ally and align themselves with the Global North and against the Global South most of the time, just like most Global Northerners do. They’ll wear traditional clothes but those clothes will be made out of fabric the cost of which could feed a whole family back home for a month. Yes, there are immigrants who are the brave hero-martyr with undying loyalty that the book showcases. But those cases are really rare, they are really more of an anomaly than anything else. And I’m not saying this to say that immigrants are bad. I’m saying this to say that immigrants are far more part of and loyal to their adoptive countries, and cannot be expected to act differently from non-immigrants in any way that substantially matters.

I also think that Primrose is an example of all that is wrong with Collins’ understanding of the South. Prim looks like and can be said to symbolize the more affluent parts of the district. She resembles her mother who is from the more wealthy part of town while Katniss represents her father who is from the Seam. Now the moderate wealth of the Town does not hold a candle to the extravagance and excess of rich parts of the South. I’ve been there, I’ve seen it, there are penthouse vacation homes blocks away from shantytowns. Literally. But still, the Town in District Twelve represents what Collins thinks is the wealthy part of the South. (And in my opinion the Town is also very guilty for not sharing what they have and not helping the literal starving people of their district. If you saw someone with no food and you had money and you spent that money on a party dress instead of food for them then guess what? You’re completely fucking evil and going to hell. But anyways, back to the actual point.) Prim has the Town genes and Katniss had the Seam genes. And who is good and pure and innocent and must be protected? Prim. And who is able to withstand inhuman amounts of hardship and do child labour? Katniss. Who has to sacrifice her own innocence and goodness and childhood to protect the other one? Katniss. Whose life and safety is considered not quite as valuable? Katniss.

And Gale and Peeta. I couldn’t care less who Katniss got with. She can pick who she wants. But just like Prim and Katniss, Gale and Peeta represent the rich and poor sides of the South. Despite Peeta not being nearly as rich as the most rich people in the South actually are. He’s still richer. He still fits into the metaphor and symbolism. And who is more kind and reasonable and right? Peeta. Who is more good and pure? Peeta. Who is shown as not being able to see past their emotions and grudges? Gale. Who is seen as stubborn and overly violent? Gale.

There are ways in which The Hunger Games is revolutionary and amazing. But there are ways in which it feels like some kind of disguised psyop.

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landwriter · 1 year

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*throws roses at u like confetti*

I love ur writing so much!!!!

“Then I shall take my leave of you and prove you wrong.”

“A story.”

“What?”

“Let’s make a second wager. I’ll tell you a story, and if it doesn’t move you, I’ll know I was wrong to accuse you of loneliness. Then I’ll make my amends if you’ll have them, or see you off into the night if you won’t.”

“How is that possibly related?”

“It’s a story about love. It’ll break the heart of any lonely man.”

“I have heard many love stories before.”

“Not this one,” said Hob, “Not this one, you haven’t. It’s never been told.”

“And if I have heard it before? What then, for your wasting of my time? For your insolence?”

“You can keep your own counsel on the consequences. You won’t have heard it before.”

“Very well. Tell me this story.”

“Not yet. I haven’t named the stakes if it succeeds in moving you.”

“I presume you will say you have somehow proven your offensive suggestion,” he said. “I do not think it will be a concern.”

“No. I won’t say anything on it. And I’m sorry for upsetting you. I am. I’d name a different prize.”

“What would you have?”

“A question. One question. And you’ll answer it.”

---

thank u!! taking confetti quite literally here and sharing the early bare bones dialogue from the start of a Secret WIP that only @moorishflower has ever heard abt! it is set in 1889 and a sort of 1001 Nights meets a Hob who speaks instead of hesitates when he stands up angrily after Dream does; who might say stupid things but isn't a stupid man, who sees how stories are what captivates his stranger, whose frustration at being constantly denied knowledge of his friend has boiled over and caused this fight where he tried to name the knowledge himself, who refuses to lose him, who has lived for five hundred years now and knows how to tell a story, and will use them to bargain now not for his life but for the regard of the stranger he loves.

#asks #the sandman #dreamling #dream x hob #wip excerpt #sharp and fierce and hot scheherazade!Hob #stealing something with stories #the trope of heroes armed with their wit and words and daring alone #when the dragon is dream's self-denial from a history hob cannot even fathom #but hob will charge in to try and cut it loose regardless #my heedless darling fuckwit #framing stories baybee #wagers baybee #capital T themes baybee #very excited for this one!!!

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hornsketch · 4 months

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#the self and the other #lesssfw #dddontttt look at me. maybe look at me. who said that.#listen. im trying out some stuff #regardless i started this weeeeks ago and kept telling myself id finish it as a treat #because. the shading on this was in fact a capital T Treat

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fractalcloning · 30 days

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As I scream into the void seeking a Narek RPer to play against, I have finally caved and must explain why I want this Romulan loungelizard to be more popular. (It won't happen, but I can dream.)

Reasons I like Narek as a character that nobody but me gives a shit about:

Let me preface this with a fact about me: I know Romulans.

I've RPed as Nero for almost two straight years in a large game. I've basically learned Rihannsu back to front for the endeavor. The person who played my Ayel and I both dumped countless hours into developing grammar and extrapolating cultural rules. We were dedicated to making them as believeable and accurate to canon as possible.

I have the whole timeline of the destruction of Hobus/Romulus down to memory. I know about all the neat little tidbits and trivia from comics and adjacent materials etc, etc.

This is to say: I have read and written quite a lot about Romulans in my time. I am very familiar with how they work and what data is available to draw from when writing them.

We do meet a few rank and file military Romulans from time to time, however. So we know how the general military operates in direct contrast to the Tal'Shiar. Caution and secrecy is sort of baked into their culture, which makes a lot of sense given that they're constantly at war with basically everyone, but they aren't (generally) unreasonable people.

In canon Trek, Romulans are often a little over the top with the sneaky-backstabbing-untrustworthy-nonsense. They're almost comical with how much scheming they do, but most of the Romulans we meet in canon are Tal'Shiar. The Tal'Shiar are known, pretty explicitly for the depth and breadth of their sneaky-backstabbing-untrustworthy-nonsense. It's kind of their whole deal, apart from mnhei'sahe (literally the ruling passion honor).

Narek, however, was a child when Hobus went supernova. He is from the very last generation that had any living memory of Romulus. (Elnor is also from this generation and they are great foils for each other, but that's another essay.) Narek is from a (presumably) respected family of--if not Tal'Shiar then Military--operatives. His aunt held high rank, his sister did as well, and both were inducted into the Zhat Vash, an organization that worked so quietly and efficiently that even the famously paranoid Tal'Shiar thought they were a myth. They orchestrated catastrophes and manipulated Galactic law to their ends, one of their members was the head of Starfleet Security and Narissa was on a personal basis with her.

Their underlying culture is present, but it isn't explored very deeply in any one canon source. Taken collectively, however, it is just as substantial as Klingon Battle-lust or Ferengi Capitalism.

Nero was a break from the norm, not because he was vengeful, but because he was the first non-military Romulan we'd ever really seen. His designs, the tattoos, the crew of his ship with their very un-Romulan loyalty, the way he talked and sought equivalent exchange of lives (mnhei'sahe), was a wealth of Romulan culture that we hadn't ever seen. He was a regular Joe, had a regular non-Military job, trusted and worked with aliens to try and save lives. His failure (not his fault) was something he absorbed and sought to rectify in the Romulan way.

Nero was super interesting both for how much detail he cast on Romulan culture, and in how he slotted into the Prime Timeline. Nero was a guy desperately clinging to hope, to the last vestiges of his civilian life, but he was cut free by the destruction of Romulus and set adrift. The only anchor he had in the AOS timeline was his honor and the driving need to balance the scales and restore it.

Narek, however privledge his family was, was a washout. He was a failure. We know he wasn't Zhat Vash, and whether he was even Tal'Shiar is up for some serious speculation. He doesn't act like military officers, and only seems to be play-acting as a Tal'Shiar, miming his sister when it suits him.

Narek may have had authority on the Artifact, but it was probably by dint of Oh granting it. We never get any clarification whatsoever about his rank or dayjob, just that he is fully devoted to helping the Zhat Vash. He is analytical, prepared, but he is not good at thinking on his feet and clearly does his planning off screen. He's meticulous but not especially skilled at hiding or regulating his emotional state. He is far less aggressive and stalwart than just about every other Romulan we've seen...except for Nero.

He was literally a placeholder sent to keep tabs on Soji. He didn't even arrive until Narissa had failed to capture Dahj. That Narek managed to get close to Soji, that he discovered her dreams and correctly surmised what they are, was more luck than skill. Before his assessments the Zhat Vash knew that Dahj (and Soji) could be activated out of their cover, but they assumed that they could capture them. They probably assumed they could torture the data out of them, if not dissect them and rip out a harddrive.

Narek found an easy way to get right to the information they needed. His attachment to Romulan culture is his puzzlebox--Before Nero we had never met a Romulan civilian and before Narek we have never met a cultural Romulan who plays with a toy, we had never seen a child's toy like that. Of course, the puzzlebox (Tan Zhekran) was a mechanism to illustrate his thought process, to make the differences between Narissa and him very apparent, but it was also something from his childhood (presumably). It's a weirdly personal affect for a Romulan and he fidgets with it almost constantly. It's a tell, something he shouldn't have, and it makes him accessible on an emotional level.

Narek is a civilian.

He's a civilian in a family of spies and operatives, raised alongside his sister on the same stories, with the same care. There's no way a Zhat Vash didn't have a family home on Romulus. While Elnor is a nice example of the new generation of Romulans, Narek is one of the last examples of what is used to mean to be a Romulan. He saw Romulus and escaped with all his surviving family when it as it was destroyed. Narek was raised on Romulan tradition (private names for family), Romulan stories about the end of the world, and he is haunted by them because he knows they're true, they're real. His sister and aunt have seen it, seen the message that drives people mad, about Ganmadan. His living relatives have dedicated their lives to preventing it and, even if he isn't actually Zhat Vash, he does the same.

Narek is a failure, by his culture's standards, by his family's standards, but he is also the only one of them who lives in the end.

He's a civilian who is trying, desperately, to avert another Romulan apocalypse. He has already lived through one and somehow this next one is even worse. Like Nero he sees the writing on the wall--but instead of doubling down on the traditional sneaky spy shit, he tries something new--unlike Nero, it works! He makes headway where nobody else could.

Unfortunately, it's kinda fucked up, but he then gives up everything in the pursuit of this goal. (Which to him, seems like a noble one.) Narek gives up who he is (by playing at being Tal Shiar), his safety (he has no idea what Soji is capable of or what might set her off, they only have records of Dahj killing a dozen agents before being blown up), and eventually resigns himself to killing the woman he's fallen in love with (the baseline requirement for giving out his real name). He does it all for the greater good, to save people and he doesn't seem to make much of a distinction between Romulan and other organic lives. He has his little plans, tracking La Sirena in a single cloaked ship, hiding his presence to tail them, firing on them despite being wholly outmatched, allying with Sutra however temporarily, trying to sway Soji again, turning to Rios, Raffi, and Elnor for help--he's willing to do anything because he's terrified that everything is about to end and it will be him who failed to prevent it.

The very last shot we see of him, after his plan to detonate the transmitter fails completely, is him on the ground being dragged away by the Coppelius androids. He doesn't posture or threaten, doesn't say ominous shit like the other Romulans we're used to--He begs. He claws at the ground, trying to stay, and he begs. He pleads with Soji, calls her his love, tries that last ditch hail mary because it's all he can do. He fails his task and she's the last person he can reach out to and, in the end, despite the very real threat to her life, Planet, and Picard, Soji smashes the transmitter. The apocalypse is averted.

Narek failed but he also succeeded. His aunt is dead, Oh has been outed as a traitor, and his sister is killed by Seven of Nine. In a cut scene, apparently, Narek was supposed to be arrested by Starfleet. So he's facing (at the very least) retribution from the androids and the ExBorg. Starfleet is very likely to arrest and interrogate him, if not imprison him indefinitely since he has ties to the Zhat Vash and, subsequently, will be on the hook to explain the Utopia Planetia disaster. Soji hates him, for good reason, and his homeworld is long gone. Narek has nothing...but the world was saved.

Narek is singular because he's all about needing and interacting with other people, he has no real authority, nobody he commands. He's a civilian (insofar as any Romulan can be) and is a soft, emotional boy who hangs on to his childhood toys. He's driven in equal parts by fear and a deep sense of failure, like everyone else in the show, and he takes the steps that seem right and necessary to him (also like everyone else on the show).

Narek was a great contrast against Elnor in every possible way--from his evasiveness to his fear of death--and he was a great foil for Soji. On Coppelius, Soji's terror clouds her judgment and she very nearly does terrible things to protect herself. Her actions, her opinions, her hesitation were all driven by fear. The ends seemed to justify the means. She reflects Narek's state for the whole show. Season 1 is about finding safety and meaning.

Narek is afraid for the whole duration of the show and his choices all reflect that same desperate need to find permanent safety, to live. Soji exists on the peripheral of that with the Ex-Borg, and as a synthetic, and then she falls headlong into it after his betrayal. Narek regrets trying to kill her and the symbolism of his losing that box, of him trying to kill her in a room that is so very culturally Romulan, right after telling her his name, makes it very clear that killing her is killing some piece of himself. But the ends justify the means. He can and will give up everything to save the world.

And his last line in the show is desperately pleading with the woman he loves as he's dragged away.

Then we never see him again or get anything resembling closure for Soji or Narek.

Which I will be big mad about forever, because they didn't even get the bare minimum acknowledgement and closure of "moving on and living life is paramount because it is finite and beautiful ". Nope. Nothing. I'm furious forever.

Thank you for coming to my TED talk. I hope if Star Trek Legacy happens we get Narek as a sort of...side character creeper informant ala Garak. I also hope we get Soji on Seven's Enterprise because I love her.

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raayllum · 7 months

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i think one of the main reasons i can't shake the "possession is not how callum is going to be play into aaravos' hands" (or at least not solely, i.e. doing something vile or dangerous in the name of love that leads to a renewed possession) is because like...

listen, as much as it'd be kind of weird for a "Master Manipulator" like aaravos to reveal his final play two seasons in advance from a character standpoint, it absolutely make sense from a story standpoint. you couldn't just whip that out of nowhere in a plot relevant moment without having your audience feel cheated, so it had to be established earlier on. now instead of surprise, you get to cultivate a nice feeling of dread. (although i've said before that there were other ways to cultivate said feeling of dread / set up the possibility of possession, i.e. callum learning that its possible out of a book when he was canonically reading about dark magic, him having nightmares or premonitions that aaravos is tethered to him, etc. it didn't have to be so blatant so quickly.)

those are, however, neither of the points i want to get at today, because like - if it is JUST the possession, and there is no choice that leads to it directly before or after in regards to helping aaravos...

Then why the absolutely, continually ramped up Viren-Callum parallels?

Cause like, as of S5, absolutely none of this is Necessary. Callum doesn't necessarily have to exist as a contrast to Viren at this point, given that Viren himself has changed his mind and disavowed dark magic and Aaravos; Callum finally freeing himself from Aaravos (and dark magic?) will likely now have more parallels to Viren's arc, rather than the two being disparate. He'll be following in Viren's footsteps, but in a positive way.

None of this is required for the possession plot line, either. That got kick started all the way back in 2x07, like, seasons ago. If anything it'd be kinda more 'tragic' if Callum really had never touched or been tempted by dark magic again, but he couldn't (or wouldn't) take back his prior choices. A consequence of being controlled by forces well beyond your conceptualization and a price you had no choice but to pay, literally, if they're going the removal of agency arc (which has its own merits) / leaning into the eldritch horror aspect of it all.

Like if it's just possession... Callum does not have to be like or be compared to Viren, in either similarities or contrasts, like - at all. Viren and Callum are both characters who have a relationship with destiny (Viren tended to believe in pre-determined destiny, but Callum decidedly didn't as of S2; even if that still started to change in S4, that alone is not enough of a singular parallel to warrant all the rest) but they're not the only ones, nor is that exclusively related to Aaravos - even if their parallels between each other are constantly circling him, their families, and dark magic / justification(s).

Which makes me think there's two main avenues they could be taking this with:

1) S7 endgame is Callum walking Viren's path regarding the rise, but in a more literal, dramatic sense. Again, Callum proving that he's not like Viren doesn't really need to happen as much now that Viren is 1) no longer a villain and 2) will be a parallel for Callum's positive growth as well. So it's still about similarities, but positive ones: "No matter what you've done, no matter where you are on the path, every step forward is a choice" (cue Callum literally regaining agency) "I am free, and so are you." This is also the avenue where it being mostly just the possession > a choice that leads to Aaravos getting out (choice made before that leads to possession, or choice post-possession) would make more sense, but just the Rise doesn't account for the well, ominous foreboding of all this, lmao.

2) S6 and S7 are working together with S6 being Callum mirroring Viren's Fall (whatever you want that to constitute) / helping Aaravos regardless of the possession - taking an understood risk for love that leads to the possession, or post-possession due to another form of coercion/susceptibility - and S7 being the Rise. It gives the ominous foreboding of it all, particularly highlighted in S5 / 5x02-5x04 and 5x08 somewhere to go, while also providing Callum with a balanced negative and ultimately positive character arc. It ties in the possession then as a plot element / vehicle to explore their similarities and differences but keeps everything tied together with choices/agency (rather than solely removing it), which is what Viren and Callum have both reaffirmed ("No choice? You made the choice you always have" etc) in S5 in particular. It also explains why and how all these forces - the parallels, the patterns, both their individual arcs, and their connections to Aaravos, his plans, and the possession plot line could be brought to fruition, and why they've all been included.

#it was just red #arc 2 #tdp callum #in the name of love #wouldn't you want to tell it kinder if you could #tdp #the dragon prince #mini meta #analysis series #s6 speculation #s7 speculation #tag ramble #predictions #why did this get capitalization halfway through? your guess is as good as mine boyo #like imo (and i'm prepared to eat my words / whatever canon executes i think will be great/good)#but like. if it's not based on callum making Choices. if it's Just the possession plot line and nothing else he does that leads to #fucking disaster (power or freedom or both for aaravos) as a conscious choice or risk that didn't turn out #then there's no reason for viren's atonement arc or for callum to now be able to parallel him #both 'negatively' and 'positively' and the show's just. way too smart for that to be nothing tbh #like s7 will be rise regardless in some ways #but like. it just makes sense that s6 is the fall esp when you want characters to have a lowest point anyway

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