Do you think Edith's costuming in The Butterfly Scene is an intentional mirroring to how the butterflies themselves look? The dark edges against a light center on the wings compared to the dark circles and ribbons on her shirt and hat. (Something I just noticed in the gif you used in that opinions post)
Oh 100%. Everything in that outfit is meant to scream "monarch butterfly," down to the ribbons on her hat:
BTS photo with a full view of the outfit. Would have been a cool extra (realistic) touch to have black hem braid on the skirt, IMO, but one cannot have everything.
And lest you think this is a historically implausible level of artistic detail, I present to you a formal cape by Maison Pingat c. 1890s:
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I watched Crimson Peak, and while I enjoyed it immensely, I was left dissatisfied. It’s the fundamental problem of writing a gothic novel. The story is driven by women in a world where they have no power, and that rocks. However, it fails to transcend the Madonna/whore dichotomy ever-present in gothic stories. It’s still a compelling watch, and I would recommend it, but I have complicated feelings about it.
The example of the Madonna/whore dichotomy that comes to my mind is Jane Eyre and Rochester’s insane wife, Bertha. Edith and Lucille map onto those characters pretty well. Edith, like Jane, is smart, determined, brave, and willing to face hard truths. Lucille, like Bertha, has a sexual claim on Edith’s husband, inflicts violence on Edith, was committed to an institution at some point in her life, and at the end, she is portrayed as wild, almost animalistic. “I won’t stop until I kill you or you kill me.”
I actually think Lucille is written as less sympathetic than Bertha is. In Jane Eyre, there’s a clear sense that Bertha is a victim of her circumstances. She is married off to someone she doesn’t know, taken to another country, and locked in an attic with one attendant to keep her company while her husband falls in love with another woman. Lucille, on the other hand, perpetrates her circumstances. She killed their mother, she poisons the brides, she refuses to leave the decaying manor. The movie makes it clear that she is two years older than Thomas, and strongly implies that she initiated the incest when they were children. While she’s not responsible for the abuse they suffered as children, she is the unambiguous villain of the movie.
In contrast, Thomas is allowed to be complicated, and his agency in the circumstances is downplayed or elided. His inventions require the money that they seek out brides and kill for. He chooses the women that his sister will kill. He is in every way as responsible for the violence in the movie as Lucille is, and yet the movie chooses to redeem him. He falls in love with Edith, he spares Alan, he proposes abandoning the manor and the money, and he ultimately saves Edith in the final fight with Lucille. I think this is a good story, but it disappoints me that Lucille is left as pure monster while her partner in crime gets to be complicated.
There are flickers of empathy for Lucille that make me think Guillermo del Toro might like her as much as I do. We get a full explanation of her childhood, so we know why she is the way she is. We learn that she protected her little brother and loved her baby who died. The closing narration of the movie implies that her ghost persists because of love. I just wish she got to heal from her childhood the way Thomas got to. It saddens me to think that her ghost will live on in the same rotten walls that trapped her in life.
9/10 I could talk about this movie for forever
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love that lucille's first appearance in crimson peak is when she's wearing red. the colour of the clay at allerdale hall, the colour of blood. as if she becomes allerdale hall when she's not there.
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I made Edith's Nightgown from Crimson Peak ✨
I did not use a pattern for this, I did however take some notes. The neckpiece and the body are seperate (just to make it easier to get into). I used a little less than 10m of chiffon (which I randomly found in my fabric stash lol), some lace I had lying around, a buttonhole ribbon and some pearl buttons both of which I got on Amazon. Would definitely recommend at least 10m of fabric if not more for ultimate ruffliness.
The neckpiece was made by cutting out four 70cm circles with a 10cm hole in the middle and sewing those together to form one big long ruffle. I then sewed four parallel lines, with super long stitches and bunched up the fabric to create the ruffle effect. I left the bottom of the neckpiece raw, just because I think it adds a bit of texture. Then I sewed on a buttonhole ribbon and the lil pearl buttons (which I got from amazon).
The body is just a 170cm wide and 150cm long piece and a 170cm x 170cm long piece sewn together, ruffled at the top and with a band of elastic sewn on. The nightgown does have a train so I cut a lil curve into the bottom of the longest piece.
The biggest challenge was the sleeve. Chiffon doesnt hold it's shape very well, so I mixed together some starching fluid (boiled starch and water) and ironed the hell out of it. The bottom of the sleeve I deliberately cut way too long so I could ruffle it. Last thing I did was add some lace to the cuffs. I probably would do a few things differently next time but I'm happy with how it came out. Now I just need a white wig lol ^^
And here's the finished result:
Btw, I also found this promo picture and decided it would look great as a background, so if you wanna use it yourself, here ya go, I edited out Lucille for ya. Go nuts.
PS: actual footage of me running down the stairs in this lovely flowy nightgown arrrrggghhh I love it so much anyway thanks for reading love ya
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Petition to bring back cute and fanciful hats to everyday life. Aren't these amazing?
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