It's fucking wild to see someone defend Mei Mei and demand people to blame Gege instead for her pedophilia and grooming.
WTF?
If you love a dark character, then accept everything that they are in the story. Mei Mei is one. She is a side character that is dark despite being on the heroes' side of the fight.
I appreciate what Gege had done to her character. I like it because thru her we see how rotten the modern jujutsu society is - that the heroes' side is not exactly great especially with the likes of Gojo and Nanami being gone.
A lot of people already pointed out that Mei is used as a foil for Nanami. I agree. She is everything he is not:
- Nanami left stock trading. Mei is doing insider trading.
- Nanami fights for the greater good. Mei is only in it for the paycheck.
- Nanami protects children. Mei exploits children.
- Nanami continues to fight even if he is half-dead. Mei retreats even if she is still perfectly fine.
- Nanami has morals. Mei is immoral.
But why did someone good (Nanami) die a horrible death while someone bad (Mei Mei) got rewarded (practically highlighted with her escaping to Malaysia -which was Nanami's dream retirement place)? It's to highlight how broken and bleak jujutsu society is - bad people benefit but good people suffer. It also shows how the only difference between the sorcerers (sans our "heroes") and the curse users are just rule compliance and pay checks.
Speaking of which:
What Mei Mei is doing to Ui Ui is exactly like what that Granny Seance did to her Tojified Grandson. Both women are grooming boys younger than they into perfect tools to complement their CTs. They don't see them as brother or grandson respectively. Those words are mere "titles". It's like how you would call an giant axe "Axe" and straw dolls "Dolls."
Mei is the perfect example of what a peak sorcerer is in modern jujutsu society - strong and smart but selfish, self-absorbed, exploitative, and immoral.
I like Mei for what she delivers in the story:
1) A very dark character that represents the rotten core of the jujutsu society.
2) A complex female character - she is on your side but she is definitely not an ally you'd want. However, you need all the help you can get so you are forced to accept her but deep down you want her to get some comeuppance for all she's been doing.
3) Despite her... Mei-ness, she still has a really cool character design and powers as well as really badass scenes.
4) An excellent foil to Nanami (and maybe even Gojo if I stretch it a bit).
5) A great reminder that with the exception of the sorcerers within Gojo's close circle (Tokyo Tech staff/alumni + Utahime & her students), sorcerers are absolute scumbags. Mei's principle is pretty similar to Sukuna's! They're all about: Me, Myself, and I living it up and having fun at everyone's expense.
6) She is the closest I could get to a "villainess" in JJK. The villains in JJK is male-dominated with 2 gender-neutrals (Hanami + Uraume). Geto's family has very little screen time for me to get something out of them (Lady Secretary, Nanako & Mimiko). Yeah it's shonen but still... Gege is starving me with good villainesses 😭.
So TLDR: Mei Mei is not defensible but feel free to like/love her anyway. Being a fan of villains or dark characters is not a representation of a person's morals after all. Do not blame Gege for using her as a narrative tool to remind people again ( because we have to admit that we always kinda forget): the world of JJK is unfair and it really fucking sucks being a nice person there. Not that Gege is a perfect writer at all. There are plenty of other stuff to be angry about in his work like the pacing for example or the underutilization of interesting side characters or the story being so "scattered" into various mediums.
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Horse Meshi. Delicious, in Horse.
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listening to universe city in the library while ur besties have their enemies to lovers arc... it's all a part of the georgia warr aroace experience ✨️
happy arospec awareness week! 💚🤍🩶🖤
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invisible scars (referenced previous talk here)
[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."
Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”
Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.
At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.
"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.
Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”
Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."
In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]
Credits for ID here and here
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gothic lolita machete came to me in a dream
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Thinking a lot about how in One Piece there's a continuing theme of self sacrifice that often doesn't meet its end (I won't say always because there are some characters who have eaten shit for a cause). But I just think about how easy it would be to just accept their sacrifice but the narrative won't allow that. Robin, Zoro, Sanji, Jinbe, they've all tried to give their life for the sake of others but they can't because they really don't have to. I think about Robin's "I want to live" regularly. It's so easy to die for someone but it's so much harder to live for them. And living for them gives back so much more than dying for them does. Dying is just a moment but living lets you have more moments and more time to show how much you care and lets you do so much for others. I feel like a lot of other shonen show dying as one of the bravest things you can do but One Piece is so different because it shows you that living is actually the bravest thing.
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Something I love about Leo is that, canonically, he IS capable of cooking, he’s just completely incapable of using a toaster. He’s banned from the kitchen not out of an inability to make edible food, but because being within six feet of a toaster causes the poor appliance to spontaneously combust.
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i drew this!
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I like the fact that Fizz isn't a badass with weaponry or insanely powerful. He's just A Guy and I love that for him
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Hey, I had a thought for the fantasy au! So on one of the previous versions of the WH website, there was a rhyme for the show that went:
A house is a place with four walls and a floor,
with a ceiling above and a lovely front door.
There's a bed to cradle you safely at night,
and windows to bring in the morning sunlight.
Your house is a mirror of just who you are,
A reflection that tells you to never stray far.
Which I thought might make a good incantation for when Wally properly summons Home (I can't remember if that's ever required for Warlocks but hey, it's still a fun poem regardless).
ohhhh this. i like this...
bonus og sketch! big ol eyes...
& no capalet because uhhhh eh nah and also i wanted Home's pendant to be on full display!
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no but karkat being bad at coding is actually instrumental to his characterization because coding means having an excess of patience, being able to pay attention to absolutely minuscule details, working in small, manageable chunks rather than focusing on the picture, and also trying not to get too pissed because Javascript keeps putting an extra ' even though i typed \' BECAUSE I WANTED THE CONSOLE TO PRINT THE FUCKING QUOTATION MARK NOT BECAUSE IM DECLARING A NEW STRING WITHIN A STRING but its LITERALLY just a shitty little mark, it barely even counts as quotation, it has no fucking business having the authority to quote someone because when i run the STUPID Fucking Code Javascript starts SCREAMING AT ME about shit being Undeclared and it's YOU. YOU ARE THE ONE DECLARING IT YOU PERSNICKETY MECHANICAL FOOL. DON'T YOU DARE PIN THE BLAME ON ME BECAUSE YOU THOUGHT YOU COULD FILL IN MY CODE EVEN BEFORE I HAD A CHANCE TO FILL IN MY CODE. AND WHO THE FUCK IS GIVING YOU THE RIGHT TO AUTOMATE SHIT? YOU CAN BARELY RUN A SIMULACRA OF WIPING YOUR OWN GAPING ASSHOLE WITHOUT SCREAMING IN ABJECT HORROR WHENEVER I ATTEMPT TO LINK MORE THAN THREE SCRIPTS. BUT SURE! FUCK! YOU KNOW BETTER THAN I DO I FUCKING GUESS!!!!
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Sometimes I like to take note of people I pass on the sidewalk and then try to sketch them from memory when I get back to my apartment.
Here are some Toronto summer 2023 fashions
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I love how Spider-Man: Into the Spider-Verse said “Anyone can be Spider-Man”. I love how it inspired everyone to imagine their own Spider-People, saving the day in their own universes, with all kinds of cool, interesting personalities and aesthetics and mutations and life stories and relationships. We all put pieces of our soul into these homemade heroes. We had fun. We found community. And then Spider-Man: Across the Spider-Verse said, “Wow, great job! You’ve really taken our message to heart. Well, get ready for even more of everything you liked from the first movie and a new message to complement the first. Anyone can be Spider-Man… and anyone can be pulled into a cult.”
So now we all have to contemplate whether our lovingly crafted heroes would ever be on Team Mandatory Trauma Because Martyr Complex or not and why.
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out of context, extremely pure panels
wf 240, "how do you kill a superman?" 1976, script bob haney, pencils dick dillin, inks john calnan,
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