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#demon dean winchester icons
editfandom · 5 months
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Dean Winchester - Supernatural
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gryfficons · 5 months
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broke: john sent dean in his birthday to burn&salt two lesbian nuns because he's a lgbtphobe and hates lesbians and his gay-ass son woke: john sent dean in his birthday to burn&salt two lesbian nuns because he and dean are atheists and hate nuns and actually that was his birthday present 
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happy74827 · 3 days
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The Demon With A Heart
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[Crowley x Female!Reader]
Synopsis: When Crowley saves your life, you can't help but think it was a little more than self-interest.
WC: 1858
Category: 99.9% Sexual Tension (lmfao), 0.01% Fluff + Angst? {TW: Mentions of Demons (obvi), Murder}
Crowley is too iconic not to have fics. I said what I said.
『••✎••』
You didn’t know how to react. It was as if your tongue was taken away, and you couldn’t talk, no matter how much you wanted to thank the man.
No, the demon.
You stood there with wide eyes, staring at the King of Hell, Crowley. He looked the same as before: a clean suit, a snarky comment, and a look of disgust on his face. But, instead of being on the opposite side, he was wiping the blood off of the angel blade he used to kill the angel that jumped you.
He just saved you—The King of Hell.
The very man who told Sam and Dean countless times that he doesn't do anything for free and doesn’t help people without getting something out of it. Yet, here he was, standing in front of you, not asking for a single thing.
The thought was a bit unsettling.
"Purely out of self-interest, darling," He says, breaking the silence and putting the stolen blade into his jacket. "Call it a favor that I plan to collect in the future."
He was about to leave, but you couldn’t let him go. Not without a thank you, at least. You didn't want him to think you didn’t appreciate what he did.
"Crowley."
The man turns back around, his hands in his pockets, his expression unreadable.
"Thank you"
The corner of his mouth turned upward, forming a small smirk. He didn’t say anything but rather kept his eyes on you for a second longer. He then disappeared, leaving you in the dark.
And it did leave you in the dark. For days, weeks, months. He never came for that favor, and he never brought up what happened. In fact, he barely talked to you at all. It was always towards the Winchesters.
You began to believe it was nothing but a dream. That Crowley somehow didn't save you. The angel was a fake, and this was all some sick joke. It felt like gaslighting.
But you knew what happened was real. You remembered the blood splatter and the dead corpse. The way his face contorted when he pierced the angel's heart.
It was all too real.
So, why was he ignoring you? Why did he pretend that it never happened? Was he going to hold it over your head? Or was it just the fact that the King of Hell did something nice for a human?
Was it because he… cared?
One night, you got your answer. It was a quiet night filled with books, tea, and soft music. At least, it was before those idiotic brothers decided to tear down the bunker in search of some book.
You couldn’t remember the exact reason they needed it, but you were too tired to argue. So, you stayed in your room and tried to fall asleep.
That is until the lights went out and the emergency lights kicked on. Okay, now you were annoyed. You got up, slipped on your shoes and a coat, and walked out of your room.
"Alright, what did you two-"
You paused mid-sentence, eyes falling onto the figure in the library. The man was facing the opposite way, but you knew exactly who it was. The familiar black suit and hair gave it away.
"Crowley…"
"Hello, Darling,” he replied, turning around and smiling at you. It was almost unnerving. He didn’t have a malicious aura or even an evil one. Just... a smile.
You looked behind him and noticed… well, nothing. You were expecting the Winchesters to be with him, and yet, it was just him.
"Where are the boys?"
"Moose and Squirrel? Ah, they're off somewhere, doing... well, you know. Something heroic, I suppose. Figured I’d stick around… enjoy the scenery."
That’s when you looked up and understood what he meant. He was stuck, quite literally. Those devil traps they put everywhere finally did something good.
You half-expected him to bring up that 'favor' he was talking about or maybe even just demand to get out of there, but he did neither. Instead, he looked at the ground and sighed.
At the moment, the King of Hell looked just like a caged puppy, sad and alone. If he wasn’t such a… demon, you might have even felt bad for him.
But, you left him in there, strolling along to the kitchen to find some kind of light. You were not giving up your two hours of reading due to power loss.
As you shuffled through the cabinets, looking for any form of match or lighter, the lights flickered back on.
So that’s where the Winchesters were.
You shrugged and turned back to your room but stopped at the entrance to the library. Crowley was still there, but this time, his face was twisted. He was clearly pissed.
"Why did you do it?" The burning question you wanted answered for months finally came out. Crowley stopped his little fit and turned towards you, a confused expression on his face.
He looked like he had no idea what you were talking about.
"I do a lot of things, Chipmunk. You'll have to be more specific."
You walked towards him, resting down the candles and book on a nearby table. You didn’t know why, but the need to confront him was growing.
"Save me all those months ago."
"I don't know what you're talking about."
You were getting closer, now only a few feet from him. Crowley, however, didn’t back away. Instead, he watched as you moved, his expression unchanging.
"That angel could’ve killed me, yet you came out of nowhere and stabbed him. I know you don't do anything out of kindness, so why did you do it? What do I offer that no one else does?"
Crowley stayed silent for a while, not giving any indication of answering your questions.
You thought it was just a lost cause until his expression changed. It was subtle, but you caught it. The corner of his mouth turned down, and his eyes widened, then narrowed.
He almost looked ashamed.
"It's just like I said. Self-interest." He spat out, his voice sounding like venom. You almost took a step back. It still sounded like the same old Crowley, but his tone was different.
You decided to call his bluff.
"I don't believe you."
Crowley raised an eyebrow, a smirk coming across his face. He was amused by the sudden attitude, but it didn’t last long.
"And what makes you say that?"
"I saw the way you looked at me after you saved me. Hesitancy, almost. Like you were unsure. As if..."
The King of Hell stared at you, waiting for the last part of your statement. He was eager but not for the answer. No, he knew what you were going to say.
He was just waiting to hear it come out of your mouth.
"You care."
Those words hung in the air, both of you processing it. Crowley continued to stare at you, the smirk disappearing, leaving his face neutral. He had a blank expression.
A silence grew, the atmosphere turning awkward. It wasn't until the demon let out a loud sigh and looked to the side that it was broken.
"You’re really pulling on the heartstrings, Chipmunk,” he muttered, a hint of sarcasm in his voice. "If I had one, I'd say it was aching."
"Do you?"
You knew what you were implying. Crowley was the King of Hell, the ruler of the damned. He was the furthest thing from human, yet he could walk among them and, sometimes, be mistaken for one.
Was it possible for him to be human or even have emotions?
Crowley looked at you and frowned, clearly not liking the topic. But he didn't deny it. It was a strange sight—the King of Hell, frowning and silent.
It was almost adorable.
"I'm not asking for anything. I just… want an honest answer."
"Well, I am a demon, love,” He stated, his tone changing to a more playful one. “Honesty isn’t quite in the job description."
"Crowley"
You were starting to get impatient, and it showed. Your voice was firm, and your posture was tense. You wanted an answer, and you were determined to get it.
The demon in question let out another sigh and looked at the ceiling as if praying for a quick escape.
"You're a pain, you know that? It's exhausting." He grumbled, rolling his eyes. "But, I suppose, since you asked nicely..."
The man looked at you, his lips pursed. He was still hesitating, which only made you more curious.
"Yes, I care. About you. Happy?"
You blinked a few times, processing the information. Did the King of Hell, the person known for not giving a shit, just admit he cares?
"I-" You started, not knowing what to say. It was a surprise but not an unwelcome one. Crowley wasn't exactly a bad guy, well, a demon.
"Do you actually mean that?"
"Now that…" Crowley started, his voice low and deep. He leaned towards you, making you back up, but the wall soon prevented you from going any further.
He was inches away, his breath hitting your face. You could see his eyes staring into yours—a pretty brown, like a mocha latte.
"…Is the kind of question that will get you in trouble, love."
You weren’t sure what he was planning, but you didn't care. The way his eyes were looking at you, the smirk on his face, the closeness...
He was probably expecting you to back away, but he was wrong. You were an avid reader, obsessive even. This scene wasn't new, nor was it shocking.
The only shocking part was the fact that you were the one in it. And, well, the fact that you didn’t mind it.
"Unlike you,” you whispered, a small smirk on your face. "I don’t care."
Your response made him pause for a moment, squinting his eyes and giving you a confused look. It only lasted a few seconds, though. Soon, he understood, and a chuckle escaped his lips.
"Touché"
You truly believed you were about to lose your chance with the man upstairs, but loud footsteps interrupted you.
"Crowley, you slimy son of a bitch! If you’re not here, we are going to-"
Dean stopped talking as he rounded the corner, seeing you and Crowley close. His expression was shocked, almost comical.
"The hell is going on here?"
You and Crowley both turned to look at Dean, a look of annoyance on the King of Hell's face. Sam came around the corner as well, sharing the same look of confusion.
Crowley gave you one last glance, a bit of disappointment in his eyes, before taking a step back. His attention moved on to the two hunters, his usual smile returning.
And despite the annoyance in the air and the confusion, the only thing that came across your mind was another question that you were sure would take control of your sleep schedule once again.
"Hello, boys," He purred, his arms moving to his side. He was back to his old self, not showing a single sign of what happened moments ago.
Had the beauty thawed the beast?
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pendragonsclotpole · 7 months
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I need to preface this post with the fact that I’ve been aware of Supernatural for as long as I’ve known what the terms fanfiction and fandom mean. It’s one of those pop culture moments that’s existed on the periphery of my mind as something really beloved and bemoaned about by people on the internet, but it’s never been something I really cared about outside of some iconic memes.
For the past four days, I’ve been watching Supernatural non-stop in my free time. I think I sat through eight episodes straight on one of those days, and I just have to say, the show is phenomenal.
I don’t know where to start, I could make a dozen of these posts about various points throughout the first two seasons and it still wouldn’t be enough. I’ve now taken a break at episode one of season three, because now that it’s a weekday I have work and can’t dedicate the time I could on the weekend.
First, Jared Padalecki’s acting is so beautiful and poignant and emotional. He really makes Sam Winchester into the bleeding heart of the whole show, and the entire time he’s on screen I worry about Sam. His portrayal of Sam’s heartbreak and desperation at Dean’s impending death after the car crash, as well as Sam’s horror at the reveal of what John told Dean before dying held a tragic desperation and denial that really embodied what the character represented in the first two seasons. Even as a hunter and with his special abilities, Sam felt like a quasi self-insert for the audience. I don’t mean that in a bad or overly tropey way, but in the way that he felt robbed of a proper childhood in favor of his father’s crusade. Sam is the angry, indignant younger sibling who never bore the brunt of responsibility like the older sibling did and it shows. In some ways, it makes him more entitled—I don’t mean that Sam does not have the right to be angry with John Winchester. He does. Fuck John Winchester. I mean entitled in the unintentional, coincidental way that your little brother or sister always demands the things you never had or rebels against the authority of the parent without ever dealing with the consequences you did as the older sibling. It reveals the veneer of freedom he had and the protection he received by virtue of his place in the Winchester Family. For me, it made him unbearably real, and this feeling of realness was made worse by the genuine naivety and innocence he keeps even as he continually gets screwed over by the demons. There’s a steadfast belief in the goodness of others within Sam that often conflicts with the sense of goodness he believes he lacks.
Sam trusts so easily, but he understands people in ways that should be antithetical to his upbringing. It took me forever to reconcile why he seemed so familiar, until I realized that Sam Winchester, for all that he was one of John Winchester’s son, had received the unconditional love of an older sibling for his entire childhood.
I don’t mean the perfect, kind, healthy love that often exists between fictional siblings. Too often I’ve watched media that makes me wonder how siblings like that even exist, or conversely, made me glad my siblings weren’t so fucked up.
I mean the kind of platonic love that exists between siblings living in the liminal space of love and hate thanks to the single fucked up connection that draws them back together continuously out of some sense of duty or commiseration or the need to be understood.
I mean the kind of love between siblings that would wither away when in a perfect world that does not stake their survival on their codependence of each other, but that in an imperfect and real world is equated to familiarity. Sam and Dean against the world—against John Winchester.
Out of all of the episodes I’ve watched in the last day and a half, perhaps the one that struck me most was episode 20, Season 2. What is and What Should Never Be. Not only was the title a bit of emotional whiplash—the juxtaposition of Should and Never lending a finality or a sense of wrongness that can’t be replicated by the words “Could Never—but we see Dean and Sam in a world where their one connection, hunting, has completely vanished and at a high cost to all the people they’ve saved, but mostly to Sam and Dean themselves. They’re connection as ride or die brothers is gone, replaced by an ostensibly better, healthier, more normal future liberated from the expectations of the rest of the world.
Without the death of Mary Winchester, Dean and Sam are no longer Dean and Sam. They’re just two people, connected by the two people that raised them, and likely to drift apart after that connection dies—frayed ends of a tapestry pulling apart and unraveling. Dean gains a mom and a normal life, but metaphorically loses a brother and a sense of purpose. Who is Dean Winchester if he’s not a hunter and Sam’s brother? And the sad thing is, neither of these are traits Dean ever chose. They are conditions foisted upon him, perhaps not intentionally, such as in the case of Sam, but ultimately placed on his soul until they tethered themselves to the very core of what being Dean Winchester is supposed to mean. The end of the episode, and Dean’s choice to return to the real world, regardless of Sam waking him up, is Dean fully giving up his dream in order to save Sam and be a hunter. The fallacy of the episode is in the choice Dean makes, which the more I think about it, feels less like a choice and more of an inevitability but one compounded by Dean’s readiness and willingness to go with it.
This is where I get to the crux of my surprise with these first early seasons of Supernatural: Dean Motherfucking Winchester.
I don’t know what I was expecting from early seasons of Supernatural, especially with the context of the later seasons. Maybe an overly cheesy, early 2000s ode to roadtrip Americana with a self-reverential take on the classic gun slinging frontiersman of the Wild West and bad supernatural CGI. Not to say it isn’t that (shout out to Sam’s comment on Dean’s particular brand of butch), but what surprised me was how real the connection between the characters was manifested on screen and how much good will the show built up in the audience. There came a point where I sided with Dean so much in the events of the show that I felt like I was riding shotgun in the impala. I saw it with every compliant “yes, sir” he gave to John, with every teasing comment he threw at Sam, and with every act of selflessness he exhibited by protecting other people. This isn’t to say that Dean is perfect. Sometimes he doesn’t take things seriously enough, or he’s willing to sacrifice people for some misguided greater good, or he’s obsessed with saving Sam even when he wouldn’t be if it were anyone else, but Dean has a conviction so many people lack. He has the capacity to love at a great cost to himself, either because he believes himself unworthy of being loved or because he’s not used to anything else.
Jensen Ackles does such a good job at this portrayal and with such a different technique than Jared Padalecki. Ackles embodies the desperate need for self-assuredness that Dean breathes, as well as the genuine fear he has of being seen. I love laughing with Dean as much as I love screaming at him for how stupid he’s being. If Sam is the self-insert, then Dean is the tragic hero, although that comparison feels like a poor facsimile for what Dean Winchester truly is because I don’t particularly feel an overwhelming sense of pity at his state or at his hinted downfall with that demon deal. If anything, I feel a sense of indignation mixed with understanding and frustration that Dean can’t catch a break but at the end of it all, is just how he prefers it.
It shouldn’t be a shock to admit that even without knowing what happens from seasons 3 to 15, I know how Supernatural ends. Just thinking about the ending makes me wonder if I should even continue it past season 5, but that’s a decision for another time.
For now, there’s something unbearably tragic in seeing Dean Winchester so close to a chance of a normal life and apple pie happiness (something he really seems to desire no matter how much he denies it) and then having to give it up, not just because it’s not real, but because he believes it should never be real.
Dean Winchester deserves better.
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samsrowena · 8 months
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the thing about cole is that yes he is an annoying asshole but his character "arc" is way too funny for me to ever find him boring or forgettable like this man waltzes in thinking he's soooo bad ass with all his military training and he's gonna take down thee dean winchester. but then he gets royally punked out by demon dean. so he disappears, trains some more and learns everything he can about demons, comes back, and gets punked out AGAIN. by human dean this time. and then he almost dies from a fucking dehydration worm and we just never see him again after that. absolutely iconic
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lostgirl677 · 7 months
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Nothing can stop me from loving you part.2
MoC!Dean Winchester x Fem!Reader
Platonic!Sam Winchester x PlatonicFem!Reader
Established relationship
Masterlist
Part.1
A few weeks had passed, and I could tell Sam was as on edge as I was. He even convinced some douchebag to seal a deal with a crossroad demon to try to catch the red-eyed asshole. But all he managed to get was an arm in a sling. On my side, I contacted every hunter we knew around the country to try to gather information. But it was mostly useless. It was a race against time, and we were obviously losing. We knew that Crowley wasn’t alone in this. He had a whole crew of assholes with him. I  tried to summon Crowley and some of his lackeys, but the assholes never showed up. Even the various tracking spells with Rowena never worked. And to top it all, my dreams were plagued with weird changing images of a bar, cowboy hats and this shitty song “I’m too sexy”. Dean had finally managed to drive me crazy. I was losing my marbles at this point. 
Today wasn’t different from the others. If doing research in the hope of finding something useful could finally lead to something, it was mostly infuriating. I took the computer and a selection of books about demon invocation and went to the library. After many hours of leafing through each book, knowledge seemed to pass over my head without ever getting into it. An exasperated sigh escaped my lips as I dropped my head in my hands. “It’s useless. I won’t find anything useful in there.”, I whispered, completely desperate. I stayed in this position for a few minutes, or maybe hours. I couldn’t tell. But if the roles were reversed, Dean would turn the world upside down to find me. He would never surrender. And I loved him way too much to give up that easily. So I raised my head, wiped some stray tears, and tried to do more research. 
But reading for the hundredth time the same sentence was a signal that I couldn‘t focus anymore. Instead, my mind decided to wander away from the dusty books. And, even though it was too late to think about it, I couldn’t help but torture myself about the what-ifs. If I had stopped Dean altogether from fighting Metatron in the first place with a spell from Rowena, maybe we wouldn’t be in this crap? Perhaps, if I stayed with Dean as intended that night instead of leaving him alone, I could have stopped Crowley before he ran away with Dean. Well, maybe not stopping him, but at least delaying him a little and trying to get some sense in Dean’s mind. But I couldn’t afford to waste my time with the actions I didn’t do. It was a dangerous spiral that should never be explored. So, in order to regain the handle of the situation, I tried to focus on the things I could control. Which means thinking of the various tactics we could use to find Dean. 
After some plotting against Crowley, I decided to phone Cas for the first time since Dean’s death. I was still a bit embarrassed about my cries for help, knowing that I was bothering him with a situation he couldn’t improve. I took a deep breath as I tried to ponder whether I should call him or not. But I already clicked on the phone icon without even thinking. As the phone rang, I secretly hoped to end up on the voicemail. It rang a bit and before I could think of hanging up, I heard his deep voice. “Y/N?” I heard him say, a bit surprised. “Hey, Cas. How are you?” There was a bit of silence before I heard him clear his throat. “It is complicated to manage without my grace. But it is also difficult to repair all the damages Metatron caused but we are working things out. What about you with Dean?” 
I hesitated a bit before replying “ Well, it’s pretty hard. He could be anywhere and doing god knows what at the moment. Plus, Sam is acting recklessly now. I’m scared, Cas. I don’t know what to do. " "We’re going to find him, don’t worry. As soon as I’m done with this celestial issue, I’ll come to help you.” I could hear that he was sincere, that he truly loved Dean as much as we did.” Thank you, Cas. Also, I wanted to tell you that I’m sorry that I haven't called you since his death.” I wanted to add something else but my voice shattered a bit. “I am not mad at you, Y/N. I understand. And you don’t have to be embarrassed about your distress, it is a normal human feeling in these circumstances. Just know that your cries and prayers weren’t ignored, that they broke my heart and shook me to my core. I am sorry that I was not able to do more.” His voice wavered a bit while saying this. “Take care, Y/N. Call me anytime you need.” “Thank you, Cas. Take care too.” And he hung up the phone.
After the phone call, I decided to busy myself with more research. But again, my mind always ended up circling with the worst-case scenarios, this time. Crowley had a precise reason to revive Dean, and it scared me. And since there was no way Dean could have willingly left with Crowley, there had to be some kind of mind control or something. What if Crowley used Dean to be his personal hitman? What if he used him as a bargain with one of our enemies? Hell he could even use him as a male stripper to gain money! It wasn’t even the worst option there, but everything was possible when Crowley was involved. He could have taken him out of the country, for that matter. He could even have killed him if his project were finalized. It made me close my eyes to repress undesirable tears. Slowly, I pushed the computer away. All of this mess was giving me a killer migraine. 
Timeskip 
It was late when I heard the front door of the bunker. Sam was going down the stairs, his arms full of files. I immediately rushed to help him. The bags under his eyes became darker than the day before and his hair was messy. He looked so exhausted, just like me. He glanced at me and gently smiled. “Thanks, Y/N.” I smiled too. “No problem. I won’t let you carry everything in your state. Also, I made dinner. I’ll heat it for you if you want.” A warm smile illuminated his face. “Thank you, I’m starving.” We put all the files on the library’s table and made our way to the kitchen. Once inside the room, Sam began to set the table for the both of us and once dinner was warm, we both ate while making small talk. “I’m sure that's how Dean knew you were the one. Super caring and your cooking is heavenly.” His remark warmed my heart and broke it at the same time. “Thank you. I still remember the first time he tasted my pistachio pasta sauce.” Sam laughed. “I thought that he would propose right away. I must admit that your dish was incredible.” There was a pause before he talked again. “I also remember all the pep talks I gave to him to encourage him to make a move. Strangely enough, he can be super smooth with a random girl. But with you? A complete dork. He looked like a middle schooler trying to ask his crush out.” I laughed a little. “Who would have thought, indeed?” But my smile faltered quickly and I almost dropped my fork, no longer hungry. Sam noticed but didn’t say a word. Instead, he just sent me a reassuring smile and the rest of the meal was silent.
The next day, I woke up with a start after an intense dream of a guy kidnapping Sam. That weird guy wanted to kill Dean. Those strange dreams happened almost every night, and I couldn’t understand why. Was it a sort of trauma? I couldn’t understand what it was, but it was becoming scary. As I took in my surroundings, I realized that I had slept again on the floor in the middle of a stack of books and that someone had wrapped a blanket around me. The pain in my back didn’t go unnoticed by my dazed state. I slowly stretched my limbs, trying to not knock over the piles of books. Getting up was rarely this hard. Well, except for those once in a blue moon lazy mornings with Dean…Once I stood on both my feet, I prepared myself for another day of fruitless research.
It was around 10 AM when Rowena crashed into the bunker. She seemed happy this morning, not phased by my surprised expression at all. “I found another spell”, she said as she put a heavy stack of books on the table with a loud thud. “It’s a very  ancient one that I will adapt to the modern days.” The spells had failed so many times that I was past the excited state. When she saw my lack of reaction, she added, “Well, dear. I have a wee bit of hope that this spell will work.” I raised an eyebrow and replied,  “You said that the last time. And the other times before that one. And I still don’t know where Dean is.” Wow, it came out harsher than I intended to. I knew that she was doing what she could. But I couldn’t help but feel on edge with all the useless magic crap at this point. Even if I knew she was a bit upset, she still had her sassy expression when she replied, “Being a witch is not just looking fabulous and flying on a broomstick, dearie. It’s also doing research and trying spells. That means trials and errors as well.” She was right, of course, but I was desperate for answers. “I’m sorry, Rowena. You’re right. I didn’t have to lash out at you like that.” She just patted my shoulder and threw me a little smile. Unlike the brothers, my relationship with Rowena wasn’t that strained. 
“Are you ready to perform?” she asked. Deep down, I wasn’t ready because the sole thought of failing again drove me crazy. But you can’t know until you try, right? So I just replied, “Yeah. Let’s get ready. What do you need for this one?”  She looked at a list in her hand and enumerated, “I’ll need candles, a map of the country, something of his, a picture of him and the blood of one of his relatives to do this spell. The rest is provided by your fabulous witch.” She said as she designated herself in an elegant move of hand. “But wait, how will it work? And we don’t even know if they’re still in the country or even this realm.” I finally asked. 
She consulted her paper again and told me, “Once everything is in the bowl, I’ll perform the spell. And then, I’ll dip the pendulum in the bowl and place it above the map. The pendulum will find the start of Dean’s journey, which means the location of the bunker and will drip the blood on it. The blood will get absorbed by the map and trace the entire path taken to his final destination. Then you’ll find your loverboy again, dearie.” She then patted my shoulder and added “They’re still in the country, Fergus might be vicious but he sometimes lacks imagination. How can I possibly be related to him?” I looked at her, half hopeful, half desperate and nodded my head. In return, she simply smiled at me. As she began to prepare her improvised altar, I ran as fast as I could in the bunker to find what she needed. I came back with one of his old bracelets, a map, candles and a picture of him next to Baby.
When I arrived, Rowena had set everything and was reading one of the heavy leather-bound books she brought. The moment she noticed me, she lifted her head and sent me a smile. We laid the map on the altar, lit the candles and placed the bracelet and the picture on the large bowl. ”So, everything is in place, I’ll just need...” She didn’t finish her sentence as a loud noise behind us made us jump. Sam just came back. He stopped dead in his tracks when he saw Rowena. “Hello, Y/N and, uh, Rowena,” he said, visibly surprised. “Well. Hello Samuel. You’re right in time for once.” He seemed a little scared and asked, “Right on time for what?” So I explained, “Rowena found another spell, but to perform it, we’ll need the blood of a relative of Dean.” As he took the information in, he just nodded and asked, “Okay. Do you need just a drop or more?” She gave him an athame and told him. “You’ll have to slice the palm of your left hand and make your blood drip on the bowl. But not until I said the incantation for the third time. It is extremely important. When I use the pendulum, I’ll need you both to chant ‘Orientem Occidentem Septentrionem et Meridiem monstrant viam ab uno absente captam’, okay?” Sam looked at her, then me and nodded again.
Rowena then began the ritual. She breathed deeply before singing her incantation. “Orientem Occidentem Septentrionem et Meridiem monstrant viam ab uno absente captam” she sang in a deep voice. She was moving her hands toward each cardinal point above the bowl. A tingling sensation of electricity in the air made the atmosphere tense. So much so that I could feel the hair at the back of my head rising and goosebumps forming on my arms. I was holding my breath the whole time, anxiety filling my veins. By the way Sam looked everywhere around him, I knew he was as anxious as me. When Rowena reached the third time reciting, Sam sliced his left hand as indicated and as she kept singing. 
The lights of the bunker began to flicker, and the bowl produced the noise of something bubbling and thin steam could be seen. I swiftly approached Sam to wrap his hand in a clean cloth. She then plunged her pendulum into the blood, and it began to rotate in search of the bunker. Sam and I began to sing. After a few rotations above the Kansas area, the pendulum finally stopped and touched the map. “Keep singing!” she ordered as she closed her eyes and began to sing with us. The tension in the air increased, making it hard to breathe. Then, it happened. A faint red line was finally forming itself on the map, beginning at the location of the bunker and continuing. It was the first time I felt this hopeful in weeks.
Suddenly, the thin steam erupting from the bowl became thicker. And some lightbulbs around us exploded in a terrible noise. Sam and I both looked at each other. “Uh, Rowena, is it normal?” asked Sam, coughing a little. Rowena kept her eyes closed, “What is it, Samuel?” But before we could say anything, the smoke became thick black in an explosion sound, and the map began to burn almost instantly on the altar. Sam and I immediately tried to stop it from burning. Rowena opened her eyes, completely startled by the sudden commotion. Her eyes widened when she saw what was happening. “No, no, no! It wasn’t supposed to burn!” she screamed as she tried to help us stop the fire. But it was too late. It was almost in ashes. I barely had time to see the red line stopped dead in its tracks to God knows where. It was merely at the frontier of Kansas. To say that I was devastated was an understatement. We were so close! I could see the deception in Sam’s eyes as well.
Everything happened very fast in a  short period. So fast that I struggled to process it. It gave me the weird sensation that I was in a dream, that it couldn’t be real. Just like Dean’s death. It was pushing me over the edge. All my repressed feelings came to the surface. The sadness, guilt, grief, and anger suddenly blinded me, “Son of a bitch! What the hell had happened?! It wasn’t supposed to end like an election for the new pope!” I screamed. Rowena had a sorry look in her eyes.”I’m sorry, darling. I guess it means he doesn’t want us to find him. But I’ll keep looking for a new spell.”, she said as she tried to arrange the mess with Sam. I heard her mumbling "Sometimes Fergus makes me hate myself for participating in that orgy back then." Sam then spoke in an hopeful tone, “I heard about a series of weird murders before coming here. It could be linked to Dean.” I simply nodded my head, trying to keep my emotions at bay to not lashing out on someone. I was trembling, and my heartbeat was wild and erratic. I wanted to smash everything around me, but this mess wasn’t anyone’s fault but Crowley’s. So I breathed deeply and began to help them. 
Later in the day, I decided to seclude myself in my old room to take a nap. The dream was weird, once again. This time, there was a gorgeous blond woman. She was serving a beer to someone. The next part was Casa Erotica worthy but I couldn’t see who was with her. I woke up instantly. I was going crazy. Somehow, I truly felt like I was spying on her, like it wasn’t a regular dream. I finally fell asleep again but this time, all the dream showed me was the name “Black Spur Bar” and then a map with the name Beulah, North Dakota shining bright. This time, I almost fell off my bed. Maybe it wasn’t just a dream? I had to tell Sam.
I sprinted out of my room, hoping to find Sam in the Bunker. Luckily, I heard him speak to someone in his room. He was at his desk, looking at his computer, taking notes with his phone in hand.” Drew Neely, you say? I’ll check this…” I nearly screamed “Sam, sorry to interrupt you but I think we need to go to Beulah in North Dakota.”  With a surprised expression, Sam looked at me and said “Sorry, Cas. Y/N has something to say. I’ll put you on a loudspeaker so you can interact with us. Now, Y/N, will you explain please.”
Part.3 soon
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@hobby27 @deans-spinster-witch @muhahaha303 @kazsrm67
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Sam-coded: Analyzing the parallels between Destiel and Sam's arcs with his love interests.
PART 1: JESSICA MOORE
FOREWORD & DISCLAIMER
With a fan community as enormous as Supernatural's, it is fair to assume that most, if not everything, stated here has already been pointed out or dissected multiple times before—especially considering the long span of time that the show has aired and the three years thereafter. The goal of this post is not to claim these ideas as my own but rather to compile and expand on them.
I also want to add that regarding Jessica, specifically, the canon facts about her are incredibly limited what with her only "real" appearance being at the Pilot episode (though she is referenced and alluded to in multiple episodes all throughout).
That said, she had a critical role in shaping Sam's goals, with emphasis on earlier seasons' Sam's development so it felt fitting to start this series off with her.
There are many instances that the fandom has pointed out cinematic parallels between Sam and Jessica & Dean and Castiel. In this post, I would be elaborating on all of the key points I have found, namely: 1. The scripted meeting, 2. Grieving a lover, and other random findings.
1. IN THE BEGINNING (WITH REGARDS TO GOD'S PLAN)
To start, both Sam/Jess and Dean/Cas were fated to meet to serve a higher narrative purpose.
Frankly, I think that is fucking beautiful, but not only that; it can be argued that, if we were to speculate that Sam met Jessica right after he ran away from Dean and John, then Jessica and Castiel did the same thing. They pulled their respective Winchester brother out of hell/a dark place. (That may just be me talking out of my ass, but it's such a poetic concept, isn't it?)
Most importantly though, both parties were doomed by the narrative, but in polar opposite ways.
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(Screenshots taken from 5x20)
Sam was destined to love and then lose Jessica for two reasons: to start the story, and to make Sam go down the "dark" path i.e. adjacent to Lucifer, demon blood, evil. Their story was scripted from the get-go, even before Supernatural decided to go metatextual with God.
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(Screenshots taken from 15x17)
On the other hand, Dean and Castiel were never meant to be anything more. God himself says that Castiel was supposed to continue obeying heaven, do what he was told, and it is one of (if not the one) that completely separated the Supernatural storyline from any of Chuck's other drafts.
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(GIFs from 15x18 and 15x19)
Furthermore, Castiel's love for Dean and Dean's loss of him marks the end of the story and makes Dean defy the role that God made for him. Admittedly, it's a flawed parallel, as Dean has already moved on from being Michael's Sword and the Righteous Man. To that, I say it only further proves the point; their unscripted "profound bond" directly opposed God's word. It was what should have broken the cycle.
And still, both ended in tragedy. It's just that one was written to end that way and the other wrote itself.
2. THE WINCHESTER BROTHERS ON GRIEF
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(GIFs are from 1x01 and 12x23)
This segment can't start any other way than with these iconic shots of the Winchesters holding their brother back from running towards the love of their life (as the lover, in question, dies/walks to their death). These shots are the very reason I started this whole analysis, and they speak for themselves.
Even their clothes are inverted here, because Sam and Dean are experiencing the exact same thing. The grief, pain, and helplessness that comes with losing a partner.
(While compiling these, I stumbled upon the eerie realization that the shots attached above and the ones below have swapped color palettes in a way? Granted, that may just be some editing thing. Technology and video quality aside though, you can't deny that the vibrance of the fire vs. the bleakness of Apocalypse World juxtapose aesthetically well with the shots below. Just another one of those, "is it intentional or did Supernatural just run out of options from the sheer breadth of it?")
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(Screenshots taken from 1x05 and 8x07)
This parallel in particular is what makes me believe that Supernatural either has amazing writing or just a terrible retention for continuity and reflection. Because, again, Sam and Dean are going through the same damn thing here: guilt. Specifically, the guilt of their lover's death—how both had reasons to believe they could've prevented it.
Also, these are cinematically shot the same way: Jessica and Castiel by the road, a deadpan stare at the Impala as the brothers drive by, then disappearing from sight at a second glance. How else are we to take this other than Dean grieving a lover the same way Sam grieved for his girlfriend? Did they just forget this scene from 1x05 when they filmed 8x07? (Most likely, yeah, but that doesn't disprove its contribution to the narrative.)
The premise is also similar, damningly so, the only notable difference being the formatting, with season 1's monster-of-the-week almost-standalones and season 8's continuous, over-arcing conflict with hell and the tablets.
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(Screenshots taken from 1x05 and 8x07)
At the very core, though, is Sam and Dean with their, "I could have—" statements. Sam had visions about Jessica dying, he could have warned her. Dean had Castiel right there at the portal to exit Purgatory, he could have pulled him out. It is that guilt they must carry around and that burden they must bear.
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(Screenshots taken from 1x05 and 8x07)
They even give one another the same damn pep talk. Dean saw that Jessica's death was slowly killing Sam, the same way Sam saw that Dean's return from Purgatory without Castiel was tearing Dean apart.
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(Screenshots taken from 1x05 and 8x07)
Lastly, here are the verbal acknowledgements of their grief. Because hey, who am I to try to explain subtext and nonverbatim connections.
2.1. TO BE JOHN WINCHESTER'S SON
In this segment, I would like to point out two of the instances that Sam and Dean accepted being compared to John Winchester, both in regards to losing Jessica and Castiel respectively.
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(Screenshots taken from 1x20)
Again, this is what the story was all about. Sam and John could or at least find solidarity in this, as was intended for the plot. (They even mirror God and Lucifer here, which is an entirely different can of worms I am not opening today.)
Keep in mind, Sam's always hated how John raised them, but it is evident that he found some comfort with John given their undeniably specific situations.
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(Screenshots taken from 13x04 I talked a little more about this arc here)
Sam openly calls Dean out on his John-esque behavior; an irony in itself given that the brothers have long since established that Sam was the one who resembled John the most whereas Dean was always, "yes, sir!" until the very end.
In this very same arc, there is a concerning increase Dean's alcohol consumption—and the use of alcohol as a coping mechanism in itself, rather than the leisurely treat it recurringly was in the show—which are telling signs for the headspace Dean was in.
They both lashed out in John Winchester ways they've internalized over the years growing up. Sam went down the path of self-destructive revenge-seeking, while Dean lashed out by rejecting being a father role to Jack, becoming the "drill sergeant," instead. These traits were what hurt them as children and were the crux of John's grief over Mary's murder. Round and round the cycle goes.
2.2. TO BE LUCIFER'S VICTIM
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(GIFs from 5x03 (a) and (b))
Again, another iconic parallel considering Lucifer's go-to trick to getting what he wants was to pose as the person his victims want the most. Another example of this exact same scenario is when Lucifer appears to rock star Vince Vicente as his dead girlfriend (and Vince ended up saying yes.)
In the earlier seasons, the most obvious choice for Sam was of course Jessica, as Lucifer was desperate to get ahold of Sam as a vessel. That was narratively sound, right? Even though 5 seasons (so about 5 years in canon) have passed since Jessica died, Sam hadn't forgotten her and she remained his greatest weakness.
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(GIFs from 15x19)
Then on the flip side, during a time the story's well past the Script and God's most definitely free-styling, Lucifer appears again—and it is on God's orders. The devil chose Dean's weakness (Castiel) to blindside him, so Dean ends up running on emotions instead of questioning it.
This happened right after the episode Castiel confessed, and before the episode that Should Not Be Named... That also speaks for itself, doesn't it? Insane, absolute insanity to me.
3. MISCELLANEOUS: SYMBOLISMS & OTHER COINCIDENCES
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(Screenshots taken from 1x01 and 14x12)
This is where I might be reaching, but it's a small observation I noticed while bingeing the Pilot episode. Of course, at the time, production likely didn't even put much thought into Jessica's costume, but it's a funny thing to point out all the same. (I screamed a little about Cas' healer motifs here in comparison to Cesar/Jesse if you're interested.)
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(Screenshots taken from 1x01 and 10x09)
They both have the same Look when their boyfriend is talking down on himself, I can't even make this shit up.
+ I'm so frickin' tired I cannot look for screenshots anymore but Jessica's cookies plus Castiel's "you don't understand, I need pie," moment in the convenience store resonate with me.
+ Might edit and add more to this later, for now I sleepge.
REFERENCES
1x01: Pilot 1x05: Bloody Mary 1x20: Dead Man's Blood 5x03: Free to be You and Me 5x20: The Devil You Know 8x07: A Little Slice of Kevin 10x09: The Things We Left Behind 12x23: All Along the Watchtower 13x04: The Big Empty 14x12: Prophet and Loss 15x17: Unity 15x18: Despair 15x19: Inherit the Earth
UP NEXT: SARAH BLAKE
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maggot-monger · 11 months
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lucifer gender symbolism essay part 4: women in white
masterpost
this is far and away THE reason i started thinking about fem!lucifer in the context of spn back when i first got into the show. 
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women in white are SO ICONIC on supernatural. the first scene of the show features mary dying in a nightgown that is technically pale pink* but registers as white, and later in the same episode jess wears a mostly-white nurse costume and then dies in a pale periwinkle* nightgown that also reads as white. the pilot is all about constance welch, who is literally a type of ghost called a woman in white. in bloody mary, sam has a vision of jess standing on a street corner wearing a starkly white nightgown. lilith goes to her death to break the last seal in a white dress. it’s a whole thing. 
women dressed in white especially in early spn are almost always either about to be the victims of something horrible, or are dangerous and monstrous — and often they’re both, especially if they’re dressed in all white. 
our two main victims from this costuming-based character category are mary and jess. both of them represent brutal, devastating, life-changing, unfair loss. mary’s death is the reason the winchesters uprooted; it’s the reason john is like that; it’s the reason sam and dean grew up the way they did in this heavily trauma-based and trauma-inducing lifestyle. it feels random (even though we later learn it wasn’t); it was definitely shocking; it was cruel and unfair. jess died the same way, and her death at least played some part in sam going back to hunting; it didn’t feel as random because there was already precedent from mary, but it felt just as shocking and just as cruel and unfair. these women in life represented idealized domestic bliss and normalcy for their partners and families, and their deaths caused the end of the possibility for that kind of romanticized normal american lifestyle for the men close to them. in death, they become symbols behind which the men mourning them rally to seek revenge.
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(there’s endless more things to be said about mary and jess’s death and their costuming etc but i gotta keep my eyes on the prize here of lucifer analysis. ok. carrying on)
now let’s do two of the main monsters in this category: constance welch was a victim of her husband’s infidelity before she became a killer, and as a ghost she kills unfaithful men, never able to get the revenge she wants for what was done to her and becoming a monster (partly) because of it. she can never have enough, she can never break the cycle, and, importantly, she “can never go home,” because she also killed her own innocent children, who want their revenge on her. again, lots to be said here about how sam and dean also can never go home etc, but i gotta keep it pushing. so: lilith. lilith was once a human woman whose essence was warped until she became a demon. we don’t know specifically how that happened, something to do with temptation, but in any case, the transition from human on earth to demon in hell is typically portrayed as undesirable, to say the least. beyond that, stories of the human fall are stories about not being able to go home: a human in a fallen state can���t live in their home of eden anymore, and has to rough it outside of the garden. presumably, that’s part of lilith’s story. the story of demons on supernatural is very similar: human beings who die and go to hell, and then are trapped there until they manage to get out (which is portrayed as being very difficult to accomplish in the earliest seasons of the show, especially for demons in the deepest parts of hell, like lilith). so the earliest humans fell and could never return to the garden, and humans who go to hell struggle to return home to earth. 
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so that’s all a whole symbol system, right? if you’re a woman in white on supernatural, either something horrible happened to you, or something horrible is about to happen to you. you’re going to represent horrible loss whether you’re just a victim or both a victim and a monster. you’re going to get trapped in an unending trauma cycle, or you’re going to be the reason for someone else’s unending trauma cycle — probably both. 
and lucifer…
well!
lucifer’s first two appearances (after the nun) are as sarah, nick’s dead wife (another character who fits the victim subtype of women in white), and jess. both times, lucifer wears a white nightgown. 
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and for good goddamn reason, because lucifer fits the archetype perfectly. 
did lucifer once represent an ideal? absolutely: lucifer was the most beautiful of the host, god’s favorite, THE angel. 
does lucifer’s loss represent a loss of perfection and purity? yep, lucifer was proof angels could make choices they weren’t supposed to, even/especially the best of them.
did the loss of lucifer cause a huge upheaval for his family that sucks a lot and changes the course of their lives for the worse? big time: god left; gabriel ran away; heaven seems to have at least somewhat restructured in the fallout; everyone set their sights on the apocalypse after which the problems will end and they can finally rest. 
do those who lost lucifer miss lucifer/what was lost when lucifer fell (even if that’s complicated)? seems like it. uriel definitely does; michael seems to have missed lucifer, even while being angry at and blaming him; and raphael at least misses how everything was before it fell apart. 
was what happened to lucifer violent and awful? pretty unquestionably. regardless of how much you think he deserved it, what ended up happening to lucifer — being cast down, imprisoned in isolation in the depths of hell for millennia, total loss of reputation, and a death sentence — is point-blank brutal. 
can lucifer ever go home? nope.
does anyone want revenge for what happened to lucifer? well, lucifer does, at the very least
can lucifer escape the cycle of trauma? nope: he perpetuates it by doing the apocalypse among other things, leaning into the devil role, doing more of what got him that title in the first place, and even when he tries to escape it by offering to drop everything to walk off the chessboard with michael in swan song he gets shot down. 
that’s a signature supernatural woman in white, babey. 
so, ok. woman in white, though. men show up wearing white sometimes on spn. a man wearing a white shirt is less of a tell that something is going to happen to him or because of him than it is for women, but it’s still part of the visual shorthand. men also wear all white sometimes, especially in psychiatric contexts (notably sam as a patient in season 7 in the context of hallucifer, as well as sam in houses of the holy while he’s playing a nurse). but these instances are uniforms that the wearers have little choice about wearing, and they are not especially gendered: female patients also wear all white (e.g. marin in ‘the born-again identity). to my knowledge, there are no roles in supernatural specifically for men in white; men wearing white do so in contexts where women also would and do wear white.
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the one** exception to this is lucifer in ‘the end;’ how much endverse is zachariah’s creation vs what literally happened in that version of 2014 is debatable, but either way, sam!lucifer was one of our few examples of a ~man in all white in spn. and like…this reads to me as costuming wanting to do a woman in white thing, but not wanting to put jared padalecki in a white dress. lucifer already appeared as sarah and jess in all white nightgowns; lucifer fits the woman in white archetype; there’s no Thing like that for men, so they put sam!lucifer in an all-white suit that draws a stark visual parallel to the women in all white we’ve seen lucifer as before, and there you go. still a woman in white archetype, just wearing a man costume at the time.
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**i know asmodeus did a white suit too but that's way outside of the range of kripke-era symbolism i’m mainly talking about, and it seems like probably a direct reference to lucifer’s endverse look. i’m also probably not the right person to do an analysis of asmodeus even if i wanted to include a discussion of his suit. so.
to sum up, lucifer is a genderless non-human entity, but (s)he’s also a Woman In White™, even when appearing as a man. lucifer is, i would go so far to say, the epitome of the Woman In White, the maxed out, most op version of everything the show did with that symbolism. so. lucifer is fitting into a feminine archetype real well, there.
*i’m not trying to ignore that neither mary nor jess actually died in white. as far as i can tell, most of the fandom remembers mary’s nightgown as white, and i’ve had conversations about whether jess’s nightgown is actually white and it’s just a lighting thing, so they’re both Women In White (TM) even though they’re not actually that (and jess is explicitly turned into one in sam’s memory and in lucifer’s appearance as jess wearing the same nightgown as in ‘bloody mary,’ since that nightgown is actually definitely white).
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it’s a great choice, i think, to have them fill this symbolic role while actually having been maybe more complicated than that; having their memory simplified and ~purified so they can serve the perfect fridged domestic woman role — regardless of their actual personalities in life or how well that symbolism actually applies to them (and it really doesn’t fit at least mary that well, given her hunter background that we learn about later!) i bring this up because of lucifer’s endverse white suit, which, you know, is an all white look, but also has that off-white shirt. so, like, something something, attempts to fit into a specific archetype, but there are inevitably going to be slight imperfections because no living thing can be JUST a symbol. 
(a lot of people have written extensively about women in white in supernatural, including me. i have focused largely on lucifer, because of course i have. some additional posts here, here, here, and here.)
part 3: the dead nun part 5: white women masterpost
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5sospenguinqueen · 6 months
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DEAN WINCHESTER DRABBLE
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IDEA: Pumpkin Carving with the Winchesters
Note: I apologise for how bad this is. I haven’t written in a while, I didn’t proofread but I’m currently down bad for Team Free Will after binge watching supernatural so enjoy!
Dean Winchester x reader / Castiel / Sam
____________________
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“This is ridiculous.” Dean grumbled, face scrunched up in disgust at the slime coating his hands. “I can’t believe I agreed to this.” He shook off a seed, that stubbornly stuck to the back of his hand.
“Just admit you’re having fun.” Sam shot back. “Besides, look how happy it’s making her.”
Humming under your breath, your hips swayed to the ‘spooky’ music sounding through the speaker sitting on one of the nearby bookcases. One of the tables in the library had been cleared, and you’d set up pumpkin carving tools on it, surprising the brothers when they’d walked in for a day of research. Instead, you’d ordered them to enjoy a day off. Neither one wished to argue with you when you stood before them brandishing a hunting knife.
Dean watched as you stabbed your pumpkin, tongue trapped between your teeth in concentration. It was the same face you made when torturing demons, and Dean loved it. Not that he would ever admit that. And so he continued with his charade of crankiness.
“You know, this is the kind of shit children do.” He snarked.
Your head snapped up, eyes narrowing at him. His lips twisted into a smirk, knowing he was getting under your skin.
“Then it’s perfect for you.”
“Here we go,” muttered Sam, shaking his head when you and Dean started bickering.
“Why do humans do this again?” Cas asked, leaning over to heal Sam when he sliced his finger.
“Because it’s tradition.” You answered, complimenting him on his own carving. Not fully understanding the activity, Cas had drawn a cute little face into his.
“Actually, Celtics used to carve faces into pumpkins to frighten away a wandering soul and prevent him from entering their homes on All Hallows Eve.” Sam recited. “That’s why they made them scary.” He showed off his own, a frightening face carved into it.
“As they should,” muttered Dean, turning to face you. “See, these were designed to prevent evil spirits and you’re over there carving one into your pumpkin.”
“But look how cute my ghost is!” You defended, turning it around to show him the little icon you had carved into your pumpkin. Pride decorated your face, and Dean couldn't help but smile.
“Ghosts aren’t cute. You had your ass thrown through a window by one last week.”
“And my big, strong, defender saved me.” You teased, walking over to press a kiss to his cheek. “Baby looks cool on a pumpkin.”
Dean grinned to himself, deciding that pumpkin carving might not be so bad after all.
Below are the pumpkins (obviously Dean’s would be baby but that’s an idea of what he did)
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samdeancrimespree · 5 days
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i love psychic sam. and i LOVE the other psychic kids so much. andy gallagher is genuinely one of my fave characters on this stupid show. that pathetic little kitten of a man with the stupid van and the evil twin?? that little sweetheart who only used his powers for tax evasion and to save the girl he had a crush on? the one that convinced dean that powers =/= evil? legendary to me. ava wilson?!? most iconic villain arc in the show. the insane woman blueprint. jake talley? sooo fucking interesting. lily?!? i would kill to see powers like that. imagine sam with powers like hers. touching someone and killing them… would it work on monsters? what if he could kill demons that way?! so many possibilities all completely thrown out grrrrr
also like. what happened to those kids azazel was visiting in s1? they stopped rosie from being turned, but weren’t there others like her? shouldn’t there have been a new gen of psychic kids that showed up in the late seasons? or was all that setup just a ploy to catch the winchesters in sacrifice? we will never know
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editfandom · 5 months
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Dean Winchester - Supernatural
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sergeifyodorov · 10 months
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Dylan for the character ask please??
Okay let’s be real here my first intro to dylan was the same as all of youse. MCSTROME YAOI!
IMPRESSION NOW
DYLAN!! Hockey’s most important unimportant character. I think he’s fascinating -- beyond… that relationship that he has with Davo, which I will touch on momentarily, he’s obviously a student of the game; an intelligent skater and, from his interviews, pretty apparently someone who’s smart and really knows what he’s talking about and looking at, which is why he can easily play centre to high-power finishers like DeBrincat and Ovi. (And why Kane’s aging snuck up on everyone. You forget that a winger does not drive a line.)
I also think this intelligence comes with a pretty wry/deadpan sense of humour, which combined with the Eyebrows (magnificent ones!) and the dark circles gives a certain painted-on look. Like he’s in drag of himself.
not super insightful in this bullet point but he’s wayyyy bigger than i thought he would be
girldad and he is INFATUATED with that toddler weslie he loves his kid and his soon-to-be second kid so much
okay. Let’s talk about the big one now. In juniours, he and Connor had. Some sort of a relationship Going On there… besties but in a toxic-homoerotic-teenager way where you know they are absolutely not going to be okay after any part of it no matter what. And they’re definitely not ok. Dylan’s like “we’re still close to this day!” but i personally believe that is a LIE until proven otherwise… girl they did not LOOK AT EACH OTHER after dylan eliminated connor in that sillie little handshake line in the bubble. What are we talking about here. That’s not a normal healthy teenage-besties thing to do -- Stamkos and Tavares were OHL buddies, and they hugged in the handshake, Matthew Tkachuk and 1634 were USNTDP/OHL buddies and they looked at each other, talked in the handshake. something is not right i know it… fellas what happened between you…
FAV MOMENT
i am going to say eliminating connor as like. Peak narrative momente… but as more of a movement than a moment i do like the new direction he’s going in with the washington capitals… becoming an old man (dad of several children) and also ovi’s daughter
IDEA FOR STORY
i think dylan is settling down right now and becoming more of his own man than a character in the tumult. Baby dylan needs to go on a Dramatic Road Trip though. Confront some demons (metaphorical or literal, your pick). Have some gay sex. Full on early-seasons Supernatural type beat… he needs to feel the open road and kiss men and cry singular manly tears and banish ghosts. not in the same way quinn blinded-by-angels hughes does it. dean winchester activities.
UNPOPULAR OPINION
baby leafsfan thoughts i think… whats his deal w that. has he moved past it now into solely red-wearing symbolism or is he still tied. I think of the three baby leafsfans of 2015 he has moved on the most
FAV RELATIONSHIP
Actually let’s look away from your classic mcstrome stuff and talk about dylovi for a second. they have something and im not afraid to say it. that brunette bitch with the eyebrows WILL be assisting on 895 and you can bet your ass on it
FAV HEADCANON
in the iconic words of lizzo, “i heard you a freak, too” iykyk
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justjensenanddean · 2 years
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Jensen Ackles knew Amazon's “The Boys” was a wild and crazy superhero show before he signed on, and the buff actor’s onscreen entrance – mostly in the buff – threw him in the deep end on his first day.
Ackles’ character, Soldier Boy, emerges from a large metal capsule after several decades in storage and “in true ‘Boys’ fashion, they don't keep their superheroes contained with clothing on. Why would they do that?” Ackles says. “So I stepped out in front of my brand new cast and crew with nothing between me and them but a sock.”
After 15 seasons of “Supernatural,” Ackles goes from battling demons to wielding a star-spangled shield in the third go-round of “The Boys” (first three episodes streaming Friday, then weekly ). His Soldier Boy is a macho 1980s-style superhero in the vein of Captain America – although not nearly as nice a guy – and a hugely popular American celebrity who's long been thought dead. Now he's sought by Billy Butcher (Karl Urban) and Hughie Campbell (Jack Quaid) in their efforts to take down psychopathic super man Homelander (Antony Starr).
Question: Your “Boys” introduction was sans clothing, but what was it like filming a superhero orgy scene where you’re in your spiffy suit surrounded by a bunch of naked extras?
Jensen Ackles: I’m not necessarily a modest person, by any means, but I do remember walking onto the set,  and let's just say that I felt the need to stare at the ceiling more than I've ever felt in my life. Avoid eye contact, just don't look down and you might get through this day.
Q: Was that an interesting exercise going from Dean Winchester to Soldier Boy?
Ackles: Dean was the unlikely hero in flannel that you would walk by a million times on the street and never know. He was fighting the good fight in the shadows, whereas Soldier Boy, he pretends to fight the good fight in the spotlight. Much like Homelander, this is a guy who believes his own hype and battles with his insecurities and internal demons, and doesn't do it very well. We're dealing with a lot of toxic masculinity,  and Soldier Boy definitely gets to embody that.
Q: Why is that an important issue to discuss now?
Ackles: We teach girls all the time (that) it's OK to be tough and it's OK to stand up for yourself, and you can do everything a boy can do. But it is not the same on the flip side. Princess dresses are not for boys, painting your nails is not for boys, playing with dolls is not for boys. The discouragement just because of what has been handed down generation after generation is something that we should peel the layers back and understand maybe on a deeper level where's that coming from, and why are we still holding on to that as a society.
Q: You're joining Reba McEntire as new series regulars on "Big Sky." Is there a duet in your future?
Ackles: (Laughs) If Reba McEntire wants to make me sing with her, I'm a big enough country fan to do everything I can to not let her down. She's an icon, she's legendary, she's country music royalty.
Q: What tune would you pick to sing?
Ackles: Oh, man. I would just do anything I could to get her to sing “Fancy.”
Q: What is it about “Supernatural” that keeps you coming back?
Ackles: It's a world that's always interested me. There's obviously been several attempts at a spinoff for the show, because I do think that there is a strong desire to continue to expand this universe. Any time you've got a fan base and even a cast of characters like this that have really put so much time and effort into building this world, you want to see other parts of it – at least I do. Look, I wasn't ready for “Supernatural” to die. I just needed a break. (Laughs) I wasn't ready for it to necessarily be done done. I just needed to go stick my toes in the sand for a minute.
Q: Do you have big Father's Day plans now that you're back home in Austin?
Ackles: No, my Father's Day plans are pretty much whatever (my family is) going to do for me. I'm on board with that. I'm not the planner in my family. My wife is the commander in chief, and she lets us know where this ship goes. I just wait for my marching orders.
Q: So, you’re a Soldier Boy through and through?
Ackles: That's it, my friend.
USA Today
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preseriesdean · 1 year
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dean winchester: demon and feminist icon
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positivexcellence · 2 years
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'I just needed a break': Jensen Ackles on 'The Boys,' toxic masculinity and 'Supernatural' spinoff
Question: Your “Boys” introduction was sans clothing, but what was it like filming a superhero orgy scene where you’re in your spiffy suit surrounded by a bunch of naked extras?
Jensen Ackles: I’m not necessarily a modest person, by any means, but I do remember walking onto the set,  and let's just say that I felt the need to stare at the ceiling more than I've ever felt in my life. Avoid eye contact, just don't look down and you might get through this day.
Q: Was that an interesting exercise going from Dean Winchester to Soldier Boy?
Ackles: Dean was the unlikely hero in flannel that you would walk by a million times on the street and never know. He was fighting the good fight in the shadows, whereas Soldier Boy, he pretends to fight the good fight in the spotlight. Much like Homelander, this is a guy who believes his own hype and battles with his insecurities and internal demons, and doesn't do it very well. We're dealing with a lot of toxic masculinity,  and Soldier Boy definitely gets to embody that.
Q: Why is that an important issue to discuss now?
Ackles: We teach girls all the time (that) it's OK to be tough and it's OK to stand up for yourself, and you can do everything a boy can do. But it is not the same on the flip side. Princess dresses are not for boys, painting your nails is not for boys, playing with dolls is not for boys. The discouragement just because of what has been handed down generation after generation is something that we should peel the layers back and understand maybe on a deeper level where's that coming from, and why are we still holding on to that as a society.
Q: You're joining Reba McEntire as new series regulars on "Big Sky." Is there a duet in your future?
Ackles: (Laughs) If Reba McEntire wants to make me sing with her, I'm a big enough country fan to do everything I can to not let her down. She's an icon, she's legendary, she's country music royalty.
Q: What tune would you pick to sing?
Ackles: Oh, man. I would just do anything I could to get her to sing “Fancy.”
Q: What is it about “Supernatural” that keeps you coming back?
Ackles: It's a world that's always interested me. There's obviously been several attempts at a spinoff for the show, because I do think that there is a strong desire to continue to expand this universe. Any time you've got a fan base and even a cast of characters like this that have really put so much time and effort into building this world, you want to see other parts of it – at least I do.
Look, I wasn't ready for “Supernatural” to die. I just needed a break. (Laughs) I wasn't ready for it to necessarily be done done. I just needed to go stick my toes in the sand for a minute.
Q: Do you have big Father's Day plans now that you're back home in Austin?
Ackles: No, my Father's Day plans are pretty much whatever (my family is) going to do for me. I'm on board with that. I'm not the planner in my family. My wife is the commander in chief, and she lets us know where this ship goes. I just wait for my marching orders.
Q: So, you’re a Soldier Boy through and through?
Ackles: That's it, my friend.
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